| Volltext: | Bold indicates image in text. A Abandoned House #4 (Durant), 56 Abandoned Works (Hirschhorn), 99 abject, 7-28 abjection defined, 16 fascination with, 26, 27 Abramovi, Marina, 128, 133, 126, 127 Acconci, Vito, 128 actuality defined, 183-4n34 in praise of, 127-40 Ader, Bas Jan, 154n29 Adorno, Theodor, 71, 93, 138, 153n22 aesthetic autonomy, 59, 100, 137 aesthetics relational aesthetics, 103, 123, 134, 137, 151n4 of resistance, 40 Aesthetics and Its Discontents (Rancière), 117 Aesthetic Theory (Adorno), 71, 93 affect, role of, 25 affect discourse, 120 "Against Interpretation" (Sontag), 181nl2 Agamben, Giorgio, 111, 149n22 aggression against the visual, 14 "Aggressivity in Psychoanalysis" (Lacan), 90 agitprop, 35, 40 al-Qaeda, 66 altars, of Hirschhorn, 36, 37, 40, 106, 108, 112 Althusser, Louis, 116 anal eroticism, 20, 21-2, 149n24 Andrée, S. A., 50 Anger, Kenneth, 51 anti-aesthetic, 122, 137 antifetishistic critique/antifetishism, 117,118,119, 121, 175n26 Appadurai, Arjun, 174-5n22 archival, 31-60 archive reason, 159n67 Arendt, Hannah, 124 art-historical connections, 68 artist as archivist, 34, 35, 43 as curator, 34 as ethnographer, 35 artistic critique, 172n6 artistic universality, 100 assimilation by camouflage, 24 Atget, Eugène, 53 Atlas (Richter), 60 Auster, Paul, 27 "Author as Producer" (Benjamin), 103, 116 autonomy, 113. See also aesthetic autonomy avant-garde attraction of abjection to, 16 defiance in, 21, 22 defined, 4, 94-5 function of, 137 goal of, 17, 132 motives of, 94 "Avant-Garde and Kitsch" (Greenberg), 137 В Bacchus (Caravaggio), 69 Bachmann, Ingeborg, 37, 38, 41, 106, 112, 152nl6 Ball, Hugo, 91, 92-3, 94, 108 Ballard, J. G., 77 bare life, 111 Barney, Matthew, 133 Baroque art, 12 Barrada, Yto, 124 Bartana, Yael, 31 Barthes, Roland, 28, 119, 133 bashed ego, 94, 163n31 Basic Research (Genzken), 78, 84 Bataille, Georges, 13, 16, 19, 20, 24, 39, 40,105,108,109,136,137 Bataille monument (Hirschhorn), 101 The Battle of Orgreave (Deller), 131, 132 i88 Index Baudelaire, Charles, 88, 93, 140, 162-3n27 Baudelairean modernism, 150n35 Bauhaus, 84, 85 Baum, Kelly, 183n29 Bayer, Herbert, 79 Beck, Ulrich, 166n6 Being and Nothingness (Sartre), 7 Bell, Daniel, 170nl Benjamin, Walter, 24,46, 47, 53, 54, 88, 93, 95, 103, 110,112, 116,138, 140, 145-6n5,154-5n32, 180nll Bennett, Jane, 120,121 Berlin Wall, fall of, 3 bête, 99,105,106,107 Beuys, Joseph, 104, 107, 110, 128 biennials, 127 big data, 123,134,177n37 Bismarckstrasse (Genzken), 82 Björk, 179n6 Blake, William, 176n28 blind spots, 52, 54, 157n46 Bloch, Ernst, 41, 106 "Blood and Soil" 106 Bloom, Allan, 170nl Böcklin, Arnold, 71 body breaching of, 25 damaged/violated bodies, role of, 27 maternal body, 13,16,17 Boltanski, Luc, 172n6 Bonami, Francesco, 151n4 Bonnet I (Woman) (Genzken), 87, 88 Bonnet II (Man) (Genzken), 87, 88 Bourriaud, Nicolas, 34, 123, 134 Bove, Emmanuel, 38, 152nl6 Brancusi, Constantin, 120 Brecht, Bertolt, 99, 104, 107, 116, 180nl0 Bredekamp, Horst, 175n23 Breton, André, 19, 20 Broch, Hermann, 