| Volltext: | Index Abstraction and abstractionists, 138-39 Academics (See also Salon art and artists): and "le joli" Aurier on, 185; audience of, 86; Aurier's criticism of, 50, 75, 88, 104-7, 136 Aesthetic experience, 90, 95-96; Aurier on, 55, 85-86, 88-90; hierarchy of, 85-86; Plotinus on, 163n.l30 Alchemy, 23, 155-56nn.45-46, 52-53; and theory of correspondences, 28; Aurier and 26-28; influence of, 26-27, 51; Symbolists and, 26 L'âme, See Soul Anarchy: and Idealism, Symbolists and, 39-40 Animism, 156n.55; and theory of correspondences, 29, 51 L'appareil de perception, 57, 171-72n.l Arnaud, Noël, 142 L'Art moderne, 13 Artwork: action upon viewer, 85-90, 136-37; as entity, Aurier on, 82, 136-37 Aurier, Gabriel-Albert, xv, 6 —Aesthetic theory of (See also Aurier— creative process, theory of; Aurier— expressive theory of; Aurier—mystical idealism and), xv-xvi, 9-10, 19, 127, 142; and aesthetic experience, 55; and categorizing and, 23; and cognition, theory of, 36-39, 101; and criticism, 114; determinism and, 22-23; influence of, on avant-garde, 127, 140; influence of, on Symbolist theory, 140-42; influence of Swedenborg on, 51; mystical idealism and theory of correspondences in, 20, 36-37, 51, 90, 101, 114; perception in, 101; pessimism of, 20; practical application of, 103, 126-27; rejection of science in, 141; reduction and, 77, 179n.72; scepticism of, 20-22; sensation in, 101; synthesis of, 19, 55, 77, 179n.72 —and alchemy, influence of, 26-28, 156n.52; in art criticism, 27-28 —and l'appareil de perception, 51, 171-72n.l —and avant-garde, xvi, 1, 7-8, 127, 135-38, 140 —and Bernard, 10, 12-13, 148-50nn.29, 38 —and Decadence and Decadents, 8-9; and Le Moderniste illustré, 10-12; on aesthetic theory of, 9 —and language of art, 69-70, 69, 83, 140, 176-77nn.47, 50 —and Mercure de France, 12-13 —and modernism, influence on, 135 —and Le Moderniste illustré, 11 —and Mońce, 142 —and nature, view of, 29-30, 138 —and neo-Platonism, influence of, 141-42 —and objective ideas, 42-43, 60 —pessimism and, 44, 50-51, 169n.l99; and artist, positive aspects of, 44-46; and dichotomy of matter and spirit, 46; analogy with religion, 45 —and primitivism, and avant-garde, 137-38 —and purity, 139 —and reductionism, 139 —and Revue indépendante, 13 —and scepticism, 20, 46-51 —and science, rejection of, 2, 19-23, 52 —and sensation, 62 —and subjectivity, 64, 175n.27 —and Symbolism, evolution of, 14; and art criticism, 92 —and Symbolists, xv, 8, 115-16, 118-21, 204 Index 135-36, 138, 141; criticism of, xv, 1-3, 10 —and undulation, in art, 67-69 —and vibration, in art, 67-69, 80, 139 —and Vogler, 14 —and "voyant" 61 —Burhan on, 25 —creative process, theory of, 27, 55, 57; and psychological emotion, 60-61, 173n.l2; and suggestion, 25-26; and temperament, 58-59, 172n.9, 176n.40; and truth to medium, 71; la haute synthèse and, 63-67, 72-73, 78, 83, 174n.23; la rêverie philosophique and, 57-60, 64, 78, 83; la synthèse du moi and, 57-60, 63 , 67, 74-75, 83; la traduction and, 55 , 63-64, 70, 78, 83, 174n.24; vibration and, 80, 179n.81 —critical theory of, 100-101; and aesthetic theory, 101; and criticism, theory of, 95-96; criteria of, 90, 92-93; distancing and, 92-93; formal analysis in, 100; Gauguin article and, 123-24, 126; Hautecoeur on, 126; hierarchy of ideals in, 103, 109, 113, 115-17, 126; influence of, on Symbolists, 190n.71; influence of, on Synthetists, 190n.71; prolongement spirituel and, 92, 95; symbolism and, 92; temperament and, 126; Van Gogh article and, 121-23, 125 —criticism, of art: and aesthetic sensation, 95-96; and artist's subjective Idea, 95; and avant-garde, xvi, 1; and formal elements, 103; and ideal, 103; compared to Fénéon, 141; criteria of, 118-21; de Gourmont on, 1; distancing in, 92-93; intellectual configuration and, 95; judgment in, 93-95; mystical idealism and, 103; process of, 101; simplicity in, 110; spiritual configuration and, 95; synthesis and, 95-96, 110 —death of, 15 —early life of, 7-8, 10-11 —expressive theory of, 55, 138-40; and la haute synthèse, 72-73, 78; and Idea, revelation of, 73; and objective ideal, 65-66; and primitive in, 75-77; and subjective, 65-66; and synthèse du moi, 74-75; and Taine's formulation of, 65; and la traduction, 63-64, 174n.24; and truth to medium, 70-71; avoidance of trompe-l'oeil, 72; criticism of complexity and "science" 73-75; decorative art and, 64, 79-80; deformation and, 66-67, 69, 71, 74; formal elements and, 67, 69, 71-72; Ideist, 64-66; intellectual configuration in, 83; isolation of the artist and, 82; language of art and, 69-70; "le Style" and, 79; opposition to illusion and analysis, 72-73, 83; opposition to imitation, 72; prolongement spirituel, 74-75; psychology of forms and, 68-69; purity and, 81, 83; Rookmaaker on, 178n.63; simplicity and synthesis in, 73, 77, 83; spontaneity vs. control, 74-75; subjective and, 64-66; Symbolism and Symbolists and, 64, 78-79; synthesis and, 77-78, 83; Synthetists and, 64; temperament and, 66; undulation in, 67-69; vibration in, 67-69 —hypnotism and, 24 —importance of, xv-xvi, 1, 12-15, 142-43, 145 —influence of: on avant-garde, 135-38; on Bernard, 140; on Denis, 140-41; on Jarry, 142; on literary Symbolists, 142 —Leclerq on, 10 —mystical idealism of, 23, 33; and art, view of, 33; and Ideas, 33-34, 36-37, 39, 42-43; and intellect, 38-39, 42, 51; and man, nature of, 34-35; and matter, inferiority of, 34-35; and nature, view of, 29-30; and scepticism, of objectivity, 42, 51, 135; and science, rejection of, 51, 135; and Supreme Being, rejection of, 35-36; and Symbolists, 135; and synesthesia, 30; and synthesis, 135, 138; and animism and, 29, 135, 156n.55; ecstasy and, 38-39, 135; influence of Baudelaire on, 51; influence of Hegel on, 31; influence of Plato on, 33, 35-36, 39; influence of Plotinus on, 33, 35-38, 51, 135; influence of Schelling on, 31; intuition and, 38-39, 51; "irradiation" and, 34; memory and, 39; objective, 42-43; pessimism and, 51, 135; subjective, 42-43; subjectivism and, 51 ; theory of correspondences and, 20, 28-30, 35-37, 51, 90. 101. 114 —on: Academics, and criticism of, 50, 86, 88, 104-7, 136; aesthetic experience and hierarchy of, 85-86, 88-90, 180n.2; art and education, 170n.221; art, purpose of, 98; artist, nature of, 59-60; artwork and viewer, 85-90, 136-37; artwork, as entity, 82; awkwardness, 138-39; Baudelaire, 100; Bernard, 67-68, 76, 115; Bouguereau, 105-6; Brinn'Gaubast, 10; Cabanel, 105-6, 130; Carrière, 39, 46, 62, 79, 117-18,127, 132; "les chercheurs" 104, 108-9, Index 205 114-15; "les copieurs" 104-7; Courbet, 108; creative process, 80, 83, 101, 138, 142; critic, and role of, 91-92, 96-99, 101-101; dangers of imitative art, 72; Daumier, 73, 110; Degas, 110; De Groux, 63, 81, 118-19, 126; De Groux, Le Meurtre, 25-26, 88-89; Deschanel, art criticism of, 99-100; dreams, and recollection, 39-41; Forain, 110; form, as content, 139-40; Gauguin, 27, 50, 58, 60, 75, 115, 123-26; Gauguin, Vision after the Sermon, 25-26; Gilbert, 68; Henner, 11-12, 55, 58-59, 62, 119-121, 126, 133; history, 22; history of art, and realists and ideists, 103-4; hyperaestheticism, 59; Ideas, and naturalists, 160-61n.98; ideists, as "les chercheurs" 113, 117, 132; Impressionism and Impressionists, 62, 110, 126, 186n.l7; intuition, 164-65nn. 140-41; isolation of the artist, 137; Lefebvre, 105-6, 129; "le joli" 106, 112, 185-86nn. 10-11; man and civilization, nature of, 46-50, 136-37; matter, 161-62n.l06; "les Modernes" 106-7; Meissonier, 72-73, 105-6, 108, 128; Monet, 27, 46, 74, 111, 113; Morisot, 112-13, 187n.28; nature, 59-60; neo- Impressionists, 1, 116; photography, 72, 178П.59; Pissarro, 27, 58, 71, 74, 113-14, 126; the public, 47-48; Puvis de Chavan-nes, 116; Raffaëlli, 66-67, 73, 108-10, 126, 131; Realism and realists, 104, 108-9, 110-11, 113; Redon, 117; Renoir, 27 , 46, 111-12, 126; Sainte-Beuve, 99; Salon art and artists, 74, 76, 104, 107, 126, 181n.8; sentiment of the beautiful, 88; 17th-c. Dutch