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| Volltext: | Index Page numbers in bold indicate the locations of plates abstract art, 6, 24, 35, 68, 74, 115, 120, 132, 158, 173, 186, 203, 211 n25; see also Abstract Expressionism Abstract Expressionism, 19, 37, 40, 50, 52, 67, 69; see also Newman, Pollock, Rothko, Still Academy, Académie, 7, 64 Adorno, Theodor, 40 advertising see publicity aesthetic, aesthetics, 117-118, 155, 163, 181, 202: and Conceptual Art, 25, 42; criteria, 39; effect, 13; experience, 96-97, 160; failure/ success, 15; intuition, 159; judgment, 158, 225 n20; Modernist, 40-41, 221 n6; production, 163; protocols, 11, 117; value, 39, 45, 47, 98, 162; see also self-criticism Allais, Alphonse: Premiere communion.. 145 allegory, 52, 57, 79-81, 140, 164, 207, 218 n5 amateur, amateurishness, 89, 93, 101-102, 113; see also competence Andre, Carl, 126, 147, 228 n9 Antoni Tapies Foundation see Tapies Foundation Art ÖC Language: exhibitions: "Art & Language in Practice, " 68, 70- 75, 72, 192-194, 196, 197; "Artist out of Work, " 192-194, 197, 198; plan for Barcelona wall, 194-195: Painting by mouth/PBM, 10-11, 52, 56, 58, 179; texts by: "Art & Language Paints a Picture, " 50-52, 60, 67, 71-75; "Art &C Language Paints a Picture (VI), " 125-126, 130, 136-137, 138, 140-141; Victorine, 58-60, 134-135, 216 n 11; "We Aim to be Amateurs, " 51; works by: Artists' Studios, 57-60, 134-135, 136-137, 164, 179, 228 nl, Index: the Studio at 3 Wesley Place.. 50, 52, 53, 129, 196- 198; Attacked by an Unknown Man in a City Park.. 9-11, 10, 60; "Dialectical Materialism, " 102, 228 ni; Documenta Index ('see Index 01); Documenta Vitrine, 30-33; Down to the Stone, 208; Exit: Now They Are, 128; Hostage and a People's Flag, 83- 84, 91-92, 198; Hostages, 81, 84, 86-122, 130, 135, 164, 198, 220 nl9: Hostage (Views of Immensity), 4-5; Hostage XIX, 89- 92, 90, 100-101; Hostage XXIV, 86-88, 87; Hostage XXV, 100; Hostage XXIX, 83; Hostage XL, 105, Hostage LIV, 114; Hostage LXVI, 120, 122; Hostage LXXIII, 121, 122; Hostage LXXIV, 107, Hostage LXXV, 116; Incidents: Now They Are, 126, 142, 164-167, 165; Indexes, 95: Index 01, 26, 27, 30, 58, 129, 196-197, 200, 203, 228 nl; Index 11: Background, Incident, Foreground, 188, 189; Index: Incident in a Museum (Madison Avenue) XIV, 80; Index: Incident... XXV 80, 82; Index: Incident... XXVI, 80, 82; Indexes: Now They Are, 125-167, 144, 198, 222 n5, 226 nl; Index: Now They Are, 141; Index V: Now They Are, 139; Index XIV: Now They Are, 158, 159; Index XX: Now They Are, 149, 150; Index: Wrongs Healed in Official Hope, 74, 75, 198-203, 201, 202; Man Battering His Daughter to Death as she Sleeps..., 134; Map for Portrait of V. I. Lenin.. 67; Material Slang II, 206; Model for Lucy Grays, 193; Portraits of V. I. Lenin.. 136, 228 nl: Portrait of V. I. Lenin in Disguise..65; Portrait of V. I. Lenin... V, 66; Raped and Strangled by the Man who Forced her into Prostitution.. 