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| Volltext: | Index Adam, Henri-Georges, 46 Adventures, 31, 32, 34, 38, 41 Aeneas, 23, 24, 28 Aeschylus, 45, 46 Aesthetics: beauty, 3-4, 96, 130; of opposition, 118, 121, 128; role of viewer, 3, 27, 80, 96, 101-2, 103, 107, 116-17, 131, 141-42, 157 Age de raison, L'. See Chemins de la liberté, Les Agrippa, Cornelius of Nettesheim, 15 Albérès, René Marill, 13 n, 21 n "American Cities." See "Villes d'Amérique, Les" Ames, Van Meter, 1 n Anchises, 24 "André Masson, " lin, 135-44 André Masson par lui-même. See Masson, André Angélico, Fra (Guido da Vicchio), 15 6 Angles, Auguste, 160 n "Aphorismes." See Wols "Apollonian." See Style Architecture: cathedral at Burgos, 37 n; church, 61, 62, 86; Greek sacred, 51 n; palace of Agamemnon, 45, 53, 54; Sainte- Cécile-de-la-mer (Bouville), 13, 19, 22-23, 37, 41, 46; temple of Apollo, 45, 46, 55 Arcimboldo, Giuseppe, 116, 157; Summer, 116 Arnold, A. James, 14 n Artiste et sa conscience, L', 11 n, 25, 179 "Artiste et sa conscience, L', " 11 n, 25, 179-83 Art object: creation of, 5—10, 101, 159 (see also Being, project of) ; definition, 2-3, 6 Assumption of the Virgin. See Titian Aurélia. See Nerval, Gérard de Avignon Pietà, 112, 119, 122, 130, 135, 152 Bach, Johann Sebastian, 180, 181, 182; Brandenburg Concerto, 180; Well-Tempered Clavier, The, 182 Balzac, Honoré de, 13; Eugénie Grandet, 13, 19, 30-31, 41, 43 Barbedienne bronze, 57-60 "Bariona, " 45 n Barnes, Hazel, 33, 39 n, 47 n, 50 n Baroque. See Style, baroque Barrault, Jean-Louis, 136 Bataille, Georges, 160 n Baudelaire, 2, 11 n, 160-66 Baudelaire, Charles, 11 n, 28 n, 65, 88, 90, 155, 160-66, 172; Pleurs du mal, Les, 166 Beauvoir, Simone de, 14, 45 n, 46, 94, 99 n, 104, 105, 106, 112, 117, 118, 120, 130, 135, 136 n, 144, 150, 155, 173 Becoming, 11, 167, 168. See also Style Beethoven, Ludwig von, 180 Being: 42, 43, 113, 116, 123, 125, 134, 136, 144, 146, 155, 161, 162, 163, 167, 171, 177; of objects, 2, 4, 17, 24, 40, 43, 57, 58, 65, 85, 86; of work of art, 2-3, 4, 17, 21, 24, 28, 37, 38, 40, 43, 75, 80-81, 85, 91, 93, 96, 97, 101, 103, 112, 116, 151, 161 —project of, 10 n, 59, 60, 77, 82, 83, 85, 86-87, 91, 137, 152, 173 194 I N D E X Being: stone as symbol of, 4, 43, 57, 60, 75-77, 82, 93, 105-6, 141, 155, 156, 160, 161, 162, 165, 166, 169, 176 —style of (see Style, being) Being and Nothingness. See Etre et le néant, L' Between Two Houses. See Giaco-metti, Alberto Bildnerische Denken, Das. See Klee, Paul Biography, 19, 30, 36 "Black Orpheus." See "Orphée noir" Blin, Georges, 160 n, 162 Bordurin. See Nausée, La Bosch, Hieronymus, 150 Boudaille, Georges, 46 n Boulez, Pierre, 135 Brandenburg Concerto. See Bach, Johann Sebastian Braque, Georges, 156, 158 Brée, Germaine, 66 n Breton, André, 138, 168, 170, 172 Broken Pitcher, The. See Greuze, Jean-Baptiste Brombert, Victor, 21 Brown, Calvin, 17 Brunet. See Chemins de la liberté, Les Brushwork. See Technique, brush-work Bucarelli, Palma, 110 Butor, Michel, 35 n Cage. See Giacometti, Alberto Calder, Alexander, lin, 60, 94— 98, 99, 101, 104, 109, 110, 117, 133, 167, 179; Red Petals, 97 "Calder's Mobiles." See "Mobiles de Calder, Les" Call, The. See