| Volltext: | Index ABC art. See Minimalism Abstract and Surrealist Art in America (Janis), 5 2 Ab s t r a c t art, 75-84; American A b s t r a c t A r t i s t s g r o u p , 1 9 — 2 0 , 1 2 3 , 2 1 2 - 1 3 ; American art, 7 5 , 2 1 2 - 1 7 ; crisis of, 1 7 6 - 8 1 ; experience of, 118—19; Painterly A b s t r a c t i o n , 1 7 9 - 8 1 , 1 9 2 - 9 7 ; p a i n t i n g , 5 6 , 7 5 - 8 4 , 8 7 , 9 7 , 1 5 4 - 6 5 , 1 7 6 - 8 1 , 2 1 2 - 1 6 , 266; painting in Prairie Canada, 1 5 4 — 6 5 ; s c u l p t u r e , 7 5 - 8 4 , 205-8, 216-17, 250-56; writi n g o n , 1 3 5 - 4 4 , 1 4 5 - 4 9 . 1 7 8 A b s t r a c t E x p r e s s i o n i s m , 1 2 1 — 3 4 , 2 1 3 — 1 6 ; air of unrest of, 3 1 3 ; as a v a n t - g a r d e , 2 6 2 - 6 4 , 2 9 4 , 296-98, 301-2; and crisis in abstract painting, 177-78; and Cubism, 121—23, 126—29; and d e Kooning, 1 2 2 — 2 6 , 1 2 8 — 2 9 , 133, 214; and economic advers i t y , 2 8 1 ; a n d Gorky, 1 2 2 - 2 4 , 1 3 3 , 2 1 3 - 1 4 ; o f G o t t l i e b , 3 7 ; a n d Hofmann, 7 1 - 7 2 , 1 2 2 , 1 2 4 , 1 2 8 ; of Jackson, 1 0 0 - 1 0 1 ; and Janis, 52 — 53; and Kline, 1 2 5 , 1 2 8 , 1 3 3 , 1 9 5 , 2 1 4 ; and Monet, 11; and Newman, I29~33 z95. 214, 297; and New York painting, 22—24; and P a i n t e r l y A b s t r a c t i o n , 1 9 2 - 9 5 , 197; and Picasso, 35, 239; and P o l l o c k , 1 2 2 — 2 4 , i 2 8 , 2 1 3 - 1 4 ; and Rothko, 129—33, *95 213; sculpture influenced by, 250-51, 255-56; and Still, 129-33, 195, 213 — 14; and T u r n e r , 2 3 0 Action painting, 1 3 6 — 4 2 , 1 4 6 - 4 9 , 1 7 8 , 1 9 3 "Action Painting" (Rosenberg), 1 3 6 - 4 2 , 1 4 7 - 4 9 Aesthetics as the Science of Expression (Croce), 3 0 8 "Agrícola" ser i e s ( S m i t h ) , 1 8 9 A l b e r t i , L e o n - B a t t i s t a , 9 0 A l e c h i n s k y , P i e r r e , 2 8 6 Alloway, Lawrence, 1 3 7 - 4 3 , 1 4 5 - 4 8 Alma-Tadema, Sir Lawrence, 2 8 1 American Abstract Artists group, 1 9 - 2 0 , 1 2 3 , 2 1 2 — 1 3 American Abstract Expressionists and Imagists (exhibition), 2 1 0 American a r t : a b s t r a c t a r t , 7 5 , 212 — 17; abstract painting, 212-16; abstract sculpture, 216-17; American Abstract A r t i s t s g r o u p , 1 9 — 2 0 , 1 2 3 , 212-13; American Scene movement, 39, 263; and Avery, 39—40; Greenbergs support o f , г 1 5 - 1 6 ; a n d Hofmann, 6 7 , 7 3 ; l a n d s c a p e p a i n t i n g , 1 6 7 ; New York p a i n t i n g , 1 9 — 2 6 , 9 5 , 1 0 9 , 1 2 1 — 2 4 , 1 2 8 — 2 9 , 1 5 7 , 2 1 2 - 1 3 , 3 ° 3 - 5 " . p a i n t i n g , 9 4 , 212 — 16, 306; postwar breakthrough, 303—6; sculpture, 216—17, 280-81, 305; writing on, 1 3 5 - 4 4 . 1 4 5 - 4 9 American Scene movement, 3 9 , 2 6 3 Anatomy, An (Picasso), 2 3 5 Anderson, L e n n a r t , 1 8 2 A n d r e , C a r l , 2 5 6 Andrea del Sarto, 197—202; Birth of the Virgin, 1 9 9 Angelina ( M a n e t ) , 2 4 0 A n g l i s s , George, 1 6 3 A n n e s l e y , D a v i d , 2 7 7 A p o l l i n a i r e , Guillaume, 1 4 3 A p p e l , K a r e l : Femme, 2 8 6 A . R . a t O b e r l i n N 0 . 5 ( D i n e ) , 2 8 6 A r m i t a g e , Kenneth, 2 7 7 A r n o l d , Matthew, 2 7 8 327 Aronson, David, 165 Arp, Jean, 57, 65, 67 Art and Culture (Greenberg), 1 1 5 - 1 7 Art and Illusion (Gombrich), 257 Artforum (magazine), 218, 239, 244, 254П, 272, 274, 276, 288 Art in America (magazine), 188, 217, 228 Art informel. See Informel painting Art Institute of Chicago, 22 Art International (magazine), 100, 134, 142, 209, 211, 212 Artist and His Model (Matisse), 220 Artist and His Model (Picasso), 238 Art News (magazine), 26, 100, 112, 136, 155, 209, 282 Art News Annual, x 1 Art of This Century Gallery, 45. 2I3 Arts Magazine, 14, 35, 44, 61, 106, 202, 282, 290 Arts Students League, 45, 245 Arts Yearbook, 181, 208 Art writing, 135-44, I45_49 178 Assemblage, 217, 252-54, 256, 262, 281, 288, 294 Atelier Table with White Vase (Hofmann), 24 Atget, Eugène-Auguste: A Vision of Paris, 183-87 Atmospheric art, 300 Automatic painting, 149 Avant-garde, 259-65, 281, 292-303 Avery, Milton, 306; Brook Bathers, 25; essay on, 39-44; and French Modernism, 167; Greenberg on, 182; and Newman and Rothko, 130; and New York painting, 24-25, 213; Poetry Reading, 41 Bach, Johann Sebastian, 77, 269 Bachelard, Gaston, 3 Bacon, Francis, 207, 278-79, 282, 287 Baltimore Museum of Art, 40 Balzac, Honoré de, 6 Bannard, Darby, 254П, 256 Bar at the Folies-Bergère (Manet), 244 Barnet, Will, 162-63 Barr, Alfred, 2 0 , 1 0 7 B a r r y , D o u g l a s , 1 6 9 B a r r y , J a m e s , 2 7 9 B a s t i e n - L e p a g e , J u l e s , 1 3 4 , 2 8 2 B a t e s , Maxwell, 1 6 3 , 1 6 8 B a t h e r s ( C é z a n n e ) , 1 1 B a t h e r s b y a R i v e r ( M a t i s s e ) , 2 2 B a u d e l a i r e , C h a r l e s , 8 3 Bauhaus, 1 9 1 , 1 9 3 , 1 9 6 B a x t e r , I a i n , 1 6 3 B a z i o t e s , W i l l i a m , 5 3 , 1 2 2 , 2 1 3 - 1 4 Becca (S m i t h ) , 2 2 7 B e c k e r , Helmut, 1 7 3 Bennington ( C a r o ) , 2 0 7 Bennington C o l l e g