| Volltext: | Index Italicized page numbers indicate illustrations. Endnotes are referenced with "n"followed by the note number. abstract art, 2, 97,172 defining qualities of, 20 and fascism, 128 See also abstract expressionism; color field painting; Judd, Donald; minimalism; Newman, Barnett; Rothko, Mark abstract expressionism, 27, 97-98,122,173 Adorno, Theodor, 68,199П20, 204П48 Albers, Josef, 120 Alexander the Great, 54 American Artists' Congress, 61 anxiety, 148-49 aphasia, amnesic, 143,146-48,160,162 architecture, 31-34, 42, 61 Arnaud, Antoine, 166 Arnheim, Rudolf, 24,194П28,195П34 Art Bulletin, 35, 89 Art Workers' Coalition, 80-81 Augustine, Saint, 166 Bal, Mieke: "Semiotics and Art History" (with Norman Bryson), 185 Baltruśaitis, Jurgis, 36, 42-43, 45 La stylistique ornementale dans la sculpture romane, 38-41 See also Schapiro, Meyer: "On Geometrical Schematism in Romanesque Art" Barr, Alfred, 61 Barrett, William: Irrational Man, 149 Barthes, Roland, 164,176 behaviorism. See Gestalt psychology Bell, Clive, 22 Benjamin, Walter: "The Work of Art in the Age of Mechanical Reproduction" 68 Berenson, Bernard, 8, 123-33,136-41,189 Aesthetics and History in the Visual Arts, 128 commercial art world, participation in, 123-23,129-30 I Tatti (villa in Florence), 124,125-27,133 Judaism of, 126-27,130-32 Meyer Schapiro's drawing of, 126 One Year's Reading for Fun, 130 use of photographs in scholarship of, 125,136-39 religious conversions of, 130—31 Sketch for a Self Portrait, 128-30 Bergson, Henri, 42 Berkeley, George, 117 Berlin, Isaiah, 6, 8,188 defense of Bernard Berenson, 124, 129, 131-32,141 "Two Concepts of Liberty" 124,132 Bible moralisée, 180,181 Black Mountain College, 120 Bois, Yve-Alain, 184-85 Painting as Model, 185 Bordone, Paris; Game of Chess, 177 Botticelli, Sandro, 28-29 Breton, André, 68, 209П21 Brownsville (neighborhood of Brooklyn, New York), 14,16, 59, 73 Broyard, Anatole, 4-5 Bruegel, Pieter, the Elder, 36-37, 47-50 Landscape with the Fall of Icarus, 38, 52-54, 53 (see also Schapiro, Meyer; "Two Legends of the Invention of Flying") Netherlandish Proverbs, 48-49, 49 246 / Index Bryson, Norman, 185 Calligram, 185 "Semiotics and Art History" (with Mieke Bal), 185 Buchón, Max, 65 Buddhism, 86 Cambridge Studies in New Art History and Criticism (book series), 163 Carnap, Rudolf, 149 Carnegie Corporation, 125 Castelseprio. See Schapiro, Meyer: "The Frescoes of Castelseprio" Cézanne, Paul, 3, 8, 28, 36-37, 47, 50-51, 102-3,109-12,114,116-18,128 Mont Sainte-Victoire, ye Three Apples, no {see also Schapiro, Meyer: "The Apples of Cézanne") See also Schapiro, Meyer: Paul Cézanne Chambers, Whittaker, 61-62, 72 Witness, 62 See also Hiss-Chambers affair Chartres Cathedral, 31-33,31 See also Garland, Robert; Soutine, Chaim Chomsky, Noam, 3 Christian art, 84-85,104,166,179-82 See also Leonardo; Moses; Pentecost; Rubens, Peter Paul; sculpture, Mozarabic; sculpture, Romanesque; and names of individual artworks Cold "War, 5, 8, 72, 98,123,132,140 color field painting, 9,171-73,178, 2ПП27 Columbia