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Volltext:INDEX Note: italic page numbers denote references to illustrations/photos. 101 Architectural Fantasies (Chernikov, 1933), 75 A-4 rockets, 274, 275 AA, see Architectural Association Aalto, Alvar, 43 abstract form, 36, 40, 41 actor-network theory, 221 Adam, Ken, 276, 277—8 Adam, Robert, 44 advertising, 146, 147, 150, 152 Advise and Consent {film, 1962), 152 aerospace products, 260, 262, 263 aesthetics, 34 The Age of Innocence {film, 1993), 154 Aircruiser II, 260, 262, 263 Airstream caravan, 74, 74 Aladdin Redi-Cut houses, 90 Alice Through the Looking Glass (Carroll, 1872), 188-9 Alienation in Parts' (I960), 56 alienation of labour, 34 Allen, Deborah, 28 Allen Memorial Art Museum, Oberlin, 167, 168 allotments, 77, 77 Alloway, Lawrence, 60 Americanization of British culture, 51 American National Exhibition (Moscow, 1959), 200-4,201, 207, 209, 210, 211-12,211 Anatomy of a Murder (film, 1958), 150 Anti-Design Movement, 1 antithesis, 22 apartments, 88, 89 applied arts, 36, 40 Aquitania ocean liner, 23 Arc de Triomphe, 23 Archigram, 54, 55 architects, 6, 73-4, 188 Architectural Association (AA), 66, 68, 70, 71n22, 180 Architectural Review, xi, 4, 47, 49, 59, 64, 179 architecture American, 157 Archigrams Walking City, 54-5 Banham's influence, 5-6, 85-6, 199 design metaphors, 3, 33-46 domestic, 53 Eameses' work, 210 'high' and 'low', 4 Le Corbusier's definition of, 29 Le Corbusier's lectures, 15, 24 modernism, 2, 13, 14, 40-3 museum design, 6, 159—76 ornament, 233 photography, 61-2, 63, 67 Ruskin's critique, 34-5 Sempers critique, 35—40 teacher-architects, 73—4 vernacular buildings, 86 The Architecture of the Well-Tempered Environment (1969), 3, 13, 85, 157 Architecture Transformed (Robinson, 1987), 62 'Arizona Spillway and Highway Bridge, Boulder Dam' (postcard, 1936), 117 Around the World in Eighty Days (film, 1956), 150 Arroyo, Salvador Perez, 79, 80 Art and Industry (Read, 1934), 43 Art Deco, 31nl5, 101, 118, 231 LArt décoratif d'aujourd'hui, 17, 18, 19, 20,22, 31nl6,31nl7 artefacts, 3, 33-46 modernism, 40—3 photos, 61 Ruskin, 34-5 Semper, 35^0 see also material culture; objects art history, 13, 14, 41-2 see also design history artificialization, 233, 234 Art in America (1965), 53 ArtNet exhibition (1976), 70 Art Nouveau, 31nl5 Arts and Crafts, 56, 170, 184, 231 'Art X', 205 Ashton, Sir Leigh, 60 Aston Martin, 259, 260 Astounding Science Fiction, 241 'The Atavism of the Short-Distance Mini-Cyclist' (1964), 49, 51,70 Atkinson, Harriet, 1-8 Atlantic City, 119 Aulenti, Gae, 167-8 authenticity, 122, 233—4 automobiles Banham on, 9, 27-9, 53-4, 83 Buick Roadmaster, 129 crash test dummies, 253-4, 256-8 as design metaphors, 43-4 increase in ownership, 182 influence of'Flash Gordon' on design, 4, 100, 105-8 Karen's work, 253, 254, 256-8, 257, 258, 259, 260 new materials, 232 production processes, 41 revolution in personal mobility, 52 tourism, 115 'Autres Icônes; les musées', 17, 19 avant-garde, 3, 9, 56, 57, 160 Aynsley, Jeremy, 1—8 Baeder, John, 119, 123 Baltz, Lewis, 63, 64 Banham, Mary, xi—xii, 2, 64, 66, 68, 70, 144 Banham, Peter Reyner admiration for Saul Bass, 144 American industrial buildings, 55, 111 Archigram's Walking City, 54 architectural writing, 5-6 artefacts, 33 biography, xi, 49 cars, 27-9, 53-4, 83 crash test dummies, 253—4 democratization of design, 56—7 deserts, 57, 67, 69, 111-12 design history, xii, 278nl design metaphors, 3, 43—4, 45 encounters with, 99, 143-4, 198 fringe culture, 4 funcdonalism, 127—8 Futurism, 50-1 gizmos, 215 historical knowledge, 173 housing, 178 images of, 48, 70, 70, 128 industrial design, 26—7, 229 influence of, 85—6, 197-8, 199 lectures, 3, 13-14, 26—9 legacy of, 1-2 material culture, 140 modernism, 2, 3, 48, 50, 51, 198-9 on a Moulton bicycle, 48-9, 48, 70 museums, 160, 172-3 object analysis, 52-3 Open University course, 11-13 photography, 3-4, 59-71, 198-9 popular culture, 5 postcards, 112 research by, 55-6 on Sparke, 129-30 SUNY appointment, 99—100 theory and design, 47-57 on Voysey, 50 banks, 19, 21, 22 d9d / IMDEX Barcelona, 198, 199 Barker, Paul, 2, 6, 177-86 Barthes, Roland, 14, 123, 201 basketwork, 38, 39, 44 Bass, Elaine, 5, 144, 145, 150-4 Bass, Saul, 5, 144, 145-50, 145, 151-4 Baudelaire, Charles, 3, 51 Baudrillard, Jean, 121, 137 Bauhaus, 101, 104, 105, I4ln20 Baxter, A. E., 66-7 Bayer, Herbert, 147, 208, 209 beauty, 133 Becontree Estate, 184 bedrooms, 4, 85-97 chamber', 86 fantasies, 95—6 health issues, 92-5 house design and positioning, 87—90 self-expression in, 90—2 beds, 89, 90 bed tents, 93—4, 94 Beecher, Catharine, 56, 92 Behrens, Peter, 