7227939

              Abiff, Hiram, 98
Aboriginal art. See Australian
Aboriginal art
Abramovic, Marina, 32
Abramovich, Roman, 281П24
Absolut Revolution (Ramirez and Velaseo),
162-63
abstract surrealism, 21-22
Abu Dhabi's Saadiyat Island, 89-90
Acosta de Arriba, Rafael, 157
Adam (Newman), 64
Adéagbo, Georges, 122, 236,266
Adjaye, David, 89
Afflicted Powers (Retort), 218-19
African art, 180-81,295П7. See also
primitivism
After Invisible Man by Ralph Ellison, the
Prologue (Wall), 26
Against the Enamel of a Background Rhyth­mic
with Beats and Angles, Tones and
Colors, Portrait of M. Felix Eénéon in 1850
(Signac), 18,22
Agamben, Giorgio, 220-21
Agence France-Muséum, 89
Agrarian Leader Zapata (Rivera), 21
ahistoricism, 60,278П6
Ahtila, Eija-Liisa, 229
Aitken, Doug, 198,212-13
Ala Plástica, 230-31
Alberro, Alexander, 263,297ml
Ailégereí, Marc, 62
Almond, Darren, 197,210
altermodernity, 263-64
Altermodern Manifesto (Bourriaud),
263-64
AJys, Francis, 233
Amann, Jean-Christophe, 60
American Abstract Artists, 31
American scene painting, 23
America (Varejào), 169
Analogue project (Leonard), 222
Ando, Tadao, 47; Chichu Art Museum
(Na oshima Island) by, 199-200;
.Minamidera (Noashima Island) by, 87,
193-95; Palazzo Grassi (Venice)
renovation by, 54-55; Saadiyat Island
(Abu Dhabi) museum by, 89
Andre, Carl: definition of sculpture of, 77;
at MoMA, 22; at Musée d'Art Moderne,
76; at Palazzo Grassi, 55; at the Tate
Modern, 64
Andress, Ursula, 99
Andy Warhol: A Documentary Film (Bums),
297П12
Andy Warhol Museum, 40
animality. See beautiful otherness
Amdarm, 226
antidemocratic statesofexception, 219-21
antiglobalization discourses, 7,169,
258,271
207
antinomies, 269
Antonioni, Michelangelo, 102
apolitical art, 224
Apolítico (Prieto), 163,166
Apollo Pavilion, Peterlee New Town, 230
Appardurai, Arjun, 273П6,296П20
Architecture of Aftermath, young British
artists (Smith), 273П6,279m
architecture of museums, 265; CATIA
modeling in, 77,79; Centre Pompidou
(Paris), 84, 86; for cultural tourism,
89-90; Guggenheim Museum (Bilbao),
71-87,242; industrial settings of,
81-82,84-85; Massachusetts MoCA
(Williamstown), 76-77; Museum of
Contemporary Art (Los Angeles),
84-85; spectacle in, 7,9,15,74,86-87;
traditional rectangular galleries of,
60-61,76,83-84,90; Weisman Art
Museum (Minneapolis), 78-79. See also
building-as-sculpture
ARCO (Feria Internacional de Arte Con­temporáneo),
143
Arena (Where I would have got had I been
intelligent) (Beuys), 41-42
Arias, Fernando, 159
Armani, Georgio, 283П3
Armelder, John, 224-25
"Art, Truth, and Politics" (Pinter), 217-18
Art and Culture (Greenberg), 23
Art Basel, 143-44,145
Art Basel/Miami, 143-44, 45
ArtFacts.Net, 121
art fairs, 143-45,251,258,290П21
art history. See historical analysis
artist collectives, 230-31,267
artist-in-residence programs, 88
Art Must Be Beautiful, Artist Must Be Beauti­ful
(Abramovic), 32
Artpace, San Antonio, 88
Art Power (Groys), 296П2
art practice, 267-68
art school art, 251
Art Since 1 goo (Foster, Krauss, Bois, and
Buchloh), 252,259,273m, 303П17
Ash Wednesday (Neuenschwander and
Guimaràes), 66
Asian Field (Gormley), 182-85
Asian jewel beetles, 172-73,186
assemblages, 225
Assume Vivid Astro Focus, 224-25
Ataman, Kutlug, 122,213-14
Atlas Group, 122
Attendant, The (Julien), 189
auction houses, 120-26,128, 258,287П14;
banking functions of, 130; competition
among, 139-40; competition from art
fairs with, 143-45; conventional focus
of, 145-46; global reach of, 130-31;
monopoly charges against, 143. See also
markets for contemporary art
audience. See markets for contemporary
art; viewers of contemporary art
Australian Aboriginal art, 10,121,133-43;
authenticity questions in, 137-38;
canonical works of, 138, 289П7; cotem-poral
coexistence in, 138-39,289П8;
distributors of, 134-36; Dreamings nar­ratives
of, 203,296П8,302П9; exclusion
from art fairs of, 143; exhibitions of,
138; humanoid ancestor figures of, 183;
impact of globalization on, 139,142;
popularity of, 133-36, 289П5; prices
of, 136-37,140-41,289ПП4-5; spiritual
communication role of, 134
Autobiografia (Bruguera), 164-65
Autumn Rhythm (Pollock), 123
avant-garde, 30,252-53, 262-63,304П26
Ave Maria (Cattelan), 65
BaadAssssss Cinema (Julien), 188
Backside of the Moon (Turrell), 193-95
Bacon, Francis, 286П3,288П24
Bal, Mieke, 297ml
Ballad of Trotsky, The (Catelan), 121
Bankside Power House, 56
3 0 8 INDEX
Banksy, 228,300П27
Barenboim, Daniel, 106
Barnes Foundation, 19
Barney, Matthew, 9, 91-113,181,248; ath­letic
performances of, 100-1; critical
response to, 96-97,159,28304,283П9;
photos of, 105,108; post-Cremaster
work of, 113; props and structures by,
102-3, 282П2; spectacularism of, 7,265;
three-part system of, 107-8,285П22.
See also Crernaster cycle (Barney)
Barr, Alfred H. Jr., 28,30,36,123
Barros, Fabiana de, 158
Basquiat, Jean-Michel, 188,228
Bather (Cézanne), 18
Baudelaire, Charles-Pierre, 78
Baudrillard, Jean, 248, 285П22,303П14
beautiful otherness, 172-90; in allegories
of globalization, 181-85; in anachro­nistic
tension, 185-87; in animality of
Si Poteris Narrare, Licet, 173-81,295П7;
in Juliens constructions of interracial
coupling, 187-90; work of forgetting
in,172-73
Beckett, Samuel, 225
Bedia, José, 155
Beethoven, Ludwig van, 105
Bell, Richard, 133-34,137-38
Belper, Jonathan, 102
Benczúr, Emese, 207-8
Benesse Foundation. See Naoshima
Island, Japan
Benesse House, Naoshima Island, 199
Benjamin, Walter, 235
Bennett, Tony, 275П12
bestiality. See beautiful otherness
Beuys,Joseph,22,27i;anti-institutionalism
of, 6o;atDia, 41-42; "KapitahKunst
slogan,57;prominenceratingof,i2i;at
theTateModern,57,63
Bevan, Roger, 121,140-41
Beyond Price: In Search of Cultural Value
(ed. Hütter and Throsby), 2911125
Bhopal, India, 226
Bickerton, Ashley, 52,248
Bienal de La Habana, 152-66,266-67;
curatorial methodology of, 154-56;
histories of, 291П4; marginalized
voices at, 155-58; origins of, 152-54;
representationsofCuba in, 162-65;
sponsors of, 157; 7th exhibition (2003)
of, 10,157-68; 8th exhibition (2006) of,
165-66; "Tradition and Contemporane­ity"
exhibit of, 155-56; use of multiple
venues for, 157-59
Bienal de Sâo Paulo, 154,292П5
biennales, 7-8,9,251,268
Bilbao Museum. See Guggenheim
Museum, Bilbao
Billboad Utilizing Graffitists Against Un­healthy
Promotions. See B.U.G.A.U.P.
