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Volltext:Index abstract expressionism, 29 acknowledgment, 97, 106-109, 117-118, 122 act of listening, 57-59 act of looking, 24, 49 act of reading, 95-97, 99 Adorno, Theodor, 13 aesthetic affect: acceptance of solitude, 126; astonishment, 57; awe, 141; boredom, 30; disappointment, 30, 116; discomfort, 120; disquiet, 121; distraction, 62-63, 8b 142-143; mutism, 3-4, 19, 20, 31, 132, 133; wonder, 3, 75, 94, 113, 130, 135, 141-43- 45 aesthetical judgment, 10, 11 aesthetic experience: singularity, 27, 4°- 43- 47 aesthetic perception, 10 aesthetic value, 17, 19, 26 art: definitions of, 6-9, 11, 18, 26; and ideology, 7, 8, 12; materi­ality of, 18, 22, 24-26, 55, 58, 68, 74, 81, 88, 132, 138; as open concept, 11; philosophy of, 6; theory of, 7; theory of aes­thetics, 7 Arts Students League, 23 attention, 61-65, 8b 87, 143 Bach, J. S., 20, 66, 68, 76, 79, 82, 88; Goldberg Variations, 80, 83-85, 90-94 Index Beethoven, Ludwig van, 66, 76, 136 Brahms, Johannes, 76 Brendel, Alfred, 71-72 Burke, Edmund, 44 Cage, John, 60 Cavell, Stanley, 100-101 Coleridge, S. T., 118, 119 Dante Alighieri, 28 Delaunay, Robert, 32 determinant judgment, 10 distance, 40, 50, 51, 54, 64, 72, 75, 90, 99, 114, 130, 131, 136 Dufrenne, Mikel, 13 ecstasy, 81, 82, 86, 93 Eliot, T. S., 28 EmDson, William, 124 Fenwick, Isabella, 118, 122 Friedrich, Otto, 66 Freud, Sigmund, 132 Gadamer, Hans Georg, 13-14 Gavrilov, Andrei, 88, 92 Genette, Gerard, 14 Gibbons, Orlando, 78 Gottlieb, Adolf, 46 Gould, Glenn, 20, 21, 59, 66-70, 73-94, 138 Greenberg, Clement, 54, 134 Hartman, Geoffrey, 107 Haydn, Josef, 80, 81, 88 Hegel, G. W. F., 44 Hogarth, William, 39 Holbein, Hans, 37 Hudson, Andrew, 37 Hughes, Robert, 33, 34, 36 inattention, 62-65, 81, 87, 143 intrinsic qualities, 26 Jarrett, Keith, 79 Kant, Immanuel, 6, 7, 9, 10, 11, 44, H7- H9 Leger, Fernand, 32 listening in time, 57-58, 82-83 Liszt, Franz, 76 Longinus, 44 Merleau-Ponty, Maurice, 13 Michelangelo, Buonarroti, 28, 37, 44 Milton, John, 105, 114 minimalism, 34 Mondrian, Piet, 33 Monk, Thelonius, 73 Mozart, Amadeus, 66, 77, 78, 79, 88 naming, 104, 121-122 Newman, Barnett, 20, 22; A chilles, 53; Argos, 51; Cathedra, 42, 43, 53; Concord, 36; Dionysius, 51; Onement 1, 24, 44, 45; "The Sublime Is Now, " 43-44; Vir Heroicas Sublimis, 21, 29, 32, 36, 37, 40-43, 48-55; Who's Afraid of Red, Yellow and Blue IV, 53; "zips, " 34, 41, 42 [ 156 ] Index New York School, 44 numbering, 104, 121-122 Oldenburg, Claes, 37 Ostwald, Peter F., 66 Payzant, Geoffrey, 66 Piero della Francesca, 52 Pollock, Jackson, 46, 50, 53, 74 presence, 25-26, 46-48, 86, 131; will to, 47, 52 Ouinn, Marc. 1. 21.141.144 regimes of looking, 34, 35, 37, 40 Rembrandt, Harmenszoon van Riin. 41 Richards, I. A., 16-17 Rosenberg, Harold, 31 Rothko, Mark, 30, 46, 51, 53, 54; Black over Reds, 54; Red, Brown and Black, 30 Royal Academy, 142 Said, Edward, 66, 77-78 Salzburg Festival, 92 Schiff, András, 83, 92 Schoenberg, Arnold, 78 Schubert, Franz, 72 sense, 124-125 Shusterman, Richard, 14 Smith, Adam, 142 Still, Clyfford, 46 Stockhousen, Karlheinz, 57 sublime, 31, 44-46 Sylvester, David, 47-48 time of color, 43, 51 time of sound, 58 transparency, 88 Tureck, Rosalyn, 85-86, 90, 92 Tyner, McCoy, 71 unilinear perspective, 41 Velasquez, Diego Rodriguez de Silva, 59 Weitż, Morris, 11 Wittgenstein, Ludwig, 118, 122 Wordsworth, Dorothy, 118 Wordsworth, John, 12*3 Wordsworth, William, 2-3, 20, 97-128, 142; "Composed by the Side of Grasmere Lake, " 124; Lucy poems, 127; Preface to Lyrical Ballads, 107, 116, u8; The Prelude, 106, 126; The Solitary Reaper, 126; Tintem Abbey, 125 1 157 1
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