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| Volltext: | Index Academicism, 4, 9, 95, 213 American Scene movement, 197, 230 Apollinaire, 97, 252 Architecture, 4, 20-21, 51, 143, 144, 145.159.162 Aristotle, 7, 30, 239, 262 Arp, 80, 191 Art, 15, 20, 243, 273; abstract, 5, 6, 7, 17, 112, 133-38, 150, 151, 164-66, 171, 172, 174, 221, 230, 232; American, 175-235, 181, 182, 197, 209, 229, 234, 235; Baroque, 206; brut, 131, 204; Byzantine, 168, 169; Christian, 158 п.; counterillusionist, 169, 170; folk, i8n, 129; French pictorial, 198, 225; Gothic, 158, 209П; informal, 2ogn; late Cubist, 112, 126; literary, 239, 242, 266, 273; market, 5, I I , 38, 130; medieval, 158, 209П; modernist, 9, 48, 67, 70, 107, 111 ff., "5. 139. i67. l69 172, 190, 208, 2io; musical, 243; pictorial, 130, 140, 151, 158, 159, 161, 162, 163, 171, 210, 220; popular, 9, 10, 38, 47, 129 ff.—English, 15, 18, 252, German, 19-20, 129, 130, 254; representational, 77, 78, 122, 133-38, 139, 141, 168; Russian, 12, 13, 14; work of (defined), 133-34; visual, 140, 166, 203 Art galleries: Albright, 118; Drouin, 156; Charles Egan, 151, 213; Peggy Guggenheim, 191, 212, 218; Matisse, 120, 123; Betty Parsons, 150, 152, 222; Paul Rosenberg, 199; Stieglitz, 182, 183; Curt Valentin, 149; Valentine, 233 Avant-garde, 3 ff., 223; aesthetics, 3, 6, 7, 62; artists, writers, 5, 6, 97, 151; arts, 208; German, 253; and Kitsch, 3-21 Avery, Milton, 126, 197-202, 210, 234 Benn, Gottfried, 19, 20, 252 Berenson, 164, 166 Bernini, 106, 109, 140 Bonnard, 38, 89, 93, 120, 121, 122, 155, 221 Bourdelle, 105, 140, 162 Brancusi, 7, 141, 162 Braque, 3, 7, 44, 57, 59, 70-83, 87-90, 92, 93, 98-100, III, 121, 141, 156, 192, 211, 218, 232; Billiard Table, go; Fruit Dish, 76; Man with a Guitar, 72, 88; The Match Holder, 73; Portuguese, 73, 88; Still Lije with Violin and Pitcher, 72, 88; The Stove, 90 Brecht, Bertolt, 252-65; "didactic pieces" (Lehrbücher) 262, 263; Die Massnahme, 262; Dreigroschenoper, 262; Hauspostille, 254, 256-59, 261, 264; "Legende vom Toten Soldat" (Legend of the Dead Soldier), 255; "Lob der Partei" (Praise of the Party), 262; Señora Carrera's Rifles, 264; "Verschollener Ruhm der Riesenstadt New York" (Faded Renown of the Metropolis of New York), 264; "Von Armen B.B." (About Poor B.B.), 258 Butler, 203, 206, 207 Byzantine art, 168, 169 Capitalism, 5, 14, 20, 21, 120 Cezanne, 7, 37, 38, 39, 40, 41, 44. 45. 47. 