7271361

              Index
Works are indexed at the ends of author entries. Bold italic pages indicate the illustrations.
abstract art, 234-6
abstraction, and the figure, 236-9, 245-6n,
322nn39,41
and formalist criticism, 54, 64, 87-90
theory of, 64; see also taches
aesthetics 4, 26
in Baudelaire, 100
Flaubert and, 70, 177
in Kant, 88, 90, 144
of purification/purity, 1, 2-3, 91, 198, 244,
246nn5,8, 247n26
of realism, 222-3, 274nl24
Salon standards, 30^1
see also legibility-illegibility, aesthetics of
Albern, Leon Battista, 4
allegory
of beholding, 146-74
in "Legend of Saint Julien," 191, ЗОбпбб
animals
Baudelaire on, 135-6
depicted in literature/painting, 58, 82, 129,
151, 229, 289nl75, 291nn207,217,
292n218
in Second Empire culture, 136-8
see also "Legend of Saint Julien," animals in;
Manet, animals depicted; parrot
Apter, Emily, 212-13, 314n57
Armstrong, Carol, 63, 275nl25, 288nl58
art
academic, 33^1, 255n55
for art's sake, 26
bourgeois buyers, 29-30, 32-3
bourgeois vs. social (Bourdieu), 26
budget for, in Second Empire, 28, 255n65
commodification of, 9, 26, 253n23, 254n41,
257nl12
critic, emergence of, 260nl66
as historical record, 252n2
institutionalization of, 28
see also aesthetics; painting
Astruc, Zacharie, 256n90
Manet's portrait of, 115, 115, 262n202,
293n231
Audran, Girard, 214, 313n48
Auvray, Louis, 33
Babou, Hippolyte, 65, 73, 112, 274nll8
Bachelard, Gaston, 243
Baldick, Robert, 312n27
Balzac, Honoré, 31, 79, 126
on Parisians, 148
"Unknown Masterpiece, The," 78, 81
Barnes, Hazel, 243
Barnes, Julien, 14, 250n61
Barthes, Roland, 105-6, 111, 185
Bataille, Georges, 3, 4-5, 9, 59, 62, 64, 65,
92, 140, 246nl2,247nl3-15
on Jeune dame, 127
sketch of Dali's Le Jeu lugubre, 59, 59
Baubo, 163, 298n59
Baudelaire, Charles, 5, 6, 8, 9, 31, 57, 71, 73,
83, 100, 107, 108, 112-13, 230, 281n29
on animals, 135-6
beauty, formula of, 109
on dress, 116, 117
and Manet, 236, 252n94, 293n227
on Salon of 1846, 269n37
on woman, 116
"Bad Glazier, The," 309nl06
"In Praise of Cosmetics," 164
"Painter of Modern Life, The," 5, 117, 140,
164
"Pipe, The," 221
"Rope, The," 285n98, 298n57
"Salon of 1859," 5
"Thyrsus, The," 142
335
336 Index
Baudry, Paul, 22, 94
Bazille, Frederic, 40, 52
beholder, 30-1, 33, 35, 45, 50-1, 82, 93-5,
161,267n6
caricatures of, 297n45
disruption to, 52, 72, 265n257
and "Legend of Saint Julien," 178, 179, 199
male, 35-8, 163-6
presence within picture, 297n52
at Salon
of 1866, 146
of 1868, 38^10, 101, 296n29
and "A Simple Heart," 219-22
see also Jeune dame en 1866, and beholders;
voyeurism
Benjamin, Walter, 73
Berger, John, 138
Bernard, Claude, Introduction to the Study of
Experimental Medicine, 21
Bernheimer, Charles, 6, 164, 166, 250n60
black cat, see Manet, animals depicted, black cat
Blanc, Charles, 64, 191
History of Painters of All Schools, 64, 82,
291n202
Bois, Yve-Alain, 59, 246nl2
Bonheur, Rosa, 22, 28, 138
Bonnefils, Philippe, 251n90, 315n84
Borges, Jorge Luis, 230, 318nl35
Botticelli, Sandro (Alessandro di Mariano
Filipepi), 58
Boucher, François, 137
Boucicaut, Aristide, 253n27
Bouguereau, William, 30, 130, 132, 138,
301nl01
Napoléon III Visiting the Flood Victims of
Tarascón (1856), 28, 112
Une Bacchante (aka Bacchante Teasing a
Goat) (1863), 289nl74
Bourdieu, Pierre, 2, 6, 26, 28, 33, 81, 83,
248n35
Boyer, E. Brunet de, 43
Brager, Durand, 44
Braun, Adolphe, 22
Breton, André, 28, 232
Breton, Jules, 250n57
Brion, Gustave, 32, 40, 54
Bible Reading: Protestant Interior in Alsace
(1868), 32
Brooks, Peter, 6, 12
Brueghel, Peter, the Younger, 12
Saint Anthony (attrib.), 71
Bryson, Norman, 71, 80, 157, 273n99,
280nl9
Buffon, Georges-Louis, 132, 134-5
Burri, Alberto, Combustione Plastica (1964),
60
Cabanel, Alexander, 30, 34, 36, 94, 130, 138
250n57, 301nl01
Birth of Venus (1863), 36
Nymph Abducted by a Faun (1860),
289nl74
café Guerbois, 22, 272n88
Caillebote, Gustave, 272n85
Callias, Nina de, Manet's portrait, 289nl72,
300n95
Cantaloube, Amédée, 47
caricatures, 65, 75, 151-2, 265n257,
274nl22, 280nl2, 283n54, 284n79,
287nl37, 289nl81,297n45-6
Carjat, Etienne, 47, 68, 121
Carpaccio, Vittore, 290n202
Carracci, Annibalc, 9
Casares, Adolfo Bioy, 318nl35
Cassatt, Mary, 132
Castagnary, Jules-Antoine, 35, 40, 42, 75-6,
95, 98, 261nl72
on Courbet's parrot, 135
on Toung Man in the Costume of a Majo,
168
castration, 163-8, 172, 212, 298n63
and decadence/modernism, 164, 298n64
Lacan's interpretation, 168-71
in "Legend of Saint Julien," 196
and monocle, 299n69
in "A Simple Heart," 222
as tache, 164
and voyeurism, 86-7, 299n75
cathedral, 303n38
Flaubert and, 70-1
see also Rouen
censorship, 24, 28, 74, 131
Cézanne, Paul, 22, 40, 59, 132
"Songe d'Annibal" (poem), 268n22
Cham [Amédée de Noé] (caricaturist), The
Salon Jury, TS, 75
chaos theory, 80, 300n90
Charivari, 75
Manet character in, 72
Zola character in, 38, 51, 56, 63, 78,
270n50, 274nll4
Charpentier, Georges, 183, 184
Chassagnol neveu [Félix Régamey] (caricatur­ist),
"Manet - Une Jeune femme," 105,
283n54
Chatman, Seymour, 304n48, 305n53
Chauchard, Alfred, 26
Chaumelin, Marius, 32, 119, 261nl79,
269n38, 289nl83, 297n46
Chesneau, Ernest, 43, 44, 74, 176, 289nl83,
293n232
chiasmus, 28, 138, 194, 200; see also ut
pictura poesis
Index 337
Clark, T. J., 6, 24, 173, 234-5, 245n4,
247n25, 248п35, 253п23, 267п14,
289п174
Clay, Jean, 52, 84, 167
Cognacq, Ernest, 26
Cohen, Martin, 288nl67
Colet, Louise, correspondence with Flaubert,
13, 70, 250n71, 273n98, 311nl8
color, 82, 76
Manet and, 266n276, 275nl25; see also
Jeune dame en 1866, color
