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| Volltext: | Index ABRAMS, M.H., 38-9 Adorno, 38 advertisements, 163, 195, 196; see also Games, A., posters Albers, Josef, 165; Fig. 104 Amira, Karl von, 16 Amsterdam, 79; Fig. 12 Angélico, Fra, 68 archaeology, 71-2 Archimedes, 62 architecture: in landscape, 79-80, 144-5, 202; preservation of, 7 4-91 Arcimboldo, 73 Aristotle, 26 Art Nouveau, 145, 148, 151 Auerbach, Erich, 41 Aurier, G.A., 132 Auwera, Johannes Wolfgang von der, 95; Fig. 23 BARBARI, Jacopo, 70 Baroque art, 46, 118, 121 Baudelaire: The Painter of Modern Life, 190-200 Beethoven, Ludwig van, 98; Figs. 28, 29 Begas, Reinhold, 183; Fig. 123 Berenson, Bernard, 64, 117; quoted, 64 Berg, Alban, 12 Bergson: Bergsonianism, 136, 137, 138, 156 Bernard, Christian, 133 Berry, William A., 94; Fig. 21 Besant, Annie, 131, 174 Beyeren, Abraham van see Van Beyeren Bigot de Morogues, Pierre, 50 Bing, Gertrud, 20 Blaue Reiter, Der (The Blue Rider), 132, 174 Boas, George, 47, 52 Boase, T.S.R., 22 Boccioni, Umberto, 173 Böcklin, Arnold, 181 Boilly, Louis Leopold, 93; Fig. 19 Bolz, Norbert, 38 Bosch, Hieronymus, 73 Botticelli, Sandro, 68 Bramante, 77, 79; Fig. 11 Brancusi, Constantin, 171; Fig. 109 Braque, Georges, 133, 135, 139, 140, 141 Breton, André, 130, 203 Bruckner, Anton, 11 Burke, John G., quoted, 50 Burney, Charles, quoted, 82 Busch, Adolf, 12 CALVOCORESSI, Richard, 143 Carrière, Eugène, 170 Carson, Rachel, 89 Cartier-Bresson, Henri, 198-210; Frontispiece, Figs. 144-58 Cato, 37 Cézanne, Paul, 53, 132-3, 136 Chagall, Marc, 166; Fig. 106 Champollion, Jean-François, 49 Chardin, Jean-Siméon, 164 child art, 72, 96-7, 150-1, 159, 192; Figs. 24-6 Chinese art, 40, 128 Chinnery, W., Fig. 27 Chirico, Giorgio de, 181; Fig. 120 Chladni, Ernst, 50 Chuang-tzu, 56, 60; quoted, 56 Cimon of Cleone, 67 Cizek, Franz, 151 Clair, René, 200 Clark, Kenneth, 22 communication, 27-8, 32, 41 ; see also gesture, language connoisseurs, 23, 24, 70, 104, 117 convention, 43, 101 craft: craftsmanship, 68-70, 71-2 Croce, Benedetto, 150 Cubism, 131-41, 161, 163, 171, 181, 189 'Cupology', 66-7, 68, 71 Curtius, Ernst Robert, 40 DACH, Simon, 45, 46; quoted, 46 Dada, 184 Dali, Salvador, 186, 196 Daumier, Honoré, 123; Fig. 71 decadent: decadence, 24, 52, 53, 63 deconstruction, 38, 60 decorum, 191, 199 Degenhart, Bernhard, 114, 117 Delacroix, Eugène, 123-4; Figs. 72, 73 De Poorters, Fig. 12 Dilthey, Wilhelm, 37 Domenichino, 117, 118; Figs. 61-3 Donatello, 70 Dosio, Giovanni Antonio, Fig. 10 Dou, Gerard, 69 drawing, 9, 92-130 du Bos, Abbé, 59 Duchamp, Marcel, 182-3; Fig. 121 Duncan-Sandys, Lord, 88 Dürer, Albrecht, 70 Dvorák, Max, 13, 14, 19 I N D E X 221 EDUCATION, 25-35, 60 Egyptian art, 64-5, 94, 100; Figs. 22, 31; see also hieroglyphs Eibl-Eibesfeldt, Irenäus, 39, 44 ekphrasis, 60 Ernst, Max, 185, 196 explanations: in art, 23, 24, 37, 39, 41, 66, 