| Volltext: | Index abjectness, 9,158, 161, 206, 237, 306 abnormal painting, 200, 214, 221-22, 360пб, 3621125 absorption, 158 abstract expressionism: abstraction and, 160; Adorno and, 144, 146,194; artistic genius and, 276; aura and, 264-66; Clark and, 166-67, 172,177.179! cognitive opacity of, 120—21,134; Danto and, 227; disenchantment and, 148,150-32; hegemony of 147; as last moment of modernism, 2,122,135, 200, 222, 263; lyric and, 154; materialism of 297; material meaning and, 156-57; need for art and, 163-64; nominalism and, 213; sensuous particularity and, 153,155,162; Soutine and, 73, 298; vulgarity of '58-59. 'б' abstraction: abstract expressionism and, 160,163-64; art and, 2,124,152,199, 227; aura and, 261; disenchantment and, 150-51; disinterestedness and, 57, 62, 251; dissonance and, 208; genres as, 253-54, 287; modernity and, 44.11г m Newman, 156; photography and, 280-81, 288; Pollock and, 179-81,183, 186—90, 2it; science and, 146; sensuous particularity and, 23, 66,116,158, 257 abstract painting, 2,152,188-90, 204, 33i6 acknowledgment: Cavell and, 78, 95' 109' 115-16, 345103; in de Hooch, 42; experience and, 5; of living nature, 260-61, 312,3411233,- modernism and, 14, 100-102,105-7, 248; of paint matter, 65; philosophy and, HI; in Pollock, 187; pornography and, 313,317; in Sherman, 258; in Soutine, 67, 73 action, 51, 87-91,100, III, 293 action-painting, 154, 227 Ades, Dawn, 3631/34 Adorno, Г Wf 109,119; abstract expressionism and, 146,160,194; animism and, 265; arts logicality and, 197-98, 205-6, 222, 3531m; on aura, 254, 260-62; convention and, 215; on culture industry, 266, 269, 273, 277,289; disenchantment and, 149,151-52,161-63, 256; on dissonance, 208, 263, 282; end of art and, 223, 226; enigmaticalness and, 252, 3761158; image ban and, 3841157; language and, 156-58; late modernism of 195; material motive and, 199-200; mimesis and, 258, 267; on modernism, il, 17,154, 247-48; natural beauty and, 249-51,3391117; the new and, 236; nominalism and, 213; nonidentity and, 303; philosophy of, 12-13, i2' 144' )Hmb 381034; repetition and, 374146; sensuous particularity and, 207,209-10; shudder and, 3411131; the sublime and, Z93; on ugliness, 283, 296,319-20 aesthetic claim. Sie claim aesthetic culture, 61 aesthetic form. See form aestheticism, 218 386 Index aesthetic judgment. See reflective judgment aesthetic perception, 61, 82, 262, 3x8, 348777 aesthetics: of Adorno, 144,194-95, 222, 252, 3847757; Christensen and, 119: Clark and, 180; end of art and, 223; of Hegel, 249, 3347726; Italian, 26, 29; Kantian, 14, 186, 264, 328725, 3447712; materialism and, 46-47; medium and, 15-17; minimalism and, 101; modernism and, 1, 11-12, 63, 78, 80; photography and, 267, 281, 288-89; psychology and, 82-83 affective significance, 90-91, 107 Afifeldt, Steven, 3447217 affinity: abstract expressionism and, 157; Adorno and, 198, 258, 260; art and, 264; Cornell and, 219; Dutch realism and, 3347726; Merleau-Ponty and, 376724; photography and, 267, 3782213; Sherman and, 303, 305; Soutine and, 66-67, 7° 74, 298; Van Gogh and, 278 