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| Katkey: | 7559961 |
| Volltext: | Index Abstract art, 26, 28, 33, 43, 47, 52, 85, 87-116, 131-35 Abstract Expressionism: Greenberg championed, 4; qualities of, 22, 60, 88, 88n-89n, 95-99, 100, 105, 140, 155, 172; Motherwell and, 74; American art before, 84; American art after, 109; Pollock and, 110; de Kooningand, 113 Adler, Alfred, 166 Aesthetic experience: philosophy of art and, 13; in Berenson's criticism, 17; and dialectical conversion, 27, 28-29; and artistic unity, 33, 34, 36; of abstract art, 49; and the decorative, 62; and taste, 119-20; and emotion, 121, 127, 135, 147-48 Aestheticism, 7, 105 Albers, Josef, 72 AU-over picture, 45, 50, 56-57, 59, 62, 74, 141 Alloway, Lawrence, 7, 117, 118, 130 Angélico, Fra, 141 Apollinaire, Guillaume, 107 Arbitrariness, 112-16 Arnold, Matthew, 90-91, 142 Arp, Hans, 73, 77, 143, 165 Art adoration, 128-29 Art and Culture (Greenberg), 3-4, 20-22 Artiness, 67, 68, 70 Artistic unity, 30-56, 57, 82 Austin, Darrell, 176 Avery, Milton, 23, 51, 65, 91 Bacon, Francis, 139 Baroque, modern, 102-6 Bauhaus, 72, 90, 110 Bazíotes, William, 56, 77 Beckmann, Max, 83 Bell, Clive, 36 Berenson, Bernard, 12-17, 96 Berman, Eugene, 177 Bernini, Giovanni, 103 211 212 Index Bloom, Hyman, 102 Böcklin, Arnold, 117 Bonnard, Pierre, 83, 138, 175-76, 178 Boucher, François, 80 Boudin, Eugène, 178 Braque, Georges, 31, 32, 44, 95, 107, 110, 143, 155 Calas, Nicolas, 18, 47 Calder, Alexander, 73, 77, 79, 80, 137 Caro, Anthony, 4, 51 Cartesianism, 131-32 Castiglione, Baldesar, 77 Cézanne, Paul, 26, 48, 49, 53, 54, 56, 83, 96 Chagall, Marc, 111, 176 Chirico, Giorgio de, 75 Clark, Kenneth, 118-19 Comte, Auguste, 166 Connoisseurship, 130-31 Courbet, Gustave, 22, 89 Criticism: intuitive, 11-14, 17; philosophical, 12-17, 161; Greenberg's concept of, 117-52 Cubism: and dialectical conversion, 22, 27; and artistic unity, 30-31, 39, 44, 50, 51, 53; Picasso and, 64; and the decorative, 77, 79; Greenberg an advocate of, 89; French painting and, 94; Pollock and, 110-11; Chagall and, 111; development of, 140; and limitation of means, 156 Cuisine, in art, 173-81 David, Jacques Louis, 137 Davis, Stuart, 79, 80, 137 De Chirico, Giorgio. See Chirico, Giorgio de Decorative, the, in art, 16-17, 23, 57-86 De Kalf, Willem. See Kalf, Willem de De Kooning, Willem, 4, 91, 95, 102, 111, 113-14, 161 De la Fresnaye, Roger, 78-79 Delaunay, Robert, 78 De Niro, Robert. See Niro, Robert de Dewey, John, 28-29 Dialectic, in art, 19, 20-29, 45, 69, 85, 113, 122-23, 157, 159 Dialectical illusion, 33, 44 Duberman, Martin, 145n Duchamp, Marcel, 109, 113 Eakins, Thomas, 89 Eilshemius, Louis M., 180 Eliot, T. S.: concept of disassociation of sensibility, 107, 131; on critics and criticism, 117, 119, 136, 162-63, 166; on art, 147, 151, 154; and emotion in art, 169 Emerson, Ralph Waldo, 98 Emotion: and artistic unity, 31, 32, 37, 46, 49; mastery of, 54-56; effect on the decorative, 65, 83; and luxury painting, 94; in the modern baroque, 103-5; and disassociation of sensibility, 106-11; and Minimalism, 115; and form, 127; role of, in Greenberg's