230, 269 Bel Geddes, Norman, 104, 273 Benjamin, Walter, 198, 199 Bennett, Valerie, 66 Benton, Tim, 3, 11-32 Berlin, 78,78 Bertram, Anthony, 137 Bickerton folding bicycle, 70 bicycles Bickerton folding bicycle, 70 Moulton bicycle, 48-9, 48, 52, 70 Raleigh Chopper, 258, 259 Biedermeier, 231 Big (film, 1988), 153 A Black Box: The Secret Profession of Architecture' (1990), 2, 45 'Black Rock Beach, Great Salt Lake, Utah' (postcard, 1938), 120, 120 Blake, Peter, 211 Blossom, Alfred C., 19, 21 Bluewater, 183, 184 Boccioni, Umberto, 51 Boeing, 260 Bond Bug, 253, 258, 258 Bonjour Tristesse (film, 1957), 150 Bonk, Ecke, 239 Booker, Christopher, 179 Booth, Franklin, 104, 108n3 Bragdon, Claude, 88, 88 Brandt, Edgar, 20 Branson Coates, 170 Braune, Michael, 206-7 'Brian's Caddy', 27, 28 British Museum, 160-1, 161, 169 Broadcast News (film, 1987), 153 Brookner, Anita, 13, 30n6 Brown, Richard, 164 Brutalism, 1 Bryant, Peter, 276 'Buck Rogers', 270 'Buffalo Industrial' (1979), 2 Bugatti, 22 Buick, 28-9, 129 'Builda Helta Skelta', 253, 258, 259 Bunny Lake Is Missing (film, 1965), 152 Burlington House, 165 Burroughs, Edgar Rice, 104, 108n4 Burtin, Will, 148 Bush TRI30 Radio, 253, 256, 257 By Rocket to the Moon (Woman in the Moon) (film, 1929), 265, 269-70, 274 Cadillac, 13, 27-8, 28 Cambridge School of Architecture, 160 Camel cigarettes, 9 cameras, 60, 61, 64-5, 67-8, 69 Canary Wharf, 180, 182 cantilevered chair, 43 Cape Fear (film, 1991), 154 capitalism, 34, 222 caravans, 74, 74 Carmen Jones (film, 1954), 149 'Carnegie Illinois Steel Co., Tin Mill at Night, Monessen, Pa.' (postcard, 1937), 118 carpets, 38 Carroll, Lewis, 188-9 cars Banham on, 9, 27-9, 53—4, 83 Buick Roadmaster, 129 crash test dummies, 253-4, 256-8 as design metaphors, 43-4 increase in ownership, 182 influence of'Flash Gordon' on design, 4, 100, 105-8 IMDEX / 293 Karens work, 253, 254, 256—8, 257, 258, 259, 260 new materials, 232 production processes, 41 revolution in personal mobility, 52 tourism, 115 Case Study Houses, 63, 144, 199 Casino (film, 1995), 154 Centre for Art and Media Technology, Karlsruhe, 167 Centre Pompidou, 165-7 'Century of Progress Exposition (1933), 119 ceramics, 36, 37 Chafford Hundred, 184 chairs, 43 Champion (film, 1949), 148 Chernikov, Iakov, 75,75 children's bedrooms, 90, 91, 92 Chipperfield, David, 165 Chiswick house, 9 Christ Church, Oxford, 163, 163 Chrysler Building, 101, 102, 119 Church, Ella, 91 Cinamon, Gerald, 63, 64 circuses, 205-6 Cité contemporaine pour trois millions d'habitants (Le Corbusier, 1922), 25, 26 cities film representations, 271, 278 Non-Plan, 6, 177, 178-85 postcards, 118 urban planning, 178, 179, 180, 184-5 The City Seen as a Garden of Ideas, 81,81 City University of New York (CUNY), 217 Clark, Matt, 104, 108n3 Clark, Paul, 130 class, 130 classicism, 13, 160-1, 172 Clerkenwell, 80, 80 Clifford, Timothy, 168 Clore Wing, Tate Britain, 168, 173 Clown Face (film, 1971), 205 Coates, Nigel, 170 'Coffin-Nails in Handypacks' (1962), 2 'cold' design, 7, 229-30 Cole, Henry, 36, 135 collections, 121, 122, 171 Colletti, Marjan, 74, 74 Collins, Peter, 136 Colomina, Beatriz, 6, 197-214 Colony Club, New York, 140 colour, 114, 244—7 comic strips, 101, 103, 108n2, 270 'commonplace', 143 communication systems, 234 communication theory, 206 computer models, 236-7 computers, 206, 207, 209, 235, 240 A Concrete Atlantis: US Industrial Building and European Modern Architecture (1986), 5, 55, 61, 111,198 Concrete Central Elevator, 66—7 conformism, 231 conservation movement, 167 Constructivism, 50, 75, 269 consumer goods, 43, 44, 138—9, 230, 231 see also household appliances consumption, 3, 7, 52 absence from modernist project, 135, 137 culture of, 128 design history, 52 material culture, 139 women, 132, 133, 136, 137, 138-9 Cook, Peter, 4, 73-81 Cook, William, 28 Cordell, Frank, I40n6 corporate identity design, 145, 148, 153-4 Council of Industrial Design, 52 Country Life in America, 94, 94, 95 Courtauld Institute of Art, xi, 128, l40n5 Banham's doctoral thesis, 2, 49 Banham's lectures, 13, 14 Home House, 13 crafts, 35-6, 44—5, 56 craftsmanship, 34 crash test dummies, 253^, 256-8 crazy paving, 182 criticism fine art, 3, 52 photography, 68-9 product, 53 A Critic Writes: Essays by Reyner Banham (1997), xii, 2,47, 178 Cromley, Elizabeth Collins, 4, 85-97 291 / IflDEX cult of domesticity', 132, 133 cultural theory, 137 culture Americanization, 51 'high' and 'low', 4 CUNY, see City University of New York Curt Teich & Co., 5, 112, 113-15, 119-21, 122-3, 124n4 Cutty Sark, 9 Dada, 231 Daliegret, François, 54 Dante Alighieri, 235 Davidoff, Leonore, 133 David Ogle and