71 Broodthaers, Marcel, 154n29,167- 8n24 Bubble House, 44,45,46 Bubble House (Dean), 46 Buchloh, Benjamin, 60,104, 109 Buckingham, Matthew, 31,48, 176n31 "Bunk" (Paolozzi), 70 Burnett, Graham, 176n34 Burr, Tom, 31 Burroughs, William S., 50 Burton, Johanna, 128 Butler, Judith, 103, 104 Bynum, Carolyn Walker, 175n24 Byrne, Gerard, 31 С Cabaret Voltaire, 91 Cage, John, 134 Caillois, Roger, 24 camouflage, assimilation by, 24 capitalist garbage bucket, 41, 95, 99 capitalist junkspace, 2, 53 capitalist nihilism, 95 Caravaggio, 69, 146-7n9 Carver, Raymond, 37, 152nl6 Case Study Houses, 55 The Cathedral of Erotic Misery (Schwitters), 153nl7 Cattelan, Maurizio, 96 celebrity-spectacle complex, 41 Charlesworth, Sarah, 10 Chiapello, Eve, 172n6 Christiania, Copenhagen, 48-9 Church, Judson, 127 citation, in archival art, 35 Cities of the Red Night (Burroughs), 50 citizenship, 124 Civilization and Its Discontents (Freud), 20 civil rights movement, 31 Clark, T. J., 138 collaboration, 136 commodification, 91, 137 commodity, 90, 100, 109, 118,121, 137 commodity culture, 79 commodity exchange, 109 commodity fetishism, 121 Communist, 35, 40 Conceptual art, 32 connecting what cannot be connected, 59 Constructivism, 4 contemporary art, characterization of, 3 Index 189 conversations, marathon, 182n20 convulsive possession, 25 Cooper, Dennis, 27 corpse, as subject of abjection, 27 counter-hegemonic, 39 counter-repression, 158n56 Crary, Jonathan, I8O11II creative indeterminacy, 134 critical art, 118, 122 critical iconoclasm, 174n20 criticality, 115, 173-4nl7, 181nl5 critical theory, 115, 116, 119, 120, 122, 170nl critics destructive critic, 119 emergence of, 122-3 positioning of, 116, 117, 119 critique antifetishistic critique/antifetishism, 117, 118, 119, 121, 175n26 institution critique, 32 of representation, 2, 116 Cronenberg, David, 77 Crowhurst, Donald, 43-4 Crowley, Aleister, 51 Crowley group, 51, 52 Cultural Contradictions of Capitalism (Bell), 170nl cultural politics, 24, 41, 170nl curatorships, 127 Dada/Dadaists, 87, 91-4, 95, 108, 146-7n9, 153n20 damaged/violated bodies, role of, 27 database art, 34 Davey, Moyra, 31 Da Vinci (Genzken), 84 Day for Night, Christiania (Koester), 48, 49, 49 Dean, Tacita, 31, 35, 41-8, 54, 55, 56,59 death drive, 150n35, 151n7 deconstruction, 116 defetishization, 122, 176n31 Deleuze, Gilles, 39, 103 Deleuze monument (Hirschhorn), 101 Deller, Jeremy, 31, 95, 131-2, 176n31 Derrida, Jacques, 111, 151n7 desublimation, 12, 146n6, 148nl8 détournement, 37, 106, 116 The Devil's Blind Spot (Kluge), 54 dialectical image, 140 dialectics, 59, 78, 80, 83, 85, 90, 122, 153n22,180nll, 182nl7 DiCaprio, Leonardo, 89 Dick, Philip K., 77 Didi-Hubermann, Georges, 175n23 Die Aesthetik des Widerstands (Weiss), 40 digital dividuals, 89 Dion, Mark, 32 dioramas, 67, 68 Direct Sculpture (Hirschhorn), 36 direct sculptures, of Hirschhorn, 36-7, 38 Disappearance at Sea I (Dean), 44,44 Disappearance at Sea II (Dean), 44 documenta 11, 39 Dol ven, Jeff, 176n34 dompte-regard (taming of the