University: 1, 2, 3, 41,124,127, 147,148,161,172,178,193Ш, 198П2 art history department, origins of, 125 Meyer Schapiro archive, 10-11,114 Teachers College, 134 Committee for Cultural Freedom, 73 "Communication and the Theory of Signs" (conference at the University of Chicago), 168 Communism, 60-62, 72, 75, 81 See also Communist Manifesto; Hiss-Chambers affair; John Reed Club, Marx, Karl; Marxism; McCarthy, Joseph; Moscow show trials; New Masses; Soviet Union Communist Manifesto (by Karl Marx and Friedrich Engels), 63, 66 connoisseurship, 8,123-25,127, 132,136-41 Coomaraswamy, Ananda K., 7-8, 82-94, 98-100 Festschrift of, 82-83, 92 Introduction to the Art of Eastern Asia, 84-85 philosophical theory of, 85-87 Courbet, Gustave, 57-58, 60, 65-66,115 LAtelier, 65 See also Schapiro, Meyer: "Courbet and Popular Imagery" Crary, Jonathan, 161 Craven, David, 97 Cubism and Abstract Art (exhibition at the Museum of Modern Art, New York), 61 Damisch, Hubert, 184-85, 202П3, 207П36, 208П5, 2ЮП55 The Origin of Perspective, 185 A Theory of /Cloud/, 166 de Kooning, Willem, 118-22,148 Woman I, i, 8,103,118-19,119,121-22 Woman paintings, 119-21 See also Schapiro, Meyer: visit to studio of Willem de Kooning in 1953 Delacroix, Eugène: Liberty Leading the People, 76 Derrida, Jacques, 9,128,142-43,144,153 160-62,177,185 DeWald, Ernest, 16,17,126 Dewey, John, 7,12, 24, 26-27, 58, 68-71, 96,102-3,106-7, in n6 124 I2% 135.147.149 161,168-69, 171,189 Art as Experience, 23, 27,108—9,168 Dewey Commission, 78 Experience and Nature, 23 Human Nature and Conduct, 114 reflex arc, concept of, 111-12 The Quest for Certainty, 162 Theory of Valuation, 26, 80 See also Schapiro, Meyer: influence of John Dewey on dialectics, 107 dialectical materialism, 58, 67-70 dialectical metaphysics, 94 Index / 247 See also Schapiro, Meyer: "On Dialectics" Didi-Huberman, Georges, 186 Dilthey, Wilhelm, 7, 36, 41, 43-44, 47, 48-50 Dissent, 73-74,104 Dreyfus Affair, 127, 207П30 Dura Europos, synagogue of, 105 Duveen, Joseph, 125, 130 Dvorák, Max, 12 Eastman, Max, 68, 71 Edelman, Gerald, 145-46 ekphrasis, 9,144—62 empiricism, 33, 43-46, 51, 53, 66-69, 80, 84, 89,113,116,1x8,149,170,189-90 See also positivism; pragmatism. Encounter, 123,132 Encyclopedia of the Unified Sciences, 45,168 Engels, Friedrich, 58, 66, 69 See also Communist Manifesto Epstein, Helen, 127, 135 existentialism, 144,148-49 Farrell, James, 69-71, 78 feminist art history, 2 First World War. See World War I Florence, Italy: Renaissance in, 128 See also Berenson, Bernard, I Tatti; Laurentian Library; Medici Palace Focillon, Henri, 42-43 L'art des sculpteurs romans, 41 La vie des forms, 41—42 formalism, 6-7,14-15,19-20, 23, 28-29, 34, 37-38, 42, 70, 80,121,188 Frankfurt School of Social Research, 68, 104,105 French impressionism, 2, 51, 64-65, 73 French Revolution, 73 Freud, Sigmund, 8,101-18,127,132, 190 Leonardo da Vinci and a Memory of His Childhood, 113 The Psychopathology of Everyday Life, 103. Standard Edition of Sigmund Freud, 101 See also psychoanalysis Fromentin, Eugène, 134,135 