Associates, 253, 254-6, 254, 255, 256 Davies, David, 165 Day, Lewis F., 135 The Decline of the West (Spengler, 1918), 268 decoration, 136 Delineator (magazine), 88, 88 dematerialization, 7, 231-2, 234, 235, 237 De Menil Museum, Houston, 172 democratization, 3, 56—7, 161 department stores, 138 Derrida, Jacques, 122 Desert Cantos (Misrach, 1987), 69 deserts, 57, 67, 69, 111-12 design 'cold' and 'warm', 7, 229-30 democratization of, 3, 56-7 'Flash Gordon', 104 gender and, 7, 217-28 'machine age', 9 modernism, 2, 136 theory and, 47—58 see also design history; design metaphors; industrial design Design by Choice (1981), 2, 56, 129—30 designers film representations, 7—8, 265—79 Karen, 7, 253-63 women, 7, 217-19, 220, 221-3, 227 design history, xi, xii, 3, 44, 47, 278nl Banham's influence, 85—6 consumption, 52 feminist theory, 5 metaphors, 45 modernism, 138 Design History Society (UK), 2, 27 design metaphors, 3, 33-46 future of, 44-5 modernism, 40-3 Ruskin, 34-5 Semper, 35^0 design reform movement, 134, 135 Deskey, Donald, 104 'Detroit Tin Revisited' (1975), 27-9 Diagram of the Field of Vision (Bayer, 1930), 208, 209 Diehard automobile battery, 222, 222 dimensionality, 241 dioramas, 25 Disney, Walt, 275-6, 277 Dixon, Jeremy, 172, 173, 174—5 Doc Hollywood I film, 1991), 153 Docklands, 180, 182 domestic architecture, 53 domestic space bedrooms, 4, 85-97 femininity, 132, 133, 134, 139 Glimpses of the USA, 203, 204 masculinization of, 137 photography, 64 Dorfsman, Louis, 150 Dorset Building in Rural Areas, 179 Douglas, Mary, 132 dress, 44, 46n27 Dresser, Christopher, 135 Dreyfuss, Henry, 104, 206, 207 Dr Mabuse (film, 1922), 268 Dr Strangelove (film, 1963), 8, 265, 276—8 Duchamp, Marcel, 7, 239-52 Dudas, Frank, 4, 99-109 Dun Huang (film, 1988), 153-4 Dupain, Max, 63 Eames, Charles and Ray, 6, 144, 199, 200, 202-12, 202,204,211 Eastlake, Charles, 134-5, 136 East London 'greening' project, 76—7, 77 ecological critique, 1 ecological sustainability, 185 Edge Cities, 183, 184 iriDEX / E95 Egyptian situla, 36, 38 Einstein, Albert, 251, 267-8 Eisenman, Peter, 170, 171 Ekstrom, Arne, 248 electric fires, 43 Ellwood, Craig, 63 Elwall, Robert, 64 engineering, 40, 41 Engineering Building, University of Leicester, 50 England Americanization of British culture, 51 museums, 160—1, 163, 165, 168, 173 Non-Plan, 178-85 Victorian parlour, 134 Enquiry into Industrial Art in England (Pevsner, 1937), 43 enterprise zones, 180 envy, 201 ergonomics, 260 'Erosion of the Ages, Bad Lands, So. Dak.' (postcard, 1941), 116 LEsprit nouveau en architecture, 16, 17, 19, 22, 31nl2, 31nl7 Étant donnés (Duchamp, 1946-66), 241 Evans, Walker, 112 Exodus (film, 1960), 149 false consciousness, 223, 224, 226 Family Fortunes: Men and Women of the English Middle Class 1780—1850 (Davidoff & Hall, 1978), 133 fantasies, 95-6 fashion, 28, 44, 135, 184 Faust, Christopher, 200 femininity, 132-5, 137, 138-9, 219 feminism, 5, 7, 217 critique of feminist theory, 225, 227 feminist scholars, 220, 221, 222-3, 225, 226-7 liberal vs radical, 222—3 modernism, 137 resistance to industrialization of the home, 224 see also gender; women fiction, 235 films, 7-8, 265-79 Bass's work, 5, 144, 145, 147-50, 151-4 culture of consumption, 128 Dr Strangelove, 8, 265, 276-8 Eameses' work, 202-9, 211-12 Metropolis, 7—8, 265—71, 276, 278 Things to Come, 265, 271—4 fine art criticism, 3, 52 'First Bus to Psychedelia' (1968), 2 First Men on the Moon (von Braun, 1958), 275, 276 'Flash Gordon', 4, 100-7, 100, 101, 103, 105, 106 Fogg Art Museum, Harvard, 168 Fontainebleau Palace, 15, 22 Ford, Henry, 41, 139 Fordism, 135 Ford Mustang, 53, 53 Forty, Adrian, 3, 33-46 Foster, Sir Norman, 165, 166, 167, 169, 173 Frampton, Kenneth, 198 France, 173 Frankel, Max, 212nl0 Frankfurt, 79, 80, 173 Frankfurt School, 137 Die Frau im Mond (Woman in the Moon) (film, 1929), 265, 269-70, 274 Frayling, Christopher, 7—8, 265—79 Frederick, Christine, 138 Frederick R. Weisman Museum, Minneapolis, 170 French theatre, 252 fresh air, 93—4 Friedan, Betty, 133 fringe culture, 4 From the Earth to the Moon (Verne, 1865), 270 'Frothy coffee', 80, 80 Fuller, Buckminster, 55, 202, 206, 209 functionalism Banham's critique of, 27, 54, 127-8 symbolic poverty of, 129 Vaillants critique of Le Corbusier, 23 furniture, 89, 231 Futurama, 191—2 Futurism, 3, 50—1, 52, 53 Galleria Nazionale, Palermo, 162 Gamble House, 56 Gans, Herbert, 178 gardens, 78, 182 Gardner, E. C., 91 Gare d'Orsay, 167-8 Garreau, Joel, 183—4 Geffrye Museum, 170 296 / iriDEX Gehry, Frank, 170 gender Banham's writings, 56 bedroom decoration, 92, 96 cameras, 69 design and, 7, 217—28 modernism, 5, 130-2, 