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| Volltext: | Index Abbott, H. Porter, i, 15, 18, 21, 23, 29, 93, 138, 148, 168 Abstraction, 30 Acheson, James, 2, 71 Act without Words (Acte sans paroles), 36, 37 Adler, Jankel, 73 Albee, Edward, 44 Albright, Daniel, 92, 125-26, 130 Alechinsky, Pierre, 204-5П. 87 All Strange Away, 138 All That Fall, 130 Amiran, Eyal, 106 Anaesthetic, 7, 67-68, 71, 74, 77, 80-81, 82, 86, 93-98, 119, 120, 123, 159, 188, 189 "An Imaginative Work!" 159 Arikha, Avigdor, 9, 68, 73, 162, 166, 168, 170-71, 174-77, i8°, 210-iin. 83, 219ПП. 43, 45. See also Au loin un oiseau; Lost Ones, The (Le dépeupleur); North, The Ashton, Dore, 48 "Assumption, " 125, 127 Au loin un oiseau, 174-77, I7^- $ee also Arikha, Avigdor Bair, Deirdre, 82, 95 Bal, Mieke, 161 Ballmer, Karl, 74 Barker, Stephen, 23 Baselitz, Georg, 9, 162, 166-68. See also Bing Begam, Richard, 70 Beginning to End, 183-85. See also Gorey, Edward Berkeley, George, 31, 118 Bersani, Leo and Ulysse Dutoit, Arts of Impoverishment, 47 Bitig, 166-68. See also Baselitz, Georg Bion, Wilfred Ruprecht, 147, 215m 82 Blake, William, 137 Blau, Herbert, 1 Botticelli, 33, 134 Braque, Georges, 74 Brater, Enoch, 1, 8, 17, 20, 24, 56, 62, 124, 125, 148, 189, 213m 23 Breath (Souffle), 36, 37, 42, 44, 58, 125, 158; and "theatereality, " 17 Buckland-Wright, John, 73... but the clouds (... que nuages), 58; and intertextuality, 20 Butler, Lance St. John, 6, 36, 99 Butor, Michel, 17, 26, 30, 54-55, 58 Büttner, Gottfried, 44 Cahiers d'art, 74, 103 Calder, John, 41 "Calmative, The" ("Le calmant"), 42, 143 Caravaggio, Michelangelo Merisi da, 59, 73, 136 Casanova, Pascale, 69, 72, 93 Catastrophe, 25, 36, 60 Caws, Mary Ann, 5, 137, 200П. 21 Cézanne, Paul, 15, 108-9, 111-12, 114, 115, 116, 134. See also "Cezanne's Doubt" "Cezanne's Doubt, " 97, 108-9. See also Cézanne, Paul; Merleau-Ponty, Maurice Chabert, Pierre, 100 2?4 I Index Clément, Bruno, 35-36 Cohn, Ruby, i, 2, 3, 20, 22, 47, ji, 56, 60, 90, 98, 124, 126, 205П. 89 Color. See Visual effects, in Beckett Come and Go (Va et vient), 41 Company (Compagnie), 25-26, 36, 39, 42 49, 52 47, i71_72- See also Ryman, Robert Conceptualism, 15, 53, 54, 128-29 Constructs, Beckett's narrative and dramatic. See Focalization of seeing, in Beckett; Ontological vision, in Beckett; References to art, in Beckett; Visual effects, in Beckett Courbet, Gustave, 15 Cronin, Anthony, 82, 95, 104 Cubism, 15, 53, 126, 127-28 Dadaism, 15, 26, 53, 128 Dante Alighieri, 33, 166, 168 "Dante... Bruno. Vico.. Joyce, " 5, 29, 67, 159. See also Joyce, James Danto, Arthur, 57, 61-62, 8r, 124; and "end" of art, 6, 45 Deleuze, Gilles, 40, 95 Derrida, Jacques, 40, 95, 117 Derrière le Miroir, 74 Descartes, René, 26, 43, 88-89, , 04, j 14, 145, 158, 164, 173, 188; Beckett's reading of, 95-96, 143; and cogito, 4; and subject-object schism, 13, 99-too, 107, in, 142, 146, 162 "Deux Besoins, Les, " 77, 78-80, 92 Devlin, Denis, 79, 91 Die Brücke, 74 Disjecta, 77 Dream of Fair to Middling Women, 4b 5!