Agamben, Giorgio, 377727 aimlessness, 186, 3587723 Akerman, Chantal, 112-14,116, 3477235, 3477237 alienation, 6, 88, 257 allegory, 118-21, 246, 284, 302 Allison, Henry, 327725, 337727 Alpers, Svetlana, 14, 26-29, 35-38, 44, 3342227 amenability problem, 48-49, 52, 57-58, 60—62, 337227. See also fitness; purpo-siveness analytic philosophy, 80, 98, 108-9, 111 anarchism, 173-74, 356229 Andre, Carl, 201 Anglo-American philosophy, 80—81 animation: Hegel and, 224-25, 246; Sherman and, 261-62, 297, 302, 321. See also reanimation animism: culture industry and, 266, 269; epistemology and, 6; horror and, 290, 302; living body and, 259, 261-62, 312; masks and, 321; mimetic cognition and, 265; photography and, 14, 268, 276-77; Soutine and, 298 anthropomorphism: abstract expressionism and, 148; Fried and, 125-26, 138, 140, 142; Greenberg and, 124; of idealism, 251; minimalism and, 128, 130-35, 141; modernism and, 123,127, 143; in Soutine, 298 anti-anthropomorphism. See anthropomorphism anti-art, 160, 207, 209, 247 aphorism, no, 116 aporia of the sensible, 120-23, 138,140-42, 182, 348773, 3517728, 355775 a priori deadness, 191-92, 212-15, 221-22, 3617721 Arendt, Hannah, 90 Aristotle, 291-92, 296-97 art beauty, 48, 224, 249, 251, 3397717. See also beauty; natural beauty art criticism, 14-15, 85-87, 100, III, 118, 122, 265-66, 343775 art history, 24,122,165, 214, 287, 308, 313, 343 "5 asceticism, 205, 227 Atget, (Jean-)Eugène(-Auguste), 220 aura: abstract expressionism and, 158, 264; Adorno and Horkheimer on, 260-62; culture industry and, 266, 271; of dismembered subject, 317; modernism and, 263, 265; photography and, 254, 268; Sherman and, 272-73, 276-277, 279, 283 Austin, J. L„ 90 authenticity: Greenberg and, 124; ideology and, 119; against illusion, 277—78; of material world, 23; meaning and, 161; of modernism, 63, 78, 92, 107,133, 236-37; natural world and, 146; Soutine and, 70, 73; Stella and, 139 authority: of art, 1, 9,14,161,180, 227, 233, 238, 240, 313, 3677718, 3677720; of Cavel-lian fragment, 114,116; of culture, 73, 312; of experience, 7, 9, 257; of genres, 287; of life, 297; of medium, 172; of nature, 10-11, 35, 49-51, 224-26, 246, 249, 251, 311, 3827749, 3837750; philosophy and, 108-12; photography and, 267—68, Index 387 380//27; of sensory aw.) ren ess, 20, 22-23, 29, 45; of Sherman's works, 271, 274-75, 286-87; id sign, 241; traditional, 92, 98, toó, 135, 171, 201 automatism: Cavell and, 95-96, 99,108-9, 215; of photography, 284, 286, 380//27 autonom)': of art, 3, 43-44,191, 205, 209, 220, 264, 35 6/;6, 3587/23; of artistic materials, 199; of the concept, 116; of culture, 312; human, 75, 166, 313, 383/150; of painting, i, 15, 356//8; of the subject, 317; of the work of art, 96, 132, 237 avant-garde, 203-5, 707-9 awareness: of human finitude, 8r; of mortification, 297; sensory, 5-6, 20, 327 5 Bacon, Francis (painter), 68, 298 Bacon, Sir Francis (philosopher), 334/227 Baconianism, 27-28 Bal, Mieke, 348m, 363/233 Barker, Francis, 354/Л7 Baroque, 114 Barthes, Roland, 378Ш5, 379/2/219-20 Bataille, Georges, 264 Baudelaire, Charles, 