| Volltext: | INDEX Abel, Lionel, 44-16,49,50,52,66,80, 81, 83-84,95,126, 140,165, 171-72, 205 on CG, 84, 232-34 Abel, Sherry, 205 Abelov, Martin, 83 "Abstract and Representational" (Greenberg), 179 abstract art, 21, 54, 55, 104,107 "action" painting and, 143,169-72, 176, 212, 214, 236-39 CG's promotion of, 69-70, 75-76,103, 115, 125-29, 131,132,139-49,158,175, 185, 189 color-field, 189,193, 216, 219, 222, 229, 231, 235,241,250,282 decline of, 184 figuration vs., 146-47,153,154,156-57,158, 159,161-63, 231-32 "flatness" of, 141, 142,147,175,180, 242-43 "gesture" techniques in, 143, 175,222, 231 hard-edge, 231 opposition to, 140,143-44,184-85, 231-32 "postpainterly" 234, 240-42 quasi-, 20,107 representational art vs., 59-60, 75-76, 108, 109,125,175,176,179,184-85 subject matter vs. content in, 125-26,131 "Abstract Art" (Greenberg), 75-76 abstract expressionism, 165, 169 American, 19, 68, 76, 107, 111, 134,155-58, 162,182-83,211-12,215 CG on, 134,192,193-94 creative process of, 110, 146, 150, 156,159, 162, 164, 169,170 imagist wing of, 231, 232, 241 macho, working-class ethic and, 173, 182 "mannerism" and imitation of, 211, 231, 238 market for, 111, 180, 187, 196,210-12, 214-25, 227 second generation, 155-58,187, 193, 210-12, 214, 227, 231-32 Abstraction in the Twentieth Century, 139 Accent Grave (Kline), 211 action painting, 143, 169-72,176, 212, 214, 236-39 Adams, Henry, 91,115 Adams, Pat, 288 Adorno, Theodore, 56 Adventures of Augie March, The (Bellow), 46 "After Abstract Expressionism" (Greenberg), 232, 238, 239, 240, 250 "After Next, What!" (Rosenberg), 239 Agee, James, 16, 49, 82 Agostino, Peter, 290 Albright, Donald, 259 Albright-Knox Art Gallery, 245 Aleichem, Sholom, 74 Alexander II, Tsar of Russia, 32 Alexandrianism, 55-56 Alfieri, Bruno, 133 Alloway, Lawrence, 212-13, 219, 229-30, 236-37, 248-49, 263 American Abstract Artists (AAA), 70, 76, 104 American Abstract Expressionists and Imagists, The, 231-32 "American Action Painters, The" (Rosenberg), 165, 169-72, 235-37 American and French Painters, 70-71 American art: ascendancy of, 14, 19, 103, 211-12, 259-60 avant-garde communities of, 50-51, 68, 70, 139^19 CG's advocacy of, 20-21, 69-70, 76, 86, 100-103,105-11,115,147-48,153 conservatism in, 147, 149,153,154 French art vs., 85, 98, 100, 103, 109, 134, 178-79,193 individualism and idealism of, 101, 139, 227, 231 isolation of avant-garde artists, 102, 103, 150, 169, 182, 227 "middlebrow" concepts and, 101, 102, 111-13, 241 "radical" vs. "inclusive" camps, 146-49, 154-58, 179 Western culture and, 14,19,102-3,139,149 American art establishment, 100, 101, 102-8, 148,176 CG denied entrée to, 103, 105-6, 108, 139, 180 CG's criticism of, 100-101,104-5, 108-9 European bias of, 100, 104, 108-9, 110, 178 American Committee for Cultural Freedom (ACCF), 123 American Communist Party, 45-50,118,121 publications of, 47-48,50,55 American Guides series, 50,166 American Jewish Committee (AJC), 91, 204, 206, 207-8 American literary establishment, 115 American Painting 1900-1950, 143—44,148 American Senator, The (Trollope), 75 " 'American-Type' Painting" (Greenberg), 190, 192-93,194, 196,215, 236 "American View, An" (Greenberg), 60, 61 Anarchist Party, 144 Anchor Books, 205 Andre Emmerich Gallery, 225, 230, 234, 250, 270-71 Anthology о/Pure Poetry (Moore), 131 anti-Communism, 49 antifascism, 48, 52—53, 56,116-18 anti-Romanticism, 131 anti-Semitism, 32, 33, 39, 90-92 CG's response to, 82, 83, 91, 115, 117-20 literary, 91, 115-17, 128, 129, 133 revival of, 86, 88 anti-Stalinism, 49, 121-23 Arendt, Hannah, 49, 84, 90, 91,' 140 Aristophanes, 29 Aristotle, 192 Armory Show of 1913, 54,107, 279 Army Air Force, U.S., 71-73, 78,189 Arnason, H. Harvard, 231-32 323 INDEX Arnold, Matthew, 126 Arp, Jean, 52, 109 art: "affective" power of, 130, 131, 135, 138 autonomy of, 46,54,56, 76 cathartic effect of 191-92 effects of artist's character on, 69, 95, 181 "for art's sake" 131, 191 "high" 53,57,101,103,111 human spirit and, 127 ineffable experience of, 78-79 political relevance of, 46-47,51,55-57, 76, 115-20 schools of, 137 taste and, 191-92 unity and, 215-16, 217 Art and Culture (Greenberg), 19,65, 133, 208, 213,227,230-31,237, 244, 245 "Art and Politics in Our Epoch" (Trotsky), 56 "Art Chronicle" (Greenberg), 65 "Art Chronicle: Feeling Is All" (Greenberg), 159-62, 167 Art Council of Ireland, 260 art criticism, 16, 24 British literary theory and, 132-38, 190 CG's concept of, 20,63,66,129—30, 132-34, 137-38, 279 Art Dealers Association, 221 Art Digest, 134, 178-79,196, 211 Arte Moderna, Il (Alfieri), 133 Artforum, 24, 241, 252, 253—54, 280 Art Gallery of Toronto, 240-41 Art in America, 21, 22-23, 24, 26-29, 196, 235 Art Institute of St. Louis, 245 Art International, 122, Til, 234, 238, 252, 253, 263 Artists'Club, 140-41,151,152,154,157, 171, 172 panel discussions at, 184, 231 Artists' Congress, 106 art market, 101, 104, 109, 150, 214 abstract art and, 150, 180, 210—12, 221, 244 conflict of interest and, 16, 214, 224-27, 239 see also collectors; dealers Art News, 24, 26,50-51,108, 145, 150,165, 171, 208, 211,213, 227, 234, 236, 252, 263 Hess as editor of, 141,142,173-76, 180, 230, 231,253 Art of This Century gallery, 72, 74-75, 76-77, 107,142 Arts, 26, 208,214,216,247 Arts and Architecture, 180 Arts Club, Chicago, 282 Art Students League, 37 Ashbery, John, 174 Ashton, Dore, 149,151, 152, 211, 225, 226-27, 271,273,274 Ashton, Leigh, 107 As Is, 168 assemblage, 231 Auden, W.H., 19,64,68,83,97,114,115,117, 134,184 Augustine, Saint, 87 Auschwitz, 92 automatic writing, 76 Autumn Rhythm (Pollock), 210 "Avant-Garde and Kitsch" (Greenberg), 52, 324 53-54, 55-58, 60, 62, 68, 79, 101, 111, 178, 205 critical response to, 57-58, 65, 78, 166 Avery, Milton, 74 BaalShemTov, 129 Babbitt, Irving, 59, 90 Baker, Elizabeth "Betsy" 24-25, 29 Baldwin, James, 49 Bannard, Walter Darby, 213, 241, 250, 253, 280 Barr, Alfred H., 20, 54-55, 59, 100, 145,157, 160, 244 abstract art and, 104,110, 184 CG and, 104-6, 227-28 as MOMA founding director, 104-6, 110, 111, 210-11,227-28, 231,235 Barrel Organ, The (Noyes), 34 Barrett, William, 49, 78, 94, 117, 167-68 Barthelme, Donald, 173 Baudelaire, Charles-Pierre, 20, 137 Bázelon, David T., 57-58,80 Baziotes, William, 76, 98-99, 107,140,143, 209, 238 Beacon Press, 208, 280 Beckmann, Max, 95, 132 Bell, Clive, 132 Bell, Daniel, 57,80, 123 Bellmer, Hans, 52 Bellow, Saul, 15,46,49, 66,89, 282 Benjamin, Walter, 56 Bennington College, 22,144, 151, 163-64,187, 197,198, 200, 209, 231 CG's association with, 183-84, 224, 