| Volltext: | Index Works are indexed at the ends of author entries. Bold italic pages indicate the illustrations. abstract art, 234-6 abstraction, and the figure, 236-9, 245-6n, 322nn39,41 and formalist criticism, 54, 64, 87-90 theory of, 64; see also taches aesthetics 4, 26 in Baudelaire, 100 Flaubert and, 70, 177 in Kant, 88, 90, 144 of purification/purity, 1, 2-3, 91, 198, 244, 246nn5,8, 247n26 of realism, 222-3, 274nl24 Salon standards, 30^1 see also legibility-illegibility, aesthetics of Albern, Leon Battista, 4 allegory of beholding, 146-74 in "Legend of Saint Julien" 191, ЗОбпбб animals Baudelaire on, 135-6 depicted in literature/painting, 58, 82, 129, 151, 229, 289nl75, 291nn207,217, 292n218 in Second Empire culture, 136-8 see also "Legend of Saint Julien" animals in; Manet, animals depicted; parrot Apter, Emily, 212-13, 314n57 Armstrong, Carol, 63, 275nl25, 288nl58 art academic, 33^1, 255n55 for art's sake, 26 bourgeois buyers, 29-30, 32-3 bourgeois vs. social (Bourdieu), 26 budget for, in Second Empire, 28, 255n65 commodification of, 9, 26, 253n23, 254n41, 257nl12 critic, emergence of, 260nl66 as historical record, 252n2 institutionalization of, 28 see also aesthetics; painting Astruc, Zacharie, 256n90 Manet's portrait of, 115, 115, 262n202, 293n231 Audran, Girard, 214, 313n48 Auvray, Louis, 33 Babou, Hippolyte, 65, 73, 112, 274nll8 Bachelard, Gaston, 243 Baldick, Robert, 312n27 Balzac, Honoré, 31, 79, 126 on Parisians, 148 "Unknown Masterpiece, The" 78, 81 Barnes, Hazel, 243 Barnes, Julien, 14, 250n61 Barthes, Roland, 105-6, 111, 185 Bataille, Georges, 3, 4-5, 9, 59, 62, 64, 65, 92, 140, 246nl2,247nl3-15 on Jeune dame, 127 sketch of Dali's Le Jeu lugubre, 59, 59 Baubo, 163, 298n59 Baudelaire, Charles, 5, 6, 8, 9, 31, 57, 71, 73, 83, 100, 107, 108, 112-13, 230, 281n29 on animals, 135-6 beauty, formula of, 109 on dress, 116, 117 and Manet, 236, 252n94, 293n227 on Salon of 1846, 269n37 on woman, 116 "Bad Glazier, The" 309nl06 "In Praise of Cosmetics" 164 "Painter of Modern Life, The" 5, 117, 140, 164 "Pipe, The" 221 "Rope, The" 285n98, 298n57 "Salon of 1859" 5 "Thyrsus, The" 142 335 336 Index Baudry, Paul, 22, 94 Bazille, Frederic, 40, 52 beholder, 30-1, 33, 35, 45, 50-1, 82, 93-5, 161,267n6 caricatures of, 297n45 disruption to, 52, 72, 265n257 and "Legend of Saint Julien" 178, 179, 199 male, 35-8, 163-6 presence within picture, 297n52 at Salon of 1866, 146 of 1868, 38^10, 101, 296n29 and "A Simple Heart" 219-22 see also Jeune dame en 1866, and beholders; voyeurism Benjamin, Walter, 73 Berger, John, 138 Bernard, Claude, Introduction to the Study of Experimental Medicine, 21 Bernheimer, Charles, 6, 164, 166, 250n60 black cat, see Manet, animals depicted, black cat Blanc, Charles, 64, 191 History of Painters of All Schools, 64, 82, 291n202 Bois, Yve-Alain, 59, 246nl2 Bonheur, Rosa, 22, 28, 138 Bonnefils, Philippe, 251n90, 315n84 Borges, Jorge Luis, 230, 318nl35 Botticelli, Sandro (Alessandro di Mariano Filipepi), 58 Boucher, François, 137 Boucicaut, Aristide, 253n27 Bouguereau, William, 30, 130, 132, 138, 301nl01 Napoléon III Visiting the Flood Victims of Tarascón (1856), 28, 112 Une Bacchante (aka Bacchante Teasing a Goat) (1863), 289nl74 Bourdieu, Pierre, 2, 6, 26, 28, 33, 81, 83, 248n35 Boyer, E. Brunet de, 43 Brager, Durand, 44 Braun, Adolphe, 22 Breton, André, 28, 232 Breton, Jules, 250n57 Brion, Gustave, 32, 40, 54 Bible Reading: Protestant Interior in Alsace (1868), 32 Brooks, Peter, 6, 12 Brueghel, Peter, the Younger, 12 Saint Anthony (attrib.), 71 Bryson, Norman, 71, 80, 157, 273n99, 280nl9 Buffon, Georges-Louis, 132, 134-5 Burri, Alberto, Combustione Plastica (1964), 60 Cabanel, Alexander, 30, 34, 36, 94, 130, 138 250n57, 301nl01 Birth of Venus (1863), 36 Nymph Abducted by a Faun (1860), 289nl74 café Guerbois, 22, 272n88 Caillebote, Gustave, 272n85 Callias, Nina de, Manet's portrait, 289nl72, 300n95 Cantaloube, Amédée, 47 caricatures, 65, 75, 151-2, 265n257, 274nl22, 280nl2, 283n54, 284n79, 287nl37, 289nl81,297n45-6 Carjat, Etienne, 47, 68, 121 Carpaccio, Vittore, 290n202 Carracci, Annibalc, 9 Casares, Adolfo Bioy, 318nl35 Cassatt, Mary, 132 Castagnary, Jules-Antoine, 35, 40, 42, 75-6, 95, 98, 261nl72 on Courbet's parrot, 135 on Toung Man in the Costume of a Majo, 168 castration, 163-8, 172, 212, 298n63 and decadence/modernism, 164, 298n64 Lacan's interpretation, 168-71 in "Legend of Saint Julien" 196 and monocle, 299n69 in "A Simple Heart" 222 as tache, 164 and voyeurism, 86-7, 299n75 cathedral, 303n38 Flaubert and, 70-1 see also Rouen censorship, 24, 28, 74, 131 Cézanne, Paul, 22, 40, 59, 132 "Songe d'Annibal" (poem), 268n22 Cham [Amédée de Noé] (caricaturist), The Salon Jury, TS, 75 chaos theory, 80, 300n90 Charivari, 75 Manet character in, 72 Zola character in, 38, 51, 56, 63, 78, 270n50, 274nll4 Charpentier, Georges, 183, 