| Volltext: | Index A Abrams, M.H. 246, 267 Achen, George, Interior 110; fig. 148 Adam, Robert, Etruscan Room, Osterley House 43; fig- 44 Agostino di Duccio 147 Agrícola, Georg, De re metalika 232; fig. 323 Agrippa, Camillo, A Treatise on the Science of Arms 234; figs. 326,327 air travel, instruction leaflets 226-8; figs. 316,317 Alberti, Leon Battista 32,38, 107 Alcherius, Johannes 101-2 Alt-Ötting, Bavaria, Golden Horse 88; fig. 108 Alexander's Victory over Darius (anonymous mosaic) 49; fig. 48 altar painting 11,30,55-79 Ammanati, Bartolomeo, Neptune Fountain 150-1; fig. 209 anamorphosis 120 anatomical illustration 7, 231; figs. 321,322 Andrea del Sarto 124 Sketch of a Hanged Man 192; fig. 268 Angélico, Fra 247 Antependium of Henry II56; fig- 57 Antonio di Compendio 101 Ara Pacis, Rome 242; fig. 339 Arbeau, Thoinot, Orchéosographie 234-5; fig. 329 architecture 7-8,14,134-5, 249-50 Aristotle 16,19,262 Art and Illusion (Gombrich) 14,19, 49, 95, 97, 233 'art for art's sake' 7,14, 72-7, 78-9 Art Nouveau 47,134; fig. 189 Athena Parthenos 49-50; fig. 50 Atherton, Kevin, A Body of Work 160; fig. 222 attributes and emblems 50-1, 169-70 Avignon 102 В Baluda, Giocondo, treatise on athletics 236; fig. 331 Banco di Napoli, doodles from ledgers 212-15,217 224,225; figs. 297-299, 301-303,308,309 Bandinelli, Baccio 150-1 Hercules and Cacus 149-50; fig. 208 Baroque art 11, 42, 267 Bartholdi, Frédéric-Auguste, Statue of Liberty 155-6,170; fig- 213 Baselitz, Georg 112 Bassen, Bartholomaeus van, Flemish Interior 120; fig. 167 Baudelaire, Charles 137-8,140, 144,153,159,249 beauty 101,166,167-8,183 Beerbohm, Max, Self-Portrait 257; fig. 352 Bellini, Frari Madonna 132 Béricourt, Etienne (attrib.), Planting a Tree of Liberty 175; fig- 236 Berlinghieri, Bonaventura, Saint Francis and Sermon to the Birds 60; figs. 63, 65 Bernini, Gianlorenzo, Caricature of Scipione Borghese 8-9,191; fig. 267 Boccaccio 91,92,105 Boccioni, Umberto, Dynamism of a Cyclist 251; fig. 346 Bohemia 85,99 Bosse, Abraham The Foolish Virgins 125; fig-174 The Sculptors Workshop 136; fig. 193 Botticelli, Sandro 130,148 The Coronation of the Virgin 68; fig. 79 The Meeting of Moses and Jethro's Daughters 17; fig. 8 Primavera 109 Bourdieu, Pierre 254, 258 Bracelli, Giovanni Battista, Bizzarie di varie figure 217; fig-307 293 The Uses of Images Braque, Georges 7,259 Brée, Malviné 238 Brekelenkam, Quiringh van, A Tailors Shop 108; fig. 145 Breton, André 217 Brueghel, Pieter, the Elder, The Peasant and the Bird Nester 120; fig. 168 Briiggeman, Hans, polyptych 57! fig- 59 Brygos Painter, vase 20; fig. 12 Burckhardt, Jacob 6,10,11,12, 268,270 Burgundy 99 Byron, photograph of New York interior 130; fig. 183 Byzantine art 47, 58-9,79,144, 212 С Capra, Frank 219-20 caricature and cartoons 8-10, 190-1,198-9,200-1,203-4, 208, 209-11 Carpaccio, Vittore, Arrival of the Ambassadors in Brittany 117; fig. 160 Carracci, Agostino, Caricatures 8; fig. 1 Carracci, Annibale, Galleria Farnese ceiling 125 Carracci brothers 8 Casa dei Vettii, Pompeii 24, 112; fig. 17 Cavalière d'ArpinoJ?), Liberty 171; fig. 233 Cazin, Stanislas-Henri-Jean- Charles, Gambetta's Death Chamber 116; fig. 158 Cellini, Benvenuto 149,151 Perseus 150; fig. 208 Chartres