235, 248-50, 268, 280, 281 faculty and arts programs at, 184, 248-50, 264, 268 Berenson, Bernard, 133 Berkowitz, Ida, 181 Berkowitz, Leon, 13, 181 Bernstein, Marcella, 261-63 Berryman, John, 115 Betty Parsons Gallery, 111, 141, 150, 158, 159, 218 Bireline, George, 241 Black Mountain College, 145-46, 181 Blackmur, Richard E, 66, 78, 128 Blake, Peter, 111 Bloom, Alexander, 88 Bloom, Hyman, 145 Bloomsbury group, 13, 134 Blue Poles (Pollack), 210 Bluhm, Norman, 154, 157 Blum, Irving, 253 Blumberg, Lillian, 145 Boice, Bruce, 280—81 Bois, Yves-Alain, 305-6 Bollingen Prize for Literature, 115-18, 121 Bonnard, Pierre, 185 Boone, Daniel, 110 Borgenicht, Grace, 142, 150, 218, 225 Botwinick, Dr., 285 Bourgeois, Louise, 103-4,105-6,173-74, 265 Bowness, Alan, 246 Brach, Paul, 139,154,174,196-97, 255 Braider, Carole, 202 Brandt, Louis, 184 Braque, Georges, 56, 71, 137, 147, 213, 216 INDEX Brecht, Bertolt, 45, 51, 52,166 Brenner, Marcella, 273, 276-78 Breton, André, 54,56 Briggs, Ernest, 211 Brillo Boxes (Warhol), 279 Brook, Donald, 260 Brooklyn Eagle, 40 Brooklyn Museum, 41 Brooks, Charlotte, 201 Brooks, James, 107, 164, 201 Brossard, Chandler, 197 Brown Network, The: The Activities of the Nazis in Foreign Countries, 43 Broyard, Anatole, 80 Buchhoíz Gallery, 132 Budnik, Dan, 23-24, 26, 27 Burchfield, Charles, 74 Burke, Kenneth, 66, 184, 203 Burnham, James, 49 Bush, Jack, 241,250, 252, 256-57 Cafe Royale, 44 Cage, John, 145,279, 283 Calas, Nicolas, 62, 83 calligraphy, 79 Cambridge University, 127,190 Camôes, Luiz Vaz de, 41 Campbell, Joseph, 138 Camp High Lake, 39, 44 Camp Mohaph, 37 Camus, Albert, 84 Canaday, John, 231-32 capitalism, 60, 80, 169 Carlyle Hotel, 214 Carmean, E. A., 251 Carnegie International Exhibition of Contemporary Art, 225-26, 239 Carnegie Museum, 239 Caro, Anthony, 219, 250, 255, 258 cartoons, 77 "Case for Abstract Art, The" (Greenberg), 222 Castelli, Leo, 26, 211, 218, 227, 261, 274 Catskill Mountains, 31 Cavallon, Giorgio, 70, 140 Cedar Street Tavern, 97,142,151,155, 156, 157,172,174, 200, 214, 232, 233,240 censorship, 117 Central Intelligence Agency (CIA), 205 Cézanne, Paul, 70, 79, 137, 147, 162, 216 "Cézanne and the Unity of Modern Art" (Greenberg), 153, 215, 216 "Cézanne: Gateway to Contemporary Painting" (Greenberg), 215 Chagall, Marc, 74, 95-96 Champa, Kermit, 250 "Changing the Work of David Smith" (Krauss), 21,23,24, 26-29, 209 Chapman, George, 135 Charles Egan Gallery, 108, 143, 150, 160 Chase, Edward R, 16—17 Chelsea Hotel, 249, 256—57 Cherry, Herman, 200, 203, 225, 266 Chiaramonte, Nicola, 49, 83 Chicago Art Institute, 245 Christensen, Dan, 250, 273 City College of New York (CCNY), 38 "City of God" (Eliot), 129 civil liberties, 121 Civil Service Commission, U.S., 44 Clark, T. J., 305 Clement Greenberg: Art Critic (Kuspit), 304 Clement Greenberg: Between the Lines (Duve), 306 Clement Greenberg: The Collected Essays and Criticism (O'Brian, ed.), 126 "Clement Greenberg's Power Lecture" (Brook), 260 Cleveland Museum of Art, 247 "close reading" 127, 128, 129 Coates, Robert, 144 Cohen, Elliot, 49,91,190, 204-8 Cold War, 20, 121 collage, 77, 213 collectors, 20, 25, 26, 72, 148,155, 159, 173, 174, 178,190,221,235 abstract expressionism bought by, 111, 180, 187,196,210-12,214-15, 227 College Art Association (CAA), 149, 153, 154, 155 Collington, David, 246 Collins, Pat, 71 color-field abstraction, 189, 193, 216, 219, 222, 229, 231,235,241,250, 282 Columbia University, 38, 54, 100, 107, 267-68 Commentary, 49, 79, 92,151, 175, 184, 187, 188, 204-9 CG as associate editor of, 25, 91, 186, 190, 197, 204-9, 215 CG fired from, 207-8, 209, 235, 244 CG's contributions to, 92, 94, 119-20, 168, 176-78,190, 207,208 founding of, 91, 204 liberal, Jewish bent of, 119, 121, 204-5 Communism, 121-23 concentration camps, 87 Congressional Record, 122-23 Connolly, Cyril, 61, 63-64, 72,100-101,134 Connolly, Jean Bakewell, 155 CG's relationship with, 63-64,65, 68-69, 71-73, 166, 189 death of, 145 international literati and, 64, 68-69, 166 Contemporary Jewish Record (CJR), 78,88-89, 90,91,204, 206 Contempt, 26 Cooper, Douglas, 147 Coplans, John, 241, 253 Corot, Jean-Baptiste-Camille, 70, 137 Cosgriff, Jennifer, 197 Côte Basque, La, 234, 274-75 Courbet, Gustave, 137, 162 Courtauld Institute, 246 Creeks, The, 201-2 Crile, Susan, 182, 291-92 Criterion, 134 Criterion Books, 208 "Critic Within the Act" (Rosenberg), 235-36 Critique of Judgment (Kant), 125,145 Cubis (Smith), 255 cubism, 20,50, 54,109-10,133,145,153, 244 CG on, 175, 215-16, 217, 223, 303 Picasso and, 102,123, 147, 154 Cubism and Abstract Art (MOMA, 1936), 54-55, 104 325 INDEX cummings, е. е., 46, 67 Cunningham, Merce, 283 curators, 20, 25,136,158,173,187,209, 215, 219, 240, 251-52 Currier and Ives, 66, 77 Currier and Ives (Peters), 66 Customs Service, U.S., 54-55 CG's job at, 46,51,52, 58,62,68,69, 70 Dada and Surrealism (Rubin), 251 Daily Worker, 50 Dalton School, 144 Dangling Man (Bellow), 66 Daniels, David, 226 David Smith—A Memorial Exhibition, 255 Davis, Gene, 13,241 Davis, Robert Gorham, 117 Davis, Ron, 250, 252 Davis, Stuart, 70, 71 "Dead, The" (Joyce), 57 dealers, 20, 25,142,150,182,187,196,197-98, 209, 210-12,214-15, 218-22, 253 "Death, be not proud" (Donne), 135 De Chirico, Giorgio, 74 "Decline of Cubism, The" (Greenberg), 100, 103 Deep, The (Pollock), 193 Degas, Edgar, 226,264 Dehner, Dorothy, 173-74 de Kooning, Elaine, 97, 143,146,155, 171,172, 173-76, 233 de Kooning, Willem, 20,51, 71, 111, 142,143, 145, 203 brush-marks signature of, 158, 160 CG and, 97,108,109,131-32,139,146,149, 174-75,184,186,193, 223,232-34, 238, 259 figuration of, 146-47,153,154,158 first one-man show of, 98,108,131-32, 140 "inclusiveness" sentiments of, 146-47, 149, 154 influence of, 153,156,157-58,160,170-72, 211,223,232 Pollock rivalry with, 140, 141, 146,150-51, 154-55,160,170-72,174 Rosenberg and, 165,170-73,174-75 Woman series of, 146,153,158,184 del Vayo, Julio Alvarez, 121-22 democracy, 60, 62 Depression, Great, 3940,42, 80, 165 Dewey, John, 45,183 Dewey Commission, 4546 Dial Press, 97,151 Diaz, Virginia, 71 "Dictatorship of Clement Greenberg, The" (Larson), 302 Diebenkom, Richard, 241, 250 Dillon's, 232-34, 289-90 Dissent, 79 Divine Comedy, The (Dante), 179 Doctor's Hospital, 235 Dondero, George A., 123 Donne, John, 135,137 Don Quixote (Cervantes), 39 Dos Passos, John, 52 Dowling, Robert, 214 Downing, Tom, 13,182,198,241 Down There on a Visit (Isherwood), 64 326 Dryden, John, 134, 135 Dubuffet, Jean, 96, 110 Duchamp, Marcel, 73,137, 279-80, 282-83 Duke University, 