as secondary to line, 81-2, 277nl65
Committee of Non-Exempt Artists, see Salon,
1868
Connolly, John, 146
Coppée, François, 23
Corbin, Alain, 253n31, 314n57
Courbet, Gustave, 28, 42, 61, 138,
258nnll3,124, 280n22
legibility and, 34-5
and Manet, 15, 34, 42-3, 261nl81
private exposition of, 280n9
Artist's Studio, The: a real allegory of a seven-year
phase in my artistic and moral life
(1855), 283n56
Awakening, The, 37
Charity of a Beggar at Omans, The (1868),
48, 48
Covert of Deer, The: At the Stream Plaisirs-
Fontaine, 284n74
Origin of the World, The, 22
Sleep (aka The Sleepers), 22
Venus and Psyche, 37-8, 259nl43
Woman with a Parrot, Pl. II, 22, 27, 34-8,
42, 100, 128
as answer to Olympia, 107
criticism of, 34-5, 108, 284n71
as predecessor of Jeune dame, 107-8
courtesan, 22, 118-19, 129, 212, 286nl24
Cousin, Victor, 254n49
Couture, Thomas, 43, 254n49, 262nl85
Cozens, Alexander, 59, 82, 268n29
New Method of Assisting the Invention in
Drawing Original Compositions of Land­scape,
A, 59
Crary, Jonathan, 50, 52, 93, 165
crinoline, 120-2, 287nl34
caricatures, 120-1, 287nl37
cross-dressing, 52, 150, 295n24
Cuenot, Urbain, 34, 37
Culler, Jonathan, 176, 315n86
Cyclops, 165, 167, 299n67
dada, 230-1, 231, 320nl4
Daix, Pierre, 248nn32,35
Dali, Salvador, Le Jeu lugubre, 59
Damisch, Hubert, 249n40, 267nn6,ll
dandyism, 284n68, 294nl2
Darragon, Eric, 83, 284n68
Darwin, Charles, Origin of the Species, 138
Daumier, Honoré, 284n79, 297n45
"Paris - Beaux-Arts Exposition - In the
Grand Salon - A Moment of Repose," 29
David, Jacques-Louis
Marat Assassinated, 247n25
Rape of the Sabine Women, 280n9
David, Jules (illustrator), in Moniteur de la
mode, 51, 136
Davis, Erwin, 274nll3
de Balleroy, Alfred, 149
de Beiloy, A., 42
de Biasi, Pierre-Marc, 20, 176, 197-8,
285n87, 302nnl 1,17-18, 303n41
de Biran, Maine de, 52
de Duve, Thierry, 145, 245n4, 246n5
de Jonghe, Gustave, 108, 137
de Ni tri s, Giuseppe, 269n38
de Pontmartin, Armand, 319n6
de Renjarde, В., 45, 47
de Sade, Donatien-Alphonse-François, marquis,
179
de Staël, Mme. [Anne Louise Germaine
Necker, Madame de Staël-Holstein], 61
Debray-Genette, Raymonde, 303n31, 310n6,
312n26
Decamps, Alexandre-Gabriel, 280n9
Experts, The, 150, 151
Degas, Edgar, 22, 40, 42, 92, 132, 138,
269n38,280n22
Bellelli Family, portrait, 288nl62
Therese and Edmondo Morbilli, portrait,
288nl62
Woman with a Parrot (ca. 1866), 133
Young Woman with Field Glasses, A,
298n58
Delacroix, Eugène, 137, 247n28, 280nn9,22
Delord, Taxile, Les Fleurs animées (1846), 124
department store, 26, 50, 253n27, 288nl56;
see also Paris, Haussmanization of
Derrida, Jacques, 144, 167, 279nl95
on Kant, 88, 90
Desboutin, Marcellin, portrait of, 140, 141
Descartes, René, 82, 211
Discourse on Method, 135
detective story, 18, 254n33
Devéria, Eugène, 254n49
di Cosimo, Piero, 58
Dickens, Charles, 12
Diderot, Denis, 30, 95
Salons, 30
Didi-Huberman, Georges, 110, 154, 251n86
Dimpre, Paul, 43, 44
338 Index
Donato, Eugenio, 248n37
Doré, Gustave, 12, 63
Douglas, Mary, 81
Droz, Gustave, 252nl3
Monsieur, madame et bébé, 22
Du Camp, Maxine, 115, 311n7
Duchamp, Marcel, 320nl6
In Advance of the Broken Arm, 230
Dumas, Alexandre, 27, 32
Duncan, Carol, 245-6n4
Durand-Ruel, Paul, 26, 42, 111, 251n81,
256n78
Duranty, Edmund, 22, 46, 47, 113
Dürer, Albrecht, 290n202
Duret, Théodore, 30, 42, 255n71
Manet's portrait of, 293n231
French Painters in 1867, 30
École des Beaux-Arts, 22, 28
ekphrasis, 8, 13, 142
"Legend of Saint Julien" as, 179, 184, 186-
201
"A Simple Heart" as, 203-8, 224
Empress Eugénie, 24, 120
Enault, Louis, 108
engravings, 313n48
Doré, 303n29
and Flaubert, 208, 311n22
Japanese, taches in, 270n59
Épinal prints, 204, 274nll6
and Manet's paintings, 73, 122, 140
in "A Simple Heart," 73, 204, 215, 216-18,
315n82
taches in, 73, 270n59
Esquiros, Alphonse, 130
Exposition universelle
1855, 32, 256n80, 258nl22, 280n9,
281n29
1867, 257nll0, 294nl3
expressionism, abstract, 236-7, 268n25
eyes
in Flaubert, 186, 305n64
in Jeune dame, 92, 296n39
relationship with optical apparatus, 298n66
Fantin-Latour, Henri, 22, 49
Self-Portrait, 167, 169
Le Toast, 283n56
Farwell, Beatrice, 289nl77, 291n205
fashion, 24, 137, 253n26, 253n30, 287nl32
and class, 286nl 19
and modernity, 117, 286nll2
portraits, 108
Felman, Shoshana, 184, 315nn73,84,86
on "Legend of Saint Julien," 304n50
on "A Simple Heart," 223
Félon, Joseph, The Harem (1850), 137, 137
fetishism, 126, 164, 166-7
Freud on, 212, 316n87
Figaro, 30, 39
Fischl, Eric, 230
Flandrin, Hippolyte, 33
flânerie, 24, 253n29; see also voyeurism
Flaubert, Gustave
career and history, 6-7, 175, 249n39, 301n4
correspondence
Charpentier, 304n42
Colet, 13, 70, 250n71, 273n98, 311nl8
Sand, 175, 179,214
Zola, 183, 248n33, 272n88
image-text relation, 12, 16, 182, 250n60
illustrations, 12, 182-3, 249nn52,54
prints/engravings and, 176, 311nnl4-15,
250n60
legibility and, 25, 31, 66, 71, 177, 183,
185-6, 194, 197
and Manet, 5-8, 14, 17-8, 57-8, 66, 72,
83^, 227-30, 248nn31-2, 35-6, 304n42
legibility in, 20, 26-7, 142, 185; see also
legibility-illegibility, aesthetics of
and parrots, 134-5, 159, 161-2
relation to audience, 26-7, 177-8, 195,
219-20, 223-4
see also tache, as meeting of image and text
niece, Caroline, 68
and parrots, 129-30, 314nn61-2; see also
"A Simple Heart"
Salon attendance, 25ln78
and taches, 56, 66-72, 83, 176; see also
"Legend of Saint Julien," taches; "Simple
Heart, A," taches
writing, sex, and violence, 191-2, 201, 215
writing style, 301n9, 312n26, 312n28; see
also mot juste .....