184 Chassagnol neveu [Félix Régamey] (caricaturist), "Manet - Une Jeune femme" 105, 283n54 Chatman, Seymour, 304n48, 305n53 Chauchard, Alfred, 26 Chaumelin, Marius, 32, 119, 261nl79, 269n38, 289nl83, 297n46 Chesneau, Ernest, 43, 44, 74, 176, 289nl83, 293n232 chiasmus, 28, 138, 194, 200; see also ut pictura poesis Index 337 Clark, T. J., 6, 24, 173, 234-5, 245n4, 247n25, 248п35, 253п23, 267п14, 289п174 Clay, Jean, 52, 84, 167 Cognacq, Ernest, 26 Cohen, Martin, 288nl67 Colet, Louise, correspondence with Flaubert, 13, 70, 250n71, 273n98, 311nl8 color, 82, 76 Manet and, 266n276, 275nl25; see also Jeune dame en 1866, color as secondary to line, 81-2, 277nl65 Committee of Non-Exempt Artists, see Salon, 1868 Connolly, John, 146 Coppée, François, 23 Corbin, Alain, 253n31, 314n57 Courbet, Gustave, 28, 42, 61, 138, 258nnll3,124, 280n22 legibility and, 34-5 and Manet, 15, 34, 42-3, 261nl81 private exposition of, 280n9 Artist's Studio, The: a real allegory of a seven-year phase in my artistic and moral life (1855), 283n56 Awakening, The, 37 Charity of a Beggar at Omans, The (1868), 48, 48 Covert of Deer, The: At the Stream Plaisirs- Fontaine, 284n74 Origin of the World, The, 22 Sleep (aka The Sleepers), 22 Venus and Psyche, 37-8, 259nl43 Woman with a Parrot, Pl. II, 22, 27, 34-8, 42, 100, 128 as answer to Olympia, 107 criticism of, 34-5, 108, 284n71 as predecessor of Jeune dame, 107-8 courtesan, 22, 118-19, 129, 212, 286nl24 Cousin, Victor, 254n49 Couture, Thomas, 43, 254n49, 262nl85 Cozens, Alexander, 59, 82, 268n29 New Method of Assisting the Invention in Drawing Original Compositions of Landscape, A, 59 Crary, Jonathan, 50, 52, 93, 165 crinoline, 120-2, 287nl34 caricatures, 120-1, 287nl37 cross-dressing, 52, 150, 295n24 Cuenot, Urbain, 34, 37 Culler, Jonathan, 176, 315n86 Cyclops, 165, 167, 299n67 dada, 230-1, 231, 320nl4 Daix, Pierre, 248nn32,35 Dali, Salvador, Le Jeu lugubre, 59 Damisch, Hubert, 249n40, 267nn6,ll dandyism, 284n68, 294nl2 Darragon, Eric, 83, 284n68 Darwin, Charles, Origin of the Species, 138 Daumier, Honoré, 284n79, 297n45 "Paris - Beaux-Arts Exposition - In the Grand Salon - A Moment of Repose" 29 David, Jacques-Louis Marat Assassinated, 247n25 Rape of the Sabine Women, 280n9 David, Jules (illustrator), in Moniteur de la mode, 51, 136 Davis, Erwin, 274nll3 de Balleroy, Alfred, 149 de Beiloy, A., 42 de Biasi, Pierre-Marc, 20, 176, 197-8, 285n87, 302nnl 1,17-18, 303n41 de Biran, Maine de, 52 de Duve, Thierry, 145, 245n4, 246n5 de Jonghe, Gustave, 108, 137 de Ni tri s, Giuseppe, 269n38 de Pontmartin, Armand, 319n6 de Renjarde, В., 45, 47 de Sade, Donatien-Alphonse-François, marquis, 179 de Staël, Mme. [Anne Louise Germaine Necker, Madame de Staël-Holstein], 61 Debray-Genette, Raymonde, 303n31, 310n6, 312n26 Decamps, Alexandre-Gabriel, 280n9 Experts, The, 150, 151 Degas, Edgar, 22, 40, 42, 92, 132, 138, 269n38,280n22 Bellelli Family, portrait, 288nl62 Therese and Edmondo Morbilli, portrait, 288nl62 Woman with a Parrot (ca. 1866), 133 Young Woman with Field Glasses, A, 298n58 Delacroix, Eugène, 137, 247n28, 280nn9,22 Delord, Taxile, Les Fleurs animées (1846), 124 department store, 26, 50, 253n27, 288nl56; see also Paris, Haussmanization of Derrida, Jacques, 144, 167, 279nl95 on Kant, 88, 90 Desboutin, Marcellin, portrait of, 140, 141 Descartes, René, 82, 211 Discourse on Method, 135 detective story, 18, 254n33 Devéria, Eugène, 254n49 di Cosimo, Piero, 58 Dickens, Charles, 12 Diderot, Denis, 30, 95 Salons, 30 Didi-Huberman, Georges, 110, 154, 251n86 Dimpre, Paul, 43, 44 338 Index Donato, Eugenio, 248n37 Doré, Gustave, 12, 63 Douglas, Mary, 81 Droz, Gustave, 252nl3 Monsieur, madame et bébé, 22 Du Camp, Maxine, 115, 311n7 Duchamp, Marcel, 320nl6 In Advance of the Broken Arm, 230 Dumas, Alexandre, 27, 32 Duncan, Carol, 245-6n4 Durand-Ruel, Paul, 26, 42, 111, 251n81, 256n78 Duranty, Edmund, 22, 46, 47, 113 Dürer, Albrecht, 290n202 Duret, Théodore, 30, 42, 255n71 Manet's portrait of, 293n231 French Painters in 1867, 30 École des Beaux-Arts, 22, 28 ekphrasis, 8, 13, 142 "Legend of Saint Julien" as, 179, 184, 186- 201 "A Simple Heart" as, 203-8, 224 Empress Eugénie, 24, 120 Enault, Louis, 108 engravings, 313n48 Doré, 303n29 and Flaubert, 208, 311n22 Japanese, taches in, 270n59 Épinal prints, 204, 274nll6 and Manet's paintings, 73, 122, 140 in "A Simple Heart" 73, 204, 215, 216-18, 315n82 taches in, 73, 270n59 Esquiros, Alphonse, 130 Exposition universelle 1855, 32, 256n80, 258nl22, 280n9, 281n29 1867, 257nll0, 294nl3 expressionism, abstract, 236-7, 268n25 eyes in Flaubert, 186, 305n64 in Jeune dame, 92, 296n39 relationship with optical apparatus, 298n66 Fantin-Latour, Henri, 22, 49 Self-Portrait, 167, 169 Le Toast, 283n56 Farwell, Beatrice, 289nl77, 291n205 fashion, 24, 137, 253n26, 253n30, 287nl32 and class, 286nl 19 and modernity, 117, 286nll2 