Fromm, Erich, loi, 104 Fry, Roger, 7,15,16, 20-24,124,135 Transformations, 21 Garland, Robert, drawing of Chartres Cathedral, 31-32,31 Geisteswissenschaften, 7, 41 Géricault, Théodore: The Raft of the Medusa, 76 Gestalt psychology, 3, 7,15, 22—28, 32—33, 36, 37, 43-44. HS. 171 Ginsberg, Allen, 5 Goethe, Johann Wolfgang von, 150 Goldstein, Kurt, 9,142-51,156,160-62 Der Aufbau des Organismus, 145,148 Festschrift of, 151 "On Naming and Pseudonaming: From Experiences in Psychopathology" 146 personal history, 160-61 "The Significance of the Mind-Body Problem for Medical Practice" 149 Gombrich, Ernst, 6, 7, 15, 17, 28-34, n4 Art and Illusion, 30-31 "Botticelli's Mythologies" 28 "In Search of Cultural History" 94 Story of Art, 34 Goodman, Nelson, 156-57 Languages of Art, 157 Great Depression, 59, 66 ("world crisis of 1929"), 193Ш Greenberg, Clement, 20, 23,105,119-21 "American Type Painting" 121 "The New Figurative Painting" (1953 panel), 120-21 Guilbaut, Serge, 140 Haidane, J. B. S., 54 Harvard University, 3, 124,125, 126 Hegel, G. W. F., 67, 94 Heidegger, Martin, 9, 15,142-44,148-49, 151 Nazism, affiliation with, 160 "On the Origin of the Work of Art" I5i-I55 157-62 Hemingway, Andrew, 61,193Ш6 hermeneutics, 178, 189-90 Hindu art, 6, 84, 86 See also South Asian art 248 i Index Hiss, Alger. See Hiss-Chambers affair Hiss-Chambers affair, 72 Hollinger, David, and Charles Capper: The American Intellectual Tradition, II Hook, Sidney, 45, 57-58, 67, 68, 71 Towards an Understanding of Karl Marx, 67,68 Horkheimer, Max, 68 I Tatti. See Berenson, Bernard: I Tatti Immigration Act of 1924 (US), 127 impressionism. See French impressionism Indian art. See South Asian art Institute for Advanced Study (Princeton University), 3 International Symposium of Anthropology, 164,176 See also Schapiro, Meyer: debate with Claude Lévi-Strauss Jakobson, Roman, 145,148,164,169,175 James, William, 106-8,111-12,124, 127-28,179 : Varieties of Religious Experience, 148 Jay, Martin, 71,105 John Reed Club, 61 Journal of the History ofIdeas, 101,190 Judaic art, 105,181-82 Judd, Donald, 5,165,172-73,178 Jung, Carl, 105 Kant, Immanuel, 29 Kaprów, Allan, 5 Kierkegaard, Soren, 148 Klein, Melanie, 109, in object relations, theory of, 112 Koerner, Joseph, 143 Koffka, Kurt, 22, 24 Köhler, Wolfgang, 22, 24 Korsch, Karl, 67 Krauss, Rosalind, 121,186 Kritische Berichte, 38 Kroiz, Lauren, 99 Kuhn, Thomas: The Structure of Scientific Revolutions, 45 Kunstwissenschaftliche Forschungen, 12, 44 See also Schapiro, Meyer: review of Kunstwissenschaftliche Forschungen Kwait, John. See Schapiro, Meyer: John Kwait (pseudonym of) Lacan, Jacques, 185, 205П62 unconscious mind, model of, 118 Laurentian Library, Florence, 127 Lebensphilosophie, 43 Lebensztejn, Jean-Claude, 184—85 translation of Schapiro's "Field and Vehicle in Image Signs" 185 Léger, Fernand, I, 10,192Ш Lenin, Vladimir, 69, 71 Materialism andEmpirio-Criticism, 58, 108 Leonardo da Vinci, 8, 101, 115,127 The Virgin, Child, and St. Anne, 113,115 Levey, Harry, 115 Lévi-Strauss, Claude, 6, 9,164—65, 