e , 4 5 , 1 5 0 - 5 1 , 2 0 7 , 2 2 5 Benton, Thomas H a r t , 4 5 , 1 0 9 , 245 Bergman, H. E., 1 7 1 Ber n i n i , Gian L o r e n z o , 5 7 Biederman, C h a r l e s , 1 7 4 Birth of the Virgin (Andrea del Sarto), 1 9 9 Bisch o f f , E l m e r , 1 2 6 , 1 8 2 , 2 1 4 B l a d e n , R o n a l d , 2 5 6 B l a k e , P e t e r , 2 8 1 B l a k e , W i l l i a m , 2 5 B l o d g e t t , S t a n f o r d E . , 1 6 3 B l o o r e , R o n a l d , 1 5 5 - 5 8 B l u e V e n i c e ( M a n e t ) , 2 4 4 Boldini, Giovanni, 179 Bolotowsky, I l y a , 1 2 2 , 2 1 2 Bolshevism, 3 1 2 B o l u s , M i c h a e l , 2 7 7 Bon Bock ( M a n e t ) , 2 4 4 B o n l i , H e n r y , 1 5 9 , 1 7 0 Bonnard, Pierre: as avant-garde, 296; and Eyte, 167; and Hofmann, 122; and Monet, 4; Poll o c k compared t o , 1 1 1 Bonnefoy, Y v e s , 1 7 6 Bontecou, 2 8 5 Booth, Sophia Caroline, 2 3 3 - 3 4 Borduas, Paul-Emile, 157-58, 106 B o r g e n i c h t s ( g a l l e r y ) , 4 1 B o r n s t e i n , E l i , 1 7 4 Bosch, Hieronymus, 102—4, 106; S t . A n t h o n y , X 0 6 Bo u c h e r , F r a n ç o i s , 2 3 1 Boudin, Eugène, 2 4 4 Bouguereau, William-Adolphe, 1 3 4 , 2 8 1 328 bouquet (Hofmann), 71 Bourdelle, Antoine, 57 Boutai, Pauline, 167 Brancusi, Constantin, 57 — 58, 308 Braque, Georges, 308; as abstract artist, 121; collages of, 58, 61-65; bruit bowl, 63; Gom-brich on, 257; and Hofmann, 70; and Johns, 126; and Manet, 243; Man with a Guitar, 62; and New York painting, 21, 53; old masters compared to, 82; and Picasso, 27, 34; Pollock compared to, no; Still-Life with Violin and Palette, 62 Bresdin, Rodolphe, 15 British art, 25, 277 broadway Boogie-Woogie (Mondrian), 14 brook bathers (Avery), 25 Brooks, James, 214 Brown, Annora, 168 Brownridge, William, 163 Bruce, Robert, 164 Brueghel, Pieter, 104 bullfight (Picasso), 29 Burke, Edmund, 279 Burlin, Paul, 24 burning Stain (Louis), 2x0 burst (Gottlieb), 37 — 38, 160 Bush, Jack, 157, 166 Butler, Reg, 277 Cahiers d'Art (magazine), 20 Caillois, Roger, 176 Calcutta, 306 Calder, Alexander, 172, 206, 216 Calgary: abstract painting, 161-63; landscape painting, 168—70; sculpture, 172 Calgary Allied Arts Council, 162, 168 Calgary Arts Centre, 166 Camus, Albert, 138 Canada: Louis, Noland, and Olitski show, 149—50; painting in Prairie Canada, 153—172; Saskatchewan, 149—50, 217—18; sculpture in Prairie Canada, I72—75 Canadian Art (magazine), 153 — 54, 175 Canadian Art Galleries, 161, 168 Carles, Arthur, 24, 53 Carleton, Edith, 168 Caro, Anthony: bennington, 207; and British sculpture, 277, 279, 289; essay on, 205—8; far-out sculpture, 255; Sculpture Two, 206; and Smith, 225; Titan, 207 Carr, Emily, 166 Carrier-Bresson, Henri, 187 Cassou, Jean, 176 Cathedral (Pollock), 246 Cavallon, Giorgio, 24, 122, 212 Cézanne, Paul: acceptance of, 260; attacks on, 75; as Avant-Garde, 295; bathers, 11; and British art, 25; and Cowley, 170; Feininger compared to, 186; and Manet, 240, 243; and Modernist, 87, 89; and Mondrian, 13 — 14; and Monet, 4-8, 10—11; naked priming, 221; on painting materials, 279; and Picasso, 29; and Pollock, 247; watercolor approach to oil, 151 Chadwick, Lynn, 277 Chagall, Marc, 53; Chagall (Ven-turi) and Chagall's Illustrations for the bible (Schapiro), 15-18 Chagall (Venturi), 15 — 18 Chagall's Illustrations for the bible (Schapiro), 15-18 Chappelle, Margaret, 169 Chamel House (Picasso), 235—37 Chastel, André, 176 Chicago, 164, 306; Art Institute, 22 Chillida, Eduardo, 277 Chimneys at Vallauris (Picasso), 31 Chivers, Denise, 167 Christensen, Ethel, 160 Christy, Howard Chandler, 79 Chrysler, Walter P., Jr., 3, 235 Chumley, John, 182 Cimabue, 89 Clark, Kevin, 167 Classicism, 295 Coates, Robert, 123 Collage, 61—66, 208, 216, 224 Color Field, 294 Commentary (magazine), 18 Composition (Tobey), 285 Computer art, 294 Conjurer (Hofmann), 71 З29 Glarner, Fritz, 1 2 2 , 2 1 2 G l y d e , H . G . , 1 6 9 Godwin, T e d , 1 5 6 - 5 8 G o e t h e , Johann Wolfgang v o n , 3 1 1 Gold w a t e r , R o b e r t , 1 4 3 , 1 4 5 , 2 7 0 , 2 7 4 - 7 6 Gombrich, E. H., 2 7 5 ; Art and Illusion, 257; Norm and Form, 257-59 Gonzalez, Julio, 5 8 , 6 4 , 2 0 5 , 2 3 5 Goossen, E . C . , 1 3 1 , 1 5 5 , 2 1 1 Gorky, Arshile: and Abstract Exp r e s s i o n i s m , 1 2 2 - 2 4 , 1 3 3 , 213-14; as "action" painter, 141; and Godwin, 158-59; and Greenberg, 115; Hofmann comp a r e d t o , 7 2 ; a n d J a n i s , 5 2 - 5 3 ; and Leathers, 164; and New York p a i n t i n g , 1 9 - 2 0 , 2 2 - 2 3 , 26; and Picasso, 237; and Poll o c k , 1 1 3 , 2 4 9 Gottlieb, Adolph: Bennington College exhibition, 150; Burst, 37-38, 160; and Canadian painters, 160-61; exhibition of, 36-39; and Janis, 53; and New York painting, 23, 213; painterli-ness of, 129, 195; "pictographs" o f , 3 3 П , 3 6 - 3 7 Goya, F r a n c i s c o , 1 5 , 2 3 2 G r a f f , L e s , 1 6 0 Graham, John: and New York painting, 19, 22, 24, 26; and P o l l o c k , 4 5 , 1 1 3 G r a n l u n d , P a u l , 1 8 2 G r a n t G a l l e r y , 1 6 4 "Great Wall of China" (Kafka), 4 8 - 5 2 Greene, Balcomb, 1 2 2 , 2 1 2 G r e e n e , G e r t r u d e , 1 2 2 G r i s , J u a n , 2 i , 6 5 - 6 6 Group o f S e v e n , 1 6 6 , 1 7 1 Guernica ( P i c a s s o ) , 3 1 - 3 2 , 2 3 5 - 3 7 Guggenheim, Peggy: Art of This Century Gallery, 45, 213; and Hofmann, 23, 69; Janis comp a r e d t o , 5 3 ; a n d P o l l o c k , 4 5 , 47, 113. 