gaze), 10 Douglas, Emory, 56 Douglas, Mary, 147nll Douglas, Stan, 32 Dracula (Stoker), 50 Dracula trope, 178n2 D'Souza, Dinesh, 170nl Duchamp, Marcel, 21, 68, 88, 90, 94, 95, 120, 133, 134 dumb looking, 106 Durant, Sam, 31, 35, 46, 54-9 Dürer, Albrecht, 87 с Eames, Charles, 54 Eames, Ray, 54 Eco, Umberto, 133 Écrits (Lacan), 90 Eggers, Dave, lS9ti66 ego, 89-90. See also bashed ego The Eighteenth Brumaire of Louis Bonaparte (Marx), 123 Ellipsoids (Genzken), 78 Ellwood, Craig, 55 The Emancipated Spectator (Rancière), 118 190 Index emergency, 99, 111, 112 Emergency Library (Hirschhorn), 98, 111 The Emigrants (Sebald), 47 Empire/Vampire, Who Kills Death (Genzken), 79, 90 Enwezor, Okwui, 151n4 Erickson, Steve, 27 Ernst, Max, 92, 94 Etant donnés (Duchamp), 68 evil eye, 13,145-6n5 exaggeration, 92 exception, state of, 110 excremental impulse, 21 expenditure (dépense), 99, 108, 109 Experience (Höller), 135 Export, Valie, 128 Expressionism, 9 F failed futuristic visions, 45, 47,154n31 the fan, 106 Fast, Omer, 32 feminist artists/art, 10, 32 festivals, of Hirschhorn, 108 fetishism, 117, 118, 120, 153nl7, 164n36,173nl7,174-5n22,176n29 fetishization, 121, 175n26 fiction archival impulse in, 159n66 mimetic exacerbation as practiced in, 164n37 fictional feelings, 71 Fischer, Urs, 133 Flight Out of Time (Ball), 91, 92 Fluxus, 134 Foer, Jonathan Safran, 164n37 Fontaine, Claire, 124, 178n2 Fontcuberta, Joan, 32 Ford, Henry, 70, 100 Forkert, Kirsten, 131 formlessness, 136, 138 Foucault, Michel, 28, 55, 116, 119, 133, 154n27 The Four Fundamental Concepts of Psychoanalysis (Lacan), 7 Fraenkel, Knut, 50 Frankenstein trope, 178n2 Freud, Sigmund, 20, 21, 24, 60, 77-8, 89, 118, 119, 121 Freundlich, Otto, 37, 38, 40, 106, 112 Fried, Michael, 181-2nl6 Friedrich, Caspar David, 50 From the Travel of Jonathan Harker (Koester), 50 Fuck the Bauhaus (New Buildings for New York) (Genzken), 78 Fuck the Bauhaus #4 (Genzken), 79, 90 Futurism, 175n27 G Gaddis, William, 164n37 Gaillard, Cyprien, 95 game of substitutions (le jeu des transpositions), 19 Gauguin, Paul, 113 gaze Lacanian diagram of, 8-9 in Sherman's work, 13-14 understanding of, 7-10, 24,145-6n5 Gehry, Frank, 180nll Gell, Alfred, 174-5n22 Genet, Jean, 43 Genzken, Isa, 78-91, 95 Géricault, Théodore, 69 Gesamtkunstwerk (total work of art), 78 Giacometti, Alberto, 77, 120 Giddens, Anthony, 166n6 gift exchange, 109 Gillick, Liam, 32, 151n6 Girl Stowaway (Dean), 42,43 given, mimesis of the, 78 "Global Village Idiot" (Kessler), 75-6 Gober, Robert, 62, 64-70, 72, 77, 78, 80,91 "God and Guns" 106 Gordon, Douglas, 32, 33 Graham, Dan, 32 Gramsci, Antonio, 39, 40, 107 Gramsci Monument (Hirschhorn), 101, 102 Grass, Günter, 154-5n32 Green, Renée, 32, 154n29 Greenberg, Clement, 59, 71, 122, 137, 138, 173-4nl7 Index 191 H Haacke, Hans, 124 Habermas, Jürgen, 122, 124 Hamilton, Richard, 79 happenings, 178 ni Harrison, Rachel, 95, 162nl7, 178n2 Hayes, Sharon, 124, 131 Heartfield, John, 32, 98 "Heaven's Gate" (Kessler), 73, 75 Hegel, Georg Wilhelm Friedrich, 131 