70; Picasso's, 138; psychological, 51, 54; in science 23, 48, 50-1, 62-7 Expressionism, 13, 73, 132, 157 hieroglyphs, 49 Highgate toll-house, 88; Fig. 16 Hildebrand, Adolf von, 133-4; quoted, 134 Hodler, Ferdinand, 170, 181 Hoffman, Edith, 155 Hofmannsthal, Hugo von, 11 Horapollon: Hieroglyphica, 49 Houdon, Jean-Antoine, 93, 94; Fig. 19 Huizinga, Johan, 40, 72, 73 Hunt, William Holman, 169 Huysmans, J.K., 53 FEKETE de Galantha, Count, 82; quoted, 82-3 Fiedler, Conrad, 160 Florentine art, 70 Flower, Lord, 28, 31 folk art, 148 Forel, Auguste: portrait of, Fig. 93 Fragonard, Jean-Honoré, 164 Francastel, Pierre, 49 Franzos, Lotte, 155, 217и; Fig. 94 fresco painting, 17, 52, 103-4; Figs. 35, 36 Freud, Sigmund, 19, 147, 154, 185 Friedrich, Caspar David, 40 IDEAS, history of, 25, 47, 48-9, 51, 52, 55; see also Panofsky, Erwin image-making, 24, 92-130, 148 imitation, 65, 67, 93, 126, 141 Impressionism, 65, 127, 132, 133, 139 Ise Jingu, Japan, 76; Fig. 9 JACOBS, Jane, 89 Japanese art, 128; see also Hakuin Ekaku, Ise Jingu Julius II, Pope, 77, 79 GAMES, Abram, 195-7; Figs. 140-3 Gauguin, Paul, 132, 170, 182 Géricault, J.L.T., 124 gesture, 16, 127-30 Ghirlandaio, Domenico, 111, 114; Figs. 51, 52, 54 Giacometti, Alberto, 208; Fig. 157 Gilman, Richard, 53 Ginzburg, Carlo, 54 Giotto, 68, 104 Giulio Romano, 17, 18; Figs. 3, 4 Gleizes, Albert, 167 Goethe, J.W. von, 37, 41, 43, 46, 60; quoted, 36, 37, 43, 182 Goldschmidt, Adolph, 61 Gonzaga, the, 18 Gonzaga, Federigo, 18 Gorky, Arshile, 186 Greek art, 124, 163 Greene, Balcomb, 165 Grimm, Jacob and Wilhelm, 45 Gris, Juan, 138 Gros, Baron, 124 Giissman, Franz, 50 Guys, Constantin, 200 HAHNLOSER, Hans R„ 17 Hakuin, Ekaku, 128; Fig. 80 Hegel, Georg Wilhelm Friedrich, 36, 37, 113; quoted, 36 Heidegger, Martin, 38 hermeneutics, 37, 40, 52 heuristic principle, 41 Hevesi, Ludwig, 150-1, 152, 153; quoted, 150-1 KAHNWEILER, Daniel-Henry, 134-5, 137, 138, 139, 140, 141, 161; quoted 134-5 Kalmus, H., quoted, 53 Kandinsky, Wassily, 132, 141, 164-5, 174, 176; Fig. 102 Kant: Kantian, 138 Keats, John, 103: Fig. 34 Klee, Paul, 141, 175-6, 177-9, 180; Figs. 113, 116-19 Klimt, Gustav, 148, 152, 153; Figs. 91, 92 Klinger, Max, 153 Knackfuss, 13 Kokoschka, Oskar, 142-61; Figs. 85-9, 93-8 Kraus, Karl, 143-4, 145-6, 147, 150, 157, 159; Fig. 87 Krauss, Reinhard, 173 Kris, Ernst, 19, 20, 34 Kubin, Alfred, 175, 177, 178; Fig. 112 Kuhn, Thomas, 48 Kurz, Otto, 20, 49 LACAN, 38 landscape, 61, 121-3 Landseer, Sir Edwin, 164 language, acquisition of, 32 in communication, 41, 44, 167, 168, 190; see also synaesthesia Lawrence, Sir Thomas, 99; Fig. 30 lay-figures, 110, 111, 115, 215n; Fig. 49 Leadbeater, C.W., 132, 174 Leonardo da Vinci, 42, 54, 61, 68, 102-8, 115, 118, 124, 127; Figs. 33, 37-44, 59 222 I N D E X Lessing: Emilia Galotti, 117 Lévi-Strauss, Claude, 38 Lhote, André, 202 Loewy, Emanuel, 34 'logic of situations', 