125, 276 Dupee, Frederick W., 16, 48, 49, 50,122 Duve, Thierry de, 280 Dyn, 78 Dzubas, Friedel, 143, 154, 157-58, 170-71, 194, 197,200,215,218, 241,250, 253 Eagleton, Terry, 127 "Early Flemish Masters, The" (Greenberg), 216 Easter and the Totem (Pollock), 193 Eastman, Max, 49 Ed Winston's Tropical Gardens, 151 Egan, Charles, 150, 181 Elderfield, John, 157, 251 Eliot, T. S., 39,46,56-57,97,115-18 anti-Semitism of, 91, 117,129, 133 CG influenced by, 133—38,170 as critic, 20, 78, 79,116,126-28,129,133-38, 176-77,178, 215 Ellin, Everett, 271 Elliott, James, 240 Ellison, Ralph, 49 Eluard, Paul, 52 Emergence of an American Art, The (Mellquist), 70 Emerging Talent, 262 Emerson, Ralph Waldo, 256 Emmerich, Andre, 225, 244, 252, 261, 262,263, 270-71,274, 278 Encounter, 205, 235—36, 238 Enlightenment, 53, 111 Erasmus Hall High School, 38 Ernst, Max, 84-85 Esquire, 43 Essex Market (Hartigan), 211 "European View of American Art, The" (Greenberg), 14748 Ewing, Mrs., 4244,50,52,152 existentialism, 94,169, 171, 236 expressionism, 105,109,137,154, 224 Factory, The, 280 Fallingwater, 111 Färber, Manny, 82, 234 Farrell, James T., 45,49, 50, 63 Farrelly, John, 68 Fascism, 53,60, 62,90,115-17 Fast, Howard, 88 Faulkner, William, 46,52 Fauvism, 216 Federation of Modern Painters and Sculptors, 144 Feeley, Helen, 151, 163, 164, 198-99 Feeley, Paul, 151, 155, 163, 164,197-99, 241 Feininger, Lyonel, 74 Ferber, Herbert, 143 Ferguson, Marjorie, 186-87 Ferren, John, 241 Fiedler, Leslie, 80,129 15 Americans, 150 Fitzgerald, F. Scott, 46, 115 Fitzsimmons, James, 180, 233, 234, 253 Five Spot, 209, 214 Flaubert, Gustave, 49 INDEX Ford Foundation, 235 formalism, 117, 128-30, 132, 135, 138, 139, 224, 242 Fourteen Americans, 105 France, 41,64, 92, 126, 186 Francis, Sam, 211, 223, 241 Frank, Elizabeth, 27-28 Frankenthaler, Helen, 22, 29, 144-45, 222, 241, 274 background and education of, 144-45, 186 CG's relationship with, 144, 148, 151-52, 155, 157,160,163-64,180-81,182,184,186-89, 190,194,197-200 Motherwell and, 152, 200 works and shows of, 164, 180-81, 187 Frankfurter, Alfred M., 108, 145,234 Frankfurt School, 56 Freas, Jean, 164 Freilicher, Jane, 157 French & Co. Galleries, 229, 230, 234 CG accused of market involvement with, 214, 224-27, 239,271 CG as artistic consultant to, 214-18, 221-22, 226-27, 240, 241,245 closing of, 221—22, 230, 234 Freud, Sigmund, 87, 188, 192 Fried, Michael, 213-14, 250,252, 253, 257, 268, 274, 275 Friedman, Abigail, 201 Friedman, Arnold, 185 Friedman, Б. H., 196-97, 201 Frobenius, Leo, 41 Frost, Robert, 250 Fry, Roger, 19,106,132, 216, 242 Fuchs, Danny, 36 Functionof Criticism, The (Eliot), 136 Galerie Lawrence, 219, 230, 251 Galerie Neufville, 219 Galleria dell'Ariete, 230 Gatch, Lee, 145 Gauguin, Paul, 95, 137, 216 Geldzahler, Henry, 240, 251, 293 Genauer, Emily, 144, 180 Germany, Nazi, 60, 61,88,92, 115-17 Gestapo, 50 "gesture" painting, 143,175, 222,231 Getlein, Frank, 224 Giacometti, Alberto, 109 Gibbs, David, 229-30 Gill, Annette Herzman, 188 Giotto di Bondone, 138 Girl Before a Mirror (Picasso), 107 Glazer, Nathan, 80, 205 "Go and catch a falling star" (Donne), 135 Go down to Kew at Lilac Time, it's not so far from London (Noyes), 34 Gogh, Vincent van, 74, 137, 216 Goldberg, Michael, 157 Goldwater, Robert, 100,1034,105, 109,112, 141,230, 237 Gombtich, E. H., 267-68 Goodman, Paul, 49,97 Goodnough, Robert, 143,149-50, 236-37 Goodrich, Lloyd, 109 "Goose-Step in Tishomingo" (Greenberg), 71 Goossen, Eugene, 184, 190 Gorky, Arshile, 20, 51, 98-99, 111, 139,149, 238 CG on, 96,108,109, 147-48, 155, 193 exhibitions of, 108,142,145,147—48 suicide of, 142 Gottlieb, Adolph, 20, 97,109,143,154,155, 180,193,215,218, 221,250 Gowing, Lawrence, 246 Goya, Francisco José de, 126, 156 Goya: A Portrait of the Artist as a Man, 43 Graham, John, 70-71 Graham, Katharine, 223 Graham, Phil, 223 Graham Gallery, 224, 225 Graves, Morris, 130 Great American Paintings (Walker and James), 66 Great Britain, 60,61, 103, 120, 134, 147 Greek mythology, 58-59 Greenberg, Clement: academic credentials of, 106 aesthetic influences on, 50, 69, 79, 124-38 ambition of, 103-6,133 Army Air Force Service of, 71-73, 78, 189 arrogance of, 16, 27, 28,41, 47, 58, 74, 83, 100, 106,124,152,183, 232, 279-80 art collection of, 13,16,185, 208-9, 213, 230, 271,273-75 art politics of, 74, 175, 216 art training of, 37, 50 birth of, 31, 35, 41 boyhood and adolescence of, 31-41,45,86,94, 97 catalog essays by, 22,135,163,187, 209, 240 children of, see Greenberg, Daniel "Danny"; Greenberg, Sarah collected essays of, 19, 27-28, 65, 126, 133, 208,213, 227,230-31 college teaching of, 145-46, 181, 183-84, 235, 248-50, 280 combativeness of, 62, 81-85, 153, 174, 197-98,199, 206,213,232-34 cruelty and vindictiveness of, 31-32, 153, 226-28 dancing of, 151-52, 155, 247 death of, 274, 276, 306 depressions of, 41, 71-74,145 diaries of, 16, 132, 134, 145, 151, 158, 160, 170,181,186,187,188,189, 206, 207, 209, 213,218, 271,272,285 drawing and painting of, 36-37,40,50-51, 62, 97, 155, 182 dreams and nightmares of, 36, 134 early jobs of, 37, 39, 40, 42-44 education of, 33,34, 37,38-39,40, 51, 52, 53, 125 European reputation of, 58, 101, 102, 111-12 European trips of, 52-53, 94,186, 208, 218-19, 245 exhibitions organized by, 13, 25,143,155, 163-64,181-83,187, 209, 215, 221, 240-42, 245 fatherhood of, 43-44,152-53, 245 in fearless opposition to popular opinion, 28, 41, 50, 70, 79, 81, 99, 141,180, 297-98 freelance editing of, 207,208 health concerns of, 158 heavy drinking of, 145, 209, 295 honors accorded to, 212, 282 327 INDEX Greenberg, Clement (cont.) horseback riding of, 44 income of, 44,46,50,68, 69,186, 208—9, 212, 214-15,234,271-72,274-76 influence and reputation of, 13-14, 16,19-21, 24-25, 28,47,57-58, 67, 78, 98-99,106-7, 111-12,113-14,121-23,124-25,156-57, 167,168, 200, 208, 212-13, 222, 226, 235, 241, 245-53 inner circle and disciples of, 20-21, 24-25,47, 151-52,154-55,213-14, 246-53 intelligence of, 95, 165, 258 jealousy of, 106 language facility of, 39, 40-41, 43, 124, 204 literary criticism of, 20, 25,51,52,65-67, 71, 72,74, 75, 78-79,115,129,131,166 love-hate duality in, 31-32 market involvement accusations against, 16, 214, 224-27,239 marriages of, see Greenberg, Edwina "Toady" Ewing; Greenberg, Janice Elaine "Jenny" Van Home media coverage of, 100,102,106,140, 168 Phi Beta Kappa membership of, 40, 52 physical appearance of, 36, 97, 198 plagiarism charged to, 43, 52, 82 Polish Jewish background of, 31,32-33, 35,39, 41,44-45,86-94,144 as "Pope Clement" 165, 175 as provocateur, 124, 227-28 psychological breakdowns of, 71-73,188-91, 194, 205,213 psychotherapy of, 153,188-90,194,195, 205, 248, 284 public speaking and lectures of, 149, 155,170, 179,186, 208, 215, 221, 232, 235, 238, 240, 245-46 reading and literary interests of, 33, 34, 39, 40-41,43,46-48,125-26,133 realistic art preferred by, 109 rebelliousness of, 36, 37 resentment and animosity aroused by, 13-14, 20,21, 23, 24, 25-28,41,62, 69,106, 139-40,149,151,152,154,157-62,165, 172,175,180,185,187, 204, 206-7, 225-29, 232-34, 243 self-assessment of, 16, 19, 36 self-doubt and self-consciousness of, 41, 58, 83 166,167 short stories and poetry of, 42,43-44, 51,52 61,65,125,132,165 sleep disturbances of, 187, 199, 209 socialist political views of, 45-46,49, 50. 