Cathedral 52,138; fig. 52 Tree of Jesse (stained glass) 52,70; fig. 53 Chesterton, G.K. 257,258 children 138-9,192,213, 224 China, Tang period figure 141; fig. 200; see also Terracotta Army Church (Christian) 24-5,30, 51-5,144,166,167,230 Cicero 143-4 Cimabue 59,91,212-13 Cleve, Joos van, The Annunciation 117; fig. 162 Cochin, Charles-Nicolas, frontispiece of the Grande Encyclopédie 167; fig. 224 coins, Roman 170-1; figs. 229, 230 Cole, Sir Henry 47 Cologne Cathedral 182 Cona, Jacob 101 Constable, John 247 Coppinger, Sioban, Man and Sheep on a Park Bench 160; fig. 221 Coronation of the Virgin (anonymous) 90; fig.109 Correggio, cupola, Parma Cathedral 42; fig. 41 Costa, Lorenzo, Bentivoglio Madonna 65,67; fig. 74 Courbet, Gustave 249, 270 Courtly Lovers (tapestry) 93; fig. 113 Cranach, Lucas 'The Papal Arms Defiled' (workshop of) 194; fig. 269 'The Pope and Cardinal Hanged' (workshop of) 184; fig. 252 'The Pope Cast into Hell' 184; fig. 251 Portrait of Cardinal Albrecht of Brandenburg 117; fig. 163 The Crime Punished 185; fig. 257 Cubism 7, 259 cults and cult images 49-50, 55,59,72, 164,165,182 Curtius, Ernst Robert 264-5, 271 D Dante 59,90,101, 200, 248, 265, 266 Daumier, Honoré 249 Louis-Philippe 204; fig. 288 The Past, the Present, the Future 204; fig. 287 David, Jacques-Louis 174 English Government 188; fig. 262 Fountain of Regeneration 179; fig. 247 Declaration of the Rights of Man 168; fig. 225 Delphi, murals 21, 43 demand and supply 6-7,11-12, 80-107 passim, 137. D9 147-8 Dendera 231 Devil, the 184-90,192,196 Devil's Dinner 188; fig. 263 Digby, Everard, swimming manual 235 Dillmont, Thérèse de, Encyclopedia of 294 Index Needlework 238; fig. 335 Dionisio, Fra 101 dolls' houses 118-19; fig-166 Domenico di Bartolo, Activities of a Hospital 34; fig. 30 Domenico Veneziano Saint Lucy Altarpiece 64-5; fig- 71 Miracle of Saint Zenobias 65; fig. 72 Donatello David 145; fig. 203 Judith and Holofernes 146, 148,150; fig. 204 Marzocco 146-7,149; fig. 206 doodles 12, 212-25 Dostoevsky, Fyodor, doodles from The Devils and The Idiot 223-4; figs- 3D. 314 The Double Deliverance (print) 185; fig. 255 dramatic evocation 22, 23, 25, 29,38, 43. 49, 51, 54-5, 65, 73, 75,77-8 Dürer, Albrecht, Prayerbook of the Emperor Maximilian 216-17; fig- 305 Dvofák, Max 271 E 'ecological niche' 10, 48,55, 78-9 Edgerton, Samuel 192 effigies 190,192 Egypt (ancient) 49; fig. 49 Great Sphinx 140; fig. 196 hieroglyphs 176,177; fig.238 images in tombs 20; fig. 10 Elegant Couple (anonymous drawing) 86; fig. 105 Equality Triumphant 179; fig- 24З Eriksen, Edvard, Little Mermaid 157; fig. 216 Etty, William, Venus and her Satellites 247; fig. 343 Evelyn, John, diary 123 eye-witness principle' 49,55 evolution in the arts 48-9,58, 72-3 expression 245-9, 254, 271 F Falco, Carlo de (attrib.), Queen Isabella in the Palace of Capodimonte, Naples 113; fig. 153 Falda, Giovanni Battista 129 fashion models 255-6; figs. 350,351 Father Peters, a Great Labourer in the Works of Darkness (print) 185; fig. 256 feedback 107,219, 246, 255 Fialetti, Odoardo, drawing manual 233; fig. 325 filling in spaces 113; fig. 152 Flanagan, Barry, Opera Dog 160; fig. 220 Florence 248-9 Baptistery 145 Loggia dei Lanzi 146,149, 150,153; figs. 