| Volltext: | INDEX AA (Architectural Association), 11, 20, 72 Abramovitz, Max, 259n30 Aerospace Hall (Gehry), 13 Alice Tully Hall renovation, 100, 101, 259n30, 259n31 Allen, Stan, 245n2 Alloway, Lawrence, 1 Andre, Carl, 108, 117, 137-8, 145, 216,217 Ant Farm, 8, 10-1 Archigram, 4, 11, 21 Architectural Association (AA), 11, 20, 72 Art Institute of Chicago (Piano), 53, 66 "The Art of Assemblage" exhibition, 192 Baker, George, 274n8 Balmond, Cecil, 251-2n39, 253n2 Banham, Reyner on Archigram, 4, 21 on Futurist and Expressionist architecture, 74, 86 Independent Group (IG), 1 on Pop design, 5, 248-9nl5, 248nl3 Theory and Design in the First Machine Age, 2, 3, 65 Bankside (Rogers), 28 Barajas Airport in Madrid (Rogers), 27-8 Baroque architecture, 160-3, 222- 4,272n73 Baudelaire, Charles, 146-7 Bauman, Zygmunt, 63 Baxandall, Michael, 172 Beauborg (Rogers and Piano), 19-23 Becher, Hilla and Bernd, 115 Beck, Ulrich, ix, 63, 246n3 Beijing airport (Foster), 41-2, 44 290 Index Bell, Larry, 183 Belleschi, Pietro, 259n30 Benjamin, Walter on capitalist culture, 286n62 on Henri Bergson, 210 "Paris, Capital of the Nineteenth Century", 267n24 "Surrealism: The Last Snapshot of the Intelligentsia", 270n54 "Theses on the Philosophy of History", 271n62 Bergson, Henri, 210 Betsky, Aaron, 75, 86, 95 Beyeler Museum (Piano), 52-3, 54 Bilbao installation, 233, 235, 263-4n34 "Bird's Nest" stadium (Beijing), x Blossfeldt, Karl, 123 Blueprint Pavilion (Hadid), 77 Blur Building (DS+R), 99, 125, 263n33 Boccioni, Umberto, 82, 256nl8 Bochner, Mel, 200 Bois, Yve-Alain, 148, 268n37, 268n39 Bordeaux Law Courts (Rogers), 29,30 Borromini, Francesco, 161 Brancusi, Constantin Bird in Space, 143, 144 influence on Flavin, 193 influence on Serra, 133, 143, 240 analogy with Piano, 55, 60 Broad, Eli, 258n8 Broadwick House (Rogers), 25 Brooklyn Bridge, 152 Brumwell, Su, 20 Buber, Martin, 275nl9 Buchanan, Patrick, 57, 58-9 Buchloh, Benjamin, 144, 145, 267n26,270n52 Buck-Morss, Susan, 285n57 Bunshaft, Gordon, 50, 259n30 Bürger, Peter, 85, 279nl4 Bürgin, Victor, 284-5n54 Calatrava, Santiago, 251-2n39 California Academy of Sciences (Piano), 54 Calvino, Italo, 62, 263n28 Capp Street Project (DS+R), 93-4 Car Park and Terminus (Hadid), 81 Carré d'Art (Foster + Partners), 43 Cartier Foundation for Contemporary Art (Nouvel), 124, 126 CATIA (computer-aided three-dimensional interactive application), 14, 270n53 CCTV (China Central Television) complex, 12, 88, 263- 4n34 Centre Pompidou (Rogers and Piano), 10, 19-20, 52, 56 Chalk, Warren, 4 Channel 4 Television Headquarters (Rogers), 25 Charles, Prince of Wales, 252n7 Cheeseman, Wendy, 20 Chiat Day Building (Gehry), 13 Chiswick Park (Rogers), 25 Cincinnati Contemporary Arts Center (Hadid), 88 City Hall in London (Foster), 37, 38,48 Clark, T.J., 246n3 Coin Street Development (Rogers), 28 I n d e x 2 9 1 Commerzbank Headquarters (Foster + Partners), 36, 37, 41 Constructivism, 74, 85, 140, 192, 255n2,261nl0, 270n52, 272n75 Contemporary Arts Center (Hadid), 71 Convoys Wharf (Rogers), 28 Cook, Peter, 4-5 Cooke, Lynne, 110, 115 Corner, James, 103 Crane, Hart, 152 Crompton, Dennis, 4 Crystal Palace (Paxton), 47-8 Dalí, Salvador, 11, 12 Darboven, Hanne, 115-6 Davies, Mike, 28, 31 De Maria, Walter, 112 de Menil, Dominique, 109-10 de Menil, Philippa, 109-10 de Menil Collection, 52, 56-7, 59 Debord, Guy, 125 " Deconstructivist Architecture ", 77 Deleuze, Gilles, 161 Derrida, Jacques, 284n49 Dia Art Foundation, 108 Dia Center for the Arts, 111 Dia:Beacon, 109, 117-9, 122-3, 226, 261nl2, 261nl4, 261nl5, 262nl9 diagrid, 50, 253n4 Diderot, Denis, 146 Diller, Elizabeth, 89, 90. See also DS+R (Diller Scofidio + Renfro) Diller Scofidio + Renfro. See DS+R (Diller Scofidio + Renfro) DS+R (Diller Scofidio + Renfro). See also postmodernism about, viii, 257nl, 259n21 approach to site, 259n29 Bad Press, 94 Blur Building, 99, 125, 263n33 Capp Street Project, 93-4 as "creative partners", 258n8 Eyebeam Museum of Art and Technology, 88-9, 258n5 Facsimile, 98-9 Governor's Island, 260n32 Indigestion, 94 Inertia, 93 Institute of Contemporary Art, 87, 88 interdisciplinarity of, 258nl9 Jet Lag, 94-5 Jump Cats, 97-8 Lincoln Center, 100, 101 on modernist styles, 259n30 media images in, 259n31 Moscone Convention Center West, 98 Moving Target, 93 neo-avant-garde aspect, 258nl5 Overexposed, 98-9 Para-site, 96-7 The Rotary Notary and His Hot Plate (Delay in Glass), 92, 93, 99 Slither Building, 285n5 Slow House, 90, 91, 96 Soft Sell, 94 Tourisms, 94 The withDrawing Room, 93—4, 97 Duchamp, Marcel, 8, 92, 144, 235, 264n37 Eames, Charles and Ray, 21, 56 z ?2 Index Eames House, 21, 56 Eberswalde Technical School Library (Herzog and de Meuron), 124 Ecole Polytechnique, 152 Eisenman, Peter, 74, 79, 247n9, 256nl6,272n69 Eliasson, Olafur, 212^1, 286n61 Eliot, T.S., 269n49 Engels, Friedrich, 63 European Court of Human Rights (Rogers), 29 Expressionist architecture, 5, 74, 85, 86 Eyebeam Museum of Art and Technology (DS+R), 88-9, 258n5 Fiat Lingotto Factory (Piano), 65 film,166-81, 218, 272-3nl, 273n4, 274n6, 274n8 First Machine Age, 3 Flavin, Dan about, viii on art, 202, 204 association with painters, 282n33 Bottle, 193 Goran's Broadway Flesh, 189, 198,200 "declaration" and "divulgation", 205 The diagonal of May 25, 1963, 190,193,196 on early fluorescent works, 279nl3 on environmental art, 204, 205 icon V (Goran's Broadway Flesh), 189, 198, 200 icons, 198, 279nl7 on illusionism, 192, 202 on immediacy and mediation, 201 on Letatlin, 193 on materiality and immateriality, 201 on Minimalism, 108, 182 "monument" 7 for V. Tatlin, 195 on multi-media, 282n34, 285n58 oscillation, 188-9 pink