| Volltext: | Index A Bar at the Folies Bergère (Manet) 2, 11 37, 50, 58, 72, 76, 114, 165-89, 224 n28 absorption 12, 22, 39, 172, 173-9, 181 The Absolute Bourgeois: Artists and Politics in France 1848-1851 (Clark) 237 n53 Absorption and Theatricality: Painting and Beholder itt the Age of Diderot (Fried) 39, 212 n22 'Abstract Art' (Greenberg) 216 n83 Abstract Expressionism 8, 25, 36, 48, 49, 60, 67-90, 102, 104, 105-15, 120, 121, 136, 155, 156, 200, 217 n90, 235 nl9, 250 n22 The Academy and French Painting in the Nineteenth Century (Boime) 221 n50 Adam (Newman) 11, 61, 63, 66, 106 Adorno, Theodor 29, 30, 216 n86, 233 n5 aesthetic 29, 38, 77, 92, 96, 139, 185, 195, 199, 225 n45, 247 n91 aesthetic emotion 137 aesthetic experience 29, 30-3 , 74, 79-81, 118, 135-9, 146, 157, 181, 193 'The Aesthetic Hypothesis' (Bell) 217 n98, 227 n68 aesthetic judgement 29, 30, 31-3, 34, 41, 53, 79, 135-9, 207, 233 n2 aesthetic value 32-3, 58, 89-90, 166, 188, 224 n27 Aesthetic Theory (Adorno) 29, 216 n86 aestheticism 17, 19 'After Abstract Expressionism' (Greenberg) 67, 68-9, 218 n2, 223 n8 Alberti, Leon Battista 224 n32 Alchemy (Pollock) 105 allegory 133-5, 158-9, 160, 169, 174, 183-4, 189, 198, 201, 202 Alpha-Phi (Louis) 17, 53, 55, 64-90 'Alterity, Metaphor, and Formation: Around the Edges of a Paradigm' (Harris) 228 n2 Althusser, Louis 157, 211 nl5, 218 nll5, 240 n52 ambiguity 36, 42, 50, 70, 98, 112-15, 119-39 'The American Action Painters' (Rosenberg) 107,219 nl7 'American Painting since the Last War' (Fuller) 250 n22 'American-Type' painting 48, 106, 126; '"American-Type" Painting' (Greenberg) 61, 219 nl7, 235 nl9 'American Scene' painting 124 '"Americanism" Misplaced: Review of Preface to an American Philosophy of Art' (Greenberg) 237 n63 Anderson, Perry 32-3, 217 n96 Andre, Carl 85, 86, 223 n4, 227 n75 The Angels at the Tomb of Christ (Manet/ 57, 173, 174, 176 anti-communism 61 anti-humanism 38 anti-modernism 205 Antonioni, Michelangelo 193 'The Apples of Cézanne: An Essay on the Meaning of Still Life' (Schapiro) 239 n31 appreciation 4, 210 n8 appropriation 202 The Arcades Project (Benjamin) 242 n74 The Architect's Table (Picasso) 135 2 5 * I N D E X 'Arguments about Modernism: A Reply to Michael Fried' (Clark) 213 n33 Arguments in English Marxism (Anderson) 217 n96 Armstrong, Carol 243 n22 Art and Culture: Critical Essays (Greenberg) 222 n60 Art and Enlightenment: Aesthetic Theory after Adorno (Roberts) 213 n30 Art and Literature 146 'Art and Objecthood' (Fried) 59, 84, 85-90, 192, 212 n22 Art and Objecthood: Essays and Reviews (AO: Fried) 65, 209 nl Art criticism 8 Art fictions 196 'Art for art's sake' 17, 185 Art in Modern Culture: An Anthology of Critical Texts (Harris and Frascina) 210 n8 Art market 24 Art, Money, Parties: New Institutions in the Political-Economy of Contemporary Art (Harris) 250 n23 Art Officiel 13 Artforum 49 artist 8, 15, 17, 28, 29, 53 artiste maudit 104, 107, 154 artistic vision 23, 27, 48, 51, 59, 70, 75 Astruc, Zacharie 176 'at once judgement of goodness in art' 31, 33, 50, 80-1, 87-90, 95, 181, 188, 246 n78 atonal music 29, 35 authority 83, 93, 195 authorship 52, 55, 205 autonomy of great art 52, 72, 73, 79-81, 111, 131, 150, 176, 187, 200 Autumn Rhythm (Pollock) 43 avant-garde 17, 19, 28, 30, 39, 47, 56, 59-62, 77, 98, 102-4, 114, 134-5, 138-9, 162, 167, 169, 180, 231 n56, 234 n8 'Avant-Garde and Kitsch' (Greenberg) 33, 62, 78, 118, 120, 122, 134, 212 n27 'Avant-Garde Attitudes: New Art in the Sixties' (Greenberg) 222 n57 Avant-Garde Gambits: Gender and the Colour of Art History (Pollock) 222-3 n3 'Avant-Gardes and Partisans Reviewed' (Orton and Pollock) 232 n72 Avant-Gardes and Partisans Reviewed (Orton and Pollock) 230 n28 avant-gardism 60 L' Aw entura (Antonioni) 193 Bach, J.S. 34 'bad complexity' 36, 38, 90, 101, 108, 110, 112-15, 166-89, 198, 206-7, 244-5 n48 Baker, Kenneth 223 nl7 Bakhtin, Mikhail 97 The Balcony (Manet) 176 Baldwin, Michael 249 n7 Balkan Wars 128, 133-5 Balzac, H. 153 Bann, Stephen 214 n49 Bannard, Walter Darby 221 n41 Baroque 59 Barnett Newman: Selected Writings and Interviews (O'Neill) 216 n76 Bathers at Rest (Cézanne) 145 Baudelaire, Charles 2, 20, 26, 101, 179, 181, 183, 188, 245-6 n69, 246 n75 Baxandall, Michael 5, 210 n5, 237 n55 Beaton, Cecil 97, 105 Beaulieu, Jill 234 n7 Beech, Dave 249 n8 Beethoven, L. van 101, 103, 233 n5, 241 n56 beholder 11, 13, 14, 36, 39, 46, 50, 51, 54, 57, 58, 69, 74, 82, 86-90, 119, 177-9, 183, 188, 191 Being in Time (Heidegger) 90 belief 32 Bell, Clive 33, 55, 83, 137, 139, 201, 217 n98, 111 n68 Benjamin, Walter 242 n74 Berger, John 52, 122, 220 n27, 234 nil, 249 n7 Beyond the Fragments: Feminism and the Making of Socialism (Wainwright, et al.) 250 n21 Black, Blue, Red (Gottlieb) 114 Black Square (Malevich) 231 n45 Blake, William 248 nl07 Bloomsbury Group 33, 227 n68 Blue Nude. Souvenir of Biskra (Matisse) 12, 51, 128 Blue Velvet (Lynch) 201-2 body 15, 42, 46-7, 50, 51, 54, 68, 86-90, 92, 99, 104, 127, 138, 144-64, 165, 192, 198, 202, 205, 238 nn9 and 12, 239 n34 Boime, Albert 221 n50 Bois, Yves-Alain 209 n2, 236 n32, 247 n96 Bolshevik Revolution 53, 200, 234 nil Bonnard, Pierre 101 Bonnencontre 13-14, 118-19 The Bowery in Two Inadequate Descriptive Systems (Rosier) 202 Braque, Georges 117, 121, 131, 236 n42 Brecht, Bertold 227 n77 2 5 2 I N D E X British Psycho-Analytical Society 13 Bruin, John 240 n45 Bryson, Norman 238 n24 Buchloh, Benjamin 215 n71, 229 nl4, 249 n7 Bucks-Morss, Susan 216 n86 Bunga 45 (Olitski) 69 Burger, Peter 222 n58 Burial at Omans (Courbet) 176, 187 Buskirk, Martha 223 n4 Calvino, Italo 193 canonical 3, 4, 8, 15, 18, 41, 52, 59, 60, 77, 125, 144, 194, 211 nil capitalism 10, 17, 19, 29, 36, 40, 49, 60, 61, 72, 109; in US 110-15, 120-1, 122-5, 128, 135, 138-9, 144, 163, 170, 194, 202, 203-7 career 24, 159, 196 Caro, Anthony 27, 30, 65, 73, 78, 81, 87-8, 139, 238 n9 Carrier, David 242 n4, 243 nil 'The Case for Abstract Art' (Greenberg) 79-81, 82, 217 n92, 226 n52 Cassirer, Ernst 37, 218 nll2 Castagnary, Jules-Antoine 176, 244 n36 Cathedral (Pollock) 105 Cézanne 2, 3, 12, 14, 18, 23, 24, 25, 38, 217 n98, 46, 47, 48, 49-51, 59, 70, 72, 74, 78, 94, 98, 99, 115, 124, 126, 128, 130, 133, 135, 136, 139, 141-64, 167, 170, 174, 195, 199, 203, 213 n29, 239 n26, 246 n74 'Cézanne and the Unity of Modern Art' (Greenberg) 240 n41 'Cezanne's Doubt' (Merleau-Ponty) 212 n25, 144, 146-54, 156, 161, 239 n26 de Chevannes, Puvis 24 Champfleury 175 Chardin 175 Chave, Anna 224 nl8, 234 n9 Cheetham, Mark A. 225 n45 Chesneau, Ernst 176, 243 n32 Chipp, H.B. 242 n71 Christ Mocked (Manet) 23 Christo 228 n79 Cimabue 74 Cindy Sherman 1975-1993 (Krauss) 248 nl civil rights protests in 1960s 84 Clarke, David 228 n80 class 12, 14, 18, 51, 58, 102-3, 112-15, 123, 170, 200, 232 n73 Clay, Jean 245-6 n69 С lement Greenberg: Art Critic (Kuspit) 219 nl8 Clement Greenberg: Late Writings (Morgan) 220 n35 Clement Greenberg: The Collected Essays and Criticism. Volume 1: Perceptions and Judgements, 1939-1944 (CGCEC1) 212 n27 , Clement Greenberg: The Collected Essays and Criticism. Volume 2: Arrogant Purpose; 1945-1949 (CGCEC2) 225 п43 . .. , : Clement Greenberg: The Collected Essays and Criticism. Volume 3: Affirmations and.Refusals, 1950-1956 (CGCEC3) 214 n47 Clement Greenberg: The Collected Essays and Criticism. Volume 4: Modernism with a Vengeance (CGCEC4) 210 n2 'Clement Greenberg's Theory of Art' (Clark) 212 n24 Coates, Robert 48, 219 nl7 Cockcroft, Eva 231 n57 Cold War 104-115, 123-5, 136, 138-9, .147 -- collage 133-5 Collins, Bradford 221 n46, 243 nl9 colour 67-90, 166, 173 'colour-field' painting 48, 68-90 'collective style' 17, 21 Commentary 61 commodity 12 'Complaints of an Art Critic' (Greenberg) 79, 216 n81 Complete Writings 1959-1975 (Judd) 213 n28 complexity 1, 2, 8, 14, 15, 16, 18, 20, 32, 34-6, 42, 47, 61, 70, 76, 77, 92, 97, 98, 119, 127, 129, 130, 134-5, 137-9, 143, 153, 155, 158, 160-4, 168-89, 192 complexum signifcabile 38, 92 conception 42, 147-54, 162 coneeptualism 194-5 'Concerning Marxism' (Merleau-Ponty) 238 n3 The Constitution of Society (Giddens) 214-5 n50 Constructivists 200 conventions in art writing 6, 20, 44, 196 conventions in art 23, 30, 35, 54, 67-90, 130, 164, 173-9, 184-9, 195, 202, 206-7 Cook, Peter 240 n37 Cornell, Joseph 228 n79 'Counter-Avant-Garde' (Greenberg) 222 n57 Courbet, Gustave 24, 36, 58, 98, 112, 136, 138, 160, 175, 176, 184, 185, 186, 187, 200, 218 nll5, 230 n25 Courbet's Realism (Fried) 215 n56, 242 n70 2 5 3 I N D E X Craven, David 227 n71, 231 n57 Crimp, Douglas 249 n7 'The Crisis of Abstract Art' (Greenberg) 227 n73 criteria 29, 35 critics 8, 12, 15, 20, 24-5, 26, 28, 29, 30, 33, 35, 48-9, 53, 64, 161, 214 n37, 233-4 n7 'The Critic as Artist' (Wilde) 26 critical consciousness 16, 19, 28 The Critical Historians of Art (Podro) 10, 16, 211 nl8 n20, 213 n34, 214 n39 Critical Perspectives on Contemporary Painting: Hybridity, Hegemony, Historicism (Harris) 213 n35, 227 n77, 250 n23 Crowther, Paul 225 n45 The Cry (Antonioni) 193 Cubism 11, 14, 19, 25, 43, 45, 49, 50, 52, 62, 70, 71, 74, 95, 100, 115, 117-39, 143, 144, 150, 156-7, 161, 163, 212 n22, 234 n9, 235 nl9 'Cubist Anachronisms: Ahistoricity, Crypto-formalism, and Business-as- Usual in New York' (Leighton) 236 n32 De Cubisme (Metzinger and Gleizes) 25, 215 n66 cultural materialism (Williams) 9, 10-11 cultural theory 5, 84, 111 culture 4, 8, 21, 26, 39, 59, 62, 87, 114, 134, 192, 206, 213 n37 Culture (Williams) 210 n6 Dadaists 161, 200 dasein (Heidegger) 90 David, J.