46-47 Guggenheim International Exhibit i o n , 2 7 7 Guggenheim (Solomon) Museum, 2 2 , 2 0 9 — 1 0 Guillaud i n , E m i l e , 2 4 4 Guston, Philip, 4 5 , 5 3 , 1 2 4 , 1 5 8 , 2 1 4 , 2 5 1 Gypsy with a Cigarette ( M a n e t ) , 2 4 0 Hamilton, Lady Betty, 2 3 1 Hard Edge a r t , 2 9 4 H a r n e t t , William M i c h a e l , 1 2 6 H a r t l e y , Marsden, 2 5 , 4 0 — 4 2 , 94. 1 6 7 Härtung , H a n s , 1 2 5 Haydon, Benjamin R o b e r t , 2 0 7 , 2 7 9 Hayez, F r a n c e s c o , 2 6 6 Haynes, D o u g l a s , 1 6 0 H a z l e t t , S a l l y , 2 5 1 Head, B r u c e , 1 6 4 H e i d e g g e r , M a r t i n , 1 3 6 Hemingway, E r n e s t , 2 7 5 H e r o n , P a t r i c k , 1 3 9 , 1 4 7 , 2 8 0 H e s s , Thomas В . , 1 1 5 —17 H i c k l i n , B a r b a r a R o e , 1 6 9 H i l t o n , R o g e r , 2 8 0 Hockney, D a v i d , 2 8 1 Hofmann, Hans, 308; and Abstract E x p r e s s i o n i s m , 7 1 - 7 2 , 1 2 2 , 124, 128; Atelier Table with White Vase, 24; Bouquet, 71; Conj u r e r , 7 1 ; d r i p p a i n t i n g o f , 1 1 1 ; Effervescence, 70, 74; emphasis on t h e v i s u a l , 9 8 ; e s s a y o n , 6 7 — 7 3 ; exhibition of, 73—74; Fairy Tale, 70; Flowering Desert, у i', Те Gilo-tin, 71; and Greenberg, 116; in G r e e n b e r g ' s c o l l e c t i o n , i 8 2 n ; Homage to Howard Putzel, 70; and Jackson, 101; and Janis, 53; and New York p a i n t i n g , 1 9 — 2 4 , 2 6 , 212-13, 304; painterliness of, 1 9 3 ; P o l l o c k compared t o , 2 4 9 ; The P r e y , 7 2 ; Summer G l o r y , 7 1 ; Undulating Expanse, 7 2 H o l b e i n , H a n s , 1 0 2 Homage to Howard Putzel (Hofmann), 70 Homer, Winslow, 9 4 , 2 4 3 , 300 Hope, Henry R . , 6 2 Hopper, Edward, 1 8 2 Horizon ( L o n d o n ) , 1 1 6 H o s i a s s o n , P h i l i p p e , 2 8 6 H s i a K u e i , 2 4 7 Hudson, Andrew, 1 7 0 — 7 1 Humphrey, Jack Weldon, 166 H u n t , Harry G . , 1 6 8 H u r l e y , R o b e r t N . , 1 7 0 ЗЗ2 Impressionism: and abstract painting, 142; acceptance of, 260; attacks on, 75; as avant-garde, 295, 298; Avery's reaction to, 42—43; and disinterestedness of the spectator, 78; emphasis on the visual, 98; Gombrich on, 258; and Hofmann, 69; as lacking structure, 179; and landscape p a i n t i n g , 1 6 7 ; a n d Manet, 2 4 1 , 243; of Matisse, 219; and Modernism, 60, 86, 89—90; of Mon e t , 4 — 1 0 ; a n d Newman, 5 5 ; and Paris, 308; Picasso's output compared t o , 2 9 ; a n d S t i l l , 1 3 0 ; and Turner, 232, 234; Wolff on, 1 7 7 - 7 8 I n d i a n a , R o b e r t , 1 9 6 , 2 8 6 Informel painting: and Abstract Expressionism, 193; as avant-g a r d e , 2 6 2 , 2 9 4 , 2 9 6 , 3 0 1 - 2 ; and crisis of abstract art, 176-78; at Dublin exhibition, 2 8 5 ; a n d T u r n e r , 2 3 0 Ingres, Jean-Auguste-Dominique, 8 8 — 8 9 , 2 4 7 2 9 5 3 ° 8 I r e l a n d , 2 8 2 — 8 8 I r w i n , W. F . , 1 6 8 Jackson, Harry, 1 0 0 — 1 0 1 Jackson ( M a r t h a ) G a l l e r y , 1 0 0 , 2 1 2 J a c o b s e n , R o b e r t , 2 7 7 Janis, Sidney, 52 — 54; Abstract and Surrealist Art in America, 5 2 J a n i s G a l l e r y , 4 5 - 4 6 , 5 3 J e n k i n s , P a u l , 9 5 J e w i s h Museum, 3 8 J . Л 1 . W. Turner ( L i n d s a y ) , 2 3 0 Johns, Jasper: and Abstract Expressionism, 125—27; as Avant- Garde, 302; and European a r t i s t s , 2 8 1 ; Greenberg o n , 9 5 ; and Neo-Dada, 133; and Pop art, 196, 214-15, 289; Proto- P o p , 2 5 2 , 2 6 3 J o h n s o n , L e s t e r , 2 8 5 J ö r n , A s g e r , 2 8 6 J o y c e , J a m e s , 2 6 1 J u d d , Donald, 2 5 6 , 2 9 0 , 3 1 0 - 1 1 Kafka, Franz: "The Great Wall of China" 4 8 - 5 2 Kahnweiler, D a n i e l - H e n r y , 3 4 Kaldis, 2 4 Kandinsky, Wassily: and Gorky, 1 5 8 ; a n d Hofmann, 6 8 - 7 0 , 7 3 ; as Modernist, 87; and New York p a i n t i n g , 2 2 , 5 3 , 1 2 1 - 2 3 , 2 1 2 ; p a i n t e r l i n e s s o f , 1 9 3 K a n t , Immanuel, 8 5 , 1 1 8 , 2 0 1 ; Critique of Aesthetic Judgment, 3 0 8 Kaufman, C . R . , 1 6 1 K e a t s , J o h n , 2 4 9 Kelly, Ellsworth, 9 5 , 2 1 5 , 2 5 6 , 2 9 7 Kerkam, Earl, 2 4 Kerr, Illingworth, 1 6 2 Key, Archibald, 1 6 1 Kinetic art, 2 5 2 , 2 9 4 , 3 0 0 King, Phillip, 2 7 7 Kirstein, Lincoln: Photographs by Cartier-Bresson, 1 8 3 — 8 7 K i t c h e n , The ( P i c a s s o ) , 3 3 — 3 4 , 3 7 Kiyooka, Roy, 1 5 5 — 5 6 Klee, Felix: The Diaries of Paul Klee, 7 8 9 8 - 1 9 1 8 , 2 0 2 — 4 Klee, Paul: automatic painting of, 149; and Cowley, 170; The Diaries of Paul Klee, 1898—1918, 2 0 2 — 4 ; a n d Hofmann, 6 8 , 7 2 ; a n d New York p a i n t i n g , 2 1 , 121—22, 212, 