50-58, 61, 71, 98, in, 118, 147, 149, 151, 155, 171, 178, 227; methods of, 54; Bathers, 45 Chagall, Marc, 91-95, 105, 116, 211; The Cello Player, 94; Revolution, 94; The Wedding, 91; White Crucifixion, 94 Chardin, 117, 147 Chiaroscuro, 177, 178, 213 Civilization, з, 25, 26, 27, 28-29, I20 250; Western, 27-28 Collage, 70-83, 141, 204 Constructivists, 142, 145 Courbet 116, 118, 120, 136, 171, 178 Couture, Thomas, 178, 180, 185 Criticism, 242; art, 165, 240; modernist, 242, 244; literary, 240; music, 156, 240П Cubism, 57, 63 ff., 77, 85, 89 ff., 101, 141, 168, 171, 173, 174, 191, 192, 194, 195, 198, 211, 215, 216, 221, 226, 228, 232 Cubist: abstraction (Late), 233; canon, 89, 90, 200, 213, 232, 233; collage, 141; contact, 151; design, 66, 232; frame, 195; flatness, 73, 77, 112, 168; geometry, 85, 226; Late, 112, 126, 213, 217, 233; painting, 142, 162; trauma, 192 Cubists, 219 ff.; anti-, 192, 201; Late, 195; original, 190; post-, 192, 195; pre- , 192 Culture, 2-33, 9 ff., 235; avant-garde, 8, 9, 20 Dada, 62 Dali, 7 Daumier, 85, 149, 161 David, 160, 161 Degas. 37. 39. 85 4L149. 161 de Kooning, 125, 195, 212, 213, 214, 219, 220, 229, 230, 231, 234, 235 Delacroix, 57, 178 Derain, 87, 93, 105 Despiau, 141, 149, 162 Diaspora, 266, 269; Jewry, 268 Dickens, 245, 251 Dubuffet, Jean, 80, 120, 123, 125, 131, 156, 203 Durand-Ruel, 37, 41 Eakins, Thomas, 177-80, 185 Eilshemius, Louis, 131 Eliot, T. S., 3, 9, 15, 22, 23, 25, 28, 33, 97, 181, 239-44; "Ariel, " 242; "Ash Wednesday, " 241, 242; "Burnt Norton, " 241; Cantabile, 242; Four Quartets, 241, 242, 243; 'The Functions of Criticism, " 239; Notes Towards the Definition of Culture, 22 ff.; The Sacred Wood, 240; Selected Essays, 240 Expressionism, 254; abstract, 90, 91, 116, 124, 125, 166, 193, 195, 210, 211, 213, 214, 216, 219, 220. See also Late Cubism Expressionist: abstract, 69, 124, 125, 126, 190, 214, 215, 216, 217, 224, 228, 233, 260 Eyck, van, 159-60 Fascism, 17, 19, 20, 21 Fauves, III, 141, 190, 198, 215, 221 Fauvism, 90, III, 141, 197, 198, 200 Federal Art Project, 211, 230, 231. See also WPA art project Fry, Roger, 51, 240 Futurism, 99, 156; Italian, 156 Gauguin, 37, 47, 57, 58, 149, 155, 221 Gentile, 268, 269, 270, 271 Géricault, 149, 161 Giacometti, 142, 150, 203, 204, 206 Goethe, 178, 239, 255 Gonzalez (Picasso's friend), 79, 135, 142, 203, 204, 206 Gorky, 112, 125, 195, 212, 213, 214, 216, 219, 220, 230, 231, 233, 234, 235 Gottlieb, 67П, 125, 215, 216, 217, 222, 234 Gouaches, 84, 193, 194. See also Hans Hofmann and Picasso Graham, John, 230, 234 Graves, Morris, 181 Gris, 80, 81, 82, 87, 88, 89, 92, 93, 94, 106, 156, 232 Gropius, 97 Hartley Marsden, 182, 198, 199 Hedonism, 94, 121, 122 Hitler, 19, 20, 253, 260, 264 Hofmann, Hans, 7П, 125, 126, 189-96, 210, 211, 214-15, 217, 219, 228, 230, 231, 232, 233, 234; gouaches, 193, 194; The Bouquet, 193; Conjurer, 193; Effervescence, 192; Fairy Tale, 192; Flowering Desert, 193; Homage to Howard Putzel, 193; The Prey, 194; Le Gilotin, 193; Summer 275 Glory, 193; Undulating Expanse, 194 Homer, Winslovv, 178, 180, 181, 184-88 Honesty, in art, 146, 149, 178 Husserl, Edmund, 86, 97 Klee, Paul, 7, 64, 113, 123, 126, 156, 181, 189, 190, 195, 210, 