Helms, Jesse, 19 Hesse, Eva, 158n56 Hirschhorn, Thomas, 31, 35, 36-41, 59,95,98, 99-113, 124 Hirst, Därmen, 96 historical exhibitions, 130 histories (Koester), 54 history, parallactic model of, 49 Hitchcock, Alfred, 32 Hobbes, Thomas, 111 Hoch, Hannah, 32 Höller, Carsten, 135 homophobia, 147nll Honeycomb (Genzken), 81 Huelsenbeck, Richard, 92 Huyghe, Pierre, 32, 33, 123, 134, 176n31 Hyperboles (Genzken), 78 hypertrophy, 92 hysterical realism, 164n37 Icarian pose, 19, 20 The Ignorant Schoolmaster (Rancière), 104 image screen, 8-9, 9, 10, 11, 13, 16, 17, 25 Independent Group, 32 indeterminate, 34, 134 index of things, 53, 54 informe, 13, 24, 86, 137 Ingeborg Bachmann Kiosk (Hirschhorn), 38 installation art, 175n26 installation format, 32 institution critique, 32 interactivity, 34, 151n4 Internet algorithmization of operations of, 121 reformatting of art for, 95 role of in archival art, 34 Isa (Genzken), 83 J Jacir, Emily, 124 Jackson, Michael, 106 Jameson, Fredric, 25 Jamie, Cameron, 95 Janeo, Marcel, 93 Jay-Z, 179n6 "Jean Genie" (song), 43 Jeinnie, Jean, 42,43 Johnson, Denis, 27 Joselit, David, 139,172n5 Joseph, Manuel, 166nl2 Judd, Donald, 173-4nl7 Julien, Isaac, 124 junkspace, 2, 4,53, 90, 95, , 153n21,162nl7 , juxtaposition, 35, 77,156n39,166- 7nl4 К Kalinin, Mikhail, 52 Kant, Emmanuel, 52, 59, 12 , The Kant Walks (Koester) 52 53 Kelley, Mike, 21, 22, 23 24,27,90,95 Kessler, Jon, 72-8, 80,9 Kienholz, Ed, 91 Kimball, Roger, 170nl Kinsey, Alfred, 51 5 kiosks, of Hirschhorn, 36, 38,4U, 1°8 . Qn kitsch, 37,41, w ' Klucis Gustav 35 , 5n27 Kluge, Alexander, 49, Koening, Pierre, 55 Koester, Joachim, 30,31, 5 , 56'59 Kolbowski, S-i,l v•i a, 1m Koolhaas, Rem, 12 Koons,Jeff,95,162nl7 Krauss, Rosalind 5 25 192 Index Kruger, Barbara, 6, 10 Kundera, Milan, 71 L Lacan, Jacques, 7-9, 24, 89, 90, 145-6n5 Lacanian diagram, 8-9, 10, 13 Lacanian psychoanalysis, 7, 69 Lambert-Beatty, Carrie, 179n7 Landscape Art (Emory Douglas) (Durant), 56, 57 languages, mass-cultural, 41 La part maudite (Bataille), 108, 109 Lassry, Elad, 129 Latour, Bruno, 117, 118, 119, 120, 121, 124 the Left, 41, 60, 99, 106, 115 Léger, Fernand, 38,40 le jeu des transpositions (game of substitutions), 19 Leonard, Zoë, 32 Les plaintifs, les bêtes, les politiques (Hirschhorn), 104, 105,105, 107 Let's Talk (Kelley), 22 Leviathan (Hobbes), 111 Levinas, Emmanuel, 103 Levine, David, 178nl, 179-80n8 Levine, Sherrie, 10, 59 Lévi-Strauss, Claude, 167-8n24 "The Life of Infamous Men" (Foucault), 154n27 lingua trauma, 27, 28 live events, 128 Live in Tour Head: When Attitudes Become Form, 130-1 Louis Vuitton Foundation Museum, 180nll Lumpen, 24 Lumpenprole (Kelley), 24 M Maciunas, George, 133 Magritte, René, 68 Manzoni, Piero, 21 marathon conversations, 182n20 Marker, Chris, 32 Marx, Karl, 24, 106, 109, 116, 118, 119, 121, 123 mass-cultural languages, 41 materialism, vital, 120 maternal body, 13, 16, 17 Matta-Clark, Gordon, 158n56 Mauss, Marcel, 109 McCarthy, Paul, 21, 22, 24, 95 McElheny, Josiah, 32 McEwan, Ian, 27 McLuhan, Marshall, 