304; painterliness of, 193; and Paris, 305; and Poll o c k , 1 0 9 , x i 2 ; a n d T a y l o r , 1 6 1 K l e i n , Y v e s , 2 5 1 , 2 5 4 Kline, Franz: and Abstract Express i o n i s m , 1 2 5 , 1 2 8 , 1 3 3 , 1 9 5 , 2 1 4 ; a s " a c t i o n " p a i n t e r , 1 4 1 ; emphasis o n t h e v i s u a l , 9 7 ; Gold water on, 2 7 0 , 2 7 5 , 2 7 6 ; a n d Greenberg, 1 1 6 — 1 7 ; Hofmann compared to, 73; and Janis, 53; and New York painting, 24, 95; and Talent 1950 show, 2 1 8 K n o e d l e r ' s ( g a l l e r y ) , 1 0 0 , 2 8 7 Knowles, D o r o t h y , 1 7 1 - 7 2 K o l b e , G e o r g , 5 7 K o o t z , Samuel, 5 3 , 2 3 8 Kootz G a l l e r y , 7 4 , 1 0 0 , 2 1 8 Korean Massacres ( P i c a s s o ) , 3 1 K o z l o f f , Max, 2 1 8 , 2 7 2 — 7 4 K r a s n e r , Lee ( L e o n o r e ) , 1 9 , 2 4 , 4 5 , 1 1 3 , 2 4 9 Lachaise, Gaston, 5 7 , 2 1 6 , 3 0 5 Lam, W i l f r e d o , 2 3 7 , 2 8 7 333 Landscape painting: and Impressionism, 167; in Prairie Canada, 1 6 5 - 7 2 L a n e , S i r Hugh, 2 8 3 L a n g e , D e t t a В . , i 6 i Lassaw, I b r a m , 2 1 5 L a t a s t e r , 2 8 5 Latham, J o h n , 2 8 6 La T o u r , Georges d e , 9 2 Laufman, S i d n e y , 1 8 2 Lawrence, M o l l i e , 1 7 2 L e a d b e a t e r , Roy, 1 7 3 L e a t h e r s , Winston, 1 6 4 Léger, Fernand, 308; Cubism of, 65; and Manet, 243; and New York painting, 21, 53, 121; old masters compared to, 82; paint-erliness of, 193; and Picasso, 27, 34 Lehmbruck, Wilhelm, 5 7 Leino, Lily: Greenberg interview, 3 0 3 - 1 4 Lemieux, Jean - P a u l , 1 6 6 Leonardo d a V i n c i , 9 1 , 1 0 3 , 1 9 8 , 200, 247-48, 259, 307; Visit of t h e Magi, 3 0 7 L e p p , W i l b u r , 1 6 0 Lerman, L e o , 5 3 L e v i n e , J a c k , 1 6 5 L e W i t t , S o l , 2 5 6 Leymarie, J e a n , 2 8 4 L h o t e , A n d r é , 2 9 9 L i c h t e n s t e i n , Roy, 2 8 2 Lieberman, William S . , 2 2 1 Life in Photography (Steichen), 1 8 3 - 8 7 Ligh t a r t , 3 0 0 Lindner, Ernest, 1 3 4 - 3 5 , 1 7 1 L i n d o e , L u k e , 1 6 3 Lindsay, Jack: J. M. W. Turner, _ 2 3 0 - 3 4 L i p c h i t z , J a c q u e s , 5 8 L i p p a r d , L u c y R . , 2 0 9 — 1 0 L i p p o l d , R i c h a r d , 2 1 6 L i p t o n , Seymour, 1 7 2 , 2 1 6 , 3 0 5 L i s t e n e r ( m a g a z i n e ) , 1 4 8 L i t e r a t u r e , 7 7 - 7 8 Lochhead, Kenneth, 1 5 6 , 1 5 8 L o r t z , R i c h a r d , 1 1 5 Los A n g e l e s , 3 0 5 Louis, Morris, 1 3 3 , 1 4 m , 3 0 8 ; and A b s t r a c t E x p r e s s i o n i s m , 2 1 5 ; Burning Stain, 2 1 0 ; essay on, 94-100, 209-12; exhibition of, Ï49—53; Gamma, 151-52; in G r e e n b e r g ' s c o l l e c t i o n , 1 8 2 П ; Number 33, 151; recognition of, 2 6 3 ; s w e e t c o l o r s i n , 2 5 5 L o w e l l , R o b e r t , 2 6 1 Lucie-Smith, Edward: Greenberg interview, 2 7 7—82 Luminous a r t , 2 9 4 Luncheon, The ( M a n e t ) , 2 4 4 McCrea, Stanley, 1 6 1 - 6 3 MacDonald, Murray, 1 6 9 MacDonald-Wright, S t a n t o n , 2 1 M a c g i l l i v r a y , J o h n , 1 6 0 Mcllhenny, Henry P . , 2 9 Maclnnes, C o l i n , 2 7 8 M a c l v e r , L o r e n , 1 2 1 McKay, A r t h u r , 1 5 5 - 5 8 , 1 6 6 , 1 9 5 Mackenzie (Norman) Art Gallery, !50, 1 5 5- 5 6 , 1 5 9 McMillan G a l l e r y , 4 5 McNeil, George, 2 4 Madame Manet ( M a n e t ) , 2 4 4 Magnasco, A l l e s a n d r o , 1 4 1 , 1 7 9 M a i l l o l , A r i s t i d e , 5 7 , 3 0 8 Manaray, Thelma, 1 6 9 Manet, Edouard, 11, 123; acceptance of, 260; Angelina, 240; as Avant-Garde, 295; Bar at the Folies-Bergère, 244; Blue Venice, 244; Bon Bock, 244; Dead Toreador, 240; Déjeuner sur l'herbe, 241, 243—44; Emilie Ambre in the Role of Carmen, 240; The Execution of Emperor Maximilian, 244; exhibition of, 240-44; The F i f e r , 2 4 4 ; a n d g r a p h i c a r t , 1 5 ; Gypsy with a Cigarette, 240; The Luncheon, 244; Madame Manet, 244; Man with a Round Flat, 240, 241; Matisse compared to, 220; as Modernist, 86, 89, 1431 Olympia, 1 4 4 , 2 4 1 - 4 2 , 2 4 4 ; Portrait of a Man, 240; The Portrait of Théodore Duret, 244; The Reader, 244; Women at the Races, 244; Young Woman, 241; Young Woman Reclining in Spanish Cost u m e , 2 4 0 , 2 4 4 Manningtree ( L a t h a m ) , 2 8 6 334 Man with a Guitar (Braque), 62 Man with a Round Hat (Manet), 240, 241 Mareks, Gerhard, 57 Marin, John, 40—42, 167, 306 Markell, Jack, 165 Marlborough-Gerson Gallery, 276 Martin, John, 207, 279 Marx, Karl, 261, 304 Masaccio, 102 Masson, André: automatic drawing of, 1x2; automatic painting of, 149; and Hofmann, 69-70; on Monet, 3 Massys, Quentin, 106 Mathieu, Georges, 177; and French abstract painting, 286; McKay compared to, 158; music and, 81; and Painterly Abstraction, 195; on postwar American art, 280; and representation, 125; and Spickett, 162; and Tapié, 14m Matisse, Henri, 308; The Artist and His Model, 220; attacks on, 75; and Avery, 41-43, 130, 213; Bathers by a River, 22; and Chagall, 16, 18; essay on, 219—22; and Hofmann, 69—70; and Manet, 243; and Modernism, 60; and