169-171,175-77.179.183 The Elementary Structures of Kinship, 169 See also Schapiro, Meyer: debate with Claude Lévi-Strauss Life Magazine. See Museum of Modern Art: Roundtable Linguistic Circle of New York, 144-45,165 Loran, Erie, 28 Löwy, Emanuel, 7,15,16-20, 30, 90,121 The Rendering of Nature in Early Greek Art, 17-20 Lukacs, Georg, 63 Mâle, Emile, 16 Marcuse, Herbert: Eros and Civilization, 104 Marin, Louis, 186 Martin, Charles, 134-35 Marx, Karl, 60, 68-69, 71. n3. VA-Capital, 66 See also Communist Manifesto; Marxism Marxism, 2, 3, 7,15,16, 34, 57-81,104 See also Marx, Karl; Communist Manifesto; Communism; Marxist Quarterly; New Left; Schapiro, Meyer: Marxist approach of Marxist Quarterly, 61,190 Index / 249 Masson, André: The Anatomy of My Universe, 148 mathematics and the visual arts, 9, 94-95, 169-171,174-75.177 See also Schapiro, Meyer: "law of spatio-temporal constants" Matisse, Henri, 3,17 McCarthy, Joseph (US Senator), 72 Mead, George Herbert, 103, 116-18,149, 168,171 Medici palace, Florence, 127 medieval art, study of, 3,14,16, 82, 84, 86, 92, 104,155,190 See abo names of individual sites and artworks Merleau-Ponty, Maurice, 134,171 Merode Altarpiece (by Robert Campin), 166 Metz, Christian: Film Language—A Semiotics of Cinema, 176 Michelson, Annette, 186 Middle Ages. See medieval art, study of minimalism, 165,172-73 See also Judd, Donald modernism, 2, 6, 8, 20-22, 58-59, 28, 83, 93, 95, 96-100,118,121,128,140,190 Moissac, abbey of: 14,18, 21, 23, 24, 32, 33 See also Schapiro, Meyer: The Romanesque Sculpture of Moissac Morelli, Giovanni, 127,139-40 Morgan Library, 1 Morris, Charles W., 9,164, 168-69,179, 184 "Esthetics and the Theory of Signs" 168 Foundations of the Theory of Signs, 179 Morris, William, 86 Moscow show trials, 61, 77 Moses battling the Amelekites, artistic depictions of, 163,179-83,181,182,18} Motherwell, Robert, 1, 8, 97 Mozac, Abbey of Saint-Pierre, Museum of Fine Arts, Boston, 82, 98-99 Museum of Modern Art, New York, 61, 80-81 Roundtable on Modern Art (1948), 102, 105 "What Abstract Art Means to Me" (1951 symposium), 120 See also Cubism and Abstract Art Nagel, Ernest, 53, 68, 94,114—15 National Socialism, 37 See also Nazism naturalism in art, 17-30, 34, 67, 68, 71, 80-81, 85-89, 93,113,128 Naturwissenschaften, 7, 41 Nazism, 130,160, 169 See also National Socialism Nesbit, Molly, 189,193Ш9 Neurath, Otto, 45 See also Encyclopedia of the Unified Sciences-, Schapiro, Meyer: "law of spatiotemporal constants" New Left, 81 New Masses, 61 New School of Social Research (New York), 25, 48,145,169 New Vienna School of Art History, 7, 35-56,102,171 "law of the frame" 41-42 New York Call, 59,103 New York Psychoanalytic Society, 106 New York Times, 2, 4 New York University, 106,114 Newman, Barnett, 1, 165,171-72,178 Dionysius, 173 zip paintings, 6, 9, 171 nonobjective painting. See abstract art Norman, Dorothy, 98 Novotny, Fritz, 37, 52 Cézanne und das Ende der wissenschaftliche Perspektive, 50-51 Occam's Razor, 17 Pacht, Otto, 35, 37-38, 49 Panofsky, Erwin, 1,166 Studies in Iconology, 