out of a corner (to Jasper Johns), 202, 203 as reader of James Joyce, 279nl2 on sculpture, 277n2 on the utilitarian, 200 Fleetguard (Rogers), 26 Foster, Norman on Pop design, 27 relationship with Piano, 56 relationship with Rogers, 20 Foster + Partners. See also Foster, Norman; glass structures about, ix, viii, X Beijing Airport, 41-2, 44 Carré d'Art, 43 City Hall in London, 37, 38, 48 Commerzbank Headquarters, 36,37,41 Great Court at the British Museum, 42, 43, 44 Great Glass House, 46 Hearst Tower, 34-5, 44, 45, 46 Hong Kong Airport, 41 Joslyn Art Museum, 44 Millennium Bridge, 49 Millennium Tower, 47 The National Botanic Garden of Wales, 46 I n d e x 2 9 3 Palace of Peace and Reconciliation, 50, 51 Reichstag, 39, 42, 43, 46,48, 49 Sackler Galleries, 44 Sage Music Centre, 37, 48 Sainsbury Centre for Visual Arts, 41 scope of, 253n3, 253n4, 253n5 Singapore Supreme Court, 48 Stansted Airport, 41, 42, 43 Swiss Re, 34, 35, 38, 41, 263- 4n34 Wembley, 28 Foucault, Michel, 173 Frampton, Kenneth, 67, 150, 151, 250n30, 268n41, 269n42, 269n44, 269n46 Freud, Sigmund, 253n6 Fried, Michael, 118, 214, 268n32, 271n62 Friedrich, Heiner, 109,110,118-9 Fuller, Buckminster, 4, 9, 50, 56 Fun Palace (Price), 5 Futurist architecture, 74, 85, 86 Garrels, Gary, 110 Gehry, Frank Aerospace Hall, 13 Chiat/Day Building, 13 Experience Music Project, 14 Fish Sculpture, 14 Guggenheim Bilbao, 14,116, 221, 230, 263-4n34 influence of Neutra, 13-5 Jencks on, 263-4n34 Pop design, 10-3 as prime architect of digital period, 86 Walt Disney Concert Hall, 14 Genoa harbor (Piano), 52 Giedion, Sigfried, 3, 106, 260n4 Giuliani, Rudolph, 101 Gluckman, Richard, 106, 108, 112,113 Gober, Robert, 110 Goethe, Johann Wolfgang von, 256nl7 Govan, Michael, 114, 115, 261nl5,280~ln26 Governors Island, 260n32 Graham, Dan, 285n56 Grandfey Viaduct (Maillart), 152 Graves, Michael, 1 Gray, Camilla, 192-3, 196 Great Court at the British Museum (Foster), 42, 43, 44 Great Exhibition in London (1851), 47-8 Great Glass House (Foster + Partners), 46 "Great Utopia" exhibition, 77 Greenberg, Clement, 262n21 Greene, David, 4 Greenwich Peninsula (Rogers), 28 Greimas, A.J., 247n8 Gropius, Walter, 74,104,117 Guggenheim Bilbao (Gehry), 14, 116, 221, 230, 263-4n34 Guggenheim Museum, 114 Habermas, Jürgen, 257n29 Hadid, Zaha about, viii attraction to total design, 257n26 Blueprint Pavilion, 77 Car Park and Terminus, 81 Cincinnati Contemporary Arts Center, 88 Contemporary Arts Center, 71 emphasis on image, 256nl9 influences on, 256n20 2^4 Index Landesgartenschau, 82-3 Lois Sc Richard Rosenthal Center for Contemporary Art, 72 London Aquatics Centre, 84 Ordrupgaard Museum extension, 83 The Peak, 77, 78 Prado Museum extension, 77 Spiral House, 77 Victoria and Albert Museum, 79 Vitra Fire Station, 77, 80, 82 Wish Machine pavilion, 79 The World (89 