Mondrian, 13; and Monet, 4; Munch compared to, 272; and New York painting, 20-22, 24-25, 53, 121, 304; and Picasso, 27—29, 31-32, 35, 239; Pink Nude, 221; and Pollock, 109, 245; sculpture of, 57; The Sheaf, 220; Still Life with Three Vases, 220; thin paint use, 152; White Plumes, 220 Matta y Echautren, Roberto, 122, 158, 164 Maurer, Alfred Henry, 94 Meier-Graefe, Julius, 231-32 Memling, Hans, 103 Menand III (Smith), 224 Merleau-Ponty, Maurice, 142 Meryon, Charles, 15 Messer, Margaret, 172 Métamorphose (Sima), 286 Michaicheon, George, 163 Michelangelo, 31, 102, 198 Middleton, Janet, 163 Millares, 285 Miller, F. J., 172 Millott, Bill, 173 Milne, David Brown, 166 Minimalism, 252 — 56, 263, 281, 288-90, 294, 307-8, 310 Miró, Joan: automatic drawing of, 112; automatic painting of, 149; collages of, 65 ; at Dublin exhibition, 287; and Goossen, 131; and Hofmann, 69-70; linear quality of, 193; and New York painting, 20—22, 24, 121, 212 — 13, 304; and Picasso, 31; and Pollock, 109 Miskuska, Frank, 164 Mitchell, Janet, 163 Mitchell, Joan, 164 Modernism, 85-94, 131-32, 143 "Modernist Painting" (Greenberg), xv, 85, 131 Modigliani, Amedeo, 57, 114 Mol, Leo, 173 Mondrian, Piet, 118, 142, 310; and Abstract Expressionism, 128; attacks on, 75; Broadway Boogie-Woogie, 14; and Hofmann, 69; and Janis, 53 — 54; linear quality of, 193, 196; as Modernist, 87, 90—91; "Natural Reality and Abstract Reality" 13; and Newman, 55, 132; New York City, 14; and New York painting, 20-22, 121, 124, 212, 304; old masters compared to, 82; and Picasso, 29, 31-32; Piet Mondrian (Seuphor), 11 —14; Pollock compared to, 110, 246—48; and representation, 56; Victory Boogie-Woogie, 14 Monet, Claude: and "action" painters, 141; Avery compared to, 43; large format in later works of, 97; later works of, 3—11; and Manet, 240; Mondrian compared to, 90; and Still, 130; Turner compared to, 231; Water Lilies, 3, 10— II, 255 Montreal, 153 Moore, George, 244 Moore, Henry, 207, 279 335 Moreau, Gustave, 221 Morrice, James Wilson, 166 Morris, George L. K., 20, 122, 124,212 Morris, Robert, 256 Morton, Douglas, 156, 159 Moses, Grandma, 108 Motherwell, Robert, 308; Bennington College exhibition, 150; in Greenberg's collection, 182П; and Janis, 53; and New York painting, 23, 213; painterliness of, 129, 195 Motion, F. Douglas, 163 Mountains and Sea (Frankenthaler), 96 Moy, Seong, 164 Mozart, Wolfgang Amadeus, 269 Mulcaster, Wynona, 170 Müller, Robert, 277 Munch, Edvard, 271, 305 Municipal Gallery of Modern Art (Dublin), 283 Murray, Robert, 173 Musée de l'Art Moderne (Paris), 108 Museum of Modem Art, 3, 20, 26, 46, 33, 62, 67, 149 Nabis, 296 Nation (magazine), зп, 19П.1, 116 National Gallery (Dublin), 283 National Gallery (London), 279 National Museum (Dublin), 284-85 "Natural Reality and Abstract Reality" (Mondrian), 13 Neo-Classicism, 30—31 Neo-Impressionism, 90, 295 Neo-Dada, 133-34 Neo-Figurative art, 281, 294 Neo-Realism, 262 Nevelson, Louise, 217 New American Painting (exhibition), 67 Newman, Barnett, 142, 248, 252, 266, 306, 308; and Abstract Expressionism, 129—33, !95, 214, 297; Bennington College exhibition, 150; at Dublin exhibition, 286; at Emma Lake workshop, I55 —56, 174; exhibition of, 54—5 51 in Greenberg's collection, 182П; and Louis, 96; and New York painting, 23; and No-land, 99; and Reinhardt, 255; and Truitt, 290 New Problem (Noland), 151 Newsweek (magazine), 261 New York City: as art center, 305; New York painting, 19—26,95, 109, 121—24, 128—29, 157, 212-13, 3°3_5 New York City (Mondrian), 14 New York Review of Books, 187 New York Times, 100, 114, 115, 117, 204,259 Nicholson, Ben, 286 Nicoll, Marion, 162 Night Fishing at Antibes (Picasso), 31 Noland, Kenneth, 133, 308; and Abstract Expressionism, 215; essay on, 94—100; exhibition of, Ï49—53; Gift, 151; in Greenberg's collection, 182П,277; Minimalism, 256; New Problem, 151; Swing, 286 Nolde, Emil, 69 Norm and Form (Gombrich), 257-59 Nourry, J. P., 169 Novelty art, 252, 254-56, 263-64, 281, 288, 300 Number 33 (Louis), 151 Number 27 (Pollock), 245 Olitski, Jules, 134, 308; and Abstract Expressionism, 215; exhibition of, 149—53; in Greenberg's collection, 182П, 277; Judd compared to, 310; sweet colors in, 255; at Venice Biennale, 228—30 Olympia (Manet), 144, 241-42, 244 Op art, 252, 254, 256, 262, 281, 288, 294 Orangerie ( P a r is), 3—4, ю Orozco, José Clemente, 109 Osorio, Alfonso, 46 Ottawa, 153 Owen, Violet, 169 Paar, Jack, 107 Painterly Abstraction, 179-81, 192-97 336 Painting: abstract, 5 6 , 7 5 - 8 4 , 8 7 , 9 7 , 1 5 4 - 6 5 , 1 7 6 — 8 1 , 2 1 2 - 1 6 , 2 6 6 ; a c t i o n p a i n t i n g , 1 3 6 — 4 2 , 146-49, 178, 193; American, 94, 212 — 16, 306; automatic, 1 4 9 ; a n d t h e a v a n t - g a r d e , 2 9 6 ; d r i p p a i n t i n g , I I I , 2 4 6 - 4 8 ; Flemish P r i m i t i v e s , 1 0 1 — 6 , 2 0 1 ; I n f o r m e l p a i n t i n g , 176— 7 8 , 1 9 3 , 2 3 0 , 2 6 2 , 2 8 5 , 2 9 4 , 296, 301—2; landscape, 