60-61 social life of, 97, 103-4,150-51, 152,166,187 203-4,218-20, 247, 274-75 speaking voice and manner of, 97,149, 166, 246, 247 sports enthusiasm of, 38-39,52,94-95 151 204 as Stete Department Cultural Ambassador, 21, studio visits and commentary of, 71,155-57 181,182-83, 208, 217, 219,245, 268-69 ' suggestions to artists on "improvements" by, 25-26, 29-30, 75,155-56, 159,182-83, 195-96, 204,217,219, 265-67 328 translations by, 43, 52, 92, 165 visual memory of, 40, 78, 82 womanizing of, 224, 248—49, 284 Greenberg, Clement, art criticism of, 65-71 careful preparation and inspired analysis of, 215,217 elitist sensibilities of, 101,103, 139,176-78 formalist views of, 14,117, 128, 129-30, 132, 135,138,139, 224 guiding principles of, 20, 63,66, 129-30, 132-34,136-38 influence of Hans Hofmann on, 50,69, 79, 217 painstaking work and rewriting of, 78, 132-33, 138 passionate, visceral nature of, 14, 21, 25, 70, 77, 78,108,128,132 poetic techniques and, 132-33 professional opposition to, 13-14, 16, 19, 20, 21, 66, 74, 96,106,132,138,139-40, 232 pronouncements and aphorisms in, 14, 20,21, 24, 27,100-103,105,108,161,175 revolution in taste and art history created by, 20,67,134,183-84, 242 writing style of, 78-79, 81, 101, 103,124-25, 132-33, 238 Greenberg, Daniel "Danny" (son), 43-44, 166 CG's relationship with, 152—53,187, 209, 213, 294 CG's sporadic support of, 44, 50, 68, 70,153, 165 education of, 152, 186 Greenberg, Dora Brodwin (mother), 31-38,41, 89 CG's relationship with, 34, 36, 37,124 character and personality of, 34, 35-36, 124 illness and death of, 37—38, 73 Greenberg, Edwina "Toady" Ewing (wife), 42-44, 52, 68, 152, 165, 166 Greenberg, Fanny (stepmother), 39 Greenberg, Harry (uncle), 36 Greenberg, Isadore "Isie" (uncle), 33, 34 Greenberg, Janice Elaine "Jenny" Van Home (wife), 197, 198 on CG, 229 CG's relationship with, 248, 276, 284-85 divorce of CG and, 125 pregnancy and childbirth of, 230, 235, 245, 248 psychotherapy of, 235, 248, 249 theater studies of, 246 Greenberg, Joseph (father), 31-40, 248 atheistic socialist views of, 32-33, 38,89 background and youth of, 32-33, 144-45 business enterprises of, 33-35,39-40, 42,52, 96,271,275 CG's relationship with, 34,35, 36, 37,38,40, 41, 42, 43-44, 52,153, 200, 208, 284 character and personality of, 32, 34-35, 36, 37-38, 39-40,41 death of, 15, 276 marriages of, see Greenberg, Dora Brodwin; Greenberg, Fanny Greenberg, Martin (brother), 31, 32, 33, 34, 36, 40, 58 on CG, 32, 35, 36-37,41,189, 207, 248 CG's relationship with, 41,189-90, 206, 209, 213,248 INDEX as Commentary managing editor, 189, 190, 206-8 Greenberg, Natalie (half-sister), 31, 39, 40 Greenberg, Sarah (daughter), 27, 32, 198, 245, 249,284, 292 Greenberg, Sarah (grandmother), 32 Greenberg, Sol (brother), 31, 32, 34, 36, 40, 43 Greenwich Village, 20, 44, 46, 50, 80 art colony of, 71, 76, 97,140-42,165 taverns and jazz clubs of, 96,97,142, 151-52, 209,214, 232-34 Greyed Rainbow (Pollock), 193 Guest, Edward, 54, 57 Guggenheim, Peggy, 69, 142 new artists promoted by, 72-73, 77, 98, 100, 107, 150 Guide for the Bedeviled, A (Hecht), 90 Guild Hall, 158 Gully, The, 249-50, 257, 268 Guston, Philip, 107, 142, 211 Guthrie, Derek, 259 Haacke, Hans, 306 halakah, 93 Hamlet (Shakespeare), 137 Hans Hofmann School, 50, 107, 142,145 Hardwick, Elizabeth, 49 Hare, David, 73 Harper's, 113, 140, 168 Harper's Bazaar, 150 Harrison, Jane, 247-48, 253 Hartigan, Grace, 143, 151, 155-60, 164, 175, 197-98,211 Harvard University, 24, 134, 247-48 "Harvest, The" (Welch), 43 Hecht, Ben, 90 Held, Al, 154,156, 242-43, 266, 278 Helen Frankenthaler (Elderfield), 157 Heller, Ben, 196,210, 211 Helmholtzian Landscape (Smith), 30 Hemingway, Ernest, 46, 115 Henri Matisse, 160 "Henry Adams' Norman Ancestors" (Saveth), 91 Herodotus, 87 Heron, Patrick, 266 Hess, Thomas В., 24,141, 142, 180, 187, 225, 230, 231,233 Elaine de Kooning and, 173-75 Hester Street, 41 Higdon, Elizabeth, 276, 283 High and Low: Modern Art and Popular Culture, 302 "Highbrow, Middlebrow, Lowbrow" (Lynes), 113, 140 Highwayman, The (Noyes), 34 Himmelfarb, Gertrude, 80 Hirshhorn, Joseph, 251 Hirshhorn Museum and Sculpture Garden, 251 History of Art (Janson), 109 Hitler, Adolf, 60, 61, 62, 87, 90, 115,144, 239 Hoban, Phoebe, 290 Hobbes, Thomas, 80 Hofinann, Hans, 20, 69, 79, 97, 98-99, 155, 166, 180, 208,215,220, 238 CG on, 161,187,193 school and influence of, 50, 107, 142,145, 217 works and shows of, 187, 209, 215 Hofstadter, Richard, 49 Hollegha, Wolfgang, 215, 218-19 Holocaust, 87-88, 90-91, 115-16, 119-20 Homemade Aesthetics (Greenberg) ,280 homosexuality, 62 Hook, Sidney, 49 Hopkins, Budd, 199 Hopkins, Gerard Manley, 137 Horizon, 58,61,62,63,64, 112 CG's contributions to, 78,100-102,139-41 Housman, A. E., 137-38 Houston Museum of Fine Arts, 158, 251 "How Art Writing Earns Its Bad Name" (Greenberg), 236, 238,240 Howe, Irving, 58, 60, 63, 79, 80, 87-88, 90-92, 115-17,128,129, 204 Howells, William Dean, 91-92 Hudson, Andrew, 247 Hughes, Robert, 27, 242,300 Hugnet, Georges, 52 Hulton, Pontius, 246 humanism, 127 Hunt, Joan, 151-52 Hyman, Stanley Edgar, 184 Iliad, The (Homer), 39, 179 impressionism, 54, 109-20,185, 215, 216, 244 Impressionism (Leymarie), 215 "Impress of Impressionism" (Greenberg), 215 "In Dreams Begin Responsibilities" (Schwartz), 49 Industrial Revolution, 53-54, 56, 111, 142, 177 "Inquiry on Dialectic Materialism, An" (Greenberg), 66 Institute of Contemporary Art (ICA), London, 229-30 Institute of Contemporary Art (ICA), Pennsylvania, 22 Intellectual Follies, The (Abel), 232-34 "Introduction to The Great Wall of China" (Greenberg), 92-94 "Irascible Eighteen, The" 144,148,149 Isherwood, Christopher, 64, 68, 134 Israel, 119 "Is the French Avant-Garde Overrated?" (Greenberg), 134,178-79 Jackson, Harry, 97,143,151-52,155-60,163, 164, 181,194,215 Jackson, Martha, 198 James, Henry, 63,127,168, 204 Janis, Sidney, 210, 221, 261 Janson, H. W., 109 Jarrell, Randall, 16, 63, 66, 67 Jeffers, Robinson, 66 Jenkins, Esther, 202 Jenkins, Paul, 155, 202 Jenson, Al, 241 Jerome, V. J., 50 Jeune Fille (Motherwell), 77 Jewish Frontier, 90 Jewish Museum, 240 Jewishness: assimilation and, 87, 88-89, 90, 119, 120, 144-45 CG's exploration of, 86-94,115, 117-20,190, 205, 283 329 INDEX Jewishness (cont.) Holocaust and, 119-20 Jewish writers and, 86-90,112,119-20 middle-class conformity and, 89,93-94 religious tradition and, 32, 86, 93-94, 283 "self-hatred" and, 88,91,115,119-20 stereotypes of, 32,91,115,116, 205 upward mobility and, 87 see also Zionism "Jewishness of Franz Kafka, The" (Greenberg), 190 John Reed Clubs, 47—48 Johns, Jasper, 211,212, 222, 259 Johns Hopkins University, 186 "Josephine the Songstress: or, the Mice Nation" (Kafka). 