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| Katkey: | 7419518 |
| Volltext: | Index Abelard, Peter, n Abstraction, 69-73, 105, 106, 131— 35; geometric, 93; lyrical, 104; medieval, 7; as tool of violence, 89 Absurd, 52—54, . 62, 115-16; 131, 153. 155; escape from, 53. 67, 71, 82, 153, 155; Kitsch an answer to, 82; and loss of reality, 146; suprematism beyond, 67 Academic art, III, 132, 150 Academicism, 31; nineteenth-century, 74, 81, 100 Academy, 23, 134 Academy, French, 24, 25 Academy of Rome, 33 Accident, xii, 58, 115 Action painting, xiv Adam, 6 Addison, Joseph, 40 Advertising, 140 Altdorfer, Albrecht, 41-42, 44, 94 Amiens Cathedral, 9 Analogy, 11-15, 44, 45, 52 Analytic philosophy, xi Anatomy, 5 Antiquity, 23, 28, 31 Apollinaire, Guillaume, 71 Arbitrariness, 58 Architecture, 26, 106 n-, Baroque, 23 ; medieval, 6-15, 23 Aristophanes, 157 Aristotle, 41 Arp, Hans, xii, 58 Art nouveau, 88, 94, 102 Asam, Egid Quirin and Cosmas Damian, 15 Assemblage, 65 Automatisme, xiv Autun Cathedral, 8, 9 Bad faith, xii, 156, 157 Baldwin, James, 86 Ball, Hugo, 64 Bamberg Book of Pericopes, 7 Bamberg Cathedral, 10 Baroque, xiv, 23, 25, 26 Baudelaire, Charles, 63, 71, 73 Baumgarten, Alexander Gottlieb, 18-21, 32 Beardsley, Aubrey, 62 Beauty: Burke on, 38; Christian conception of, 6-15; Du Bos on, 22; geometric, 5; Hume on, 24; Leibniz on, 22; Lipps on, 69; medieval conception of, 4, 10, 15; Neo-Platonic conception of, 6; Novalis on, 51 ; Platonic conception of, 3-5; rationalist definition of, 19; sensuousness and, 4, 5 Benn, Gottfried, 61, 62, 145 [161] l62 / INDEX Bernini, Giovanni Lorenzo, 15 Blaue Reiter, Der, 100, 101, 103, 115, 12.2, Böcklin, Arnold, 81, 93 Body, 5. 6, 45, 93. 97, i24; Schopenhauer's conception of, 95-96; as source of shame, 84— 86, 87 Boileau, Nicolas, 22 Boredom, 52, 55, 155; defeated by art, 56, 59, 60; defeated by Kitsch, 80, 81 Borromini, Francesco, 15 Bosch, Hieronymus, 93 Bouguereau, Adolphe William, 75, 81, 144 Bouhours, Dominique, 22 Braque, Georges, 71, 72, 100 Breker, Arno, 151 Breton, André, 122 Broch, Hermann, 81 Bruegel, Pieter, 42-45 Bullough, Edward, 77, 78, 80 Burke, Edmund, 38-41, 69 Cabanel, Alexandre, 78, 79 Cage, John, 58 Campbell, Colin, 29 Camus, Albert, 52, 53, 67, 97, 100 Canaday, John, 59, 75, 76, 78, i16-17, 135-36 Canova, Antonio, 36 Carstens, Asmus Jacob, 36 Ceremonial, 23 Cézanne, Paul, 64, 72 Childhood, idealization of, xlv, 109, 132, 134 Chirico, Giorgio de, 136 Choice, xii, 3 Church: Baroque, 25; medieval, 6-15 City of God, 6-11, 52 Clarity, extensive and intensive, 19, 21 Clark, Kenneth, 84 Classic art, Read on, 123, 127 Cliché, 64, 79, 133, 140 Colbert, Jean Baptiste, 24 Color, 102, 105, 107 Combine painting, 142—43 Constructivism, 91, 100, 101, 103 Contrast, 30, 31, 35, 36, 44 Corvey, Abbey Church at, 7 Counter-ideal, 8, 92, 95 Courbet, Gustave, 144 Cravan, Arthur, 64 Cubism, 64, 89, 91, X02 Dada, 61, 64, 65 Dali, Salvador, 82, 93, 116 Darwin, Charles, 95 Daumier, Honoré, 145, 147 David, Jacques Louis, 34-35 De Kooning, Willem, 89 De Piles, Roger, 24 Death, 52, 101, 154 Decomposition, 63 Deformation, 63, 70 Dehumanization, 63, 70 Delaunay, Robert, 102 Denis the