Bingo (Matta-Clark), 24
Birken, Alexandra, 225
Birnbaum, Daniel, 96-97,99,283П8,
284Ш0
Birth of the Museum, The (Bennett), 275П12
Birth of Tragedy, The (Nietzsche), 284Ш0
Bishop, Clare, 237
Björk, 95,113
Black Skin White Mask (Fanon), 188
blaxploitation films, 188
Bloodline: The Big Family No. 3 (Zhang), 131
Blue Poles (Pollock), 123
Boccioni, Umberto, 64
Bock, John, 225
Bodo, 65
Boetti, Aligheiro, 33
Bois, Yve-Alain, 252,273Ш, 3°ЗШ7
Bonami, Franc esco, 15В
Bond, Allan, 130
Bonnard, Pierre, 21
Boss, Hugo, 283П3
Bourgeois, Louise, 43- 63-91
Bourriaud, Nicolas, 90-91-2б2' 2б3
boutique museums, 47-See also collector
museums
I N D E X 3 0 9
Braathen, Martin, et al., 291П24
Bracewell, Michael, 289П10
Brancusi, Constantin, 20, 66
Braque, Georges, 19
Braudel, Fernand, 197
Brazilian concrétism and
neoconcrétism, 23
Breathing (Song Dong), 168-69
Breitz, Candice, 225
Bride Stripped Bare by Her Bachelors, Even
(Duchamp), 103
Broad, Eli, 88
Broad Art Foundation, 88
Broadway Boogie- Woogie (Mondrian), 21
Broida, Edward R., 33-34
Broken Kilometer, The (De Maria), 39
Broken Obelisk (Newman), 16
Broodthaers, Marcel, 22
Bruguera, Tania, 163-65
Bruyère, Jean-Michel, 173-81, 236,266,
294112
the bubble economy, 141-43,290П15
Buchloh, Benjamin, 252-53,264,273m,
3°3ni7
B.U.G.A.U.P. (Billboad Utilizing Graffit-ists
Against Unhealthy Promotions)
group, 228
building-as-sculpture, 9; CATIA modeling
in, 77,79; Gehry's Guggenheim (Bil­bao),
75-87,95-96,242,280П7; Gehry's
Weisman Art Museum (Minneapolis),
78-79; Massachusetts MoCA (William-stown),
76-77; Serra's pieces at Dia,
44-45,76,276П8
Burgess, Anthony, 229-30
Burns, Ric, 297П12
Bush, George W., 210,219-20,226-27
Bus Stop (Almond), 210
Byar, James Lee, 33
Cage, John, 258
Cahun, Claude, 65-66
Cai Guo-Qiang, 34,169,265
Cairo Biennial of 2006,235
Calatrava, Santiago, 7, 265
Calder, Alexander, 74
Call Me Ishmael, the Fully Enlightened Earth
Radiates Disaster Triumphant
(Martinez), 235
Camnitzer, Luis, 158
Camus, Albert, 216-17,221,236,298,
299П12
Camus 2005-6 (Floyd), 216-17
Capote, Ivan, 159-61,293П17
Capote, Yoan, 159
Caravaggio, 202
Cardenas, Carlos, 155
Caro, Anthony, 162
Carroll, Mary Ellen, 208
Castelli, Leo, 123-24
Castro, Fidel, 152-54,157,162. See also
Bienal de La Habana
Cathedrals of Urban Modernity, The First
Museums of Contemporary Art (Lor-ente),
275П12
Cattelan, Maurizio, 65,121
Cavemanman (Hirschhorn), 223
Celmins, Vija, 33,34
Center for Contemporary Art, Moscow,
281П24
Center for Land Use Interpretation, 230
Centre Pompidou, Paris: architecture of,
84,86; Magiciens de la Terre exhibit,
Í55-56,292П10; recreation of Brancusi's
studio in, 20
Centro de Arte Contemporáneo Wifredo
Lam, 152-54
Cézanne, Paul, 18
Chan, Paul, 203-4,216,266, 296П9
Chapman brothers, 50-52
Chelsea (New York) galleries, 40
Chen, Chien-Jen, 212
Chen Shaoxiong, 212
Chérin, Chéri, 65
Chichu Art Museum, Naoshima Island,
199-200
3 1 0 INDEX
Chinad Foundation, 39
Chinese discourses, 168-69
Christiano, Dadang, 184
Christie's: Aboriginal art at, 137; competi­tion
of, 139-40; contemporary art sales
at, 121,122,125-26,128-29,140; 2008
sales at, 142-43
Christo, 39,109
chronophobia/chronophilia, 207-8,
297ml
Chrysler Imperial (Barney), 282П2
City, The (Léger), 274П3
Cityscape (Richter), 24
Clark, Lygia, 22,23
"clash of civilizations," s
Clash of Civilizations, The (Huntington),
273П5
Clemente, Francesco, 25
Cloaca (Delvoye), 209
Clockwork Orange, A (Burgess), 229-30
Cobra artists, 65
Cohen, Steven A., 54,129, 288П24
Cohen brothers, 99
collage, 22
Collective Suicide (Siqueiros), 21
collector museums, 47,87-89,251,
281ПП23-24. See also Naoshima Island,
Japan; Saatchi Gallery
collectors. See investor/collectors; markets
for contemporary art
colonial modernity, 6,197,262-63. See also
postcolonial discourses
Complete History of Postcontemporary Art,
The (Meckseper), 54,270-71
Compulsory for Young Intellectuals
(Floyd), 216-17
computer-aided three-dimensional inter­act!
ve application (CATIA) modeling,
77,79
conceptualism, 245; at MoMA, 22,23; at
the Tate Modern, 59-60, 64
Condemnations without Judgment
(Samba), 33
conspiracy drawings (Lombardi), 222
consumption of contemporary art. See
markets for contemporary art
contemporaneity, 1-4,5-7,229-38,255-59;
as key value in contemporary art, 257,
264; multiple histories within, 256-57;
varied temporalities within, 197-98; of
viewers' shared time/space with art­work,
195-96. See also time/temporality
contemporary, 4-6
"Contemporary and the Historical, The"
(Kuspit), 250
contemporary art, 1-10,241-71; antino­mies
in, 268-69,305П40; artist/partici­pators
in, 267-68; books on, 258-59,
304П25; in Bourriaud's altermodernity,
263-64; canonical approaches to,
251-53,303П17,303П20; challenges to
interpretation of, 249-51; "contem­poraneity"
as key value of, 257,264;
generalizations about, 1,273m; histori­cal
paradigms for, 244-46,302П3; im­age
economy (iconomy) of, 246,249,
267-68,279m, 302П5; inherent fraudu-lence
of, 246-49,302-3ПШ3-14,302Щ;
institutional forces in, 241-44,250-51,
254,258,268; particularist approaches
to, 251,254,259; pluralist and relativist
approaches to, 253-59,3041129; prehis­tory
of, 6,257; as relational aesthetics,
262,268-69; shift from modernism
into, 256-59; styles as anachronism in,
257; three currents of, 6-9,257,264-71;
transformation into Contemporaiy
Art of, 122,126,128-29,241,250-51; us­age
as term of, 242-44.30lnl
ContemporaryArtSociety(CAS),57-58,257
Conversations (Neuenschwander), 232-33
Cooke, Lynn, 281П24
Cork, Richard, 59
Cortez, Diego, 147
cosmopolitanism, 167
cotemporal/cotemporality, 3-5
INDEX 3 1 1
counter-museums, 63
County НаБ (London), 50,53
Courbet, Gustave, 29-30
Course of Empire, The (Ruscha), 210
Cousins, Mark, 297ml
"Creating Value Between Cultures"
(T. Smith), 291П25
Creed, Martin, 64
Cremaster cycle (Barney), 9,91-113,174,181;
corporate sponsorship of, 283П3; criti­cal
response to, 96-97,283П4,283П9;
cultural imagery of, 100; explorations
of ontology in, 106-9,2851122; fantasy
of mutable sexuality in, 103-5,107-9;
high production values of, 95; market
for, 109-10,285П43; narrative drive of,
99-100,107,174,181; photos of, 94,98,
101,105,108, no; responses to inequity
in, 109-11; schematic outline of, 97-99;
sculptural nature of, 100-103,282П2;
site specificity of, 94-95; temporal
warping in, 101-2; visual mediums
of, 97
Crime and Punishment (Dostoyevsky), 217
criticism, 4,241, 258-59. See also historical
analysis
Cruz, Teddy, 231
Cuba: decolonization of, 152,154,160,
166-67; New Cuban Art, 155-56. See
also Bienal de La Habana
cubism, 18-19
Cultural History 1880-1983 (Darboven), 42
"Cultural Logic of the Late Capitalist
Museum, The" (Krauss), 76
Cunningham, Christopher, 95
Cycle of Life (Frédéric), 173
Danto, Arthur, 27,302П3
Darboven, Hanne, 42
Davidts, Wouter, 84
Davila, Juan, 187
Dazed and Confused (McQueen), 283П5
Dead Prez, 226
Dean, Tacita, 208-9,300П31
Death of the Father (Bourgeois), 43
Debord, Guy, 7, 219, 258, 273П6
de Chirico, Giorgio, 64, 65
decolonization, 5,7,10,266; of Australia,
139-40; of Cuba, 152,154,160,166-67.
