| Volltext: | Index Abstract expressionism, xvii, xxxi— xxxii, 155-57; essay on, 217- 35; of Hofmann, 242-43, 245 Action painting, 217 Adam and Eve (Léget), 173 Adam and Eve after the Expulsion from Eden (Veronese), 31 Adoration of the Magi (Bassano), 32 Adoration of the Magi (Brueghel), 35 Adorno, Theodor, xxii Aesthetics and History in the Visual Arts (Berenson), 249 "After Abstract Expressionism" (Greenberg), xxxii After Strange Gods (Eliot), 125 Agrícola (Smith), 279 Alberti, Leon Battista: Treatise on Painting, 108 Alley of Trees (Soutine), 77 Allston, Washington, 38, 161 Altamira, 179 Altdorfer, Albrecht, 4 American Abstract Artists, 233 American art: abstract painting, 155-57, 217-35; European view of, 59—62; Hartley and Maurer in, 58; provincialism in painting, 161-64; sculpture, 276 American Committee for Cultural Freedom (ACCF), xxvii-xxviii American Mercury (magazine), 118 "'American-Type' Painting" (Greenberg), xxx-xxxi, 217; critical exchange on, 236 Anderson, Sherwood, 16 Angélico, Fra, 237 "Anti-Semitic Stereotypes in Zionism" (Kaufman), 57П Apollinaire, Guillaume, 166 Architecture in Britain (Summerson), 174-78 Arch of Constantine, The (Berenson), 250-53 Aristotle, 66; Politics, 146П Arnold, Matthew, 66, 124 Arrival (Lipchitz), 184 Art and Architecture in France (Blunt), 174-78 Art and Architecture of India, The (Rowland), 174-78 Art and Architecture of Russia, The (Hamilton), 199-202 Art and Architecture of the Ancient Orient, The (Frankfort), 199-202 Art and Culture (Greenberg), xvi-xix, xxiii Art and Literature (magazine), xv— xvi Art Digest (magazine), 164, 193 Art in America (magazine), 279 Art Institute of Chicago, 118, 165 "Artist in his Studio, The" (Ver-meer), 29 Art News (magazine), 60, 113, 155, 199, 217, 255, 259 Art Nouveau, 6, 181 Art of Sculpture, The (Read), 270— 73 Art of This Century (gallery), xxiii, 220, 229, 243 Art of T, S. Eliot, The (Gardner), 70 Arts Magazine, 265 Art Treasures of the Prado Museum (Wehle), 196-98 Ashbery, John, xv—xvi, xviii Ash Wednesday (Eliot), 69-70 Associated American Artists' Galleries, 237 Astraea, the Goddess of Justice, Fleeing to the Country People (Rosa), 32 Auden, W. H., 69 "Avant-Garde and Kitsch" (Greenberg), xv, xxi, xxiv, xxix, xxxiii Avery, Milton, 157, 218 Ayrton, Michael, 254 Bacchanal, The (Titian), 197 Barbizon School, 230 Barnes Foundation, 72 29З Bate, Alfted, 196 Barrett, William, 123 Barye, Antoine-Louis, 110 Bassano, Jacopo: Adoration of the Magi, 32 Bather (Lipchitz), 182 Bath of Diana (Palmavecchio), 32 Baudelaire, Charles, 64, 92, 139 Beckmann, Max, 76 Beethoven, Ludwig von, 69, 182 Beginning, The (Gorky), 39 Bell, Clive, 66 Bell, Daniel, xxviii-xxix Benediction 1 (Lipchitz), 185 Benjamin, Walter, xvi Bennington College, 119, 174, 181, 245 Berenson, Bernard: Aesthetics and History in the Visual Arts, 249; anti-modernism of, 253, 255; Piero della Francesca and The Arch of Constantino, 247-53; Sketch for a Self-Portrait, 248 Bernard, Emile, 89-90 Bernini, Gian Lorenzo, 182, 185 Bicyclist (Léger), 173 Blakelock, Ralph Albert, 161 Blaue Reiter, 3, 6 Bloom, Hyman, 60, 234 Bluemner, Oscar, 161 Blunt, Anthony. Art and Architecture in France, 174-78 Bonald, Louis-Gabriel-Ambroise de, 125 Bonestell Gallery, 18 Bonnard, Pierre, xxiii, 18, 75, 82, 228, 237, 258 Bordone, Paris, 33 Borkenau, Franz: "Will Technology Destroy Civilization?" 130-31 Bossert, Helmut: Folk Art in Europe, 152-55 Bourdelle, Antoine, no, 181 Bourgeois Galleries, 18 Boy in Blue (Soutine), 77 Brancusi, Constantin, 101, 107, 111-12, 188 Braque, Georges, 102, 165; and Cubism, 17,90, 117, 167-70, 225, 265; Léger compared to, 172 Brauner, Victor, 9 Brecht, Bertolt, xvi Brescia, Moretto da, 33 Breton, André, 220 Brigitta (Mareks), 102 Broadway Boogie Woogie (Mondrian), 228 Brod, Max, 209 Bronstein, Leo: El Greco, 63-65 Brown Network, The: The Activities of the Nazis in Foreign Countries, xvi Browns, John George, 163 Brueghel, Pieter, 33; Adoration of the Magi, 35 Bryson, Lyman, 143 "Buckeye" painting, 230-31, 238 Builders (Léger), 172 Bull and Condor (Lipchitz), 185 Bunyan, John, 133 Burnham, James, xxviii "Burrow, The" (Kafka), 206 