92 Joyce, James, 41,46,57,92, 282 Joy of Living (Motherwell), 77 Judd, Donald, 255 Julien Levy Gallery, 108 Jungle Pete's, 200 Kadish, Reuben, 203 Kafka, Franz, 49,92-93,103,188,190-92 Kallman, Chester, 64,117 Kandinsky, Wassily, 65,98, 109 Kant, Immanuel, 125-26, 133, 145 Kantor, Morris, 74 Kasmin, John, 219,252,272-73 Kaufmann, Edgar, Jr., 111 Kazin, Alfred, 49,60,88,89-90,116 Keats, John, 39 Kelly, Ellsworth, 222-23,231, 241,253 Kempton, Murray, 80, 203 Kennedy, John F., 224, 249, 289 Kenyon Review, 126 Kirchway, Freda, 121-22 Kirov, Sergey Mironovich, 50 kitsch, 51,54,66 Klee, Paul, 65,109, 148 Klein, Ralph, 188-89,194,195,197,198, 200, 205, 207, 235, 248,284, 285 Kligman, Ruth, 200, 203 Kline, Franz, 85,140,154,155,174,181,211, 232 black-and-white calligraphic works of, 143 CG on, 160-61,193,223 Knight Publications, 43 Koestler, Arthur, 115 Kootz, Sam, 142-43,181, 252, 274 Kootz Gallery, 142-43,155,181, 209, 225, 262 Kozloff, Max, 232, 253,278-79 Kramer, Hilton, 24,47,48,50,184, 211, 214, on CG, 27, 81,172, 206, 225-26, 230, 240, 249,284 Krasner, Lee, 50,68,97,165 CG and, 50, 71,163-64,166,173-74,194-97, 202-3,217-18,220-22 character and personality of, 217,220-21 Pollock and, 71,158-59,160,163-64,171, 173-74,194-97, 200-203, 217-18,229 works and shows of, 71,158,173-74,197 217-18,220-22 Krosner-Pollock: A Working Relationship, 158 Kraus s, Rosalind, 23, 24-29, 209, 247, 250 260-61 330 Smith article by, 21, 23, 24, 26-29, 281 Smith catalogue raisonné by, 25, 28 Kristol, Irving, 80, 87, 205 Kronenberger, Louis, 88 Kropotkin, Pyotr Alekseyevich, 80 Krushenik, Nicolas, 241 Kuhn, Walt, 71 Kuspit, Donald, 304 Lahey, Richard, 37 Lane, Jerrold, 222 Lannon, Patrick, 221, 229, 251 "Laocoön" (Lessing), 59 Laocoön Group, The, 59 Larionov, Mikhail, 70 Larson, Kay, 302 Lasky, Melvin, 80 Lassaw, Ibram, 70, 143 "Later Monet, The" (Greenberg), 208, 215, 216 "Late Thirties in New York, The" (Greenberg), 50-51 Lawrence, D. H., 58, 87, 191 Lazarus, Harold, 64-65, 166 League of American Writers, 48 Leaves of Grass (Whitman), 256 Leavis, F. R., 126-28, 190-92 Lebrun, Jim, 264 Lebrun, Rico, 145 Leen, Nina, 148 Léger, Fernand, 65,137,179,184 Leino, Lily, 279 Lenin, Vladimir Uyich, 45 Leningrad Party, 50 Lerner, Abram, 251 Leslie, Alfred, 143,151,157, 240 Lessing, Gotthold Ephraim, 59 Lessing, Theodore, 88 Lewin, Kurt, 88 Le Witten, Yolande, 215, 218 Leymarie, Jean, 215 Library of Congress, 115-17 Lichtenstein, Roy, 260 Lieberman, Alexander, 241 Lieder, Philip, 253, 280, 293-94 Life, 150 "Irascibles" photo in, 148, 149 Pollock feature story in, 110, 111, 140,141,212 Round Table on Modern Art convened by, 107-8 linguistic philosophies, 126 Lipman, Jean, 235 Lippard, Lucy, 263 Lipton, Seymour, 109 Lithuania, 31, 32 "little magazines" 16,46-51,114,126,130,141, 165 symposia organized by, 78, 88-90, 109-10, 117-18,134,178 Lloyd, Frank, 261, 274 Location, 173 Longo, Vincent, 257, 288-89 . Los Angeles County Museum of Art (LACMA), 235, 240-42, 255-56 Louchheim, Aline В., 141, 145 Louis, Morris, 13,180—82, 212, 215, 222-23, 225,226-27,229-31,232, 234,239-40,244, 261-65 INDEX "Louis and Noland" (Greenberg), 222-23, 224 Louis XIY King of France, 135 Louvre, 219 Lowe, Ira, 22, 27 Lowell, Robert, 115 Luce, Henry R., 109 Lukacs, Georg, 56 Lynes, Russell, 113,140,168,244 MacAgy, Douglas, 109, 246 McCarthy, Joseph, 122, 123, 154 McCarthy, Mary, 16,48, 53,61,63, 235-36 McCray, Porter, 195, 211, 218 Macdonald, Dwight, 45, 90 CG and, 51, 53,60-63,65, 72,83,97,166, 167 as PR editor, 48,49, 51-53, 60-63, 73 Macdonald, Nancy, 73,166 McEvilley, Thomas, 300 McKay, Arthur, 241 McKee, David, 27 McMillen, Inc. Gallery, 70-71 McNeil, George, 181 Macula, 305 Macy, Happy and Valentine, 111 Madison Avenue, 296-97 Mad Moon Woman (Pollock), 271 Madonna of the Chair (Raphael), 267-68 Magazine of Art, 109,112,141 Making It (Podhoretz), 112, 206 Malamud, Bernard, 49, 91, 184 Malaquais, Jean, 72 Malevich, Kazimir, 70 Manet, Édouard, 136, 137, 147, 179 Mangan, Sherry, 52 "Manifesto: Towards a Free Revolutionary Art" (Breton and Trotsky), 56 Mann, Thomas, 66,92 Marca-Relli, Conrad, 140,141, 197, 200 Marin, John, 145,147,185 Marlborough Gallery, 27 Marquand School, 38 Marshall, Margaret, 16, 65,68,91, 121 Marshall Plan, 101 Martha Jackson Gallery, 229 Martin Chuzzlewit (Dickens), 43 Marx, Groucho, 81,120 Marx, Karl, 45, 46,49, 60-61, 79,80, 123, 127, 136 Marxism, 45-46,49,54, 55, 60-61,63,81,112, 178, 257 Marxist Quarterly, 55 Masson, André, 104 "Master Léger" (Greenberg), 179 Mathieu, Georges, 85 Matisse (Greenberg), 186 Matisse, Henri, 50, 71, 95-96, 137,148,160, 179,184,217 Matisse, Pierre, 218 Matisse Gallery, 95,96 Matta, Roberto, 104 Matter, Mercedes, 200 Meadmore, Clement, 266 Mehring, Howard, 13,182, 241 Meier-Graefe, Julius, 19, 97 Mellquist, Jerome, 70 Menorah Journal, 91 Metapolitics (Viereck), 66 Metropolitan Museum of Art, 41,107, 247, 251 contemporary art at, 141, 143—44, 148, 210 old masters at, 105,156 Metzger, Edith, 201-2, 203 Meyer, Mary, 249 Michaelson, Annette, 232 Millard, Charles, 250, 251 Miller, Betsy, 221 Miller, Dorothy, 157 Miller, Robert, 221, 270, 272-73 Mills, C.Wright, 80 Milton, John, 134, 135, 137 "Milton Avery" (Greenberg), 208 Milwaukee Journal, 224 Mind's Geography, The (Zabriskie), 66 Miró, Joan, 65, 75, 102, 109,148, 185, 215, 216 Mirvish, David, 273 Mitchell, Joan, 211 Mitchell, Susie, 145 Mizener, Arthur, 49 modern art, 19-21, 49,53-57 CG and, 21,47,57, 108,222 discarded elements of, 193, 215 eclecticism in, 105 French, 20, 95-96 historical lineage of, 137,147 inner experience vs. material world