masters, 108, 186n.l2; sensation, 62; Sérusier, 115; Seurat, 116; subjectivity and art, 40-41, 61, 138; suffering, and artists, 44-45; Symbolists, 1, 71, 114-21, 132; Symbolists, as "chercheurs" 114-15; Symbolists, as "trouveurs" 104, 113, 115-16; Synthetists, 115; Taine, 82, 88, 97-100, 184-85n.2; Van Gogh, 12-14, 23, 26-27, 44-45, 58, 68, 75-77, 80, 121-22, 125; women, as artists, 112-13, 187n.28; Zuber, 68 —photographs of, vi, 6 —Rookmaaker on, 178n.63 —Sérusier on, 141-42 —Vallette, on Aurier's criticism, 12 —Van Gogh, on Aurier's criticism, 122-23 —Works: Ailleurs, 14, 40, 167n.l67; "Les Aquarellistes" 71; "Essai sur une nouvelle méthode de critique" 20-23, 50, 55, 88, 90, 97, 100; "Exposition universelle of 1889" 113, 117; Forest Scene, 11, 16; Irénke, 14; Jersey, 11, 17; Luchon, Lac d'Or, 11; Luchon, Vue générale, 11; "Le Magnétiseur" 24; "A Mallarmé" 8; Le Maudit, 125; Le Moderniste, 104; "Notes pour la préface de mon volume de vers" 23; L'Oeuvre maudit, 12, 44-45; Oeuvres posthumes, 15, 55; "Les Peintres symbolistes" 21-22, 33, 85; "Le Roman vériste" 10, 91, 97; Les Ruines du Château de Croyau (?), 11, 18; "Sensation-nisme" 10, 33, 62; "Les Symbolistes" 55, 78; "Trois Salons" 103; Vieux, 10 Aurier, Suzanne, 8 Avant-garde: audience of, 137; Aurier and, 7-8, 112, 135-38, 140; combativeness of, 22; criticism, Aurier and, xvi, 1; decorative art and, 139; Futurism and, 136-37; Pog-gioli on, 136-37, 140; primitivism and, 137-38; reductionism and, 139; subjectivity and, 138; Symbolists and, 135, 140; vibration and, 139; youth and, 136 Baillot, A., 43 Bain, Alexandre, 88 Baju, Anatole, 8-9, 14 Ballanche, P.S.; on suffering, 43 Balzac, Honoré de, 10 Baudelaire, Charles, 28, 119; and Absolute, 51; and ecstasy, 37; and theory of correspondences, 28-30; animism and, 135; art criticism of, 121; Aurier on art criticism of, 100; Idealism and art, view of, 33; influence of, on Aurier, 35, 51; occult and, 37; on dreams and creativity, 41; on Ideas, recognition of and imagination, 38; on man and civilization, 47; on man, nature of, 35; on poet as critic, 91; on poet as "voyant" 37; pessimism of, and influence of, 43-44, 47; Sloane on 119; Works: Les Fleurs du mal, 8, 29, 44; "Bénédiction" 44; "Correspondances" 29, 35; "Le Génie enfant" 41 Beauclair, Henri, and Vicaire, Gabriel; Les Déliquescences, 8 Beauty: and art, Plotinus on, 32-33, 163n.30 Belgium: Les XX in, 12 206 Index Beinard, Emile, 1, 11, 124-25; Aurier and, 140, 148-50nn.29, 38; Aurier on, 10, 12-13 , 67-68, 76, 115; published in Le Moderniste, 94 Bois, Jules; on Swedenborg, 36 Boucher, François, 46 Bouger, A., 13 Bouillet, M.-N., 51; on Plotinus and neo- Platonism, 32 Bourde, Paul, 25; criticism of Decadent poetry, 48 Bouguereau, William: Aurier on, 105-6; Le Premier Deuil, 106 Bourget, Paul: on Baudelaire and Decadence, 147n.l0 Brinn'Gaubast, L. P. de, 11-12; Fils adoptif, Aurier on, 10 Burhan, Filiz Eda: on Aurier, 25; on Symbolists and language of art, 70; "Visions and Visionaries" 2 Cabanel, Alexandre: Aurier on, 105-6; The Birth of Venus, 130 Carrière, Eugène, 1, 135; Aurier on, 39, 46, 62, 79, 117-18, 127; Maternity, 132 Cezanne, Paul: Ponty on, 83 Le Chat noir (review), 7 "Les chercheurs": Aurier on, 104, 108-9, 113-15, 117, 132 Chevreul, Eugène, 40 Cognition, theory of: Baudelaire on, 38; ecstasy and, 37-39; imagination and, 38; intellect and, 38-39, 42; intuition and Symbolists and, 38-39; objectivity and, 42-43; subjectivity and, 38-43; "voyant" and, 36-37 "Les copieurs" (See also Salon art and artists), Aurier on, 104-7 Cornell, Kenneth: on Decadence, 9 Correspondences, theory of, 101; alchemical theory and, 28; and cognition, theory of, 36-39; and nature, view of, 29-30; and Symbolists, 28; animism and, 29; Aurier and, 20, 28-30, 35-37, 51, 90, 101, 114; Baudelaire and, 28-30; expression of, and suggestion, 24-25; influence of occult on, 28; mysticism and, 28; Swedenborg and, 28-29, 37; Symbolists and, 24-25; synesthesia and, 