75 memory industry, 159n67 mere similarity, state of, 25 Merleau-Ponty, Maurice, 7, 8 Merz (Schwitters), 90-1 Merz, Mario, 154n29 Merzbau (Schwitters), 35 Message from Andrée (Koester), 30, 50 methodological fetishism, 174-5n22 Miller, John, 21,22, 24 mimesis of the given, 78 of regression, 20, 22 mimetic, 63-96, 137, 138 mimetic adaptation, 91, 92, 93 mimetic exacerbation, 78, 91, 92, 95, 108, 116, 138, 139, 162nl9, 164n37 Minimalist/ism, 55, 78, 131, 158n56, 176n30 "Mirror Stage" (Lacan), 90 MLR (Genzken), 78, 84, 85 mnemotechny of the beautiful, painting as, 140 "Modernity—An Incomplete Project" (Habermas), 153nl9 "Modern Vision" (Kessler), 73 Moholy-Nagy, László, 84, 87 Mondrian, Piet, 37, 40, 133 monuments, of Hirschhorn, 36, 38-9, 101-2, 107, 108 The Morgue (Burnt to Death) (Serrano), 26 Morning of the Magicians (Koester), 51 Müller, Christian Philipp, 32 Murakami, Takashi, 95, 162nl7 Musée Précaire Albinet (Hirschhorn), 101, 101 museums boom in new museums, 128 Index 193 as mausoleums, 135, 181-2nl6 as sites of activation, 134, 181-2nl6 My Brain (Genzken), 86, 86 N National Gallery of Art (Washington), 181-2nl6 National Security Administration, 89 Nauman, Bruce, 128 "Negative Expressionism" (Benjamin), 93 Negt, Oskar, 175n27 Neoclassical, 9, 12 Neo-Concretism, 134 neoconservative Right, 170nl neo-Gramscian, 139 neoliberalism/neoliberal capitalism, 3, 27, 100, 110, 117, 124, 131, 138, 172n5, 178n2 neo-Situationist, 139 Neutra, Richard, 55 New Buildings for Berlin (Genzken), 78,81,83 New Criticism, 133 The New Land(s) and the Tale of Captain Mission (Koester), 50 Nietzsche, Friedrich, 93 nihilism, 95, 96, 116, 117,172n7 9/11 aftermath of, 67, 69, 70, 72, 73, 78, 110, 115 emergency as norm thereafter, 4 1989, significance of, 3 Nirvana, 149-50n31 No Ghost Just a Shell (Huyghe and Parreno), 32 Nolde, Emil, 38, 40 nonexclusive public, 104, 108 Nordenskiöld, Nils A. E., 50 object gaze, 10 object-oriented ontology, 174n21, 181-2nl6 Obrist, Hans Ulrich, 136, 182n20 obscene, 13,14, 19, 107,146-7n9, 147nl2,148nl7 Oedipal, 20, 77 Oehlen, Albert, 178a2 Oldenburg, Claes, 77,108,164n36 "One Hour Photo" (Kessler), 73 74 129 Die (Warhol), 104 One Million Kingdoms (Huyghe), 33 Oppenheim, Meret, 38 Orozco, Gabriel, 152nl0 Osama Fashion Store (Genzken), 79-80, 80 Other Primary Structures, 130 Otolith Group, 32 Otto Freundlich Altar (Hirschhorn), 37 Owens, Craig, 59 P The Palace at 4 а.м. (Giacometti), 77 The Palace at 4 A.M. (Kessler), 73, 73, 74,75 Pane, Gina, 128 Panofsky, Erwin, 135 Paolozzi, Eduardo, 70 paradigms, 1 parallactic model of history, 49 paranoia according to Freud, 60, 77-8 in archival art, 60 models of visuality as tinged with, 145-6n5 Parker, Cornelia, 158n56 Parreno, Philippe, 32, 34 Parsons, Talcott, 123 Partially Buried Woodshed (Dean), 46, 56, 57, 58 participatory modes of art, 2, 123, 134, 135, 139, 179n7 part object, 120 Party Crasher (Kessler), 76 paternal law, 16, 20, 22 pathos, 70, 181nl5 pense-bête, 167-8n24 pensée sauvage, 167-8n24 père-version, 20 