Butler, Reg, 276, 279 Cahiers d'Art (magazine), 220 Calder, Alexander, 61, 277 Caleb Casper (EJliotr), 162 Cantos (Pound), 71 Caravaggio, 29, 263-64 Carcass of Beef (Soutine), 76 Caro, Anthony, xxxii Carlyle, Thomas, 124 Carracci, Annibale, 33 Carreño de Miranda, Juan, 33 Castle, The (Kafka), 204, 207 Catlin, George, 161 Cerezo, Mateo, 33 Cervantes, Miguel de, 96 Cézanne, Paul, 18, 34, 92, 249, 260; and chiaroscuro, 237-38, Clark on, 27; and Cubism, 88, 90, 111, 117-18, 167-68, 170, 228, 233; essay on, 82- 91, 113 —18; on Impressionism, 227, 257; Paleolithic painters compared to, 179; and Picasso, 275; and the Prado, 197; Renoir compared to, 24; and Soutine, 74-75, 159; Venturi on, 264- 65 Chadwick, Lynn, 276, 279 Chagall, Marc, 73, 76, 182, 202, 219; Chagall, r58-60 Chagall (Lassaigne), 157—60 Chardin, Jean-Baptiste-Siméon, 7 5 , IOO, 237 Charles V, 197, 251 Chase, William Merritr, 161 294 Cherry, Herman, 174 Chiaroscuro, 236—40 Childe, V. Gordon, 141 Children at the Seashore ( Guernsey) (Renoir), 25 Chim'ene (Lipchitz), 183 Chinese painting, 42—44 City (Léger), 172 Clark, Kenneth: Landscape Painting, 26—27; on Seurat, 85П Clark, T. J.: "Eliotic Trotskyism" xxvi Claude Lorraine, 177 Coates, Robert, 217 Codex Urbinas Latinus, 261-62 Coëllo, Claudio, 32 Cogniat, Raymond: Soutine, 157 — 60 Cole, Thomas, 38 Coleman, Glenn, 161 Coleridge, Samuel Taylor, 66 Color-field painting, xxxii, 103 Colour and Form (Stokes), 236 Colquhoun, Ithell, 254 Commentary (magazine), xvi, xix, xxvi, xxix, 20, 57П, 130—31, 152, 160, 186, 195, 209, 216, 270 Conceptualism, xxxii Concierge (Soutine), 77 Congress for Cultural Freedom, xxvii-xxviii Congressional Record, The, xxvii Constable, John, 33, 176 Constantine I, 250—52 Constructivism, III, 202, 243, 276 Contemporary Jewish Record, The (magazine), xvi, 45, 195 Contrast of Forms (béget), 169 Cooper, Douglas, 60, 64 Copley, John Singleton, 161, 164 Corot, Camille, 33, 93, 189, 237 Correggio, 32, no, 239\ Jupiter and lo, 32 ; The Rape of Ganymede, 32 Country Beautiful (magazine), xviii Courbet, Gustave, 33, 73, 77, 82- 83. 159, 190, 237; Gustave Courbet, 91—94 Cousins and Strangers: Comments on America by Commonwealth Fund Fellows from Britain, 1946-1952 (Putt), 265-70 Crags at l'Estaque (Renoir), 25 Craxton, John, 254 Critique of Aesthetic Judgment (Kant), xxii, 216, 249 Crome, John "Old" 230 Cubism, 18, 159, 235; and abstract expressionism, 219—26, 228; and American artists, 62; and Cézanne, 88, 90, III, 117- 18, 167-68, 170, 228, 230; and chiaroscuro, 237 — 38; and Hofmann, 242—44; and Impressionism, 167, 169, 228, 257, 261; and Klee, 5-6, 8, 11; of Léger, 165-72; Lewis on, 255; of Lipchitz, 182-84; of Maurer, 16—17; of Mondrian, 34, 169, 233; Monet compared to, 230; of Picasso, 167—70, 265, 275; sculpture, 107, 276; and Soutine, 73; and Still, 233; and three-dimensional space, 190; Venturi on, 264-65 "Cultural Cold Warrior, The" (Lasch), xix cummings, e. e., 3 Dada, xxiii Dancer (Lipchitz), 182 Dante, 71, 96; Divine Comedy, 71, 187, 212 Daumier, Honoré, 32—33, 82 David, Jacques-Louis, 110 Davis, Robert Gorham, 123 Davis, Stuart, 164, 234 Debussy, Claude, 69 De Chirico, Giorgio, 82, 92 Defoe, Daniel, 133 Degas, Edgar, 114, 179 De Hooch. See Hooch, Pieter de De Kooning, Willem, 60—62, 234, 237; and abstract expressionism, xxxi, 156; exhibition of, 121-22, 221-22; Motherwell compared to, 223—24; Women, 222, 240 Delacroix, Eugène, 31, 33, 91-93, 197 De Lione. See Lione, Andrea de Del Vayo, J. Alvarez, xxvi—xxvii, 78-82 De Maistre, Joseph, 125 Demon of Progress in the Arts, The (Lewis), 253—56 295 Demuth, Charles, 234 Departure of Jacob, The (Lione), 32 Detain, André, 16, 75, 83, 182 De Ribera, José, 197 Despiau, Charles, 8 3 , I I I De Staël, Nicolas, 235 Devree, Howard, 253 Dewey, John, 166 Dewing, Thomas Wilmer: The Letter, 162 Diary of a Seducer (Gorky), 39, 226 Dickens, Charles, 97 Dickinson, Preston, 161 Divine Comedy (Dante), 71, 187, 212 Dominican Saint Rescuing Pilgrims at the Collapse of a Bridge (Guardi), 32 Dondero, George, xxvii Dove, Arthur Garfield, 234 "Dr. Bucephalus" (Kafka), 206 Dubuffet, Jean, xxiii, 9, 62, 156 Dufy, Raoul, 83 