137, 138, 139—40 see also feminism; women General Motors, 41, 139 George, Peter, 276, 277 Germany, 163-4, 173, 268, 270, 274 Getty Museum, 160, 169 Getty Research Institute (GRI), 14, 63 Gibson, Charles Dana, 104, 108n3 Giedion, Sigfried, 29, 42-3, 54, 57, 127—8 Girl in the Moon (Woman in the Moon) (film, 1929), 265, 269-70, 274 gizmos, 215 glass museum design, 161—2 Venetian glassware, 35 Glimpses of the USA (film, 1959), 202-4, 202, 207-8,209,210,211-12 Gloag, John, 137 Golden, William, 148 Gombrich, Ernst, 235 Gooch, Simon, 70 Goodfellas (film, 1990), 154 Goodman, Art, 150, 155n9 Gothic architecture, 34-5, 41, 268 Gowan, James, 50 Gradidge, Roderick, 168-9 grandeur, 23 Grand Prix {(Am, 1966), 145, 152 Graz Kunsthaus, Tb, 76 Great Britain Americanization of British culture, 51 museums, 160—1, 163, 165, 168, 173 Non-Plan, 178-85 Victorian parlour, 134 Great Depression, 100, 101, 112, 114, 147 Great Exhibition (1851), 36 Greek architecture, 36, 160 Greek hydria, 36—7, 38 Green Box (Duchamp, 1934), 240 Greene, Brian, 187 Greene, David, 74 Gregotti, Vittorio, 210 Grey, Spencer de, 165 GRI, see Getty Research Institute Gropius, Walter, 27, 62 Guggenheim Museum, New York, 170 'Gunge' walls, 80, 80 Hales, Peter Bacon, 115 Hall, Catherine, 133 Hall, Peter, 6, 86, 177-9, 180 Hamilton, Richard, 7, 28, 51, 60, 68, 140n6, 239-52 Hamilton, Terry, 51 Hamilton-Smith, Katherine, 115 Hampstead Midland North-Western and Charing Cross Junction, 190 harbours, 189 Harper's Monthly, 93, 93 Hawking, Stephen, 187, 188 Haworth-Booth, Mark, 3—4, 59—71 health issues, 92—5 Hebbert, Michael, 179 Heliostat, Gl Henderson, Nigel, 60, 61, 63, 68 Henry Moore Institute, Leeds, 172 Heritage Lottery Fund, 173, 174 Hewison, Robert, 177 Higher Learning {(Am, 1995), 153 historicism, 139, 167-9, 172 Hitchcock, Henry-Russell, 55, 56 Hoag, Mr, 95 Hockney, David, 63 Holly, Henry Hudson, 93 Home House, 13 Hoover Dam, 117, 117 Hopper, Edward, 122 Hotel Crillon, 23 Hounshell, David, 139 House: Afier Five Years of Living {(Am, 1955), 206 household appliances, 51-2, 101 Glimpses of the USA, 203 'Kitchen Debate', 200—1 women as consumers, 7, 219—20, 224—6 see also consumer goods 'House in the Clouds', 74-5, 75 housewives, 224—5 IMDEX / 297 housing bedroom design and positioning, 87-90 executive homes, 184 suburbs, 180, 181, 182 tower blocks, 178 Vallecas, 79 Houston, 77, 77 Howard, Ebenezer, 26 Hughes, Howard, 148 Hunt, Richard Morris, 88 Hursley, Timothy, 62 Hurtado, Eva, 79 Huyssen, Andreas, 137 hydria, 36-7, 38 hyper-aestheticism, 165, 167, 169, 172 IBCAM, see Institute of British Carriage and Automobile Manufacturers IBM Ovoid Theater, 208-9, 208 ICA, see Institute of Contemporary Arts ice-cream waggons, 83 iconography 'Detroit Tin Revisited', 27 object analysis, 52 postcards, 115—21, 123 ICSID, see International Council of Societies of Industrial Design idealism, 42 The Idea of Louis Sullivan (Szarkowski, 1956), 68 IG, see Independent Group illusion, 235-6 images computerized image production, 236 Glimpses of the USA, 202, 203, 208 IBM Ovoid Theater, 208-9 importance of, 198, 199 juxtaposition of, 3, 19, 29 Le Corbusier's lectures, 14—24 postcards, 112, 113, 119, 123 representational technologies, 235 see also photography; slides imitation, 34, 233, 234 improvisation, 24 Independent Group (IG) Detroit car styling, 43^ Futurism, 51 material culture, 128 photography, 59, 60 popular culture, I40n6 working classes, 49 industrial buildings, 55, 111, 198—9 industrial design, xi, 26—7, 101, 129 as cold' design, 229, 230 computer models, 236 dematerialization, 231, 232, 234 female consumers, 7, 217-28 influence of Flash Gordon on, 105 Karen's work, 253—63 postcards, 117—18 Industrial Design (1965), 215 'Industrial Design and Popular Art' (1960), 52 industrialization, 14, 49 information flow, 206, 207, 211 Ingres, Jean Auguste Dominique, 13, 29 Institut du Monde Arabe, 173 Institute of British Carriage and Automobile Manufacturers (IBCAM), 253, 254 Institute of Contemporary Arts (ICA), 49, 52, 59, 60 Institute of Venice, 198 interior design, 230-1 International Council of Societies of Industrial Design (ICSID), 99 International Style, 62 International Union of Architects, 30n5 Internet, 212 IRA bomb blast, 192, 193 Irving Place, 89 'Italian design', 230-1 Italy, 162, 198, 199, 229 Jacobs, Jane, 99, 184 Jacobs, Louis (Bud), 70 Jakle, John, 118 Jensen, Knud, 162 Johnies Wilshire, Miracle Mile (1962), 64, 65 Jones, Edward, 172, 173, 174-5 Journal of the American Institute of Architects, 11 Just Imagine (film, 1930), 270 Kahn, Louis, 164, 165, 172, 175 Kansas City, 119 Kaplan, Caren, 112 