 |
| Katkey: | 7288046 |
| Volltext: | Index acquisitive/creative dichotomy, 43- 5' 55 aesthetic, the, 36, 59, 61-2, 64, 73-4, 85/ 99-100, 120, 126-42 Age of Curiosity, the, 31-9 Ajax, 7 Alberti, L. В., 39-41, 44, 104, i68n, 173П Aldrovandi, Ulisse, 34-5 Altamira cave paintings, 44-5, 100, 135, 168-9П Altes Museum (Berlin), 24-5 Arensberg, Walter and Louise, 53-4 Aristotle, 31 Armory Show (New York), 27, 46-7, 70 art-critical bookkeeping, 144-5 art histories, 88-91, 174П art history, systematic, 21-5, 29-31, 96-100 art theories, virtues of, 4, 17 artworks, unity of, 115, 125 aura, 1, 10-13, 17, 27-8, 38, 63, 69, 87, 135, 137, 140-1, 144 Bann, Stephen, 23 Baptism of Christ genre, 102-12, 131, 173П Barnett, Peter H., 139 Bartlett, Jennifer, 144 Baxandall, Michael, 1, 17, 76, 102-7, 172-3П Bengalis, Lynda, 123 Benjamin, Walter, 11, 28 Bennett, Jill, 14 Bennett, Tony, 18 Beuys, Joesph, 52, 138 Bochner, Mel, 76, 144 Bonaparte, Napoleon, 22 Brancusi, Constantin, 59, 97, 101, 170П Cantoria cherubs, 116, 175П Carrier, David, 12, 163П Carroll, Noel, 117-18, 132-3 categories of art, 36, 103 Cennini, Cennino, 43 classificatory/evaluative distinction, 1-4, 8 conceptual aura, 14c conceptualism, 47-53, 70-4, 138-43 context of creation, 30-1, 36-45, 48- 9' 53-5' 165-бп context of display, 11, 30-1, 46-53, 55, 165-бп contextualism, 8, 48, 142-3 creative (vs. acquisitive), 43-5, 55 Crimp, Douglas, 48-53 critique of institutionalism, 7-8, 48- 53 181 INDEX curatorial primacy, i, 10, 17-18, 142- 3 Danto, Arthur, 3-8, 10, 47, 74-84, 86- 7, 92-3, 96, 125, 162П, 17m Davies, Stephen, 2-3 definition, 4-7 Derrida, Jacques, 12 Dewey, John, 63-4 Dickie, George, 3-6, 47, 96 difficulty of imperfect community, the, 98-9 Donatello (Donato di Niccolè Bárdi), 38 Duchamp, Marcel, 46-8, 70-4, 86, 169П Dusseldorf Gallery, 20, 24 Duve, Thierry du, 124, 169П "educating the people", 22 egg frame, 73-4, 101 Enlightenment influence on classification, 20, 37 Ernst, Wolfgang, ii, 14, 49 essentialism, 7-8, 73-4, 126-34, 119_ 20 Exploratorium (San Francisco), 54 family resemblances, 13, 120 film, philosophy of, 136-8 formalism, 6-7, 49, 73 Foucault, Michel, 29-30, 32, 52-3, 143, i66n frames', balanced/imbalanced, 61; broken, 62; fitting, 62-4, 115- 18; gestalt test for, 62-4; weighting condition, 62 framing histories, 88-101 Francesca, Piero della, 102-12 Frankenthaler, Helen, 144 Franses, Rico, 14 ¡-, Frederik III, King of Denmark, 35 French Revolution, 21-3, 142 Frick, Henry Clay, 54 Fukuyama, Francis, 8 gallería progressiva, 18-20, 23-8 Gallery of Indiscernibles (Danto), 86- 7 Gerini, Niccolo di Piętro, 105 Giganti, Antonio, 34 Gillies, John, 14 Giotto di Bodone, 105 Glypothek Museum (Munich), 24 Goehr, Lydia, 141-3 "Golden Age" of art, 36-8, 53-4 Gombrich, E. H., 39, 44, i68n Goodman, Nelson, 9, 98-9, 130, 170- 2П Greenblatt, Stephen, 9-10, 12, 162П Gualdo, Girolamo, 32-3 Guggenheim Museum (New York), 19' 25 Haacke, Hans, 125-6 Habermas, Jürgen, 36-7 Hegel, G. W. F., 8, 24-5, 92 Hesse, Eva, 74-84, 125 historical totality, 20, 23-7, 96-104 historiographical continuity, 88-95; linearity, 94-5 historiographical revision, 90-2 historiography of the American Civil War, 90 im-art, 55 indiscernible artworks, 84-7 institutional theory of art, 1-8 interlinkages, primary/secondary, 68 interpretive classification, 2-4, 12-13, 62-4, 75, 101-2, 125 interpretive truth/correctness, 101-2, 144-5, 172П intuitions, 10-2, 115-16, 141 Irwin, Robert, 49, 138, 140, 17m Jazz Singer, The (1929), 