Gauguin, Paul Campbell, Robert, 13 n, 38, 57 Canaletto, Antonio, 132-33, 156, 157 Carpaccio, Vittore, 147; Saint George Bringing in the Dragon, 129 n Carrouges, Michel, 166 Cervantes Saavedra, Miguel de, 136 Césaire, Aimé, 167, 168 Cézanne, Paul, 148 Chacal, Rosa, 160 n Champigny, Robert, l n , 2, 13 n, 28 Charles VIII, 2-3, 26 Chemins de la liberté, Les ( Roads to Freedom), 10, 60, 65-91, 161, 163, 165, 173, 179; Brunet, 66, 67 ; Delarue, Mathieu, 65, 66, 67, 68, 69, 70, 75- 79, 80-82, 85, 87, 91; Gomez, 65-75, 118; Grésigne, Philippe, 65, 88-91, 155, 164; Ivich, 77, 78, 80-83, 163; Ritchie, 70- 74, 79, 148; Sereno, Daniel, 66, 82-91, 163, 165, 173, 179 "Childhood of a Leader, The." See "Enfance d'un chef, L' " Chopin, Frédéric, 42, 85, 180 Christ, 40, 45 n, 61—63, 81-83, 163, 164 Cimitière marin, Le. See Valéry, Paul Claudel, Paul, 166 n Clouet, Jean, 27; François I, portrait of, 40, 149 Cocteau, Jean, 170 Coello, Alonsa Sánchez, 121 n Cohn, Robert, 35 n Colette, 157 "Condamné à mort, Le." See Genet, Jean "Coup de dés, Un." See Mallarmé, Stéphane Crépet, Jacques, 164 Critique de la raison dialectique, 10 Cruche cassée, La. See Greuze, Jean-Baptiste Crucifixion (San Rocco). See Tintoretto Cubists, 158 Cumming, Robert, 1 n, 2 Dali, Salvador, 72 n, 133 D'Annunzio, Gabriele, 17 Dante Alighieri, 19 David. See Michelangelo Dead without Tombs, The. See Morts sans sépulture I N D E X 195 Death in the Soul. See Chemins de la liberté, Les Death of the Bachelor. See Mort du célibataire, La De Beauvoir, Simone. See Beauvoir, Simone de Delarue, Mathieu. See Chemins de la liberté, Les De Occulta Philosophia, 15 Derrière le miroir, 98, 104 Deux Arbres. See Masson, André Diable et le bon Dieu, Le (The Devil and the Good Lord), 45, 61—63 "Dionysian." See Style, "Diony-sian" "Doigts et non-doigts, " lin, 127, 144-52 Donatello, 103, 107, 116 Dostoevski, Feodor, 47 n Douglas, Kenneth, 13 n, 62 n Douthat, B. Margaret, 160 n Dubuffet, Jean, 150 Ducasse, Isidore. See Lautréamont Dullin, Charles, 46 Dupin, Jacques, 110 Dürer, Albrecht, 15, 35; Melen-colia 1, 14, 15, 18, 19, 20, 34, 35, 36, 37, 39, 43, 141; Saint Jerome in His Study, 37 n Elsen, Albert, 18, 19 Elstir, 159 Eluard, Paul, 166 n "Enfance d'un chef, L', " 65, 155 Espoir, L', 67 Esquisse d'une théorie des émotions, Une, ln Etre et le néant, L', 4 Eugénie Grandet. See Balzac, Honoré de Euripides, 45 Existence, 2, 3, 37, 40, 42, 56, 116, 146, 149, 150, 155, 161, 162, 163, 166, 167, 177 "Expansive." See Style, "expansive" Experimenter-experiment relationship, 137-38, 146, 147 Exteriority, 108, 159 Faces. See Visages "Fête, " 96-97 Figurine dans une boîte. See Giacometti, Alberto "Fingers and Non-Fingers." See "Doigts et non-doigts" Flaubert, Gustave, 156, 157 Fleurs du mal, Les. See Baudelaire, Charles Flies, The. See Mouches, Les Frame. See Technique, treatment of frame François I, portrait of. See Clouet, Jean Frescoes. See Painting, frescoes Friesz, Othon, 72 n Gallery: Beaux-Arts, 79, 136; Bucholz, 98 n; Louis Carré, 94; Pierre Domec, 129 n; Maeght, 98, 99; Pierre Matisse, 105, 128 Gauguin, Paul, 77-84, 91, 144— 45, 165; L'Appel (The Call), 80—81; Autoportrait, 81, 83; Autoportrait devant le