Degrees), 75, 76 Hallen für Neue Kunst (Raussmüller), 261nl4 Hamilton, Richard, 1, 8 Harrison, Wallace, 259n30 Hays, Michael, 95-6, 251n38 Hearst Tower (Foster + Partners), 34-5, 44, 45, 46 Heidegger, Martin, 173 Heizer, Michael, 117, 138, 218 Herron, Ron, 4 Herzog, Jacques, and Meuron, Pierre de about, viii, X Eberswalde Technical School Library, 124 "Essays and Lectures", 263n32 "faux phenomenology", 264n38 Goetz Collection, 124-5 as Minimalist, 108, 261nl3 Ricola Production and Storage Building, 123 "surfaces for projection", 126 Tate Modern Project, 116, 127, 128 Hesse, Eva, 159 High Line, 101-3 High Museum (Piano), 53 Hollein, Hans, 261nl4 Holocaust Memorial Museum, 155 Holzer, Jenny, 110 Hongkong Sc Shanghai Bank, 40-1 Hong Kong airport (Foster), 41 House of the Future (Smithson), 3-4 Hudson River School art movement, 118 Husserl, Edmund, 210 ICA, 252nl IG (Independent Group), 1 INMOS Microprocessor Factory (Richard Rogers Partnership), 26 Institute of Contemporary Art (DS+R), 87, 88 "International Style" exhibition, x, 245nl "Into the Light: The Projected Image in American Art", 273n2 Irwin, Robert, viii, 115, 183, 206- 9, 229, 283n39, 284n49 Isabella Stewart Gardner Museum (Piano), 53 Isles, Chrissie, 274nl0 Izenour, Steven, 248n4 Jameson, Fredric, 246n3, 247n8 Jean-Marie Tjibaou Cultural Center (Piano), 60-1, 254nl2 Jencks, Charles, 263-4n34 Jodido, Philip, 58 Johns, Jasper, 192, 240 Johnson, Philip, 77, 259n30 Joslyn Art Museum (Foster), 44 Joyce, James, 280-ln26 I n d e x Z 9 5 Judd, Donald, viii, 108, 134, 135, 145,182, 184, 185,187, 188,207-9, 218, 265n6, 277n2 Juilliard School, 100, 101, 259n30 Kahn, Louis, 23, 55, 150 Kandinsky, Wassily, 275nl6 Kansai International Airport (Piano), 52, 53, 59 Kant, Immanuel, 211 Kaprow, Allan, 196 Kelly, Mary, 258nl4 Kiley, Dan, 259n30 Kimbell Art Museum (Piano), 53 Koolhaas, Rem ' Delirious New York, 11, 12 as influence on Hadid, 74, 77, 79 Office for Metropolitan Architecture (ОМА), 250n32 Sea Terminal, 251n37 Seattle Public Library, 12, 50, 88,234 Kracauer, Siegfried, 285n57, 286n62 Krauss, Rosalind influence of Smith, 278n5 onJudd, 184-5 on sculpture, 155, 157 "Sculpture in the Expanded Field", 246-7n6 on site-specificity, 140 Krens, Thomas, 114 Krier, Léon, x Kubier, George, 136 Kundera, Milan, 62 Landesgartenschau (Hadid), 82-3 Lapidus, Morris, 7 Laugier, Abbé, 150 Le Corbusier about, X Decorative Art of Today, 59-60 industrial structures, 117, 260nl in relation to contemporary architecture, 49, 74, 89-90 L'Esprit nouveau, 104 Ronchamp, 223, 224 Vers une architecture, 65, 104, 105,269n42 Villa Savoye, 256n22 Leibniz, Gottfried, 161 Leider, Phil, 207, 209 Levinas, Emmanuel, 275nl9 LeWitt, Sol, 84 Libeskind, Daniel, 251-2n39 "Light Construction" exhibition, 62,263n25 Lincoln Center (DS+R), 100, 101 Linder, Michael, 