Bouvard and Pécuchet, 68, 176, 179,
250n60, 303n34
Candidate, The, 6, 175
Dictionary of Received Ideas, 129, 179, 205,
211
"Hérodias," 12, 203, 164, 166, 176, 311n8
Madame Bovary, 3, 12, 13, 17, 70, 85,.175,
229, 319n4, 319n6
Par les champs et par les£rèves, 70
Salammbô, 69, 175, 176
Sentimental Education, 13, 31, 66, 68, 83,
123, 260nl56, 286nl06, 319n6
Garvarni prints and, 250n60
linking of taches and sun, 308nn96-7
monocle in, 293nl
tableax vivants, 265n256
Temptation of Saint Antony, The, 6, 12, 68,
69, 175-6, 218
Index 339
Three Tales, 12, 14, 16, 164, 166, 175-6,
203, 251n79, 301nn2,6, 302nl7
taches in, 68, 69, 72, 178-9, 215
see also "Legend of Saint Julien"; "Simple
Heart, A"
formalism, 3, 17, 26, 54, 71, 87-91, 169-
70, 175-8, 201, 236-9, 242, 248n8,
300n88
Foster, Hal, 315n84
Foucault, Michel, 7
on Manet, 248n36
Fouquier, Henry, 43
Frankenthaler, Helen, Mountains and Seas
(1952), 238
Fragonard, Jean-Honoré, 137
Frascina, Francis, 294n3
on Greenberg's modernism, 245n4
Freud, Sigmund, 61, 163, 164, 166, 168,
299nn69,73, 301nl01
Perception-Consciousness System, 168
"A Disturbance of Memory on the
Acropolis," 61
"Fetishism," 212, 316n87
"Medusa's Head," 61
see also castration; fetishism
Fried, Michael, 6, 256n91
on Courbet, 134
on Greenberg's modernism, 245n4
on Jeune dame, 127, 167
on Manet, 9, 15, 52, 93, 135, 155, 167,
168, 236-7, 246n8, 278nl79, 292n220,
297n51, 298n64, 321nn32,35
on Pollock, 235MrO, 321n34
on Zola, 237
Manet's Modernism, 237, 248n35, 321n32
"Manet's Sources," 236, 237, 312n36
Three American Painters, 235-9
Fry, Roger, 64
Gautier, Théophile, 6, 35, 42-3, 45, 46-7,
280n21
Gavarni, Paul, "Lorette in Dressing Gown with
a Parrot," 137, 139
genre painting, 32,44, 94, 146, 256nn90-l,
264n249; see also subject matter
Gérôme, Jean-Léon, 22, 30, 61, 94, 301nl01
Execution of Marshal Ney (1868), carica­tured,
42, 43
Hail Caesar! We Who Are about to Die Salute
Той (1859), 284n68
Gill, André [Louis Gösset de Guiñes]
(caricaturist), 104, 147, 154
Gilman, Sandor, 289nl75
Giraud, Victor, The Husband's Return,
caricatured, 51, 53, 265n257
Gombrich, E. H., 268n29
Concourt, Edmond de and Jules de, 6, 9, 69,
72, 183, 284n71
Manette Salomon, 69-70
Gonzalez, Eva, 132
Gopnik, Adam, 108
Grandville, Jean-Jacques, "Violette," 124, 125
graphie moment, 8, 86
in "Legend of Saint Julien," 187
monocle as, 149, 162, 171
in "A Simple Heart," 219
stained glass as, 71, 197
tache as, 57, 86, 267nll
Greenberg, Clement, 1, 2, 4, 5, 12, 26, 62,
65, 100, 227, 236, 245nn2,4, 321n32
on modernism, 1-5, 245n4; see also aesthet­ics,
of purification/purity
on Pollock, 235, 240, 321n26
"Complaints of an Art Critic," 246n5,
247n26
"Modernist Painting," 2, 246n5
Towards a Newer Laocoon, 2, 246n5
Greuze, Jean-Baptiste, 95, 137
Punished Son, The (Return of the Prodigal
Son) (1777-8), 30-1, 31
Gripp, Carlo, 280nl2
Grosseiller, E. (illustrator), 150
Grünewald, Matthias, Isenheim Altarpiece,
277nl62
Guichard, Joseph, 22
Hamilton, George Heard, 41
Hamon, Philippe, 84-6, 304n53, 319n4
on taches, 309nl01
Hanson, Anne Coffin, 9
Haussmann, baron Georges-Eugène, 23-4,
255n36
Haussmannization of Paris, 23-7, 57, 83, 84,
212, 254nn36-7
apartments, 29, 32
façades, 122
haute bourgeoisie, 25
and legibility, 25, 27
see also Second Empire
Herbert, Robert L., 249n48, 320n7
Hertz, Neil, 298n64
Hickey, Dave, 310n6
history painting, 11, 22, 32, 249n50, 256n89,
285n96
Hitchcock, Alfred
taches in, 300n89
Ziiek's essay on, 61
Hockney, David
Felicité Sleeping with Parrot (1973), 225
Geography Book (1974), 217, 317nll0
My Mother with a Parrot (1973), Pl. VII,
202
340 Index
Holbein, Hans, 171
Ambassadors, The (1533), 153
Holtzapffel, Jules, 266n4
Homer, 140
Horace, 1, 5, 227
House, John, 30, 255n57
Houssaye, Arsène, 54
Hugo, Victor, 60, 230, 303n38
inkblot drawings, 58, 59, 233, 268nnl6,21,
320nl8-19
Toilers of the Sea, 232
human-animal relation, see animals
image-text relation, 1, 4, 5, 7, 8, 227-44,
247n25, 249n40, 254n50, 302nl8,
303nn29,30,41
as gendered, 305n51
see also Flaubert, image-text relation;
Manet, image-text relation
impressionism, 57, 96, 194, 270n48
show of 1874, 68
taches and, 59, 68, 72, 266n5
Ingres, Jean-Auguste Dominique, 22, 46, 82,
280n9
inkblot
in Flaubert manuscripts, 68, 69
Hugo and, see Hugo, inkblot drawings
Rorschach, 23, 60-1, 63, 222
Jahyer, Félix, 44, 47, 132
James, Henry, 320nl5
Jay, Martin, 247n24, 248n36
Jeune dame en 1866 (Manet), Pl. IX, 14-17,
92-174,195
accessories ("milieu"), 116-26
and The Artist, 292n224
and beholders, 79-80, 94-100, 105-6, 110,
119, 126-8, 141-2, 148, 154-6, 159-61,
165-7
beholding, allegory of, 146-74
caricatures of, 48, 49, 105, 105, 146, 147,
283n54
citron in, 98, 142-4, 143, 171, 172,
283n58, 293nn232-3
color, 45-6, 107, 117, 122-3, 263n208,
283n58, 286nnll3,118, 288nl58
composition date, 265n258, 269n47
critical reception, 14-16, 41-50, 52-5, 56,