criticism, 154, 166-67, 170-72 Existentialism, 160 Expressionism, 40, 42, 64, 95, 96, 98-102, 103, 133, 156-57 Fashion, and art, 76-80 Fausett, William Dean, 177 Fauvism, 64, 94 Feibleman, James K., 93 Felicity, in art, 69, 72-75 Feminine sensibility, 79 Finnegans Wake (Joyce), 58, 60 Flatness, in art, 22-23, 32, 48, 53, 61, 67, 85-86, 111 Flemish painting, 43, 67 Folk art, 84 Fra Angélico. See Angélico, Fra Fragonard, Honoré, 80 French art, 84, 94, 155, 175 Index 213 Fresnaye, Roger De la. See De la Fresnaye, Roger Friedländer, Max J., 30 Friedman, Arnold, 58 Fry, Roger, 4, 19, 36, 43, 44 Gabo, Naum, 72 Gadamer, Hans-Georg, 158 Gauguin, Paul, 83 George, Stefan, 135 German art, 102, 108, 135 Giacometti, Alberto, 68 Giotto, 137 Goethe, Johann Wolfgang von, 158 Gorky, Arshile, 4, 91, 95, 102, 105, 149 Gottlieb, Adolph, 4, 75, 95, 102, 151 Goyen, Jan van, 178 Gris, Juan, 31, 107 Hare, David, 137 Hartley, Marsden, 78 Hegel, Georg Wilhelm Friedrich, 18, 19, 28, 52 Heron, Patrick, 5, 6, 10 High art, 58, 66 Historical necessity, 25-26 Hofmann, Hans, 4, 37, 80, 95, 127, 155 Homeless representation, 22 Homer, Winslow, 52, 89 Hunter, Sam, 88n-89n Husserl, Edmund, 145 Impressionism, 53, 140 Indian art, 23 Intention, in art, 34, 168-69, 173 James, Henry, 146-47 Janis, Sidney, 1 18 Kafka, Franz, 38 Kalf, Willem de, 178 Kandinsky, Wassily, 31, 46, 58, 149, 155 Kant, Immanuel: influence of, in Greenberg's criticism, 9, 16, 18, 105, 143-44; and principle of unity, 33, 44, 82; and abstract art, 96; self-critical tendency of, 136; on purpose of a critique, 153; concept of taste, 169-70, 173; concept of finality, 172 Kelly, Ellsworth, 116 Kitsch, 34, 58, 86, 97, 115, 134 Klee, Paul, 31, 62, 83 Kline, Franz, 95 Kooning, Willem de. See De Kooning, Willem Kozloff, Max, 5-10 Kramer, Hilton, 3-4, 20-21 Kuniyoshi, Yasuo, 178 Lam, Wilfredo, 72 Léger, Fernand, 31 Lehmbruck, Wilhelm, 108 Lipchitz, Jacques, 31, 103 Lipton, Seymour, 102 Literature, and art, 84, 97 Louis, Morris, 4, 88 Lucie-Smith, Edward, 5 Luxury art, 90, 92-95, 99 Manet, Edouard, 50, 61, 137, 165 Mareks, Gerhard, 108 Marin, John, 180 Marini, Marino, 68, 108 Marxism, 21, 27, 28, 80, 131, 146, 165 Masson, André, 177 Matisse, Henri, 24, 63, 64, 65, 91, 95, 138, 155 Matta, Ecchurien, 149 Maurer, Henry, 32 Medium, of art: importance to Greenberg, 18-19; and unity, 34-35, 36, 37, 39, 40-41, 47, 50; and emotion, 49; and decorative effect, 59; feeling for, in American abstract art, 89 Milton, John, 131 214 Index Minimalism, 114-16, 139 Miró, Joan, 73, 77, 91, 149 Mocharniuk, Nicholas, 72 Modern baroque, 102-6 Modernism: Greenberg's theory of, 18, 19, 37, 121, 132, 136; and purity, 45-46; and the decorative, 73, 84, 85; in American abstract art, 91-92; limitations of Greenberg's theory of, 152, 155, 171, 172, 173; contribution of, 157, 158 Modern society, 38-42, 43, 104-5 Mondrian, Piet: and artistic unity, 33, 34, 38, 42, 44; and principle of equivalence, 57; and the decorative, 66-67; and artistic hedonism, 92, 95; art involved "peril of failure, " 141; aesthetic of planarity, 155 Monet, Claude, 24, 63 Moore, Henry, 68, 107, 