245n2 Littlewood, Joan, 5 Lloyd's of London (Rogers), 23- 4 Lloyd's Register (Rogers), 25 Lois & Richard Rosenthal Center for Contemporary Art (Hadid), 72 London Aquatics Centre (Hadid), 84 Loos, Adolf, 49-50, 246-7n6 Lord, Chip, 8. See also Ant Farm Los Angeles County Museum of Art (Piano), 53 Louis, Morris, 196, 204 Lower Lea Valley (Rogers), 28 Lynn, Greg, 256nl6 Maillart, Robert, 151, 152, 221 Maison Hermès (Piano), 63-4 296 Index Makowski, Zygmunt, 55 Malevich, Kasimir, 72-3, 74-5, 76, 77 Marey, Étienne-Jules, 93 Markov, Vladimir, 198, 280nl9 Marquez, Hudson, 8. See also Ant Farm Martin, Agnes, 115 Marx, Karl, 63 Mass MoCA (Govan), 114 Matté Trueco, Giacomo, 65 MAXXI (Museum of XXI Century Arts), 71, 73,116 McCall, Anthony about, viii, xi background of, 171-2 Between You and I, 167, 169, 275nl9, 276n22, 276n25 Breath, 174, 175 Breath II, 174,175-6 Breath III, 174,175,176 on cinema, 170-1 Coupling, 174, 176-7, 179, 275nl9 on film,273n4, 274n6, 277n30 "Into the Light: The Projected Image in American Art", 273n2 on light, 168, 274-5nl4, 276n24 Line Describing a Cone, 166-7,272-3nl, 274nll, 275nl6 Meeting You Halfway, 174, 176, 177, 275nl9 neo-avant-garde aspect, 180 Room with Altered Window, 272-3nl Skin, 275n21 Skirt, 275n21 on spiritual dimension, 178 terminology, 174 McLaren Technology, 36 Meier, Richard, 74 Menil Collection, 52, 56-7, 59 Merleau-Ponty, Maurice, 210 Michels, Doug, 8. See also Ant Farm Mies van der Rohe, Ludwig, 12, 49-50, 58, 74, 221 Miesian tower (Mies van der Rohe), 12 Millennium Bridge (Foster), 49 Millennium Dome (Rogers), 26, 31-2 Millennium Tower (Foster), 47 Minimalism. See also sculpture about, viii afterlife of, 260n7 anti-illusionism of, 202 effect on simple objects, 83 full emergence of, 107 influence on Herzog and de Meuron, 261nl3 overview, 104-29, 267n24, 271n66 Richard Serra on containment of, 243-4 significance of, 261n9 Miss, Mary, 246-7n6 Mitchell, Michael, 246-7n6 Moholy-Nagy, László light experiments of, 179-80 Light Prop for an Electric Stage, 180 Lightplay: Black/White/Gray, 181 Prom Material to Architecture, 180 The New Vision, 180 I n d e x 2 9 7 Painting, Photography, Film, 180 on transparency, 106 MoMA (Museum of Modern Art), 77,119,120,121,122, 262-3n23 Moore, Charles, 1 Morgan Library extension (Piano), 53 Morris, Robert, 145, 265n6, 282n35 Mosakowski, Susan, 92 Moscone Convention Center West (DS+R), 98 Museum für Moderne Kunst (Hollein), 261nl4 Museum of Modern Art (MoMA), 77,119,120, 121, 122, 262-3n23 Museum of XXI Century Arts (MAXXI), 71, 73,116 Muybridge, Eadweard, 93 Nabisco, 115 Nasher Sculpture Center (Piano), 53 Natalini, Adolfo, 8. See also Superstudio National Assembly of Wales (Rogers), 29, 31 National Botanic Garden of Wales (Foster + Partners), 46 National Gallery extension (Rogers), 28 Nauman, Bruce, 