165—72; limitations of the med i u m , x v ; M o d e r n i s t , 8 5 — 9 4 , 131—32; New York painting, 2 0 — 2 6 , 9 5 , 1 0 9 , 1 2 1 - 2 4 , 128-29, 157, 212—13; Painte r l y A b s t r a c t i o n , 1 7 9 — 8 1 , 192—97; Paleolithic, 92; photography compared to, 187; in Prairie Canada, 153—72; repres e n t a t i o n a l , 7 7 - 7 8 , 8 2 , 8 7 — 8 8 , 1 1 8 — 1 9 , I 2 I 1 2 4 — 2 7 , 1 8 2 ; and sculpture, 60, 310; tachisme, 2 6 2 , 2 9 4 , 2 9 6 Painting of the High Renaissance in Rome and Florence (Freedberg), 1 9 7 Palmer, Frank, 1 6 3 , 1 6 8 P a l m e r , Samuel, 2 5 P a n o f s k y , E r w i n , 2 7 5 P a r i s : a b s t r a c t a r t c r i s i s , 1 7 6 — 7 7 ; academy and avant-garde in, 2 9 9 ; a n d American a r t , 1 3 5 , 139, 214, 280; as art center, 305, 308; Atget photographs of, 184; and New York painting, 2 0 - 2 2 , 2 5 - 2 6 , 3 0 3 - 5 P a r k e r , Raymond, 9 5 — 9 6 P a r r i s , Mary, 1 6 9 P a r r i s h , M a x f i e l d , 1 1 8 , 1 3 4 P a r s o n s ( B e t t y ) G a l l e r y , 4 5 , 5 3 P a r t i c i p a t o r y a r t , 2 9 4 P a r t i s a n Review ( m a g a z i n e ) , 1 9 , 1 1 6 , 1 2 4 , 1 4 5 П Pa s m o r e , V i c t o r , 2 8 6 P a s t o r a l ( P i c a s s o ) , 3 4 P a t t o n , Harold P . , 1 6 3 P e r e h u d o f f , W i l l i a m , 1 5 9 , 1 7 0—71 P e r i d o t G a l l e r y , 2 5 1 P e r r o t t , S t a n f o r d , 1 6 3 P e t e r s , Kenneth, 1 5 6 - 5 7 P e t o , J o h n F r e d e r i c k , 1 2 6 Phenomenology, 1 4 4 , 1 4 6 Philadelphia Museum of Art, 2 4 0 Photographs by Cartier-Bresson, 1 8 3 - 8 7 Photography, 1 8 3 — 8 7 , 2 5 8 , 2 7 1 P i c a b i a , F r a n c i s , 2 1 Picasso, Pablo, 308; An Anatomy, 2 3 5 ; A r t i s t and H i s Model, 2 3 8 ; a t t a c k s o n , 7 5 ; a n d B r u c e , 1 6 4 ; Bullfight, 29; and Chagall, 1 5 — 1 6 ; Charnel House, 2 3 5 - 3 7 ; Chimneys ofVallauris, 31; collages of, 58, 61—65; Crucifixion, 30; Cubism of, 26—27, 3°—33 2 3 6 — 3 7 ; a s c u l t u r a l h e r o , 2 6 1 ; a t Dublin e x h i b i t i o n , 2 8 5 - 8 7 ; Les Enfants, 237; exhibition of, 26—35, 234—39; on experimentation, 307; Femme au bord de la mer, 238; Femme nue, 238; Girl Before a Mirror, 110; and Gottl i e b , 3 3 П , 3 7 ; G u e r n i c a , 3 1 - 3 2 , 2 3 5 — 3 7 ; a n d Hofmann, 6 8 , 7 0 ; and Johns, 126; The Kitchen, 3 3 — 3 4 , 3 7 ; Korean Massacres, 3 1 ; and Manet, 243; Matisse compared to, 219, 222; Mondrian compared t o , 1 3 ; a n d Monet, 4 ; a n d New York p a i n t i n g , 2 0 — 2 2 , 53, 121, 124, 213; Night Fishing at Antibes, 31 ; old masters compared to, 82; Pastoral, 34; and P o l l o c k , 1 0 9 — 1 0 ; S e r e n a d e , 3 4 ; and Smith, 228; Still Life with Black Bull's Head, 28; The Studio, 3 4 ; T ê t e d e femme a s s i s e N o . 3 , 238; Three Dancers, 29—30; Vers i o n L , 2 3 7 ; War and P e a c e , 3 1 ; Winter Landscape, 31 ; Woman by a Window, 34; Woman in Green, 34; Woman in Rocking Chair, 34; "Women of Algiers" series, 237; Women of Algiers, after Delac r o i x , 3 4 Piero della Francesca, 9 0 , 9 2 , 1 0 2 P i e t Mondrian ( S e u p h o r ) , 1 1 —14 P i n k Nude ( M a t i s s e ) , 2 2 1 P i s s a r r o , C a m i l l e , 4 , 6 , 9 P o e t r y Reading ( A v e r y ) , 4 1 P o i n d e x t e r G a l l e r y , 2 3 — 2 5 P o l i a k o f f , S e r g e , 2 8 6 P o l l o c k , C h a r l e s , 4 5 , 4 7 , 1 1 3 P o l l o c k , J a c k s o n , 1 1 8 , 2 5 4 , 3 0 6 , 308; and Abstract Expression- 337 Pollock, Jackson (continued) i s m , 1 2 2 - 2 4 , 1 2 8 , 2 1 3 - 1 4 ; abstract painting of, 81; acci-dentalness in, 251-52; anti- " f o r m a l i s t " c r i t i c i s m o f , 2 7 0 ; attacks on, 75; Bennington College exhibition, 150; Canadians influenced by, 157; Cathedral, 2 4 6 ; a n d Cubism, n o , 1 4 1 , 247; as cultural hero, 261; and d e Kooning, 4 5 , 1 1 3 , 2 4 9 - 5 0 , 2 5 1 ; d r i p p a i n t i n g o f , 2 4 6 — 4 8 ; e s s a y o n , 4 4 - 4 6 , 4 7 , 1 0 7 — 1 4 ; exhibition of, 245-50; and Greenberg, 115, 310; in Green-berg's collection, 182П; and Hofmann, 68, 70, 74; and Janis, 5 2 — 5 3 ; a n d L o u i s , 9 6 — 9 7 , 1 5 2 ; a n d New York p a i n t i n g , 1 9 , 2 2 - 2 4 ; a n d Noland, 9 8 - 9 9 ; Number 2 j , 2 4 5 ; P i c a s s o o n , 3 5 , 238; and Post Painterly Abstractionists, 195-96; recognition of, 2Ó3;slapdashnessof, 179; Totem I, 7 0 , 2 4 6 ; w r i t i n g o n , 1 3 5 - 3 8 , 1 4 0 - 4 8 , 2 0 9 Pop art: and Abstract Expressionism, 215; as avant-garde, 262-63, 294, 302; decline of, 2 8 1 - 8 2 ; Greenberg o n , 3 0 7 ; and Minimalism, 288—89; and P a i n t e r l y A b s t r a c t i o n , 1 9 4 , 1 9 7 ; and photography, 184; Proto- P o p , 2 5 2 , 2 6 3 ; s c u l p t u r e , 2 1 7 , 2 5 2 , 2 5 4 , 2 5 6 P o r t r a i t o f a Man ( M a n e t ) , 2 4 0 Portrait of Théodore Duret (Manet), 2 4 4 Post-Impressionism, 2 9 , 2 6 0 , 2 9 5 Pratt, Leon, 2 2 8 P r e - R a p h a e l i t e s , 2 4 2 Preuves ( m a g a z i n e ) , 1 7 6 - 7 7 , 1 8 1 P r e y (Hofmann), 7 2 Primary Structures. See Minimalism Primo Piano I ( S m i t h ) , 2 2 6 P r o t o - P o p , 2 5 2 , 2 6 3 P r o u s t , M a r c e l , 4 P u t z e l , Howard, 4 5 , 1 1 3 , 2 1 3 ; Homage t o Howard P u t z e l , 7 0 Quercia, Jacopo della, 1 9 2 Rankin, Joan, 1 6 0 Raphael, 9 2 , 1 1 8 , 1 9 8 , 2 0 1 , 2 5 4 , 2 6 8 , 3 1 0 Rauschenberg, R o b e r t , 2 1 4 — 1 5 , 2 5 1 - 5 2 , 2 5 4 , 2 8 5 , 2 9 6 , 3 0 6 R a y s s e , M a r t i a l , 2 8 1 R e a d , S i r H e r b e r t , 1 0 8 , 1 3 9 — 4 1 , 1 4 4 , 1 4 5 - 4 9 . 