Karen, Tom, 7, 253-63 290 / iriDEX Karlsruhe, 76, 167 Keller, Evelyn Fox, 228n6 Kenton, 181—2 Kepes, György, 147 Khrushchev, Nikita, 200-1, 201, 212n6, 212nl2 Kiddicraft, 253, 258, 259 Kimbell Art Museum, 164, 175 kiosks, 79, 79, 80 Kirkham, Pat, 5, 143-55 Kissinger, Henry, 276—7 'Kitchen Debate' (1959), 200-1, 201, 210 Kitson, Michael, 13, 30n6 Klein-Rogge, Rudolf, 268-9 knots, 37-8 Koenig, Pierre, 63 Koolhaas, Rem, 167 Korda, Vincent, 271, 273 Krier, Leon, 172 Kubrick, Stanley, 8, 276—7 Kunsthaus Graz, 75,76 labour, 34—5, 41, 44 Laclotte, Michel, 166 Ladies Home Journal, 91, 93, 94 Laermans, Rudi, 139 LaGatta, John, 104, 108n3 Lakeside Thurrock, 183, 184 Landscape for a Good Woman (Steedman, 1987), 1 : landscapes, 57, 115—16, 120 Lang, Fritz, 7, 265-6, 268, 269, 270, 274 Lange, Dorothea, 112 language, 242 Large Glass (Duchamp, 1915—23), 240, 241, 242, 247,249 Laurentian Library, 15, 24 La Villette, Paris, 167 Learning from Las Vegas (1972), 178 Le Corbusier building production, 41 definition of architecture, 29, 157 influence on Raymond, 104 lectures, 3, 11, 12, 14-26, 16 'Mechanical Analogy', 136 modernism, 40 photography, 62 reference to Ruskin and Loos, 135 Ronchamp chapel, 9 Things to Come, 271, 273 lectures, 3, 11—32 Banham, 13-14, 26—9 Le Corbusier, 11, 12, 14-26, 16 lecture notes, 25 Lern, Stanislaw, 234-5 Leo, Ludwig, 75 Lethaby, William, 143, 230 Ley, Willy, 270 Leyland truck cab, 253, 259-60, 261 Libeskind, Daniel, 187, 188, 195n3 light, 67 linen postcards, 5, 112—24 Curt Teich & Co., 113-15 iconography, 115-21, 123 nostalgia, 121—2 Lionni, Leo, 148 Living in a Man-Made World: Gender Assumptions in Modern Housing Design (Roberts, 1991), 226 Lloyd Wright, Frank, 86, 104, 170, 230 'Lobby/El Patio Hotel' (postcard, 1940s), 123 Loewy, Raymond, 104 Lombard, François, 166 London allotments, 77 East London 'greening' project, 76-7, 77 'Frothy coffee', 80, 80 housing, 178 IRA bomb blast, 192, 193 Lakeside Thurrock, 183 Non-Plan, 179 suburbs, 179-80, 181-2 Loos, Adolf 3, 28, 40, 135, 199, 230, 233 Los Angeles, 111, 144, 144, 147 Los Angeles: The Architecture of Four Ecologies (1971), 63, 144 Louisiana Museum, Copenhagen, 162 Louis Seize, 231 Louvre, 167—8 Lubetkin, Berthold, 184 Lucas, George, 105, 152 Lustig, Alvin, 148 Lyall, Sutherland, 2 'Machine Aesthetes' (1958), 9 'machine age', 5, 9, 24, 52 machines, 40, 41 Mackintosh, Charles Rennie, 56 Madrid, 78, 78, 80 inDEX / CÏ99 Maillol, Aristide, 19, 31 ni 3 Making Space: Women in the Man-Made Environment (MATRIX, 1984), 226 Maldonaldo, Tomas, 7, 229-37 Mallet-Stevens, Robert, 266 Man at the Control-Console (Schmidt, 1924), 269 Manchester City Art Galleries, 168 Man in Space (DisneyTV programme, 1955), 275, 277 'The Man-Mauled Desert' (1987), 69 manufacturing, 41, 135, 139, 232 The Man With the Golden Arm (film, 1955), 144, 149, 149, 150 March, Lionel, 178 Martineau, Harriet, 93 masculinity, 135, 137 Masey, Jack, 202 Mask in Yellow and Black (Schlemmer, 1923), 269 massiveness, 40-1 mass production, 136-7, 139 see also production material culture, 128, 138, 139, 140, 226 see also artefacts; objects materials authenticity, 233—4 imitation, 233, 234 new, 232 traditional, 233 MATRIX, 226 Maxwell, Robert, 68 Mayfield Avenue, Kenton, 181—2, 184 Mayne, Roger, 68 McCale, John, 128, I40n6 McLuhan, Marshall, 27 McMath Solar telescope, 67 Mead, Margaret, 227 meaning, 35, 38 'Mechanical Analogy', 136 Mechanization Takes Command (Giedion, 1948), 43 Medina Tower, Tel Aviv, 78, 79 Megastructures: Urban Futures of the Recent Past (1976), 178 Meier, Richard, 169 Meikle, Jeffrey L., 4-5, 111-25 Méliès, George, 270 Mellon, Paul, 164 The Men (film, 1950), 148 Mendelsohn, Erich, 55 Menzies, William Cameron, 271 messages, 231, 233 metals, 244—7 metaphors, see design metaphors MetroCentre Gateshead, 180, 182, 183, 184 Metropolis (film, 1926), 7-8, 265-71, 266, 267, 276, 278 Metropolitan Museum, New York, 164 Miami Beach, 120, 121 Michelangelo, 15, 24 Midas, Tomb of, 38, 39 middle classes, 49, 52, 133 military technology, 200, 206 Millennium Commission, 172 Millennium Fund, 173, 174 miniaturization, 43, 231 Minolta, 153 Mir spaceship, 194, 194, 195 Misrach, Richard, 69 Mitterand, François, 173 modernism, 2, 3, 13, 48, 278nl American industrial buildings, 55, 111, 198—9 Bass, 147, 148 concept of'design', 136 design metaphors, 40-3 devaluation of material culture, 138 formalism, 55 Futurism, 50-1 gender, 5, 130-2, 137, 138, 139-40 Le Corbusier's lectures, 24 limitations of, 130 masculine values, 135, 137 mass production, 136-7 museum design, 165 patriarchal interests, 139 photographic evidence, 61-2, 198—9 reassessment