portraits, 108 Felman, Shoshana, 184, 315nn73,84,86 on "Legend of Saint Julien" 304n50 on "A Simple Heart" 223 Félon, Joseph, The Harem (1850), 137, 137 fetishism, 126, 164, 166-7 Freud on, 212, 316n87 Figaro, 30, 39 Fischl, Eric, 230 Flandrin, Hippolyte, 33 flânerie, 24, 253n29; see also voyeurism Flaubert, Gustave career and history, 6-7, 175, 249n39, 301n4 correspondence Charpentier, 304n42 Colet, 13, 70, 250n71, 273n98, 311nl8 Sand, 175, 179,214 Zola, 183, 248n33, 272n88 image-text relation, 12, 16, 182, 250n60 illustrations, 12, 182-3, 249nn52,54 prints/engravings and, 176, 311nnl4-15, 250n60 legibility and, 25, 31, 66, 71, 177, 183, 185-6, 194, 197 and Manet, 5-8, 14, 17-8, 57-8, 66, 72, 83^, 227-30, 248nn31-2, 35-6, 304n42 legibility in, 20, 26-7, 142, 185; see also legibility-illegibility, aesthetics of and parrots, 134-5, 159, 161-2 relation to audience, 26-7, 177-8, 195, 219-20, 223-4 see also tache, as meeting of image and text niece, Caroline, 68 and parrots, 129-30, 314nn61-2; see also "A Simple Heart" Salon attendance, 25ln78 and taches, 56, 66-72, 83, 176; see also "Legend of Saint Julien" taches; "Simple Heart, A" taches writing, sex, and violence, 191-2, 201, 215 writing style, 301n9, 312n26, 312n28; see also mot juste ..... Bouvard and Pécuchet, 68, 176, 179, 250n60, 303n34 Candidate, The, 6, 175 Dictionary of Received Ideas, 129, 179, 205, 211 "Hérodias" 12, 203, 164, 166, 176, 311n8 Madame Bovary, 3, 12, 13, 17, 70, 85,.175, 229, 319n4, 319n6 Par les champs et par les£rèves, 70 Salammbô, 69, 175, 176 Sentimental Education, 13, 31, 66, 68, 83, 123, 260nl56, 286nl06, 319n6 Garvarni prints and, 250n60 linking of taches and sun, 308nn96-7 monocle in, 293nl tableax vivants, 265n256 Temptation of Saint Antony, The, 6, 12, 68, 69, 175-6, 218 Index 339 Three Tales, 12, 14, 16, 164, 166, 175-6, 203, 251n79, 301nn2,6, 302nl7 taches in, 68, 69, 72, 178-9, 215 see also "Legend of Saint Julien"; "Simple Heart, A" formalism, 3, 17, 26, 54, 71, 87-91, 169- 70, 175-8, 201, 236-9, 242, 248n8, 300n88 Foster, Hal, 315n84 Foucault, Michel, 7 on Manet, 248n36 Fouquier, Henry, 43 Frankenthaler, Helen, Mountains and Seas (1952), 238 Fragonard, Jean-Honoré, 137 Frascina, Francis, 294n3 on Greenberg's modernism, 245n4 Freud, Sigmund, 61, 163, 164, 166, 168, 299nn69,73, 301nl01 Perception-Consciousness System, 168 "A Disturbance of Memory on the Acropolis" 61 "Fetishism" 212, 316n87 "Medusa's Head" 61 see also castration; fetishism Fried, Michael, 6, 256n91 on Courbet, 134 on Greenberg's modernism, 245n4 on Jeune dame, 127, 167 on Manet, 9, 15, 52, 93, 135, 155, 167, 168, 236-7, 246n8, 278nl79, 292n220, 297n51, 298n64, 321nn32,35 on Pollock, 235MrO, 321n34 on Zola, 237 Manet's Modernism, 237, 248n35, 321n32 "Manet's Sources" 236, 237, 312n36 Three American Painters, 235-9 Fry, Roger, 64 Gautier, Théophile, 6, 35, 42-3, 45, 46-7, 280n21 Gavarni, Paul, "Lorette in Dressing Gown with a Parrot" 137, 139 genre painting, 32,44, 94, 146, 256nn90-l, 264n249; see also subject matter Gérôme, Jean-Léon, 22, 30, 61, 94, 301nl01 Execution of Marshal Ney (1868), caricatured, 42, 43 Hail Caesar! We Who Are about to Die Salute Той (1859), 284n68 Gill, André [Louis Gösset de Guiñes] (caricaturist), 104, 147, 154 Gilman, Sandor, 289nl75 Giraud, Victor, The Husband's Return, caricatured, 51, 53, 265n257 Gombrich, E. H., 268n29 Concourt, Edmond de and Jules de, 6, 9, 69, 72, 183, 284n71 Manette Salomon, 69-70 Gonzalez, Eva, 132 Gopnik, Adam, 108 Grandville, Jean-Jacques, "Violette" 124, 125 graphie moment, 8, 86 in "Legend of Saint Julien" 187 monocle as, 149, 162, 171 in "A Simple Heart" 219 stained glass as, 71, 197 tache as, 57, 86, 267nll Greenberg, Clement, 1, 2, 4, 5, 12, 26, 62, 65, 100, 227, 236, 245nn2,4, 321n32 on modernism, 1-5, 245n4; see also aesthetics, of purification/purity on Pollock, 235, 240, 321n26 "Complaints of an Art Critic" 246n5, 247n26 "Modernist Painting" 2, 246n5 Towards a Newer Laocoon, 2, 246n5 Greuze, Jean-Baptiste, 95, 137 Punished Son, The (Return of the Prodigal Son) (1777-8), 30-1, 31 Gripp, Carlo, 280nl2 Grosseiller, E. (illustrator), 150 Grünewald, Matthias, Isenheim Altarpiece, 277nl62 Guichard, Joseph, 22 Hamilton, George Heard, 41 Hamon, Philippe, 84-6, 304n53, 319n4 on taches, 309nl01 Hanson, Anne Coffin, 9 Haussmann, baron Georges-Eugène, 23-4, 255n36 Haussmannization of Paris, 23-7, 57, 83, 84, 212, 254nn36-7 apartments, 29, 32 façades, 122 haute bourgeoisie, 25 and legibility, 25, 27 see also Second Empire Herbert, Robert L., 249n48, 320n7 Hertz, Neil, 298n64 Hickey, Dave, 310n6 history painting, 11, 22, 32, 249n50, 256n89, 285n96 Hitchcock, Alfred taches in, 300n89 Ziiek's essay on, 61 Hockney, David Felicité Sleeping with Parrot (1973), 225 Geography Book (1974), 217, 317nll0 My Mother with a Parrot (1973), Pl. VII, 202 340 Index