233 Bazin, Andre', 378/03 Beardsworth, Sara, 371 40 Beaton, Cecil, 180-81, 187, 282 beauty: acknowledgment and, 106; Cavell and, 116; as charismatic authority, 109; Christensen and, 118-19; culture and, 310; de Hooch and, 26, 42; freedom and, 75; judgment of, 57, 61, 83; photography and, 235, 319; Soutine and, 72 sublimation and, 280; the sublime and, 289; ugliness and, 283, 296, 318, 384/257 violence of, 255, 281-82, 284, 302. See also art beauty; natural beauty Beckett, Samuel, 144 Beethoven, Ludwig, van, 375Я5Г Bell, David, 338/215, 354ет4 Benjamin, Walter, 16,114, 203, 233, 268, 283, 316, 353/23, 368/225 Berg, Alban, 144 Besançon, Alain, 364/22, 383/250 body, the: animism and, 290; anthropomorphism and, 125,127,131,142; artistic materialism and, 47, 50, 72-73; aura and, 263; Bois and, 235-36, 240-41, 246; Bourgeois and, 218, 220-21; Clark and, 170,176, r89,192; disappearance of, 258-59 3!2; Elkins and, 377/210; female, 354/217; horror and, 290, 297-99, 301; image of 370П35; perception and, 261; Sherman and, 281-83, 3°7 309-10, 315-17 Bois, Yves-Alain, 12-13, 223, 225, 234-42, 246-47, 367/219, 368/124, 370/96, 372/245, 374W48 Bourgeois, Louise, 10,15, 215, 218, 220-21, 363/90 boxes, 215, 218-22, 363/236 bracketing, 57-58, 61-62, 66, 73,102,104, 106 Brandom, Robert, 327/24 Braque, Georges, 340/227 Bryson, Norman, 255-56, 258-59,304, 306, 313 Bull, Malcolm, 356/29' 35727 bureaucracy, 52,108 Burke, Edmund, 260 Butler, Judith, 313 380//25, з8з52 Cadaque's, губ Camfield, William, 362/227 candidness, 102,105, 345/223 capital, 32, 52, 61,122,15o, 164,177,180, 188, 237 Caro, Anthony, I4~i5 94 98 105,107,122; Bennington, 93; Body Blue, 93; Prairie, 102,104 108,112 Carroll, Noël, 381?° categories: aesthetic, 133-34 *3 ^ 255- 281, 283, 288,318; Kantian, no, 269 Cats, Jacob, 26 causality, 197-99 299 Cavell, Stanley, 98-99 180; acknowledgment and, 100-102,105-6; aesthetic judgments and, 83-87 344 fstliencs and, 11-12,14, 78; Akerman and, 113; 388 Index artistic mediums and, 288; automatism and, 95-97,154, 215; Caro and, 93-94; the fragment and, 109-110,112,114-16; philosophy and, 79-81, 92; skepticism and, 34277773-4, 34372728-9; on tragedy, 294 Caygill, Howard, 3387713 centerfold, 279-80, 318 Céret landscapes. See landscapes Cézanne, Paul, 2, 43, 65, 121,152,167,171, 176, 180, 235, 298, 3407727; The Large Bathers, 175; TheMt. Sainte-Victoire, 175 chance, 97 Chardin, Jean-Baptiste-Siméon: Kitchen Still Life, 44; Saying Grace, 44 charismatic authority. See authority childhood, 26,186, 218-19, 3647736 Christensen, Jeanette, 117-21; Waiting for Columbus, 143 Christianity, 40 Clark, T. J., 12-13,15, 223; abstract expressionism and, 146-48,152-54,158-63, 352723; Cézanne and, 175; David and, 171-72; Malevich and, 237; modernism and, 165-70,177-78,191-92, 355775; Picasso and, 176, 3697731; Pissarro and, '73-74: Pollock and, 179-83,187-190 classicism, 133 classic solution, 25, 35 cliché: art history, 308; culture industry, 270-76, 278-83, 290, 306 closure, 70,146 cognition: Adorno and, 205; art and, 8-9, 47, 82-83; 'n Kant, 