30; "voyant" and, 36-37 Coulon, Marcel: on Aurier and Le Décadent, 14 Courbet, Gustave, 59; Aurier on, 108 Cousin, Victor, 19; Cours de philosophie, 30 Coutances, Edmond: criticism of "fumistes" 48 Creative process (See also La haute synthèse; La rêverie philosophique; La synthèse du moi; La traduction), xv-xvi, 3; and Idea, subjective, 61, 173n.l4; and symbolism, 78; and synthesis and reduction, 77, 138, 179n.72; and temperament, 58-59, 172n.3; Aurier on, 27, 55, 83, 101, 142; correspondence with aesthetic experience, 90; Kahn on, 83; suggestion and Symbolist art, 25 Critic: Aurier on, 91-92, 96-101; Hennequin and, 98-99; Sainte-Beuve and, 99; Taine and, 97-98 Criticism, Aurier and: and formal elements, 103; and distancing, 92-93; and prolongement spirituel, 92, 95; and symbolism, 92; critical process, 95-96, 101; judgment in, 93-95; mystical idealism and, 103; scientific, criticism of, 98-100; subjectivity in, 95, 108; symbolism in, 108; theory of, xv-xvi, 55, 90, 95-96, 100-101, 103 Dadaists, 8 Darwin, Charles, and Darwinism, 2, 22; Origin of Species, 22 Daumier, Honoré: Aurier on, 73, 110 Le Decadent, 8-9; Coulon on, 114 Decadence and Decadents, 8-9; Aurier on, 8-9, 10-12; Baudelaire on, 147n.l0; Bourde on, 48; Cornell on, 9; Des Es-seintes and, 8-9; evolution of, 14; influence of Schopenhauer on, 30-31; Moréas on, 48; poetry of, 48; Symbolists and, conflict with, 9 Decorative art, Aurier and: and abstractionists, 139; and Symbolists and mural painting, 79; and "le Style" 79; avant-garde and, 139; defined, 79-81; primitives and, 79 Deformations, 67, 70-71, 74, 96, 176nn.41-42, 177n.50; and medium, truth to, 70-71; Aurier, and expressive theory, 66-67; defined, 66; synthesis and, 77-78, 83; temperament and, 67 Degas, Edgar: Aurier on, 110 De Groux, Henri, 27-28, 49; Aurier on, 55, 60, 63, 81, 118-19, 126; Works: Index 207 L'Assassiné, 118; Le Meurtre, Aurier on, 25-26, 88-89, 118-119, 188n.41; Le Pendu, 118; Les Traînards, 118 Denis, Maurice, 1; influence of Aurier on, 140-41 Deschanel, Emile: Aurier on art criticism of, 99-100; La Physiologie des artistes, 99-100 Determinism: Aurier and, 22-23 De Wyzewa, Téodor, 135; on dreams, 41 "La douleur." See Pessimism Dreams: and creativity, Baudelaire on, 41; and Symbolist aesthetic theory, 40-41; Aurier on, 39-41; de Gourmont on, 41; de Wyzewa on, 41; Gauguin on, 41; Kahn on, 41; Schopenhauer on, and reality, 41; Symbolists, influence on, 41 Dubus, Edouard, 27-28; Pandemonium philosophai du XXième siècle, Tl Dumur, Louis, 15 Dutch masters, 17th-c.: Aurier on, as "chercheurs" 108, 186n.l2 Ecstasy, and artists: Aurier on, 37-39; Baudelaire and, 37; Plotinus and, 37-38; Schopenhauer and, 38 Ensor, James: rejection of perfection, 139 Expression. See Aurier—expressive theory Fechner, Gustav, 40 Fénéon, Félix, 1, 100; art criticism of, 141, 192-93n.34; compared to Aurier, 141; on neo-Impressionist theory, 141 Fichte, Johann, 30 Figuier, L.: L'Alchimie et les alchimistes, Tl Flaubert, Gustave, 44 Forain, Jean-Louis: Aurier on, 110 Frye, Northrop, 93 Futurism and Futurists, 136, 191n,5; and avant-garde, 137-38; in Milan, 8 Gadamer, Hans-Georg, xvi, 140 Gauguin, Paul, xvi, 1, 10-12, 49, 73, 122, 142; as decorator, 18, 116; audience of, Aurier on, 27, 55, 58-60, 94, 115, 123-26; Idea and, 124-25; influence of, 140-41; limitations of, and easel, 79; Morice on, 142; primitivism of, Aurier on, 75, 124; on Seguin and dreams, 41; Pissarro on, 114; published in Le Moderniste, 94; reaction against Impressionists, 124; response to Aurier's criticism, 125; suggestion in work of, 25; Works: Jardin des Oliviers, 125; Soyez amoreuses, vous serez heureuses, 125; Soyez mystérieuses, 125; Vision after the Sermon, 25-26, 50, 62, 123-24, 189П.58 Gautier, Théophile, 92 de Gérando, M., 32 Ghil, René, 9 Gilbert, Sir John: Aurier's criticism of, 68 Goldwater, Robert 2 de Gourmont, Remy, 12, 116, 135; art criticism of, 2; idealism of, 39-40, 140; influence of Schopenhauer on, 39-40; on