See also postcolonial discourses
Defamation Soft and Hard (Kelley), 32
Degas, Edgar, 18
Deitch, Geoffrey, 130-32
De Kooning, Winem, 17,121
De Lama Lámina (From Mud, A Blade)
(Barney and Lindsay), 113
Deleuze, Gilles, 103
Del Favero, Dennis, 222-23
Delta Air Lines, 283П3
Delvoye, Wim, 209
Demand, Thomas, 210
de Marchi, Neil, 291П25
De Maria, Walter, 39,41,199-201
de Menil, Philippa, 38,39
Demoiselles d'Avignon (Picasso), 19
Derain, André, 18-19
Derrida, Jacques, 305П40
desconstructivism, 77
Design and Crime (and Other Diatribes)
(Foster), 279m
desiring machines, 103
Devotionalia (Dias and Riedweg), 159
Dia Art Foundation: acquisitions of, 42;
land installations of, 38-40; Manhat­tan
gallery of, 39-40; spiritual core of,
46, 277П10
Dia:Beacon, 9, 24,37-48, 87; art of the
unconscious at, 43-44; intensity of
experience at, 47-48; minimalist in­stallations
at, 41-47; photos of, 41,44,
45; Serra's pieces at, 44-45,76,276П8;
temple-like qualities of, 200
Diamond (Blue) (Koons), 286П3
Dias, Mauricio, 159
Diederichsen, Diedrich, 261-62
digital art, 27,195, 205, 225
312 INDEX
Dijkstra, Rineke, 34
Dion, Mark, 62
Dis-Armor (Wodiczko), 232
Dis Pair (Murray), 25
diversity, 67,251
Divine Violence (Martinez), 235-36
Documenta 1,46,277Ш1
Documenta II, 277ml
Documenta III, 277ml
Documenta il, 10,24g, 262; criti­cal
responses to, 156, 260,292ml;
foundational principles of, 260-62;
Huit Facettes at, 230-31; Monument to,
Georges Bataille at, 223; post-colonial 1
discourse of, 151-52,156,291Ш11-2
Dostoyevsky, Fyodor, 217
double modernism, 252
Double Negative (Heizer), 42,233-34 ".
Douglas, Stan, 225
Dow Chemical Corporation, 226
Dragset, Ingar, 90-91
Drawing Restraint (Barney), 107-8,113
Drumroll (McQueen), 65
Dubai, 89-90,143
Duchamp, Marcel, 20, 62,103,121
Dumas, Marlene, 236,279П12; at MoMA,
36; resale values for, 129; at the Tate
Modern, 61, 63
Dwan, Virginia, 42
Dyslexia (Capote), 159-61
Eakins, Thomas, 30
Earth's Creation (Kngwarreye), 136
East Art Map, 167-68
Echaurren, Roberto Matta, 22
Echigo-Tsumari Art Triennial, 211
ecological discourses, 230-32
economics. See markets for contemporary
art
Edward R. Broida Collection, 33~34
Eiffel Tower, 68
89 Seconds at Alcazar (Sussman), 26,209
Einstein, Albert, 215
Eiriz, Antonia, 164
Elderfield John, 28
Electric Earth (Aitken), 213
Elephant и (Cenzken), 225,226
Eliasson, Olafur, 230; at MoMA, 36; at
Palazzo Grassi, 55; "Take Your Time"
exhibit of, 198; at the Tate Modern,
66
Elkins, James, 289П8
Elliott, David, 2811124
Elmgreen, Michael, 90-91
Embroideries (Satrapi), 187
Emergence (Viola), 201-2
Emin, Tracey, 50,130,131
Emmanuel Hoffmann Foundation, 88
Empire (Warhol), 205
An End to Modernity (McElheny), 269-71
enervation, 246
Enfants de Nuit (Bruyère), 174
Enola (Norrie), 212
environment. See place/placemaking
"Envisioning Architecture" exhibit, 25
Enwezor, Okwui, 156,260-62,279П12,
291m. See also Documenta 11
Equal Area Series (de María), 41
Eraser (Aitken), 213
Erre, Marcos Ramirez, 231
Estudio Teddy Cruz, 231
Etants donnés (Duchamp), 103
ethical action, 10,224,237
Evans, Cerith Wyn, 66
Evans, Cliff, 225
EVE dome (Shaw), 173-75
Eve (Newman), 64
EventStructure Research Group, 225
everyday (Kalina), 205,209
Everyone Dreams of Staying Young and Fresh •
(Ghazel), 186-87
Ewing, William A., 205
Exodus, or the Voluntary Prisoners of
Architecture, 25
experience museums, 71,87,90-92,195
expressionism, 18-19
INDEX 3 1 3
Fabre, Jan, 172-73,181,186
Factory (Chen), 212
Fahlstrom, Oyvrind, 33
False Start (Johns), 126
Family Romance (Ray), 32
Fani-Kayode, Rotimi, 188
Fanon, Franz, 188
Fantôme Afrique (Julien), 190
Fantôme Créole (Julien), 189-90
Farrelly, Elizabeth, 182,184-85
Fassbinder, Rainer Werner, 188
fauvism, 18-19
Fear of Small Numbers, An Essay on the Geo­graphy
of Anger (Appadurai), 296П20
Feathered Stola (Dumas), 129
Federal (Carroll), 208
Feigen, Richard L., 141
Felix in Exile (Kentridge), 33
Femme terre (Ndiaye), 159
Fénéon, M. Félix, 18, 22
Fervor (Neshat), 186
festivalism, 292ml
FIAC (Foire Internationale d'Art Contem­porain),
143
Field projects (Gormley), 181-85
5th tight (Chan), 204
ist Action: Wedding (Schwarzkogler), 32
ist Light (Chan), 203
Fischer, Urs, 55
Fischl, Peter, 212
Fisher, Don, 281П23
Fish Story series (Sekuła), 222
Fiteiro Cultural (Barros), 158
Five Angels for the Millennium (Viola), 202-3
Five Dreamings (Jagamarra), 138
5 Figures of Structure (Weiner), 43
Flavin, Dan, 39, 41,76
flex (Cunningham), 95
Floyd, Emily, 216-17
Fontana, Lucio, 22,258
Forgács, Péter, 167-68,294П25
Formalismus exhibit, 261
Fortaleza San Carlos de la Cabana, 158
For the Love of God (Hirst), 117-18
Foster, Hal, 252,264,273m, 303П17; on Dia:
Beacon, 46-48; on Gehry, 279m; on
Gluckman's Dia project, 40
found objects, 62,163, 225
4 Seasons of Veronica Read,
The (Ataman), 213
4th tight (Chan), 204
Francesca, Piero della, 201
Franco, Siron, 159
Franz Fanon: Black Skin White Mask
(Julien), 188
Fraser, Andrea, 90
Frédéric, Léon, 173
Frederick R. Weisman Art Museum, Min­neapolis,
78-79
Free and Autonomous Monument,
A (Wilson), 230
Friedman, Thomas, 273П5
Friedrich, Caspar David, 46
Friedrich, Heiner, 38-39,42,44, 46
Frieze Art Fair, 143,145
From the Freud Museum (Hillier), 62
Frontal Passage, A (Turrell), 33
F-111 (Rosenquist), 123
Fuchs, Rudi, 278П6
Fujimori, Alberto, 233
Fukutake, Soichiro, 87,200
Fukuyama, Francis, 244
Fuller, Peter, 248,303П14
fundamentalisms, 2,5,198,219
futurism, 18-19,20
Gagosian, Larry, 126,140,286П3
Gagosian Gallery, 276П8
Gallatin, Albert Eugen, 274П3
galleries, 119-20. See also museums
Gallery of Horyugi Treasures, 15
Gallery of Living Art, 274П3
Gandhi, Mohandas, 170
Garcia Canclini, Nestor, 154,292ПП6-7
Gaudi, Antoni, 81
Geers, Kendell, 236
314 INDEX
Geffen Contemporary, 84-85
Gehry, Frank, 7,265; critical acclaim for,
282m; design process of, 75-76; Gug­genheim
(Abu Dhabi) of, 89; Guggen­heim
Museum (Bilbao) of, 9,15,71-87,
242, 279m; L.A. s Temporary Contem­porary
of 84-85; Tiffany jewelry col­lection,
279m; use of CATIA by, 77,79;
Weisman Art Museum of, 78-79 -
Genzken, Isa, 225,226
Getty Museum, Ł.A., 91,130
GFP Bunny project (Kac), 230
Ghazel, 186-87
Gide, André, 62,279П12
Gilbert & George, 56-57
Gill, Carolyn Bailey, 297ml
Gillick, Liam, 225,229-30,300П31:
Gilmore, Garry, 97,101-2
Gladstone, Barbara, 223
Glass, Phillip, 185
globalization, 2,5-7,259,264-65; al­legories
of, 181-85; antiglobalization
discourses, 7,169,221-24,258,2/1; in
Guggenheim's concept of the museum,
93-95; institutionalization of Con­temporary
Art in, 241-44; of markets
for contemporary art, 54~55> ^17-32,
l39-47> 287Ш3; multiple temporalities
of, 212; in Saatchi's modus operandi,
54-55; value of the present in, 132,
139-40; varied temporalities within,
197-98, See also postcolonial discourses
Global Studio, 231
Gluckman, Richard, 40
Gober, Robert, 25,35,248
Godard, Jean-Luc, 2851123,298П3
Godfather cycle, 111
Goldblatt, David, 25
Golden Calf, The (Hirst), 140
Goldsworthy, Andy, 230
Gonzalez, Julio, 81
Gonzalez-Torres, Felix, 33
Gordon, Douglas, 206,225
Gorin, Jean-Pierre, 298П3
Gorky, Arshile, 22
Gormley, Anthony; 181-89
graffiti, 228,3001127
Graham, Dan, 3g
Greenberg, Clement, 23
Green Car Crash (Green Burning Carl)
(Warhol), 12g
Greenwich mean time, 197