112, 261nl79, 262n204, 263n227
details reproduced, 44, 45, 47, 117, 124, 127,
129, 133, 143, 148, 153
evolution of, 263n227, 290nl95, 292n223
facture/paint handling, 44-5, 77
Fried on, 127, 167
genre and, 46-50, 100, 127, 285n96
metaphor and, 140
milieu of, 114-15
and modernism, 16-19
monocle in, 92, 96-8, 124, 126, 148, 148-
56, 162-71
ambiguities of, 150, 171-2, 295n25,
296n31
erotic implications, 296n32
as fetish, 166
Freudian reading, 163-8
as gendered male, 149-50, 162, 163-7
Lacanian reading, 168-71, 300n91
and parrot, 157, 160
and taches, 151-2
as tattoo, 294nl 1
as Waldsteinsche Monokel, 295nl4
see also monocle
and narrative, 94-100, 110, 146, 172
and Olympia, 15, 47, 92, 102-7
parrot in, 46, 96, 98, 99, 128-45, 129, 157-
62, 281n26, 292n223
and bourgeoisie, 129
color, 108, 129, 138, 140, 141, 152
and Courbet's Woman with a Parrot,
128-9, 138
criticism of, 297n50
excrement, 126, 144, 293n236
eye, 98, 126, 141, 146, 152, 153, 155,
157,296n39
framed with woman, 136-45
and gender, 136
and imitation, 131-2, 133, 133-5,
290nl88
and monocle, 157, 160
point of view, 155, 158-9, 160
and woman, genre of, 136-7, 290n202
peignoir, 96, 98, 99, 106, 107, 115, 116-
23, 117, 283n58; see also crinoline
and Poe, parallels, 106-7, 283n62
political connotations, 124, 131
psychoanalytic interpretation, 163-71; see
also castration
and Races at Lonjjchamp, 154
sale of, 14, 251n81, 274nll3
Salon of 1868, submitted to, 40-1
as self-portrait, 265n263, 299n82
space, treatment of, 98-9, 113-15, 285nl05
strategy, 93, 96-100
taches and, 74, 87, 98, 122-3, 144-5, 151-2
as theater, 159-62
title, 15, 21, 53-4, 110-15, 154, 260nl58,
284nn83,86-9, 285nn87-9,95
violets in, 47, 96, 104, 123-4, 124, 282n43
woman, representation of, 113-28
year 1866, relevance, 18, 21-2, 154, 172-3
Zola on, 38, 49, 52-5, 104, 111, 168,
265n267
Index 341
Joselit, David, 320nl6
July Monarchy, 24
July Revolution, 315n82
Kafka, Franz, 230
Kant, Immanuel, 82, 88-90
aesthetic theory, 144-5
free/adherent beauty, 88
Critique of Judgment, 88, 90
Kelly, Mike, 60
Kermode, Frank, 323n55
Kerner, Justinus, 59, 268n29
Khalil-Bey, Mohammed Mahmoud, 22
Kittay, Jeffrey, 305n53
Krauss, Rosalind, 59, 234-5, 297n52, 320n22,
321n24
Lacan, Jacques, 61, 157, 167, 168-72, 298n56
Lajer-Burcharth, Ewa, 294n3
landscape painting, 32, 35, 40
Langlois, Eustache-Hyacinthe
drawing of Saint Julien window, 180-1,
182-4
Larousse, Pierre, Grand dictionnaire universel
du XIX' siècle, 129, 132, 135
Lasteyrie, Ferdinand de, 46, 112, 121, 131
Laurens, Jules, 320nl8
Lavater, Johann Kaspar, 263n225; see also
physiognomy
le Brun, Charles, 28, 82, 291n217
Le Salon pour rire, 104
Lebensztejn, Jean-Claude, 267nn9,ll, 268nl6
"Legend of Saint Julien the Hospitaler, The"
(Flaubert), 12, 14, 17, 18, 179-201, 240
allegory in, 191, ЗОбпбб
animals in, 183, 185-6, 187-8, 189, 192,
196, 198, 306n71
beholder and, 178, 179, 199
biblical figures, 305n54
composition, 176, 198
as ekphrasis, 179, 184, 186-201
ending, 179, 182, 184, 186, 191
image-text relation, 16, 179-82
legibility-illegibility of, 183, 185, 186-7,
189, 199
and mythology, 304n50, 305n54
narrative in, 184-6
parricide, 177, 190, 192, 195-6, 199, 201
psychological components, 186, 304n50
sources, 183-4
Saint Julien window, 182—4
stained glass and, 72, 178, 179-86, 189-
201, 247n22, 303n40, 304n50, ЗОбпбб
taches and, 69, 80, 178, 187-96, 199-201,
307nn78,81
blankness and, 189, 191
blood as, 176, 187, 188, 191, 192-4,
195-6, 200, 201, 306n70
implied, 308n83
light and, 178, 189, 192, 193-4, 195,
200, 307n78
and sin, 200
title, 182
Legenda aima, 183
legibility-illegibility, aesthetics of, 20, 30-4, 32,
46, 57, 85, 100, 148, 227
Courbet and, 34-8
Flaubert and, 25, 31, 66, 71, 176, 177-8,
182-6, 191-2, 194-200
Manet and, 25, 42, 44-50, 54-5, 57, 73-
80, 94-100, 151-4, 162-3, 171-2,
281n32
Paris and, 24-5, 27
Legouvé, Ernest, 274nl23
Lemot, A., "Flaubert Dissecting Emma
Bovary" (1869), 85
Leonardo da Vinci, 58, 60, 82
Leroy, Louis, 37, 51, 63, 78, 168, 289nl83
Lessing, Gotthold Ephraim, 205, 321n31
Levine, Sherrie
Flaubert: Un Coeur simple, 230, 232
"pathos: Trois Contes," 320nl7
Leys, Henri, 196, 309nll4
Ligo, Larry, 296n39
Lipton, Eunice, 150
lithography, 24, 28, 137, 204, 311n22
Manet and, 260nl62, 297n52
see also Epinal prints
Longo, Robert, 230
lorette, 109, 137, 139; see also prostitution
Los Rios, Ricardo de, 42, 43
Louis, Morris, 91, 238, 322n40
Louvre, the, 26, 28, 31, 291n213
Lukács, Georg, 12
Lyotard, Jean-François, 145
macchiaioli, 59
Magritte, René, 230
Mainardi, Patricia, 21, 294n3
Malevich, Kazimir, 320n22
Mallarmé, Stephane, 8-9, 247nl5
Malraux, André, 9, 64
Mancino, Leon, 68
Manet, Edouard
animals depicted, 137, 139-40, 291n207
black cat, 3, 25, 64, 104, 129,
283n50,53
crane, 9
dog, 141, 292n224
horse, 52, 154, Fl. VI
backgrounds depicted, 113-15, 285nl04,
297n49
342 Index
Manet, Edouard (cont.)