Duplessis, Joseph-Siffrède, 33 Dürer, Albrecht, 33 Dvorák, Max, 96 Eakins, Thomas, 38, 162-64 Ecstasy (Hofmann), 103 Egan Gallery, 44, 104 Eight, The, 162 Einstein, Albert, 166 Elgar, Frank: Picasso, 273-75 El Greco. See Greco, El El Greco (Bronstein), 63 Eliot, T. S., xx, xxxiii, 40, 140, 142-43, 150, 166, 216, 253; After Strange Gods, 125; Ash Wednesday, 69-70; essay on, 66- 71; For Lancelot Andrews, 67; Four Quartets, 69-70; "The Function of Criticism" 66; The Idea of a Christian Society, 125; "A Note on Richard Crashaw" 67 ; Notes Towards the Definition of Culture, 122-31, 133, 151-52; Selected Essays, 67; The Waste Land, 69, 71 "Eliotic Trotskyism" (Clark), xxvi Elliott, Charles Loring: Caleb Casper and Preston H. Hodges, 162 Embrace (Lipchitz), 185 Encounter (magazine), xxviii Endymion and his Flock (Titian), 32 Engels, Friedrich, xx Entrance to the Arsenal in Venice (Guardi), 33 Ernst, Max, 219 Expressionism: abstract expressionism, xvii, xxxi-xxxii, 155-57. 217-35, 242-43, 245; Beren-son on, 250; and Cézanne, 118; German, 102, 237; and Soutine, 72, 74, 76; and van Gogh, 83 "Eye is Part of the Mind, The" (Steinberg), 187 Faulkner, William, 137 Fautrier, Jean, 156 Fauves, 190, 228, 235, 257; flatness in, 74, 118; and Hofmann, 223, 241—44; and Maurer, 16 Fazzini, Pericle, 112 Feast of Venus (Rubens), 32 Feeley, Paul, 174 Ferber, Herbert, 256 Figure (Lipchitz), 183—84 Finnegans Wake (Joyce), 71 Fisherman on the Beach, A (van Gogh), 14 Fishing by Moonlight (van der Neer), 33 Fitzgerald, F. Scott, 137 Flannagan, John Bernard, 112 Flaubert, Gustave, 139 Flight (Lipchitz), 184 Florence, 33-34 Folk Art in Europe (Bossert), 152- 55 Font de Gaume, 179 For Lancelot Andrews (Eliot), 67 Forrer, R., 153 —54 Fouquet, Jean: Virgin and Child, 108 Four Quartets (Eliot), 69—70 Four Steps toward Modern Art (Ven-turi), 262—65 Fourteen (Pollock), 105 Fra Angélico, 237 Frankfort, Henri: The Art and Architecture of the Ancient Orient, 199-202 Frankfurter, Alfred, 60 Frankfurter, Felix, 46 French and Co., xviii French painting, 155-57 244 Freud, Sigmund, 166 296 Freudenberg, Philip, 242—43 Fried, Michael, xxxiii Friedländer, MaxJ., 14; Landscape, Portrait, Still-Life, 27-28 Friedman, Arnold, 161, 164; essay on, 18—21 Fry, Roger, 66, 84 "Function of Criticism, The" (Eliot), 66 Futurism, 168 Gabrielle (Maurer), 16 Gardner, Helen: The Art of T. S. Eliot, 70—71 Gasquet, Joachim, 89 Gatch, Lee, 60 Gauguin, Paul, 15, 83, 90-91, 101, 118, 228, 246 George, Stefan, 166 Georges, Paul, 174 Géricault, Théodore, 33, ioi, no Giacometti, Alberto, 102, 181, 276 Gide, André, 52 Giorgione, 263 Giotto, 190, 246 Girls Seated by a Brook (Renoir), 25 Goethe, Johann Wolfgang von, 49, 66 Goldwater, Robert, xvii Gombrich, E. H., 108 Gonzalez, Julio, 188, 276—77, 279 Gorky, Arshile, 37—39, 60-62, 156, 220—21; The Beginning, 39; Diary of a Seducer, 39, 226; Landscape Table, 39 Gottlieb, Adolph, xviii, 156, 164; and abstract expressionism, 223- 24; exhibition of, 180—81; Kitchen, 180; pictographs of, 229 Goya, Francisco, xvi, 23, 96, 162, 197-98, 275 Grande Jatte, La (Seurat), 27, 85П Grand déjeuner, Le (Léger), 171 Grandes Laveuses (Renoir), 24 Graves, Morris, 10, 234 Great Julie, The (Léger), 173 Greco, El, 34, 64, 73, 109, 166, 197 Greene, Graham, 211, 213 Gris, Juan, 182 Guardi, Francesco: Dominican Saint Rescuing Pilgrims at the Collapse of a Bridge, 32; Entrance to the Arsenal in Venice, 33 Guernica (Picasso), 187 Guggenheim, Peggy: Art of This Century gallery, xxiii, 220, 229, 243 Guggenheim (Solomon) Museum, 219, 237 Gustave Courbet (Mack), 91—94 Hagar (Lipchitz), 185 Halachah, 205-8, 212 Hals, Frans, 29 Hamilton, George Heard: The Art and Architecture of Russia, 199— 202 Harding, Chester, 162—63; Mrs. Thomas Brewster Coolidge and Pa-troon Van Rensselaer, 162 Harper's Bazaar (magazine), xxv— xxvi, 106 Hartley, Marsden, 58-59, 161, 234 Härtung, Hans, 156 Hauser, Arnold: The Social History of Art, xx—xxi, 94—98 H. de Toulouse Lautrec: One Hundred Ten Unpublished Drawings (Hein-tzelman), 246-47 Heade, Martin Johnson, 161 Hegel, G. W. F., 266 Heintzelman, Arthur W. and Roland M.: H. de Toulouse Lautrec: One Hundred Ten