as subject of, 108,133,135 public distaste for, 107, 123,184, 232 sociocultural changes and, 53-56, 111, 118, 127,130,135 urban life vs. nature in, 130 use of space in, 50, 79 "Modernist Painting" (Greenberg), 222 Modigliani, Amedeo, 71 Moffett, Kenworth, 247, 250, 253, 255, 257-58 Moliere, 39,138 Mondrian, Piet, 74, 96,106,137,141,179 Monet, Claude, 185, 193, 216 Montebello, Phillipe de, 246-47 Moore, George, 131 Moore, Marianne, 67 Morandi, Giorgio, 145 Morris, George L. K., 48, 63, 70 Morris, Kyle, 187 Moscow Trials (1936-38), 45,48 Motherwell, Robert, 20, 22, 27, 76-77, 98-99, 109,139,140,143, 155,171-72,193, 220, 240, 256 Frankenthaler and, 152, 200 Mountains and Sea (Frankenthaler), 164,180,181 museum directors, 25, 109,159 Museum of Fine Arts (Boston), 247, 251 Museum of Modern Art (MOMA), 20,41, 78, 101,110, 111, 113,146-47,158,170,184, 195,210,217 Barr and, 104-6, 110, 111, 210-11, 227-28, 231,235 CG's criticism of, 100,104-6,136, 144, 182, 215, 227-28 contemporary acquisitions of, 106, 184, 211 de Kooning's "inclusiveness" talk at, 146-47, 149 Department of Circulating Exhibitions at, 150 Department of Painting and Sculpture at, 28, 84,107,227-28, 251,268 331 INDEX Museum of Modern Art fcont.J major exhibitions of, 54-55,70, 74,95-96, 104,105,150,160,210-11,231 Museum Collections Department of, 227 pluralist philosophy of, 105, 136 Round Table on Modern Art at, 107-8 traveling exhibitions of, 192-93, 211, 212 Mussolini, Benito, 115 Myers, John Bernard, 98,144,155,157,184, 186-87,197-98, 240 Naifeh, Steven, 150-51, 163, 165, 168-69, 174, 200 Namuth, Hans, 148,149-50,170, 237 Nation, 91,159,165 CG's art criticism for, 16,65-71, 74-77,84, 105,108,121,147-48,196 CG's literary criticism for, 25, 66-67, 71, 72, 74, 75, 78,129,132 CG sued by, 122 National Endowment for the Arts, 247 National Gallery of Art, 149, 246 National Gallery of Australia, 210 "Nature of Abstract Art, The" (Schapiro), 55 Nausée, La (Sartre), 52, 94 neo-Expressionism, 297 Neuberger, Roy, 111, 212 Neuberger Museum, 212 Nevelson, Louise, 259 New American Painting, 211 New Art Examiner, 259 "New Baroque, The" (Friedman), 196 New Criterion, 48 New Criticism, 116,126-30 "New Figurative Painting, The" 184 "New Laocoön, The: An Essay on the Confusion of the Arts" (Babbitt), 59 New Leader, 122 Newman, Alfred and Muriel, 235, 251 Newman, Barnett, 20,141-44,146,154,155, 171,175,176, 203,218,250 CG's support of, 161,180,187,193, 216 works and shows of, 141—42, 161, 215, 216, 218, 227, 240 New Masses, 42,43,48,50,165 "Newness of Color" (Greenberg), 209 New Poems: 1940, 66—67 New Republic, 43, 70, 78, 82, 224 Newsweek, 140, 168 New Talent, 225 Newton, Saul, 188,189,194, 235, 248-49, 283, 286-87 New York, 47,58, 290 New York, N.Y., 14,96-97 Bronx, 31,87 Brooklyn, 34-38,40-41,43,44, 87 as center of art world, 19, 21,98,244 East Village in, 24, 247 see also Greenwich Village; New York School New York Boogie Woogie (Mondrian), 74 New Yorker, 44,144,184, 239 New York Herald Tribune, 144 New York Intellectuals, 15,61,68-85,88, 116, CG and, 122,124,139 cultural influence of, 126 pecking order of, 78 332 Southern Agrarians vs., 126-30 New York Intellectuals, The: The Rise and Decline of the Anti-Stalinist Left from the 1930s to the 1980s (Wald), 49-50, 60 New York Painting and Sculpture: 1940-1970, 251 "New York Painting Only Yesterday" (Greenberg), 208, 227 New York School, 19-20,147^18,156,174, 306 New YorkTimes, 24, 27, 55, 57,80,99, 121, 141, 144, 145,180, 184, 187, 203, 211, 226-27, 231-32, 254 New York University, Institute of Fine Arts at, 100, 106 Niebuhr, Reinhold, 49,122 Nietzsche, Friedrich Wilhelm, 86,98-99 Ninth Street Show, 156 Noland, Cornelia Reis, 96, 152, 181—83, 189-90, 249 Noland, Kenneth, 13, 22, 24, 96,162,180-83, 212, 215, 222-23, 230, 232, 239-40, 244 CG and, 14546,181-83,187,189-90, 214, 225, 229, 233, 234, 249-50, 258, 267 Noland, Stephanie, 286 Norman Mackenzie Art Gallery, 135, 245 Norton Simon Museum, 251 Notes Towards a Definition of Culture (Eliot), 78, 176,177,178 Nothing but a Fine-Tooth Comb (Bázelon), 57-58 Nowak, Lionel, 184 Noyes, Alfred, 34 Nude Descending a Staircase (Duchamp), 279 "objective correlative" 138 O'Brian, John, 126 October Revolution (1917), 45 "Ode to a Nightingale" (Keats), 39 Odyssey, The (Homer), 39 Of Human Bondage (Maugham), 34 "Of This Time, Of That Place" (Trilling), 91 O'Hara, Frank, 174, 184 O'Keeffe, Georgia, 96 OK Outfitters, 33-34 Olitski, Jules, 212, 215, 234, 250, 256, 264,267, 269, 280, 291-92,297-98 Olson, Fred, 210 One (Pollock), 210 n "Organized Guilt and Universal Responsibility" (Arendt), 90 Orwell, George, 117 Ossorio, Alfonso, 163, 201-2, 220 Out of This Century (Guggenheim), 69,94 Oxford University, 127, 134,184 PAAR JQQJÇ 210 Painted Word, The (Wolfe), 180-81, 242 painting: color and line in, 130, 215, 216 easel, 69, 216 gesture, 143, 175,222,231 light and dark in, 70, 215, 216 primitive, 66, 95 "pure" 132 stained-color, 224, 229 "window in the wall" 69 Painting as Model (Bois), 306 Pantukhov, Igor, 50 Paris, 19, 52, 60, 71,94, 98,140,150, 219 INDEX Parke-Bernet building, 214 Parker, Raymond, 222—23, 231, 241, 256 Park International Corporation, 219 Parsons, Betty, 141, 142, 212 Partisan Review (PR), 46-63, 78-82, 87,88, 91, 92, 94, 96, 165,184, 205, 230, 235 Advisory Board of, 106 CG as an editor at, 61-63, 66, 68-69, 73-74, 80, 140, 166-67 CG's criticism in, 51, 53-60, 62, 65-66, 75, 78, 100-102,121,131,159-62,168,179, 190, 193-94,197, 216 editorial disagreements at, 61-63, 69, 73 editors and writers of, 48-49, 61-63, 80-81 founding of, 47-48 political and literary values of, 47-50, 79-91, 112-13,115-20, 122,137,140 postwar success of, 73-74, 166-68, 204 rebirth of, 46,48-50 style and humor of, 80-81,84, 86 symposia convened by, 117-18 Partisan View, A (Phillips), 166, 167 "Pasted-Paper Revolution, The" (Greenberg), 208,213 Pater, Walter, 78 Paul Rosenberg Gallery, 70 Pavia, Philip, 139, 140 Payne Whitney Clinic, 206 Pearce, Jane, 188 Pennsylvania, University of, 122 Penny for the Poor, A (Weill and Brecht), 51, 166 Pereira, I. Rice, 70 Peters, Harry T., 66 Phillips, Edna, 97, 187, 188 Phillips, Gifford, 221 Phillips, Gretchen "Gert" 97,187, 188, 200, 218 Phillips, Sidney, 97, 151, 187,188, 200, 208, 218, 286 Phillips, William, 47-48, 60, 61, 69, 73, 78, 79, 84, 94-95,97,112,113 CG and, 65, 94-95,123,151,166-67,187, 188,199-200, 208 on CG, 81-82,199-200 Philosophy of Literary Form, The (Burke), 66 photography, 55, 77 Picasso, Pablo, 71, 95,96, 113, 137, 148, 179, 213 