Group Irwin, 167-68,2941124
Groys, Boris, 296П2
Granic, Marina, 167
Guattari, Felix, 103
Guggenheim Foundation, 93-95,
282-83Ш12-3
Guggenheim Museum,"Abu Dhabi, 89
Guggenheim Museum, Bilbao, 9,15,37,
71-87,242; atrium of, 17,71-75,81,244;
east tower ("High Reader") of, 81-83,
280013; emptied spaces of, 111-12; fish
gallery oí, 85; inclusi ve remodernism
of, 79-81; meeting of sculptural and
functional in, 74-85,95-96,280П7;
modernist art of, 75; photos of, 72,73,
80,82; populist message of, 74-75.86,
91; Serras works at, 84,85-86; temple-like
qualities of 200; traditional rect­angular
galleries of, 60,76,83-84
Guggenheim Museum, New York, 75,83-
84,91; Barney's works in, 93-113.282112;
photos of, 94; Rotunda of 93-95; spiral
ramps of, 95,283П3,283П9. See also
Cremaster cycle (Barney)
Guimaräes, Cao, 66
Gulf Art Fair, 143
Gutksy, Andreas, 26
Guston, Philip, 34
Gutai group, 258
Haacke, Hans, 90
Haburger Kunstverein, 2 61
Hadid, Zaha, 89,162
Hall, Stuart, 151
INDEX 3 1 5
Hamilton, Richard, 50, 66
Hanging Heart (Magenta and Gold) (Koons),
286П3
Hanson, Duane, 52
Haring, Keith, 228
Harrison, Rachel, 225
Harvey, Marcus, 50
Hatoum, Mona, 33
Hatton, Rita, 277П7
Haunch of Venison gallery, 122
Havana. See Bienal de La Habana
Hawkinson, Tim, 76-77,91
Hayward Gallery, 58
Heaven of Delight (Fahre), 172-73,181,186
Hegel, Georg, 253
Heinrich, Nathalie, 303П14
Heizer, Michael, 42,233-34
Hell (Chapman brothers), 50-52
Hendeles, Ydessa, 87
Henson, Matthew, 190
Here, Sir Fire, Eat! (Matta), 22
Herkenhoff, Paulo, 292П5
the Hermitage, 244
Hermitage Museum, 19
Herzog & de Meuron: Schaulager Mu­seum
of, 88; Tate Modern of, 56-57;
Tate Modern 2 of, 67-68
Hesse, Eva, 22,32, 61
Hessische Landesmuseum,
Darmstadt, 60
Hickey, Dave, 248,283П9,303П14
High Art Lite (Stallabrass), 247-48,302П3
Hill, Gary, 63
Hillier, Susan, 62
Hirschhorn, Thomas, 122,218,223,298П3
Hirst, Damien, 7,248; absence from
MoMA of, 25; art purchases by, 286П3;
autobiography of, 3,273П2; For the
Love of God, 117-19; market for, 147,
290П15; marketing strategies of, 117-19,
128,140,143; net worth of, 117,285m;
one-artist exhibition at Sotheby's by,
140,142,289П10; at Palazzo Grassi, 55;
resale values for, 129, 288П24; Saatchi's
collection of, 49-51,53
historical analysis, 4,10, 241, 244-46,
258-59
History (Capote), 160, 293П17
Hitchcock, Alfred, 206
Hockney, David, 140
Hoffmann, Emmanuel, 88
Hollein, Hans, 60
Höller, Carsten, 230
Holy Viryin Mary, The (Ofili), 50
Holzer, Jenny, 166
Homer, Winslow, 30,288П24
homosexual discourses, 187-90
Honmura, Japan. See Naoshima Island,
Japan
Hopper, Edward, 21
Hoptman, Laura, 225, 299П19
Houdini, Harry, 97,102,103,104
House, The (Ahtila), 229
House of Sand, The (Waddington), 190
Houshiary, Shirazeh, 33
Hsieh, Tehching, 207-8
Hubert, Pierre, 122
Hudson River School, 46-47
Hughes, Robert, 248,275П12,303П14
Huit Facettes, 122,230-31
Huldisch, Henriette, 225
Human/Need/Desire (Nauman), 25
Hume, Gary, 53,129
Hundley, Elliott, 225
Huntington, Samuel P., 273П5
Hurlements en faveur de Sade (Debord), 258
Hütter, Michael, 2911125
Huyghe, Pierre, 225
iconogeographic turnings, 10,166-71,
2931119; in cartographic representa­tions,
169-70; in Chinese discourses,
168-69; in post-Soviet discourses,
167-68,294П24
31G INDEX
iconomy (visual image economy), 249,
279 m
Ikon Gallery, 58
image economy, 6, 246,249,267-68,
279m, 302П5
immediate, 4-5
Imperial (Barney), 103
Impossible Presence: Surface and Screen in the
Photogenic Era (Smith), 302П5
impressionism, 29-30
Incubadora (Maggi), 160-62
indigenous art, 6, 62-64
industrial settings, 81-82, 84-85,225
inequity, 6,127; Cremaster's response to,
109-11; populist responses to, 74-75,
86,91
Infidelity (Arias), 159
innervation, 246
installation art, 195, 296П2
Institute of Contemporary Art, Boston,
223, 257
Institute of Contemporary Arts, London,
57-58
institutionalization of Contemporary Art,
241-44
institutions. See museums
interactivity, 8
internationalist values, 7-8
international modern art, 263
internet sales mechanisms, 119-20
interpretation of art, 249-51
Intolerance (Franco), 159
investors/collectors, 123-24,127-32,
144-45,258, 287Ш9
Iraq invasion and occupation, 210
Irises (Van Gogh), 130
irrational exuberance, 141-42
Irwin, Robert, 40
Ishi's Light (Kapoor), 64
Isozaki, Arata, 84, 85
Istanbul Biennale of 2001,90
"I've Got It All" (Emin), 130,131
I Want to Spend the Rest of My Life Every­where
(Hirst), 3,273П2
Jaar, Alfredo, 169-70
Jacir, Emily, 214
Jackie paintings (Warhol), 128
Jagamarra, Michael Nelson, 138
Jagger, Mick, 2851123
Jameson, Fredric, 245,255-56,280П3
Jean Claude, 39
Jeanette (Matisse), 61, 63
Joacomides, Christos, 278П6
Johns, Jasper, 123,126
Johnson, Philip, 280П7
Jonesjim, 213
JoplingJay, 117
Joseph II of Austria, 275П11
Judd, Donald: at Dia, 42-43; atMarfa,
Texas, 39-40; at MoMA, 20,22; at
Musée d'Art Moderne, 76
Julien, Isaac, 187-90,266
junk installations, 163
Kabakov, Ilya, 281П24
Kac, Eduardo, 230
Kaldor, John, 38-39
Kalina, Noah, 205,209
Kandinsky, Wassily, 20
"Kapital=Kunst" slogan, 57
Kapoor, Anish, 64
Kassel, Germany. See Documenta
Kawara, On, 208
Kcho, 155
Kelley, Mike, 32,299П19
Kelly, Ellsworth, 47
Kennedy, John F., 258
Kentridge, William, 33.236.266
Killing Time (Swallow), 209
Kimmelman, Michael: on the Cremaster
cycle, 93,282m, 283П4; on Dia:Beacon,
38; on MoMA, 28,34-35
Klee, Paul, 23
INDEX ' 3 1 7
idein, Yves, 22,140,258
Kline, Franz, 125,287П13
Klucis, Gustav, 20
Kluge-Ruhe collection, 136-37
Kngwarreye, Emily Käme, 136-38,289П7,
302П9
Knight, Christopher, 303П14
Knoebel, Imi, 224-25
Koch, Stephen, 297П12
Kodak (Dean), 208-9
Koenig, Kaspar, 278П6
Koolhaas, Rem, 25,89-90
Koons, Jeff, 7,248,265,271; at Bilbao, 74,
91; market for, 119,121,128,147,286П3,
290П23; at Palazzo Grassi, 55
Kostenbaum, Wayne, 297П12
Kosuth, Joseph, 22,23
Kounellis, Jannis, 64
Krauss, Rosalind, 76,86,252,273m, 280П3,
283П6,303П17
Krens, Thomas, 74, 76,77,86
Kiiba (Ataman), 213-14
Kubrick, Stanley, 229-30
Kunsthalle, Berne, 60
Kuspit, Donald, 250,253-54
Lacan, Jacques, 106
Lakonikon (Lindman), 227-28
Lam, Wifedo, 152-54
Lambie, Jim, 224-25
Lánchíd: The Lament of the Queen of the
Chain (Barney), 103
land art, 39
Lang, Fritz, 79,111,172
La Patera (Mariño), 162
Las Meninas (Velazquez), 26,209
Last Supper, The (Leonardo), 204
Latham, John, 23
Lau, Joseph, 128
Laurens, Henri, 81
Laurin, Lou, 152-53
Lawrence, Jacob, 21
Lê, An-Ming, 24
Learned Helplessness in Rats (Rock 'n Roll
Drummer) (Nauman), 33
Le Centre National d'Art et Culture
Georges Pompidou. See Centre
Pompidou
Lee, Pamela M., 297ml
Léger, Fernand, 274П3
Leipzig School group, 144
Leirner, Nelson, 169
Leonard, Zoe, 222,266
Leonardo da Vinci, 204
lessness, 225,299П19
LeWitt, Sol, 40
LFK1314,294П3
Libeskind, Daniel, 7, 265
Lichtenstein, Roy, 64,140
Lightning Field (De Maria), 39
Ligon, Glen, 187
Lindemann, Adam, 286П3
Lindman, Pia, 227-28
Lindsay, Arto, 113
Lissitzky, El, 20
Little Frank and His Carp (Fraser), 90
Lianes, Llilian, 154-55
local values, 7-8
Lombardi, Mark, 222, 266
Long, Richard, 61, 63
Long March: A Walking Visual Display
(Lujie et al.), 210-11
Long Road to Mazatldn (Julien), 189
Looking for Längsten (Julien), 188
Lorente, J. Pedro, 275П12
Louis XVIII of France, 29
Louvre, 29-30,89
Love Actually (Curtis), 302П9