Unpublished Drawings, 246-47 Hemingway, Ernest, 137 Henri, Robert, 18 Henri de Toulouse-Lautrec: Drawings and Sketches in Colour (Landolt), 246-47 Hess, Thomas В., xvii—xviii Highbrow culture, 132-40 Hildebrand, Adolph von, 272 History of Modern Painting from Picasso to Surrealism, The (Raynal et al.), 63-65 Hitler, Adolf, 49, 51 Hoffmann, E. T. A., 4 Hofmann, Hans, 102-3, 156-57, 218—19, 256; and abstract expressionism, 222—23, 225, 234; Ecstasy, 103; essay on, 240-45; Scotch and Burgundy, 103 Hofmannsthal, Hugo von, 166 297 Hogarth, William, 176 Homer: Iliad, 187 Homer, Winslow, 38, 162-64; The Veteran, 163 Hooch, Pieter de, 33 Hook, Sidney, xxvii Hope, Henry R., 181-82 House and Garden (magazine), xviii House at Oisème (Soutine), 76-77 Hugo, Victor, 92, 124 Huizinga, Jan, 149 "Hunter Gracchus" (Kafka), 206, 212 Husserl, Edmund, 166 Idea of a Christian Society, The (Eliot), 125 Iliad (Homer), 187 Impressionism, 33, 97, 230, 232, 235; American painting compared to, 163; and Cézanne, 82, 84-85, 87, 114-17; and chiaroscuro, 237; Clark on, 27; and Cubism, 167, 169, 228, 257, 261; Friedländer on, 28; of Friedman, 13-21; Impressionsim, 257-59; and Matisse, 99-100; and Newman, 231; Paleolithic painting compared to, 179; and the Prado, 197; of Renoir, 22- 26; and Soutine, 74; and three-dimensional space, 190; in van Dyke, 31 Impressionism (Leymarie), 257—59 Infanta Margareta Teresa in Pink (Valasquez), 30 Infanta Maria Teresa (Velasquez), 30 Ingres, Jean-Auguste-Dominque, 1 9 . 33. 9 2 , no, 118, 121 Inness, George, 164 Intellectuals: and religion, 39—42 "Investigations of a Dog, The" (Kafka), 212 "Jackson Pollocks New Style" (Greenberg), xxvi, 106 Jacob Wrestling with the Angel (Lip-chitz), 185 Jebb, Sir Gladwyn, 81 Jeu de Paume (museum), 257 "Jewishness of Franz Kafka, The" (Greenberg), 202, 209 Jewish self-hatred, 45-58 Joan Miró (Greenberg), 195 Johann Friedrich (Titian), 30 Johnson, Cornelius, 175 Johnson, Samuel, 66 Joie de Vivre (Lipchitz), 184 "Josephine" (Kafka), 212 Joyce, James, 70—71, 166; Finne-gans Wake, 71 Judd, Donald, xix Judgment of Paris (Renior), 24 Jüdische Selbsthass, Der (Lessing), 45 Jupiter and lo (Correggio), 32 Kafka, Franz, 166; "The Burrow" 206; The Castle, 204, 207; critical exchange on, 209—16; "Dr. Bucephalus" 206; essay on, 202-9; "Hunter Gracchus" 206, 212; "The Investigations of a Dog" 212; "Josephine" 212; "The Metamorphosis" 208; "The Tower of Babel" 206 Kahnweiler, Daniel, 188 Kandinsky, Wassily: and abstract expressionism, 219-20, 228, 237; and Gorky, 38; and Hof-mann, 23, 244; and Impressionism, 18; Klee compared to, 3, 6; and Pollock, 225; in Russian art, 202; Still compared to, 233 Kant, Immanuel: Critique of Aesthetic Judgment, xxii, 216, 249 Kaplan, Mordecai M., 55 Kaufman, Yehezkel: "Anti-Semitic Stereotypes in Zionism" 57П Kensett, John Frederick, 161 Kenyan Review (magazine), 123 Kiesler, Frederick, 112 King Lear (Shakespeare), 216 Kirchwey, Freda, xxvi, 78 Kirk, Russell, 143 Kirstein, Lincoln, 59, 62 Kitchen (Gottlieb), 180 Klee, Paul, 157, 233; and abstract expressionists, 218, 220; American artists compared to, 61; essay on, 3-13; Gottlieb compared to, 224; Hofmann compared to, 223, 241, 245; and peasant art, 155 Kline, Franz, 44, 104—5, 156, 226-27 Kolbe, Georg, 83, toi, ш Kooning. See De Kooning, Willem 298 Kootz, Sam, 28 Kootz Gallery, xvii, 28—29, 38, ЮЗ. 173 Kozloff, Max, xvii-xviii Kramer, Hilton, xix—xx Kraushaars (gallery), 18 Krauss, Rosalind, xxxiii Kristol, Irving, xxviii Kroll, Jack, xxiii Lachaise, Gaston, 83, 112 Laissaigne, Jacques: Chagall, 157 — 60 Landolt, Hanspeter: Henri de Toulouse-Lautrec; Drawings and Sketches in Colour, 246-47 Landscape at Wargemont (Renoir), 25 Landscape Painting (Clark), 26—27 Landscape, Portrait, Still-Life (Friedländer), 27-28 Landscape Table (Gorky), 39 Landscape with Reclining Figure (Sou-tine), 77 Langer, Cornelia, 174 Lascaux, 179 Lasch, Christopher: "The Cultural Cold Warrior" xix Lawrence, D. H., 210, 214-15 Leavis, F. R., xvii, 209—16 Lebrun, Rico, 60 Léger, Fernand, 90, 182; and abstract expressionism, 218-19; Adam and Eve, 173; Bicyclist, 173; Builders, 172; City, 172; Contrast of