cubism of, 102, 107,123,147, 154, 216 influence of, 75, 77, 102 "Picasso at Seventy-Five" (Greenberg), 208 Pisan Cantos (Pound), 115-18 Plautus, 29 Plaza Hotel, 234, 274 "Plight of Our Culture, The" (Greenberg), 176-78, 190 Podhoretz, Norman, 81, 87, 93, 112, 190, 205, 206-8 Poe, Edgar Allan, 58 poetry: modern, 115-17,127, 132,134,137-38 "pure" 131, 132 seventeenth-century, 134, 135 symbolist, 70 pogroms, 32, 116 Politics, 73, 78, 79, 83,90 Pollock, Jackson, 72-75,85, 98-99,107,142, 145,151 accidental death of, 158, 201-3, 210, 211, 218, 221, 234 alcoholism of, 73,150-51, 163-64,194-95, 200-202, 233 "all-over" compositions of, 217, 242 black-and-white paintings of, 159-60, 162, 218 CG recognition and support of, 20, 75, 76, 77, 102,108,109,110, 111, 139-41,145-46, 148,154,156,158-60,162,171,182,193, 205,214,215,217, 221-22, 233 CG's estrangement from, 162-64, 171, 193-97, 200 cowboy persona of, 110 decline of, 163, 176, 199, 234 de Kooning rivalry with, 140, 141, 146, 150-51,154-55,160,170-72,174 drip and pour techniques of, 110, 146, 150, 156,159,164,170,174,180, 212 East Hampton studio of, 110, 143, 157, 171, 194-97, 200-201, 217 fame and notoriety of, 110-11, 121, 139, 140, 141,144,149-51,154,164,196 film and photographs of, 148, 149-50, 170, 237 generosity of, 201 influence of, 152, 154-55, 156, 164 Krasner and, 71, 158-59, 160, 163-64,171, 173-74,194-97, 200-203, 217-18, 229 market for works of, 210, 212, 213, 218 murals of, 73, 75,143 "one-shot" painting technique of, 162, 164 physical appearance of, 71, 110, 164 return to brush by, 180 return to figuration by, 158,159, 161-63, 164 reviews of, 72, 74-75, 77, 133,147,158-60, 162,180,190, 193-94, 210 shows of, 74-75,159-62, 163-64,180,193, 196,199,210 "Pollock Paints a Picture" (Goodnough), 149-50, 237 Pompidou Center, 246 Pond, Jean, 22, 23 Poons, Larry, 250, 260, 264 pop art, 211, 235, 240, 241,283 Popular Front, 48 Porter, Fairfield, 154, 182 Porter, Katherine Anne, 115 Portfolio, 149 positivism, 95, 96, 128, 131, 137 postcubism, 96, 102, 161, 222—23 Post Painterly Abstraction (PPA), 240-42, 250 poststructuralism, 126 Potter, Jeffrey, 195 Pound, Ezra, 46, 67, 134 anti-Semitism of, 115-17, 128 Bollingen Prize controversy and, 115-19 "practical criticism" 127 Pratt, Leon, 23 "Premises of Action Painting, The" (Rosenberg), 238-39 "Present Prospects of American Painting and Sculpture, The" (Greenberg), 100-102,108, 111-12, 139-11 Preston, Stuart, 180 primitive art, 66,95 333 INDEX Princeton University, 213, 25О Christian Gauss Seminar in Criticism at, 212, 215 Proust, Marcel, 92, 282 Provincetown, Mass., 145, 220 Pulitzer Prize, 27 Purdy, H. Leavitt, 71 Putzel, Howard, 77 "Quality, Style and Olitski" (Bannard), 280 Quality Problem, The (Boice), 280-81 Racine, Jean, 135 Radio City Music Hall, 200 Rahv, Philip, 47-48, 50,51, 54,56, 60-63, 73, 76, 78, 79, 81, 84,88,94,151,166-68,199 on CG, 67, 69 Raphael, 267—68 Rauschenberg, Robert, 145, 211, 239^40 Read, Herbert, 109,237 "Reconsideration of Mondrian's New York Boogie Woogie" (Greenberg), 74 Red Army, 45 Redmond, Roland L., 143 "Reflections on Post Cubist Painting" (Lane), 111 Réflexions sur la question juive (Sartre), 92 Reinhardt, Ad, 143, 259 Reis, Cornelia, see Noland, Cornelia Reis Renaissance art, 55, 77,133,147, 215, 217 "Renaissance of the Little Mag: Review of Accent, Diogenes, Experimental Review, Vice Versa and View" (Greenberg), 62 Republic of Letters, 87,90 Resnick, Milton, 111, 140,154,157 Richards, I. A., 78,127 Rimbaud, Arthur, 63 Ripley, Dwight Dillon, 155,186-87 Rivera, Diego, 56 Rivers, Bob, 289-90 Rivers, Larry, 97,151,155,156,157,158,174, 175,176,184,197-98,211 Robbins, Daniel, 263—64 Robert Elkon Gallery, 252 Rockefeller, Blanchette, 111, 211 Rockwell, Norman, 54, 204 Rodchenko, Alexander, 70 Rodgers, Gaby, 151 Rodman, Seldon, 199 Roosevelt, Franklin Delano, 60,62 Rosahn, Otto, 37,44 Rosahn, Sonia Staff (cousin), 33-34,37-38,44 on CG, 31,34,36,37 Rose, 260 Rose, Barbara, 158-59,174, 247,250-51, 252, 253, 268, 274 Rosenberg, Harold, 17,44-46,49,50,52, 66, 78, 80,81,90,92,126,165-76 CG's rivalry With, 44-45,51,165-71,174-76, 213,222, 231,235-39 cultural criticism of, 44,165, 168-70, 175, 222, 230,235-39,253 de Kooning and, 165,170-73,174-75 market involvement of, 224-25, 239 as New Yorker art critic, 44,239 poetry of, 44,165,168 Rosenberg, May Tabak, 44,168, 224 334 Rosenfeld, Isaac, 88 Roszak, Theodore, 109, 143, 213 Roth, Philip, 89 Rothko, Mark, 20, 98, 107,140, 143, 155,180, 187,193,216, 237 Rouault, Georges, 95 Rovere, Richard, 122 Rubens, Peter Paul, 107, 156 Rubin, Lawrence, 219, 230, 251, 252 Rubin, William, 28, 219, 222-23, 227-28,235, 251,262-63 on CG, 84-85, 228, 234, 247, 266-68, 283-84 Rukeyser, Muriel, 88 Ruskin, John, 28,185 Russell, Rosalind, 200 Russian Revolution, 45, 55,87, 207 Russian suprematists, 70 Ryder, Albert Pinkham, 147 Sackler, Howard, 197, 198, 199 "Sacramento 1935" (Greenberg), 43 Salle, David, 297,302 Salon des Refusés, 148 Samuel, Maurice, 74 Samuels, Spencer, 214-15, 221 Sanders, Ludwig, 241 Sandler, Irving, 142,175, 225, 231, 239 San Francisco Museum of Art, 109 Santiago, Edward, 264-65 Santini Brothers Warehouse, 211, 219, 221, 263, 273 Sarah Lawrence College, 219 Sartre, Jean-Paul, 52, 92, 93, 94, 236 Saturday Evening Post, 56, 222 Saturday Review, 110 Satyńcon, The (Petronius), 39 Saveth, Edward N., 91, 115 Sawyer, Charles, 107 Schapiro, Meyer, 38,49,55,63, 78,100,107, 126, 128,143,155, 225, 255, 267-68 Schapiro, Miriam, 196-97, 225 Schlesinger, Arthur, Jr., 49,122 Schnabel, Julian, 297 Schocken Books, 92 School of Design (Raleigh, N.C.), 245 School of Paris, 95-96,104,146,153 American art contrasted with, 98,100,109, 134,178-79,240 Schwartz, Delmore, 49, 80,82,88,94-95,116, 125 Scott, Tim, 250 Scribner's, 14,16 Scrutiny, 126 Scull, Robert, 211 Scull's Angels, 211 sculpture, 59, 213 abstract, 109 constructivist, 102 Greek, 23, 26 junk, 231 minimalist, 279-80 polychrome steel, 22-29 "Sculpture in Our Time" (Greenberg), 208 Segal, Leonard, 195, 217 Seghers, Anna, 66, 67 Selected Poems (Wheelwright), 67 "Self-Hatred Among Jews" (Lewin), 88 ÍNDEX "Self-Hatred and Jewish Chauvinism: Some Reflections on Positive Jewishness" (Green-berg), 119-20 Seligman &. Co. Gallery, 144 "Seminar" (Greenberg) ,280 Seurat, Georges, 216 Shahn, Ben, 136 Shapiro, Karl, 115,116,117 Shaw, George Bernard, 184, 185 Shelley, Percy Bysshe, 137 Sherman, Cindy, 297 shtetls, 32 Sidney Janis Gallery, 162,163, 180, 193,199 Silone, Ignazio, 52-53 Simon, Norton, 246 Simpson, David, 