Holbein, Hans, 171 Ambassadors, The (1533), 153 Holtzapffel, Jules, 266n4 Homer, 140 Horace, 1, 5, 227 House, John, 30, 255n57 Houssaye, Arsène, 54 Hugo, Victor, 60, 230, 303n38 inkblot drawings, 58, 59, 233, 268nnl6,21, 320nl8-19 Toilers of the Sea, 232 human-animal relation, see animals image-text relation, 1, 4, 5, 7, 8, 227-44, 247n25, 249n40, 254n50, 302nl8, 303nn29,30,41 as gendered, 305n51 see also Flaubert, image-text relation; Manet, image-text relation impressionism, 57, 96, 194, 270n48 show of 1874, 68 taches and, 59, 68, 72, 266n5 Ingres, Jean-Auguste Dominique, 22, 46, 82, 280n9 inkblot in Flaubert manuscripts, 68, 69 Hugo and, see Hugo, inkblot drawings Rorschach, 23, 60-1, 63, 222 Jahyer, Félix, 44, 47, 132 James, Henry, 320nl5 Jay, Martin, 247n24, 248n36 Jeune dame en 1866 (Manet), Pl. IX, 14-17, 92-174,195 accessories ("milieu"), 116-26 and The Artist, 292n224 and beholders, 79-80, 94-100, 105-6, 110, 119, 126-8, 141-2, 148, 154-6, 159-61, 165-7 beholding, allegory of, 146-74 caricatures of, 48, 49, 105, 105, 146, 147, 283n54 citron in, 98, 142-4, 143, 171, 172, 283n58, 293nn232-3 color, 45-6, 107, 117, 122-3, 263n208, 283n58, 286nnll3,118, 288nl58 composition date, 265n258, 269n47 critical reception, 14-16, 41-50, 52-5, 56, 112, 261nl79, 262n204, 263n227 details reproduced, 44, 45, 47, 117, 124, 127, 129, 133, 143, 148, 153 evolution of, 263n227, 290nl95, 292n223 facture/paint handling, 44-5, 77 Fried on, 127, 167 genre and, 46-50, 100, 127, 285n96 metaphor and, 140 milieu of, 114-15 and modernism, 16-19 monocle in, 92, 96-8, 124, 126, 148, 148- 56, 162-71 ambiguities of, 150, 171-2, 295n25, 296n31 erotic implications, 296n32 as fetish, 166 Freudian reading, 163-8 as gendered male, 149-50, 162, 163-7 Lacanian reading, 168-71, 300n91 and parrot, 157, 160 and taches, 151-2 as tattoo, 294nl 1 as Waldsteinsche Monokel, 295nl4 see also monocle and narrative, 94-100, 110, 146, 172 and Olympia, 15, 47, 92, 102-7 parrot in, 46, 96, 98, 99, 128-45, 129, 157- 62, 281n26, 292n223 and bourgeoisie, 129 color, 108, 129, 138, 140, 141, 152 and Courbet's Woman with a Parrot, 128-9, 138 criticism of, 297n50 excrement, 126, 144, 293n236 eye, 98, 126, 141, 146, 152, 153, 155, 157,296n39 framed with woman, 136-45 and gender, 136 and imitation, 131-2, 133, 133-5, 290nl88 and monocle, 157, 160 point of view, 155, 158-9, 160 and woman, genre of, 136-7, 290n202 peignoir, 96, 98, 99, 106, 107, 115, 116- 23, 117, 283n58; see also crinoline and Poe, parallels, 106-7, 283n62 political connotations, 124, 131 psychoanalytic interpretation, 163-71; see also castration and Races at Lonjjchamp, 154 sale of, 14, 251n81, 274nll3 Salon of 1868, submitted to, 40-1 as self-portrait, 265n263, 299n82 space, treatment of, 98-9, 113-15, 285nl05 strategy, 93, 96-100 taches and, 74, 87, 98, 122-3, 144-5, 151-2 as theater, 159-62 title, 15, 21, 53-4, 110-15, 154, 260nl58, 284nn83,86-9, 285nn87-9,95 violets in, 47, 96, 104, 123-4, 124, 282n43 woman, representation of, 113-28 year 1866, relevance, 18, 21-2, 154, 172-3 Zola on, 38, 49, 52-5, 104, 111, 168, 265n267 Index 341 Joselit, David, 320nl6 July Monarchy, 24 July Revolution, 315n82 Kafka, Franz, 230 Kant, Immanuel, 82, 88-90 aesthetic theory, 144-5 free/adherent beauty, 88 Critique of Judgment, 88, 90 Kelly, Mike, 60 Kermode, Frank, 323n55 Kerner, Justinus, 59, 268n29 Khalil-Bey, Mohammed Mahmoud, 22 Kittay, Jeffrey, 305n53 Krauss, Rosalind, 59, 234-5, 297n52, 320n22, 321n24 Lacan, Jacques, 61, 157, 167, 168-72, 298n56 Lajer-Burcharth, Ewa, 294n3 landscape painting, 32, 35, 40 Langlois, Eustache-Hyacinthe drawing of Saint Julien window, 180-1, 182-4 Larousse, Pierre, Grand dictionnaire universel du XIX' siècle, 129, 132, 135 Lasteyrie, Ferdinand de, 46, 112, 121, 131 Laurens, Jules, 320nl8 Lavater, Johann Kaspar, 263n225; see also physiognomy le Brun, Charles, 28, 82, 291n217 Le Salon pour rire, 104 Lebensztejn, Jean-Claude, 267nn9,ll, 268nl6 "Legend of Saint Julien the Hospitaler, The" (Flaubert), 12, 14, 17, 18, 179-201, 240 allegory in, 191, ЗОбпбб animals in, 183, 185-6, 187-8, 189, 192, 196, 198, 306n71 beholder and, 178, 179, 199 biblical figures, 305n54 composition, 176, 198 as ekphrasis, 179, 184, 186-201 ending, 179, 182, 184, 186, 191 image-text relation, 16, 179-82 legibility-illegibility of, 183, 185, 186-7, 189, 199 and mythology, 304n50, 305n54 narrative in, 184-6 parricide, 177, 190, 192, 195-6, 199, 201 psychological components, 186, 304n50 sources, 183-4 Saint Julien window, 182—4 stained glass and, 72, 178, 179-86, 189- 201, 247n22, 303n40, 304n50, ЗОбпбб taches and, 69, 80, 178, 187-96, 199-201, 307nn78,81 blankness and, 189, 191 blood as, 176, 187, 188, 191, 192-4, 195-6, 200, 201, 306n70 implied, 308n83 light and, 178, 189, 192, 193-4, 195, 200, 307n78 and sin, 200 title, 182 Legenda aima, 183 