Lowry, Glenn, 13,35,36
Lujie, 169,210-11
Luxembourg Gallery, Paris, 29-30, 274П3
Lynes, George Piatt, 188
Lynn, Greg, 89
Macchi, Jorge, 232-33
Macmillan, James, 302П9
3 1 8 INDEX
Maggi, Marco, 160-62
Magiciens de la Terre exhibit, 155-56,
292П10
Maiastra (Brancusi), 66
Mailer, Norman, 97
Malevich, Kazimir Severinovich, 20
Maman (Bourgeois), 63,91
Manet, Edouard, 188
Manifesta, 156
Mann, Thomas, 2841110
Manzoni, Piero, 22
Mao (Warhol), 128
Mapping the Studio I (Fat Chance John Cage)
(Nauman), 43
Mapplethorpe, Robert, 188
maps, 169-70
Marclay, Christian, 265
Marden, Brice, 33
Marino, Armando, 162
markets for contemporary art, 9-10,
117-32,246-47,251,291П24; at art fairs,
143-45,258,290П21; artist prominence
ratings in, 121; at auction houses,
120-26,130-31,139-40,143-46,258,
287П14; for Australian Aboriginal art,
43-43; bubble economy of, 141-43,
290Ш5; collector museums in, 47,
87-89,251,281ПП23-24; conventional
focus of, 145-46; for Cuban art, 156;
dominance of, 120-21; emergence of,
123-27; globalized context of, 54-55,
119-32,139-47,287П13; for Hirst's
works, 117-19; investor/collectors in,
123-24,127-32,141,144-45,258,287П19;
for local and regional artists, 130-31;
monetarization of collecting in, 120,
130-32; prices in, 121-25,128-30,254;
resale royalties in, 124-25; sales fig­ures
for, 140-43; secondary markets
in, 124-32; Warhol's transitional role
in, 126,128-29
Martí, José, 162
Martin, Agnes, 33
Martin, Jean-Hubert, 115-56,292Ш0
Martinez, Daniel Joseph. 235-36
Massachusetts Museum of Contemporary
Art, Williamstown, 76-77
mass media, 225-28
Matisse, Henri, 18-20,61,63
Matta-Clark, Gordon, 24
Matter of Time, A (Serra), 85-86
Mbembe, Achille, 180-81
McCarthy, Paul, 3Z-33
McCracken, John, 23
McDonald, John, 303П14
McElheny, Josiah, 269-70
McQueen, Alexander, 95,
283ПП4-5
McQueen, Steve, 6i, 65,236
McShine, Kynaston, 31
Meantime (Almond), 197
mechanisms of desire, 103-5
Meckseper, Josephine, 54,270-71
media mobility, 225-28,299022
media specificity, 2Z4
mediation, 145,157,196,224
Mei Moses Annual All Art Index, 125-2;
Mein 2000,2001,2002 (Ghazel), 186
Meireles, Cildo, 266
Melnikov, Konstantin, 28U124
Mendieta, Ana, 163-64,293П18
Merca tor projection, 169-71
Metropolis (Lang), 79. J11> J72
Metropolitan Museum, New York, 123,
2881124
Meuck, Ron, 52,53,91
Meyer, Rupert, 281П24
Migration (Lawrence), 21
Miho Museum, Japan, 200
Millar, Jeremy, 212,300П31
Millennium Commission, 56
Miller, Dorothy, 31
Miller, George, 99
Milosevic, Slobodan, 210
Minamidera, Naoshima Island, 87,
193-95.19s
INDEX 3 1 9
Minibayea, Almagul, 224
minimalism, 23,245; in Dia projects,
39-47; emptiness of, 95-96,283П6;
industrial settings of, 84,225; materi­alist
outlooks of, 201; at MoMA, 22; in
sculptural architecture, 76; at the Tate
Modern, 61-62, 66; use of Untitled as
title in, 28 ;
Mirror of Production, The (Baudrillard),
285П22
Miyajima, Tatsuo, 198-99
modern art, 6, 242,246,250; contem­poraneous
assessments of, 252-53;
Nietzsche's insights on, 96-97; prehis­tory
of contemporary art in, 6, 257;
quest for transcendence of time in,
Í97-98; transition into contemporary
art from, 126,128, 247,256-59
Modern Art Despite Modernism (Storr),
276П22
Modern Contemporary: Art at MoMA since
1980 (MoMA), 27-28
Modernity at Large (Appardurai), 273П6
modernity/modernism, 1-2,4,254,
262-64; Baudelaire on, 78; Bourriaud's
altermodernity, 263-64; colonial
forces of, 6,197,262-63; historicizing
impulses of, 245
Modern Painting and Sculpture: 1880 to the
Present (Elderfield), 28
Moffatt, Tracey, 187
MoMA. See Museum of Modern Art
Moment is the Moment, The (Aitken), 198
Monderna Museet, Stockholm, 91
Mondrian, Piet, 21
Monet, Claude: at MoMA, 17; at Naoshima
Island, 200; at the Tate Modern, 61,
63,66
monetarization of collecting, 130-32
Monroe, Marilyn, 128,258
Monsoon (Aitken), 212-13
Montana, Linda, 207-8
"Monuments"for V.Tatlin (Flavin), 41
Monument to Balzac (Rodin), 15
Monument to Georges Bataille (Hirschhorn),
223
Monument to Martyrs of the Revolution,
2006,166
Monument to the Third International of 1920
(Tatlin), 68
Moor, Ayanah, 226-27
Moore, Charles, 280П7
Morphy, Howard, 296П8
Morris, Robert, 44,76
Mosquera, Geraldo, 155,181
Mueck, Ron, 129
Mullins, Aimee, 95,283П5
Murakami, Takashi, 7,265; market for,
128,147,290П23; at Palazzo Grassi, 55
Murray, Elizabeth, 25
Musée d'Art Moderne de la Ville de Paris,
76
Musée d'Elysée, Lausanne, 205
Musée des Artistes Vivants, Paris, 29-30,
274-пз
Musée d'Orsay, Paris, 19
musées de passage, 29-30,31,85
Museo Nacional de Bellas Artes, Havana,
156-57
Museum für Moderne Kunst, Frankfurt,
60
Museum Kunst Palast, Düsseldorf, 91
Museum of Contemporary Art, Los Ange­les,
42,84-85
Museum of Jurassic Technology, Los
Angeles, 230
Museum of Modern Art, New York
(MoMA), 9,13-37,200; Aitken's
Sleepwalkers at, 213; atrium of, 16-17;
attendance at, 66; contemporary art
exhibits of, 17,32-36; critical reactions
to, 257; curatorial territorialism of,
17-18; Deconstructivist Architecture
exhibit at, 280П7; defensive remodern-ism
of, 26,27-36,260, 275П16,276П22;
Eliasson's Take Your Time exhibit at,
320 INDEX
198; founding goals of, 28,30-31,36;
modern art exhibits of, 17-23; Nouvel
tower display space, 275П18; NYC as
artwork in, 25; Out of Time exhibit at,
34-35; photos of, 14,16,19,20,21,23,
26; Sculpture Garden of, 14,15; Stella
retrospective at, 123; Taniguchi's ex­pansion
of, 13-18,35-36, 83; temporary
exhibition galleries of, 17
Museum of Modern Art, Oxford, 58
museums, 7-10, 241-44,265; as archive,
62-63; artists' attitudes towards, 122;
branding of, 91-92; collector muse­ums,
47, 87-89, 251,281ПП23-24; crowd
management in, 195; cultural tourism
at, 89-90; deaccessioning of works by,1
119; demographics of visitors to, 59;
experience museums, 71,87,90-92,
t95>' globalized conceptions of, 93-95,
282-83ПП2-3; institutional redefini­tions
of, 9-10,29-30,36-37,111-13;
musée de passage approach, 29-31,85,
275ПП11-12; populist tendencies of,
74-75,86,91; private management of,
87; site specificity of, 94-95; spectacle
in architecture of, 7,9,15,74,86-87;
temple-like evocations by, 200-201. See
also architecture of museums; names of
specific museums, e.g. Saatchi Gallery
My Bed (Emin), 50
Myra (Harvey), 50
Nadal-Ginard, Bernardo, 129
Nana (Saint-Phalle), 91
Naoshima Island, Japan, 47; Benesse
House collection of, 199; Chichu Art
Museum of, 199-200; Fukutake's
spiritual goals for, 200-201; Honmura
village installations of, 198-99; Min-amidera
of, 87,193-95. ^8
National Gallery of Australia, 123,286П10
Nature's Little Helpers (Piccinini), 230
Nauman, Bruce, 22; at Dia, 43; at MoMA,
25,33; at Naoshima Island, 200; promi­nence
rating of, 121
Ndiaye, Ousmane, 159
neoconservativism, 7,265
neoliberal economics. 7,120,265
Neshat, Shirm. 185-87.266
net.art, 8,27,266
Net o, Ernesto, 157
Neuenschwander, Rivane, 66,232-33
Never.Ignorant.Gettin'.Goals.Accomplished
! (Moor), 226-27
New Cuban Art, 155-56
new disorder, 5,8,78,273П5
Newhouse, Victoria, 79,83
Newman, Barn ett, 16,20,22,64
new media, 225,2991122
New Museum of Contemporary Art, 34
. New s from the Coyote (Beuys), 41-42
New York Earth Room (de Maria), 39
Nicholson, Ben, 125,287П13
Nietzsche, Friedrich, 96-97,284П10
1965/1-00 (Opa ka), 208