165 Paris International Exhibition (1937), 75 Partisan Review, 3, 57,150 Peirce, Charles Sanders, 9,117,163, 166-69,171,177-180,185-86,190 Pentecost, artistic depictions of, 155-56, 156, IS7, 159 Persinger, Cynthia, 193Ш9 Pfister, Oskar, 115-16 250 / Index Phillips, William, 3 photography, 98-99 See also Berenson, Bernard: use of photographs; Stieglitz, Alfred Picasso, Pablo, 60, 74-75, 79 Girl Before A Minor, 80,105,106 Guernica, 6, 7,58-59, 66, 75-81, 76, 77 mural of Icarus for UNESCO headquarters, 5 6 Popper, Karl, 29-30 Port Royal writers, 166 Porter, Arthur Kingsley, 16 Festschrift of, 1)8 positivism, 7, 26, 43, 45-46, 53, 67, 93-94, 108,113,149 See also empiricism; pragmatism poststructuralism, 16, 46,162,177 pragmatics (branch of semiotics), 180,183 See abo semiotics pragmatism, 45, 59, 71-72, 80,102-3,106, 112,117-18,124-25,127,140-41, 148-49,164,168,188-89 See also Berenson, Bernard; Dewey, John; empiricism; Nesbit, Molly; positivism; Schapiro, Meyer: pragmatism and Prague school of linguistics, 169 Princeton University, 127 See abo Institute for Advanced Study psychoanalysis, 2, 3,101-18,147 libido, theory of, 104-5 preconscious, theory of, 115 repression, theory of, 108 sublimation, theory of, 103,114-15 See also Freud, Sigmund; Jung, Carl; Klein, Melanie; Lacan, Jacques; New York Psychoanalytic Society psychology. See psychoanalysis See also Freud, Sigmund; Gestalt psychology; Jung, Carl Putnam, Hilary, 141, 207П51 Rank, Otto: Der Kunstler, 104 Rapaport, David, 101 Raphael, Max, 7, 57-60, 65-67, 77-79, 93.115 Zur Erkenntnis Theorie der konkreten Dialektik, 67 Reichenau Lectionary, i$6 Richter, Jean-Paul, 127 Rothko, Mark, 9,165,171-73,178 Untitled (National Gallery), 172 Rubens, Peter Paul Descent from the Cross, 135,1)6 Meyer Schapiro's analytical diagram of, 1)7 Rude, François: The Marseillaise, 76 Ruskin, John, 86 Russell, Bertrand, 54 Russian Revolution, 73,103 Samuels, Ernest, 131 Sandler, Irving, 4-5 Saussure, Ferdinand de, 163,166-70, 179-80,184,186 Course in General Linguistics, 168, 170, 177 Schapiro, Meyer "Aesthetics of Perception" (unpublished typescript), 23 "The Apples of Cézanne" 102—3, n4 IJ6 "Art in the Contemporary World" 21-22 artwork by, 125,126, 133-38 artistic training of, 134—35 analytical drawings of, 135—36, 1)7,1)8,140,171,173-74' I74 177-78; analytic diagram of Peter Paul Rubens s The Descent from the Cross, 1)7; diagram of the relief of Theophilus, 1)8; diagrams from An Appraisal of Anthropology Today, 171,174 177-78 caricature of Bernard Berenson, 126 Icarus, 5$, 56 "Cain's Jawbone That Did the First Murder" 165-66 class issues and, 16, 63-65, 75,12.5 "Courbet and Popular Imagery: An Essay on Realism and Naivete" 57-58, 65-66, 78 course on theories and methods of art history (1975). 