Carthusian, 8 Derealization, 63, 73 Descartes, René, 17, 22, 23, 24, 40 Devil, 13 Dionysius, the Pseudo-Areopagite, IO-II Distance, psychical, 63, 77-80, 81, 144, 149 Doodles, 60 Doré, Gustave, 88, 89 Dostoevsky, Fyodor, 117 Du Bos, Abbé, 22 Duchamp, Marcel, 58, 59, 65, 141, 155 Eakins, Thomas, 144 Eber, Elk, 151 Ec-centricity, 14, 25 Eckhart, Meister, 12, 14 Egbert Codex, 7 Empathy, 69 Ernst, Max, xii, xiv, 112, 116 Evil, 7, 62 Existentialism, xi Expressionism, 103, 104, no Fall of man, 6, 84, 96 Feininger, Andreas, III Feininger, Lyonel, 71, 72, 93 Fernow, Carl Ludwig, 38 Fischer von Erlach, Johann, 25 Florence, В oboli Gardens, 25 Index / 163 Frame, 41 Freedom, xii, 106, 113, 148, i55. 159; denied by Kitsch, 149; idealization of, 57 58, 66; Klee on, ni; leads to silence, 155— 56; Malevich on, 67; of modern artist, xiv, 82, Reinhardt's formula for, 108; Sartre on, xiii n, 92; search for, in modem art, 53-54, 56, 63, 64, 65, 66, 71, 106, 153; spontaneity and, 68, 107, 121, 123; sublime and, 40; surrealism and, 117; taste and, 23 Freising Cathedral, 9 Freud, Sigmund, xi, 70, 95, 119, 122-24, 126-29 Friedrich, Casper David, 36, 37, 39, 44 Fundamental project, xiii, xiii ri, 87, 9° Futurism, 102 Genet, Jean, 64 Genius, 22, 137-38 Geometric abstraction, 69, 72, 73, 93, 104, 105, 107, 108; in art nouveau, 88; in medieval art, 7 Geometry, Plato on, 5 Gislebertus, sculptor of Autun, 8, 9 God: and analogy, 12, 13; artist imitates, 20, 71; and bad faith, 157; and Baroque view of man, 26; created man in his image, 21, 26, 37, 95; death of, 52, 87, 114, 147, 153, 159; freedom replaces, 54, 56, 155; as goal of fundamental project, xiiin, 85, 92; Hölderlin on, 30; infinite, 12, 52; language inadequate to, 12; as measure of man, 17, 154; and medieval conception of beauty, 6-15; nature replaces, 27; numinous, 37; and pride, 84. 85; pseudo-ideals take place of, 150; representation of, in modern art, 94; romantic conception of, 52; Shaftesbury on, 27; subject replaces, 50; as theme of the world, 20 n; unknown, 159 Gold background, 7, 13 Gothic, xiv; art and architecture, 9-15. 23 Goya, Francisco, 89, 145, 147 Grácián, Baltasar, 21 Gris, Juan, 71 Grosz, George, 82 Grünewald, Matthias, 93 Heavenly Jerusalem. See City of God Hegel, Georg Wilhelm Friedrich, 123 Heidegger, Martin, xin, 90, 139, 141 Hell, 89 Hermetism, 66, 67 Hesse, Hermann, 114-16, 127 Hitler, Adolf, 149, 150, 151 Hobbema, Meindert, 16, 17, 20, 39, 72 Hölderlin, Friedrich, 30, 31, 35 Holy, 68, 115 Honesty, in art, 75, 83, 156, 157, 159 Horizon, 41, 43 Hugo, Valentine, 93 Hume, David, 24 Huysmans, Joris Karl, 88 Ideal: Christian, 6; of classicism, 28, 31; and counter-ideal, 8, 28, 31 ; and fundamental project, xiii; Platonic, 3, 5, 96; and pseudo-ideal, 23 Ideal image of man, xiii, 8, 45, 95 Idealization, 17, 63, 145, 151 Ideas, abstract, 33 Imago Dei, 25, 37, 52, 148 Imitation, 4, 6-14 Immediacy, search for, 53, 95-108, 109, 116, 131, 149, 153, 159 Impressionism, 100, 102 Infinite: desire for the, 52; and finite, 13, 44, 51 ; freedom, 40; God, 12, 52; landscape, 37; and late medieval art, 13; Novalis on, 51; resignation, 52; and unconscious, 127; whole, 50, 51 Insanity, 