205,208, 210 Or San Michele 144-5; fig.202 Piazza della Signoria 12, 146-7,149,150-1,152; figs. 205, 209 foreshortening 49, 93,101; fig. 130 Fountain of Neptune, Versailles 138; fig. 194 Francis of Assisi, St 15, 29,60; figs. 63-65 François Vase 20; fig. 11 Franken, Hieronymous, The Shop of the Picture Dealer Jan Snellincks 136; fig. 192 Frederick II, Emperor 231 Frederick of the Palatinate 205; fig. 290 The French Republic 179; fig- 245 French Revolution 12,153, 162-83,187,194,197, 202, 208-9, 246,267, 268; figs. 212, 223-48,258, 270, 274, 284, 293 fresco painting 11,14-47 Freud, Sigmund 190,191 Fuseli, Henry 43-4,47 Futurists 251 G Gaddi, Taddeo Madonna and Child Enthroned with Saints 60,62; fig. 67 The Presentation of the Virgin 105; fig. 142 The Presentation of the Virgin (drawing after) 105; fig. 143 Gänseliesl, 156-7; fig, 215 Garland, Nicholas, cartoon 210-11; fig. 296 Gatteaux, Nicolas-Marie 178, 295 The Uses of Images 179,181; figs. 241,248 Geertgen tot Sint Jans, Tree of Jesse 70; fig. 81 The Genius of France Adopts Liberty and Equality 178; fig. 242 Gentile da Fabriano, The Adoration of the Magi 82, 99; figs. 98, 99,131 George III, king of England 200,206; figs. 280,292 George, St (icon) 60; fig. 62 Germany 78,103,130,197,250, 252-3,268; fig. 348 Ghezzi, Pier Leone, Dr James Hay as Bear Leader 9; fig. 2 Ghiberti, Lorenzo 91,145 Ghirlandaio, Domenico, Life of Saint John the Baptist 14-16; fig. 6 Giegher, M., treatise on catering 236; fig. 330 Gillray, James The Fall of Icarus 206-8; fig. 292 Fighting for the Dunghill 209; fig. 294 French Liberty, British Slavery 196; fig. 272 Light Expelling Darkness 182 The Promis'd Horrors of the French Invasion 208-9; fig. 293 Giotto 38,55, 59, 64,91,92,105, 247-9 Adoration of the Magi 30-2; figs. 24, 25 Arena Chapel 92 The Rods Brought to the Temple 247; fig. 344 Saint Stephen (attrib.) 60; fig. 66 Sermon to the Birds (attrib.) 60; fig. 64 The Wedding Procession 132; fig. 185 Giovanni da Bologna (Giambologna) Apennine 153; fig. 211 Hercules and the Centaur 153 Rape of a Sabine Woman 151-2; fig. 210 Giovannino de Grassi Bergamo sketchbook 93, 95; figs. 115,117,118 Visconti Hours 93; fig. 114 Giuliano da Sangallo 148-9 Giulio Romano 125 Sala dei Giganti, Mantua 39-40; fig. 38 Sala di Costantino, Vatican fig- 35 Goethe, J.W. von 129,130, 265-6 Polygnotus's Paintings in the Lesche at Delphi (diagram) 21,43; fig. 14 Golden Horse of Alt-Ötting 88; fig. 108 goldsmiths 87-8 Golomstock, Igor 250,252 Goya, Francisco, The Sleep of Reason Produces Monsters 183; fig. 250 Gozzoli, Benozzo, Madonna and Child with Saint Anne and Donors 71; fig. 85 Grand Manner 247 Grande Encyclopédie 167, 236-7; figs. 224,332-4 Greece, Greek art (ancient) 19-20,49-51,58,59.141-2, 264 vases 20-1; figs. 11-13 Gregory the Great, Pope 24-5,51,230 Grimaldi, Jacopo, Mural Decoration of Old St Peter's, Rome 26; fig. 20 Die grosse Sonnenfinsternis (The Great Eclipse of the Sun) 198; fig. 275 guardian figures 140-1,147, 149,157; figs. 196-200 Gunpowder Plot (print) 177, 185; fig. 255 Gutzwiller, Sebastian, Family Concert in Basle 130; figs. 181,182 Guys, Constantin 249 H Hals, Dirck, A Party at Table 122; fig. 170 Harris, James 245, 258 Haskell, Francis, History