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| Katkey: | 7557426 |
| Volltext: | Index Absolute Spirit, 2, 11, 82-84 Abstraction, 8-9, 21, 41, 43, 45, 63; "mere", 47, 52; "spiritual", 47, 52 The actor: his presence, 58; his speech, 25 The aesthetic attitude, 65, 76, 77, 80 Aldrich, Virgil, 15-16 Altman, Robert, 69 Apollo, 61 Arnheim, Rudolph, 37-38 Art: defined by Hegel, 2; the end of, 81- 90; the function of, 84-85; self-referen-tiality of, 12-13 Artaud, Antonin, 59-60 Art-idea, 10, 13 Artist's role, 5 Bazin, Andre', 33, 37-38 Beauty, 2, 72 The body, 50, 53, 58, 63, 66; as spirit's organ, 50 Brecht, 61 Cage, John, 3, 67 Chance, 8 Classical art, 21, 28, 43, 72 Conceptual art, 3, 5, 9-10, 12-15, 34-37, 86 Consciousness, 27 Content, 2, 10, 12, 15-16, 32, 37, 49, 87 Craig, E. Gordon, 55-56 Creation, 5 Croce, 84 Dada, 3, 7-8 Dance, 46, 51-55 Dialectic, 11, 20, 77 Dionysianism, 56 Dionysus, 53, 60 The Discreet Charm of the Bourgeoisie (Bunuel), 34 Documentary, 24 Drama, 25, 55-63; dramatic action, 25; dramatic character, 26;dramatic space, 26; "literary", 56-58; "theatrical", 56-58 Duchamp, Marcel, 3-4 ; the ready-madcs of, 3-4 Earle, William, 79 Embodiment, 43 Empathy, 43 Expressionism, 32, 33 Fantasy, 34 Fata Morgana (Werner Herzog), 23-24 Feeling, 54 Film, 19-40, 69 Flattery, 75 Form, 2, 10, 13, 15-16, 32, 37, 54, 87 Formalism, 8-9 Found art, 3, 8-9, 10-11, 13-15, 34-35, 62-63, 70; the emergence of, 4-5 Graham, Martha, 53 Grotowski, Jerzy, 56, 63; the theater of poverty of, 58-59 Hanson, Duane, 69-70 Happenings, 68 Harries, Karsten, 63, 72, 86, 89 Hegel: The classification of the arts, 20-21, 28, 31, 39, 88-89; the System, 28, 83- 84 Hofstadter, Albert, 85 Human body. See Body The Idea, 24, 80 The Ideal, 1-3, 10-11, 20, 41, 43-46, 51 L 'Immortelle (Robbc-Grillet), 36 The "interesting", 72 "Inwardizing of the external", 21 104 Index Ionesco, 61-62 Kant, 48, 67 Kaprów, Allan, 68 Kierkegaard's aesthetic man, 66, 72-74 Kitsch, 89 Knox, Israel, 85 Kosuth, Joseph, 9-10, 12, 14 Kuleshov, 33 Language, 24, 58-62 Last Year at Marienbad (Resnais), 36 Levin, David Michael, 51-52, 54 The Living Theater, 68 Material, 21-22 Matter, 2, 19, 24 Meaning, 10-11, 13, 16, 32, 66 Medium, 15-16 Minimal art, 8-9 Mixed media, 71 Modernism, 49 Music, 22, 28-29, 31, 54, 67-68; as accompaniment in film, 31-32 Nature, 2, 12 Narcissism, 75 The New Wave, 36 Oldenburg, Claes, 68 Painting, 22, 28 Perkins, V.F., 39 Photography, 27-28 Picasso's nudes, 8 Plato, 47-48 Plotinus, 48 Poetry, 13, 22-25, 30, 83 Romantic art, 3, 21-23, 43, 48, 60, 74-75 Ruins, 6-7 Sculpture, 28 The sensuous, 22, 66-67, 78-79 Shaftesbury, 48 Shape, 10-11, 13, 16, 32 Sheets, Maxine, 53-55 Simultaneity, 28-29 Spirit, 4, 15-17, 19, 21, 38, 49, 77, 82, 84; spirit's abandonment of the sensuous, 23; spirit's appropriation of the sensuous world, 19; the dialectical development of, 28; spirit's immersion in the sensuous world, 19, 21; spirit's self-contemplation in matter, 19; the self-expression of, 2; spirit's speech, 30 Subject Matter, 15-16, 28-29 Subjectivity, 21, 29, 43, 51 Succession, 29 Surrealism, 30, 34 Symbolic art, 3, 16, 42-43 Synthesis, 29, 41 Temporality, 29 Theater. See Drama Total Theater. See Mixed media Uniqueness arguments, 12 Von Sternberg, 35 Warhol, Andy, 35 Wiener, Lawrence, 13 Wonder, 80 Worringer, Wilhelm, 43-45 Zola's naturalism, 57-58 Realism, 21, 26, 30, 32-33 Representation, 53 |
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