144,155.162 (1963), 178-79 Index / 251 concept of design and, 21-22, 37 visit to studio of Willem de Kooning in 1953,103,118-22, 205П63 "Field and Vehicle in Image Signs" 185 "The Fine Arts and the Unity of Mankind" 93, 96 "The Frescoes of Castelseprio" 10 "From Romanesque to Mozarabic in Silos" 102,103,105 "Further Notes on Freud and Leonardo", 102 "Further Notes on Heidegger and Van Gogh" 163 "Humanism and Science: The Concept of the Two Half-Cultures" 47 "The Image of the Disappearing Christ" 166 influence of, 4-5,184-85 interdisciplinary of, 10 Judaism of, 14, 16, 57, 59, 124,131 John Kwait (pseudonym of), 61, 72 "The Social Bases of Art" 61, 62-64, 72 "law of spatiotemporal constants" 46 "Leonardo and Freud: An Art-Historical Study" 101-3, 112,115-18 debate with Claude Lévi-Strauss at the International Symposium of Anthropology (1952), 164,165, 169,173,175,176,177 via correspondence, 176 Marxist approach of, 43, 45, 55-56, 57-81, 82, 88-91, 102,104,107-8, 113,115,123,133-34,140, 147, 188, 190 master's thesis of, 84 "Mr. Berenson's Values" 123-24,141 '"Muscipula Diaboli': The Symbolism of the Merode Altarpiece" 165-66 "The Nature of Abstract Art" 61, 62-64, 71. 96 "On Dialectics" (unpublished typescript), 69-70 "On Geometrical Schematism in Romanesque Art" (review of Jurgis Baltruśaitis, La stylistique ornementale dans la sculpture romane), 36, 38-41 "On Perfection, Coherence, and Unity of Form and Content" 133 "On Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image-Signs" 164,176,177—79 "On the Aesthetic Attitude in Romanesque Art" 82-83, 92 "On the Liberating Quality of the Avant-Garde" 74 overview of scholarship, 1-3,188-91 Paul Cézanne, 109-10 personal history, 14, 16, 59,125,134 "Philosophy and Worldview in Painting" 94 unpublished essay on Pablo Picasso, 56 "The Present State of Art History" (lecture), 100 "Religion and Intellectuals" 150 "The Religious Meaning of the Ruth-well Cross" 165 reviews by Bernard Berenson, Aesthetics and History in the Visual Arts and Sketch for a Self-Portrait, 128-32 G. V. Plekhanov, Art and Society, 67 Kunstwissenschaftliche Forschungen, 35-37. 40. 43. 44. 47. Sh 53 Modern Art in the United States (Tate Gallery), 121 Romanesque Sculpture ofMoissac (dissertation), 14-15,16,17-20, 21, 59-60, 84 scholarly training of, 3,12 "The Sculptures of Souillac" 136, 138 Selected Papers, 64 "The Sources of Pragmatism" (unfinished essay), 71 "The Still Life as a Personal Object—A Note on Heidegger and Van Gogh" 142,151-62 on still-life painting, 114,116-17,142 (see also van Gogh, Vincent, Shoes) "Style" 19 "Two Legends of the Invention of Flying" 47, 53-56 "Two Slips of Leonardo and One of Freud" 113 "The Value of Modern Art" (lecture), 19-20, 73-74 252 / Index Schapiro, Meyer {continued) Words and Pictures: On the Literal and Symbolic in the Illustration of a Text, 9,163-65,178,179-84 work habits, 11 See also Columbia University, Schapiro archive Schefer, Jean-Louis: Scénographie d'un tableau, 176-77 schematics, 30, 37, 39 Schilder, Paul, 102,105 science as a methodological approach, 29-30, 34, 40-41, 43-47. 49. 54. 58. 