career/history, 6, 26-7, 33-4, 43, 93^,
248nn31,32, 257nl09, 262nl85, 280n9,
282n45,321n32
as Charivari character, 72
and Courbet, 42-3, 107, 171, 283n67; see
also Courbet, Woman with a Parrot
and Flaubert, see Flaubert, and Manet
fruit depicted, 142, 293n231; see also Jeune
dame en 1866, citron in
legibility and, 25, 42, 44-50, 54-5, 57, 73-
80, 94-100, 151-4, 162-3, 171-2,
281n32
and Monet, 52, 289nl83
narrative strategies, 5, 11, 15, 41, 94-100,
156, 160, 164-5, 171, 172
private exhibition (1867), 16, 79, 93, 100,
257nll0, 280n9, 284nn70,84
reasons for, 274nl23
reviews of, 261nl76
and Salon, 15, 27-8, 33^, 255n56, 279n4
of 1868, 38—41, 266n275
Sorlin on, 248n35
and "tableau," 292n220
and taches, 56-8, 62-6, 72, 272n88,
275nl30; see also Jeune dame en 1866,
taches and
theatricality in, 160-1, 171, 297n49
Zola and, 22, 41, 54, 62-6, 68-9, 78-9, 93;
see also Zola, on Manet
Absinthe Drinker (1859), 146, 248n31,
282n45,294n3
Artist, The (Portrait of Marcellin Desboutin)
(1875), 140, 141, 292n224
At Father Lathuille's (1879), 11,95, 95
Balcony, The( 1868), 75, 87-90, 89, 95, 96,
146
Balloon, The, 297n52
Bar at the Folies-Bergère, A (1882), Pl. IV,
11, 20, 58, 148, 265n263, 280nl7
Barricade, The (1871?), 11
Battle of the Kearsarge and the Alabama
(1864), 11, 285n95
Bear Trainer, The, 297n52
Bouquet of Violets (1872), 96, 97, 124
Bullfight (1865), 298n55
Café-Concert, The (aka At the Café) (1878),
95
Cats' Rendezvous, 25
Dead Christ and the Angels, The (1864), 5, 7
Dead Toreador, The ( 1863—4), 298n55
Escape of Rochefort, The (1880-1), 11,
285n95
Execution of Maximilian, The (1867), 11,
42, 65, 74, 131, 260nl62, 285n95
Fifer, The{ 1866), 40, 113
Fishing (1861-3), 9
Guitar Player, The (1867), 101, 291n202,
292n219, 298n55
In the Conservatory (1879), 11, 94, 95,
280nl7
Interior at Areachon (1871), study for, 10,
11
Le Déjeuner sur l'herbe (1863), 6, 11, 42,
47, 79, 95, 101, 102, 103, 104, 168,
265n256, 280nl5, 285n99, 304n42
original tide, 285n99
Lola de Valence (1862-3), 101, 117,
297n49, 298n55
Luncheon in the Studio (1868), 17, 75, 77,
95, 229, 293n231
Madame Manet at the Piano (1868), 114,
114
Masked Ball at the Opera (1873^1), 11, 24
Matador, A (aka Matador Saluting) (1866-
7), 101, 297n52
Mlle. V*** in the Costume of an Espada
(1862), 52, 96, 96, 101, 150
Mme. Manet and Her Son at Arcachon
(1871), 10, 11
Mme. Manet on a Blue Sofa (1874-8),
282n49
Mocking of Christ, The (1865), 41
Monet Family in Their Garden at Argenteuil,
The (1874), 95
Moonlight over Boulogne Harbor (1869), 66,
67
Music in the Tuileries (1862), 74, 79, 86,
149, 149
Nana (1877), 9, 9, 289nl72
Old Musician, The (1862), 96, 97, 101,
298n55
Olympia (1863), 6, 11, 15, 17, 37, 40, 41,
42, 52, 62, 74, 79, 87, 103, 150, 173,
274nll8, 270n58, 276nl50, 280nl5,
282nn48-9
Courbet on, 34
critical reception of, 47, 64
and Jeune dame, 15, 47, 92, 102-7
Oysters (1862), 293n231
Philosopher, The (1865-7), 113
"Philosophers" (aka "Ragpickers") series,
52
Plum Brandy ( Woman with a Plum) (1877),
10, 11
Policinelle Presents ".Eaux-fortes by Edouard
Manet" {Deuxième essai de frontispice),
(1862), 160, 161
Portrait of Emile Zola (ca. 1868), Pl. III,
40, 41, 42, 44, 47, 63, 261nnl72,179
Portrait of Marcellin Desboutin, see Manet,
Artist, The
Index 343
Portrait of Théodore Duret (1868), 293n231
Portrait of Zacharie Astruc (1866), 115,
115, 262n202, 293n231
Races at Longchamp (1866), Pl. VI, 52, 154,
296n33
Ragpicker, 1Ъе (1865-9), 113
Railway, The ( 1873), 11, 11, 280nl7
Spanish Ballet (1862), 297n52, 298n55
Still Life with Carp (1864), 293n231
Still Life with Fish (n.d.), 293n231
Still Life with Salmon (1869), 293n231
Street Musician, 297n52
Street Singer, The (1&62), 101, 102,
298n55
Surprised Nymph, The (1859-61), 160,
297n52
Tragic Actor, The (Rouvière as Hamlet)
(1865-6), 40, 101, 113
Victorine Meurent (ca. 1862), 101, 101
View of the Universal Exposition of 1867
(1867), 110, 111, 294n5
Woman in Pink, The (aka Woman with a
Parrot), see Jeune dame en 1866
Woman with Fans, The (aka Nina de Callias)
(1873), 289nl72, 300n95
Young Man in the Costume of a Majo (1863),
101, 168
Young Woman Reclining in Spanish Costume
(1862), 293n231
see also Jeune dame en 1866
Mantz, Paul, 43, 46, 54, 87, 95, 266n271
