Contents
VOLUME I00 NUMBER I MARCH 2018
EDITOR NOTE
6 Global Crossings
NINA ATHANASSOGLOU-KALLMYER
ARTICLES
7 Starting from Places: Continuous Narration and Discontinuous Perspectives
in Roman Art
NATHANIEL B. JONES
The phenomenon of Kontinuous narration—the representation of multiple narrative moments
in a single visual field—in Roman painting of the first Kenturies BCE and CE attests to the ways
time and space could be Kreatively Konnected in anKient art. This pictorial device animates
painting in its interplay with the viewer, at onKe multiplying points of view and mediating
between internal and external images. lt thus models Roman attitudes toward not only the
representation of the world but also the interpretation of pictures. In so doing, it demonstrates
a signifiKant form of material agenKy.
36 The Tour Guide in the Middle Ages: Guide Culture and the Mediation of
Public Art
CONRAD RUDOLPH
Careful examination of the medicval "tour guide" reveals that guide Kulture and its
media
Contents
VOLUME I00 NUMBER I MARCH 2018
EDITOR NOTE
6 Global Crossings
NINA ATHANASSOGLOU-KALLMYER
ARTICLES
7 Starting from Places: Continuous Narration and Discontinuous Perspectives
in Roman Art
NATHANIEL B. JONES
The phenomenon of Kontinuous narration—the representation of multiple narrative moments
in a single visual field—in Roman painting of the first Kenturies BCE and CE attests to the ways
time and space could be Kreatively Konnected in anKient art. This pictorial device animates
painting in its interplay with the viewer, at onKe multiplying points of view and mediating
between internal and external images. lt thus models Roman attitudes toward not only the
representation of the world but also the interpretation of pictures. In so doing, it demonstrates
a signifiKant form of material agenKy.
36 The Tour Guide in the Middle Ages: Guide Culture and the Mediation of
Public Art
CONRAD RUDOLPH
Careful examination of the medicval "tour guide" reveals that guide Kulture and its
media
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