Aurier's criticism, 1; on dreams and reality, 41; on Kant and subjectivism, 40; on Symbolists and idealism, 30; Oeuvres posthumes (ed.), 15 Guys, Constantin, 119 Hautecoeur, Louis: on Aurier and Gauguin, 126 La haute synthèse, 57, 64-65, 78, 83, 87, 96; and deformation, 66-67; and prolongement spirituel, 63, 68, 92, 95, 174n.23; and transcendental emotivity, 63; Aurier on, 64-66, 72-73; defined, 63, subjective vs. objective Ideas and, 77 Hegel, Friedrich, 22, 30; and art, view of, 31; influence of, 31, 33 Helmholtz, Hermann von, 40 Hennequin, Emile, 88; art criticism of, 98-100 Henner, Jean-Jacques, 55; and la synthèse du moi, 57-59; Aurier on, 11-12, 55, 62, 119-21, 126, 189n.46; Works: A Bather, 133 Henry, Charles, 40, 68-69, 100 Hermeneutics, xv, 140 "Hirsutes" 7 History: Aurier on, 22 Huret, Jules: criticism of Aurier's View, 10; Enquête sur l'évolution littéraire, 14 Huysmans, Joris-Karl: A rebours, 8; Des Esseintes, 8-9, 12, 112 "Hydropathes" 7 Hyperaesthetic and hyperaestheticism, 45; Van Gogh and, 59, 122-23 Hypnotism, 23; Aurier and, 24 Ibels, H.-G., 15 Idea, 29, 64, and language of art, 69; and 208 Index psychology of forms, 68-69; Aurier on, 33-36, 38-39, 78, 100; nature and, 30; neo-Platonism and, 33-34, 36; objective, 42, 60-61, 63, 65-66; pessimism and, 46; Plotinus on, 36-38, 161n. 10; revelation of, and art, 51, 73, 79; reverie phibsophique and, 60-63; souls and, 34; subjective vs. objective, 42, 60-61, 63, 77, 95-96, 173n.l4; symbol and, Aurier on, 65-66; Taine on, 65; undulation of, 68-69; vibration in, 68-69 Ideal; Aurier and, 65: and art criticism, 103; and hierarchy of, 92, 103; and "les chercheurs" 104-9, 113; and "les copieurs" 104-7; and ideist concept, 65-66; and "les trouveurs" 104, 113, 115-17 Idealism and Idealists, 14, 165-66n.l46; and "le joli" 106-7; and matter, inferiority of, 34-35; and naturalism, 22; defined, 30-31; epistemological, 30-31, 39-40, 42; Fichte and, influence on Symbolists, 40; German Romantic, 22, 30-31, 33, 40; de Gourmont on, 30, 39-40; Lehmann on, 30, 32; mystical, 14, 19, 43, 46; Schopenhauer and, 30-31, 39, 42; subjectivism, influence of, 40; Symbolists and, 30-32; types of, 158n.74 Ideists: and spontaneity and control, 74-75; Aurier on, 65-66, 103-4, 113, 117, 132 Illusion: and Salon artists, Aurier's criticism of, 107; Aurier's objection to, 83 Imitation: Aurier's opposition to, 72 Impressionism and Impressionists, 115; and deformations, 67; and realism, Aurier on, 110-11; Aurier on, 62, 76, 126, 186n. 17; Gauguin and reaction against, 124; synthesis and, 77 Intellect: and cognition theory, 38-39; and creative process, Aurier on, 38-39, 178-79П.68 Intellectual configuration, 83, 87; art criticism and, 95 Intuition, 164-65nn. 140, 141; and mysticism, 38-39; and recognition of ideas, 38-39; Symbolists and, 38 "Irradiation" 34 ¡solé. See Isolation, of the artist Isolation, of the artist, 82, 98, 115-16, 122-23, 137 Janet, Pierre, 45 Jarry, Alfred: influence of Aurier on, 142 Jirat-Wasiutynski, Vojtech: on purity, 139 "Le joli" 185-86nn.l0, 11; Aurier on, 106, 108; idealism in, 106-7; realism in, 106-7; Renoir and, Aurier on, 112 Judgment, in art criticism, 93 Kahn, Gustave: on creative process, 83; on dreams, 41; on Symbolists and subjectivity, 40 Kant, Emmanuel, 30, 32; de Gourmont on, 40; subjectivism, and influence on Symbolists, 40 Kandinsky, Vasily, 137-39 Kuspit, Donald В.: on language of art, 140 Laforgue, Jules, 42, 140; on art, 165n.l50 Language of art, 83, 140; and expressivity of formal elements, 69-70; Aurier on, 69-70, 176-77nn.47, 50; Kuspit on, 140 Lavater, Johann, 29 Leclerq, Julien, 9-12 Lefebvre, Jules Joseph: Aurier on, 105-6; Graziella, 129; L'Orpheline, 106 Lehmann, A.G.: on Idealism, 30, 32; on Symbolism, 23 Lejay, Julien, 46; La Plume, 46 Levi, Eliphas: on "voyant" 37 Littré, Emile, 40 Lombroso, Cesare: on genius and madness, influence of, 45 Love, 89-90 Magnetism. See Hypnotism Mallarmé, Stéphane, 8-9, 30; Aurier and, 8; on