Christ faune, 81-83, 113 Gautier, Théophile, 14, 16; "Melancholia, " 14, 16 Genet, Jean, lin, 110, 155, 168, 169—73, 177; Condamné à mort, Le (The Condemned Man), 169 Gerassi, Fernando, 104, 118 Giacometti, Alberto, lin, 60, 81, 84, 98, 104-10, 113-17, 121, 125, 128, 130, 131, 134, 136, 138, 141, 142, 149, 157, 167, 179; Annette, 114; Bust of Diego, 106; Cage, 114; Figurine dans une boîte (Between Two Houses), 114; Palais de quatre heures, 114 Gomez. See Chemins de la liberté, Les Goya, Francisco, 130, 150 Gozzoli, Benozzo, 38 Great Burning Barrier, The. See Wols Grésigne, Philippe. See Chemins de la liberté, Les Greuze, Jean-Baptiste, 7, 180; La Cruche cassée (The Broken Pitcher), 60-61, 63 Gris, Juan, 148, 156, 158 196 I N D E X Grubbs, Henry, 35 n, 39 n Grünewald, Matthias, 130, 135, 152; Crucifixion {Isenheim Al-tarpiece), 112, 119, 122 Guardi, Francesco, 132, 149, 156 Gui ton, Margaret, 66 n Haftmann, Werner, 143 n, 144, 150 Hare, David, 11 n, 60, 98-104, 106, 108, 109, 115, 130, 131, 138, 139, 144, 146, 159; Man with Drums (Homme à la batterie), 102; "Spaces of the Mind, " 100 Haydn, Franz-Joseph, 180 Henri II, 33 Henri IV, 33, 93, 97 "Hérodiade." See Mallarmé, Stéphane Histoire de France. See Michelet, Jules Homme à la batterie. See Hare, David Homme et les choses, L', l i n , 156-60 Hommes ailés pris dans des rocs de glace. See Masson, André Houston, Mona Tobin, 14 n Huis clos, 45, 57-60, 63, 161 "Idée fondamentale de la 'Phénoménologie' de Husserl, Une, " 1 n Imaginaire, L', 1 n, 2, 43, 102 n, 131, 158 Imagination, L', 1 n, 2 Impétraz (statue in La Nausée), 19, 21-22, 23, 27, 37, 41, 47, 50 n, 75, 93, 97, 105, 149 Impressionists, 137 Ingres, Jean-Auguste-Dominique, 116, Odalisque, 116, 140 Inferiority, 159 Isenheim Altarpiece. See Grünewald, Matthias Isère, Jean, 1 n Ivich. See Chemins de la liberté, Les Jameson, Fredric, 13 n, 17-18, 27 Jazz. See Music, jazz Jourdain, Louis, 160 n Juin, Hubert, 136 n Kaelin, Eugene F., 1 n, 2 Kafka, Franz, 47 n Khmer statuette (in La Nausée), 13, 17-20, 27, 28, 40, 65, 75, 93 Klee, Paul, 7, 72 n, 147-48; Das bildnerische Denken {The Thinking Eye), 147 Knight, W. F. Jackson, 29 n Koefoed, Oleg, 57 Kohut, Karl, 1 n, 2, 5 Kramer, Hilton, 110 Kubier, George, 121 n "Laetus et errabundus." See Verlaine, Paul Landscape. See Painting, landscape Lapoujade, Robert, 11 n, 113, 129-35, 138, 143, 146, 179; Triptych sur la torture, 130, 134 Lautréamont (Isidore Ducasse), 89 Leonardo da Vinci, Mona Lisa, 180 Léger, Fernand, 94 Leibowitz, René, 11 n, 25 n, 179— 83 Leiris, Michel, 136 Limbour, Georges, 136, 140 Literature: comedy, 103—4; novel, 19, 30-32, 41; theory of, 2, 5; tragedy, 103-4. See also Qu'est-ce que la littérature? Louis XIV, 26 Louis XIV. See Rigaud, Hyacinthe Lupo, Valeria, 160 n Maeterlinck, Maurice, 145 Magny, Claude-Edmonde, 15 n "Mains éblouies, Les, " 99 "Mallarmé, " lin, 173-77 Mallarmé, Stéphane, lin, 137, 155, 164, 172, 173-77; "Coup de dés, Un, " 90; Hérodiade, 78; "Tel qu'en Lui-même enfin l'éternité le change, " 176; "Tombeau d'Edgar Poe, Le, " I N D E X 197 87; "Le Vierge, le vivace et le bel aujourd'hui, " 176 Malraux, André, 67 Man and things. See Homme et les choses, L' Manifeste