legibility-illegibility, aesthetics of, 20, 30-4, 32, 46, 57, 85, 100, 148, 227 Courbet and, 34-8 Flaubert and, 25, 31, 66, 71, 176, 177-8, 182-6, 191-2, 194-200 Manet and, 25, 42, 44-50, 54-5, 57, 73- 80, 94-100, 151-4, 162-3, 171-2, 281n32 Paris and, 24-5, 27 Legouvé, Ernest, 274nl23 Lemot, A., "Flaubert Dissecting Emma Bovary" (1869), 85 Leonardo da Vinci, 58, 60, 82 Leroy, Louis, 37, 51, 63, 78, 168, 289nl83 Lessing, Gotthold Ephraim, 205, 321n31 Levine, Sherrie Flaubert: Un Coeur simple, 230, 232 "pathos: Trois Contes" 320nl7 Leys, Henri, 196, 309nll4 Ligo, Larry, 296n39 Lipton, Eunice, 150 lithography, 24, 28, 137, 204, 311n22 Manet and, 260nl62, 297n52 see also Epinal prints Longo, Robert, 230 lorette, 109, 137, 139; see also prostitution Los Rios, Ricardo de, 42, 43 Louis, Morris, 91, 238, 322n40 Louvre, the, 26, 28, 31, 291n213 Lukács, Georg, 12 Lyotard, Jean-François, 145 macchiaioli, 59 Magritte, René, 230 Mainardi, Patricia, 21, 294n3 Malevich, Kazimir, 320n22 Mallarmé, Stephane, 8-9, 247nl5 Malraux, André, 9, 64 Mancino, Leon, 68 Manet, Edouard animals depicted, 137, 139-40, 291n207 black cat, 3, 25, 64, 104, 129, 283n50,53 crane, 9 dog, 141, 292n224 horse, 52, 154, Fl. VI backgrounds depicted, 113-15, 285nl04, 297n49 342 Index Manet, Edouard (cont.) career/history, 6, 26-7, 33-4, 43, 93^, 248nn31,32, 257nl09, 262nl85, 280n9, 282n45,321n32 as Charivari character, 72 and Courbet, 42-3, 107, 171, 283n67; see also Courbet, Woman with a Parrot and Flaubert, see Flaubert, and Manet fruit depicted, 142, 293n231; see also Jeune dame en 1866, citron in legibility and, 25, 42, 44-50, 54-5, 57, 73- 80, 94-100, 151-4, 162-3, 171-2, 281n32 and Monet, 52, 289nl83 narrative strategies, 5, 11, 15, 41, 94-100, 156, 160, 164-5, 171, 172 private exhibition (1867), 16, 79, 93, 100, 257nll0, 280n9, 284nn70,84 reasons for, 274nl23 reviews of, 261nl76 and Salon, 15, 27-8, 33^, 255n56, 279n4 of 1868, 38—41, 266n275 Sorlin on, 248n35 and "tableau" 292n220 and taches, 56-8, 62-6, 72, 272n88, 275nl30; see also Jeune dame en 1866, taches and theatricality in, 160-1, 171, 297n49 Zola and, 22, 41, 54, 62-6, 68-9, 78-9, 93; see also Zola, on Manet Absinthe Drinker (1859), 146, 248n31, 282n45,294n3 Artist, The (Portrait of Marcellin Desboutin) (1875), 140, 141, 292n224 At Father Lathuille's (1879), 11,95, 95 Balcony, The( 1868), 75, 87-90, 89, 95, 96, 146 Balloon, The, 297n52 Bar at the Folies-Bergère, A (1882), Pl. IV, 11, 20, 58, 148, 265n263, 280nl7 Barricade, The (1871?), 11 Battle of the Kearsarge and the Alabama (1864), 11, 285n95 Bear Trainer, The, 297n52 Bouquet of Violets (1872), 96, 97, 124 Bullfight (1865), 298n55 Café-Concert, The (aka At the Café) (1878), 95 Cats' Rendezvous, 25 Dead Christ and the Angels, The (1864), 5, 7 Dead Toreador, The ( 1863—4), 298n55 Escape of Rochefort, The (1880-1), 11, 285n95 Execution of Maximilian, The (1867), 11, 42, 65, 74, 131, 260nl62, 285n95 Fifer, The{ 1866), 40, 113 Fishing (1861-3), 9 Guitar Player, The (1867), 101, 291n202, 292n219, 298n55 In the Conservatory (1879), 11, 94, 95, 280nl7 Interior at Areachon (1871), study for, 10, 11 Le Déjeuner sur l'herbe (1863), 6, 11, 42, 47, 79, 95, 101, 102, 103, 104, 168, 265n256, 280nl5, 285n99, 304n42 original tide, 285n99 Lola de Valence (1862-3), 101, 117, 297n49, 298n55 Luncheon in the Studio (1868), 17, 75, 77, 95, 229, 293n231 Madame Manet at the Piano (1868), 114, 114 Masked Ball at the Opera (1873^1), 11, 24 Matador, A (aka Matador Saluting) (1866- 7), 101, 297n52 Mlle. V*** in the Costume of an Espada (1862), 52, 96, 96, 101, 150 Mme. Manet and Her Son at Arcachon (1871), 10, 11 Mme. Manet on a Blue Sofa (1874-8), 282n49 Mocking of Christ, The (1865), 41 Monet Family in Their Garden at Argenteuil, The (1874), 95 Moonlight over Boulogne Harbor (1869), 66, 67 Music in the Tuileries (1862), 74, 79, 86, 149, 149 Nana (1877), 9, 9, 289nl72 Old Musician, The (1862), 96, 97, 101, 298n55 Olympia (1863), 6, 11, 15, 17, 37, 40, 41, 42, 52, 62, 74, 79, 87, 103, 150, 173, 274nll8, 270n58, 276nl50, 280nl5, 282nn48-9 Courbet on, 34 critical reception of, 47, 64 and Jeune dame, 15, 47, 92, 102-7 Oysters (1862), 293n231 Philosopher, The (1865-7), 113 "Philosophers" (aka "Ragpickers") series, 52 Plum Brandy ( Woman with a Plum) (1877), 10, 11 Policinelle Presents ".Eaux-fortes by Edouard Manet" {Deuxième essai de frontispice), (1862), 160, 161 Portrait of Emile Zola (ca. 1868), Pl. III, 40, 41, 42, 44, 47, 63, 261nnl72,179 Portrait of Marcellin Desboutin, see Manet, Artist, The Index 343 Portrait of Théodore Duret (1868), 293n231 Portrait of Zacharie Astruc (1866), 115, 115, 262n202, 293n231 Races at Longchamp (1866), Pl. VI, 52, 154, 296n33 Ragpicker, 1Ъе (1865-9), 113 Railway, The ( 1873), 11, 11, 280nl7 Spanish Ballet (1862), 297n52, 298n55 Still Life with Carp (1864), 293n231 