and Its Images reviewed 12, 262-72 Hegel 249, 264,268, 271 Henri III, king of France 185; fig- 254 Henri VI, emperor 200,204 herbáis 103,231 hieroglyphs 20,176-7,181; figs. 238, 239 High Renaissance 73 Hitler, Adolf 190, 250; fig. 265 Hodler, Ferdinand, The 296 Index Retreat from Marignane 47; fig- 46 Hogarth, William 9,128 The Bench 9; fig. 3 Gate of Calais 196; fig. 271 Marriage à la Mode 126; figs. 175,176 portrait of Wilkes 171 The Horse America Throwing his Master (print) 200; fig. 280 Horus Apollo, Hieroglyphica 176-7; fig. 239 Huizinga, Johan 85, 263, 268, 270 Hunt, William Holman, The Hireling Shepherd 247; fig. 342 Hunting (tapestry), 93; fig. 112 Hydraulic Architecture 228; fig. 318 Hypnerotomachia Poliphili 117; fig. 161 I icons 58-9, 79,144 Icon of Saint George 60; fig. 62 illusionism 11,19,23,24,30,34, 40-2,43, 44-5,47, 69 In Memory of Marat, Friend of the People (anonymous print) 188; fig. 264 The Initiation of Brides into the Dionysiac Mysteries (Pompeii) 23-4; fig. 16 instruction leaflets and manuals see pictorial instructions interior decoration, pictures as 8,11, 22-4,108-35 International Gothic Style 11, 80-107 Italian 'Primitives' 247 Italy 12,55,58-9,190,247, 251-2 domestic interiors 117,124 J Jacopo del Casentino, Madonna and Donors 65; fig- 73 Jean de Boulogne see Giovanni da Bologna Jean le Begue 101 Jesuits 167,185; figs. 223,256, 257 Johannes, Master 101 Johannes de Ketham, Fascículo de medicina 231; fig. 321 John of Liechtenstein, Bishop of Trento 84-5,103 Jones, Inigo, Double Cube room 112,113; fig. 151 К Kaerius, Petrus, Grace before a Meal (engraving after Visscher) 118; fig. 165 Kandinsky, Wassily 250 Klee, Paul, Exotic Theatre 217, 219; fig. 310 Klimt, Gustav, Mosaic frieze 475 fig- 47 Knight, Charles 154-5 Kris, Ernst 190-1, 220,222-3 L Lancaster, Osbert Ordinary Cottage and Cultured Cottage 135, 260-1; figs. 190,191 'Rococo' and 'Twentieth Century Functional' 240-1; figs. 337,338 Lancret, Nicolas, Morning 109-10; fig. 146 Landgrave of Hesse 190; fig. 266 Lanzi, Abbate 80 Laocoön 26,77 The Last Supper (Modena Cathedral) 53-4; fig. 54 The Last Supper (Naumburg Cathedral) 53, 54-5; fig. 55; see also Leonardo da Vinci Leonardo da Vinci 148 doodles 215-16; fig. 304 on frescoes (unities) 16-19, 20, 21,24,25,26,32,34,35, 37-8, 42,47 Adoration of the Magi (studies) 30; figs. 26, 27 Anatomical Drawing of the Female Body 231-2; fig. 322 The Last Supper 14,16,19, 38, 54,130; fig- 7 Mona Lisa 132 Saint Anne and cartoon 71-2; figs. 84,86 Lijn, Liliane, Extrapolation 160; fig. 219 Limbourg brothers 82,107 Très Riches Heures du duc de Berry 82, 84, 87, 90, 95, 105; figs. 100,101,102,107, 110,116,141 Lippi, Filippino 71,148,149 Lippi, Fra Filippo, The Coronation of the Virgin 297 The Uses of Images 67-8; fig. 76 'logic of situations' 86,89,105 'logic of Vanity Fair' 86, 256 London Evening Standard, doodles competition 220; figs. 311,312 Longhi, Petro, Gherardo Sagredo and other Figures in an Interior 128; fig.180 Loos, Adolf 249 Louis XIV, king of France 153, 178,198; figs. 212, 275 Low, David, Lord Beaverbrook 201; fig. 281 Luca di Tommè, Virgin and Child with Saint Anne 71; fig. 83 Lucas van Leyden, The Goliath of War Beheaded 199; fig- 276 Luini, Bernardino