des 121, Le, 135 Man's Hope, 67 Man with Drums. See Hare, David Martin, Soria, 121 n Massacre de Guernica, Le. See Picasso, Pablo Masson, André, 11 n, 69, 94 n, 113, 135-44, 146, 149, 179; André Masson par lui-même ('Torrential Self-Portrait), 142— 43; Deux Arbres (Two Trees), 141; Hommes ailés pris dans des rocs de glace ( Winged Men Caught in Icy Rocks), 141—42; Paysage de la Martinique, 139— 40, 141 ; Piège à soleil (Sun Trap), 139; Vingt-deux Dessins sur le thème du désir (Twenty - two Drawings on the Theme of Desire), 135, 139, 141-42 Materials of the artist: bronze, 48, 60, 95, 99, 106, 115; clay, 76, 112; gold, 61, 95; iron, 99; ivory, 61; marble, 61, 99—100; plaster, 106; stone, 18, 20, 99, 105, 106, 115; tin, 95, 99, 106; zinc, 95, 99, 106 Matisse, Pierre, 128 Maudrian, 71—73, 146 Maupassant, Guy de, 156 Medusa, 86, 87, 141, 160, 161, 163 "Melancolía." See Gautier, Théophile Melencolia I. See Dürer, Albrecht Merleau-Ponty, Maurice, 2 Michelangelo, David, 102 n Michelet, Jules, 14, 16, Histoire de France, 14, 16, 33-34, 35 n, 41 Miracle of the Slave, The. See Tintoretto Miró, Juan, 94 Mobile. See Sculpture "Mobiles de Calder, Les, " 11 n, 94-98, 107 Mona Lisa. See Leonardo da Vinci Mondrian, Piet, 71-72, 94; Plastic Art and Pure Plastic Art, 72 n Mor, Antonio, 121 n Morpurgo-Tagliabue, Guido, 1 n, 2 Mort dans l'âme, La. See Chemins de la liberté, Les Mort du célibataire, La (painting by R. Séverand in La Nausée), 24, 41, 52, 83 Morts sans sépulture, 135, 136 Mots, Les, 14 n, 94 n, 155 Mouches, Les, 45-57, 63, 179; Aegisthus, 50, 51, 53, 54, 55; Agamemnon, 50; Apollo (see Sculpture, statues, Apollo ) ; Clytemnestra, 53, 55; Electra, 48, 49, 51, 52, 53, 55, 56; Jupiter, 47, 48, 50, 52, 54, 55, 56 (see also Sculpture, statues, Jupiter); Orestes, 48, 49, 50, 51, 52, 53, 54, 55, 56, 77 Murdoch, Iris, 13 n Murillo, Bartolomé, 118 Museum: Bouville (in La Nausée), 13, 23-25, 27-29, 41, 48, 52, 57, 71, 79, 111, 151; Doge's Palace, Venice, 38, 126; El Escorial, 27, 121; Louvre, 118, 120; Modem Art, New York, 69-74, 79; Musée Grévin, 102, 108, 133; National Gallery, London, 129 n; Prado, 118, 120, 121; Scuolo San Rocco, Venice, 124, 125, 126, 127, 135, 138, 183; Uffizi, 2 Music: 5, 6, 56 n, 139, 179-83; jazz, 3, 13, 20, 35-39, 40, 41, 42—43, 44, 56 n, 82, 85, 96- 97, 98, 179; symphony, 6 Napoleon, 25, 40 Nausée, La, 3, 10, 47, 51, 65, 70; Anny, 32-35, 38, 42, 78, 85, 162; Autodidact, 37, 95, 155; Blévigne, Olivier-Martial, 28, 29, 32, 111; Bordurin, 24, 32, 70, 113, 121; Renaudas, 24, 32, 70, 113, 121; Rollebon, Marquis de, 19, 20, 30, 32, 41; Roquentin, Antoine, 10, 13, 17-44, 45, 46, 47, 52, 73, 75, 198 I N D E X 77, 80, 82, 87, 91, 95, 98, 121, 149, 155, 160, 161, 173; Séverand, Richard, 24, 41, 52, 83 "N-Dimensional Sculpture." See "Sculptures à 'n' dimensions" "Négritude, " 167, 168 Nerval, Gérard de, Aurélia, 14, Voyage en Orient, 14 Nietzsche, Friedrich Wilhelm, 167, 168, 172 No Exit. See Huis clos Numancia, La, 136 Occulta Philosophia, De, 15 Odalisque. See Ingres, Jean-Auguste- Dominique "Officiai Portraits." See "Portraits officiels" "Orphée noir, " lin, 166-69 Pagode, La. See Wols Painting: 5-11, 108, 111-53, 156, 167, 