Still Life with Fish (n.d.), 293n231 Still Life with Salmon (1869), 293n231 Street Musician, 297n52 Street Singer, The (1&62), 101, 102, 298n55 Surprised Nymph, The (1859-61), 160, 297n52 Tragic Actor, The (Rouvière as Hamlet) (1865-6), 40, 101, 113 Victorine Meurent (ca. 1862), 101, 101 View of the Universal Exposition of 1867 (1867), 110, 111, 294n5 Woman in Pink, The (aka Woman with a Parrot), see Jeune dame en 1866 Woman with Fans, The (aka Nina de Callias) (1873), 289nl72, 300n95 Young Man in the Costume of a Majo (1863), 101, 168 Young Woman Reclining in Spanish Costume (1862), 293n231 see also Jeune dame en 1866 Mantz, Paul, 43, 46, 54, 87, 95, 266n271 on taches, 278nl89 maps, 318nnl33,135 in Poe, 8, 19 see also "Simple Heart, A" map of Cuba Marchai, Charles, Pénélope and Phrynt (1868), 54, 119 caricature of, 265n257 market, see art, bourgeois buyers; art, commod-ification of; Salon Marx, Karl, 21, 253nl8, 264n251, 289nl80 Capital, 21 Matlock, Jann, 291n202, 295nl4 Mauner, George L., 146 Meissonier, Jean-Louis-Ernst, 32, 152 Meister, Ernest, Revue du 6 juin 1867, 40 Melville, Steven, 245n4 Merleau-Ponty, Maurice, 154 Merson, Olivier, 43 Merlet, Gustave, 12, 250n57 metaphor, in painting, 140-2, 292n225 Meurent, Victorine, 101-2, 110, 118, 132, 137, 281n34, 282nn38-9,42-3, 288nl64,297n50 in Jeune dame, 40, 98, 104, 105-6, 108, 132, 150, 173 in Le Déjeuner sur l'herbe, 63 Manet's portrait of, 101, 282n35 in Olympia, 94, 105-6 Stevens painting of, Pl. V, 108 Miller, Jacques-Alain, 170 Mitchell, Timothy, 318nl33 Mitchell, W. J. T., 4, 247n24 Möbius strip, 119, 123, 199, 286nl25 modernism, 14 beginnings of, 1, 5 and decadence, 164, 298n84 Greenberg on, 1, 2, 198, 227, 245n4, 246n8 and image-text mixing, 5, 227-8 Manet and Flaubert and, 1, 2, 5, 14, 278nl81 and taches, 57-8, 244 see also aesthetics, of purification/purity; Fried, on Pollock; tache, and modernism Mondrian, Piet, 320n22 Monet, Claude, 40, 43, 52, 54 on Jeune dame, 52, 112 Camille (1866), 22 Déjeuner sur l'herbe ( 1866), 22 Mme. Louis Joachim Gaudibert (1868), 109, 109 monocle, 17, 52, 139, 165 and castration, 165-6, 299n69 erotic associations, 149-50 as graphie moment, 149, 162, 171 in Madame Bovary, 295nl7 and taches, 151-2 and voyeurism, 149, 295nl9 see also Jeune dame en 1866, monocle in Moreau, Gustave, 59, 176, 203 L'Apparition (1876), 311n8 Salomé Dancing befare Herod (1876), 250n62 Morisot, Berthe, 22, 40, 96, 110, 252nl0, 269n38 Manet's portrait of, 249n42 mot juste, Flaubert's doctrine of, 67, 68, 72, 176, 221 Moulin, Christine, 176 Mrosovsky, Kitty, 317nl07 mythological figures, 54, 288nl51 "Legend of Saint Julien" and, 304n50, 305n54 nudes as, 35-6, 37-8, 258nl29 Nadar, Félix, 22, 294n5 Napoléon I, 124, 125 Napoléon III, 21, 23-4, 28, 32, 40, 46, 74, 255n69, 289nl80 Bouguereau painting, 28, 112 caricatured as parrot, 131, 132 and "Salon des refusés" 30 344 Index narrative in Jeune dame, 94-100, 110, 134, 136, 146, 172,292n222 in "Legend of Saint Julien" 184-6 Manet's strategies, 5, 11, 15, 41, 94-100, 156, 160, 164-5, 171, 172 in painting, 5, 30-2, 34, 95, 256n87, 275nl35, 281n28 pregnant moment, 256n89 in "A Simple Heart" 205-7, 212, 216, 222, 224-5 as striptease, 106 Niello (caricaturist), "Opening Day at the Salon" 39 Nietzsche, Friedrich, 123, 142 Nieuwerkerke, Alfred-Émilien, comte de, 34, 40 Nochlin, Linda, 6, 248n35 Noir, Victor, 283n53 Norma, Charles, 45-6 Oedipus, Saint Julien and, 304n50 Oulevay (caricaturist), caricatures of Gérôme's Execution of Marshal Ney, 42, 43 of Giraud's The Husband's Return, 51, S3 painting finish, 33, 44-5, 48, 203, 204, 262nnl99- 200, 263n205, 274nnl 19,122, 304n42 and literature; see image-text relation metaphor and, 140-1, 292n225 narrative, 5, 11, 15, 30, 34, 41, 94-100, 156, 160, 164-5, 171, 172, 281n28 social effects of, 50-1, 119 theatricality in, 160-1, 298n56 varnish, 158, 159 see also specific genre; genre painting; subject matter Palais de l'industrie, 28, 40 Palma, Etienne, 119, 196 Parent-Duchatelet, Alexandre-Jean-Baptiste, 289nl75 Paris, Second Empire, 21, 23-5, 84-6 department store, 26, 50 Proust on, 149 as Zola subject, 14 see also Haussmannization of Paris parrot, 15, 16, 18, 21, 34, 35, 37, 47, 49, 130, 139, 202,228 African Grey, 290nl93 as class signifier, 129 colors, 132^4 and colonization, 130, 162 erotic associations, 130-1, 258nl31, 289nl72, 315n75 exoticism of, 129-30, 283n50 as figure for critic, 158-9 of Henry VllflJ, 135, 290nl93 in Kant, 88 Napoléon III as, 131, 132 as pet, 140, 292n222 and realism, 46, 134 as speaking creature, 131, 134-5, 259nl32 as spectator, 159-61, 167 as verb, orgins of, 158 and woman, relationship, 46, 50, 136-7, 139^2, 281n26, 289nl72 see also Jeune dame en 1866, parrot in; "Simple Heart, A" parrot in pastiche, 204, 208 peignoir, 49, 113, 137; see also Jeune dame en 1866, peignoir