134; Sighs Trapped by Liars, 30-34, 195, 206-207, 278 nl: Sighs Trapped... 651, 31; Sighs Trapped... 373-391, 413- 508, 32; Sighs Trapped... 510-520, 200; Study after "L'Origine du monde, " 138; Study for Hostage 40, 104; Study for Hostage 74, 106; Study for Impressionism Returning..., 180; Study for Incident, Foreground 1, 183; Study for Index: Incident in a Museum 26, 24; Study for Museum of the Future (I), 82; Study for Museum of the Future (II), 82; Surf 40, 104; Surf 74, 106; Title Equals Text No. 15, 94; Unfinished/abandoned paintings, 129, 130, 131; Unit Cure, Unit Ground, 82, 218 n5; " What remains of the Theme of Nature..92-95; see also Art- Language, Baldwin, Ramsden art as idea, 97 Artaud, Antonin, 12 "art context, " 22, 28, 63, 64 art criticism, 5-6, 24, 34, 37, 39-40, 46, 204-206 art history, 6, 112-113, 134-135, 137, 173, 211 n27 Art in Theory, 6-7 artist's studio (genre), 57-59, 62 Art-Language, 18-19, 147-148, 194; cover for Victorine, 59 Art News, 6, 52 Atkinson, Terry, 38, 176, 213 nlO, 214 nl6: Title Equals Text No. 15, 94 author, 5, 43, 63-64, 195 automatism, 85, 100, 102, 103-104 autonomy, 193: and "art context, " 64, 71-72; ethical, 14; formal, 117; history, 136-137; vis-à-vis language, 17; of vision, 98; see also "other" avant garde, avant-gardism, 6, 13-14, 20, 43-44, 63-64, 69, 71, 97, 175, 194 Bacon, Francis, 132, 177 Bainbridge, David, 213 nlO Index 231 Baldessari, John, 63, 176 Baldwin, Michael, 19, 25, 38, 51-52, 67, 81-82, 86-87, 91-92, 94-95, 98, 100-101, 104-108, 113, 114, 118-119, 126, 134, 135, 146-147, 161, 164, 176, 179-183, 188-189, 193, 213 nlO: Title Equals Text No. 15, 94; see also Art & Language Balzac, Honoré de, 145 Bank, 70 Barry, Robert, 38, 42-43, 176 Barthes, Roland, 8 Baudelaire, Charles, 19, 40 Beethoven, Ludwig van, 106 beholder, 14, 41-43, 47-48, 85-86, 97, 156; see also seeing, spectator, vision Bell, Clive, 40 Benjamin, Walter, 40 Beuys, Joseph, 38, 61, 174 Borojsky, Jonathon, 38 Bouguereau, William Adolphe, 130 Brancusi, Constantin, 132 Braque, Georges, 7, 57 Breton, Andre, 40 Bridgman, R W., 146 Broodthaers, Marcel, 174 Buchloh, Benjamin, 35, 213 n4 Buren, Daniel, 45, 63, 176 Burn, Ian, 176, 213 nlO Cabanel, Alexandre, 138 Caro, Anthony, 14 César, 45 Cézanne, Raul, 5, 111-112, 118, 127-129: In the Grounds of the Chateau Noir, 111 Chapman, Jake and Dinos, 132, 216 n8 Chicago, University of, 84, 103 Cieslinski, Peter, 51; see also Jackson Pollock Bar Clark, T. J., 89, 135, 219 n9, 219 nl3, 226 n28 class, 21, 48, 97, 178 collage, 23-24 Collier, Edward, 23 Collingwood, R. G., 155 commodity, 11, 115, 118 competence/incompetence, 22, 127-128, 172-173: in criticism, 37; judgments of, 56; in production, 44; professional, 21, 64; of public, 43; in reading/seeing, 24-25, 34; of spectator, 8, 96, 156, 177, 183, 186-187, 190-191, 226-227 nl; sec also amateur, self-criticism, intention Constable, John, 6, 110-111 Constructivism, 13, 23-24, 44 Courbet, Gustave, 57, 59, 85-86, 