4; mechanization of disinterest and, 267; mimesis and, 258, 262, 265; nondiscursivity and, 251; reflective judgment and, 54-58, 60—62; Sherman and, 305-6; truth-only, 118. See abo encounter; experience cognitivism, 134 collage, 182-83,186,188-89 collecting, 112,114, 219 collective unconscious, 161 commodity fetishism, 139,148-49,163, 233, 263 communication, 107-8,156,198, 219 community, 90,148-49 composition, 2, 35, 97, 100, 158 concept: Adorno and, 156, 273; art and, 14-15, 62, 196, 232, 265-66; critique of, HI, 116; deduction of, no; intuition and, 12,17,166, 206; judgment and, 52—54, 56-57, 60, 83, 85-86, 90; Kantian, 4-8, 328725; modernity and, 122; nature and, 10, 50; sensuous particularity and, 257; sign and, 262; Stella and, 141 conceptual art, 117,156,162, 202, 263 constellation, 109,118 constructivism, 250 contingency: art and, 196; Clark and, 171-72,178,191, 3347728, 356778, 3697231; convention and, 142, 222; modernism and, 12; Mondrian and, 238; Picasso and, 241; realism and, 38 convention, 206; abstract expressionism and, 155, 276; automatism as, 108; Cavell and, 93—94, 96,109; de Duve and, 201-2; Duchamp and, 215; easel painting as, 212; end of art and, 239; Fried and, 125-26,139-40, 142; Green-berg and, 66, 70, 203-4; inaugurating, 218, 220-22; modernism and, 107—8,191; modernity and, 98-99; nominalism and, 213-14; non-art and, 207; photography and, 278; Ryman and, 240, 242, 244-46. conviction: convention and, 125-26, '38-39; painting as form of, 3, 64-65, 67, 73; experience and, 11,147, 321; representation and, 181, 211 Cornell, Joseph, 15, 215, 218-21, 3627730, 3637736, 3687725 Corot, Jean-Baptiste-Camille, 3407721 Courbet, Gustave, 37, 3337724, 3407721 courtyard paintings, 30, 33-34, 36-38, 45 crisis: of authority, 92; of bourgeois self, 270; disenchantment as, 49-52, 74,150, 249; of subjectivity, 278 Critical Theory, 13, 259 criticism. See art criticism critique: art as, 3, 29,104,186, 209, 234; Index 339 philosophy as, иг, postmodernism as, 259; Romanticism as, 80; in Shermans photography, 284, 289, 309, 318 Crow, Thomas, 200 cruelty, 160-61, 163, 281-84, 319 Cruz, Amanda, 376м cubism, 2, 152, 167,176-77, 227, 240, 369*37 culturalism, 260 culture: Adorno and, 269; art and, 106,121, 142,146,168-69, *91 2)' 234 ł5ć ; in Cornell, 218; the claim of embodiment and, 317; in de Hooch, 35-36, 38, 45; nature and, 260, 290, 294-95,383*50; philosophy and, 92, 99, in; Romanticism and, 80; sex and, 310-15; Sherman and, 276, 284; Soutine and, 66-67, 73; the sublime and, 293. See abo culture industry culture industry, 61; Adorno and, 269; aura and, 254, 266, 268; cliché and, 270-71, 273-74, Z77~78, 280, 283; fashion and, 288; pornography and, 310; rationalization and, 282, 304; tragedy and, 289. See abo culture custom, 106 Dada, 218, 362*30 Danto, Arthur, 12-13,121, 223, 225-35, 237, 239, 329*9, 366*14 David, Jacques-Louis, 170-72; Death of Marat, 167,171,181,334*28 dead nature, 10, 50, 60, 62, 225-26, 246, 248, 251-52. See also nature Dean, Tacita, 16-17 death drive, 245,372*44 de Beauvoir, Simone, 383*52 debris, 