-L. 49, 74, 182 Davis, Mike 198, 202, 249 nl2 Dead Torero (Manet) 176 dealer system 24, 159 Debord, Guy 12, 212 n23 'The Debt to Cézanne' (Bell) 217 n98 'The Decline in Cubism' (Greenberg) 61 decomposition 77-81, 95-115, 114, 138, 162, 167 'The Deconstruction of Expression' (Jameson) 221 n39 Le Déjeuner sur l'herbe (Manet) 16, 22, 23, 37, 51, 57, 58, 66-7, 146, 165-89, 243 n32, 245 n57 Demoiselles d'Avignon (Picasso) 121, 128, 133, 234 n9 Denis, Maurice 129 Derrida, Jacques 240 n45 'Derrida on Kant and Heidegger' (Podro) 220 n30 Descartes 148 Desnoyes, Carle 176, 245 n51 determinism 33, 36, 122, 150-4 Diderot, Denis 39, 85 discursive structures 7, 20, 29, 43, 136, 196 disintegration 205-7 dissent 196, 200, 234 n8 Doran, Michael 239 n25 Dr Strangelove 107 'drip-paintings' 9, 15, 21, 43, 45, 49, 53, 55, 61, 68-90, 92-115, 121, 128, 183 Duchamp, Marcel 229 nl4 Duncan, Carol 244 n43 Duret, Théodore 176 de Duve, Thierry 210 n2, 218 nl, 245-6 n69 Eagleton, Terry 213 n30, 225 n45 easel painting/size/shape 54, 104, 109, 176 Edwards, Jonathan 85 Effingham III (Stella) 70 Eighteenth Century Aesthetics and the Reconstruction of Art (Mattick Jr) 213 n32 Einstein, Carl 135 El Lissitzky 53, 200 Eliasson, Olafur 35 elitism 28, 237 n57 Empson, William 229 n23 the Enlightenment 15, 38, 199, 213 n32 Equivalent Eight (Andre) 86, 223 n4 'The Essential Legacy of Clement Greenberg from the Era of Stalin and Hitler' (Hart) 221 n55 Esthetics Contemporary (Kostelananetz) 226 n67 ethnicity 3 etiquette 63 'The European View of American Art' (Greenberg) 234 nl6 evaluation 1, 2, 15, 63 'evaluative criticism' 84, 195, 205 The Execution of Maximilian (Manet) 160, 169, 172, 174 experience 5, 6, 15-16, 20, 27, 28, 29, 31-3, 36, 41, 46, 54, 55, 69, 71, 79-81, 83, 95-6, 100, 104, 128, 135, 137, 162, 181, 185, 188, 192, 225 n52 expression, expressionism 23, 45, 52, 55, 59, 87, 108, 131, 143-64 'Eye and Mind' (Merleau-Ponty) 213 n29 facture 67-90, 166, 173 failure in modern art (Clark) 10, 30, 61, 135, 138-9, 143 'Fantasia of the Library' (Foucault) 22 Fantin-Latour, Henri 171, 176, 184 2 5 4 I N D E X Farewell to an ¡dea: Episodes from a History of Modernism (Clark) 30, 36, 49, 53, 94, 112, 135-6, 137, 138-9, 143, 144, 151, 155, 167, 193, 211 nl6 fascism 40, 60, 123-4 Faulkner, William 97 Federal Art and National Culture: The Politics of Identity in New Deal America (Harris) 210 n3 La Féerie (Fantin-Latour) 171 feminism 7, 88, 194, 205, 238 nl2 fictiveness/fiction 43-4, 46, 102, 146, 160, 172, 184, 196 figuration 99-100, 101, 102, 145-9 First World War 162 Flag (Johns) 34 flatness 66-90, 98, 172, 177, 182, 186, 224 n28 Flaubert, Gustave 22, 104 Flavin, Dan 228 n79 Fontaine 144 'formal critic' 20, 27, 64-90, 101, 102, 103, 107, 124, 222 nl formalism 10, 64-90, 100-3, 128, 163, 185, 188, 205, 222 nl, 237 n57, 247 nn91 and 93 Foster, Hal 224 n 18, 245-6 n69, 249 я7, 250 nl7 Foucault, Michel 22, 214 n49 Fournel, Victor 171, 243 n21 fracturing/fragmentation of meaning 35, 127-9, 204-7 fragment 15, 36, 37, 42, 98, 119, 121, 127-9, 174-9, 201, 205-7, 213 n29, 244 n37 Fragonard, Jean Honoré 74 Frankenthaler, Helen 30, 75 Frankfurt School Marxism 29 Frascina, Francis 209 n2, 227 n70, 247 n96 'free market* 17, 159 freedom 35 French Communist Party 144 French Revolution 199 Freud, Sigmund 95, 98, 115, 152, 183, 205 Frith, William Powell 227 n68 Fry, Roger 33, 83, 124, 201 Full-Fathom Five (Pollock) 105 Fuller, Peter 204, 205, 206, 207, 250 nnl9 and 22 Futurism 161 Gabiik, Suzi 249 n7 Galligan, Gregory 246 n70 The Garden (Hofmann) 25, 113 Garb, Tamar 210 n9, 240 n35 Gaskell, Ivan 238 nil Gauguin, Paul 172 gender 3, 12, 58, 102, 230 n28, 234 n9 236 n42 genre 23, 57, 58-9, 132-5, 145, 150, 154-64, 174-9 German philosophy 15 gestural 68 Gidai, Peter 248 n2 Giddens, Anthony 214-15 n50 Gift (NoJand) 53, 64-90 Gilroy, Paul 249 nl3 Giorgione 22 Giotto 74, 122 Gleizes, Albert 25 globalization 197, 206-7 God 15, 35, 38, 42, 53, 70, 108, 239 n26, 204 Goddard, J.