170; engravings of, 33-34, 42; frescoes, 114, 127; landscape, 7, 113; portrait, 24- 29, 41, 77, 91, 113, 121, 123, 142—43, 151; revolutionary, 74, 130; still life, 113. See also Materials; Technique Palais de quatre hemes. See Giacometti, Alberto Panofsky, Erwin, 15, 19, 34, 35, 120 Pantin, Le. See Wols Pantoja de la Cruz, Juan, 121; Philip II, 27, 40, 48, 121 Pascin, Jules, 94 Paysage de la Martinique. See Masson, André "Peintre sans privilèges, Le, " l i n , 74, 129-35 "Peintures de Giacometti, Les, " 11 n, 113-17 Penseur, Le. See Rodin, Auguste Perfect moments, 34-35, 38. See also Privileged situations Perspective. See Technique, spatial representation Peyre, Henri, 66 n Picasso, Pablo, 7, 8, 9, 72 n, 74; Massacre de Guernica, 7, 130— 31 Piège à soleil. See Masson, André Philip II. See Pantoja de la Cruz, Juan Plastic Art and Pure Plastic Art. See Mondrian, Piet Plato, 20, 172 Poe, Edgar, 87, 164 "Poème, " 98 n Poetry: 5, 155-77; definition, 2, 7-10 Ponge, Francis, 11 n, 110, 155, 156-60, 166, 167, 177; Parti pris des choses, Le, 156 "Portraits officiels, " 25-27, 111, 162, 180 Prague Manifesto, The, 179 Praxiteles, 103, 107, 116 Presence, 131—32, 134 "Présentation des Temps modernes, " 5 Privileged situations, 33-34 Proust, Marcel, 35 n, 78, 159, 172 Putain respectueuse, La, 45, 60- 61, 63 Queneau, Raymond, 173 Qu'est-ce que la littérature?, 1, 2, 5-10, 39, 101, 155, 169, 179 Raphael Sanzio, 125 Rau, Catherine, 1 n, 80 "Recherche de l'absolu, La, " l i n , 84, 94 n, 105-9, 113 Red Petals. See Calder, Alexander Rembrandt van Rijn, 14 n Renaissance. See Style, Renaissance Reni, Guido, 112, 117-20, 135 Reprieve, The (Le Sursis). See Chemins de la liberté, Les Respectful Prostitute, The. See Putain respectueuse, La Restany, Pierre, 144 "Retractile." See Style, "retractile" Ribera, José, 118 Richard, Jean-Pierre, 160 n, 173 n, 176 n Rigaud, Hyacinthe, 27, 113, 180; Louis XIV, 26, 180 Rimbaud, Arthur, 65, 89, 137, 145, 155, 157, 170, 172 I N D E X 199 Roads to Freedom, The. See Chemins de la liberté, Les Robb, David, 27 Robusti, Jacopo. See Tintoretto Roché, Henri-Pierre, 144 Rodin, Auguste, 18; Le Penseur (The Thinker), 18—19 Roquentin, Antoine. See Nausée, La Rouault, Georges, 72 n, 137, 148 Rubens, Peter Paul, 14 n, 28 n Ruskin, John, 129 Sainte-Cécile-de-la-mer (church in La Nausée). See Architecture Saint Genet, comédien et martyr, 2, 11 n, 169-73 Saint George and the Dragon. See Tintoretto Saint George Bringing in the Dragon. See Carpaccio, Vittore "Saint Georges et le dragon, " 129 n Saint Jerome, 37 n Saint Jerome in His Study. See Dürer, Albrecht Saint-Pol-Roux, 170 Salel, Jean-Claude, 160 n Sanżio, Raphael. See Raphael Sanzio Schapiro, Myer, 118, 134 Scherer, Jacques, 176 n Schülze, Otto Wolfgang. See Wols Scully, Vincent, 51 n Sculpture: 5, 57, 60, 93-110, 156, 159, 167, 170. See also Bar-bedienne bronze; Impétraz; Khmer Statuette; Material; Technique — classical: 95, 100, 101, 102, 103, 104, 107, 115, 117 — in Luxembourg Gardens, 65, 75, 77, 105 — statues: Apollo, 46, 52, 55, 56; Christ, 61-63; Jupiter, 46, 48, 52, 55, 56; Venus de Milo, 102 n "Sculptures à 'n' dimensions, " lin, 99-104, 106, 115, 146 Self-Portrait before