-52 90-91, r34, 135 Duchamp, Marcel, 2, 6, 29, 53-54, 73, So, 91, 93, 98, 155, 159 Duthuit, Georges, 72, 81-90, 92, 96-97, 107, 117-18, 119, 120, 162, 173, 200-20Ш. 24, 202П. 59, 205П. 89. See also "Three Dialogues With Georges Duthuit" Dutoit, Ulysse. See Bersani, Leo and Ulysse Dutoit Eco, Umberto, 13 Eb Joe (Dis joe), 39, 144 Ekphrasis, 30, 131, 137-41 Eleuthéria, 58; and intertextuality, 19-20 Elsheimer, Adam, 73 Embers, 129, 130 "End, The" ("La Fin"), 42, 129 Endgame (Fin départie), 22, 37, 39, 41, 44, 59, 106, 128, Г33, 141, Г50; and intertextuality, 20; and "theatereality, " 17; and surrealism, 213m 23 Enough (Assez), 163 Ernst, Max, 161-62 Esslin, Martin, 44, 113, 124-25 Expressionism: Abstract 16, 126-27, 128; German, 74 "Eye and Mind, " 97, 100, 110-11, 114, 118, 160. See also Merleau-Ponty, Maurice Fehsenfeld, Martha, 19 Feininger, Lyonel, 74, 126 Feshbach, Sidney, 104, 188, 209m 32, 213П. 23 Film, 31, 37, 39, 56, 128, 144-45, 46 148; and surrealism, 213m 23 First Love (Premier amour), 144 Fizzles (Foirades), 129, 164-66, 178-79, 220П. 65. See also Foirades/Fizzles; Johns, Jasper Flaubert, Gustave, 15, 26 Focalization of seeing, in Beckett, 37-40, 103, 123, 195-96П. 32 Foirades/Fizzles, 177-80, 221ПП. 74-81. See also Fizzles (Foirades); Johns, Jasper Footfalls (Pas), 22, 41, 59, 60, 125, 136, 144, 147; and intertextuality, 20 Freud, Sigmund, 15, 26, 115 Freundlich, Otto, 73 Friedrich, Caspar David, 33, 134, 136 "From an Abandoned Work, " 106, 161 Garelli, Jacques, 35, 40, 43-44, 49 Garner, Stanton В., 4t, 100 Index / 235- German Diaries, 31 Geulincx, Arnold, 37; Beckett's reading of, 95-96 Ghost Trio (Trio du fantôtne), 25, 58, 126; and intertextuality, 20 Giacometti, Alberto, 73, 148-55 Gombrich, E. H., 131, 134 Gontarski, Stan, 22 Gordon, Lois, 163 Gorey, Edward, 9, 162, 166, 183—85. See also Beginning to End Graver, Lawrence, 147 Gröhmann, Willi, 74 Guggenheim, Peggy, 73 Habermas, Jürgen, 14 Hagstrum, Jean, 124 Happy Days (Oh les beaux jours), 18, 39, 52, 128, 144, 150, 158, 213П. 23 Harvey, Lawrence, 67, 69, 72, 80, 90-93 Hassan, Ihab, 18-19 Hauck, Gerhard, 62 Hayden, Henri, 73, Г03-4, 163-64. See also "Henri Hayden, homme-peintre" Hayter, Stanley William, 9, 73, 162, 186-87, 223m 108. See also "Still" Hegel, G. F. W., 40, 96, 102, 123-24; and historicity of art, 6, 29, 45, 56-57, 62, 80-81, 188 Heidegger, Martin, 6, 36, 49, 65, 77-78, 95, 96, 99, 100, 102, 112, 115 Helsa, David