241 Singer, Isaac Bashevis, 159 "Situation at the Moment, The" (Greenberg), 100,102-3 Sixteen Americans, 231 Sleigh, Sylvia, 248-49 Smith, Candida, 22, 23 Smith, David, 21-30, 98-99,143,154-55, 164, 173,174, 247, 250 CG's recognition and support of, 20, 21-22, 102,109,215,221,255 CG's relationship with, 20-22, 102, 109, 164, 182,214 fatal accident of, 22, 257 polychrome steel sculptures of, 22,23-24, 25-26, 28-30 Smith, Gregory White, 150-51, 163, 165, 168-69, 174, 200 Smith, Rebecca, see Stevens, Rebecca Smith Smith, Tony, 203, 214 Smithson, Robert, 283 Soby, James Thrall, 100, 107, 109, 110, 144 socialism, 32-33,38, 87 Solomon R. Guggenheim Museum, 139, 231-32, 233, 240, 263 Sonnenberg, Ben, 214 "Sonnets" (Shakespeare), 135 Sophocles, 39, 43 Sorbonne, 134 Soulages, Pierre, 85 Southern Agrarians, 126-28,130 Southgate, Patsy, 220 Soviet Union, 45,48, 50, 51,126 Spanish Civil War, 50 Spender, Stephen, 64, 66, 184 Spengler, Oswald, 177 Spinoza, Benedict, 39 Spring Salon, 77 Springtime (Pollock), 201 Stable Gallery, 187,197, 199 Staff, Lily Brodwin (aunt), 31,34,37-38 Staff, Sonia, see Rosahn, Sonia Staff Stafford, Jean, 209 Stalin, Joseph, 45-46, 48, 49,50, 51, 60, 239 art policies of, 55,56, 118, 131 Stalinism, 121-23,144 Stamos, Theodoros, 145 State Department, U.S., 21, 259, 285 "State of American Art, The" 109 Steig, William, 77 Steiner, Michael, 24, 241, 248, 250, 283, 286 St. Elizabeth's Hospital, 116 Stella, Frank, 213, 231, 241, 247, 250, 253, 274 Stengel, Casey, 204 Stevens, Rebecca Smith, 22, 23, 29-30 Stevens, Wallace, 49, 67, 131 Still, Clyfford, 20, 107,143,180,187, 193, 215, 216 St. Louis, 87 Stone, Alan, 271 Storr, Robert, 301,302-3 Strauss, Donald, 259 Stroud, Peter, 264 structuralism, 126 Structure of Art, The (Thurston), 65 Studs Lonigan (Farrell), 45 Subjects of the Artists School, 140, 141,142 Sullivan, Harry Stack, 188 Sullivanian psychotherapy, 188, 286, 290 Sullivan Institute for Research and Psychoanalysis, 188, 286 Summertime (Pollock), 110 Superior Court of New York, 145 surrealism, 20, 44, 76, 83-84, 98, 105, 137, 193 "Surrealist Painting" (Greenberg), 84 Swanson, Gloria, 200 Sweeney, James Johnson, 74-75, 106 Sylvester, David, 147-48 Symphony No. 9 (Beethoven), 138 Syracuse University, 38-39,40, 52, 286 Talent 1950, 143, 155 Talmud, 19 Tamayo, Rufino, 144 Tapi'e, M., 237 Tastemakers, The (Lynes), 113 Tate, Allen, 115, 117 Tate Gallery, 246 Taylor, Francis Henry, 107, 143 "10 Propositions and 8 Errors" (Rahv), 62-63 "10 Propositions on the War" (Greenberg and Macdonald), 62, 69 Tenth Street group, 172, 175, 212, 231 Terminal Iron Works, 22 Thaw, Eugene, 221 Thieves in the Night (Koestler), 115 Thomson, Virgil, 52 Three American Painters: Louis, Noland, Olitski, 135,245 Thurston, Carl, 65 Tibor de Nagy Gallery, 155, 157, 181, 184, 186-87,197, 229 Tillim, Sidney, 124, 222, 288 Time, 27,102, 140,150,168 Times Literary Supplement (TLS), 212 Tin Pan Alley, 56 Titian, 107 Tobey, Mark, 79 Tomiin, Bradley Walker, 98, 106-7 Tom Swift series, 33 Torah, 86, 93, 283 "Towards a Newer Laocoön" (Greenberg), 58-60, 65,69, 131 Tracking the Marvelous (Myers), 98 "Tradition and the Individual Talent" (Eliot), 136 Tradition of the New, The (Rosenberg), 230, 235 Trance Above the Streets (Rosenberg), 168 Tremaine, Burton, 111 335 INDEX Tremaine, Emily, 211 Trilling, Diana, 16, 49, 121 Trilling, Lionel, 38, 49, 90, 91-92,123 Trotsky, Leon, 45-46, 48,49, 50, 54, 56, 60 Trotskyist Party, 49,50, 60-61,87, 118, 122,129 Troy, William, 49 Truants, The (Barrett), 78, 94 Truitt, Anne, 223, 250, 259 Truitt, James, 223-24, 234 "T. S. Eliot: A Book Review" (Greenberg), 129, 132 Tuchman, Maurice, 235, 238, 241, 253-54, 255-56, 278 Turner, J. M.W., 28 12 Americans, 211 Twentieth Century Authors, 185 "Twilight of the Thirties" (Rahv), 56 Two Decades of American Art, 259 Ulysses (Joyce), 41 "Under Forty: American Literature and the Younger Generation of American Jews" 88-90 United States Information Agency (USIA), 222 U.S. Paintings: Some Recent Directions, 187 Utica Museum, 208 Vail, Lawrence, 72-73, 189 Vanderbilt Hotel, 200 Vanguard 1955, 187 Van Home, Vera, 235, 276 Varnedoe, Kirk, 302 Venice Biennale Exhibition: of 1950, 111, 145, 147 of 1954, 186 of 1962, 239-^40, 261 Venturi, Lionello, 133 "Venusberg to Nuremberg" (Greenberg), 66 Veterans Administration, 44, 46 Victoria and Albert Museum, 107 Viereck, Peter, 66 Vietnam War, 247 View, 62, 98, 155 Vogue, 149, 230 Voice of America, Forum Lecture Series of, 222 Vuillard, Edouard, 185 Waddington, Leslie, 219, 247, 252 Waddington, Victor, 219, 252 Wahl, Jean, 83 Wald, Alan M., 49-50, 60 Walker, John, 66, 246 Walker Art Center, 240 Ward, Eleanor, 199 Ward, Joan, 173, 203 War Diary (Malaquais), 72 Warhol, Andy, 260, 279-80, 283 Warren, Robert Penn, 115 Warshow, Robert, 80, 205 Washington, D.C., 152,166,180-83,189-90, 198, 223-24, 241 Washington Color School, 13 Washington Crossingthe Delaware (Rivers), 184 Washington Post, 223-24, 247 Washington Post Company, 234 Washington Star, 224, 271 Washington Workshop Center for the Arts, 181 "Waste Land, The" (Eliot), 57, 115, 134 Watson, Peter, 64 Waugh, Alec, 203 Wayne, John, 151 Weber, Max, 147 Weissbrodt, I. S. "Lefty" 262-63, 273, 277 Weissman, Frederick, 235, 252 Weissman Museum, 252 Welch, Mary de Lorimer, 43 Welles, Orson, 278-79 What Abstract Art Means to Me (de Kooning), 146-47 "What Is Living and What Is Dead?" (Rahv), 60-61 "What Kind of a Day Did You Have" (Bellow), 15 Wheelwright, John, 67 White Horse Tavern, 96 Whitman, Walt, 256 Whitney Annual (1943), 135 Whitney Museum of Art, 109 Wildenstein and Co., 252 Wilkin, Karen, 128 Williams, William Carlos, 67 Wilson, Edmund, 49, 61, 63, 68 Wisconsin, University of, 224 Witkin, Isaac, 288 Wolfe, James, 268-69, 289, 290 Wolfe, Tom, 180-81,242 Wölfflin, Heinrich, 242 Wols, Franz, 208 Woman I (de Kooning), 146, 158 Woman on a Horse (Frankenthaler), 144 Woman series (de Kooning), 146, 153,158, 184 Works Project Administration (WPA), 20, 50, 74,165,166,171 World of Sholom Aleichem, The (Samuel), 74 World War I, 101,212 World War II, 52, 60-64, 69, 72, 87-88, 90, 95, 101, 104,105,107,126 opposition to U.S. involvement in, 60, 61-63 U.S. entry into, 40, 63 Wright, Frank Lloyd, 111, 231 Yale University, 48 CG's delivery of Ryerson Lecture at, 179 School of Fine Arts at, 107 Yeats, W. В., 87 Yiddish, 31,33, 41, 89 Youngerman, Jack, 222-23 Yunkers, Adja, 226—27 Yurevitch, Elena, 69 Zabriskie, George, 66 Zadkine, Ossip, 146 Zionism, 115, 119-20 Zox, Larry, 250 336 |