212, 215, 232, 233 Kline, Franz, 125, 151, 195, 219, 220, 235 Kolbe, 141, 149, 162 Illusion, 71, 139, 144, 167; counter- , 169; of depth, 55, 73, 75 if., 124, 137, 148, 219, 227 Imagination, 159, 177, 242 Imagism, 177 Impressionism, 37, 39, 40, 41, 44, 54, in, 140, 144, 149, 171, 223, 225; abstract, 209; French, 184; Late, 44, 89, 169, 200; orthodox, 37, 154; post- , 95, 108; sculptural, 53, 149 Impressionist: canon, 146; color, 50, 52, 53, 182; method, 41, 51, 52; readjustment, 171; sensations of atmospheric color, 182; structure, 51; vision, 187 Impressionists, 37, 38, 39, 40, 44, 49, 51, 61, 69, 99, 149, 154, 171, 172, 173, 221, 224; American, 197; French, 184, 187; Late, 221; orthodox, 37, 154; post- , 61, 95, 108; pre-, 98, 105; proto-, 180 Industrialism, 11, 12, 27, 28, 29, 30, 31.32, 33 Ingres, 61, 161, 213, 234 James, Henry, 177, 247, 251 Jewish: condition, 266, 270; poet-prophets, 270; reality, 273; State in Palestine, 268; truth, 272; "way of life, " 269 Jews, 268, 269, 270, 271 Joyce, James, 7, 97, 157 Kafka: art and prose, 266; Dichtung, 266; "Dr. Bucephalus, " 270-71; fictional world of, 267-68; "Halachic" sensibility of, 268-69; heroes of, 267; "Hunter Gracchus" fragment, 270; Kafka's Jewishness, 266 if.; "The Tower of Babel, " 271 Kandinsky, 7, 111-14, 173, 190, 191, I92 !95. 210, 212, 221, 228, 233 Kitsch, 3-21 Lachaise, 141, 162 Léger, 44, 57, 59, 82, 83, 89, 93, 96-104, 105, 210, 211, 232; Adam and Eve, 103; Bicyclist series, 103; City, 102, see also La Ville; Contrast of Forms, 100; La Ville, 93; Three Musicians, 103; Three Women (or Le grand déjeuner), 93, 102 Lehmbruck, 141, 162 Lenin, 261, 262, 263, 264 Lewis, Wyndham, 160, 164-66, 242 Lipchitz, Jacques, 105-10, n6, 142, 162, 211; Arrival, 109; Bather, 106; Benediction I, 109; Bull and Condor, 109; Chimène, 107; Dancer, 106; Embrace, 109; Figure, 107; Flight, 109; Hagar, 109; Jacob Wrestling with the Angel, 109; Joie de vivre, 108; Man with Mandolin, 106; Melancholy, 107; Mother and Child, 108; Mother and Child, 109; Rape of Europe 111, 109; Return of the Prodigal Son, 108; Song of Songs, 109; Standing Half-Length Figure, 106; Standing Personage, 106; Virgins, 105 Literacy, universal, 9, 10 Literalness, 159, 168, 247 Literature, 19, 20, 157, 166, 178, 181, 208, 229, 243, 237-73 Macdonald, Dwight, 12, 13, 14 Maillol, 141, 162 Malevich, 221, 225 Mallarmé, 7, 240 Manet, 50, 82, 125, 147, 154, 185 Marchand, André, 120, 122-23 Mareks, Gerhard, 141, 149-50, 162, 203 Marin, John, 181-83, 19^ 202 Marini, 150, 203 Marx, 21, 26, 28, 33, 98, 262, 270 Masson, André, 126, 191, 192, 211 Matisse, 7, 38, 45, 47, 59, 60, 61, 64, 65, 67, 69, 85, 91, 92, 93, 94, 96, 97, 276 102, I05, I I I , 117, 120, 121, 122, 123, 126, 141, 144, 146-49. 