159, 232 Neutra, Richard, 13, 56 New Babylon project (Frampton), 250n30 New Museum, 120 Newman, Barnett, viii, 192, 266nl0,284n53 Niccolö Paganini Auditorium (Piano), 53 Noland, Kenneth, 204 Nouvel, Jean, 124,126 Novalis, 285n60 Obrist, Hans Ulrich, 258n9 Office for Metropolitan Architecture (OMA), 250n32 Oldenburg, Claes, 13, 249n21 Olitski, Jules, 204 OMA (Office for Metropolitan Architecture), 250n32 Open Office, 115 Ordrupgaard Museum extension (Hadid), 83 Ove Arup & Partners, 56, 253n2 painting, 182-214,277n2 Painting and Sculpture at MoMA, 262n21 Palace of Peace and Reconciliation (Foster + Partners), 50, 51 Palermo, Blinky, 115 Parco delia Música (Piano), 53 Paternoster Square (Rogers), 28 Patscentre (Rogers), 26 Paul Klee Museum (Piano), 53 Paxton, Joseph, 47-8 Pevsner, Nikolaus, 3 Piano, Renzo. See also light modernity; Pop design about, ix, viii, X Art Institute of Chicago, 53, 66 Beaubourg, 19-23 Beyeler Museum, 52-3, 54 Centre Pompidou, 10,19-20, 52, 56 Fiat Lingotto Factory, 65 Genoa harbor, 52 298 Index High Museum, 53 influence of Rice, 21 Isabella Stewart Gardner Museum, 53 Jean-Marie Tjibaou Cultural Center, 60-1, 254nl2 Kansai International Airport, 52, 53,59 Kimbell Art Museum, 53 Los Angeles County Museum of Art, 53 Maison Hermès, 63-4 Morgan Library extension, 53 Nasher Sculpture Center, 53 New York Times tower, 53—4, 55,58 Niccoló Paganini Auditorium, 53 on "the piece", 56-9 Parco delia Música, 53 Paul Klee Museum, 53 Potsdamer Platz, 52 Whitney Museum of American Art, 53 Pollock, Jackson, 133, 196, 266nl0 Poons, Larry, 204 Pop design, 1-16, 107, 251-2n39 Postminimalism, 182 postmodernism, 7-8, 87-103, 255n3. See also DS+R (Diller Scofidio + Renfro) Potsdamer Platz (Piano), 52 Potts, Alex, 284n52 Powell, Kenneth, 20 Prado Museum extension (Hadid), 77 Price, Cedric, 5 Pritzker Architecture Prize, 71 Prouvé, Jean, 55, 56, 60 Qatari royal family, 252n7 Rappaport, Herman, 284-5n54 Rauschenberg, Robert, 192 Raussmiiller, Urs and Christel, 261nl4 Reichstag (Foster), 39, 42, 43, 46, 48,49 Reliance Controls Factory (Rogers), 20-1 Renfro, Charles, 90. See also DS+R (Diller Scofodio + Renfro) Renzo Piano Building Workshop, 52, 54. See also Piano, Renzo Rice, Peter, 21, 26, 56 Richard Rogers Partnership (RRP), 21-3, 26, 27. See also Rogers, Richard Richter, Gerhard, 115 Ricola Production and Storage Building (Herzog and de Meuron), 123 Riegl Alois, 240 Riggio, Leonard, 117-8 Riley, Terence, 62, 122, 263n25, 263n28, 263n33, 264n37 Rodchenko, Aleksandr, 108, 192 Roebling, John and Washington, 221 Rogers, Richard. See also Pop design about, ix, viii, X, 252n5 Bankside, 28 Barajas Airport in Madrid, 27-8 Beaubourg, 19-23 Bordeaux Law Courts, 29, 30 Broadwick House, 25 Centre Pompidou, 10, 19-20, 52 Channel 4 Television Headquarters, 25 I n d e x 2 9 9 Chiswick