66-68, 81, 89, 93,150-51,185 philosophy of, 3, 29-30, 34 sculpture of ancient Greece (see Löwy, Emanuel: The Rendering of Nature in Early Greek Art) of ancient Mesopotamia, 21 МогагаЫс, 6o (see also Schapiro, Meyer: "From Romanesque to Mozarabic in Silos"; Silos) of ancient Persia, 89-90, 90 Romanesque, 60,103-4,121-22,122,138 (see also Moissac, Abbey of; Schapiro, Meyer: "From Romanesque to Mozarabic in Silos"; Schapiro, Meyer: The Romanesque Sculpture of Moissac-, Silos; Souillac, Abbey Church of Sainte-Marie; Vézelay, A b b e y o f ) Second International, 67,108 Second Vienna School. See New Vienna School Second World War. See World War II Sedlmayr, Hans, 35-38, 44-45 on Pieter Bruegel the Elder, 48-51,52-53 Verlust der Mitte, 51 "Zu einer strengen Kunstwissenschaft" 43 Semiótica, 190 semiotics, 2, 3, 9,144,155,163-87,188 See also Bai, Mieke; Barthes, Roland; Bryson, Norman; "Communication and the Theory of Signs"; Damisch, Hubert; Didi-Huberman, Georges; Jakobson, Roman; Krauss, Rosalind; Lévi-Strauss, Claude; Linguistic Circle of New York; Marin, Louis; Metz, Christian; Michelson, Annette; Morris, Charles W.; Peirce, Charles Sanders; Port Royal writers; Saussure, Ferdinand de; Schefer, Jean-Louis; Semiótica Silos, Abbey of Santo Domingo de, 60, 102-5 Sloan, John, 134 Snow, C. P., 7, 47-48 See also New School of Social Research socialism, 28, 34, 55-56, 57, 59, 67, 73-76, 86, 91,103,123 See also Communism; Marxism; Second International Souillac, Abbey Church of Sainte-Marie, 25, 32, 33,122,136,138 See also Schapiro, Meyer: "The Sculptures of Souillac" South Asian art, 84-87, 8j, 99 Soutine, Chaim: Chartres Cathedral, 32,33 Soviet Union, 56, 61, 64, 72, 75, 77-78 Spanish Civil War, 75, 97 Spinoza, Baruch, 129—31 Stalin, Joseph, 61, 70, 78,123,128,141 Dialectical and Historical Materialism, 58 Stieglitz, Alfred, 97, 98 Camera Work, 98 Georgia O'Keeffe: A Portrait, çç still-life painting. See Schapiro, Meyer: on still-life painting Stokes, Adrian, 109-10,112 structuralism, 9,164,163-87 See also poststructuralism Strukturforschung, 36, 37, 50 Strzygowski, Josef, 37 style, theories of, 7,14-19, 30-34, 40-41, 46, 65, 75, 83, 90-91,113,169,175-76 See also Schapiro, Meyer: "Style" Thomas, Kerstin, 109,193Ш9 Trotsky, Leon, 69, 71, 78 See also Dewey Commission Trubetzkoy, Nikolai: Principles of Phonology, 176 Two Cultures debate, 36-37, 47, 48, 53 Index / 253 universalizing theory of art, 29, 74, 83-84, 91, 95-96, 98,121 Van Gogh, Vincent, 3, 6, 102-3, 108-9, 116, 139,142-44, 147-48,151 mental condition of, 147,160 Shoes ("Old Shoes"), 9,143,152-62, щ Wheat Field with Rising Sun, юр Vézelay, Abbey of, 39-40, 40 Vico, Giambattista, 107-8 Vienna, Austria, 17 See also New Vienna School Vietnam War, 80 Warburg Institute, London, 28 Journal of the Warburg and Courtauld Institutes, 57 Weltanschauungen, 37, 94 Wertheimer, Max: 7,15, 22, 24-28,171 Western bias, in art history, 8, 83-84, 95-98 White, Morton, 3, 69 William Alanson White Institute (New York): 8,103,115 Windelband, Wilhelm, 41, 49 Wittgenstein, Ludwig, 133-34, 144 Worcester Psalter, 757 World War 1,54 World War II, 28, 57-58, 72,101 See also Nazism Wright, Willard Huntington, 135 Yeats, William Butler: "An Irish Airman Foresees His Death" 54 Zerner, Henri, 3 |