Golgotha 17; fig. 9 Saint Catherine being Carried up to Heaven 132; fig.186 Luther, Martin 184-5,187,194 Luttrell Psalter 217; fig. 306 M Macrobius 176 Maecenas 242,256 magic 184,190-4,198 Mâle, Émile 29, 55 Mannerism 7,40,271 Mantegna, Andrea 124 Camera degli Sposi, Palazzo Ducale, Mantua 34, 42; fig. 29 Ovetari Chapel, Padua 33-4 Mantua, court of 124-5 manuals 233-6 Marinetti, Filippo 251-2; fig- 347 Masaccio, Holy Trinity 33; fig. 28 Masonic symbolism 178-9 anti-Masonic pamphlet 179; fig. 244 Master of the St Bartholomew Altarpiece 69; fig. 82 medals France and Belgium 177; fig. 232 French Revolution 178,179; figs. 241,242,246 Lorenzo de'Medici 171; fig- 231 of Louis XIV 178 medical treatises 7, 231 Medici family 145,146,152 Medici, Alessandro de' 149,171 Medici, Giuliano de' 73 Medici, Lorenzo de' 171; fig. 231 Medici, Lorenzo di Pierfrancesco de' 109 Medici, Piero de' 146 Meditations on a Hobby Horse (Gombrich) 138,192 Meditations on the Life of Christ (PseudoBonaventura) 29-30 Meiss, Millard 64, 80, 271 Mendelssohn, Felix, drawing by 116; fig. 157 Mengs, Anton Raphael, Parnassus 43; fig. 43 Métal, La Philopatrie 170; fig. 228 metaphor 184,188,190,197,198, 199,200, 205, 206-7,209-10 Michelangelo 7,38,73,151 Creation of Adam 132 David 147-9; fig. 207 Isaiah 246 Sistine Chapel 35; fig. 32 Slave 77; fig. 94 Michelino da Besozzo 9Ь 102 Adoration of the Virgin (sketches for) 92; fig. 111 The Reception of Giangaleazzo Visconti in Paradise 103; fig. 136 Milton, Morris 139 mimesis 19,49,79 271 Model Book ofReun 98; fig. 124 model books see pattern (model) books Monaco, Lorenzo, The Coronation of the Virgin 67-8; fig. 75 Monnet, Reason aided by the Genius of Geography 168; fig. 226 Moore, Henry, Upright Motive no. 2158-9; fig. 218 mosaics 27,47, 49; figs. 21,47, 48 Mukhina, Vera, Worker and Collective Farm Woman 252; fig. 349 Munro, Thomas 48 myth 19,184,188,190, i96-7 198,199 N Nanni di Banco, Quattro Sand 298 Index Coronad 145; fig. 202 National Westminster Bank 225; fig. 315 naturalism and 'selective naturalism' 91-3, 95, 97-8, 105,107 Neb (Ronald Niebur), Goebbels and Hitler 190; fig. 265 Neoclassicists 43 Netherlands 78,121-4 New Calendar 165,169,170; fig. 227 Niebur, Ronald see Neb Niobid Painter, vase 21; fig. 13 Nisse, Paul, Ganseliesl 157; fig. 215 Nolde, Emil, The Last Supper 250; fig. 345 Nordau, Max 251 О Oderisi da Gubbio 90 oil painting 107, 268 Olivier, Heinrich, The Holy Alliance 183; fig. 249 Olympia, Temple and Precinct 142 oratory 242-3, 245 Orcagna (Andrea di Cione), Strozzi Altarpiece 63-4; fig. 69 Osterley House, London, Etruscan Room (Adam) 43; fig. 44 P Pacht, Otto 80, 91-2 Palamedesz., Anthonie, Merry Company in a Room 122; fig. 169 Palma Vecchio, St Barbara 132; fig. 187 Panofsky, Erwin 80,107 The Papal Breve (print) 194; fig. 270 Papstesel (the Popish Ass) 197; fig- 273 Paradiesgärtlein 103; fig. 140 Pasquino group, Rome 144; fig. 201 patrons 7,12,17, 88, 98 pattern (model) books 98-9, 101,232; figs. 124-8,130, 132,134,324 Pausanias 21, 43,142 Perino del Vaga Castel Sant'Angelo, Hall 125; fig. 173, Sala delia Giustizia 38; fig. 36 perspective 30, 32-3, 65,107 Peruzzi, Baldassare, Sala delie Prospettive 39; fig. 37 Pheidias, Athena Parthenos 