51, 66 Lombroso, 53 Loos, Adolf, 143-5, 146, 148, 159; quoted, 144-5; Eig. 86 I-ovejoy, Arthur O., 47, 52 MAGIC, 39, 48, 54, 63, 178 Magrittc, René, 162, 167-8; Fig. 99 Mahler, Gustav, 11, 147 Manet, Edouard, 127, 147; Figs. 76, 77 Mann, Thomas, 53 Mannerism, 17, 18 Marc, Franz, 141, 174-5; Fig. Ill Marxist interpretation, 8, 71 Masaccio: Michelangelo's drawing after, Fig. 53 Matisse, Henri, 135, 137 Matthieu, Georges, 186 Meinccke, Friedrich, 36 Menander, 26 Mendel, G.J., 53 Menuhin, Yehudi, 201 meteors, 49-50 Metzinger, Jean, 162; Fig. 100 Michelangelo, 68, 72, 108-15, 127; quoted, 110; Figs. 45-50, 53, 55, 56 Millet, Jean-François, 124; Fig. 74 mimesis, 133 Minne, Georg, 152; Fig. 90 Miró, Joan, 165-6, 185-6; Figs. 105, 125 Moholy-Nagy, Laszlo, 165; Fig. 103 Mondrian, Piet, 141 Monet, Claude, 139 Montalembcrt, 84 monuments: preservation of, 74-91 Morel, В.A.: Traite des dégénérescences, 53 Morgenstern, Christian, 176, 177; quoted, 177; Figs. 114, 115 Morris, William, 87 movement, 40, 65 Munch, Edvard, 170 Murry, John Middleton, 133 Muscher, Michael van, 123; Fig. 69 Musil, Roben, 146 NABIS, 132 Neo-Platonism, 8, 21, 49, 110, 132, 138, 140, 141 Neustück, J.J., Fig. 15 Neve, Dr Michael, 52 Newman, Barnett, 186-7 Nietzsche, Friedrich Wilhelm, 53, 143, 156 Nordau, Max, 53 ONSLOW-FORD, Gordon, 130; Fig. 81 Oppenheimer, Max, 156 Ouden-Allen, Folpertvan, Fig. 14 PALAZZO del Té, Mantua, 17, 18; Figs. 3, 4 Palazzo Schifanoia, Ferrara, 52 Panofsky, Erwin, 49, 141 Papirius, 59; Fig. 7 Parrhasius, 67 Pater, Walter, 61 perception, 20, 64-5, 134, 168-70, 200 perspective, 40, 49 photography: as art, 201; effect on art, 148, 153; see also Carrier-Bresson 'physiognomic fallacy', 40 Picabia, Francis, 183-4; Figs. 122, 124 Picasso, Pablo, 8, 92, 115, 127-8, 133, 135, 136, 137, 138, 140, 141, 161, 163, 171; Figs. 79, 83, 84 pictograms, 138; see also, writing, art of Pissarro, Camille, 124; Fig. 75 Plato: Platonism, 131-41, 193-4 Pliny, 67 Plutarch, 36, 37, 41 Po Chü-i, 56, 58; quoted, 56 Polygnotus, 67 pop art, 187, 196 Pope, Alexander, quoted, 43, 191 Popper, Sir Karl, 23, 28, 39, 51, 62, 66, 212 n portraits, 154-8, 167, 208; Figs. 83, 85-7, 92-5, 107, 157 Positivists, 14 posters, 24; see also Games, Abram Pott, Lancelot J.: Waiting for the King's Favourite, 164; Fig. 101 Pound, Ezra, 208 primitive, 24, 52 Princetet, 135 prisca theologia, 49, 141 pyxis, 15; Fig. 1 RAMSDEN, Mel, 162 Ranson, Paul, 132 Raphael, 18, 77, 115-17, 137; Figs. 57, 58, 60 Rebay, Hilla, 186; Fig. 126 Redon, Odilon, 180-1 redundancy, 99, 105 relativism, 7, 8, 36-61 Rembrandt, 58, 69, 121; Figs. 6, 68 Renaissance art, 102-17; see also Leonardo da Vinci, Michelangelo, Raphael Renoir, Jean, 200 representation, 24, 40, 65, 137, 138, 188, 189, 192 Riegl, Alois, 16, 64-5 Ringbom, Sixten, 174 Robert, Hubert, 93, 94; Fig. 18 Rodin, Auguste, 127, 149, 170; Fig. 78 