118, 130 l6ą / INDEX Inspiration, xii, 22, 23, 71, III, 112, 113 Intention, xii, 112-13, 120 Interesting, 54-60, 141 Irony, 53, 54, i27 Jarry, Alfred, 64 Jesus Christ, 8, 9, 13 Jones, Inigo, 29 Jung, Carl Gustav, xi, 119, 122, 123, 129-30 Kandinsky, Wassily, 68, 70, 81, 103-6, 106 n; on new realism, 131-37, 139, 144 Kant, Immanuel, 56, 70, 121, 125; on sublime, 40, 41 Keats, John, 29 Kerényi, Karl, 122 Kerman, Joseph, 75, 76, 77, 79 Kierkegaard, S0ren: on aesthetic life, 52-60, 62; on Kitsch, 80, 81, 82; on man's situation, 128; on Socrates, 157 Kitsch, 74-83, 110, 128, 156-59; abstract, 82; clichés in, 133, 140; realism and, 149-52, surrealism and, 116 Klee, Paul: on modern art, xii, xiv, 101-2, 103, 110-13, 121, 126; relation to Kitsch, 81 Klimt, Gustav, 88 Kokoschka, Oskar, 63 Kollwitz, Käthe, 145 Landscape, 36, 41, 72, 134 Language, 12, 71, 139-40, 141 Lautréamont, Isidore Ducasse, Comte de, 116 Le Brun, Charles, 24 Léger, Fernand, 71, 72 Leibi, Wilhelm, 144 Leibniz, Gottfried Wilhelm, 18, 22, 23 Lessing, Gotthold Ephraim, 32 Lichtenstein, Roy, 140 Light, 10, II, 16 Limburg Cathedral, 9 Lipps, Theodor, 69 Logic, 23, 125, 126 Louis XIV, 24 Lukács, Georg, 146-47. 148, 149 Magritte, René, 116-17 Malevich, Kasimir, 67-68, 94, 103, 107, 155 Mallarmé, Stéphane, 67 Manet, Edouard, 78, 79, 135 Marc, Franz, 98-102, 103, 109, no, 154 Maritain, Jacques, 13, 64 Marxism, xi, 128, 146, 147 Mary, the Virgin, 9 Masereel, Frans, 88, 89 Masochism, 123 Medieval art, 6—15 Mendelssohn, Moses, 21 Mengs, Anton Raphael, 33 Michelangelo, 105 Mondrian, Piet, 5, 94, 106 n Móntale, Eugenio, 66 Moore, Henry, 129 Moreau, Gustave, 87-88 Munch, Edvard, 88 Naked, nude, 84, 88 Napoleon, 44 Nature, xii, 5, 17, 20, 72, 99; and abstraction, 102, 103, 104; artist to create as part of, 110, 112; and English park, 27, 28; and medieval art, 7, 13; subjugated by modern art, 71, 91; and sublime, 38, 39, 41 Neo-Dada, 65 Neo-Platonism, 6 Nicolaus Cusanus, 12, 13 Nietzsche, Friedrich, 82, 83, 122, 125, 128, 137, 153, 156, 158 Nihilism, 52-58, 69, 153. I56. 159; Poetic, 61 Novalis (Friedrich von Hardenberg), 51-52, 71, ИЗ Novelty, 60 Numinous, 37, 127 Objectivity, 131, 137, 139 Obscene, 86, 90, 91, 92 Occasion, 54-58, 59, 79, 81, "° Opalescence, 93 Organic, 5, 72, 90-91, 93 Index / 165 Origin, return to the, 97. I09 IIO 117, 124, 126 Otto, Rudolf, 37 Paderborn Cathedral, 7 Palladio, Andrea, 29 Paradise: Christian view of, 6; Kitsch as substitute for, 82, no; search for, in modern art, xiv, 97, 100 Paris Cathedral (Notre-Dame), 9 Park: English, 26-27; French, 25- 26, 27 Perfection, 19, 20 Perspective, 13, 16-17, 41-45, 64 Pheidias, 4 Phenomenology, xi Picasso, Pablo, 60, 71, 72; Guernica, 119-21, 123; portraits, 63, 89 Pigage, Nicolas de, 28 Piranesi, Giovanni Battista, 29, 31, 36 Plato: on artist, 4, 5; on beauty, 3, 4, 5, 51, 58; on body, 5, 96; on the forms, 4, 32, 70; Ion, 4, 121; on love, 3, 51 ; on man, 3, 96; myths of, 119; Phaedo, 154; Philebus, 5; Read on, 123; Republic, 4; Socrates and, 157; Symposium, 3 Platonic-Christian tradition, 127, 150, 154, 156; conception of man, xi n, xiii, 95, 96 Platonism, Cartesian, 32 Play: aesthetic, 54, 57; art