211, 218, 284, 314 decay, 35-36, 70, 72, 75, П9 Зог decomposition, 2, 70, 72-73, 23^ 302' 305, 340*27, 374*48 deconstruction, 142 decorativeness, 64, 70,155, 181, 263 deduction of taste, 60-61 de Duve, Thierry, 12-13, t95, 200-208, 212, 360*6, 361*16, 362*26 de Hooch, Pieter, 12,14-15, 23-26, 29, 35-40, 42-45,170, 331**6-7, 334*26, 336*37; The Bedroom, 33; Card Players, 30; A Courtyard in Delft with a Woman and Child, 34; Figures Drinking in a Courtyard, 34; A Mother and Child with Its Head in Her Lap, 33; Portrait of a Family Making Music, 43; Two Women and a Child in a Courtyard 33; Two Women in a Courtyard 36; A Woman and Child in a Bleaching Ground, 34; A Woman Nursing an Infant with a Child and a Dog, 33; A Woman with a Baby in Her Lap, and a Small Child 32 de Jongh, Eddy, 332*8 de Kooning, Willem, 15, 44, 65, 73-74,133, 200; Excavation, 120; Night Square, 133; Woman paintings, 160-61, 298 Delaroche, Paul, 233 delegirimation: of art, 230, 234; of experience, 7-8, 257; of nature, 49~3Z 74~73i of sensory awareness, 20, 22. See also dematerialization Deleuze, Gilles, 381*38 dematerialization, 49-52. 74-75, 3°7- also delegirimation demythologization, 123-24,126,133,140, J52,162, 256 deretinalization, 227, 230-31 Derrida, Jacques, 121 Descartes, René, 12, ¡928, 43~45 49. 123,170, 224, 258, 260, 294 determinate meaning. See empirical meaning determinant judgment, 48,53.58~6o 328*5. See abo reflective judgment determined society, 98,100,106 determinism, 88-91 Dewey, John, 149 de Wirre, Emmanuel, 332Л5 dialectical analysis, 239 Diehenkorn, Richard, 339* 7; Ocean Park, 146 390 Index digitalization, 16-17, ЗЗОИ19 diremption, 45,149,154-55,164, 166-67, 206, 265 discursivity, 6, 47-48, 54, 56, 60-63, 119-21, 151, 157. See also cognition; nondiscursivity disenchantment: abstract expressionism and, 150-52,160-62,164; Adorno and, 197, 256; arbitrariness of the sign and, 241, 249; art and, 95,105,122; Christensen and, 118; Hegel and, 148-49; Kant and, 48-50, 52 disgust, 296-97, 301-4, 306, 312, 315 disinterestedness, 57—58, 62, 267 dismemberment, 255, 297, 307, 311—12, 315-16 dissonance, 248, 263; in abstract expressionism, 190, 298; Adorno on, 199, 208-10; Bourgeois and, 220; in Shermans photography, 282-83; sublimity as, 159, 317 distortion, 68, 70, 72, 255, 3407227 domesticity, 33-34, 3362238 Dou, Gerard, 26 dualism, 5, 83, 95,133,138,187 Duchamp, Marcel, 140, 203, 205, 236-37, 239-41, 245, 247, 3702232; Fountain, 194-95, 200, 202, 214-15, 221, 226, 360228, 3622228 Dummett, Michael, 120 Dutch realism, 12, 24-29, 32, 36-38, 42, 44, 331227. See also realism easel painting, 119,125,142,182,191, 211-12, 219-20, 222, 3642239 Eddington, Sir Arthur Stanley, 22 Eldridge, Richard, 343226, 3462231 El Greco, 3402221 Elkins, Jim, 121, 348223, 3772210 El Lissitzky, 167 eloquence, 199, 222, 248 embodiment: abstract expressionism and, 155,190, 297; anthropomorphism and, 127; Christensen and, 118; Danto and, 231; modernism and, 95, 205-6; nature and, 48, 294; Ryman and, 245-46; sex and, 311-13, 316-17; Sherman and, 253, 306; Soutine and, 47, 