Park, 25 Coin Street Development, 28 Convoys Wharf, 28 European Court of Human Rights, 29 Fleetguard, 26 Greenwich Peninsula, 28 Lloyd's of London, 23-4 Lloyd's Register, 25 Lower Lea Valley, 28 Millennium Dome, 26, 31-2 National Assembly of Wales, 29, 31 National Gallery extension, 28 Paternoster Square, 28 Patscentre, 26 Reliance Controls Factory, 20-1 Royal Albert Docks, 28 Silvertown Docks, 28 Terminal 5 at Heathrow, 27-8 Transbay Terminal in San Francisco, 27 Waterside, 25 Zip-Up House, 21-2 Ronchamp (Le Corbusier), 223, 224 Rosenberg, Harold, 282n36 Rossi, Aldo, X Rowe, Colin, 107, 126 Royal Academy of Arts, 44 Royal Albert Docks (Rogers), 28 RRP (Richard Rogers Partnership), 21-3, 26, 27. See also Rogers, Richard Rubin, William, 262n21 Ruff, Thomas, 123 Ruscha, Ed, 6-7 Russell, Bertrand, 147 Saarinen, Eero, 259n30 Sackler Galleries (Foster), 44 Sage Music Centre (Foster), 37, 48 Sainsbury Centre for Visual Arts (Foster), 41 San Carlo aile Quattro Fontane (Borromini),161 Sant'Elia, Antonio, 22, 256nl8 Scharoun, Hans, 221 Schmidt, Eric, 246n4 Schoeller textile factory, 261nl4 Schreier, Curtis, 8. See also Ant Farm Schumacher, Patrik, 75-6, 255nl2 Scofidio, Ricardo, 89. See also DS+R (Diller Scofidio + Renfro) Scott Brown, Denise about, 1 formation of, 248-9nl5 Learning from Las Vegas, 2, 6-7, 8,10,11, 248n4, 249n25 sculpture, 133-65, 215-21, 277n2 See also Minimalism Sea Terminal (Koolhaas), 251n37 Seagram Building (Mies van der Rohe), 58, 98, 251 Seattle Public Library (Koolhaas), 12, 50, 88,234 "Second Machine Age", 2, 3, 86, 257n26 Seitz, William, 192 Sej ima Kazuyo, 108 Semper, Gottfried, 150 Serra, Richard about, viii, xi Afanger, 141 Band, 235, 239, 241 on Baroque architecture, 161, 222-4 CATIA program, 270n53 Chamber, 140 Зоо I n d e x on contemporary architecture, 234-7 Delineator, 232 Double Torqued Ellipse, 160, 162 The Drowned and the Saved, 154,155,157-8, 271n63 To Encircle Base Plate Hexagram, Right Angles Inverted, 137 on evolution of his work, 224-8 Exchange, 140 Gate, 151 Gravity, 155,156,157-8, 241, 271n63, 271n64 Hand Catching Lead, 219, 220 The Hedgehog and the Fox, 142 House of Cards, 137, 215-6, 220 industrial structures, 117 influence of Tatlin, 267n25 To Lift, 136-7 literal transparency in, 108 on "literalist dogma", 229 "The Matter of Time", 230, 231,286n3 on Minimalism, 134-5, 159, 243-4 Open Ended, 235 Philibert et Marguerite, 148 on the picturesque, 268n37 principles of, 140-1 Promenade, 237-9 on psychological dimension, 231-4 Richard Serra: Sculpture 1985- 1998, 134, 269n50 on sculpture, 133,147, 215-21, 264n2 Sequence, 235, 236, 237, 239, 241 on sequences, 240-2 Shift, 138,139 Sight Point, 140,141, 237, 239 Spin Out: For Bob Smithson, 138 St. John's Rotary Arc, 222, 229-30 Strike: To Robert and Rudy, 135,137,216 Sub-tend 60 Degree, 