on taches, 278nl89
maps, 318nnl33,135
in Poe, 8, 19
see also "Simple Heart, A," map of Cuba
Marchai, Charles, Pénélope and Phrynt (1868),
54, 119
caricature of, 265n257
market, see art, bourgeois buyers; art, commod-ification
of; Salon
Marx, Karl, 21, 253nl8, 264n251, 289nl80
Capital, 21
Matlock, Jann, 291n202, 295nl4
Mauner, George L., 146
Meissonier, Jean-Louis-Ernst, 32, 152
Meister, Ernest, Revue du 6 juin 1867, 40
Melville, Steven, 245n4
Merleau-Ponty, Maurice, 154
Merson, Olivier, 43
Merlet, Gustave, 12, 250n57
metaphor, in painting, 140-2, 292n225
Meurent, Victorine, 101-2, 110, 118, 132,
137, 281n34, 282nn38-9,42-3,
288nl64,297n50
in Jeune dame, 40, 98, 104, 105-6, 108,
132, 150, 173
in Le Déjeuner sur l'herbe, 63
Manet's portrait of, 101, 282n35
in Olympia, 94, 105-6
Stevens painting of, Pl. V, 108
Miller, Jacques-Alain, 170
Mitchell, Timothy, 318nl33
Mitchell, W. J. T., 4, 247n24
Möbius strip, 119, 123, 199, 286nl25
modernism, 14
beginnings of, 1, 5
and decadence, 164, 298n84
Greenberg on, 1, 2, 198, 227, 245n4, 246n8
and image-text mixing, 5, 227-8
Manet and Flaubert and, 1, 2, 5, 14,
278nl81
and taches, 57-8, 244
see also aesthetics, of purification/purity;
Fried, on Pollock; tache, and modernism
Mondrian, Piet, 320n22
Monet, Claude, 40, 43, 52, 54
on Jeune dame, 52, 112
Camille (1866), 22
Déjeuner sur l'herbe ( 1866), 22
Mme. Louis Joachim Gaudibert (1868), 109,
109
monocle, 17, 52, 139, 165
and castration, 165-6, 299n69
erotic associations, 149-50
as graphie moment, 149, 162, 171
in Madame Bovary, 295nl7
and taches, 151-2
and voyeurism, 149, 295nl9
see also Jeune dame en 1866, monocle in
Moreau, Gustave, 59, 176, 203
L'Apparition (1876), 311n8
Salomé Dancing befare Herod (1876),
250n62
Morisot, Berthe, 22, 40, 96, 110, 252nl0,
269n38
Manet's portrait of, 249n42
mot juste, Flaubert's doctrine of, 67, 68, 72,
176, 221
Moulin, Christine, 176
Mrosovsky, Kitty, 317nl07
mythological figures, 54, 288nl51
"Legend of Saint Julien" and, 304n50,
305n54
nudes as, 35-6, 37-8, 258nl29
Nadar, Félix, 22, 294n5
Napoléon I, 124, 125
Napoléon III, 21, 23-4, 28, 32, 40, 46, 74,
255n69, 289nl80
Bouguereau painting, 28, 112
caricatured as parrot, 131, 132
and "Salon des refusés," 30
344 Index
narrative
in Jeune dame, 94-100, 110, 134, 136, 146,
172,292n222
in "Legend of Saint Julien," 184-6
Manet's strategies, 5, 11, 15, 41, 94-100,
156, 160, 164-5, 171, 172
in painting, 5, 30-2, 34, 95, 256n87,
275nl35, 281n28
pregnant moment, 256n89
in "A Simple Heart," 205-7, 212, 216, 222,
224-5
as striptease, 106
Niello (caricaturist), "Opening Day at the
Salon," 39
Nietzsche, Friedrich, 123, 142
Nieuwerkerke, Alfred-Émilien, comte de, 34,
40
Nochlin, Linda, 6, 248n35
Noir, Victor, 283n53
Norma, Charles, 45-6
Oedipus, Saint Julien and, 304n50
Oulevay (caricaturist), caricatures
of Gérôme's Execution of Marshal Ney, 42,
43
of Giraud's The Husband's Return, 51, S3
painting
finish, 33, 44-5, 48, 203, 204, 262nnl99-
200, 263n205, 274nnl 19,122, 304n42
and literature; see image-text relation
metaphor and, 140-1, 292n225
narrative, 5, 11, 15, 30, 34, 41, 94-100,
156, 160, 164-5, 171, 172, 281n28
social effects of, 50-1, 119
theatricality in, 160-1, 298n56
varnish, 158, 159
see also specific genre; genre painting; subject
matter
Palais de l'industrie, 28, 40
Palma, Etienne, 119, 196
Parent-Duchatelet, Alexandre-Jean-Baptiste,
289nl75
Paris, Second Empire, 21, 23-5, 84-6
department store, 26, 50
Proust on, 149
as Zola subject, 14
see also Haussmannization of Paris
parrot, 15, 16, 18, 21, 34, 35, 37, 47, 49,
130, 139, 202,228
African Grey, 290nl93
as class signifier, 129
colors, 132^4
and colonization, 130, 162
erotic associations, 130-1, 258nl31,
289nl72, 315n75
exoticism of, 129-30, 283n50
as figure for critic, 158-9
of Henry VllflJ, 135, 290nl93
in Kant, 88
Napoléon III as, 131, 132
as pet, 140, 292n222
and realism, 46, 134
as speaking creature, 131, 134-5, 259nl32
as spectator, 159-61, 167
as verb, orgins of, 158
and woman, relationship, 46, 50, 136-7,
139^2, 281n26, 289nl72
see also Jeune dame en 1866, parrot in;
"Simple Heart, A," parrot in
pastiche, 204, 208
peignoir, 49, 113, 137; see also Jeune dame en
1866, peignoir
Pepperberg, Dr. Irene, 290nl93
