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| Katkey: | 7268194 |
| Volltext: | Index abstraction, 68 action pre-formed, 47-9 activity convergent/divergent, 51 intentional, 3-10 lived, 29, 132 reflective, 7-10 aesthetic attitude, 226-8 ambiguity, 13 appreciation, xiv, 19-20, 228—39, 249 art history, 235—6 aspects, 19 pre-reflective, 17 attunement, 241, 243-4 Baugin, L., 5-6, 8, 9, 30-6, 46, 61, 65-6, 70, 103, 116, 136, 149, 181, 223, 224 being-in-the-world, 15, 46-9, 155, 182, 208-9, 2I2 242 244 Blake, W„ 173 body, xvi habit, 143, 180, 238-9 lived, 10—15 physical, 11, 43 Bonnard, P., 139-40, 146, 148, 151-2, 222, 2 34 Boucher, F., 117-19 Braque, G., 115, 256 Brentano, F., 10 Bruegel, P., 89-91 brush, 26—34, 45_6, 49 Campin, 133—4 Caravaggio, M., 170 Cézanne, P., 38, 152, 233 Chardin, J.B.S., 128, 182, 245 Cimabue, G., 220-4, 243 Clark, T.J., 199-204 cognitivism, 151-4 Collingwood, R.G., 3—7, 186 colour, xiv, 5, 69 consistency, 70, 102-3, 143-4, 152, 182, 206 Constable, J., 87, 128 constrast, 68-9, 143-6, 207 Corinth, L., 35-6, 45, 50, 65, 69-70, 85, 92-3, 100-6, 116, 126-9, r32 2°8 222 227 copying, 159-64 Cranach, L., 179 Croce, В., i86 cubism, 168 David, J.L., 87, 98, 128, 131 Degas, E., I8I de Kooning, W., 30-6, 85, 117—20, 128, 164, 181, 227 Delacroix, E., 87, 128, 227 Derain, A., 178-9 D e s c a r t e s , R. , 1 1 , 2 6 , I I I de Stijl, 113, 166 effect expressive, 87, 198, 219—22 elements figurative, 72-122, 148, 159—64, 185, 207, 225-6 plastic, xiv, 53-71, 96—7, 100-3, 116—22, 146, 148, 156, 158, 164, 198, 206-7, 214, 225-6 empiricism, 17 ensemble, 68-71, 143, 152 essences, 14, 21 experience reflective, 19 pre-reflective, 241 expression, 49, 113-14, 119, 123-4, T75 I7^, 204-10, 212-15 logic of, 209-10, 212—13, 239~46 felt response, 150-1, 180, 181 feminism, 186, 201-3 field phenomenal, xvi Florence, 22 formalism, 123—4, x37 forms of life, 155-6, 207 Fra Angélico, 227, 245 Friedrich, C.D., 173 Freud, S., 151 Gauguin, R, 92-3, 100—3, 174 gesture, 39—51 Gibson, J.L., 74-5 Giotto di Bondone, 208 Gombrich, E.A., 36-8, 223 Gregory, R.L., 75 Grünewald, M., 179 habit, 47-52 Hegel, G.W.F., 3, 16, 129, 208 Heidegger, M., xvi, 27, 39, 151, 181, 246 Hodler, F., 173 Hofmann, H., 66-7, 122, 144, 164, 224, 239 Hokusai, К., 95 Husserl, E., 14, 26, i8i image, 186-90 Ingres, J.A.D., 87 intentionalism, xiv, 3-10, 62-3, 169-70, 205-6 intentionality, 41, 180— 1 pre-reflective, 14, 43, 49—50 sensuous, 143, 181 intentions representational, 5-9 Kandinsky, W., 85, 162, 173 Kant, I., 110 Kirchner, E.C., 178-9 Klee, P., 173 know-how, 151 knowledge-that, 151 Land, E.H., 33-4 language analogy with natural, 104-16 primary/secondary distinction, 109—16 Lebenswelt, 15 light, xiv, 56—9 Lipton, E., 201-3 lived-body, 10-15, 180 pre-conscious, 11 lived-world, 16, 85 Manet, E., 191-5, 199-202 manner of working, 217-19 Marc, F., 174 materials, xiv, 25—39, 42_3 49. 