-L. 248 n2 Goldman, Lucien 219 n7 Gombrich, Ernst 13-14, 118, 213 n29 'good complexity' 38, 100, 113, 158, 166-89, 198-9, 218 nll5 Gorky, Arshile 123 Gothic (Pollock) 108 gofhic-ness in Pollock's painting 76, 96-7, 99, 115 Gottlieb, Adolph 113-15 grace 73, 89-90, 224 n32, 239 n26 Great Depression in US 123 Green, David 218 nl 15 'Greenberg and the Group: A Retrospective View' (Reise) 221 n53, 250 nl8 'Greenbergian modernism' 7 Grosz, Georg 200 Guernica (Picasso) 124, 235 n21 Guilbaut, Serge 215 n71, 222 n59, 237 n54 The Gypsies (Manet) 175 Hals, Frans 180 Harrison, Charles 216 n72, 249 n7 Hart, Paul 221 n55 Harvey, David 198, 202, 205, 228 n86, 249 nil Hassan, lhab 250 nl7 Hauser, Arnold 17-19, 20, 21, 58-9, 107, 213 n36 Heard, George Hamilton 243 nl 1 Heartfield, John 200 Hegel, G.W.F. 15, 21-2, 34, 35, 53, 62, 152 'Hegel[''ss Existentialism' (Merleau-Ponty) i r n - 139, i J V y X^"T V/ 212 n26, 240 n45, 241 n56 Held, Jutta 235 n21 2 5 1 I N D E X 'Henry Rousseau and Modern Art' (Greenberg) 241 n65 Herbert, James D. 236 n37 Herbert, Robert L. 58; 'Goodbye to All That' (review of FTAI) 220 n20, 232 n75 high culture 37, 110-15, 193 Hiller, Susan 219 nl4 historical/dialectical materialism 28, 36, 122, 149 historicism 21, 22, 38, 101, 148, 152, 157, 167, 230 n35 historicity 21, 214 n50 history 1, 7, 20, 32, 33, 43, 58, 60, 68, 70, 112-15, 122, 154, 156, 167, 185 History Painting Reassessed (Green and Seddon) 218 nll5 Hitler, Adolf 48, 139, 155, 161-4, 242 n71 Hofmann, Hans 25, 71, 104, 107, 113-15, 200 'Homeless representation' (Greenberg) 230 n35 hooks, bell 249 n7 Houssaye, Henri 242 nl 'How Modernism Works: A Reply to T.J. Clark' (Fried) 214 n46 How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War (Guilbaut) 222 n59 humanism 38, 157, 167, 204 Hutton, John 244 n46 hybridity 85, 213 n35 idealism 42, 47, 53, 101, 139, 147-54, 166 identity 3, 4 'The Identity of Art' (Greenberg) 216 n87 ideological critique 32, 36, 106-15 ideology 32, 36, 48, 62, 78, 102, 106, 173, 177, 185, 200, 238 nl2, 244 n43 'Ideology and Ideological State Apparatuses' (Althusser) 211 nl5 The Ideology of the Aesthetic (Eagleton) 213 n30, 225 n45 Image of the People: Gustave Courbet and the 1848 Revolution (Clark) 217 nl07, 230 n25 Impressionism 7, 17, 58, 74, 124, 126, 161, 164, 175, 181-9, 224 n28, 226 n39, 244 n41, 247 n93 'The Impressionists and Edouard Manet' (Mallarmé) 216 n74, 233 n83, 240 n54 indexicai signs 50, 54, 68, 90 individualism 20, 107-15, 120, 155, 200 Informe 95, 121 Ingres, J.A.D. 24, 74 installation art 34, 38-9, 46, 86-90, 204 interests 2, 12, 15, 16, 30, 32, 41, 74, 77, 159, 170, 203-7, 214 n37 interpretation 52, 130, 135-9, 154-64, 170, 178-9, 180, 183, 204, 239 n35, 248 nl07 Introduction to the Sociology of Music (Adorno) 233 n5 intuition 4, 28, 29, 30-32, 41, 79, 219 nlO The Inventions of History: Essays on the Representation of the Past (Bann) 214 n49 Iskin, Ruth E. 221 n46 Jachec, Nancy 217 nl08, 231 n57 'Jackson Pollock: "Inspiration, Vision, Intuitive Decision"' (Greenberg) 229 nl7 'The Jackson Pollock Market Soars' (Greenberg) 231 n50 'Jackson Pollock, Painting, and the Myth of Photography' (Orton and Pollock) 218 n6 'Jackson Pollock: Representing the Unconscious' (Leja) 218 n6 Jameson, Fredric 56, 201, 206, 219 n7, 221 n39, 222 nl, 228 n86 Johns, Jasper 34-5 Jones, Amelia 229 n20, 249 n7 Jones, Caroline 249 n8 Jones, Jonathan (on Jasper Johns) 217 nl04 Jörn, Asger 114 Judd, Donald 14, 39, 84, 212-13 n28 judgement 3 Kamenov, Vladimir 163-4 Kant, Immanuel 2, 15, 35, 36, 42, 77, 166, 180, 225 n45, 233 n2 Kaprów, Allan 228 n79 Keifer, Anselm 204 Kemal, Salim 238 nil Keynes, John Maynard 151, 227 n68 Kienholz, Edward 228 n79 kitsch 114-15, 119, 120, 122, 123, 172, 194, 207 Kline, Franz 103 De Kooning, Willem 71, 123, 126 Kostelananetz, Richard 226 n67 Kosuth, Joseph 249 n7 Krauss, Rosalind 57, 204, 205, 206, 221 n45, 225 n39, 229 n23, 249 n7, 250 nl8 Kruger, Barbara 201-2 Kuspit, Donald 219 nl8, 229 n23 Lake, Beryl 237 n56 landscape painting 14, 23, 53, 57, 94, 133, 147-54 2 5 6 I N D E X language 7, 11, 17, 31, 32, 43, 45, 52, 55, 61, 103, 105, 110, 127, 131-5, 163, 219 nlO, 238 n9 Language, Counter-Memory, Practice (Foucault) 214 n49, 215 n57 The Large Bathers (Cézanne) 49-50, 143-64, 203 Lascaux 47 'The Last Interview' (Greenberg) 250 nl8 Late Roman Art Industry (Riegl) 214 n39 Lavender Mist (Pollock) 105, 134 Léger, Fernand 126 Legros, Alphonse 178 Leighton, Patricia 234 n9, 236 n32 Leja, Michael 218 n6, 222 n59, 231 n57 Lewis, Mary Tompkins 239 n30 Lieberman, Max 158 Life 114 Light Red Over Black (Rothko) 61, 106 Lippard, Lucy 249 n7 Lipton, Eunice 235 n21 'literalism' 39, 46, 60, 66, 69, 82-90, 172 literary 76, 97, 193 The Long Revolution (Williams) 211 nnl 1 and 12 'Louis and Noland' (Fried) 225 n40 Louis, Morris 17, 24-5, 30, 48, 53, 54, 55, 62, 64-90, 93, 166 Lubar, Robert S. 236 n32 Lukäcs, Georg 110 The Luncheon (Manet) 176 Lynch, David 201-2 Lyotard, Jean-François 250 ni7 lyric 45, 55, 219 nlO Ma ]olie (Picasso) 11, 18, 43, 49-50, 117-39 Macdonald, Dwight 233 nl MacKensie, John M. 236 n37 madness in artists 159 Male and Female (Pollock) 108, 115 Malevich, Kasimir 53, 138, 200, 217 n90, 231 n45 Mallarmé, Stéphane 26, 55, 57, 220 n34, 114, 151, 157, 164, 165, 185, 187, 188, 216 n74, 217 nlOl, 219 nlO, 233 n83, 240 n54 Man with a Cuitar (Picasso) 127 Manet, Edouard 2, 3, 7, 8, 11, 16, 17, 18, 19, 20-1, 22, 23, 24, 25, 