2 5 9 . 2 8 0 R e a d e r , The ( M a n e t ) , 2 4 4 R e g i n a : a b s t r a c t pai n t i n g , 1 5 4 - 5 9 ; landscape painting, 172; sculpt u r e , 1 7 3 Regina F i v e , 1 5 6 - 5 9 R e i c h e r t , Donald, 1 6 4 - 6 5 R e i n h a r d t , Ad, 2 4 , 2 5 1 - 5 2 , 254-55 Rembrandt, 3 2 , 7 8 - 7 9 , 8 3 , 9 2 , 1 4 2 , 1 9 5 , 2 4 7 - 4 8 Renoir, Pi e r r e : a n d Manet, 2 4 0 ; and Monet, 4, 8; sculpture of, 5 7 ; T u r n e r compared t o , 2 3 2 Representational painting: and A b s t r a c t E x p r e s s i o n i s m , 1 2 1 , 124-27; and abstract painting, 8 2 ; e x p e r i e n c e o f , 1 1 8 — 1 9 ; Greenbergs favorite painters, 182; literature compared to, 7 7 - 7 8 ; a n d Modernism, 8 7 — 8 8 R e s n i c k , M i l t o n , 2 4 Rest on the Flight into Egypt (David), 1 0 3 Reynolds, Sir Joshua, 2 3 0 — 3 1 , 2 7 9 R i c e - P e r e i r a , I . , 2 1 2 R i c h a r d s , J e a n , 1 6 1 Rimbaud, A r t h u r , 1 3 8 R i o p e l l e , J e a n - P a u l , 1 5 8 , 1 6 6 R o b e r t s , Goodridge, 1 6 6 , 1 6 8 — 6 9 , 1 8 2 Robins, Daniel, 2 0 9 - 1 1 Robinson, C l i f f o r d , 1 6 3 Rockwell, Norman, 2 6 8 R o d i n , A u g u s t e , 5 7 , 1 9 2 , 3 0 8 R o g e r s , O t t o Donald, 1 5 9 , 1 6 2 , 1 7 0 Romanticism, 2 9 5 R o s a , S a l v a d o r , 2 6 9 - 7 0 Rose ( e x h i b i t i o n ) , 2 8 4 — 8 8 Rosenberg, Harold, 112; "Action P a i n t i n g , " 1 3 6 — 4 2 , 1 4 4 , 147-49; The Tradition of the New, 1 4 5 Rosenberg, P a u l , 4 1 З38 Rosenborg, Ralph, 1 2 1 Roszak, Theodore, 2 1 6 Rothko, Mark, 308; and Abstract E x p r e s s i o n i s m , 1 2 9 — 3 3 , I 9 5 . 2 1 3 ; a n d d e Kooning, 1 2 6 ; Goldwater on, 143; and Janis, 53; and Louis, 96; and New York painting, 22—23; and R e i n h a r d t , 2 5 5 R o u a u l t , G e o r g e s , 1 5 Royal Dublin S o c i e t y , 2 8 4 Rubens, P e t e r P a u l , 8 3 , 9 2 , 1 1 9 , 2 1 0 Rubin, William, 9 5 — 9 6 , 9 8 — 9 9 , 1 2 6 Ruskin, John, 1 0 2 , 2 7 2 R y d e r , A l b e r t Pinkham, 2 5 , 3 9 , 9 4 , 1 0 9 , 3 0 6 Sacilotto, Deli, 1 6 2 St. Anthony (Bosch), 106 St. Francis Receiving the Stigmata (van Eyck), 1 0 4 Sa n d b e r g , Willem, 2 8 4 San F r a n c i s c o : a s a r t c e n t e r , 3 0 5 ; Museum of Art, 4 6 S a r t r e , J e a n - P a u l , 1 3 6 , 1 3 8 , 1 4 2 Saskatchewan, 1 4 9 - 5 0 , 2 1 7 - 1 8 ; Saskatoon, 1 5 9 - 6 0 , 1 7 0 - 7 4 Saskatoon: abstract painting, 159—60; landscape painting, 1 7 0 — 7 2 ; s c u l p t u r e , 1 7 3 — 7 4 Saturday Evening Post (magaz i n e ) , 8 4 Schapiro, Meyer, 218; Chagall's Ill u s t r a t i o n s f o r t h e B i b l e , 1 5 — 1 8 S c h n e i d e r , P i e r r e , 1 7 6 - 7 7 S c h n i t z l e r , Max, 2 4 Schoenberg, A r n o l d , 7 7 S c h u b e r t , F r a n z , 2 8 2 S c h w i t t e r s , K u r t , 6 5 S c o t t , M i c h a e l , 2 8 3 — 8 4 S c o t t , Tim, 2 7 7 - 7 9 S c o t t , W i l l i a m , 2 8 0 S c u l p t u r e : a b s t r a c t , 7 5 — 8 4 , 2 0 5 - 8 , 2 1 6 — 1 7 , 2 5 0 - 5 6 ; American, 2 1 6 — 1 7 , 2 8 0 — 8 1 ; American and European compared, 305; British, 277; of C a r o , 2 0 5 — 8 ; C u b i s t , 5 8 , 2 1 6 ; and Flemish Primitives, 105; of M a t i s s e , 5 7 ; modern, 5 5 — 6 1 ; and painting, 6 0 , 8 8 , 3 1 0 ; of P i c a s s o , 3 5 , 2 3 5 ; Pop a r t , 2 1 7 , 252, 254, 256; of Prairie Canada, 172—75; of the sixties, 2 5 0 — 5 6 ; o f S m i t h , 1 8 8 - 9 2 , 2 2 2 — 2 8 ; o f T r u i t t , 2 8 8 — 9 1 Self-Portrait with Sister (Steichen), 1 8 5 Semenoff, Nicholas, 1 7 0 Serenade ( P i c a s s o ) , 3 4 Seuphor, Michel: Piet Mondrian, 1 1 - 1 4 Seurat, Georges, 4 , xo, 2 6 0 , 2 9 5 Shaped Canvas s c h o o l , 2 5 3 , 2 9 4 S h e a f , The ( M a t i s s e ) , 2 2 0 S i m a , J o s e p h : Métamorphose, 2 8 6 S i q u e i r o s , D a v i d , 1 0 9 S i s l e y , A l f r e d , 4 , 9 S l o a n , J o h n , 3 0 6 Smith, David, 1 7 2 ; "Agrícola" series, 189; and American abstract sculpture, 216, 305; and art of the sixties, 297; Becca, 227; Caro compared t o , 2 0 5 — 6 , 2 7 7 , 2 8 9 ; clean contours of, 251; Cubi I, 2 2 4 ; Cubi X X I I I , 2 2 5 , 2 2 8 ; Cubi XXVI, 2 2 8 ; essay on, 1 8 8 - 9 2 , 2 2 2 - 2 8 ; Greenberg on, 115; in Greenberg's collect i o n , 1 8 2 П ; Menand I I I , 2 2 4 ; Primo Piano I , 2 2 6 ; Tanktotem I X , 2 2 3 ; "Tanktotem" s e r i e s , 1 8 9 , 227; two-dimensional sculpture o f , 5 9 ; U n t i t l e