Forms, 169; essay on, 164—7 3 ; Le Grand déjeuner, 171; The Great Julie, 173; leisure, 172-73; Three Musicians, 172; Three Women, 171 Leino, Lily, xxviii Leisure (Léger), 172-73 Leiter, Saul, 174 Lembruck, Wilhelm, 83, 101-2, 111 —12 Leonardo da Vinci, 121, 239; Treatise on Painting, 259-62 Leonardo's Treatise on Painting (Mc- Mahon), 259-62 Lepine, Stanislaus, 163 Lessing, Gotthold Ephraim, 66, IIO Lessing, Theodor: Der Jüdische Selb-sthass, 45 Letter, The (Dewing), 162 Levine, Jack, 234 Levy (Julien) Gallery, 38 Lewin, Jurt: "Self-Hatred Among Jews" 45 Lewis, Wyndham, 109; The Demon of Progress in the Arts, 253-56 Leymarie, Jean: Impressionism, 257— 59 Liehman, Mrs. Charles, 21 Life (magazine), xxv Lione, Andrea de: The Departure of Jacob, 32 Lipchitz, Jacques, 73, 219; Arrival, 184; Bather, 182; Benediction I, 185; Bull and Condor, 185, Chimene, 183; Dancer, 182; Embrace, 185; essay on, 181-86; Figure, 183-84; Flight, 184; Hagar, 185; Jacob Wrestling with the A ngel, 185; Joie de Vivre, 184; Man with Mandolin, 183; Mother and Child, 184, 185; Return of the Prodigal Son, 184; Song of Songs, 185; Standing Half-Length Figure, 183; Standing Personage, 183; Virgins, 181 Lipton, Seymour, 256 Listener, The (magazine), 134П, 254 Loom, The (van Gogh), 14 Loran, Erie, 89 Lotto, Lorenzo: Virgin and Child with Saints Catherine and James the Great, 35 Louchheim, Aline В., 59 Louis, Morris, xviii, xxxii, 174 Louvis, Anthony, 174 Louvre, the, 159 Lowbrow culture, 132—40 Lynes, Russell, xxv McCarthyism, 268 McCausland, Elizabeth, 17 MacDonald-Wright, Stanton, 161 Machiavelli, 67 Mack, Gerstle: Gustave Courbet, 91-94 McMahon, A. Philip: Leonardo's Treatise on Painting, 259-62 McWilliams, Joe, 53 Madame Renoir and her Son (Renoir), 25 Magic Realism, 82 299 Maillard, Robert: Picasso, 273-75 Maillol, Aristide, 8 2 , 101, I I I — 12 Maistre, Joseph de, 125 Malevich, Kazimir, 228 Mallarmé, Stéphane, 66 Malraux, André, 65 Manet, Edouard, 100, 156, 162- 63, 237; and Cézanne, 82-84, 118; continuity with tradition by, 23; and Impressionism, 114-15; and Picasso, 275; and the Prado, 197; and three-dimensional space, 190; and Velasquez, 34; Venturi on, 264 Mann, Thomas, 49, 124, 166 Mannerism, 96 Man with Mandolin (Lipchitz), 183 Manzi, Guglielmo, 262 Manzù, Giacomo, 112 Marc, Franz, 3, б Mareks, Gerhard, 101-2, in — 12, 276 Marin, John, 60, 161 Marini, Marino, 102, 112, 276 Marquié Gallery, 18 Marx, Karl, xx, xxx, 130, 147, 149 Marxism, xx, 95, 167 Masson, André, 157, 219, 225, 228 Matisse, Henri, xxiii, 34, 140, 157, 182, 237, 246, 279; and abstract expressionism, 218; American artists compared to, 61; and Cézanne, 118; and Chagall, 159; exhibition of, 99- 102; and Friedman, 19; and Gauguin, 83; and Hofmann, I03 223, 242, 244; Kiee compared to, 6, 9, 11; and Léger, 165, 170—71; Matisse, 195—96; and Maurer, 16; and modernism, xxi; Red Interior, 173; Rothko compared to, 232, 238; sculpture of, 110; and Soutine, 74— 75 Matisse (Greenberg), 195-96 Matisse (Pierre) Gallery, xxiii—xxiv Matta y Echaurren, Roberto, 38, 220 Maulpertsch, Franz Anton, 33 Maurer, Alfred Henry, 161, 164, 234; exhibition of, 15 — 17, 58- 59; Gabrielle, 16 Mauriac, François, 211, 213 Maurras, Charles, 124-25 Mazo, Juan Bautista Martinez del, 33 Melancholy (Lipchitz), 183 Melzi, Francesco, 262 Merleau-Ponty, Maurice, xvi "Metamorphosis, The" (Kafka), 208 Metropolitan Museum of Art, 14, 29, 118, 161-64 Michelangelo, 109-10, 121, 182, 185, 221, 261, 217 Middlebrow culture, 132—40 Mills, C. Wright, xxix Milton, John, 96 Minimalism, xxxii Minton,John, 154 Miró, Joan, 64, 72, 157, 233, 279; and abstract expressionism, 218, 225; American artists compared to, 61; and Gorky, 38, 220-21 ; Joan Miró, 195; Klee compared to, 6 Mitchell, Sue, 174 "Modernist Painting" (Greenberg), xv-xviii, xxii, xxxi-xxxiii Mondrian, Piet, 165, 193; and abstract expressionism, 218—19, 235; Broadway Boogie Woogie, 228; and Cubism, 34, 169, 233; Newman compared to, 103-4, 231; and representational meaning, 187-89; Victory Boogie "Woogie, 228 Monet, Claude, 19; and chiaroscuro, 236, 240; Impressionism of, 114, 257; and Renoir, 22-24; and Still, 228—30 Montaigne, Michel