26, 27, 36, 37, 41, 46, 48, 50-1, 54, 56, 64, 66, 70, 77, 78, 79, 88, 94, 98, 101, 102, 103, 107, 112, 124, 125, 130, 133, 136, 138, 142, 143, 144, 145, 151, 154, 157, 160, 162, 164, 165-89, 195, 199, 200, 202, 212 n23, 214 n45, 218 nl 15, 224 n28, 225 n39, 242 nn2 and 3, 245-6 п69 Manet's Modernism or, the Face of Painting in the 1860s (MM: Fried) 12, 167, 170, 174, 180, 185-9, 211-12 n21 'Manet's Sources, Aspects of His Art' (Fried) 167, 175, 180, 212 n21 Mannerism 59 Marilyn Diptych (Warhol) 201 The Marriage of Heaven and Hell (Blake) 248 nl07 Marx, Karl 126, 203, 207, 218 nll5, 249-50 nié 'Marx and Humanism' (Althusser) 240 n52 Marxism 3, 4, 8, 10, 11, 28, 29, 36, 61, 72, 88, 107, 110, 120, 122, 146, 151, 163, 167, 185, 242 n73, 246 n72, 250 Marxism and Form (Jameson) 222 nl Marxism and Literature (Williams) 211 nnll and 14 'Marxism and Philosophy' (Merleau- Ponty) 238 лЗ mass culture 4, 194, 201, 202 'Master Léger' (Greenberg) 235 n26 Mathews, Patricia 241 n68 Matisse, Henri 12, 19, 25, 48, 51, 55, 72, 78, 98, 99, 101, 105, 108, 121, 123, 124-5, 128, 129, 172, 247 n94 Mattick Jr, Paul 213 n32 McCabe, Colin 248 n2 McLean, Bruce 204 McMahon, A. Philip 237 n63 Medina, Joyce 238 n20 Meditations on a Hobby Horse and Other Essays on the Theory of Art (Gombrich) 212 n27 medium 35, 46, 61, 73-90, 78, 85-90, 105, 128, 158, 186, 191, 195, 198, 205, 219 nil Melville, Herman 97 Merleau-Ponty, Maurice 2, 38, 43, 46, 47-8, 50-1, 74, 139, 143-54, 213 n29, 219 nl3, 238 nn9 and 12, 239 n26, 246 r 74 metaphor 8, 9, 12, 15, 20, 38, 43, 45, 46, 53, 54-5, 56, 61, 67, 68, 72, 73, 76, 90, 91, 93-4, 106-15, 127-9, 133-5, 137-9, 160-4, 169, 184-9, 229 n3, 230 n28 Metzinger, Jean 25 Meurent, Victoria 178, 183 Midday (Caro) 81 Miller, Perry 84 Millet, J.F. 178 Mills, C. Wright 232 n71 Minimalism 14, 39, 66, 69-90, 19 , 195, 198, 204, 224 nl8, 227-8 n79, 249n5 2 5 7 I N D E X Miro, Joan 78, 101 Mlle V ... in the Costume of an Espada (Manet) 183 modern art 6, 8, 12-13, 16, 18, 25, 36, 161-4 'Modern art and modernism' (Open University) 7, 34 Modern Art and Modernism: A Critical Anthology (Frascina and Harrison) 216 n72 'Modern Art: Practices and Debates' (Open University) 210 n7 modernism 3, 6, 7, 17, 18, 20, 24, 29, 36, 38, 44-5, 49, 56, 58, 59, 60-2, 95, 118, 128, 152, 159, 166-89, 197-207, 237 n57 Modernism and Modernity: The Vancouver Conference Papers (Buchloh, et al.) 215-16 n71 Modernism, Criticism, Realism: Alternative Contexts for Art (Harrison and Orton) 216 n81 Modernism in Dispute: Art Since the Forties (Harris, et al.) 210 n8 'Modernism, Postmodernism, and Steam' (Clark) 242 n2 modernist art history 4, 101 modernist art theory 59 modernist criticism 5, 6, 7, 8, 9, 10, 15, 17, 18, 20, 27, 28, 41, 43-6, 52, 59, 66-90, 124-5, 128, 134-5, 146, 149, 181, 210 n8 modernist-humanism 47, 103, 134 'Modernist Painting' (Greenberg) 4, 7, 19, 60, 70, 73, 74, 75-6, 79, 83, 106, 120-1, 146, 166, 186, 200, 209-10 n2, 214 nn41 and 42, 226-7 n67 modernity 23, 33, 35, 43, 52, 58, 138, 144, 170, 194, 199, 237 n57 Modernity and Modernism: French Painting in the Nineteenth Century (Blake, et al.) 210 n9 Mondrian, Piet 125, 220 n35 Monet, Claude 11 Mont Sainte-Victoire (Cézanne) 18, 23, 46, 133, 142-64 The Moon Woman Cuts the Circle (Pollock) 108 Moore, Dudley 240 n37 Moore, George 56 morceau 37, 98, 143, 145, 153, 156, 158, 160-1, 172-9 'More on the Differences between Comrade Greenberg and Ourselves' (Clark) 215 n71 Morgan, Robert C. 220 n35 'Morris Louis' (Fried) 215 n65 Morris, Robert 39, 69, 218 nll6 Morris, William 207 Mountains and Sea (Frankenthaler) 75 movies 192-3 Mozart, W.A. 101 Museum of Modern Art, New York 108, 111, 131, 136 museums 13, 22, 23, 24, 59, 159-60, 165, 196, 213-14 n37 Le Nain 175 Namuth, Hans 97 Napoleon 103 narcissism 47, 169 National Gallery, London 152 nature 15, 33, 42-3, 52, 92, 104, 115, 128, 129, 138, 155-64 'Necessity of Formalism' (Greenberg) 235 n25, 247 n91 negation 30, 35, 36, 38, 61, 70, 72-6, 77-81, 87, 90, 92-115, 126, 130, 134-5, 143, 167, 178-9, 182 Neo-Classicism 59 Neo-Impressionism 37, 151 neo-Kantianism 22 The New Art History: A Critical Introduction (Harris) 210 n5, 220 nl9, 235 n31 New Deal art and society 4 'New York Painting Only Yesterday' (Greenberg) 215 n67 New York Times Magazine 231 n50 Newman, Barnett 11, 27, 42, 48, 55, 61, 64, 65-90, 106, 107, 109, 111, 113, 114, 147, 220 n35, 222 n61, 239 n26, 200 No. 6 (Sherman) 191 No. 13 (Sherman) 191 No. 228 (Sherman) 191, 198, 201 Nochlin, Linda 221 n52 Noland, Kenneth 17, 24, 30, 48, 53, 54, 55, 56-7, 62, 64-90, 93, 96, 99, 100, 124, 166, 173, 180 'Notes on Sculpture' (Morris) 218 nll6 novel writing 43-4, 196 Number 1A, 1948 (Pollock) 9, 50, 71, 91-115, 203 Number One (1949, Pollock) 105 Number 32, 1950 (Pollock) 9, 43, 49, 61, 93-115 objecthood 87-90 O'Brian, John 210 n2, 247 n96 'occluded totality' 15, 18, 20, 38, 61, 99, 119, 133, 174-9 'Ode to Trotsky' (Greenberg) 120 Ofili, Chris 35 Old Masters 44 The Old Musician (Manet) 27, 175 2 5 8 I N D E X Oldenburg, Claes 228 n79 Olitski, Jules 30, 55, 56, 57, 62, 65-90, 93, 96, 99, 100, 124, 166, 173, 180 Olivier, Fernande 121 Olympia (Manet) 2, 11, 22, 23, 51, 58, 114, 133, 165-89, 220 n26, 224 n28 One: Number 31 (Pollock) 105, 108-9 O'Neill, John 216 n76 opacity 35, 36, 75-6, 77, 86, 112-15, 127 oprical/opricality 36, 57-8, 71-6, 100-3, 106, 149-54, 180, 182, 184, 186-9, 221 n45, 225 n35, 237 n57, 237 n62 The Optical Unconscious (Krauss) 221 n45, 250 nl8 Open University (British) 6, 7 orientalism 234 n9 The Origin of Negative Dialectics: Adorno, Beniamin, and the Frankfurt School (Bucks-Morss) 216 n86 'The Origin of the Work of Art' (Heidegger) 90, 155-64, 209 nl, 211 nl9, 212 n26 Orr, Colin J. 248 n2 Orton, Fred 158-64, 216 n81, 218 n6, 230 n28, 231 n57, 232 n59 Orwicz, Michael 214 n47 Ostrow, Saul 234 n8 Out of the Web: Number 7, 1949 (Pollock) 100 Owens, Craig 219 nl5 Paik, Nam June 201 A Pair of Shoes (Van Gogh) 23, 52, 133, 154-64 'Painting Memories: On the Containment of the Past in Baudelaire and Manet' (Fried) 248 nl08 The Painting of Modern Life: Paris in the Art of Manet and His Followers (PML: Clark) 167, 188, 212 n22, 228 n2 Paisa (Rossellini) 193 Panofsky, Erwin 10-11, 16 Parker, Rozsika 221 n52 Partisan Review 118, 233 nl pastiche 202 The Path to the Nest of Spiders (Calvino) 193 Patterns of Intention: On the Historical Experience of Pictures (Baxandall) 210 n5 Pelloquet, Théodore 176, 177, 245 n57 the people 15, 42, 53 Persimmon (Rauschenberg) 199 personification 19, 25, 34, 36, 44, 4 , 104-5, 105 perspective 18 phenomenology 2, 48, 75, 139, 219 nl3 The Philosophy of Fine Art (Hegel) 21 photography 191-3, 195, 202 Picasso, Pablo 8, 14, 17, 18, 24, 36, 43, 45, 48, 51, 70, 73, 78, 95, 98, 102, 108, 115, 117-39, 143, 156, 161, 167, 170, 172, 174, 179, 194, 195, 198, 212 n22, 233 nl The Picasso Papers (Krauss) 235 n31 pictorial 69, 74, 83, 84, 87-90, 130, 148-54, 164, 168, 173, 225 n35 Piero della Francesca 122 Pissarro, Camille 24, ISI, 1S2-3, ISS, 237 n59 Platzman, Steven 239 n25 'The Plight of Culture' (Greenberg) 61 Podro, Michael 10-11, 16, 36, 211 nnl8 and 20, 213 n34, 214 n39, 220 n30 poetry 34, 233-4 n7 Poetry, Language, Thought (Heidegger) 212 n26 Pointillism 37 Pointon, Marcia 221 n52 politics 3 Politics and Letters: Interviews with the New Left Review (Williams) 218 nl 11 The Politics of Modernism: Against the New Conformists (Williams) 211 nnll and 12 Pollock, Griselda 158-64, 218 n6, 219 nl4, 221 n52, 222 n2, 230 n28, 238-9 n25, 249 n7 Pollock, Jackson 2, 3, 5, 7, 8, 9, 15, 20-1, 22, 24-5, 30, 36, 45, 48, 49, 53, 54-5, 57, 60, 61, 65-90, 91-1S, 120, 121, 123, 126, 127,128, 130, 134, 135, 136, 138, 139, 152, 156, 161, 163-4, 167, 169, 174, 179, 180, 182, 183, 188, 194, 195, 198, 203, 215 n61, 217 n90, 43, 239 n34 Pollock and After: The Critical Debate (Frascina) 212 n24 Poons, Larry 30 Pop art 84 Popper, Karl 215 n51 popular/po p u l ar culture 4, 37, US, 187, 194 Portman, John 201 Portrait of the Artist's Parents (Manet) 175 portrait painting 14, 58, 93, 133 'Post-Painterly' 14, 48, 65-90, 106 postcolonialism 3, 88, 194, 197-207 postmodernism 3, 56, 189, 192, 195, 197-207, 213 n35 postmodernity 138, 202-3 2 5 9 I N D E X Post Painterly Abstraction (Greenberg) 222 n2 poststructuralism 56 The Potato Eaters (Van Gogh) 23, 52, 155, 158, 159 The Poverty of Historicism (Popper) 215 n51 Powers, Gary 107 precepts 29 Prendeville, Brendan 219 nl3 'presence' 39, 89-90 'The Present Prospects of American Painting and Sculpture' (Greenberg) 225 n43 'presentness' 39, 89-90 Price, Sally 219 nl4 primitivism 12, 47, 121, 128, 162, 234 n9 Primitivism, Cubism, Abstraction: The Early Twentieth Century (Frascina, et al.) 210 n9 Principles of Art History (Wölfflin) 217 nl04 The Prison-House of Language: A Critical Account of Structuralism and Russian Formalism (Jameson) 222 nl Privat, Gonzague 173 Problems in Materialism and Culture (Williams) 211 nl2 psychoanalysis 14, 150-4, 229 n23, 239-40 n35 purity in art 73-6, 107, 129, 159-64, 224 n33, 226-7 n67, 237 n57 quality 4, 29, 30, 56, 80 quotation 23, 171, 173, 199 Raimondi 243 n32 Rampley, Mathew 229 n20 Raphael 22, 171, 243 n32 'Rationalism and Romantic Idealism'(Greenberg) 139 Rauschenberg, Robert 199, 228 n79 Ravenel, Jean 168, 243 n7 realism 89, 149, 152, 158-64, 166, 170-89, 193, 200, 214 n45, 233 n3, 244 n46, 244-5 n48, 245 n62, 246 n70 realist art 44, 50, 59, 130 Realism, Rationalism, Surrealism (Bachelor, et al.) 210 n9 'Recentness of Sculpture' (Greenberg) 249 n5 Refracting Vision: Essays on the Writings of Michael Fried (Beaulieu) 234 n7 Reframing Abstract Expressionism: Subjectivity and Painting in the 1940s (Leja) 222 n59 Reise, Barbara 221 n53, 250 nl8 Renaissance 59, 171, 174 Renaissance perspective 47 Reordering the Universe: Picasso and Anarchism 1897-1914 (Leighton) 236 n32 Repin, llya 118-20, 233 nl 'Representation, Appropriation, and Power' (Owens) 219 nl5 resistance 35, 36, 79, 90, 91, 92-115, 121, 170, 178, 243 nl9, 234 n8 'Restitutions of the Truth in Painting' (Derrida) 240 n45 retrodiction 10, 21, 24, 25, 31, 32, 59 retrospection 7, 25, 29, 31, 33, 41, 58, 59, 73, 81, 84, 99, 159, 218 nl, 226 n66, 230 n37, 234 n8 retrospective exhibitions 24, 188 Rette, Adolphe 217 nlOl 'Review of Exhibitions of Corot, Cézanne, Eilshemius, and Wilfredo Lam' (Greenberg) 237 nl 'Review of Exhibition of Pierre Bonnard' (Greenberg) 235 n23 'Review of Exhibition of School of Paris Painters' (Greenberg) 235 n22 'Review of Exhibitions of Van Gogh and the Remarque Collection' (Greenberg) 241 n63 'Review of Exhibitions of the American Abstract Artists; Jacques Lipchitz, and Jackson Pollock' (Greenberg) 230 n27 'Review of Exhibitions of Marc Chagall, Lyonel Feininger, and Jackson Pollock' (Greenberg) 225 n43 'Review of Exhibitions of Mondrian, Kandinsky, and Pollock; of the Annual Exhibition of the American Abstract Artists; and of the Exhibition European Artists in America' (Greenberg) 230 n26 rhetoric 7-8, 19, 20, 25, 30, 31, 36, 42-4, 56, 71, 83, 105, 122, 131, 172, 194, 226-7 n67 Riegl, Alois 18, 23, 42, 214 n39 Rifkin, Adrian 232 n75 Rimbaud 101, 103 Roberts, David 213 n30 Roberts, John 249 n8 Rocco and his Brothers (Visconti) 194 Rockwell, Norman 120 Rococo 59 Romanticism 62, 97 Roosevelt, President F.D. 4 'Rooted in the Earth: A Van Gogh Primer' (Orton and Pollock) 241 n62 Rose, Barbara 81 Rosenberg, Harold 27, 48, 107, 108, 109, 113, 219 nl7, 231 n59 Rosier, Martha 201-2 Rossellini, Roberto 193-4 2 6 0 I N D E X Rothko, Mark 17, 48, 68-90, 106, 107, 113-15, 126, 138, 200 Roux, Marius 241 n68 Rowley, Alison 219 nl4 Royal Academy of Art, London 204 Rubin, William 131, 236 n32 Ruskin, John 207 Said, Edward (on Bach) 217 nl04 Salle, David 201 Salon 24, 168, 171, 183, 245 n57 'Salon des Refusés' 177, 245 n57 Samaras, Lucas 228 n79 Sandler, Irving 227 n73, 242 n2 Sartre, Jean Paul 163, 242 n73 Saturday Evening Post 120 De Saussure, Ferdinand 236 n41 Schapiro, Meyer 18, 175, 176, 186, 214 n40, 239 n31, 240 n45, 244 n45 Schiff, G. 235 n21 Schnaase, Karl 18, 23, 214 n39 Schnabel, Julian 204 Schoenberg, Arthur 29 Sea-Cbange (Pollock) 105 Search for a Method (Sartre) 242 п73 Searle, Adrian (on Venice Biennale art) 217n104 Second World War 29, 39, 48, 60-1, 103, 193, 200 Seddon, Peter 218 nll5 seeing 47, 50, 71-6, 135-9, 141-64, 182 self-composition 9, 10, 42, 77, 149-54 self-consciousness 10, 19-20, 41, 103, 135, 139, 160-4, 168, 178, 180-4 self-criticism 2, 12, 19, 25, 46, 53, 54, 66-90, 94, 146, 159, 166, 185, 187, 202, 223 n6 Self-Portrait (Fantin-Latour) 184 Self-Portrait with a Palette Knife (Manet) 184, 246 n74 Sense and Non-Sense (Merleau-Ponty) 212 n25 Seurat, Georges 124 Seven Types of Ambiguity (Empson) 229 n23 shape 67-90, 166, 173 'Shape as Form: Frank Stella's Irregular Polygons' (Fried) 80, 212-13 n28, 220 n35 She-Wolf (Pollock) 108 Sherman, Cindy 191-2, 195, 196-7, 201, 205,248 nl Shiff, Richard 238 nil, 239 n28 Shusterman, Richard 233 n2 sign 43, 49, 115, 129-35 significant form (Bell) 137 Simmer, M.L. 240 n45 'The Situation at the Moment' (Greenberg) 61 situationists 39, 195= " Six Mile Bottom (Stella) 14, 55, 64-90 2261160 , ¡,- Sloane, Joseph C. 244 n45 Smith, David 30, 73, 78, 87 8 Smith, Paul 241 n68,242 n4 Smith, Tony 69 Smithson, Robert 204, 228 n79 social history of art 6, 58, 79, 88, 128, 169-70, 172, 177, 205 The Social History of Art (Hauser) 17, 20; Greenberg's review of, 213 n36 n37, 214 n38; reception of 214 n47 social relations 3, 11, 12, 58, 104, 180-4, 203, 206-7 socialism 10, 29, 36-7, 60-1, 194, 218 nll5 socialist politics 5, 120, 138-9, 194, 205 'society of the spectacle' 12, 39, 81, 88-90,97 ^ The Society of Spectacle (Debord) 212 n23 solipsism 104, 139, 152, 155-64 Solkin, David 215 n71 'Specific Objects' (Judd) 212 n28 Spiral Jetty (Smithson) 204 Stalin, Josef 61 Stalinism 110, 123-4 standards 29 Starry Night (Van Gogh) 159 Stella, Frank 2, 14, 24, 27, 48, 55, 62, 64-90, 93, 96, 99, 100, 124, 139, 156, 166, 173, 180, 185, 195, 242 n2 Stern, Laurent 240 n45 Stevens, Maryanne 236 n37 Still, Clyfford 8, 26, 109, 210 nlO 'The Still Life of a Personal Object - a Note on Heidegger and Van Gogh' (Schapiro) 240 n45 