the Yellow Christ. See Gauguin, Paul Selz, Peter, 128 n Senghor, Léopold-Sédar, 11 n, 155, 166 "Séquestré de Venise, Le, " lin, 120-29 Séverand, Richard. See Nausée, La Shattuck, Roger, 35 n Sophocles, 45 Space. See Technique, spatial representation "Spaces of the Mind, The." See Hare, David Spinoza, 152 Stendahl, 13; Chartreuse de Parme, La, 13, 32, 38, 41; Rouge et le noir, Le, 38 Still life. See Painting "Structure intentionnelle de l'image, La, " 1 n Style: abstract (non-figurative), 129, 134, 135; "Apollonian, " 167-68, 170; baroque, 11, 120, 128; becoming, 11, 132, 137, 144, 151, 152-53; being, 109, 120, 137, 152; "Dionysian, " 143, 167-68, 170, 171; "expansive, " 137, 170, 177; "licked, " 123, 135, 146; lyrical, 134; Renaissance, 119, 120, 121, 125, 127, 131, 180; "retractile, " 137, 138, 143, 148, 170 Summer. See Arcimboldo, Giuseppe Surrealism, 135, 136, 139 Sursis, Le. See Chemins de la liberté, Les Sweeney, James Johnson, 98 n Taine, Hippolyte, 126 Tardieu, Jean, 110 Technique: brushwork, 121, 123, 128, 131, 132, 134, 135, 151; carving, 99, 107, 116; color, 121, 122, 123, 124, 134; drawing (line), 112, 114-15, 123, 124, 137, 138-39, 142, 143; pigment, 28, 115, 116, 131; spatial representation, 102-3, 107-8, 112, 113-15, 119-20, 121, 122, 124, 127, 129, 130, 131, 132, 134, 136, 141, 151; treatment of frame, 115 200 I N D E X "Tel qu'en Lui-même enfin l'éternité le change." See Mallarmé, Stéphane Temps modernes, Les, 105, 129 Théâtre Antoine, 135 Théâtre de l'Atelier, 46 Thinker, The. See Rodin, Auguste Thinking Eye, The. See Klee, Paul Thody, Philip, 31, 39 n Thomson, James, 17 Tintoretto (Jacopo Robusti), 6—7, 38, 42, 101, 113, 117-29, 131, 134, 135, 136, 138, 146, 147, 152, 171, 172, 181, 183; Crucifixion (San Rocco), 128; Miracle of the Slave, 124, 127, 128, 129; Saint George and the Dragon, 129 n Titian (Tiziano Vecellio), 113, 119-25, 128, 138, 139, 140, 146, 148, 171, 172; Assumption of the Virgin, The, 122— 23, 128, 148 "Tombeau d'Edgar Poe." See Mallarmé, Stéphane Torrential S elf-Portrait. See Mas-son, André "Transcendance de lego, La, " 1 n Triptyque sur la torture. See Lapoujade, Robert Trompe-l'oeil, 112, 151, 156 Turnell, Martin, 165 n Two Trees. See Masson, André "Unprivileged Painter, The." See "Peintre sans privilèges, Le" Valéry, Paul, 9, 169, 172; Cimetière marin, Le, 9 Van Dyck, Anthony, 14 n Velléda (statue in La Nausée), 17 n, 75 Vendôme, André, 1 n Venus de Milo, 102 n Verlaine, Paul, 89-90; "Laetus et errabundus, " 89 Veronese, Paolo, 124 "Vierge, le vivace et le bel aujourd'hui, Le." See Mallarmé, Stéphane "Villes d'Amérique, Les, " 69 Virgil, 23; Aeneid, 29 Visages, 25, 107, 149 Vivanco, Luis Felipe, 121 Voyage en Italie, 126 Voyage en Orient. See Nerval, Gérard de Vuillemin, Jules, 128, 129 Well-Tempered Clavier, The. See Bach, Johann Sebastian Winged Men Caught in Icy Rocks. See Masson, André WölfHin, Heinrich, 11, 120 Wols (Otto Wolfgang Schulze), 11 n, 113, 144-52; "Apho-rismes, " 145; Pagode, La, 145; Pantin, Le {The Puppet), 145; La Grande Barrière qui brûle {The Great Burning Barrier), 150-52 Woolf, Virginia, 157 Words, The. See Mots, Les |
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