performances, institutionalization of, 127 performative modes of art, 2,26, 129-30, 132, 133,139, 179- 80n8, 182n20, 183n33 194 Index The Phenomenology of Perception (Merleau-Ponty), 7 Philosophy of Modern Music (Adorno), 93 picture-making, 9 Pile of Rubbish (Genzken), 80 Piss Christ (Serrano), 18, 19 plaintive, 105 political infotainment, 78 political kitsch, 78 political nihilism, 116 politics. See also the Left; the Right and art, 19 cultural politics, 24, 41, 170nl The Politics of Aesthetics (Rancière), 119 Polke, Sigmar, 78 Pop, 95, 96,108 Popova, Liubov, 38, 41 post-critical? 115-24 Postminimalism, 131 postmodernism, 25, 26, 32, 35, 59, 90,117 postproduction, archival art as, 34 poststructuralism, 20, 26, 27, 90,116, 122,176n34 potlatch, 109,110 Powell, Amy Knight, 135 Powers, Richard, 159n66 Powers of Horro (Kristeva), 14, 16 précaire, 99,100 precariat, 100-1, 102, 103 precarious in art, 99-113 defined, 103 "Precarious Life" (Butler), 103 précarité, 100, 166nl2 preproduction, archival art as, 34 "Presence and Production" 103 Primary Structures, 130 Princess Diana, 37, 41, 106 process, 132-3, 135, 136 psychogeography, 53 public sphere, 35, 70, 95,108, 122, 123-4 pulsatile gaze, 13 puncture, 77 Pynchon, Thomas, 77, 164n37 Q Quaternary Field/Associative Diagram (Durant), 58 R Raad, Walid, 32 Rancière, Jacques, 104, 117-18,119, 121 Raqs Media Collective, 32 Raunig, Gerald, 101 Rauschenberg, Robert, 32, 59, 77, 91 readymade, 32, 34, 79, 90, 95 Reagan, Ronald, 110 real abject art in relation to, 25 as disturbing the symbolic, 69 as opposed to fantasy, 26 precarious as real form, 102 Sherman's turn to, 12 shift in conceptions of, 7 realism hysterical realism, 164n37 speculative realism, 174n21, 181-2nl6 reenactments, 127, 129, 130, 131, 132, 178nl regression, mimesis of, 20, 22 relational aesthetics, 103, 123, 134, 137, 151n4 relational art, 134 Renaissance, 8, 12 representation critique of, 2, 116 subject of, 8-9, 9,10, 144n2 rhizome, 35, 152n9 Rhoades, Jason, 95 Richter, Gerhard, 60, 78, 87 the Right, 60, 106, 117, 160-ln3, 170nl Rococo art, 12 Rodchenko, Alexander, 32 Romanticism, 134 Roof Piece Re-Layed (Trisha Brown Dance Company), 128 Roth, Dieter, 91 Roth, Michael S., 171n2 The Russian Ark (Sokurov), 154n31 Index 195 Russian Constructivism, 4 Russian Eccentrics, 93 S Sandra of the Tulipbouse or How to Live in a Free State (Koester), 48, 49 Santner, Eric, 106 Sartre, Jean-Paul, 7, 8, 107 Saunders, George, 164n37 Scanlan, Joe, 181-2nl6 Schmitt, Carl, 94, 110 Schwitters, Kurt, 35, 40, 90 Scorsese, Martin, 32 The Sea of Ice (Friedrich), 50 Sebald, W. G., 47, 54 Sekuła, Allan, 124 self-criticism, 173-4nl7 Self-Portrait (Genzken), 86 Serra, Richard, 132 Serrano, Andres, 18, 19, 26 Seven Easy Pieces (Abramovic), 128, 126 sexual fetishism, 121 Sherman, Cindy, 10-15, 16 Shteyngart, Gary, 164n37 Shulman, Julius, 55 Simmons, Laurie, 10 Situationist/ism, 53, 116 Smith, Kiki, 17 Smith, Zadie, 164n37 Smithson, Robert, 46, 53, 54, 55, 56, 57, 58, 158n56 sociability, 123, 177n41 Social