Ninth Hour, The (Catelan), 121
Njami, Simon, 235-36
Nkanga, Otobong, 159
Nobel Prizes for Literature, 217-18,220-21,
299П12
Noland, Cady, 34
Norrie, Susan, 212
! North, East, South, West (Heizer), 42
Nouvel Jean, 89,275П18
Number IA, 1948 (Pollock), 21
Obrist, Hans Ulrich, 296П9
Observance (Viola), 201
October journal, 252
Ofili, Christopher, 50
Oiticica, Hélio, 22,23
Oldenburg, Claes, 74
Olivia, Achille Bonito, 278П6
Olympia (Manet), 188
Onassis, Jacqueline Kennedy, 128
One and Three Chairs (Kosuth), 23
INDEX 3 2 1
loo Live and Die (Nauman), 200
1001 Manusia tanah (Christiano), 184
One Year Performance 1980-1581 (Hsieh),
207-8
ontologies of the present, 255-56
Opałka, Roman, 208
op art, 23
OpenOffice, 40
Orange Marilyn (Warhol), 128
Order, The (Barney), 283П5
Ouroussoff, Nicolai, 17,36
Outpourings from the heart of an art-loving
friar (Wackenroder), 46
Outsider, The (Floyd), 216-17
Pace, Linda, 88
Pain in a Building (Gillick), 229-30
Painting Face Down White Line (McCarthy),
32-33
Palais Royal, Paris, 29
Palau Giiell, Barcelona, 81
Palazzo Grassi, Venice, 54-55,277П8
Panza di Biumo, Guiseppe, 279П8
Paradise Omeros (Julien), 189-90
paralympic athletes, 95,283П5
Paris Biennale of 2000, 244
Parke-Bernet, 124-25
Park Fiction, 230-31
Partition (Barney), 102-3
Passage (Neshat), 185-87
Passmore, Victor, 230
Pataki, George, 40
Patron, The (Bickerton), 52
Pearl, Jed, 303П14
Peary, Robert, 190
Pei, I. M., 200
Pei-Zhu Studio, 89
performance art, 195
Perniola, Mario, 303П14
Persepolis (Satrapi), 187
Peters, Arno, 169
Peters projection, 169-71
Philadelphia Museum of Art, 18
philanthropy, 47,87-89, 281ПП23-24. See
also Saatchi Gallery
Phillips, de Ригу & Company, 121,140,
142-43,287П14
physical disabilities, 95,283П5
Physical Impossibility of Death in the Mind of
Someone Living, The (Hirst), 50-51,53,
I29,288n24
Piano, Renzo, 88
Picasso, Pablo: at the Gallery of Living
Art, 274П3; impact on Gehry by, 77-78;
at MoMA, 19-20,21; primitivism of, 22;
prominence rating of, 121
Piccinini, Patricia, 230-31
Piketty, Thomas, 127
Pinault, François, 54-55, 277П8
Pinter, Harold, 217-18,220-21,237
Piper, Adrian, 34,187
Place (Dean and Millar), 300П31
place/placemaking, 8,10, 229-38; cross-border
art in, 231; displacement in, 78;
ecological discourses in, 230-32; global
mobility of artists in, 235-37; warps
and displacements in, 229-30
Plagens, Peter, 303П14
pluralism, 34,253-54,304П129
Poinsot, Jean-Marc, 278П6
political art, 216-38,298П3,301П44; of Af­rican
artists, 235-37; antiglobalization
discourses in, 221-24; echoes of ab­sence
in, 232-34; ecological discourses
in, 230-32; graffiti, 228,300П27; mass
media discourses in, 225-28,2991122;
responses to power in, 219-21,298,
299П12; small-scale connectivity in,
231-38,301П40; at the Tate Modern,
59-60; unmonumentality and lessness
in, 225,299П19; at Whitney Biennials,
234-35
Politics of Aesthetics, The (Rancière), 273П6
Polk, Brigid, 25
Pollack, Sidney, 75
Pollock, Jackson: market for, 123,286П10;
322 INDEX
at MoMA, 20, 21-22; at the Tate Mod­ern,
65
Pompidou Center. See Centre Pompidou
pop art: at the Tate Modern, 65; transi­tional
role of, 126,128-29
Portrait of Joseph Roulirt (Van Gogh), 22
Possessed (Neshat), 186
postcolonial discourses, 7,10,151-71,
259-61, 266; in Aboriginal art, 10,121,
133-43; affiliative contemporaneity
in, 154-55;at the Bienal de La Habana,
152-66; cartographie representations
of, 169-70; conceptions of beauty and
otherness in, 172-90; on constraints
of small numbers, 187, 296П20; in
Documenta u, 151-52,156,260-62,
291ПП1-2, 292ml; focus on peripheries
in, 151,155-58,167-68,292ПП5-7; from
former Soviet states, 167-68,294П24;
iconogeographic turnings in, 10,
166-71,293mg; in Latin America, 154;
responses to canonicity in, 252-53; of
time, 197-98,210-11
the posthistorical, 244-46
postimpressionism, 30
postminimalism, 22,23, 84,201
postmodernity/postmodernism, 2,242,
254-55,276П22; of Frankfurt's Museum
für Modene Kunst, 60; at MoMA,
35-36
post-Soviet discourses, 167-68,295П24
"postwar" label, 125,128,287П13
Power into Art, 56
Powerless Structures (Elmgreen and Drag-set),
90-91
Power of Display: A History of Exhibition
Installations at the Museum of Modern
Art (Staniszewski), 275П12
precisionism, 23
Precolombino SCPostClintoniano (Maggi),
160
Presentation (Schutz), 33
Price, Ken, 34
Price of Everything, The (Braathen et al.),
2911124
Prieto, Wílfredo, 163,166
primitivism, 22,120-21; at MoMA, 19-20;
at the Tate Modern, 62-64
Prince Claus Fund for Culture and Devel­opment,
157
Pro and Contra Wagner (Mann), 284nio
Project for a Revolution of the World Wide
Web (Jaar), 170
Proun 19 D (Lissitzky), 20
Psycho (Hitchcock), 206
Pulitzer Foundation Museum, 47
Puppy (Koons), 74,91
Qin Ga, 211
Quinn, Marc, 50
Quintana, Ciro, 155
racial discourses: in animal violence of
African art, 179-81; in Australian Ab­original
art, 133-43; in constraints of
small numbers, 187,296П20; in Juliens
constructions of interracial identities,
187-90; in the masses of Asian Field, 183
radical relativism, 253
RAIN group, 158
Ramallah/New York (Jack), 214
Ramirez, Nelson, 162-63
Rancière, Jacques, 237,273П6,301П44
Random Access (Floyd), 216-17
Rape of the Sabine Women (Poussin), 209
Rapture (Neshat), 186
Rasdjarmrearnsook, Araya, 211-12
Rauschenberg, Robert, 258; at MoMA, 20,
22; resale prices of, 124-25
Raven W (David Smith), 287П13
Rawanchaikul, Navin, 243-44
Ray, Charles, 32
Ray, Man, 62
Read, Herbert, 58
Reading Inaowfor Female Corpse (Rasdjarm­rearnsook),
212
INDEX 3 2 3
Real, 106
Red Slate Circle (Long), 61, 63
Red Studio, The (Matisse), 19
Reinhardt, Ad, 31
relational aesthetics, 262,268-69
relativism, 253-54
remodernism, 7,245,257,265,268; of
Barney's Cremaster cycle, 96-97; of
Gehry's Bilbao museum, 79,96; indus­trial
contexts of, 225; markets for, 10;
at MoMA, 26-36,275П16,276П22; post-colonial
responses to, 169-71; quest for
transcendence of time in, 197
Renoir, Pierre-Auguste, 18
Resistance, Rebellion and Death (Camus),
298
Retort, 218-19
retro-sensationalism, 7,91,245,257,265,
268; of Barney's Cremaster cycle, 96-97;
of Gehry's Bilbao museum, 96; instant
impact of, 194-95,197, 225; markets
for, 10; postcolonial responses to,
169-71
Rév, István, 167
Reverón, Armando, 22-23
Rhein II (Gurksy), 26
Rhoades, Jason, 299mg
Rice, Condoleezza, 226-27
Richter, Gerhard, 138-39,265; at MoMA,
24,25,35; prominence rating of, 121
Riedweg, Walter, 159
Right You Are If You Think You Are (Leirner),
169
Ritchie, Ian, 83
Rivera, Diego, 21
Rocky Horror Picture Show, 107
Rodchenko, Aleksander, 20, 81
Roden Crater (Turrell), 39
Rodin, Auguste, 15
Rodríguez, Robaldo, 155
Rojas-Sotelo, Miguel, 29U14
Rolling Stones, 285П23
Roppongi Hills Tower, Tokyo, 63
Rorschach blot skeleton (Warhol), 25
Rosenquist, James, 123
Rosenthal, Norman, 278П6
Roth, Dieter, 32
Rothko, Mark, 33, 66
Rothko Chapel, Houston, 16
Rothschild, Nat, 117
Rubell, Don and Ira, 87,144,145,2901121
Rubin, William, 19
Rudenstine, Angelica, 30
Ruprecht, William R, 145
Ruscha, Ed, 210
Russian Ark (Sokurov), 244
Ryder, Albert, 30
Ryman, Robert, 33, 41
Saadiyat Island (Abu Dhabi), 89-90
Saatchi, Charles, 49-50,53-55,58,127,
129,140
Saatchi Gallery, London, 9,37, 49-55,
87,129,271; absence of Australian
Aboriginal art at, 138; curatorial logic