Pepperberg, Dr. Irene, 290nl93 Perugino, Pietro, 311n8 photography, 22, 24, 251n74, 262nl97 physiognomy, 46-7, 56, 263n225, 291n217 Pierce, C. S., 82 Pils, Isadore, 30, 94 Pisarro, Camille, 40, 54 Pliny the Elder, 58, 60, 82 plot, see narrative Poe, Edgar Allan, 11, 106, 249n43 Dupin trilogy, 18-19 "Mystery of Marie Roget, The" 19 "Purloined Letter, The" 8, 19, 106 "Raven, The" 252n92, 315n84 Poitevin, Eugène Ix, Masculine Potency, 130, 131 Pollock, Griselda, 108, 173 Pollock, Jackson, 18, 230, 234-40, 320n22, 321n26, 322n37 "all-over" canvases, 235, 322n39 "cut-outs" 236-9, 318nl37, 322n42-3 philosophy of impersonality, 321n26 Autumn Rhythm: Number 30, 1950, 235 Cut Out ( 1949), 238-9 Number 32, 1950 ( 1950), 235, 236, 237 Out of the Web: Number 7, 1949 (1949), PI. VIII, 236, 239 White Cockatoo: Number 24A, 235 Pontmartin, Armand de, 117 pornography, 24 portrait painting, 32,46-7, 109, 114-15, 263n222, 288nl62 Pouchet, George, 179 propaganda, arts as, 28-9 prostitution, 9, 22, 24, 25, 62, 130, 136, 254n34, 286nl22, 289nl75; see also courtesan; lorette Proudhon, Pierre, 37 Proust, Antonin, 24, 249n50 Index 345 Proust, Marcel, 6, 9, 24, 81, 110, 165 on Flaubert, 248n35, 249n55, 247nl5 Remembrance of Things Past, 130-1, 149 psychoanalysis, ter Freud; Jeune dame en 1866, psychoanalytic interpretation; Lacan; tache, and psychoanalysis purification/purity, see aesthetics, of purification /purity Quatrelles (caricaturist), 265n257 Randon, Gilbert, "Edouard Manet's Exposition" 65, 283n54 Raphael, 6, 64, 68 Rauschenberg, Robert, 59-60 realism, 42-3, 46, 134, 171, 270n62, 274nl24 reception-influence distinction, 320nl2 Redon, Odilon, 46, 75, 305n60 Reinhardt, Ad, 56 Rembrandt van Rijn, 24, 267nl3 Renoir, Pierre-Auguste, 22, 40, 43, 54, 138, 140, 280n22 as Manet imitator, 131, 132 Portrait of Romaine Lacaux (1864), 109 Woman with a Parrot (1871), 115, 116, 130 Revolution of 1848, 83, 254n50 Rex, Margery, newspaper article on dada, 231 Robbe-Grillet, Alain, 18 Jealousy, taches in, 322n49 "Secret Room, The" 240 Rochefort, Henri, 30, 260nl58 Roger du Tranois, E., 39, 90, 134, 145, 159, 261nl79, 293n232,297n46 Rorschach, Hermann, 82, 268n29 inkblots, 23, 60-1, 63, 222 Rouen, Cathedral of Notre Dame, Pl. I, 180, 181-2, 203, 247n22 Rousseau, Jean on Jeitne dame, 47, 78, 79, 82, 106 on Manet as artist, 261nl81, 270n62 Rousseau, Théodore, 26 Royal Academy of Painting and Sculpture, 28 Rubens, Peter Paul, 9 Ruscha, Ed, 18 Stains ( 1969), 60, 61, 232-3, 234, 235 Ruskin, John, 91 Saint-Beuve, Charles-Augustin, 175, 229 Salon (Exhibition of the Works of Living Artists), 17, 22, 27-34, 40 as aesthetic authority, 27-8, 33, 93; see also legibility-illegibility, aesthetics of audience/attendance, 30, 33, 256n80, 281n27 Grand Medal of Honor, 32, 40 inception of, 27-30, 39 Manet and, 22, 27, 38, 40, 41, 248n31, 255n57, 279n4, 280n9 as marketplace, 27-34 as political body, 27-30 salon d'honneur, 35 stylistic standards, 30-3, 100 submission rules, 260nl61 1846,269n37 1861,158,258nl20 1863,40 1864, 37 1865, 3 1866,21,22, 34, 112, 146 1867, 32,40 1868, 15, 35, 38, 38-41, 56, 42, 66, 74, 79, 99, 108, 256n79, 259nl53 audience, 30, 101, 259nl45, 296n29 caricatures of, 29, 39, 280nl2 Committee of Non-Exempt Artists, 259nl53 Jeune dame's, placement at, 40-1 Manet's submissions to, 40-1, 260nl62, 296n29 reviews of, 32-52, 109, 196, 260nl67, 261nl68 see also Jeune dame en 1866 1869, 75 1876, 203, 311n8 1879, 68 "Salon des refusés" 30 Sand, George, 22, 150 correspondence with Flaubert, 175, 179, 214 Sartre, Jean-Paul, 18, 56, 230 on "Legend of Saint Julien" 308n91 Being and Nothingness, 243^ Nausea, 240-3, 323n55 Saussure, Ferdinand de, 140 Schapiro, Meyer, 246n8, 247nn24,27, 266n5 Schirrmeister, Anne, 294n8 Scholz, Wilhelm, "Louis Napoléon as a Melancholy Parrot" 131, 132 Schor, Naomi, 315n86 Second Empire, see Paris, Second Empire Seurat, Georges, 59 Seuss, Dr. [Theodore Geisel], Tlje Cat in the Hat Comes Back (1958), 60 Seznec, Jean, 176 Shakespeare, William, 60, 82 Shepherdson, Charles, 300n98 Siebert, Margaret, 126 Signac, Paul, 59 "Simple Heart, A" (Flaubert), 12, 14, 16-18, 25, 66, 67, 71, 176, 199, 202-26, 241 castration in, 213, 222 as ekphrasis, 203-8, 224 346 Index "Simple Heart, A" (cont.) ending, 207, 213, 218, 224-6, 230 fetishism, 212-13, 222 map of Cuba, 16, 25, 210, 216, 218-25, 319nl43 narrative in, 205-7, 212, 216, 222, 224-5 origin of, 251n90 parrot in, 158, 159, 202, 210-13, 217-18, 223, 224-5 prints in, 73, 204, 214, 215, 216-18, 315n82 taches and, 80, 177-8, 209-10, 213-15, 218, 219-20, 222, 224, 226 sincerity, Republican sense, 274nl23 Sontag, Susan, 228 Sorlin, Pierre, 247nl4, 248n35 Spiess, Philip, 294n7 Spuller, E., 76, 276nl52, 321n36 on Manet, 65, 73, 74, 78, 79, 260nl76, 264n247 stained glass, 8, 16, 71, 197, 273nn99-100 Flaubert self-described as, 70-2 as