de, 212 Monticelli, Adolphe, 82 Moodie, Graeme C., 270 Moore, Henry, 102, 181, 254, 270,276 Moore, Marianne, 3 Mor, Anthonis, 32 Moroni, Giovanni Battista, 33 Mother and Child (Lipchitz, 1929- 30), 184 Mother and Child (Lipchitz, i949) 185 300 Motherwell, Robert, 156, 164, 223-24 Mrs. Thomas Brewster Coolidge (Harding), 162 Münz, Ludwig: Rembrandt, 198—99 Murray, Hannah, 161 Murray, John, 161 Museum of Modern Art, 72, 99- 100, 165, 171, 173, 181 Nation, The (magazine), xvi, 60, 62, 71; del Vayo controversy, xxvi—xxvii, 78-82 Neo-Impressionism, 169, 190 Neo-Plasticism, 243 Neo-Romanticism, 82 Neue Sachlichkeit, 82 Neumann, J. В., i8, 21 New Leader, The (magazine), xxvi, 78, 79П, 255, 275 Newman, Barnett, xviii, 156, 226, 238, 240, 256; and abstract expressionism, 230—33; exhibition of, 103—4 Newman, Robert, 164 Newsweek (magazine), xxvii New Yorker, The (magazine), xxv, 217 New York Times, The, xvii, xxviii, 59, 65, 137, 178, 180, 202, 247, 262, 273 "Ninth Street" show (exhibition), 120 Noland, Kenneth, xxxii, 174 "Note on Richard Crashaw, A" (Eliot), 67 Notes Towards the Definition of Cul-ture (Eliot), 122-31, 133, 151 — 52 "Novelty" art, xxxii Nymph and Shepherd (Titian), 31 Oedipus Rex (Sophocles), 216 O'Hara, John, 137 Old Pat, the Independent Beggar (Waldo), 162 Olitski, Jules, xxxii Ortega у Gasset, José, 142 Pach, Walter: Pierre-Auguste Renoir, 63-65 Painting: abstract expressionism, xvii, xxxi—xxxii, 155 — 57, 217— 35, 242—43, 245; abstract and representational, 186—93; action painting, 217; "buckeye" painting, 230—31, 238; Chinese, 42- 44; color-field painting, xxxii, 103; French, 155-57, 165, 244; modern, 113-18; Paleolithic, 178-80; and sculpture, 107— 13; Venetian, 29-34, 264 Painting in Britain (Waterhouse), 174—78 Painting in Britain: The Middle Ages (Rickert), 199—202 Palmavecchio: Bath of Diana, 32 Paris: and abstract expressionism, 218, 228; abstract painting in, 155-57; and Cézanne, 116; Chagall and Soutine in, 159; Hofmann in, 242-43; Lipchitz in, 182; and Renoir, 22; School of, 4-5, 9, 16, 165, 173 Parsons (Betty) Gallery, 103, 105, 256 Partisan Review (magazine), xvi, xxv—xxvi, xxx-xxxi, 35, 39П, 91, 106, 123, 173, 187, 195, 235, 240 Passmore, Victor, 254 Patroon Van Rensselaer (Harding), 162 Pearlstein, Philip, 174 Penguin books, 134 Pevsner, Antoine, 188 Pevsner, Nikolaus, 174 Phidias, 110 Philadelphia Museum, 100 Philip II, 197 Phillips, William, xxviii Picasso, Pablo, xxiii-xxiv, xxxi, 97, 102, 121, 140, 157, 182, 188, 202, 255, 279; and abstract expressionism, 218-25; American artists compared to, 61-62; and Cézanne, 83, 90, 117; Chagall compared to, 158; and Courbet, 92; and Cubism, 167—70, 265, 275; and Gorky, 38; Guernica, 187; Klee compared to, 9—11; and Léger, 165-66, 171-73; and Lipchitz, 185—86; Matisse compared to, 100; and Maurer, 17; Picasso, 273—75; sculpture of, 107, I I O - I I 301 Picasso (Elgar and Maillard), 273- 75 Picturesque, the, 23-25 Piero delia Francesca, 193, 199, 263; Piero delia Francesca, 249- 5° Piero Mia Francesca (Berenson), 249-50 Pierre-Auguste Renoir (Pach), 63-65 Pinsent, A. Jane, 267 Piombo, Sebastiano del, 33 Pissarro, Camille, 20, 23, 114, 228, 257 "Plight of Our Culture, The" (Greenberg), xx, xxvi, xxviii-xxix, 122 Plucked Goose (Soutine), 77 Poe, Edgar Allan, 235 Politics (Aristotle), 146П Pollock, Jackson, xxiii—xxiv, xxvi, 156, 189, 255, 256; abstract expressionism of, 224—25; Bennington retrospective, 119; European links of, 164; European views on, 60—62; exhibition of, 104—6; Fourteen, 105; new style of, 106; reaction to, 226; Still compared to, 233-34; Twenty-five, 105 Pop art, xix, xxxii Porter, Fairfield, xvii, xix, xxxi, 236-40 Positive Jewishness, 45-58 Post-Impressionism, 27, 33, 74, 82, 190, 235, 246 Post Painterly Abstraction (exhibition), xviii Potato-Eaters, The (van Gogh), 14 Pound, Ezra, 66, 70-71; Cantos, 71 Poussin, Nicolas, 84, 87, 116, 177 Prado, the, 196-98 Pre-Raphaelitism, 97 Preston H. Hodges (Elliott), 162 Principles of Chinese Painting, The (Rowley), 42-44 Proust, Marcel, 140, 166 Provost, Jean, 32 Putt, S. Gorley: Cousins and Strangers: Comments on America by Commonwealth Fund Fellows