Aurier, 147; on suggestion, 24 Man, and civilization: Aurier on, 46-49, 136-37; Baudelaire on, 47; Schopenhauer on, 47 Manet, Edouard, 83, 113 Marc, Franz, 138 Marx, Roger, 14, 142 Matisse, Henri, 138 Maupassant, Guy de, 10 Meissonier, Jean Louis Ernest: Aurier's criticism of, 72-73, 105-6, '108; Friedland, 1807, 128 Mercure de France (journal), 12, 15; Aurier and, 12-13 Milan: Futurists in, 8 "Les Modernes": and "le joli" 106; Aurier's criticism of, 106-7; Rosenthal on, 106 Index 209 Modernism, 14; Aurier's influence on theory of, 135 Le Moderniste illustré (journal), 11, 94, 121, 142; Aurier and, 11-12; Gauguin and, 125 Monet, Claude: Aurier on, 27, 46, 74, 111, 113; on purity, in art, 139 Moréas, Jean, 9, 25; on Decadent poetry, 48 Moreau, Gustave, 73, 116, 119 Morice, Charles, 13, 48; Aurier and 142; La Littérature de tout à l'heure, 11, 142; on Gauguin, 142 Morisot, Berthe: Aurier on, 112-13, 187n.28 Mysticism, 19; and Symbolists, aesthetic theory of, 23; Aurier, aesthetic theory and, 20, 36-37, 51, 90, 101, 114; intuition and, 38-39; in theory of correspondences, 28-30 Nabis, 10, 116, 192n.25; influence of, 140 Nadar (Félix Tournachon), 73 Naturalists and Naturalism, 34, 109; rivalry with idealism, 22; use of hypnotism, 24; vs. Symbolists, 153n.20 Nature, view of: abstractionists, 138; Aurier on, 138; Fichte on, 40; Symbolists and, 29-30 Neo-Impressionists, 81; Aurier on, 116, 135; criticism of, 1; Fénéon on theory of, 141 Neo-Platonism, 10, 28, 30; and Idealism, 30, 32; and Ideas, 33-34; Bouillet on, 32; influence on Aurier, 33-34 , 36, 141-42; influence of, 141-42; influence on Symbolists, 32; Plotinus and, 28, 32; Saunders on, 32 Nihilism, 136-37 Objectivity: Aurier on, 42-43; Symbolist scepticism of, 42 Occult, 23; influence on Symbolism, 154n.24, 157n.57; influence on theory of correspondences, 28 Ortega y Gasset, José, 93, 139 Paris: avant-garde in, 7 Perception, subjectivity of {See also L'appareil de perception): Aurier on, 58-59 Pessimism, 19, 31; and Idea, 46; and matter and spirit, dichotomy of, 46; and subjectivism, 43; Aurier and, 135, 169n.l99; Baudelaire and, 43-44, 47, 51; "la douleur" and, 43-46, 135; influence of Schopenhauer and, 43-44, 47, 51, 167n,179; influence on Symbolists, 43, 168n.l82 Photography: Aurier's criticism of, 72-73, 178n.59 Pissarro, Camille, 141; and Pointilliste, 114, 187n.30; Aurier on, 27, 58, 71, 74, 80, 113-14, 126; on Symbolism and Gauguin, 114; Works: Les Glaneuses, 80; Prairies de Saint-Charles, 114 Plato: influence of, on Aurier, 36; influence of, on Symbolists, 32-34, 46; on dangers of imitative art, 72; Véron on, 34 La Pléiade (journal), 11-12 Plotinus, 2 68; and Idealism, 30, 35; and One, concept of, 32, 34-35, 37, 51, 161 n. 101 ; and pessimism, influence of, 44; art, view of, 32-33; Bouillet on, 32; ecstasy and, 37-38; influence of, 46-47; influence of, on Aurier, 33-34, 44, 51, 135; neo-Platonism of, 28, 32; on beauty, 32-33, 163n.l30; on Ideas, recognition of, 36; on intuition, 37, 164n.l40; on irradiation, 34; on man, nature of, 35; on matter, 35, 161-62n.l06; on nature, view of, 29-30; on Soul, 34, 161n.l02; Saunders on, 32; Works: Ennéade, 21 Petit, Pierre, 32 Poe, Edgar Allen, 24 Poggioli, Renato: on avant-garde, 136 Pointillism: Pissarro and, 114, 187n.30 Ponty, Merleau: on Cézanne, 83 Positivism and Positivists, 19, 109; and Aurier, 114; conflict with Symbolists, 40 Pre-Raphaelites, 116 Primitives and primitivism, 74; and avant-garde, 137-38; Aurier and, 49-50, 75-76; awkwardness and, 76; decorative art and, 79; Gauguin and, Aurier on, 124; Italian, 122, 124; purity and, 81-82; reductionism and, 75-76; simplicity and, 75-77; Symbolists and, 49, 76 Progress, concept of, and evolution, 22 "Prolongement spirituel, " 74-75, 87-88, 174n.23; and art criticism, 92, 95; and la haute synthèse, 63, 92 Psychological emotion, the, 60-61, 173n.l2 Psychophysiology: Aurier and, 40-41; influence on Symbolist aesthetic theory, 40-41 Purity, in art: and Aurier, expressive theory 210 Index of, 81, 83; and isolation of the artist, 82; primitives and, 81-82 Puvis de Chavannes, Pierre-Cécile, 59, 73, 116, 119; Aurier on, 116 Raffaëlli, Jean-François, 186n.l4; Aurier on, 66-67, 73, 76, 108-10, 126, 131; on Aurier's criticism, 109-10; Garlic Seller, 131 Ravaisson, Félix, 45 Realism and realists: and "le joli" Aurier on, 106-7; Aurier on, 103-4; "chercheurs" Aurier on, 104, 108-9, 113; Impressionism and, Aurier on, 110-111; Symbolism in, 78 Redon, Odilon, 45, 116; Aurier on, 117; influence on Symbolists, 117 Reductionism, 73, 139; and primitivism, 75-76 Régnier, Henri de: Episodes, criticism of, 9 Renan, Ernest, 42 Renoir, Pierre Auguste, 135; and "le joli, " 112; Aurier on, 27, 46, 111-12, 126, 187П.27 Retté, Adolphe, 14 La reverie philosophique, 78, 83 , 87, 95-96; and ideas, 60-63; and motif, defined, 60, 63; and psychological emotion, 60-63; and sensation, 62; and transcendental emotivity, 61-63 La Revue encyclopédique, 14 Revue indépendante, 12; Aurier and, 13 Ribot, Th.: translation of Schopenhauer, 31 Rimbaud, Arthur, 8, 26-28, 44 Roinard, P.-N., 15 Rood, Ogden, 40 Rookmaaker, H.R., 20; on Aurier, expressive theory of, 178; on Symbolist aesthetic, 3 Rosenthal, Léon: on "les Modernes" 106 Rousseau, Jean-Jacques, 47 Sainte-Beuve, Charles Augustin: Aurier on, 99 Salon art and artists, 137; audience of, 86; Aurier's criticism of, 74, 76, 104, 107, 126, 181n.8 Saunders, Jason L.: on Plotinus and neo- Platonism, 32 Scepticism, 19-20, 46; and subjective idealism, 42; and Symbolist aesthetic theory, 42-43; Aurier on, 20-21, 42-43, 46-51, 135; Schelling on, 42 Schelling, Friedrich, 22, 30, 38; and art, view of, 31; influence of, 31; on scepticism, 42 Schiller, Johann С.F. von, 22; influence of, 46-47 Schleiermacher, Friedrich, xv Schopenhauer, Arthur, 2, 9, 30; and "la douleur" 43-44; Bourdeau translation of aphorisms of, 43; epistemological idealism of, 31, 39, 42; influence of, on Idealism, 30-31, 35, 39; influence of, and pessimism, 43-44, 47, 51; on dreams and reality, 41; on ecstasy and the artist, 38; on nature of man and civilization, 47-48; subjectivism, influence of, on Symbolists, 40; Villiers on influence of, 31-32 Science: Aurier's rejection of, 19-20, 22-23, 135, 141, 152n.l0; influence on Symbolists, 20, 23; 19th-c., determinism and positivism and, 19, 22-23 Seguin, Armande: and dreams, Gauguin on, 41 Sensation: Aurier on, 62, 174n.l7 "Sentiment of the beautiful": Aurier on, 88 Sérusier, Paul, 1; and Synthetist theory, 141-42; Aurier on, 115; influence of Plotinus on, 141; influence of Swedenborg on, 121; neo-Platonism of, 141; on Aurier, 141-42 Seurat, Georges, 15, 68, 116, 126, 141 Signac, Paul, 14, 68 Simplicity: and synthesis, Aurier and, 73, 77; Aurier and art criticism, 110 Sincerity: and art criticism, 95; and synthèse du moi, Aurier on, 58-59 Sloane, Joseph C.: on Baudelaire, 119; on purity and art for art's sake, 139 Soul: and intuition, Plotinus on, 34, 38, 161n.l02 Spiritual configuration, 95-96 Spiritual, the (See also Mysticism): Symbolists and revival of, 23 Spontaneity vs. control: Aurier on, 74-75 "Le Style": Aurier and, 79; defined, 80-81; purity and, 80-81 Subjectivism, 19, 31; and Symbolist aesthetic theory and Idealism, 40-44; Aurier on, 40, 42-43; Symbolists and, 31 Subjectivity: abstractionists and, 138; and avant-garde, 138; Aurier and, 64, 108, 175n.27 Index 211 Suffering. See Pessimism Suggestion: as literary technique, Aurier and, 25-27; Mallarmé on, 24; relation to hypnotism, Symbolists and, 24-25 de Superville, Humbert, 40 Swedenborg, Emmanuel, 61; and theory of correspondences, 28-29 , 37, 162n.ll5; Bois on, 36; influence on Aurier, 51; influence on Sérusier, 41; influence on Symbolists, 28-29; religious affiliation of, 35-36 Symbolism, 14; and intellectual configuration of art 79; and Symbolists, 78-79; Aurier and, 14, 78-79, 108; defined, 78; evolution of, 14; in realist art, 78; Lehmann on, 23; role of intellect