Perugino, Pietro, 311n8
photography, 22, 24, 251n74, 262nl97
physiognomy, 46-7, 56, 263n225, 291n217
Pierce, C. S., 82
Pils, Isadore, 30, 94
Pisarro, Camille, 40, 54
Pliny the Elder, 58, 60, 82
plot, see narrative
Poe, Edgar Allan, 11, 106, 249n43
Dupin trilogy, 18-19
"Mystery of Marie Roget, The," 19
"Purloined Letter, The," 8, 19, 106
"Raven, The," 252n92, 315n84
Poitevin, Eugène Ix, Masculine Potency, 130,
131
Pollock, Griselda, 108, 173
Pollock, Jackson, 18, 230, 234-40, 320n22,
321n26, 322n37
"all-over" canvases, 235, 322n39
"cut-outs," 236-9, 318nl37, 322n42-3
philosophy of impersonality, 321n26
Autumn Rhythm: Number 30, 1950, 235
Cut Out ( 1949), 238-9
Number 32, 1950 ( 1950), 235, 236, 237
Out of the Web: Number 7, 1949 (1949),
PI. VIII, 236, 239
White Cockatoo: Number 24A, 235
Pontmartin, Armand de, 117
pornography, 24
portrait painting, 32,46-7, 109, 114-15,
263n222, 288nl62
Pouchet, George, 179
propaganda, arts as, 28-9
prostitution, 9, 22, 24, 25, 62, 130, 136,
254n34, 286nl22, 289nl75; see also
courtesan; lorette
Proudhon, Pierre, 37
Proust, Antonin, 24, 249n50
Index 345
Proust, Marcel, 6, 9, 24, 81, 110, 165
on Flaubert, 248n35, 249n55, 247nl5
Remembrance of Things Past, 130-1, 149
psychoanalysis, ter Freud; Jeune dame en 1866,
psychoanalytic interpretation; Lacan; tache,
and psychoanalysis
purification/purity, see aesthetics, of
purification /purity
Quatrelles (caricaturist), 265n257
Randon, Gilbert, "Edouard Manet's
Exposition," 65, 283n54
Raphael, 6, 64, 68
Rauschenberg, Robert, 59-60
realism, 42-3, 46, 134, 171, 270n62, 274nl24
reception-influence distinction, 320nl2
Redon, Odilon, 46, 75, 305n60
Reinhardt, Ad, 56
Rembrandt van Rijn, 24, 267nl3
Renoir, Pierre-Auguste, 22, 40, 43, 54, 138,
140, 280n22
as Manet imitator, 131, 132
Portrait of Romaine Lacaux (1864), 109
Woman with a Parrot (1871), 115, 116, 130
Revolution of 1848, 83, 254n50
Rex, Margery, newspaper article on dada, 231
Robbe-Grillet, Alain, 18
Jealousy, taches in, 322n49
"Secret Room, The," 240
Rochefort, Henri, 30, 260nl58
Roger du Tranois, E., 39, 90, 134, 145, 159,
261nl79, 293n232,297n46
Rorschach, Hermann, 82, 268n29
inkblots, 23, 60-1, 63, 222
Rouen, Cathedral of Notre Dame, Pl. I, 180,
181-2, 203, 247n22
Rousseau, Jean
on Jeitne dame, 47, 78, 79, 82, 106
on Manet as artist, 261nl81, 270n62
Rousseau, Théodore, 26
Royal Academy of Painting and Sculpture, 28
Rubens, Peter Paul, 9
Ruscha, Ed, 18
Stains ( 1969), 60, 61, 232-3, 234, 235
Ruskin, John, 91
Saint-Beuve, Charles-Augustin, 175, 229
Salon (Exhibition of the Works of Living
Artists), 17, 22, 27-34, 40
as aesthetic authority, 27-8, 33, 93; see also
legibility-illegibility, aesthetics of
audience/attendance, 30, 33, 256n80,
281n27
Grand Medal of Honor, 32, 40
inception of, 27-30, 39
Manet and, 22, 27, 38, 40, 41, 248n31,
255n57, 279n4, 280n9
as marketplace, 27-34
as political body, 27-30
salon d'honneur, 35
stylistic standards, 30-3, 100
submission rules, 260nl61
1846,269n37
1861,158,258nl20
1863,40
1864, 37
1865, 3
1866,21,22, 34, 112, 146
1867, 32,40
1868, 15, 35, 38, 38-41, 56, 42, 66, 74,
79, 99, 108, 256n79, 259nl53
audience, 30, 101, 259nl45, 296n29
caricatures of, 29, 39, 280nl2
Committee of Non-Exempt Artists,
259nl53
Jeune dame's, placement at, 40-1
Manet's submissions to, 40-1, 260nl62,
296n29
reviews of, 32-52, 109, 196, 260nl67,
261nl68
see also Jeune dame en 1866
1869, 75
1876, 203, 311n8
1879, 68
"Salon des refusés," 30
Sand, George, 22, 150
correspondence with Flaubert, 175, 179,
214
Sartre, Jean-Paul, 18, 56, 230
on "Legend of Saint Julien," 308n91
Being and Nothingness, 243^
Nausea, 240-3, 323n55
Saussure, Ferdinand de, 140
Schapiro, Meyer, 246n8, 247nn24,27, 266n5
Schirrmeister, Anne, 294n8
Scholz, Wilhelm, "Louis Napoléon as a
Melancholy Parrot," 131, 132
Schor, Naomi, 315n86
Second Empire, see Paris, Second Empire
Seurat, Georges, 59
Seuss, Dr. [Theodore Geisel], Tlje Cat in the
Hat Comes Back (1958), 60
Seznec, Jean, 176
Shakespeare, William, 60, 82
Shepherdson, Charles, 300n98
Siebert, Margaret, 126
Signac, Paul, 59
"Simple Heart, A" (Flaubert), 12, 14, 16-18,
25, 66, 67, 71, 176, 199, 202-26, 241
castration in, 213, 222
as ekphrasis, 203-8, 224
346 Index
"Simple Heart, A" (cont.)