66, 74-75, 77 embryonic organism, 68, 72-73 Emerson, Ralph Waldo, 81, 98, 109-10, 112 empirical structure, 90—91 encounter, 3-7,17, 28-29, 43 55 58, 62,132, 226, 327225. See abo cognition; experience endlessness, 132-33,190 end-of-art thesis, 121,148,172, 223-27, 231, 234, 250 enigmaticalness, 226, 252, 3762258 enlightenment, 156, 320; abstraction of, 151, 162; Adorno and Horkheimer on, 260; anthropomorphism and, 126-28,130, 133; art and, 308; Descartes and, 22-24, 29; as historical moment, 19; modernist philosophy and, 108; rationality of, 120 epistemology, 4-6, 49, 178,192-93, 258 essentialism, 125, 140, 221 everyday life, 146-47; arts excision from, 3, 206; culture industry and, 271; disenchantment and, 6,122,149—50, 261; Dutch realism and, 24, 45; modernism and, 193. See also secular world everyday practices, 146, 206 exemplary object, 86 exemplary performance, HI exhaustion: of abstract expressionism, 122; of painting, 128, 135-36,138,141,182, 200-201, 210, 212 existential emptiness, 9 experience, no, 156-57; abstract expressionism and, 155,161,163,179,188; Adorno and, 197, 205-7, 269; aesthetic, 14; aesthetic judgment and, 58; art and, 8-10,17, 77, 83,147, 152, 210, 266; Caro and, 104; de Hooch and, 23, 45; of embodiment, 311, 313; Kant's conception of, 4-6, 50, 53; of living nature, 47, 55-56, 60, 257, 259, 261-62; mimetic, 258; minimalism and, 136; perceptual, 11,151, 153; sensory, 3, 7,15, 47, 263; Soutine and, 73, 75; tragedy as form of, 291, 294; visual, 211-12, 227, 321. See also cognition; encounter Index 391 expression, 156-57, 242, 246, 321 expressionism, 68 expressive empirical order, 98-99,102, 107, 147 externalism, 134 Fabritius, Carel, 332/Л5 facticity, 105 fallibilism, 156 fashion image. See image Faure, Elie, 68, 3417/35 fear, 291-92, 296, 319-21 Fer, Briony, 3417/36, 3647/38 female gaze, 32, 40 figuration, 186, 189 figure painting, 67-68 film, 203, 270-72, 288, 290, 308 fine arts, 142 finitude, 42, 81, 102, 140, 251 fitness, 13, 37-38, 48, 58, 60, 267, 3347/27. See tils amenability problem; purposive-ness flatness, 2, 17, 65, 138, 140,177,179, 204, "I, 227 Flavin, Dan, 201 form, 249, 251, 263; Adorno and, 195, '97-99, 2°8, 248; aesthetic judgment and, 57; Akerman and, 113-14; beauty and, 282; Bourgeois and, 220-21; Cartesian enlightenment and, 22; horror and, 297, 304, 306; in Kant, 5; of living beings, 54-55, 60, 62; melancholy and, 11, 188-89; minimalism and, 134—35' 4V photography and, 288; Ryman and, 244~45 formalism, 12, 138, 186, 195,197 '99 222, 254, 363П30 formal reason, 77, 252 Foster, Hal, 13, 315,3307/19, 350700, 3767/1 Foucault, Michel, 147, 264 fragment, 81,109-12,114, иб, '66,188-89, 218, 220 fragmentary material rationality, 178-79 frame, 218, 222 fraudulence, 96-101 freedom, 197; art and, 75, 77, 247, 250; Clark and, 167,17t, 173; exteriority and, 317; Hegel and, 224; Kant and, 51—52; nature and, 10; non-meaning and, 248-49; Mondrian and, 238; ordinary-language philosophy and, 88-91; Ryman and, 246 Freeland, Cynthia, 3817/30 French Revolution, 52,172 Freud, Lucien, 3827238 