Roman portrait group, 59; Fig. 7 Romantics: Romanticism, 13, 85, 181 I N D E X 223 Rome, 77: Old St Peter's, 79; Fig. 10; St Peter's, 79; Fig. 11 Rosenberg, Harold, 186, 188, 189 Rothko, Mark, 187 Rubens, Peter Paul, 118-19; Figs. 64-7 Rudenstine, Angelica Zander, 164 Ruskin, John, 22, 74-91; quoted, 74, 80-1, 84, 85, 87, 90-1; Fig. 8 Tolstoy, Leo, 148, 150 Turnbull, William, 171-2; Fig. 110 Turner, J.M.W., 123; Fig. 70 Tuscan art, 42, 63; see also Florentine art UHDE, Wilhelm, 134, 135 SACHSENSPIEGEL, 16; Fig. 2 Saxl, Fritz, 19, 22, 52 Schiller, Friedrich, 43; quoted, 43, 79, 85 Schinkel, Carl Friedrich, 84 Schlosser, Julius von, 14-16, 17, 19, 33, 34 Schmid, Professor Alfred, 77 Schmiedzunfthaus, Basle, 86-7; Fig. 15 Schoenberg, Arnold, 12, 143, 144 Schönerer, Georg von, 54 School ofSeeing, 149, 151, 158; Figs. 97, 98; see also Kokoschka, Oskar Schräder, Hans, 13 Schumann, Robert, 172 'seeing', 140; see also perception Sehvorthy, Somerset: cottage, Fig. 13 semiotics, 118 The Sense of Order, 23 silhouette, 94, 137; Fig. 20 Socrates, 53, 194 Spate, Virginia, 183-4; quoted, 184 Spengler, Oswald, 37 Spies, Werner, 138 Staples, M.E.: Baby's better, 164, 170; Fig. 101 Stein, Leo, 135-6, 137, 141; Fig. 83 Steinberg, Saul, 187, 188-94; Figs. 127-39 Steiner, Rudolf, 176 The Story of Art: writing of, 21-2, 23 Strasser, Karl, 151 Streater, John, 72 Strzygowski, Josef, 14, 33 Stuck, Franz von, 175 style, 23, 65, 68 Surrealism, 73, 176, 203 Swoboda, Karl Maria, 17 Symbolism: Symbolists, 170, 174, 175, 181 synaesthesia, 44, 45, 173, 174, 192 TANGUY, Yves, 185 technology: progress in, 48, 68-9; and tradition, 67-91 Tietze, Erica, 157; Fig. 95 Tietze, Hans, 17, 157; Fig. 95 titles, 58-60, 162-87 Tobey, Mark, 186 VALÉRY, Paul, 57-8; quoted 57-8 Van Beyeren, Abraham, 57, 58; Fig. 5 Van Eycks, the, 40 Vasari, Giorgio, 63, 64, 67-8, 70, 102, 117; quoted, 63 Venetian art, 64, 102; Fig. 8 Vermeer, Jan, 40 Vico, Giovanni Battista, 49 Vienna, 11, 64, 82-3, 143, 145, 146-7, 148, 151; Fig. 14 Viollet-le-Duc, 84 Vogelweide, Walther von der, 81-2; quoted, 82 WAETZOLDT, Wilhelm, 13 Wagner, Richard, 12, 38, 53, 143 Walker, D.P., 47, 49, 54 Warburg, Aby, 20, 51-2 Warburg Institute, 19, 20, 21, 22 Wärndorfer, 151, 152 Warsaw, 91; Fig. 17 Watts, George Frederick, 170; Fig. 108 Webern, Anton von, 12 Weigel, Hans, 146 Wellington, Duke of, 99; Fig. 30 Weltanschauung, 48 Wheeler, Sir Mortimer, 28 Whistler, James McNeill, 53, 169, 170; Fig. 107 Whitehead, Alfred North, 137 Wilde, Oscar, 53 Wilke, Rudolf, 131, 132, 141, 215; Fig. 82 Willehalm Manuscript, 100; Fig. 32 witchcraft, 47, 54, see also magic Wolf, Hugo, 11 Wölfflin, Heinrich, 61, 121 Worringer, Wilhelm, 40 writing, art of, 96-101, 115, 128, 136; in paintings, 162-88, 192-3; Figs. 27-30 YATES, Frances, 49 ZOLA, Emile, 54, 147, 150; quoted 147 |
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