ending, 207, 213, 218, 224-6, 230
fetishism, 212-13, 222
map of Cuba, 16, 25, 210, 216, 218-25,
319nl43
narrative in, 205-7, 212, 216, 222, 224-5
origin of, 251n90
parrot in, 158, 159, 202, 210-13, 217-18,
223, 224-5
prints in, 73, 204, 214, 215, 216-18,
315n82
taches and, 80, 177-8, 209-10, 213-15,
218, 219-20, 222, 224, 226
sincerity, Republican sense, 274nl23
Sontag, Susan, 228
Sorlin, Pierre, 247nl4, 248n35
Spiess, Philip, 294n7
Spuller, E., 76, 276nl52, 321n36
on Manet, 65, 73, 74, 78, 79, 260nl76,
264n247
stained glass, 8, 16, 71, 197, 273nn99-100
Flaubert self-described as, 70-2
as graphic moment, 71
see also "Legend of Saint Julien," stained
glass and
Steen, Jan
Effects of Intemperence, The (1663-5),
291n202
Way Той Hear It Is the Way Той Sing It, The,
291n202
Steinberg, Leo, 246n7
Steiner, Wendy, 204, 310nll8
Stevens, Alfred, Lady in Pink (1866), Pl. V,
108, 117
Stevens, Wallace, 168
Stewart, Susan, 304n53
still-life painting, 32, 48-50, 75-6, 139,
264nn240-l ,245-7,2 5 3-4
style, academic standards, see Salon, stylistic
standards
subject matter, 2-3, 20, 31, 33, 34, 246n8
Coubet and, 34-6
Flaubert and, 3, 5, 71-2
Manet and, 5, 27-8, 42, 95-6, 245n2,
247nnl5,17,27
parrot as, 46
Salon and, 28, 30-3, 40
surrealism, 59, 232, 320nl4
Tabarant, Adolphe, 284n84
tableaux vivants, 24, 265n256
tache (blot, patch, stain, etc.), 3, 56-91, 231-
44
aestheticization/abstraction, 64-5, 71, 78-
80, 87-91, 153, 169-70, 175-8, 201,
236-9, 242,300n88
and castration, 164, 167-70, 176, 192-3,
196, 222
as critical term, 61-6, 240-3
criticism of, 61-2, 73-80, 271n69,
275nl27, 278nl89
and decadence, 170-1, 299n80
democratizing function of, 74-5
and distance, 66, 79-80, 148-9, 152—4,
220,225-6, 276nl45,302n22
Flaubert and, 66-72, 69, 176-9, 271nn80-
2, 272n88, 302n21,23-24, 303n25; see
also "Legend of Saint Julien," taches and;
"Simple Heart, A," taches and
as Flaubert-Manet unifier, 57, 72
Freud and, 316n87
Hugo and, 59, 231-2, 233, 268n21
impressionism and, 59, 68, 72, 266n5
as linguistic term, 57, 82
Manet and, 56-8, 62-6, 73-80, 272n88,
275nl30; see also Jeune dame en 1866,
taches and
as meeting of image and text, 57, 72, 227,
231-3
and modernism
beginnings of, 57-62
later manifestations, 91, 233M4
monocle and, 151-2
nature of, 56-7, 73, 80-2, 276nl53,
277nnl55,157,160
as ambiguous, 61, 80-2, 91
as graphic moment, 57, 86, 267nll
as identifying mark, 84, 187, 302n24
as signifier, 57, 66, 81—4, 86, 91,
279n202
as stain, 56, 61, 68, 81, 91, 274nl20
visual properties, 80
and psychoanalysis, 60-1, 167-70, 192-3,
196, 222
and Second Empire culture, 83-8
and servants, 209, 314n57
and sin, 68, 200, 271n82
and stained glass, 70-2, 192-200
theatrical associations, 297n48
as threat to beholder, 74-5, 78, 153, 154,
167-8, 172
Titian and, 267nl3
Tolstoy and, 306n75
Zola and, 56, 62-6, 79, 86, 90, 269n41,
272nn88-9, 275nl31, 321n36
Taine, Hippolyte, 12, 22, 56, 175
theatricality, 160-1, 171, 297n49, 298n56
Thoré, Théophile [W. Bürger], 22, 35, 48, 49,
66, 74-5, 110, 122, 293n232
on Salon of 1861, 158
on subject matter, 246n8
Tissot, James, 108, 179
Index 347
Titian, 64
Fall of Man (ca. 1570), 290n202
Venus of Urbino (1538), 17, 129
Tolstoy, Leo, 82
War and Peace, taches in, 306n75
Tooke, Adrienne, 176
tourism, 24
Turner, J. M. W., 59
Twombly, Cy, Olympia (1957), 60
Ulback, Louis, 69
ut pictora poesis, 1, 4-5, 12-14, 20, 33, 54,
134, 183, 227
Vaillant, comte, grand maréchal du palais, 39,
40
Varennes, Gaston de, 43
varnish, see painting, varnish
Vasari, Giorgio, 58, 82
Velázquez, Diego, 306n75, 6, 9, 64, 102, 107,
113
Manet on, 262nl98
Verlaine, Paul, 23
Vermeer, Johannes, 22, 83
Dentellière, 110
View of Delft, 81, 110
Vernet, Horace, 280n9
Veronica, Shroud of, 82
Vestier, Antoine, Petite file au perroquet
(1790), 291n202
violets
as Bonapartist symbol, 124, 125
Grandville's "Violette," 124, 125
in Jeune dame, 96, 104, 123-4, 124, 282n43
in religion/mythology, 288nl56
voyeurism, 25, 36, 37, 253n31,
259nnl33,140; see also monocle
wallpaper, 279nl93
Warhol, Andy, Oxidation Painting (1978), 59,
60
Watteau, Jean-Antoine, 102
Concert, The (Prélude au concert, ca. 1715),
297n53
Weiss, Jean-Jacques, 319n6
Whistler, James McNeill, 22, 61
Wollheim, Richard, 281n28
women
anatomy, and castration complex, 163-4
Baudelaire on, 116
in 1866, 22
in Jeune dame, 113-28
lower class, 314n57
Negro, 283n50
Woolf, Virginia, 213
Worth, Charles Frederick, 24, 124
Zeldin, Theodore, 113
Zeuxis and Parrhasios, legend of, 171, 300n96
Żiżek, Slavoj, 60, 61, 170
Zola, Emile, 4, 8-9, 14, 21-2, 29, 32, 45, 54,
84, 122
as Charivari character, 38, 51, 56, 63, 78,
270n50,274nll4
correspondence with Flaubert, 6, 183,
248n33, 272n88
fiction of, 6, 9, 63, 72, 86, 130; see also
specific work
on Manet, 2, 3, 9, 52, 73, 76, 77, 83, 227,
229, 266nn269-70,274, 274nll8,
275nl31
on Déjeuner sur l'herbe, 63^
on Jeune dame, 38, 49, 52-5, 104, 111,
168,265n267
on Olympia, 3, 64, 74, 274nll8
at Salon of 1868, 40, 109
on taches of, 62-6
Manet's portrait of, PL III, 40,41, 42, 44,
47, 63, 261nl72,179
on Monet, 72
on realism, 43
Rougon-Macquart novels, 14, 83; see also
specific work
and tableaux vivants, 265n256
and taches, 56, 62-6, 79, 86, 90, 269n41,
272n89,275nl31, 321n36
"temperament" as critical term, 269n40
L'Assommoir, 301n6
Kill, The, 117, 286nll7
Ladies' Paradise, The, 26, 253n29, 288nl56
Masterpiece, The, 6, 86, 241, 276nl49
Nana, 63, 86, 130, 197, 323n52
Thérèse Raquin, 69
Une Page d'amour, 86, 241