from Britain, 1946-1952, 265-70 Quidor, John, 161 Ramparts (magazine), xxviii Ranger, Henry W., 161 Rape of Europa III (Lipchitz), 185 Rape of Ganymede, The (Correggio), 32 Raphael, 25, 110, 116, 121, 188, 238 Raynal, Maurice: The History of Modern Painting from Picasso to Surrealism, 63-65 Read, Sir Herbert, xvii-xviii, 148, 254-55; The Art of Sculpture, 270-73 Reader's Digest (magazine), xxviii, I37 Reclining Woman (Soutine), 75 Red Gladioli (Soutine), 75 Red Interior (Matisse), 173 Redon, Odilon, 82 Reinhardt, Ad, 237 Religion: and intellectuals, 39—42 Rembrandt, 182, 193, 197, 255; Rembrandt, 198-99; and Soutine, 72-73, 159; in the Venetian line, 29, 32-34, 261 Rembrandt (Münz), 198—99 Renoir, Pierre-Auguste: Children at the Seashore (Guernsey), 25; Crags at L'Estaque, 25; essay on, 22- 26; Girls Seated by a Brook, 25; Grandes Laveuses, 24; and Impressionism, 114; Judgment of Paris, 24; Landscape at Warge-mont, 25; Madame Renoir and her Son, 25; Pierre-Auguste Renoir, 63-64; sculpture of, 111 ; Sea and Cliffs, 25; and Soutine, 76; Young Girl in Blue, 25 Repke, Theophil, 174 Return from School after the Storm (Soutine), 77 Return of the Prodigal Son (Lipchitz), 184 Reynolds, Joshua, 188 Ribera, José de, 197 Rice, D. Talbot, 108 Richards, Ceri, 254 Richter, Jean Paul, 204 Rickert, Margaret: British Painting: The Middle Ages, 199-202 Riesman, David, xxix, 143 Rigaud, Hyacinthe, 33 Rilke, Ranier Maria, 166 302 Rimbaud, Arthur, 78 Riopelle, Jean Paul, 235 Robsjohn-Gibbings, Terence Harold, 253 Rodin, Auguste, 82, 271, 275; and Lipchitz, 182, 184-85; and Matisse, 101, and modern sculpture, 110 Rosa, Salvator: Astraea, the Goddess of Justice, Fleeing to the Country People, 32 Rosenberg, Harold, xviii, 217 Rostovtzeff, Michael Ivanovich, 140 Rothko, Mark, 156, 232-33, 238, 240, 256 Rouault, Georges, xxiii, 76, 137 Rousseau, Henri, 99 Rowland, Benjamin: The Art and Architecture of India, 174-78 Rowley, George: The Principles of Chinese Painting, 42-44 Rubens, Peter Paul, 24, 157, 255; Cézanne on, 88, 91; de Kooning compared to, 121—22, 221; Feast of Venus, 32; and the Prado, 197-99; 'n the Venetian line, 29. 3 1 - 3 4 . 261 Russell, Morgan, 161 Russian art, 201—2 Ryder, Albert Pinkham, 38, 61, 164 St. Francis Receiving the Stigmata (van Eyck), 108 Sargent, John Singer, 163, 238 Saturday Evening Post, The (magazine), xxviii, 137 Savery, Roelant, 33 Schack, William, 20 Schaefer Gallery, 17 Schapiro, Meyer, xvii, 28; Vincent van Gogh, 63—65 Schlesinger, Arthur, Jr., xxviii Schoenberg, Arnold, 140, 166 School of Paris, 165; and Klee, 4— 5, 9; and Léger, 173; and Maurer, 16 Schumpeter, Joseph, 147П Schwarz, Willi, 242 Scotch and Burgundy (Hofmann), 103 Scott, William, 234, 237 Scrutiny (magazine), 123 Sculpture, 107-13; abstract and representational, 186-93; °f Lipchitz, 181—86; of Matisse and Mareks, 101-2; and modernity, 166; Read on, 270-73; of Smith, 275-79 Sea and Cliffs (Renoir), 25 Seated Choir Boy (Soutine), 77 Segonzac, André-Albert-Marie Du-noyer de, 83 Selected Essays (Eliot), 67 "Self-Hatred Among Jews" (Lewin), 45 Seuphor, Michel, 165 Seurat, Georges, 23; La Grande Jatte, 27, 85П Shahn, Ben, 234 Shakespeare, William, 96, 212; King Lear, 216 Shelley, Percy Bysshe, 67 Silver, Abba Hillel, 55 Siqueiros, David, 225 Sisley, Alfred, 23, 114 Sketch for a Self-Portrait (Berenson), 248 Sloan, John French, 162 Smith, David, 112; Agricola, 279; essay on, 175-79; Tank Totem, 279 Social History of Art, The (Hauser), xx—xxi, 94—98 Social Realism, 82 Solimena, Francesco, 33 Song of Songs (Lipchitz), 185 Sophocles: Oedipus Rex, 216 Soulages, Pierre, 235 South Pacific, 137 Soutine, Chaim, 34, 64, 202; Alley of Trees, 77; Boy in Blue, 77; Carcass of Beef, 76; Concierge, 77; and Courbet, 92; essay on, 72 — 78; Friedman compared to, 19- 20; House at Oisème, 76—77; Landscape with Reclining Figure, 77; Lipchitz compared to, 182, 184; Plucked Goose, 77; Reclining Woman, 75; Red Gladioli, 75; Return from School after the Storm, 77; Seated Choir Boy, 77; Soutine, 158—60; Windy Day, Auxerre, 77; Woman in Profile, 77; Woman in Red, 76 Soutine (Cogniat), 157-60 Spengler, Oswald, 130—31, 151 ЗОЗ Stable Gallery, 120 Stael, Nicolas de, 235 Standing Half-Length Figure (Lip-chitz), 183 Standing Personage (Lipchitz), 183 Steinberg, Leo, xxivn; "The Eye is a Part of the Mind" 187 Stella, Frank, 161, 164 Stevens, Wallace, 3 Stieglitz, Alfred, 16 Still, Clyfford, xxxi, 228-33, 237-38, 240, 256 Stokes, Adrian: Colour and Form, 236 Storr, Robert, xxivn Stravinsky, Igor, 140, 166 Stuart, Gilbert, 161 Study of the Head of a Woman Looking Upwards (Van Dyke), 31 Sully, Thomas, 163 Summerson, John: Architecture in Britain, 174-78 Suprematism, 202 Surrealism, xxiii, 82, 243 Susanna and the Elders (Tintoretto), 3°. 