of, 185 skeuomorphs, 44 symbolism neglected by, 128 Voysey, 50 Zeitgeist argument, 14 modernity Bass's work, 5 Futurism, 50 Le Corbusier's lectures, 24 postcards, 116, 118, 119, 121 Moholy-Nagy, Laszlo, 61, 65, 147, 272-3 Morris, William, 49, 56, 135, I4ln20, 143, 230 300 / IMDEX Moulton bicycle, 48-9, 48, 52, 70 movement, 241 mowbot, 74, 74 Moya, Hidalgo, 163, 163 Mr Saturday Night {film, 1992), 154 multimedia installations, 6, 204—5, 206, 207, 209, 210 multi-screen technologies, 6, 200, 203—5, 207—8, 210, 211, 212 Museo Castelvecchio, Verona, 162, 162 Museo Correr, Venice, 162 Museum of Applied Arts, Vienna, 170 museums, 6, 159—76 British Museum, 160—1, 161, 169 Centre Pompidou, 165-7 democratization, 161-2 historicism, 167—9, 172 hyper-aestheticism, 165, 167, 169, 172 neo-expressionism, 169-70 neutrality of design, 162-4 Muthesius, Hermann, 40-1, 230 National Galleries of Scotland, 168 National Gallery, London, 168, 169, 170, 173 National Lottery, 173 National Portrait Gallery (NPG), London, 6, 70, 159, 168-9, 172, 173-5, 174 Native Americans, 116 Natural History Museum, 165 nature, 40, 57 Naylor, Gillian, 3, 47—58, 173 Nazism, 268 'Needle' (Graz Kunsthaus), 75,76 Nelson, George, 202, 205 neo-expressionism, 169-70 New Bauhaus, 147 Newcastle-upon-Tyne, 182, 184 New England, 87 New Haven, 164 The New Housekeeping: Efficiency Studies In Home Management (Frederick, 1913), 138 The New Industrial Parks Near Irvine, California (Baltz, 1974), 63 New National Gallery, Berlin, 163-4 New Society, 6, 47, 53, 177—9, 278nl 'New Spirit', 14, 15, 49 New Statesman, ^71, 49, 50, 56, 68 'New Topographies' movement, 63, 64 New York City, 118, 119 New York harbour, 191 New York World's Fair (1964), 208-9, 208 Nitsche, Erik, 148 Nixon, Richard, 200-1,201, 212n6, 212nl2 Noever, Peter, 170 Non-Plan, 6, 177, 178-85 Northampton Town Hall, 172 Norwich School, 57 nostalgia, 5, 112, 121-2, 225, 233 'Notes Towards a Definition of the US Automobile Painting as a Significant Branch of Modern Mobile Heraldry' (1966), 2 Notre Dame, 22, 23 Not With My Wife You Don't (film, 1966), 145 Nouvel, Jean, 173 No Way Out (film, 1950), 148 NPG, see National Portrait Gallery Nude Descending a Staircase (Duchamp, 1911), 241 Oakley, Ann, 133 Oberth, Hermann, 270, 274 objects artistic values, 230 collections, 121 communication systems, 234 dematerialization, 7, 231-2, 234 female consumption, 132, 139 interpretation of, 52-3 'Italian design', 231 multi-valenced nature of, 227 social influence of, 220—1 see also artefacts; material culture Obrist, Hans Ulrich, 192 obsolescence, 41, 44, 101, 107, 231-2 Ogle, David, 253, 254—6 oil rigs, 192, 193, 194—5 Ondaatje Wing, National Portrait Gallery, 174-5, 174 Open University, 11-13, 27 ornament, 233 Oslo Architecture School, 74, 74 Palumbo, Peter, 172 Pantheon, 15, 42 Paolozzi, Eduardo, 9, 61, I40n6 'Parallel of Life and Art' exhibition (1953), 59, 60 Paris, 26, 119, 167 iriDEX / 30I Paris ocean liner, 19, 20 Parker, Roszika, 132, 134 parlours, 87, 133, 134, 226 Parthenon, 15, 24 Pasmore, Victor, 184 Passage from the Virgin to the Bride (Duchamp, 1912), 241, 247 patriarchy, 222 Paz, Octavio, 241 Pelli, Cesar, 63 Penrose, Roger, 187 Perkins, Nancy, 217-20, 218, 222, 225, 228n3 perspective, 241 Peterlee New Town, 184 Pevsner, Nikolaus Banham's revision of, 3 Bauhaus, I4ln20 comparison of Banham with, 56, 57, 68 historical knowledge, 173 modernism, 43, 51, 135 supervision of Banham, xi, 2, 49 'Phantomology', 235 Pharmacy (Duchamp, 1914), 249 Phase IV {, film, 1974), 153 'Phillips Drive-in Cafe: One of the Show Spots, Hot Springs National Park, Arkansas' (postcard, 1941), 115 photography, 3-4, 59-71, 235 architectural history, 61—2 Banham as critic, 68-9 Banham as photographer, 64—8 Banham's general view of, 59-61 Banham's use of photographs in books, (32—4 images of Banham, 69-70 modernism, 198-9 postcards, 113-14 see also images; slides 'Photography' (1953), 59, 68 Piano, Renzo, 167 Pileggi, Nick, 154 Pinto Town Plan, 79 Pioneers of the Modern Movement (Pevsner, 1936), 43,I41n20 Pitchford, G. I., 120-1 planned obsolescence, 107 see also obsolescence Plan Voisin de Paris, 26 plastic form, 243 politics, 51, 146 Pollock, Jackson, 9, 61 Pompeii, 38 Pompidou Centre, 165-7 Pop Art, 1, 51, 57, 129, 130, 231 Pope-Hennessy, John, 163 popular culture, 5, 86, 140n6 Porte-Air, 93, 94 postcards, 5, 112—24 Curt Teich & Co., 113-15 iconography, 115—21, 123 Los Angeles, 144 nostalgia, 121—2 postmodernism, 1, 129, 148 postmodernity, 122, 123 pottery, 36, 37, 38, 39 Powell, Philip, 163, 163 Powers of Ten (film, 1968), 203, 204, 210, 213nl6 Preminger, Otto, 144, 149, 