137, 138 Morris, George L. K., 143, 165 Mosaic murals, 48 Motherwell, Robert, 4, 73-74, 75, 78, 95, 102 Muddiness, in art, 178-79 Music, 46, 62n Naïve art, 84 Naturalism, 22, 43, 92 Neo-romanticism, 95, 97, 103, 128, 133 Newman, Barnett, 4, 44, 95, 141 Nicholas of Cusa, 60 Nicholson, Ben, 75, 138 Niro, Robert de, 102 Noguchi, Isamu, 77 Noland, Kenneth, 4, 116 Novelty art, 114 Old Masters, 45, 48 O'Keeffe, Georgia, 107, 149 Olitski, Jules, 88 Ortegay Gasset, José, 159 Pastoral mood, in art, 103 Photography, 35, 75 Picasso, Pablo: and artistic unity, 31, 32, 36; and the decorative, 64; and Calder, 73; and Motherwell, 74; and European abstract art, 90, 95, 100; and Tamayo, 101; and the baroque, 103; and artistic feeling, 107, 110, 112; and artistic taste, 124, 137, 143; and Gorky, 149; and Rattner, 177; Greenberg's rhetoric applied to, 181 Pisano, Nicola and Giovanni (father and son), 137 Pollock, Jackson; championed by Greenberg, 4; and artistic unity, 32; and American abstract art, 91, 95, 102, 110, 111, 112, 155, 170; and artistic taste, 124; art involved "peril of failure, " 141; and Greenberg's rhetoric of cuisine, 179 Popart, 109, 114, 115, 139 Porter, Fairfield, 5 Positivism, 51-54, 89, 92, 130, 159 Post-cubism, 31, 36, 50, 74, 111 Post-painterly abstraction, 109, 116 Pound, Ezra, 60 Provincialism, 26, 90-91, 179 Psychological effect of art, 125-31, 168 Purity of art, 40-41, 45-49, 167 Quality, in art, 30, 119, 148 Rattner, Abraham, 177 Realism, 5, 34, 84 Reise, Barbara, 4, 21-22 Rembrandt van Rijn, 50, 141 Renaissance painting, 43-44, 141 Renéville, Roland de, 135 Repetition, in art, 70-72 Rilke, Rainer Maria, 135 Romanticism, 100, 105, 124-25, 165 Rosenberg, Harold, 90, 117, 118, 130, 141, 144, 159, 161, 172 Index 215 Roszak, Theodore, 102 Rothko, Mark, 44, 72, 95, 151 Rouault, Georges, 31, 40, 177 Rousseau, Henri, 53 Rubens, Peter Paul, 83 Ruysdael, Salomon van, 178 Scale, in art, 63-64 Schapiro, Meyer, 131 Schönberg, Arnold, 57 School of Paris, 4, 52, 92, 94, 95 Self-criticism of art, 18 Sensibility, 7, 10, 11, 13, 15, 17, 108, 119; disassociation of, 106-12, 115, 131, 147, 168 Shahn, Ben, 75, 108 Shakespeare, William, 149, 150 Smith, David, 4, 55-56, 88, 102, 137, 149 Sontag, Susan, 158 Soutine, Chaim, 31, 35, 40, 55, 156 Spiritual conception of art, 126, 131-35 Stamos, Theodore, 75, 77 Steig, William, 112 Stein, Gertrude, 58 Steinberg, Leo, 45, 46 Still, Clyfford, 31, 44. 91 Surrealism, 92, 93, 95, 96, 97, 99-102, 103, 128, 133, 137 Sutherland, Graham, 137 Sweeney, James Johnson, 141 Takanobu, 141 Tamayo, Rufino, 101 Tapié, Michel, 117, 130 Taste, in art, 10-11, 13, 58, 117-52, 170, 173-81 Tchelitchew, Pavel, 177 Temperament, in art, 37 Tiepolo, Giovanni Battista, 31 Titian, 121-22, 127 Truitt, Ann, 116 Tunnard, John, 73 Unity, in art. See Artistic unity Valéry, Paul, 130 Van Gogh. Vincent, 31, 35, 53, 56, 72, 96, 156, 179 Van Goyen, Jan. See Goyen, Jan van Velázquez, Diego Rodriguez de Silva У, Hl Veronese, Paolo, 83 Watteau, Jean Antoine, 31 Whitehead, Alfred North, 171 Wölfflin, Heinrich, 24 |
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