92, 103, 134, 149-150, 164, 226 n26: Atelier du peintre, 57, 59, 134; Le Chateau de Blonay, 136; Cupid and Psyche, 134; L'Origine du monde, 126, 127, 128, 134-138, 140-142, 152, 160-161, 164, 167, 222 n5; Le Ruisseau couvert, 84; The Source of the Loue, 149-150; Woman with Parrot, 134 "crisis of modernism" see Modernism Crow, Thomas, 20, 126, 214 nl6, 215 nl9 Cubism, 6-7, 18, 23-24, 38, 130, 163, 181 Dada, Dadaists, 6, 13, 23, 44, 215 nl7 Dalí, Salvador, 12 Darboven, Hanne, 38, 45 David, Catherine, 23, 49 David, Jacques-Louis, 10 decoration, 8, 11, 17, 21, 29-31, 68, 74-75, 115, 198-199, 202 228 n5 de Duve, Thierry, 11, 62-63, 146-147, 175, 181, 217 nl6, 223- 224 n6, 224 n7, 224 nlO Degas, Edgar, 103, 118-119, 162, 220 n23, 225 nil: Dancer in her Loge, 119; Woman Reclining on her Bed, 85, 105 de Kooning, Willem, 132 Delacroix, Eugène, 6 Delaroche, Paul, 174 de Man, Paul, 80, 106 "dematerialization, " 42-43; see also Modernism (and reductivism) Derrida, Jacques, 103 Dezeuze, Daniel; Chassis plastique tenue, 175 Diderot, Denis, 14 "Documenta": "5, " 26, 129, 196, 228 nl; "7, " 59, 129, 197, 228 ni; "X, " 30, 49, 51, 195, 228 nl du Camp, Maxine, 150, 225 nl 1 Duchamp, Marcel, 11-12, 16, 19, 22, 36, 40, 63, 97, 115, 174 Edwards, Steve, 152 Einstein, Albert, 61 empathy, 159 Escher, Martin, 183 essay, essayistic art, 7-12, 18-19, 27 exhibition, 18, 35-36, 38, 60, 84-85, 192-200; see also "L'Art Conceptuel.."Documenta, " gallery, "Global Conceptual-ism, " "January exhibition, " "Jeu de Paume, " museum, "Out of Action, " PS1, "Reconsidering the Object..Tapies Foundation expression, expressiveness, 161: Expressionism, 134; expressive aspect, 102; capacity, 20; perception, 226-227 nl; and language, 15; and masculinity, 10-11; resources of, 160 feminism, 130-132, 152 figure-ground relations, 110-112, 152-156, 161-162, 166, 172 Fischl, Eric, 163 "557, 087, " 38, 213 n6 Fluxus, 22, 44 Fondado Antoni Tapies see Tapies Foundation Frenhofer, 145-146, 148 Freud, Lucien, 132, 163, 177 Freud, Sigmund, 51, 73 Fried, Michael, 13-15, 24, 40, 85-86, 114, 164, 178, 205, 209 n9, 211 n27, 224 nlO, 227 n2: "Art and Objecthood, " 13-14, 61- 62, 64, 224-225 nlO; Courbet's Realism, 14, 85, 103; "Shape as Form, " 221 пб Friedrich, Caspar David, 6, 110, 149: Seashore in Fog, 110, 149 Fry, Roger, 40 Futurism, 13, 23 Gabo, Naum, 52 Gaiger, Jason, 6 Galerie de Paris, 84 gallery, 22, 28, 63 Gauguin, Paul, 12 generic art, 13, 21, 62—64, 70, 147, 190, 210 nlO genre, 13—15, 56—58, 64—65, 67, 69—71, 73—75, 126, 128, 135, 155, 164, 203-207; see also artist's studio, history painting, landscape, nude, portraiture, self-portraiture, still life Gesamtkunstwerk, 12, 15, 56 Gilbert and George, 132 "Global Conceptualism, " 36, 38, 212-213 n2 Goodman, Nelson, 20, 212 n37 232 Index Greenberg, Clement, 13, 20, 23, 37, 40, 67, 69, 97-98, 147, 157- 158, 205, 209 n9, 211 n27, 223-224 пб, 224-225 п20, 227 п2: "Modernist Painting, " 18, 115, 227 n2 Grita [nsam Gallery, 53, 126 Guerra, Carles, 216 nil Haacke, Hans, 45-46 Hancock, Tony, 63 Harnett, William, 23 Hegel, G. W. F., 69 Hertz, Neil, 149-150 history painting, 56-58, 203-204 Hofmann, Hans, 52 Hofmann, Werner, 164, 226 n26 Hogarth, William, 6 Holzer, Jenny, 46 Horn, Martin, 51; see also Jackson Pollock Bar Hucblcr, Douglas, 43 Hugo, Victor, 12 Hurrel!, Harold, 213 nlO illusion, 88, 112-115, 162, 165-166, 171-179, 181-184, 185- 187, 191 imagination, 103, 151, 156, 159: of death, 184-186, 190-191; limits on, 139; imaginative perception 171-172; imagined spectator, 96, 133, 151 {see also "spectator in the picture"); imaginative world, 111 Impressionism, 6-7, 109-111, 148 installation, 61, 174, 200 Institute of Contemporary Arts (London), 84 Institut für Kunst und Medientechnologie, 49 Institut für Soziale Gegenwartsfragen, 49 Isy Brachot Gallery, 126 Jackson Pollock Bar, 49-61, 64-65, 73, 195, 215-216 n2: Art & Language Paints a Picture installai..., 49, 51, 54-55, 61; The Concept of the New, 50; "A Picture Painted by Actors, " 61, 60- 64, 73-74, 195, 199, 216 n2; We Aim to be Amateurs installed..., 51 "January exhibition, " 43 Jeu de Paume, Musée du, 59, 126, 129, 228 ni Johns, Jasper, 36, 40 Judd, Donald, 6, 15, 40, 45, 221 n6, 224 n7, 228 n9 Kafka, Franz, 202 Kandinsky, Wassily, 6, 203 Kantian disinterest, 39, 45, 158, 187 Kaprów, Allan, 65 Kawara, On, 38, 45 Khalil-Bey, 135 Kinetic Art, 40 kitsch, 114-115, 137 Klein, Yves, 36, 63, 143-146: White monochrome, 145 Kosuth, Joseph, 24, 38, 43, 62, 63, 213 n4, 213-214 nlO, 218 nl6, 224 n6 Kraus, Karl, 112 Krauss, Rosalind, 113, 213 nl6, 221 n4 Kristeva, Julia, 51 Kruger, Barbara, 46 Lacan, Jacques, 132, 135 landscape, 79, 83-84, 89-93, 96, 98-102, 109-113, 117-121, 164-166, 198, 203 language, 43, 93: art's implication in, 21-24; distinct from art, 19; wiring for, 15 "L'Art Conceptuel, une perspective, " 36 learning, 41, 99, 154-155, 173, 183, 214 nl6; see a/so self-criticism Leider, Philip, 67 Lewis, Percy Wyndham, 12 LeWitt, Sol, 228 n9 Lippard, Lucy, 38 Lisson Gallery, 83-84 literalism, 42, 147, 174-175 literature, 12-15, 17, 27-28, 56-57, 174 Loos, Adolf, 228 n5 Luhmann, Niklas, 49 Maclntyre, Alasdair, 217 nl4 Magritte, Réné, 63 Malaprop, malapropism, 30, 99, 122, 200-201, 212 n41 Malevich, Kasimir, 6, 143, 145, 203 Manet, Edouard, 19, 59, 162: Olympia, 59-60, 134-135, 139, 156 Manzoni, Piero, 36, 45, 63, 143, 146 Mapplethorpe, Robert, 132 Marion Goodman Gallery, 84 market, market value, 36-38, 48, 64, 94 Masson, André, 135, 223 ni 7 Matisse, Henri, 6, 57, 202, 228-229 n8 Matthiessen, Christian, 50, 215-216 n2; see also Jackson Pollock Bar Max Hetzler Gallery, 83 Melville, Stephen, 219 nl5 Merleau-Ponty, Maurice, 40 Meurend, Victorine, 59 Michelangelo Buonarotti, Creation of Eve, 17 Minimal Art, Minimalism, 22, 42, 71, 114, 203, 228 n9 Mitchell, J. W. T., 13 Modernism/modernism, 13-16, 20-25, 35, 47-48, 57, 67, 71, 92, 97-98, 1 15, 117, 130-131, 152, 