of, 50-52; museum-like ambiance of,
53-54,277П7; New American Art from,
54; photos of, 51,52; yBas exhibits at,
49-5B58-59
laez, Emmanuel, 127
laid, Edward, 105
Saint-Phalle, Nikki de, 91
Salcedo, Doris, 26
sales of contemporary art. See markets for
contemporary art
Salz, Jerry, 97 -
Samba, Chéri, 33, 65
Samsung Museum, Seoul, 288П24
Sanaa, 34
Sandback, Fred, 22,39,43-44
Sant'Elia, Antonio, 81
Sastre, Martin, 159-60,225
Satrapi, Marjane, 187
Schaulager Museum, Basel, 88
Schjeldahl, Peter, 47,144,277П13,283П9,
292ml
324 INDEX
Schnabel, Julian, 7,49, 247,265
Schneider, Gregor, 228-29
Schutz, Dana, 33
Schwartzman, Allan, 87,281П23
Schwarzkogler, Rudolf, 32
Schwitters, Kurt, 81
Scientia E Metaphysica (Beils Theorem)
(Bell), 133-34
Scott, Giles Gilbert, 56
Screen Tests (Warhol), 26
Scull, Robert, 123-25
Scully, Sean, 138-39
sculptural: Andres three-concept
definition of, 77; in Barney's Cremas-ter
cycle, 100-103; in Gehry's Bilbao
Guggenheim, 75-87,95-96,280П7; in
unmonumental sculpture, 225. See also
building-as-sculpture
sculpture. See building-as-sculpture
Seaman, Bill, 294П3
Sea of Time '98 (Miyajima), 198-99
Searle, Adrian, 230
2nd Light (Chan), 203
Sekuła, Allan, 122,222,266
Sel/(Quinn), 50
sensationalism. See retro-sensationalism
Serota, Nicholas, 60,278П6,279П8
Serpentine Gallery, 58
Serra, Richard, 7,265,281П18; at Bilbao, 84,
85-86; in Cremaster3,98,100,102,109,
285П23; at Dia, 42,44-45,76; atMoMA,
36; portentous pieces of, 44-45,276П8;
Pulitzer Foundation of Museum de­sign
of, 47; at the Tate Modern, 61
7 iigkts project (Chan), 203-4,296П9
Shack/Slumdwellers International, 230-31
shadow exhibitions, 66
Shadows Cast by Readymades (Hamilton),
66
Shadows (Warhol), 42
Shaw, Jeffrey, 173-75,225,299П22
Sheeler, Charles, 21
Sher-Gil archive project, 168
Sherman, Cindy: at MoMA, 25; resale
values for, 129; Saatchi's collection of,
53; at the Tate Modern, 66
Sherman, Gene, 281П24
She-Wolf The (Pollock), 21,22
Shiller, Robert J., 141-42
Shimamoto, Shozo, 258
Shock of the New: The Hundred-Year History
of Modern Art (Hughes), 275П12
Shock of the New, The (Dunlop), 275П12
Shonibare, Yinka, 33
Should I Live to be a Hundred, 1988- (Benc­zúr),
207-8
Sichy, Ingrid, 283П4
Signac, Paul, 18,22
Sime, Elias, 184
Simpson, Loma, 187
Si Poteris Narrare, Licet (Bmyère), 173-81,
186; headset interface of, 174; sche­matic
outline of, 174-80
Siqueiros, David Alfaro, 21
6th Light (Chan), 204
Sketches of Frank Gehry (Pollack), 75
Sketch for a World Map, Part 1 (Americas,
Pacific) (Fahlstrom), 33
Sleepwalkers (Aitken), 213
small-scale connectivity, 231-38,267
Smith, Bernard, 263,288П3,305П36
Smith, David, 287П13
Smith, Keir, 294П3
Smith, Roberta, 111,213,283П4
Smith, Terry, 279m, 28907
Smithson, Robert, 22,23,39.44
Snake (Serra), 84,85
Soanejohn, 189
Society of Patriotic Friends of the Arts,
275ml
Society of the Spectacle, The (Debord), 273П6
Soft Shuttlecock (Oldenburg and Brüggen),
74
Sokurov, Alexander, 244
Solo Scenes (Roth), 32
Song Dong, 168-69
INDEX 3 2 5
Sotheby's: Aboriginal art at, 136-37;
competition of, 139-40; contemporary
art sales by, 121,123-25,129,131-32,140;
one-artist exhibit by Hirst at, 140,142,
289П10; 2008 sales at, 142-43
Soto, Jesús Rafael, 22
Sots Art, 127
Source of Life, The (Frédéric), 173
South London Gallery, 58
spectacle art and architecture, 6,7,15,219,
257,265,268; in building-as-sculpture,
9,74,86-87; for cultural tourism,
89-90; by deconstructivist architects,
77,280П7; in experience museums, 71,
87,90-92,195; populist leanings in,
74-75,86,91. See also architecture of
museums
SPECTACULAR, 90-91
spectacularism, 7,257,265,268
Spector, Nancy, 96,97,100-101
Spero, Nancy, 34
Spider (Bourgeois), 43
Spiral Jetty (Smithson), 39
spiritual discourses, 200-201
splashers, 228
Stalker, 231
Stallabrass, Julian, 53,247-48,302П3
Staniszewski, Mary Anne, 275П12 :
Starry Night, The (Van Gogh), 18
Starved Letters (Neuenschwander), 232-33
Stasi City (Wilson and Wilson), 167
Stedelijk Museum, 30
Stein, Gertrude: on musées de passage, 85;
on museums of modern art, 29,35,90,
275П10
Steiner, George, 273П8
Stella, Frank, 123
stock market, 141-43
Storr, Robert, 2761122
Straightening Spears (Tjupurrula), 203,
296П8
Stranger, The (Camus), 216-17
Struth, Thomas, 24
Studio Pei-Zhu, 89
subjectification of viewers, 47, 277П13
sublime, 46-47,288П24
Sudbrack, Eli, 224-25
Sugimoto, Hiroshi, 53,129,199
Sundaram, Vivan, 168
Super (M)art (Rawanchaikul), 243-44
surrealism, 43-44,62,63
Sussman, Eve, 26,209
Sustained Suture (Nkanga), 159
Suvero, Mark di, 77
Swain, Tony, 296П8
Swallow, Ricky, 209
Sydney Biennale of 2006,182-85, 224
"Sympathy for the Devil," 285П23
Szeeman, Harald, 278П6
Take Your Time (Eliasson), 198
Taking of Christ, The (Caravaggio), 202
Talking Prices (Velthuis), 120
Taniguchi, Yoshio, 13-18,35-36,83
Tarantino, Quentin, 99
Tate Gallery, 56,57-59
Tate Modern, 9,24,30,37,56-68; archi­tecture
of, 56-57; attendance at, 59,
66; Beuys collection of, 63; colonialist
reflex of, 62-64,279П12; conceptualism
at, 59-60, 64; contemporized displays
of, 59-60; engagement with diversity
at, 67; expansion plans for, 66-68;
funding of, 57,59,278П2; indigenous
art at, 62-64; local artifacts at, 62;
minimalism at, 61-62, 66; opening of,
49-50; patronage of, 49,56-57; photos
of, 57, 61, 62, 67; pop art at, 65; rehang
of 2005-6 at, 64-66; surrealism at,
62, 63; temporary exhibits at, 63; The
Wrong Gallery exhibit at, 66;yBas col­lection
at, 53; "zone" model of, 60-64,
278П6,279П8
Tatlin, Vladimir, 68
Temporary Contemporary, 84-85
tercomundismo, 154-55
326 INDEX
Terrain Project (Woods), 25
Teshigahara, Hiroshi, 190
Thatcher, Margaret, 50,247
Theatre Piece No. 1 (Cage), 258
"Theorem on Aboriginal Art" (Bell), 133
3rd bight (Chan), 203-4
Thomas, Rover, 137
Three Musicians (Picasso), 274П3
Throsby, David, 291П25
Tiananmen Square, 168
Time Exposed (Sugimoto), 199
time/temporality, 3-6,8,10,193-215; in
Aboriginal origin narratives, 203, ,
296П8; dominant measuring systems
°f> 197,297ml; in Jamesons ontology of
the present, 255-56; as medium, 225;
Out of Time exhibit at MoMA, 34-35;
postcolonial discourses of, 197-98; in
real-time works, 205-9; seeing dura­tion
in, 198-200; seeking eternality
in, 201-4; seeking historical time in,
209-11; seeking presentness in, 196-98,
205-9; seeking timelessness in, 195;
shared time/space with artwork,
193-96; Turrell's response to, 193-95,
198, 201; warps and disruptions in, 78,
211-15,224. See also contemporaneity
Time/Timeless/No Time (De Maria),
199-201
Timms, Peter, 246-47,302П9
Titanic's Wake series (Sekuła), 222
Tjangala, Uta Uta, 138
Tjapaltjarri, Clifford Possum, 136
Tjupurrula, Johnny Warangkula, 135-36
Tjupurrula, Turkey Toison, 203,296П8
Today series (Kawara), 208
Tokyo National Museum, 15
Tomkins, Calvin, 290П23
Tooba (Neshat), 187
Torqued Ellipses (Serra), 44~45
Torqued Spiral (Serra), 44
Torres-Garcia, Joaquín, 21,169
Totes Haus ur, Rheydt (Schneider), 228-29
Tourism and Development Investment
Company of Abu Dhabi, 89
traditional art, 120
Tremaine collection, 126
Triumph of Painting exhibit, 54
True North (Julien), 190
Truitt, Anne, 22
Trussed (Julien), 189
truth, 217-19,237-38. See also political art
Turbulent (Neshat), 186
Turbulent World!!! Where are uiegoing?