141 on tectonics, 150-2, 221-2 Tilted Arc, 148, 221-2, 229-30, 269n48 Timber, 151 T-junction, 151 Torque, 141 on torqued pieces, 229-31, 237-9 Torqued Spiral (Right Left), 163 Between the Torus and the Sphere, 265-6n9 Trunk, 148 Union of the Torus and the Sphere, 265-6n9, 266 "Verb List", 136 Wake, 226, 111 "Weight", 271n61 Weight and Measure, 148 Writings, 265n7, 266nl0, 268n36, 269n45, 270n56 Silvertown Docks (Rogers), 28 Singapore Supreme Court (Foster), 48 Skidmore, Owings and Merrill, 49-50 Slither Building (DS+R), 258n5 Sloterdijk, Peter, 62 Slow House (DS+R), 90, 91, 96 Slutzky, Robert, 107, 126 Smith, David, 185, 186, 188 Smith, Tony, 134, 210-2 I n d e x 3 0 1 Smithson, Alison and Peter, 1, 2-4, 248n9 Smithson, Robert, 138, 159, 218, 278nl0, 281n30 Smithsonian Institution, 42 Spiral House (Hadid), 77 Staatsgalerie (Stirling), 261nl4 Stansted airport (Foster), 41, 42, 43 Stella, Frank, 265n6 Stella, Joseph, 152 Stern, Robert, 1 Sternfeld, Joel, 101 Stirling, James, 3, 261nl4 Stommeln Synagogue, 155 Superstudio, 8, 9-10 Suprematism, 85 Surrealism, 272n75 Swiss Re (Foster + Partners), 34, 35,38,41, 263-4n34 Sydney Opera House (Utzon), 234 Taniguchi Yoshio, 119,121,122, 263n25 Tate Modern Project (Herzog and de Meuron), 116, 127, 128 Tatlin, Vladimir Constructivism of, 108, 140, 192 Corner Relief, 77 Letatlin, 193 on icons, 280nl8 influence on Serra, 267n25 Monument to the Third International, 193, 194, 266nl5 Selection of Materials, 198, 199 Taut, Bruno, 50, 125 Technical School Library, 123 tectonics, 150-2, 155, 221-2 Terminal 5 at Heathrow (Rogers), 27-8 Thames Valley University, 27 Toraldo di Francia, Cristiano, 8. See also Superstudio Transbay Terminal in San Francisco (Rogers), 27 "Triumph of American Painting", 262n21 Tschumi, Bernard, 256n20 Turrell, James, viii, 183, 209-11, 229,283n46, 283n47 Urban Task Force, 29 Utzon, Jörn, 234 van Brüggen, Coosje, 13 Venturi, Robert about, 1 Beaux Arts tradition, 248-9nl5 Complexity and Contradiction in Architecture, 248n4 influence of Ruscha, 249-50n26 Learning from Las Vegas, 2, 6-7, 8,10, 11, 248n4, 249n25 Pop design, 5, 6 Victoria and Albert Museum extension (Hadid), 79 Vidier, Anthony, x, 245n2, 264n37, 272n76 Villa Savoye (Le Corbusier), 256n22 Viola, Bill, 213 Vitra Fire Station (Hadid), 77, 80, 82 Wagner, Anne, 283n45, 284n53 Walt Disney Concert Hall (Gehry), 14 Warhol, Andy, 235, 278n3 302 Index Warhol Museum, 110,113, 114 Waterside (Rogers), 25 Webb, Michael, 4 Wembley (Foster + Partners), 28 Werkbund Exhibition, 50 Whitman, Walt, 152 Whitney Museum of American Art (Piano), 53 Wigley, Mark, 77 Willis Faber & Dumas, 40-1, 49 Wish Machine pavilion (Hadid), 79 Wölfflin, Heinrich, 161 World Trade Center, 32, 51 Wright, Charles, 110 Yamasaki Minoru, 50 Zenghelis, Elia, 74, 77 Zip-Up House (Rogers), 21-2 |