175-178, 194, 198, 202-203, 204-205, 209 n9, 211 n27: abstractionist, 42; modernist canon, 14, 44; connoisseur, 46; "crisis of, " 21, 27, 40-43, 147, 194; criticism, 40, 198, 204-205; as culture, 40, 115, 178, 204; as ideology, 40-41, 44-45; judgment, 45, 177-178; reductivism, 23, 41-43, 146-147 (see also "dematcrialization"); skepticism, 173, 175-176; as theory, 13-14, 39-41, 111, 115, 227 n2; vision, 108; see also aesthetic, Greenberg, Fried, Minimal Art, Pop Art, postmodern Moholy-Nagy, László, 63 Mondrian, Piet, 6, 38, 40 Monet, Claude Oscar, 7, 101, 109-112, 114: Poplars on the Epte, 101; Nymphéas, 110 Moreelse, Paul, 23 Morris, Robert, 6, 22, 36, 40, 63, 1 74, 228 n9 museum, 22, 28, 63, 79-83, 86-92, 95-96, 99, 113, 165, 166, 181, 204 Namuth, Hans, 65-66, 140 Nash, Paul, 5 Nauman, Bruce, 174 Neo-Conccptual Art, Neo-Conceptualism, 94, 98, 198 Nco-Dada, 22 "Neue Wilden, " 10, 134 Newman, Barnett, 120, 132, 173, 204, 229 nlO "New Spirit in Painting, " 134 Nicholson, Ben, 204 Index 233 Noland, Kenneth, 98, 202 Nouveaux Réalistes, 44 observer see spectator Olitski, Jules, 15, 34, 138, 162 opera, 53, 58-59; see also Art 8c Language [Victorine) opticality, 20-21, 97, 101, 193, 211 n27 Orton, Fred, 53 "other": excluded, 89, 219 nl5, 228 n5; imaginary, 101; object of attention as, 47, 161; reifieation of, 118; writing as, 34; see also autonomy "Out of Action, " 15, 61, 65, 210 nl8 "Painting by Mouth"/PBM see Art & Language performance, performance art, 13, 53, 60-61, 62, 65, 174; see also Jackson Pollock Bar Peto, John, 23 philosophy, 19, 70, 174, 187 photography, 19, 88, 113-114, 132, 161, 174-175, 176 Photo-realism, 176 Picabia, Francis, 63 Picasso, Pablo, 7, 12, 57, 65, 132 Pilkington, Philip, 213 nlO Pissarro, Camille, 5 Polke, Sigmar, 176 Pollock, Jackson, 14, 37, 45, 52, 63-69, 71, 74, 132, 140, 173, 217 n24: The Deep, 140, 143, 157, 179, 223n20 Pop Art, 40, 71 pornography, 132, 161, 200-203; see also sadomasochism portraiture, 56, 130, 156, 203; see also self-portraiture post-Conceptual art, 27-34, 204 postmodern, postmodernism, 14, 25, 98, 108, 115, 219 nl5 Post-Painterly Abstraction, 202 Poussin, Nicolas, 6, 10, 23, 145-146 PS1, 194 public, 43, 48, 67, 171, 214 n 16 publicity, 46, 118, 132, 204 purism, 21, 198 Ramsden, Mel, 24, 27, 51-52, 67, 79-82, 86-87, 91-92, 94-95, 100-101, 113, 118-119, 126, 134, 135, 146-147, 161, 164, 176, 179-183, 188-189, 193, 213 nlO: Guaranteed Paintings, 24, 25, 34; Two Black Squares.. 147 Rauschenberg, Robert, 36, 63, 143 reader, reading, 18, 24, 26, 28-29, 31-34, 47, 74, 96-97, 138, 172, 202, 207, 214 n 16 ready-made, 1 1-13, 28, 63, 97, 144 Realism, 85, 103 realism, 22, 28, 64, 67, 85, 103, 153, 154, 161-162, 190, 214 nl6 "Reconsidering the Object of Art, " 36 Red Crayola, 58; sec also Thompson Reinhardt, Ad, 143, 146, 147, 149, 187 Rembrandt van Rijn, 7-9, 11, 138, 156: Self-Portrait, 8, 9 Reynolds, Joshua, 6 Ribera, José, 23 Richter, Gerhard, 132, 144 Rilke, Rainer