H., 38 "Henri Hayden, homme-peintre, " 72, 103. See also Hayden, Henri "Hommage à Jack B. Yeats, " 72, 163. See also "MacGreevy on Yeats"; Yeats, Jack B. How It Is (Comment c'est), 26, 33, 58, 129, 164 Hubert, Renée Riese, г, r6i "Humanistic Quietism, " 104 Husserl, Edmund, 98-99, 100, 107, 120 Icon, 141, 160, 161, 162, r66, 168, 186 iconoclasm, 61, 164, 166, 171-72 Iconography, 8-9, 30, 126, 160-88 Iconology, 160 III Seen III Said (Mal vu mal dit), 40, 42_43 44, 48, 49, 107, 147, 171-72" See also Ryman, Robert Imagination Dead Imagine, 127, 134, 138, 163 "Indirect Language and the Voices of Silence, " 97, 109-10, 115. See also Merleau-Ponty, Maurice Johns, Jasper, 9, 61, 162, 166, 177, 178-80, 182, 22inn. 75, 77. See also Foirades/Fizzles Johnson, Galen, 140 Joyce, James, 7, 47, 79, 101, 128, 145 Juliet, Charles, 91, 119 Kandinsky, Wassily, 73, 74, 107, 126 Kant, Immanuel, 96, 118 Kaun, Axel, 7, 47, 51, 66, 79, 98, I I I , 113, 117, 120 Kenner, Hugh, 58 Kepes, György, 132-33 Kern, Edith, 55, 58 Kid, Le, 126 Kierkegaard, Soren, 96 Kirchner, Ernst Ludwig, 74-74, 126 Klabunde, Charles, 9, 162, 166, 168-70, 185. See also Lost Ones, The (Le dépeupleur) Klee, Paul, 74 Knowlson, James, 31, 39, 42, 73, 81, 95, 119, 127, 136, 143, 147, 186, 213П. 23 Krance, Charles, 22 Krapp's Last Tape (La dernière bande), 52, 129, 144, 145; and intertextuality, 19-20; and "theatereal-ity, " 17 Kuntz, Marthe, 73 Labrusse, Rémi, 84, 87 Lacan, Jacques, 15, 26 Laocoön, 161 Latour, Bruno, 14, 24, 188 z}6 / Index le Brocquy, Louis, 9, 87, 92, 162, 166, 180-83. See also Stirrings Still (Soubresauts) Leibnitz, Gottfried Wilhelm, 96 Lessing, G. E., 161, 217-18П. 14 Lessness, 127, 128, 138, 159 Lichtenstein, Roy, 57, 58, 6i "L'Image, " 138 Lindon, Jérôme, 30 L'Issue, 177. See also Arikha, Avigdor Locatelli, Carla, 39, 40, 44, 128 Lord, James, 148, 155, 210-nn. 83 Lorrain, Claude, 54, 129 Lost Ones, The (Le dépeupleur), 39, 127, 166, 168-71, 219П. 40. See also Arikha, Avigdor; Klabunde, Charles Lyotard, François, 14, 21, 27 MacGreevy, Tom, 72, 74, 83, 97, 104, I I I , 114, 119 "MacGreevy on Yeats, " 72, 80, 91, 112-13. See also "Hommage à Jack B. Yeats"; Yeats, Jack B. Madison, Gary, 101 Majno, Luigi, 186, 222-23П. 105, 223П. 108 Malebranche, Nicolas, 96 Malone Dies (Malone meurt), 33, 102, 106, 134, 136; and intertextuality, 20. See also Trilogy, the Malraux, André, 109 Man, Paul de, 160, 217m 10 Manet, Edouard, 15, 116 Mason, Michael, 162 Masson, André, 89, 93, 117, 173 Matisse, Henri, 82, 88, 89, 150 McMillan, Dougald, 1, 19, 135, 143 Mechanomorphism, 53 Megged, Matti, 52, 53 Mercier, Vivian, 1, 58, 136 Merleau-Ponty, Maurice, 6, 42, 77, 95-120, 123, 140, 142, 150, 152, 1559^ !