155. i6r, I9I, I92, 198, I99, 200, 201, 206, 210, 215, 22б, 23I, 232, 233, 234; Bathers by a River, 233; Red Interior, 148; The Pineapple, 148 Michelangelo, 13, 106, 109, 160-61, 213 Miró, 7, 64, 65, 93, 112, 121, 123, 126, 191, 192, 206, 210, 213, 217, 232, 233 Modernism, 7 ff., 9, 16, 20, 44, 47, 49, 61, 62, 105, III, 136, 144, 145, 169, 198, 200, 208, 209, 210, 230, 242, 253 Modigliani, 141 Mondrian, 7, 61, 64, 85, 92, 93, 96, 100, 121, 126, 134, 139, 149, 150, 155, 165, 191, 210, 211, 221, 225, 226, 232 Monet, 37-45, 47, 48, 52, 99, 117, 122, 154. 155. I85. 187, 201, 221, 222, 223 Moore, Henry, 150, 165, 203 Motherwell, Robert, 80, 125, 214-15, 234 Museum of Modern Art (New York), 72, 88, 89, 91, 96, 102, 105, 106, 115, 116, 117, 146, 147, 189, 231 Museum of Non-Objective Art, 233 Music, 3, 6n, 9, 156, 166, 208, 240, 243, 256 Mussolini, 19, 20, 21 Nash, Paul, 181, 202 Naturalism, 51, 63, 65, 116, 131, 157, 160, 165, 167, 182, 185, 201, 222 Nature, 51, 62, 167, 171-73, 198, 201 Newman, Barnett, 125, 151, 169, 177, 221, 225, 226, 227, 234, 235 Old Masters, 4, 4Г, 43, 50, 51, 53, 54, 55, 108, 113, 116, 137, 172, 219, 227, 234 Old Testament, 260, 263, 269 Painting: abstract and near-abstract, 100, 114, 124, 125, 126, 140, 169, J73. 224; academic, 178, 179; advanced, 208, 233; "all-over, " 155, 156. 157, 217; American, 189, 195, 209П, 233; Byzantine, 169; Cubist, 142, 162; demotic Impressionist kind of, 224; easel, 129 ff., 151, 152, 154, 190, 201, 216, 219; folk, 129, French, 47, 96, 120, 121, 125, 171, 232; glaze, 124, 161; Greek, 158; Left Bank, 234; mural, 151, 219; modernist, 37, 112, 116, 139, 151, 154, 167, 171-74, 200, 203; "naive, " 129, 130, 131; neo-CIassical, 62; "new" American, 189, 195; nonaca-demic, 178; nonfigurative, 213; "polyphonic, " 155, 156; "primitive, " 129-32, 146, 223; religious modernist, 86; Roman, 159; Romantic, 47; sculptural, 160; traditional, 97; Western, 95, 151, 172 Paris, School of, 91, 92, 93, 94, 120-23 Parody, 254, 255, 256, 263 Partisan Review, 12, 146, 230. See also Dwight Macdonald Picasso, 7, 9, 12, 14, 15, 18, 44, 57, 59- 69, 70-83, 85, 87-90, 91, 92, 93, 94, 96-104, 105, 106, 107, 108, 109, no, iii, 120-23, 126, 134, 141, 142, 147, 156, 190, 192, 194, 204, 206, 210, 211, 212, 213, 214, 217, 218, 231, 232, 234; The Bathers, 68; Bullfight, 61; Chimneys of Vallauris, 63; Crucifixion, 63; Demoiselles of Avignon, 63; Gosol Landscape, 64; Guernica, 63, 64-65, 134; The Kitchen, 66-67; Korean Massacres, 63; Night Fishing at Antibes, 63; Pastoral, 67; Serenade, 68; Still Life with Black Bull's Head, 59; The Studio, 67; Three Dancers, 62; Three Musicians, 63; War and Peace, 63; Winter Landscape, 63; Woman by a Window, 67; Woman in Green, 68; Woman in Rocking Chair, 67; Women of Algiers series, 67 Pissarro, 37, 39, 43, 47, 52, 154, 201 Poe, 177, 186 Poetry, 5, 7, 241, 244, 252, 262, 273 Pollock, Jackson, 69, 112, 125, 152, 153. !56, 157. i65. Î69. 