49-50; fig. 50 photography 7,116,130-1, 132-4,143, 237-8, 271 Picasso, Pablo 7 Portrait of Ambroise Vollard 259, 260; fig. 355 pictographs, pictographic style 20, 25, 26-7,30, 49, 51-3, 60,75,188 pictorial instructions (leaflets, manuals) 12, 226-39 pictorial satire 12,184-211 Pietro da Eboli 200-6; figs. 277, 278, 283, 285, 289, 291 pigments, recipes for 101-2 Pinturicchio, Annunciation 34; fig. 31 Pisano, Giovanni 30 Pisano, Nicola 55 Adoration of the Magi 30; fig- 23 Plato, Platonic 120, 241-2,246, 250, 251,266 Pliny 91, 266 Plutarch 176 political imagery 9,197-8,200, 204-5, 209-11 Pollaiuolo, Piero, The Coronation of the Virgin 68; fig. 78 Polygnotus 21, 43, 47 Pope, Alexander, Satire against Alexander Pope 202; fig. 282 Popper, Karl 86,105, 249, 268 Porzello, Alberto 101 Poseidon (amphora) 50-1; fig- 51 Pozzo, Andrea, Apotheosis of Saint Ignatius 43,167; fig. 42 Pre-Raphaelite Brotherhood 247 Priest Celebrating Mass (ivory) 56, fig. 56 Priest Celebrating Mass (miniature) 56; fig. 58 'primitive art' 270-1 prints 127-30,132,135 propaganda 181,182,188, 200, 252, 255 Puvis de Chavannes, Pierre, The Sciences and the Arts 47; fig- 45 299 The Uses of Images Q quadro riportato 125 R Raphael 59,74, 247, 267 Alba Madonna 132 Sala di Costantino 38; fig- 35 Stanza d'Eliodoro 37-8; fig- 34 Stanza della Segnatura 37-8,170; fig. 33 The Transfiguration of Christ on Mount Tabor 73; fig. 88 realism 67-71,118; see also naturalism Reason (print) 176; fig. 237 recipes for pigments 101-2 Reformation 78 Regnault, Jean-Baptiste, Liberty or Death 173; fig- 234 Rembrandt, Lion 97; figs. 121,122 Renaissance 11,16,29,30,55,73, 77,141,144,176,181,266,267 replicas 142-3,144 Reynolds, Sir Joshua 128, 243-6,255,259 Mrs Siddons as the Tragic Muse 246 Self-Portrait as a Doctor of Civil Law 243; fig. 340 Theory 243; fig. 341 Ricci, Marco, A Rehearsal of an Opera 114,115; figs. 155, 156 Riegl, Alois 270 Ring, Ludger Tom, Marriage Feast at Cana 118; fig. 164 Ripa, Cesare, Iconología 171; fig. 233 Robespierre, Maxímilien 163-4,165,173.174.179.181 Roman art 22-6,141,142-4, 242-3,270; fig. 339 coins 170-1; figs. 229,230 copies of Greek statues 142-3,144 Romanticism 101,182-3, 267, 270 Rousseau, Jean-Jacques 176, 246, 267 Royal Academy 43,128,250, 253-4 Rubens, Peter Paul 224 Rushdie, Salman 195 Ruskin, John 51,247,263,268 Rutter, Frank 259 S Sacra Conversazione 65 Saint Thomas 99; fig. 129 Salviati, Francesco, Sala Grande 41-2; fig. 40 Sassetta (Stefano di Giovanni), The Funeral of St Francis 57; fig. 60 Sassetti, Francesco, banker 15-16 Saxl, Fritz 265 Schnaase, Carl 264 Schwind, Moritz von, The Visit 110; fig. 147 sculpture 12,30,49,55,136-61, 266; see also guardian figures Sebastiano del Piombo, The Raising of Lazarus 73; fig. 87 Seneca the Younger 242, 243,256 The Sense of Order (Gombrich) 110-11 Sickert, Walter, Ennui 258; fig- 354 The Sin of Pride 200; fig. 279 Snellincks, Jan, picture dealer 136 Spencer, Herbert 48,49 Sphinx 140; fig. 196 'spirit of the age' 12, 85-6, 241-2, 249,254,255,260, 264,271-2 stained-glass windows 27,52, 70; fig. 53 Statue of Liberty (Bartholdi) 155-6,170; fig. 213 The Statue of Louis XIV being toppled in the Place des Victoires (print) 153; fig. 212 Steen, Jan The