бо, 173, 207-8П. 7, 2o8n. 8, 217m 10. See also "Cezanne's Doubt"; "Eye and Mind"; "Indirect Language and the Voices of Silence"; Visible and the Invisible, The (Le Visible et l'Invisible) Messina, Antonello da, 136 Mitchell, Breon, 1, 29, 172, 185 Mitchell, W. J. T., 140, 163 Molloy, 30, 34, 39, 45, 46, 52, 102, 106, 129; and intertextuality, 20. See also Trilogy, the Mondrian, Piet, 158 More Pricks Than Kicks, 30, 135, 136 Motherwell, Robert, 158 Munch, Edvard, 107, 127 Murphy, 30, 32, 41, 42, 129, 136, 138, T39 M3 M6 Nacht und Träume, 58, 136 Neubauer, Peter, 149, 152-54, 216П. 99 New Novel. See Nouveau Roman Nietzsche, Friedrich, 14 Nohow On, 166, 171. See also Ryman, Robert Nolde, Emil, 74, 126 North, The, 170. See also Arikha, Avigdor Not I (Pas moi), 24, 36, 37, 41, 46, 52, 5 6 , 5 9 , 6 0 , 1 2 8 , 1 3 6 , 1 4 4 - 4 5 , Мб, 157, 158, 173; and "theatereality, " 17; and surrealism, 213m 23 Nouveau Réalisme, 55 Nouveau Roman, 16, 17, 24, 30, 54 O'Brien, Eoin, 41 O'Casey, Sean, 66, 105 Ohio Impromptu (Impromptu d'Ohio), 22, 42, 60, 136, 144 Ontological vision, in Beckett, 34-37* 103, 123 Ontology, 4, 5, 6, 7, 8, 13, 29, 34, 35, 36, 46, 65, 68, 69, 76, 77, 79-80, 83, 90, 92, 95, 118, 124, 142, 144, 165, i66, 171, 183, 186 Paalen, Wolfgang, 73 Panofsky, Erwin, 160-61 Paradigm: dialectical, 180; ontological, 165; sound, 189; visual, 3-6, 29-45, 48, 77* 85, 124, 141, 188, 189 Index / 237 "Peintres de l'Empêchement, " 67, 72, 74. 77, 78, 80-81, 92, 118 "Peinture des van Velde... , La, " 67, 7i, 74-78, 80, 85, 89-90, 92, 98, 118 Perloff, Marjorie, 1, 3, 29, 130, 165, 180 Picabia, Francis, 73 Picasso, 8, 15 Piece of Monologue, A (Solo), 59-60, 125, 146; and intertextuality, 20 Pikelny, Robert, 73 Pilling, John, i, 2, 198-99П. г Ping, 138, 159, 163, 166. See also Bing Pinget, Robert, 26, 30 Play (Comédie), 25, 39, 56, 59, 158; and "theatereality, " 17 Pop Art, 55, 57-62, 123, 159 Prinz, Jessica, i, 53, 124, 178 "Proust, " 67, 68, 83, 101, 128, г32, 159, i6o Proust, Marcel, 145; Beckett's TCD lectures on, 20m. 53 Putnam, Jacques, 173, 204-5П. 87, 206П. 110 Quad, 58, 128, 159 Rauschenberg, Robert, 57, 61 Reaesthetization, 8, 13, 81, 123, 147, 148, 155, 160 References to art, in Beckett, 30-34, 103, 123, 134-42 Rembrandt, 73, 90, 136 Renton, Andrew, 21 Reynolds, Mary, 73 Ricoeur, Paul, 37 Riopelle, Jean-Paul, 72 Robbe-Grillet, Alain, 21-22, 26, 30, 112, 119; and modernism, 16 Rockaby (Berceuse), 39, 136, 147; and "theatereality, " 17 Rorty, Richard, 14 Rothko, Mark, 47-48, 51, 78, 153, 15S Rough for Radio, 36 Rybalka, Michel, 21 Ryman, Robert, 9, 162, 166, 171-73, 185, 220П. 57. See also III Seen III Said (Mal vu mal dit); Company (Compagnie); Nohow On; Worstward Ho (Cap au pire) Sarraute, Nathalie, 26, 