like, 115; in Hesse, 115-16; in Novalis, 51, 113-14 Plotinus, 4, 5, 34 Poe, Edgar Allan, 71 Pollock, Jackson, 113 Pop art, 65, 140, 141 Portraits, 33, 63, 89, 134 Pride, 84-86, 90, gr, 92, 97, 148 Primitive art, 134 Propaganda, 150 Pseudo-Ideal, 23, 150, 156 Quasimodo, Salvatore, 66 Raphael, 25 Rauschenberg, Robert, 142 Read, Herbert, xi, xiv, 104-5, H9- 30, 134 Ready-made, 65 Realism, 61, 62, 144-46, 159; and Kitsch, 152; new, 129-43, 146; nineteenth-century, 100 Reformation, 13, 14 Rehder, Helmut, 36 Rehm, Walter, 114 Reims Cathedral, g, 10 Reinhardt, Ad, 107-8 Rembrandt, 25 Renaissance, xiv, 14, 16, 17, 21, 25 Renoir, Auguste, 88 Representation: in medieval art, 10, 11-14; in modern art, 132, 135, 142 Richter, Hans, 61, 65 Richter, Jean Paul, 61 Roethel, Hans Konrad, 109 Romanesque, xiv, 6-9 Romantic, 36, 61, 123, 125, 127 Rops, Félicien, 62, 88 Rossetti, Dante Gabriel, 55 Rousseau, Henri, 135-36 Rousseau, Jean-Jacques, 38 Ruin, 27, 28 Rules, 22, 23, 26 Sadism, 88, 89, 123 Saint Augustine, 6, 10, 84-86 St. Denis, Abbey of, 10 Saint John, 10 Salome, 87 Salzburg, Franciscan Church in, 14. 15 Sartre, Jean-Paul, on fundamental project, xiii n, 87, 90; on look, 49-50; on shame, 85-86, 87, 90; on the slimy, 91-92; on woman, 86, 87 Saussure, Horace de, 38 Schopenhauer, Arthur, 102, 129, 154; on architecture, 106 n; on art, 121, 130, 137-38, 139-40, 142; on the Idea, 98; on man, 95-97. 122, 124, 125; on music, l66 / INDEX 104; on sympathy, 99; on the will, 106 Schiller, Friedrich, 49-51 Schlegel, Friedrich, 44, 59 Schneider, Daniel, 70 Schoenberg, Arnold, 81 Schwetzingen, park at, 27, 28, 35 Sckell, Friedrich Ludwig von, 28 Scribe, Eugène, 80 Sedlmayr, Hans, 56, 60, 117, 147- 49 Sentimentality, 81 Sex, 39, 86, 88, 96 Shaftesbury, Anthony Ashley Cooper, the Third Earl of, 22, 23, 27 Shame, 84-87, 90 Silence, 66, 67, 107, 155-56 Simson, Otto von, 10, 11 Sin, 7, 129 Slimy, 91-94, 116 Socrates, 157 Spontaneity, xi, 97, 110-13, 121, 123, 124 Stained-glass window, 10-11 Still life, 138, 142 Strauss, Richard, 75, 76, 79 Stuck, Franz, von, 88 Subjectivism, 12, 44, 53, 70, 149 Sublime, 36-45, 55, 69; negative, 45; positive, 45 Suger, Abbot, 10-11 Suprematism, 67-69, 91 Surrealism, xii, 112, 116-18, 122, 125, 128 Swift, Jonathan, 73 Sympathy, 99, xoi Tachisme, xiv Taste, 19-24 Tchelitchew, Pavel, 92-93 Thorak, Joseph, 151 Thorvaldsen, Bertel, 36 Tiepolo, Giovanni Battista, 34 Time: art an escape from, 72, 105, 138; and classicism, 28-32, 35; and medieval art, 7; Plato on, 3; as source of guilt, 90 Tinguely, Jean, 58 Turner, William, 44 Tzara, Tristan, 65 Unconscious, 71, 95, 119-30, 134 Ungaretti, Giuseppe, 66, 67 Unity, of work of art, 14, 16, 19, 20, 27, 41 Valéry, Paul, 70, 71 Venus, 32 Vermeer, Jan, 72 Versailles, 22, 25 Waldmüller, Ferdinand, 144 Warhol, Andy, 142 Webb, Daniel, 33, 34 Weltenburg, Abbey church at, 15 Wilde, Oscar, 88 Winckelmann, Johann Joachim, 29, 31, 32 Wolff, Christian, 18 Wols (Alfred Otto Wolfgang Schulz), 93-94 Worringer, Wilhelm, 69, 70, 105, 106, 106 n Yeats, William Butler, 66 Zeitler, Rudolf, 36 Zen Buddhism, 1x6, 118 Zeus, 4 Ziegler, Adolf, 151 |
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