Harpsichord Lesson 124; fig. 172 Peasant Wedding 122-3; fig. 171 Stefano da Verona, The Virgin in the Rosebower 103; fig-138 Steiff, Margarete, Teddy bears 139; fig. 195 Stein, Gertrude, studio of 111-12; fig. 150 stereotypes 196,199 253-4 Strozzi, Palla, merchant 82 styles of art and life 240-61 300 Index Sullivan, Louis 249 Surrealism 217 Sylvius, Petrus, Luther und Lucifer 185; fig. 253 T Tacuinum sanitatis 103; figs. 137.139 Taine, Hippolyte 249, 267, 268 tapestries and wall-hangings 93; figs. 112,113 Tebaldi, Duke Alfonso's agent 75-7 Teddy bears 139; fig. 195 Temple, Lord 206-8; fig. 292 Teniers, David, the Younger The Card Players 128; figs. 178,179 The Collection of Archduke Leopold Wilhelm 79,108; fig- 95 Tenniel, John, 'Dropping the Pilot' 209-10; fig. 295 Terracotta Army 141; fig. 199 Thalhofer, Hans, Fechtbuch 234; fig. 328 Theodore, embroiderer 101 Thorak, Josef, Comradeship 252; fig. 348 The Times 191-2,195 Titian 78 polyptych with the Resurrection 74-5; fig. 89 Saint Mark Enthroned 75; fig. 90 Saint Sebastian (detail) and drawings 75-7; figs. 91-93 Tribute Money 133; fig. 188 Töpffer, Rodolphe, Essai de physiognomie 214-15; fig. 300 Tornabuoni, Giovanni 16 Torre dell'Aquila, Trento, murals of the Months 84-5, 86-7,107; figs. 103,104,106,144 Townshend, George, caricature by 9; fig. 4 Tree of Liberty 175; figs. 235, 236 Très Riches Heures du duc de Berry see Limbourg brothers Truman, President 19; fig. 5 Tuchman, Barbara 85-6 Tuthmosis in Smiting the Asians 49; fig. 49 U United States of America American flag 194-5 Great Seal 177-8; fig. 240 V Vaihinger, philosopher 192-3 Valckenisse, Phillips van 120 Valerius Maximus 171 Van Eyck, Jan 107, 268-70 Virgin and Child 269; fig- 356 Vasari, Giorgio 55,59,71, 91,149,151, 212-13,266,268, 270, 271 on frescoes 14,19,30 Sala dei Cento Giorni 41; fig- 39 Versailles, Fountain of Neptune 138; fig. 194 Villa Albani, Rome, 43; fig. 43 Villa Demidoff, Pratolino, sculpture (Giovanni da Bologna) 153; fig. 211 Villa Farnesina, Rome 39; fig- 37 Villard de Honnecourt, Lion 95,97; fig. 120 Villeneuve Louis Capet being Received in Hell 187-8; fig. 261 Louis the Traitor, Read your Sentence 197; fig. 274 Vinckboons, David, Vanitas 116-17; fig-159 Virgin and Child Enthroned, Adored by the Magi 27,30; fig. 22 Visconti, Giangaleazzo 93,101, 103; fig. 136 Visconti Hours see Giovannino de Grassi Visscher, Claes Janszoon, Grace before a Meal (engraved by Kaerius) 118; fig. 165 Vitale da Bologna, Adoration of the Magi and Saints 62-3; fig. 68 Vitruvius 24 Voltz, Johann M., A Glimpse into the Past and the Future at the Beginning of the Year 1814 203; fig. 286 Voysey, C.F.A., New Place interior 134; fig. 189 301 The Uses of Images Warburg, Aby 15,139,160,191, 197, 264, 265, 268 Watteau, Jean-Antoine, DEnseigne de Gersamt 126; fig-177 Watts, G.F., Hope 257,258; fig- 353 Wenzeslav, Bohemian painter 85 Weyden, Rogier van der The Deposition 68; fig. 80 The Virgin and Saint John 68; fig. 77 Wheel of Fortune 204-5,210; fig. 290 Wickhoff, Franz 270 Wilton Diptych 81-2, 95,103; figs. 96,97.119 Wolf, Professor Friedrich August 265-6 Wölfflin, Heinrich 6, 270 Wordsworth, William 247 Z Zadkine, Ossip, Monument to a Destroyed City 158; fig. 217 302 |