graphic moment, 71 see also "Legend of Saint Julien" stained glass and Steen, Jan Effects of Intemperence, The (1663-5), 291n202 Way Той Hear It Is the Way Той Sing It, The, 291n202 Steinberg, Leo, 246n7 Steiner, Wendy, 204, 310nll8 Stevens, Alfred, Lady in Pink (1866), Pl. V, 108, 117 Stevens, Wallace, 168 Stewart, Susan, 304n53 still-life painting, 32, 48-50, 75-6, 139, 264nn240-l ,245-7,2 5 3-4 style, academic standards, see Salon, stylistic standards subject matter, 2-3, 20, 31, 33, 34, 246n8 Coubet and, 34-6 Flaubert and, 3, 5, 71-2 Manet and, 5, 27-8, 42, 95-6, 245n2, 247nnl5,17,27 parrot as, 46 Salon and, 28, 30-3, 40 surrealism, 59, 232, 320nl4 Tabarant, Adolphe, 284n84 tableaux vivants, 24, 265n256 tache (blot, patch, stain, etc.), 3, 56-91, 231- 44 aestheticization/abstraction, 64-5, 71, 78- 80, 87-91, 153, 169-70, 175-8, 201, 236-9, 242,300n88 and castration, 164, 167-70, 176, 192-3, 196, 222 as critical term, 61-6, 240-3 criticism of, 61-2, 73-80, 271n69, 275nl27, 278nl89 and decadence, 170-1, 299n80 democratizing function of, 74-5 and distance, 66, 79-80, 148-9, 152—4, 220,225-6, 276nl45,302n22 Flaubert and, 66-72, 69, 176-9, 271nn80- 2, 272n88, 302n21,23-24, 303n25; see also "Legend of Saint Julien" taches and; "Simple Heart, A" taches and as Flaubert-Manet unifier, 57, 72 Freud and, 316n87 Hugo and, 59, 231-2, 233, 268n21 impressionism and, 59, 68, 72, 266n5 as linguistic term, 57, 82 Manet and, 56-8, 62-6, 73-80, 272n88, 275nl30; see also Jeune dame en 1866, taches and as meeting of image and text, 57, 72, 227, 231-3 and modernism beginnings of, 57-62 later manifestations, 91, 233M4 monocle and, 151-2 nature of, 56-7, 73, 80-2, 276nl53, 277nnl55,157,160 as ambiguous, 61, 80-2, 91 as graphic moment, 57, 86, 267nll as identifying mark, 84, 187, 302n24 as signifier, 57, 66, 81—4, 86, 91, 279n202 as stain, 56, 61, 68, 81, 91, 274nl20 visual properties, 80 and psychoanalysis, 60-1, 167-70, 192-3, 196, 222 and Second Empire culture, 83-8 and servants, 209, 314n57 and sin, 68, 200, 271n82 and stained glass, 70-2, 192-200 theatrical associations, 297n48 as threat to beholder, 74-5, 78, 153, 154, 167-8, 172 Titian and, 267nl3 Tolstoy and, 306n75 Zola and, 56, 62-6, 79, 86, 90, 269n41, 272nn88-9, 275nl31, 321n36 Taine, Hippolyte, 12, 22, 56, 175 theatricality, 160-1, 171, 297n49, 298n56 Thoré, Théophile [W. Bürger], 22, 35, 48, 49, 66, 74-5, 110, 122, 293n232 on Salon of 1861, 158 on subject matter, 246n8 Tissot, James, 108, 179 Index 347 Titian, 64 Fall of Man (ca. 1570), 290n202 Venus of Urbino (1538), 17, 129 Tolstoy, Leo, 82 War and Peace, taches in, 306n75 Tooke, Adrienne, 176 tourism, 24 Turner, J. M. W., 59 Twombly, Cy, Olympia (1957), 60 Ulback, Louis, 69 ut pictora poesis, 1, 4-5, 12-14, 20, 33, 54, 134, 183, 227 Vaillant, comte, grand maréchal du palais, 39, 40 Varennes, Gaston de, 43 varnish, see painting, varnish Vasari, Giorgio, 58, 82 Velázquez, Diego, 306n75, 6, 9, 64, 102, 107, 113 Manet on, 262nl98 Verlaine, Paul, 23 Vermeer, Johannes, 22, 83 Dentellière, 110 View of Delft, 81, 110 Vernet, Horace, 280n9 Veronica, Shroud of, 82 Vestier, Antoine, Petite file au perroquet (1790), 291n202 violets as Bonapartist symbol, 124, 125 Grandville's "Violette" 124, 125 in Jeune dame, 96, 104, 123-4, 124, 282n43 in religion/mythology, 288nl56 voyeurism, 25, 36, 37, 253n31, 259nnl33,140; see also monocle wallpaper, 279nl93 Warhol, Andy, Oxidation Painting (1978), 59, 60 Watteau, Jean-Antoine, 102 Concert, The (Prélude au concert, ca. 1715), 297n53 Weiss, Jean-Jacques, 319n6 Whistler, James McNeill, 22, 61 Wollheim, Richard, 281n28 women anatomy, and castration complex, 163-4 Baudelaire on, 116 in 1866, 22 in Jeune dame, 113-28 lower class, 314n57 Negro, 283n50 Woolf, Virginia, 213 Worth, Charles Frederick, 24, 124 Zeldin, Theodore, 113 Zeuxis and Parrhasios, legend of, 171, 300n96 Żiżek, Slavoj, 60, 61, 170 Zola, Emile, 4, 8-9, 14, 21-2, 29, 32, 45, 54, 84, 122 as Charivari character, 38, 51, 56, 63, 78, 270n50,274nll4 correspondence with Flaubert, 6, 183, 248n33, 272n88 fiction of, 6, 9, 63, 72, 86, 130; see also specific work on Manet, 2, 3, 9, 52, 73, 76, 77, 83, 227, 229, 266nn269-70,274, 274nll8, 275nl31 on Déjeuner sur l'herbe, 63^ on Jeune dame, 38, 49, 52-5, 104, 111, 168,265n267 on Olympia, 3, 64, 74, 274nll8 at Salon of 1868, 40, 109 on taches of, 62-6 Manet's portrait of, PL III, 40,41, 42, 44, 47, 63, 261nl72,179 on Monet, 72 on realism, 43 Rougon-Macquart novels, 14, 83; see also specific work and tableaux vivants, 265n256 and taches, 56, 62-6, 79, 86, 90, 269n41, 272n89,275nl31, 321n36 "temperament" as critical term, 269n40 L'Assommoir, 301n6 Kill, The, 117, 286nll7 Ladies' Paradise, The, 26, 253n29, 288nl56 Masterpiece, The, 6, 86, 241, 276nl49 Nana, 63, 86, 130, 197, 323n52 Thérèse Raquin, 69 Une Page d'amour, 86, 241 |