(Bodo), 65
Turell, James, 39
"The Turnaround Artist: Jeff Koons, Up
from Banality" (Tomkins), 290П23
Turrell, James, 33,193-95,198,201
Tuymans, Luc, 34
Twentieth Century Fox Set for Titanic,
Popotla (Sekuła), 222
24 Hour Psycho (Gordon), 206
Überorgan (Hawkinson), 76-77,91
Uklanski, Piotr, 55
Uliens, Guy, 281П24
Ullens Center for Contemporary Art,
2811124
Una tribunapara lapaz democrdtia (Eiriz),
164
Uncertainty of the Poet (Chirico), 64
Unique Forms of Continuity in Space (Boc-cioni),
64
unmonumental sculpture, 225
Untitled (Bourgeois), 63
Untitled (Bruguera), 163-64
"Untitled (Demonstration, Berlin)" (Meck-seper),
270-71
Untitled (Hess), 32
Untitled (Judd), 20
Untitled (KouneUis), 64
Untitled (monkeys, frogs, televisions) (Sime),
184
Untitled (Room) (Whiteread), 26
Untitled (Salcedo), 26
INDEX 3 2 7
Untitled (slantpiece) (Judd), 43
Untitled (Spring Celebration) (Kngwarreye),
136-37
U.S. Interests Section, 166
Utopia, Utopia=One World, One War, One
Army, One Dress (Hirschhorn), 223
Vagabondia (Julien), 189 •
value, Г47,29ГП25
valuing, 4
van Brüggen, Coosje, 74,78-79
Van Gogh, Vincent, 18,22,121
Varejâo, Adriana, 169
Varnedoe, Kirk, 27-28,31-32,260
Velasco, Luidmila, 162-63
Velazquez, Diego, 26
Velthuis, Olav, 120,129-30
Venice Biennale of 2001,95
Venice Biennale of 2003,156,210,303П14
Venice Biennale of 2005,209
Venturi, Robert, 280П7
Venus Forge (Andre), 64
Videoart: The Iberoamerican Legend (Sastre),
159-60
Vidier, Anthony, 280П7
viewers of contemporary art: Bilbao's pop­ulist
tendencies, 74-75,86,91; demo­graphics
of, 59; headset interface of Si
Poteris Narrare, Licet with, 174; museum
crowd management practices, 195;
narrative interface of Cremasterwith,
99-100,107,174; as special subjects, 47,
277П13; taking up of time of, 194-95;
viuser interactivity, 8,174,266,294П3
Viola, Bill, 34,201-3
Vir Heroicas Sublimis (Newman), 22
Visconti, Lucio, 102
visual arts, 5
visuality, 249
viuser (visual information user) interac­tivity,
8,174,266,294П3
Voyage to the Congo (Allégeret and Gide),
62,279Ш2
Vrisendorp, Madelon, 25
vuser, 294П3
Wachowski brothers, 99
Wackenroder, Wilhelm Heinrich, 46
Waddington, Andrucha, 190
Wagner, Richard, 96,106,283П8, 284ШО
Walcott, Derek, 189-90
Walker, Kara, 33,187
Wall, Jeff, 26,36, 265,303П20
Warhol, Andy, 188,259; at Dia, 42; market
for, 128-29,140; mediation of real time
by, 205-6,208,297П12; at MoMA, 20,
25,26; prominence rating of, 121; recy­cling
of, 265; registration of the death
of the present by, 258; self-promotion
by, 3; studio accumulations of, 206-7;
transitional role of, 126,128,247
Warlugulong (Tjapaltjarri), 136
Water Dreaming at Kalipinya (Warangkula),
135-36
Water Lilies (Monet), 17, 61, 63, 66,200
Watson, Peter, 123,127-28
Way Things Go, The (Fischl and Weiss), 212
WeatherProject, The (Eliasson), 66,198
Webber, Bruce, 188
Weems, Carrie Mae, 187
Weibel, Peter, 299П22 :
Weiner, Lawrence, 40, 43
Weisman (Frederick R.) Art Museum,
Minneapolis, 78-79
Weiss, David, 212
Weiss, Rachel, 291П4
Weltanschauung (Jaar), 169-70
Weng Fen, 212
We're All Photographers Now exhibit, 205
Wesely, Michael, 15
Wham! (Lichtenstein), 64
What's Wrong With Contemporary Art?
(Timms), 246-47
When Attitudes Become Form exhibit,
59-60
When Faith Moves Mountains (Alys), 233
3 2 0 INDEX
Where Are We Going? Where Do We Come
From? Is There a Reason? (Hirst), 55
White Bouquet (Fani-Kayode), 188
White Cube, 140
White Flag (Johns), 126
Whiteread, Rachel, 26,35,53,129
Whitman, Robert, 39
Whitney Biennial: of 1993,234-35; of 2006,
271; of 2008, 225,235
Whitten, Jack, 34
Why Not Sneeze Rose Selavy? (Duchamp),
62
Wifredo Lam Center, 152-54
Wigley, Mark, 280П7
Wilmarth, Christopher, 34
Wilson, Fred, 90
Wilson, Jane and Louise, 35,167,230
Windows Movie Maker software, 205
Winkler, Helen, 38
Wochenklausur, 230-31
Wodiczko, Krzysztof, 232
Woman of the Dunes (Teshigahara), 190
Women of Allah, The (Neshat), 186
Women Without Men (Neshat), 187
Woodman, Francesca, 65
Woods, Lebbeus, 25
Wool, Christopher, 25
Work No. 232; The Whole World and the
Work = The Whole World (Creed), 64
World is Flat, The (Friedman), 273П5
world picture, 5-6,273П5
world time, 197
Wrapped Coast—one million square feet,
Little Bay, Sydney, Australia (Christo &
Jean-Claude), 39
Wrath of God, The (Hirst), "2881124
Wretched of the Earth, The (Fanon), 188
"Writing About Modernist Painting
Outside Western Europe and North
America" (Elkins), 289П8
Wrong Gallery nongallery, 66
Yang Zhenzhong, 212
yBas (young British artists), 3,127,247-48,
265; absence from MoMA of, 25; avant-garde
shock tactics of, 7; icons of,
50-51; impact of, 58-59; at the Saatchi
Gallery, 49; at the Tate Modern, 53
The Yellow Curtain (Matisse), 19
Yes Men, 226
Yoshihara, Jiro, 258
young British artists. See yBas
Young, La Monte, 39
Yumari (Tjangala), 138
Zazeela, Marian, 39
Zenghelis, Elia, 25
Zenghelis, Zoe, 25
Żiźek, Slavoj, 106
Zhang Xiaogang, 131
Zhukova, Kasha, 281П24
"zone" museums, 60-64,27806,27908
INDEX 3 2 9