136 Jones, Amelia, 14, 123-5, 163П, 169П Judd, Donald, 6 juxtaposition, heterotopic, 27, 52-3, 144; systematic, 20-39, 57_i°4 182 INDEX juxtaposition, technologies of, 28-38, 137-45 Kant, Immanuel, 11-12, 133, 162П Kaprów, Alan, 63, 17m Kemp, Wolfgang, 14, 136 Klenze, Leo von, 24 Krahe, Lambert, 20 Kramer, Hilton, 74-5 Krukowski, Lucián, 91-2, 130-2 kunst- und wunderkammer, 35 Lenoir, Alexandre, 22 Leonardo da Vinci, 41-3 Levinson, Jerrold, 92-3, 100, 126-30 LeWitt, Sol, 6, 49, 76-84 lineage, 120-2 linear framing conditions, 95-100 Linneaus, Carl von, 29-30, 36, 40 Lippi, Fra Filippo, 38 Louvre Museum (Paris), 22-3, 164- 5n McClellan, Andrew, 21-2, 164-5П Malraux, André, 15, 27, 33, 39-40, !39, 144 matching, standards in framing, 59- 60, 64-6, 170-m Mechel, Christian von ("principle of the future"), 20-1 Medici family, 35; Cosimo de', 22, 37; Francesco de', 34; "Lorenzo the Magnificent, " 38 Manabuoi, Giusto de', 105 Metropolitan Museum of Art (New York), 18, 173П Michelangelo Buonarroti, 38 Minimalism, 6, 76 Mitchell, Joan, 6 mnemonic systems, 36, 40-1, 45 Montano, Linda, 122, 174П Morris, Robert, 6, 77-8, 83-4 Musée de Cluny (Paris), 23 Musée des Beaux Arts (Paris), 23 Musée des Monuments Francais (Paris), 22 Museo Pio Clementino (Vatican), 19, 23 Museum of Modem Art (New York), 18 music, philosophy of, 141-3 musical aura, 141-2 myth, modem philosophical, 44 myths, state of nature, 9, 161-2П National Endowment for the Arts (NEA), 54 nominal method of tracking art, 30- L 13З NOT, 138-40 Ono, Yoko, 138-9 Paolo, Giovanni di, 105 patronage, impact on art classification, 34-8, 40, 54, 167П performance art, 69, 123-5 period-room museum format, 18-20 Pevsner, Niklaus, 24 Picabia, Francis, 71 Picasso, Pablo, 71 Plato, 8, 43-4, 162П politics and aesthetics, 48, 53 Polke, Sigmar, 144 Pollock, Jackson, 6 Pope Innocent III, 32 portrait genre, Renaissance, 121-2 postmodernity, 45-55 postmodern museum, 51-3 presentism, 76, 91-2, 172П Preziosi, Donald, 14 proceduralist/functionalist distinction, 2-4 Raphael, Max, 44-5, 101, 135 readymades, 46-8 reduced Steiglitz frame, 71-2 relativism, 13-4 resonance, 1, 10-13, 17, 27, 38, 62, 69, 87, 144 183 INDEX retrospection in art classification, 89, 92-5 "Revolution" vs. "Empire" museum design, 20 Rosenberg, Harold, 46 Rousseau, Jean-Jacques, 9, 161-2П Rupp, Christy, 51 Schneemann, Carolee, 123 "second frame, " moment of the (Welchman), 48 Serra, Richard, 48-50 similarity, 59-60, 64-6, 170-m Simons, Patricia, 121-2, 173П Skinner, B. F., 54 Sommerard, Alec de, 23 sophia, 134-5 Sprinkle, Annie, 123-4 Steiglitz, Alfred, 70-2 Stella, Frank, 6, 144 stockpiling as collection strategy, 29, 44 Strand, Paul, 25-7 "strategy of synecdoche" (Bann), 23 studi/słtidioli, 32-7 Tatarkiewicz, W., 134-5 throwbacks, 94 Truitt, Ann, 6 Uffizi Gallery (Florence), 20 Un Paese (Strand and Zavattini), 25- 7 ur-framing, 100-4 иг-moment, 44-5 ur-works of art, problem of, 44-5 Waiden Two (Skinner), 54 Walton, Kendall, 103 Warhol, Andy, 144 Wartofsky, Marx, 1, 7-8, 128-9, 16m, 163П Wavelength (Snow), 136 Weitz, Morris, 98, 16m Welchman, John С., 14, 48-9, 52, 170П West, Shearer, 14 Whitney Biennial (1993), 7 Whitney Museum of American Art (New York), 7 Wilke, Hannah, 125 Wittgenstein, Ludwig, 1, 10, 13, 63, 98, 112 Wizard of Oz, The, 136 Wodiczko, Krzysztof, 51-2 Wölfflin, Heinrich, 103 Wollheim, Richard, 9, 86-7 women in frames, 120-5 wonder, 10, 135, 140 Woolf, Virginia, 54 Worm, Olaus, 35 Zavattini, Cesare, 25-7 Zeitgeist, 143 184 |
|