30 Sartre, Jean-Paul, 6, 8, 1 j, 21, 22, 95, 96, 99, 100, 102, 109; on Giacometti, 1 5 3 - 5 4 Scanlan, Robert, 182 Schloss, Carol, 1 Schneider, Alan, Г9, r58, 164 Schopenhauer, Arthur, 96, 97 Silverman, Hugh, 106 Simon, Benett, 142-43 Simon, Claude, 26, 30, 49, 54, 55 Smith, Michael В., 102 Sparshott, Francis, 6-7 Spinoza, Benedict, 96 Staël, Nicholas de, 72 Stein, Gertrude, 29 Steiner, George, 70 Steiner, Wendy, 57-58, 137 "Still, " 138, 145 Still, 186-87. See also Hayter, Stanley William Stirrings Still (Soubresauts), 32, 36, 132—33, 139, 166, 180—83. See also le Brocquy, Louis Stoullig, Claire, 88 Surrealism, 15, 26, 53, 126, 128, 213m ¿3 Sylvester, David, 152, 154 Tal Coat, Pierre, 88, 89, 93, 102, 117 Texts for Nothing (Textes pour rien), 3 2. , 1 3 1 That Time, 41 "Theatereality, " 2, 17, 51, 52, 61, 68, 160, 164, 188 Thomson, Duncan, 175 "Three Dialogues with Georges Duthuit, " 46-47, 66, 72, 83, 85, 89, 90, 92, 102, 107, 114, 116-17, 126, 162, 173, 202П. 59, 205m 89, 206П. 110. See also Duthuit, Georges Tomkins, Calvin, 59 238 / Index Transition, 66, 72, 81, 128, 185, 2oonn. 20, 21 Trilogy, the, 16, 34, 36, 38, 41, 50, 31, 52, 54, 66, 130, 131. See also Molloy; Malone Dies (Malone meurt); Unnamable, The (L'innommable) Unnamable, The (L'innommable), 26, 31, 32, 35, 41, 45, 46, 52, 59, 102, 130, 143, 144, 150, 183. See also Trilogy, the ut pictura poesis, 161 van Honthorst, Gerrit, 73 van Velde, Bram, 66, 69, 72, 73, 74-76, 81, 83-89, 92, ioi, 104, 105, 107, 114, 115, 117, 118, 119-20, 131, 159, 162, 173, 204-5П. 87. See also "Peintres de l'Empêchement"; "Peinture des van Velde..., La" van Velde, Geer, 7, 69, 73, 74~75, 76, 81, 86, 93, 105, 159. See also "Peintres de l'Empêchement"; "Peinture des van Velde..., La" Vattimo, Gianni, 14 Visible and the Invisible, The (Le Visible et l'Invisible), 100, 108, no. See also Merleau-Ponty, Maurice Visual effects, in Beckett, 40-45, 103, 123 Waiting for Godot (En Attendant Godot), 7, 16-17, 18, 22, 36, 38, 44, 50, 52, 58, 73, 112, 131, 136, 141, 173, 210-iin. 83 Warhol, Andy, 2, 6, 29, 57, 5, 59, 60-61, rjj Watt, 30, 33-34, 38, 39-40, 41, 42, 50-51, 52, 55-56, 71, 129, 131, 135, 139-41 "What Is the Word" ("Comment dire"), 7 What Where (Quoi où), 41, 42, 58, 60 Whitelaw, Billie, 125, 142 "Whoroscope, " 104, 143, 209m 32 Wittgenstein, Ludwig, 96, 160 Wolosky, Shira, 148 Wood, Rupert, 113 Words and Music (Paroles et musique), 24, 25, 33 Work in Progress, 29, 79 Worstward Ho (Cap au pire), 42, 48, 49, 134, 171, 172—73. See also Ryman, Robert Yeats, Jack В., 68, 72, 74, 83, 112, 114, 115, 119, 136, 159, 162-63, 2i8n. 23. See also "Hommage à Jack В. Yeats"; "MacGreevy on Yeats" |
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