53. 63-4, 156, 158, 164, 223-5 Matisse, H., io, 103, 146, 148, 162, 165-6, 181, 225, 241-2 marxism, 186, 199-201 meaning, 45 'historical', 190-5, 215 lived, 154 representational, 186-90 stateable, 215 'textual', 195-9, 215 unclear, 154 means/ends, 6—8, 45, 60, 150, 180 Memling, H., 188-90, 210—11, 225, 233, 235 Merleau-Ponty, M., xv—xvi, 10, 39, 75-8, 81-2, 108-12, 181, 233, 234, 238, 251 Michelangelo, В., 185-204 mind/body distinction, 10—14 Mondrian, P., 120-2, 128, 162, 164, 166-76, 210 Monet, С., 87, 232 Morandi, G., 87-8, 128, 182, 227 motif, 86, 98-103 Munch, E., 162, 173 Newman, В., 174 normativity, 249—51 object phenomenal, 31-4, 38, 84-6 physical, 185-204, 256 paint, 34-9, 44, 49 painting abstract, 116-22 stylised, 51-2, 64, 104, 181 paradigm, 159, 174 Paris school of, 22 perception, xv-xvi, 13, 73-86 empiricist theories of, 74-9 gestalt theory of, 76 perspective, 95-6 phenomenology, xiv-xvi, 14-15 Picasso, P., 65-7, 69, 70, 103, 106-8, 115, 126-9, r32. l62-5, 175. !9I-5 233. 253-4. 256 pictorial space, 210-12, 232-9 Pollock, J., 201—2 Poussin, N., 128, 131, 196—9 practice, xiii—xiv, 154—6 of painting, 20-3 Proust, M., 245 Raphael, S., 160—2 realism, 73-4 reduction phenomenological, 14 reflection, xv-xvi relations structural, 20—3 relativism, 135-7, 252-5 Rembrandt van Rijn, 55, 69, 112, 115, 138-9, 141, 170, 171, 181, 188, 209 Renaissance, 96, 103, 146, 160, 163 representation, 73-4, 114, 223-6, 240 as convention, 97, 185 mental, 5-9, 116 representational meaning, 186-90 resolvedness, 124-8 Ricoeur, P., 47-8 romanticism, 52 Rosenblum, R., 173-9 Rothko, M., 174 Rouault, G., 87 rubin vase, 80-2 rubric, 103-4, 158 rules, 151-8 Runge, P.O., 173 seeing as, 79-84, 223 seeing in, 223-5 sensations, 74-8, 239 sensibles, 239 Seurat, G., 33-4, 39-40, 42. 45. 51. 85. 124-6, 128, 129, 132, 174, 205, 210, 211, 213-14, 227, 239-40, 242 Soutine, C., 181 space, 12-13 stimulus-response theory, 41-3, 47-8 structure figure/ground, 77, 237 subject figurative, 86-104 'subject', 86 subject/object distinction, xv, xo—14, 17 subjective, xv subjectivism, 250-1 taste, 248-9 texture, xiv, 53—5 thematization, 59-65 titian, V., 53, 55-62, 88-9, 116, 152, 162, 200, 253-4 tone, 56—62 tradition, 175-80 northern romantic, 173-9, 210 truth, 256-7 Turner, W.M., 3-7, 61-2, 65, 67-8, 87, 105-6, 173 understanding, xiv, 19 lived, 137 use-descriptions, 27—30 van der Weyden, R., 187-90, 210-11, 224-6, 233-5, 247 vanEyck, J., 133-4, 208 van Gogh, V., 55, 87, 173, 175, 181, 208, 209 van Velde, В., 120-2, 126, 210-11, 225, 233, 235 Velasquez, D., 95, 162, 224 Venice, 22 Whistler, 36 Wittgenstein, L., 79-84, 151, 155, 223, 224 Wollheim, R., 3-7, 59-65, 138, 141, 186, 190-9, 223-4, 241-2 working, notion of, 123-49 |
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