Facades (Genzken), 82, 84 social practice art, 139 Sokurov, Andrei, 154n31 Someone Takes Care of My Work (Hirschhorn), 99, 100 Sontag, Susan, 181nl2 sound mirrors, 45-6 Sound Mirrors (Dean), 47 spectacle, 76, 77 speculative realism, 174n21, 181-2nl6 speech-act theory, 130, 179-80n8 Spielautomat (Genzken), 88, 89 Spinoza, Baruch, 39 Spinoza Monument (Hirschhorn), 39, 101 Spiral Jetty (Dean), 46 Spivak, Gaya tri, 116 Starr Report, 65, 160-ln3 state of exception, 110 Steinberg, Leo, 2 Steyerl, Hito, 124 Strindberg, Nils, 50 subject becoming space, 25 gaze as attacking, 25 as parrying shocks of metropolitan world, 88 subject-as-picture, 10, 11, 13 subject-object relations, 36, 109, 120 subject of representation, 8-9, 9, 10, 144n2 sublimation, 19, 20, 21, 148nl8 Surrealism, 4, 19, 77, 85, 120 Swinton, Tilda, 179n6 symbolic order, 4, 17, 19, 25, 60, 92, 107, 110, 147-8nl6, 147nl5 T Tale (Smith), 17 Tate Britain, 181-2nl6 Tausk, Victor, 78 Teignmoutb Electron (Dean), 44, 45, 46 Thatcher, Margaret, 110 theory critical theory, 115, 116, 119, 120, 122, 170nl speech-act theory, 130, 179-80n8 thing theory, 120 Theory Garbage, Stuffed Animals, Christ (Kelley), 22, 23, 24 "Theses on the Philosophy of History" (Benjamin), 110, 113 Tiananmen Square, uprising at, 3 Tillmans, Wolfgang, 86 time readymades, 32 Tinguely, Jean, 77 Tiravanija, Rirkrit, 123, 137 totalitarian kitsch, 72 "A Tour of the Monuments of Passaic, New Jersey" (Smithson), 57-8 transitive painting, 137 196 Index trauma fascination with, 26, 27 redefining experience in terms of, 27 treatment of, 28 Trecartin, Ryan, 95 Tribe, Mark, 131 Trisha Brown Dance Company, 128 trompe-l'oeil (tricking of the eye), 10 24 Hour Psycho (Gordon), 33 2013 Venice Biennale, 181-2nl6 U The Unbearable Lightness of Being (Kundera), 71 undead, 127, 178n2 unmonumental sculpture, 137 Untitled (Gober), 62, 64, 66, 67, 68 Untitled (Kruger), 6 Untitled (Presence) (Lassry), 129,129 Untitled #2 (Sherman), 10, 11 Untitled #190 (Sherman), 13, 15 Untitled #222 (Sherman), 12 Untitled #250 (Sherman), 14 untitled 1992/1995 (free/still) (Tiravanija) 136 Ur-Collage (Hirschhorn), 106,107 use value, 103 Utopian ambition, 60, 106 "Visuality and Its Discontents" 21 vital materialism, 120 Vo, Danh, 32 Vollman, William, 159n66 von Heyl, Charlene, 178n2 W Walker, Kara, 95 Wall, Jeff, 151n7 Wallace, David Foster, 159n66, 164n37 Wallinger, Mark, 95 Walser, Robert, 38, 105, 152nl6 War and Peace in the Global Village (McLuhan), 75 Warhol, Andy, 104, 107, 108, 110 We Drank Some Cokes and Beat Our Toys into Ploughshares (Miller), 21 Weiner, Lawrence, 89 Weiss, Peter, 40, 41 When Attitudes Become Form: Bern 1969/Venice 2013, 131 Where do I stand? What do I want? (Hirschhorn), 112 Wood, James, 164n37 working-class America, 65 World Receiver (Genzken), 79 World War II, 81 X X-Ray (Genzken), 86, 87 V van der Rohe, Mies, 79, 82, 108 Verb List (Serra), 132 viewer, activation of, 134, 135 Virilio, Paul, 77 Virno, Paolo, 165n3, 172n5 Z zombie trope, 178n2 Zürich Dadaists, 91-2 |