d , 2 2 5 — 2 6 , 2 2 6 ; "Voltri-Bolton Landing" series, 1 8 9 — 9 2 , 2 2 7 ; Voltri-Bolton I, 2 2 7 ; Wagon I I , 2 2 5 ; Z i g I V , 2 2 3 Smith, Tony, 2 7 8 Snow, J o h n , 1 6 3 , 1 6 8 S o c i a l R e a l i s m , 1 9 Sonderborg, 2 8 6 S o u l a g e s , P i e r r e , 1 5 8 , 2 8 5 S o u t i n e , Chaim, 7 2 , 1 2 3 , 1 7 9 S p i c k e t t , R o n a l d , 1 6 2 — 6 3 Steichen, Edward: A Life in Photography, 183—87; Self-Portrait with S i s t e r , 1 8 5 S t e i n e r , M i c h a e l , 2 5 6 S t e l l a , F r a n k , 2 1 5 , 2 8 7 S t e l l a , J o s e p h , 2 4 S t e v e n s o n , W. L . , 1 6 8 Still, Clyfford: and Abstract Ex- 339 Still, Clyfford (continued) pressionism, 129-33, 195, 213-14; as "action" painter, 141; and Hofmann, 70; and Louis, 96-97; and McKay, 158; and New York painting, 23; and Reinhardt, 255 Still Life with Black Bull's Head (Picasso), 28 Still Life with Three Vases (Matisse), 220 Still Life with Violin and Palette (Braque), 62 Stobbaerts, Jan, 266 Stravinsky, Igor, 261 Studio, The (Picasso), 34 Studio International (magazine), 281 Sturdee, Kenneth, 163 Sugai, Kumi, 125 Summer Glory (Hofmann), 71 Suprematism, 196 Surrealism, 30, 260, 296, 301 Sweeney, James Johnson, 284 Swinden, Albert, 212 Swing (Noland), 286 Swinton, George, 164, 167, 171 Systems art, 294 Tachisme, 262, 294, 296 Takanobu, 143 Tal Coat, Pierre, 286 Talent 1950 (exhibition), 100, 218 Tanktotem IX (Smith), 223 "Tanktotem" series (Smith), 189, 227 Tapié de Céléyran, Michel, 141-42, 145, 280 Tapies, Antoni, 125, 286 Tascona, Anthony, 164 Tate Gallery (London), 107 Taylor, Basil, 139 Taylor, John В., I6I Temps Modernes, Les (Paris), 116 Tenth Street touch, 160, 162, 194-95 Tête de femme assise No. 3 (Picasso), 238 30's, The: New York Painting (exhibition), 23-25 Thomas, Dylan, 108-9, 1г2, 114 Three Dancers (Picasso), 29—30 Tibor de Nagy Gallery, 100 Tillman, Joseph, 163 Time (magazine), 261, 271 Tinguely, Jean, 253 Tintoretto, 179 Titan (Caro), 207 Titian, 83, 92, 118 Tobey, Mark, 121, 193, 285—86; Composition, 285; Tundra, 285 Tolstoy, Leo, 269 Tomiin, Bradley Walker, 37, 214 Tonnancour, Jacques Godefroy de, 166 Toronto, 153 Totem I (Pollock), 70, 246 Tradition of the New (Rosenberg), 145 Truitt, Anne, 255—56, 288-91 Tucker, William, 277 Tundra (Tobey), 285 Turel, Margaret, 170-71 Turner, J. M. W., 207, 279; J. M. W. Turner (Lindsay), 230-34 Tworkov, Jack, 24, 214 Uccello, Paolo, 90, 92 Undulating Expanse (Hofmann), 72 Ungstad, Rolf, 163 Untitled (Smith), 225—26, 226 Valentine Gallery, 22 Van Baldass, Ludwig, 104 Vancouver, 153 Van der Goes, Hugo, 102 Van der Weyden, Rogier, 105 Van Doesburg, Theo, 13 Van Eyck, Jan, 102, 104; St. Francis Receiving the Stigmata, 104 Van Gogh, Vincent: acceptance of, 260; attacks on, 75; as avant-garde, 295; and Manet, 243; and Monet, 4,10; Pollock compared to, 114 Van Velde, Bram, 286 Varley, Frederick, 166 Vasarely, Victor, 281, 286, 297 Vasari, Giorgio, 200 Velasquez, Diego, 79, 143, 269-70 Venturi, Lionello, 10; Chagall, 15-18 Vermeer, Jan, 92, 118, 258 Version L (Picasso), 237 Victory Boogie-Woogie (Mondrian), 14 340 Vision of Paris (Atget), 183-87 Visit of the Magi (Leonardo da Vinci), 307 Vogue (magazine), 250, 265, 291 Vollard, Ambroise, 15 "Voltri-Bolton Landing" series (Smith), 189-92, 227 Voltri-Bolton I (Smith), 227 Von der Ohe, Katie, 173 Vuillard, Edouard, 4, 151, 296 Wagner, Richard, 81 Wagon II (Smith), 225 Wahl, Jean: The Word is Graven, 18 Waldmueller, Ferdinand Georg, 266 Walpole, Horace, 279 War and Peace (Picasso), 31 Warhol, Andy, 282 Water Lilies (Monet), 3, 1 o— 11, 255 Watteau, Antoine, 92 Weegee, 187 Weidle, Wladimir, 176 Welch, William, 168 Whillier, Wayne K., 163 Whistler, James McNeill, 107 Whitechapel Gallery, 205, 278 White Plumes (Matisse), 220 Whitman, Walt, 108 Whitney Museum, 74 Wiegand, Charmion de, 12 Wight, Frederick S., 40 Wilier, James, 164 Williams, Richard, 173 Williams College, 46 Winnipeg: abstract painting, 163—65; landscape painting, 165-68; sculpture, 173 Winnipeg Art Gallery, 165 Winnipeg Art Gallery Association, 167 Winter Landscape I Picasso), 31 Witkin, Isaac, 277 Wolff, Albert, 177-78 Wölfflin, Heinrich, 123, 192, 258, 275. 2 9 4 Wols, 125, 193 Woman (de Kooning), 287 Woman by a Window (Picasso), 34 Woman in Green (Picasso), 34 Woman in Rocking Chair (Picasso), 34 Woman Ocher (de Kooning), 287 Women at the Races (Manet), 244 "Women of Algiers" series (Picasso), 237 Women of Algiers, after Delacroix (Picasso), 34 "Women" series (de Kooning), 124, 128 Wood, George, 163 Wood, Grant, 263 Word is Graven (Wahl), 18 World Through My Eyes (Feininger), 183-87 Wotruba, Fritz, 57, 277 WPA Art Project, 19—20, 45, 113,213 W. R. Grace & Co., 284 Writing on art, 135-49, 178 Wyeth, Andrew, 182, 261, 306 Youngerman, Jack, 95 Young Woman (Manet), 241 Young Woman Reclining in Spanish Costume (Manet), 240, 244 Zandmer, Ursala, 169 Zao Wou-Ki, 285 Z ig IV (Smith), 223 341 |