150 Price, Cedric, 2, 6, 178, 179, 187-95 Price, Mercia, 191 privacy, 86, 88, 90, 96 production feminine culture, 132 'Mechanical Analogy', 136 modernism, 41, 135, 136—7 new materials, 232 skeuomorphs, 44 Psycho (film, I960), 144, 145, 146, 154 'Pueblo of Acoma, the Sky City, South of Laguna, N.M.' (postcard, 1936), 117 Pugin, A. W. N., 134, 135, 138 Pyramids, 24 Queen Elizabeth ocean liner, 191, 191 Quest (film, 1983), 153 Quintilian, 24, 32n28 Qwerty keyboard, 44 Radio City Music Hall, 119 Raleigh Chopper, 258,259 Rand, Marvin, 63 Rand, Paul, 147, 148 the 'Rascal' (car), 253, 254 Rasmussen, Steen Eiler, 180 rationalism, 29, 40, 41, 147 Rauch, John, 167, 168 Raymond, Alex, 4, 100, 103-5, 107, 108n2 30E / IMDEX RCA, see Royal College of Art Read, Herbert, 43, 137 realism, 117 reality, 123, 235 reception rooms, 87, 88 Red Alert (Bryant, 1958), 276, 277 Redgrave, Richard, 135 Regent Street, 260 relativity, theory of, 251 Reliant Scimitar GTE, 253, 254, 255, 256, 257 representation culture of, 124 technologies of, 235 rhetoric, 14, 19, 23, 24 RIBA, see Royal Institute of British Architects Richards, J. M., 179, 180 Richardson, Dr, 92-3 Riegl, Alois, 42 Roberts, Marion, 226 Robinson, Cervin, 62, 70 Robotham, Gavin, 76—7, 80 robots, 268, 269 Rockefeller Center, 101 rocket technology, 274-5 Rogers, Richard, 167 Roman style, 42, 42 Romanticism, 13, 19, 23 Ronchamp chapel, 9 roofs, 61—2, 64 Rosenthal, Herb, 145-6 Rothschild, Joan, 217, 220, 227 Rotwang, 7-8, 265-71, 267, 276, 277, 278 A Rough Sketch for a Sample Lesson for a Hypothetical Course' (Eames), 205, 206, 207 Royal Academy, London, 166, 173 Royal College of Art (RCA), 2, 100, 173, 254 Royal Institute of British Architects (RIBA), 63, 64 rugs, 38 rural areas, 178 Ruscha, Ed, 63 Ruskin, John, 3, 26, 34-5, 40, 45nl, 47, 135 Russell, Bertrand, 188, 192 Saarinen, Eero, 206, 208, 208 Sackler Building, Fogg Art Museum, 168 Sackler Galleries, Royal Academy, 166, 173 Sainsbury Centre, 167 Sainsbury Wing, National Gallery, 168, 169, 170, 173 Salt Lake City, 118 Salton Sea, 69 Sandberg, Wilhelm, 162, 166 San Francisco, 119 Santorin, 9 Sartoris, Alberto, 127-8 Saumarez Smith, Charles, 6, 70, 159-76 Scarfe, Gerald, 69 Scarpa, Carlo, 162 Scenes in America Deserta (1982), 4, 57, 67, 69, 111-12 Schlemmer, Oskar, 269 Schloss Karlsruhe orangery, 76, 76 Schmidt, Kurt, 269 School of Art (Mackintosh), 56 Schor, Naomi, 115, 119, 121, 125n27 Schwartz Cowan, Ruth, 7, 217—28 science, 221—2, 228n6, 241, 266 science fiction, 235, 241, 270 Scorsese, Martin, 144, 150, 154 Seconds (film, 1966), 152 Sellers, Peter, 276-7 Semper, Gottfried, 3, 35^40, 44 Serota, Nicholas, 165 set design, 210 'Sex and the Single Lens' (1974), 69 Shahn, Ben, 148 Shannon, Claude, 206 Shaw, George Bernard, 185 Shilling, C. K„ 95, 95 shopping malls, 6, 180—1, 182—4 short films, 152—3 Shulman, Julius, 63 The Silk Road (film, 1988), 153-4 situla, 36, 38 skeuomorphs, 44 skylights, 95-6 skyscrapers, 118 sleeping porches, 93, 94, 94, 95, 95 slides Banham's, 14, 65—7, 68, 71n22, 198 Eameses' work, 205, 206, 214n49 Le Corbusier's lectures, 11, 14, 24, 26 see also images; photography Smirke, Robert, 160 Smithson, Alison and Peter, 61, I40n6, 199 iriDEX / 303 Smolin, Lee, 187, 192 snobbery, 185 Soane, Sir John, 61, 68 social construction theory, 221 Socialist Constructivism, 75 Society of French Urbanists, 26 Sokolov, Nicolai, 75, 75 The Solar Film (film, 1980), 152 'Somerset Hotel, Miami Beach: Directly on the Atlantic Ocean' (postcard, 1939), 120 Sottsass, Ettore, 129, 131 Southern, Terry, 276 souvenirs, 118, 121, 122 Soviet Union, former, 200—4 space Duchamp, 241, 251 Eameses' work, 207, 210, 211, 212 Sparke, Penny, 2, 5, 53, 56, 127-41, 173 Spartacus (film, 1960), 145, 151 spas, 67 Spätrömische Kunstindustrie (Riegl, 1901), 42 speed, 189 Spengler, Oswald, 268 Sphynx, 24 Springer, Curtis Howe, 67 Staatsgalerie, Stuttgart, 168 Staedelschule catalogue, 73-4, 73 'Standard-of-Living Package' (Dallegret), 53, 54 Star Wars (film series), 105, 152 State University of New York (SUNY), 70, 85, 99-100 Stedlijk Museum, 162, 166 Steedman, Carolyn, 132 Stewart, Susan, 118, 121, 122 Der Stil in den technischen und tektonischen (Semper, 1860/1863), 35-6, 37,38,39 Stirling, James, 168, 173 The Stones ofVenice (Ruskin, 1851-53), 34 Storm Center (film, 1956), 149 St Peter's Basilica, 15 Streamline Design Style, 105 Street Porter, Tim, 67-8, 70 structural rationalism, 40, 41 Stuyvesant Apartments, 88, 89 style, 9, 50 style obsolescence, 41, 44 styling, 27, 101 Suburban Documentation Project, 200 suburbs, 6, 179-80, 181-2, 183, 184, 185 Sullivan, Louis, 86 Summers, Lawrence