Maria, 128, 222 n6 Rodchenko, Alexander, 143 Romanticism, 10, 224 n8 Rorty, Richard, 217 n 14 Rosenquist, James, 138 Rosler, Martha, 14-15, 45 Rothko, Mark, 6, 68-69, 71, 120, 132, 152, 173, 186, 203, 217 n25, 225 nl7 Ruscha, Edward: Oof, 175 Rushton, David, 213 nlO Ryman, Robert, 143-144 sadomasochism, 30, 74, 200 Schapiro, Meyer, 40 Schier, Flint, 125-126, 133 Schwitters, Kurt, 12 seeing, 118, 220 n23: as apprehension, 183, 196; competence, 96-97; and detail, 34; and knowing, 150; and not seeing, 86, 103-108, 136-137, 153; 157-161; seeing as, 139-140, 152- 153, 160, 172; seeing-in, 209 n5; see also beholder, spectator, vision self-criticism: feedback, 161; and genre, 201; Modernist, 41, 115; of spectator, 8, 11, 112, 117-118, 156, 159, 167, 171, 173, 189- 190; in the studio, 142, 155, 205; see also learning self-portraiture, 8-9, 112, 120-121, 138, 156 Shankly, Bill, 187, 227 nl3 Sherman, Cindy, 132 Siegelaub, Seth, 38, 43 Situationism, 44, 215 nl8 "snowing, " 95, 140, 147-148, 180, 181 spectator: active, 173-174, 177, 184, 190-191; character of 42, 115-117; critical reflection, 8, 110-112, 159-160, 186, 189; death of, 174-191; of illusion, 171-173, 182; imagined, 99, 115-118, 133, 138-139, 149-151, 173-174, 178, 183, 189; as male, 160-161; Modernist, 24, 115; "in the picture, " 96; as reader, 33, 74, 95-97, 196; requirements made of, 48, 120, 156, 182, 187; social conditions of, 175-176; see also beholder, seeing, self-criticism, vision, voyeur Steen, Jan, 7: The Life of Man, 184-185 Stella, Frank, 40, 147, 175, 211 n25 Still, Clyfford, 69 still life, 56, 163, 165, 184, 203 Strauss, Richard, 56 studio, 52, 57-58, 81, 100, 106, 126, 128, 137, 167, 184, 205 Surrealism, 13, 23, 44 Symbolism, 7 Tapestry of the Creation, 16-17, 19, 24, 27 Tapies Foundation, 50, 52, 60, 62, 73-74, 192-193; see also Art &c Language ("Art & Language in Practice") Tate Modem, 21, 221 n9 theater, theatricality, theatricalization, 12-15, 27-28, 61-62, 85- 86, 115, 146, 175, 178 "theory installation" see Jackson Pollock Bar Thompson, Mayo, 53, 58-59 "three-dimensional work, " 13, 63, 114, 147, 165, 174, 229 n9 tradition, 16, 27—28, 44, 46-48, 63, 112, 137, 163, 171, 175 "trans-avantgarde, " 10, 134 van der Spelt, Adrian, 186 van Gogh, Vincent, 6 van Valckenborch, Lucas, 179 Velasquez, Diego, 118 Venet, Bernar, 212 n38 video, 65, 195 viewer, see spectator vision, 97, 103-108, 134, 165, 172, 220 n23: critique of, 219-220 nl5; see also beholder, imagination, spectator, voyeur voyeur, voyeurism, 118, 132, 138, 140-141, 161, 166, 222 n5 234 Index Wagner, Richard, 12, 56 Wali, Jeff, 36 Warhol, Andy, 176, 187 Weibel, Peter, 49 Weiner, Lawrence, 24-25, 43, 176 Whitney Museum of American Art, 79, 166 Wittgenstein, Ludwig, 151, 157, 160 Wollen, Peter, 135 Wollheim, Richard, 9, 96-97, 115, 125, 133, 222 nl, 226-227 nl Wood, Paul, 6, 137-138 "Young Italians, " 10, 134 Zola, Kmile, 40 |
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