Still-life with Water Jug 23, 46, 59, 142-64 Stone, Irving 113 The Stonebreakers (Courbet) 160 Strand, Paul 193 structuralism 127, 131, 235 n31, 236 n32 style 18-19, 23, 25, 36, 56, 62, 105, 131-5, 235 nl9 subject/object 16, 18, 28, 29, 30, 36, 38, 42, 127, 152-4, 168-89 subject 45, 102, 105-10, 127, 135-9, 142, 169-89 subjective 30, 34, 81-90, 104-15, 135-9, 143-64, 169-89, 200 subjectivism 9, 17, 25, 31-2, 33, 81-90 subjectivity 7, 12, 15, 30, 42, 46, 47, 48, 49, 52, 58, 79, 81-90, 102, 108-15, 128, 129, 135-9, 143-64, 169-89, 219 nl3 2 6 1 I N D E X sublation (Hegel) 15 The Success and Failure of Picasso (Berger) 220 n27 Suleiman, Susan Rubin 236 n42 í , Sunflowers (Van Gogh) 23, 52, 59, 155-64 . ... surface 14, 44, 49, 51, 54, 66-90, 93-115, 118, 122, 125, 126,130-5, 137-9,170-89,191,203,205 Surrealists 101, 125, 200 Symons, Arthur 220 n34 • • . tableau 37, 38, 42, 51, 57, 98, 143, 145, 153, 158, 171, 172-9, 244 nn36 and 41 Tannhäuser: Venusberg (Fantin-Latour) 171' - ' • • • • • Tate Modern 14-15 teleology 59, 101, 229 nl4 Television: Technology and Cultural Form (Williams) 211 nl7 Temptation of St Anthony (Flaubert) 22 theatre/theatrical 39, 66, 145, 172, 191-2, 219 nil theatricality 12, 22. 46. 60, 80, 82-90, 98, 120, 172-9. 193. 194-5, 207, 227-8 n79 - theory 1, 5, 91, 94-5. 210 n.5 Theory of the Avant-Garde (Ьащет) 222 n58 Thistlewood, David 232 n79 • Thoré, Théophile 27, 173, 176-V Three American Painters: Kenneth . Noland, fules Olitski, Frank Stella (Fried) 19, 27, 59, 62, 65, 67-90, 92, 97, 99, 124, 180, 214 n41, 225 n35, 237 n62, 245 n62 Three Graces (Bonnencontre) 13, 118 Three New American Painters: Louis, 1 Noland, Olitski (Greenberg) 226 n53 'thrownness' (Heidegger) 90, 150 Time 114 - r time 7 Titian 23, 170 To the Center of the Earth (Fried) 233 n7 tonality 34 "'i totalitarianism 27, 109 •• ; totality/totalization 15, 37, 42-3, 50, 51, 53, 57, 61, 92, 96, 108, 121,133, 134-5, 151, 160,464, 172-9, 198-9, 203-7, 233 n5 " Totem Lesson 2 (Pollock) 108 Toulouse-Lautrec, Henri 172 'Towards a Newer. Laocoon' (Greenberg) 34, 61, 120, 130, 134-5,-186, 217 nl03 . ' tradition, 60, 84, 90, 96, 101, 126, 128, • 134, 152, 156, 166-89,-213 n35, 229 it 14 traditional art history 5, 210 n8 travesty 130, 133-5, 178 Trodd, Colin 248 nl07 20:50 (Wilson) 34, 38, 46, 84, 86-90, 157, 191, 198, 201, 204 TV Garden (Paik) 201 Two (Pollock) 108, 115 Tyler, Parker 103 unconscious 45, 92, 94, 102, 105, 160-1, (subconscious) 163, 183, 203, 218 n6 Union III (Stella) 70 'unmediated experience' 28, 53, 137 Untitled (Judd) 86 Untitled (Cut Out) (Pollock) 11, 92-115, 183, 215 n61 USSR 10, 60-1 utopianism 53, 138-9, 203, 228 n2, 239 n26 Valéry, Paul 148 Value 1, 2-3, 4, 5, 6, 10, 12-13, 14, 15, 17, 18, 20, 21, 23, 24, 26, 28, 30-3, 34, 36, 43, 52, 53, 58, 62, 70-6, 78-81, 109-15, 121, 130, 137, 155-64, 168-89, 203-7, 212 n24, 214 nn37 and 50, 215 n61, 240 n36, 247 n91 Van Gogh, Vincent 2, 3, 13, 23, 48, 52, 59, 90, 98, 104, 107, 133, 135, 139, 141-64, 199, 219 nl5, 241 n56 Velasquez 22, 23, 175, 180, 199 Venice Biennale (2003) 35; (1950) 124 Venus (Velasquez) 199 La Vieille aux loques (Whistler) 184 Vietnam War 84 Visconti, Luchino 194 visibility 47, 143-64 ' - u visual analysis 136-9 visual/vision 71-6, 127, 139, 143-64, 183, 186, 203, 238 nl2 Vogue 97-8, 105 'Voice of America' 209 nl voluntarism 33, 163 . vulgarity 103, 112-15, 120, 156, 172, 194, 207 Wagner, Anne 228 n80 Wainwright, Hilary 205, 206 Wallach, Alan 214 n40, 244 n43 'The War has Taken Place' (Merleau- Ponty) 238 n3 Warburg, Aby 10-11, 16, 29, 72, 78 Warhol, Andy 201 Watteau 27, 175 'Where is the Avant-Garde?' (Greenberg) 222 n57 : v ; , . Whistler, James McNeill 178, 184 White Cockatoo (Pollock) 100 2 6 2 I N D E X White, Harrison and Cynthia White 241 n68 'Why Art Can't Kill the Situationist International' (Clark and Nicholson-Smith) 212 n23 Wild Locust Ride (Salle) 201 • Wilde, Oscar 26, 27 Willett, John 227 n77 ; • \ Williams, Raymond 5, 8-11, 37, 72, 195, 211 . nnll, 12 and 17, 217 n98, 249 nn9 and 10 Wilson, Richard 34, 38, 46, 84, 157, 191, 198, 201, 204 . • • ; . • • . Wittgenstein, Ludwig 11, 68, 211 n20, 223 nl3 Wolff, Albert 245 n56 , Wölfflin, Heinrich 10, 16, 23, 62, 217 nl04 Wollen, Peter 236 n37 woman as symbol 11-12, 51-2, 92, 128, 155, 170-89, 191, 196-7, 202 Woman with Pears (Fernande) (Picasso) 11, 51-2,'121-39 - • Woman Sewing By Her Sleeping Child (Millet) -'l 178 The.Wooden Horse: Number 10A (Pollock) ". 115 %• writing 8-9, 14, 21, 28: 50. 55, 98, (scribblers) 'i" • 109, 135, 189, 194. 220 n35 - Writing in Society (Williams) 211 nil . .Young, Julian 228 n90 , "' • Your Gaze Hits the Side of My Face (Kruger) 202 Zola, Emile 26, 173, 239 n26, 243-4 n34, .i i 247 n94 2 6 3 |