H., 228n7 'Sundae Painters' (1974), 83 Sunderland, 182, 184 SUNY, see State University of New York 'Super Houston' village, 77, 77 Superman T-shirt, 70, 70 surrealism, 117 syllogism, 22—3 symbolism, 38-40, 128, 139 symbols, 29, 37-8, 52, 149-50, 221 Szarkowski, John, 68 Tafuri, Manfredo, 198 Tait-Russell, Brian, 27, 28 taste absence from modernist project, 135, 137 feminine, 5, 132, 133, 134-5, 137 Le Corbusier's lectures, 15 material culture, 139 Tate Britain, 168, 173 Tate Modern, 165, 167, 172 Taut, Bruno, 41 Taylor, Nicholas, 180 Taylorism, 41 technology benign potential of, 56 'Flash Gordon', 104 Futurism, 50 innovative products, 231-2 patriarchy, 222 postcards, 116-17 responses to, 49 state-of-the-art, 3 technophilia, 169, 172 Teich, Curt, 5, 112, 113-15, 119-21, 122-3, 124n4 Tel Aviv, 78, 79, 79 Teledyne Systems building, 63 television, 200 Teller, Edward, 276-7 textiles, 35, 37-8, 133 theatre, 252 theory, 3, 47-58 Theory and Design in the First Machine Age (1960), 2, 49, 50 design metaphors, 40 304 / INDEX functionalism, 127-8 handicraft aesthetics, 56 influence of, 85, 197—8, 199 modernism, 278nl Things to Come (film, 1936), 265, 271-4, 272, 273 Thirty-Four Parking Lots in Los Angeles (Ruscha, 1967), 63 'A Throw-Away Aesthetic' (1960), 52 time, 6, 187-95, 241 Tomb of Midas, 38, 39 Tonko (film, 1988), 153-4 tourism, 112, 115—16, 115, 117, 122 Tour St Jacques, 23 Towards a New Architecture (Vers une architecture) (Le Corbusier, 1923), 15, 40, 62, 136, 157, 273 Townscape of Freeway-Land, 64, 66 toys, 258, 259 Trafton, Howard, 147 'Transportable Standard of Living Package' (Dallegret), 53, 54 travel, 122 'Troglodyte Metropolis' (1974), 2 Troy, Nancy, 136 tuberculosis, 93 Turner, Paul Venable, 62 Two Hours to Doom (Bryant, 1958), 276 type forms, 36 United States of America bedrooms, 4, 86—96 'Flash Gordon', 100-7 Glimpses of the USA, 202-4, 202, 207-8, 209, 210, 211-12 industrial buildings, 55, 111, 198—9 'Kitchen Debate', 200-1 postcards, 112-24 shopping malls, 183 University of Leicester, 50 Unwin, Raymond, 26 urban landmarks, 119, 172 urban planning, 6, 178, 179, 180, 184—5 see also cities 'Usurpation: le folk-lore', 17, 19 utopianism, 119 V&A, see Victoria and Albert Museum V-2 rockets, 274, 275, 277 vacuum cleaner, 217—20, 218, 225-6 Vaillant, Léandre, 3, 15-19, 22—4 Valencia School of Architecture, 197-8 Vallecas housing, 79 Van der Rohe, Mies, 163—4 Van der Velde, Henry, 230 Vehlen, Thorstein, 137 'Veg. House, 77, 78 'Vehicles of Desire' (1955), 27, 83 Venetian glass, 35 Venturi, Robert, 167, 168, 168, 169, 170 Verbania Municipal Theatre, 80, 80 vernacular buildings, 86 Verne, Jules, 104, 108n4, 270, 274 Versailles, 15, 24 Vers une architecture (Towards a New Architecture) (Le Corbusier, 1923), 15, 40, 62, 136, 157, 273 Vertigo (film, 1958), 144, 147, 150 Vickers, Sir Geoffrey, 187 Victoria and Albert (V&A) Museum, 2, 30nl, 60, 163, 168, 172, 173, 187 Victorianism, 132 Victorian parlour, 134 Vidier, Anthony, 6 Viollet-le-Duc, Eugène, 40 virtual realities, 235-6 Vision in Motion (Moholy-Nagy, 1947), 65 The Visions of Ron Herron (1994), 54 visual comparison, 14 Vitruvius, 34 Volkswagen, 9 Von Braun, Wernher, 8, 274—6, 277-8 Von Harbou, Thea, 265-6, 268 Le Voyage dans la Lune (film, 1902), 270 Voysey, Charles, 50, 180, 181 Walking City, 54 Walk on the Wild Side (film, 1962), 151 walls, 38, 80, 80 Ward, Colin, 179, 185nl8 'warm' design, 7, 229-30 The War of the Roses (film, 1989), 153 war rooms, 206, 207, 277 Watkin, David, 173 'Way Out West-Berlin', 78, 78 Wells, H. G„ 265, 270-4, 273 West Side Story (film, 1961), 145, 150, 152 Wexner Center for the Visual Arts, Columbus, 170, 171 IMDEX / 305 Wheeler, Candace, 91—2 Wheeler, Gervase, 87-8 White Box (Duchamp, 1966), 7, 240—1, 243-52 'Who is this "Pop"?' (1963), 2, 52 Why Man Creates (film, 1968), 152 Wiener Werkstätte, 231 Wilder, Billy, 202 Willmott, Peter, 177—8 Wizard of Oz (film, 1939), 105 Wöfflin, H„ 42 Wolfe, Elsie de, 139, 140 Woman in the Moon (Die Frau im Mond) (film, 1929), 265, 269-70, 274 women Banham's writings, 56 consumers, 7, 220, 223-6 decorative arts, 136 designers, 217-19, 220, 221-3, 227 taste and consumption, 132-5, 137, 138—9 see also feminism; gender Woolf, Virginia, 226 working classes, 49, 226 works of art, 242 World's Fair (New York, 1964), 208-9, 208 Xerox Data Systems buildings, 63 Yale Center for British Art, 164, 165 Yale University Art Gallery, 164 Young, Michael, 177-8 Zaid, Barry, 115 Zeilinger, Anton, 188, 195n5 Zeitgeist argument, 14 Zevi, Bruno, 163 Ziegler, Jules, 36 Zzyzx, 67 306 / IP1DEX
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