in, 83 Symbolists, 110-11; aesthetic theory of, xv, 1, 19; and alchemy, 26-27; and art criticism, Aurier on, 92; and avant-garde, 135; and awkwardness, 138-39; and correspondences, theory of, 24-25; and Decadents, conflict with, 9; and Idealism, 19, 135-36; and language of art, Burhan on, 70; and man and civilization, view of, 46-48; and mysticism, 19, 23, 28-30, 135-36; and primitives and primitivism, 49-50, 76; and revival of spiritual, 23; and scepticism, 42-43; and science, 20; and studies of the unconscious, influence of von Hartmann on, 41-42; and subjectivism, 19, 40-41; and symbols and symbolism, 78; and synthesis, 77; Aurier and, 71, 115-16, 118-21, 135, 142-43, 190n.71; Aurier on, xv, 1, 40-41, 140-41; Darwinism and, 2; decorative art and, Aurier on, 79; idealism and, 30, 32-35, 158-59n.74; influence of Fichte on, 166n.l52; influence of Gauguin on, 117; influence of occult on, 154n.24, 157n.57; influence of pessimism on, 43-46; influence of Puvis de Chavannes on, 116; influence of Redon on, 117; influence of Schopenhauer on, 159n.79, 167n.l79; influence of science on, 23; influence of Van Gogh on, 117; influence of Villiers on, 159n.84; influence on avant-garde, 140; intellectual milieu of, 19; Pissarro on, 114; Positivists, conflict with, 40; psychology and psychophysiology and, 2, 69; purity and, 81-82; spontaneity vs. control and, 74-75; subjectivism and, 19, 31; suggestion and, 24-25; vs. Naturalists, 113; "voyant" and artist as, 37 La synthèse du moi, 57, 62-63, 67, 74-75, 77, 83; and artistic judgment, 59; and education, 57-58; and intellect, 58; and sincerity, 58-59; and subjectivity, perception of, 58-60; and synthesis, 77; and temperament, 58-59; Aurier and, 57-60; defined, 57; process of, 59-60 Synthesis: Aurier and, 83, 110, 135, 138; defined, 77; expressive theory, Aurier and, 77-78; Symbolists and, 77; synthèse du moi and, 77 Synthetism and Synthetists, xvi, 15, 116, 140; Aurier on, 141, 190n,71; influence of Aurier on, 140-41, 190n.71; theory of, Sérusier and, 141-42 Taine, Hippolyte, 21, 94; and formulation of ideal, Aurier on, 65; Aurier's criticism of, 82, 88, 97-100, 184-85n.2; on perception, 40; on purpose of art, 98; on subjective ideas, 65 La traduction: Aurier and, 57, 61, 78, 83, 96, 174n.24; and expressive theory, 63-64; defined, 63-64; formal elements in, 70 Transcendental emotivity, 61-63 Trismegiste, Hermes: Table d'émeraude, 28 Trompe l'oeil: and Salon artists, Aurier's criticism of, 107; Aurier, on avoidance of, 72 Unconscious, study of: influence on Symbolists, 41-42 "Undulation": and Ideas, 68—69; Aurier on, 67 Vallette, Alfred, 11; and Mercure de France, 12; on Aurier's art criticism, 12 Van Gogh, Theo: letter to Aurier, 13 Van Gogh, Vincent, 1, 15, 49, 142; and primitivism, 75; awkwardness of, Aurier on, 76; Aurier on, 12-14, 23, 26, 58, 68, 121-22, 125-26, 149-50n.38; biography of, 13; hyperaestheticism of, 59, 122-23; impasto of, 80; influence of alchemy and, 27; letter to Aurier, 122-23 Vanor, Georges: L'Art symboliste, 142 Verlaine, Paul, 7-9 Véron, Eugene: on Plato, 34 Vibration, in art, 139; Aurier on, 67-69; spiritual, 80 Villiers de l'lsle-Adam, Philippe de, 30; and Symbolists, 159n.84; influence of, and 212 Index pessimism, 47; influence of Hegel on, 31-32; influence of Schopenhauer on, 32; Works: Axel, 32; Tribulat Bonhomet, 32 Les XX, 13, 118 Vogler, Paul: Aurier and, 14 von Hartmann, Edouard, 104; Philosophie de l'inconscient, influence on Symbolists, 41-42 Voyant: and artist as symbolist and, 37; and theory of correspondences, 36-37; Aurier on, 37, 61; Baudelaire on poet as, 37; Levi on, 37 Vuillard, Edouard, 45 Wagner, Richard, 11, 118 Watercolor: contrasted with oil painting, 71; undulation and vibration in, 68 Williame, Jacques, 125 Williame, Mme, 13-14 Women as artists: Aurier on, 112-13, 187n.28 Zola, Emile, 34; criticism of, 39; definition of art, 40; Le Roman experimental, 39 Zuber: Aurier's criticism of, 68 Zurich: Dadaists in, 8 |