37 Sutherland, Graham, 62, 254 Sylvester, David, 60-61 Tal Coat, Pierre, 156, 228 Talent 1950 (exhibition), xvii Tamayo, Rufino, xxii, 61-62 Tank Totem (Smith), 279 Ter Borch, Gerard, 33 Third Program (BBC), 134 Three Musicians (Léger), 172 Three Women (Léger), 171 Time (magazine), xxvii Tintoretto, 73, 122; Susanna and the Elders, 30, 37; in the Venetian line, 30, 32-33, 35-37 Titian, 157, 188, 255; The Bacchanal, 197; Endymion and his Flock, 32; Johann Friedrich, 30; Nymph and Shepherd, 31; and the Prado, 197; Rembrandt compared to, 199; in the Venetian line, 30— 32; The Worship of Venus, 197 Tobey, Mark, 9, 225-27 Torrès-Garcia, Joaquin, 224 Toulouse-Lautrec, Henri de, 92, 246-47 "Towards a Newer Laocoon" (Greenberg), xvi, xxi, xxxiii "Tower of Babel, The" (Kafka), 206 Toynbee, Arnold, 131, 151 Treatise on Painting (Alberti), 108 Treatise on Painting (Leonardo da Vinci), 259-62 Trevelyan, Julian, 254 Trumbull, John, 161—62 Turnbull, William, 276 Turner, J. M. W., 33, 82, 176, 229 Twachtman, John Henry, 161 Twenty-five (Pollock), 105 Valentin (Curt) Gallery, 101 Valentiner, W. R., I I I Valéry, Paul, 166 Van der Neer, Aert: Fishing by Moonlight, 33 Van Dyke, Anthony: Study of the Head of a Woman Looking Upwards, 32; in the Venetian line, 29, 31 - 32; Venus in the Forge of Vulcan, 31 Van Eyck, Jan: St. Francis Receiving the Stigmata, 108 Van Gogh, Vincent, 13-15, 18, 34, 64, III, 228; Berensonon, 250; and Cézanne, 90-91, 118; and Expressionism, 83; A Fisherman on the Beach, 14; The Loom, 14; The Potato-Eaters, 14; and Soutine, 72-74, 159 Van Mieris, Frans, the Elder, 33 Van Ruysdael, Jacob, 29 Velasquez, Diego, 23-24, 91, 96, 157, 189, 192, 237, 261; In-fisnta Margareta Teresa in Pink, 30; Infanta Maria Teresa, 30; and the Prado, 197-98; Rembrandt compared to, 199; in the Venetian line, 29—30, 33-35 Venetian painting, 29-34, 264 Venturi, Lionello: Four Steps toward Modern Art, 262—65 Venus in the Forge of Vulcan (Van Dyke), 31 Vermeer, Jan, 33, 197, 237; "The Artist in his Studio" 29 Veronese, Paolo, 31, 88, 91; Adam and Eve after the Expulsion from Eden, 31 "Very Old Masters, The" (Greenberg), xvii, 178 304 Veteran, The (Homer), 163 Victory Boogie Woogie (Mondrian), 228 Vincent van Gogh (Schapiro), 63-65 Virgin and Child (Fouquet), 108 Virgin and Child with Saints Catherine andJames the Great (Lotto), 35 Virgins (Lipchitz), 181 Vlaminck, Maurice, 83 Vogue (magazine), xviii, xxv Voice of America, xv—xvi, xviii, xxviii, xxxiii Vuillard, Edouard, 18, 82, 228, 237 Waldo, Samuel Lovett, 162—63; Old Pat, the Independent Beggar, 162 Wałkowitz, Abraham, 161, 164 Waste Land, The (Eliot), 69, 71 Waterhouse, E. K.: Painting in Britain, 174-78 Watteau, Antoine, 33 Weber, Alfred, 130 Weber, Max, 61 Wehle, Harry В.: Art Treasures of the Prado Museum, 196-98 West, Benjamin, 164 Weyden, Rogier van der, 109 Weyhe, E., 16 Wheeler, Morton, 73, 75, 77 "Where is the Avant-Garde?" (Greenberg), xxxii Whistler, James McNeill, 38, 161, 163 Whitman, Walt, 230, 235 Whitney Museum, 15 Whittredge, Worthington, 161 Wildenstein (gallery), 22 Wileński, R. H., 64, 238 "Will Technology Destroy Civilization?" (Borkenau), 130—31 Winckelmann, Johann, 5 Windy Day, Auxerre (Soutine), 77 Wittgenstein, Ludwig, 166 Wollf, Dr. Nat, 21 Woman in Profile (Soutine), 77 Woman in Red (Soutine), 76 Women (de Kooning), 222, 240 Worship of Venus, The (Titian), 197 Wotruba, Fritz, 276 WPA Art Project, 219 Wyant, Alexander Helwig, 161 Wyeth, Andrew, 234 Yeats, William Butler, 69, 71, 166 Young Girl in Blue (Renoir), 25 3°5 |