19°. !92, I93, 212, 214, 217-18, 220, 224, 228, 230, 233, 234; Fourteen, 153; Lavender Mist, 228; Number One, 228; One, 228; She Wolf, 217; Totem No. i, 193, 217; Twenty-Five ("Echo"), 153 Positivism, 120, 121, 240 Pound, 7, 157, 239, 240, 242, 243 Pre-Raphaelitism, 177 Printing, imitation, 73-75, 76 Proust, 38, 97 "Purity, " 139, 144, 146, 271; of the optical, 171 Read, Sir Herbert, 165 Realism, 13, 113, 131, 132, 159-60, x 67, 172, 186, 230, 251, 262, 264 Religion, 4, 25, 32, 86 Rembrandt, 12, 13, 17, 106, 115, 116, 118, 138, 165 Renaissance, 17, 57, 98, 141, 165, 209П; Britain's sculptural, 206 Renoir, 37, 41, 46-49, 117, 122, 141, 149, 161 Repin, 14-15 Revolution: agricultural, 28; industrial, 9, 27, 28; "metal, " 28; Russian, 20; technological, 27, 28, 29 Rilke, 7, 97, 253 Rimbaud, 7, 252, 259 Rodin, 106, 109, 140, 149, 162, 203 Romanticism, 121, 253; neo-, 94 Rothko, 125, 169, 219, 222, 225-26, 23З. 234 Rousseau, Henri, 131, 132, 146 Rubens, 48, 57, 213 Ryder, 177, 180, 197 Sculpture, 4, 134, 135, 139-45, i58-63, 203 ff.; abstract and near-abstract, 141, 204; American, 204; Baroque, 161, 206; British, 203, 204; classical, 160, 206; construction, 142, 143; constructivist, 137, 145, 167, 204; Cubist, 106 ff., 162; modernist, 107, 108, 143, 167, 203, 204 Seurat, 37, 47, 52 Shows at: art gallery of Charles Egan, 151, 213; Peggy Guggenheim, 191, 212, 218; Betty Parson, 150, 152, 222; Paul Rosenberg, 199; Curt Valentin, 149; around Washington Square and in Greenwich Village restaurants, 224; American Abstract Artists annual shows, 230 ff.; Biennale in Venice (1954), 229; "New American Painting" (1958-59), 189 "Significant form, " 240 Sisley, 37, 38, 40, 43, 52, 154, 187 Smith, David, 203-7, 228 "Social Realism, " 230, 251, 262, 264 Socialism, 19, 21, 32 Soutine, 105, 108, 115-19, 195; Carcass of Beef, 118; House at Oisème, 118; Jugendstil, 117; Return from School After the Storm, 118; "Studies" of dead fowl, 117; Woman in Red, 117 Spengler, 27, 33 Stalin, 19, 20, 262, 263 Stalinism, 19, 260, 264; anti-, 23 Still, Clyfford, 169, 192, 200, 221, 222, 223, 224, 225, 226, 227, 228, 234. 235 Surrealism, 70, 62, 94 Titian, 48, 135, 165 Tobey, Mark, 156, 217, 218, 220 Tomiin, Bradley Walker, 219, 235 Toynbee, 27, 33 Trollope, 245-251 Turner, 222, 223 Utopias, 4, 28 Valéry, 7, 97 Values: of aesthetics, 6; human, 13 Van Gogh, 37, 45, 47, 57, 58, 115, II6, "7. 155 Venturi, Lionello, 43, 44 Visual, continuum, 173, 174; experience, 173; field, 173 Vuillard, 38, 89, 221 Wheeler, Monroe, (catalogue) 116, 119 Whitman, 177, 223 Wittgenstein, 97 Wotruba, 141, 203 WPA art project, 211, 230, 231 Yeats, 7, 8, 97, 241, 242 278 |
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