Freud, Sigmund, 82,3577/13 Fricke, Christel, 53 Fried, Michael, 12-15,122-23,158,175, 3457/22, 3487/7, 349/214; on artistic fraudulence, 97-98; Cavell and, 101-2; convention and, 142; dualism of 138-41; Greenberg and, 125-27, zoo; on minimalism, 130-36 Friedrich, Caspar David, 127 Gaiger, Jason, 3607/9 Galileo, 22 gap, 86-87, 89-90 Gaskell, Ivan, 3327/17 gender, 175-76,308-9,312 genre, 67, 95,152, 280-81, 287,291,318-19 geometric forms, 133,135 George, Waldemar, 339/219 gesture, 235, 242-43, 246 Geuss, Raymond, 3617224 Giacometti, Alberto, 3727243 God, 40 Golding, John, 340027 Gombrich, E. H„ 25-26, 35, 3Pm~7 Gorky, Arshile, 73 Gottlieb, Adolph, 157. Gowing, Lawrence, 335"3t 335"33 grammar; of art practices, 147; of'de Hooch, 36; as material a prion, 56; of minimalism, 133. Ф- ofsex- 3'3; m Sherman, 309; ofSoutine, 68, 72 Greek tragedy. See tragedy Greenberg, Clement, 12-15,157- '9F 3297/7,341 "34; anthropomorphism and, - - .,• irfisric mediums and, 232, 392 Index 288; flatness and, 221; modernist painting and, 203-4, 206-8; opacity and, 235, 245; Pollock and, 200; Soutine and, 63-68, 70, 72-73 Grunwald, Matthias, 42 handedness, 133,135, 235, 3687224 Hansen, Miriam Bratu, 3792217 happenings, 162, 263 harmony, 72,156, 208, 247, 264, 282, 294 Harris, Henry, 3822249 Hartley, Marsden, 194 heatedness, 70, 72 Hebel, Johann Peter, 249 Hegel, G. W. F., 246, 248, 261, 294, 364223, 3672218, 3712242; aesthetics of, 249; arbitrariness of the sign and, 241; Clark and, 172; Dutch realism and, 3337226; end of iart and, 148-49, 223-25, 231, 238, 250; loss of nature and, 177 Hegelianism, 238, 3692228 Heidegger, Martin, 112, 150, 223, 230, 3652211 high modernism, 221-22; of abstract expressionism, 276; Adorno on, II, 144, 194, 209, 247; Cavell and, 101; Fried and, 123; hermeticism of, 122; melancholia and, 247; postmodernism and, 263; Romanticism and, 81; Sherman and, 287, 323. See also late modernism Hobbes, Thomas, 294 Hofmann, Hans, 167,181 Holbein, Hans, 40, 42-43 Hollanda, Francisco de, 24 Hollywood, 266, 270 Honig, Elizabeth Alice, 30, 32 Horkheimer, Max, 254, 256-57, 260—62, 265-66, 268, 3302213 Horowitz, Gregg, 3292222П9—10, 3412235, j' 3572213, 3612218, 364222 horror, 255, 287, 289-90, 296-99, 303, 305, "310, 314, 317, 319, 323 Houckgeest, Gerard, 3322215 Houlgate, Stephen, 364222, 3712241 hounding, 7-9, 12,15-16, 98-99,106, •'329227, 355225 Hubert, Henri, 260 Hughes, Robert, 298 Huhn, Tom, 328225, 329229 Hume, David, 24,112 hyper-conventionalism, 176 idealism, 166, 249, 251, 297; linguistic, 259 idea of painting, 9-10, 186, 212 ideology, 119, 259-60 images: Adorno and, 156-58, 205-7, 2 52, 265-66, 273; ban on, 254, 311, 320; fashion, 255, 282-84, 286-88; objectivity and, 250; photography and, 267-68, 271, 274, 276-77, 279-81, 306, 317; Pollock and, 210; pornographic, 318; postmodernism and, 253, 256, 259, 263; skepticism and, 126; in Soutine, 68, 70, 72-73 impressionism, 66, 171, 3741248 improvisation, 97 incarnation, 225, 230, 234, 3662217 indeterminacy, 245-46 induction. See transcendental induction industrialism, 80,139,149, 236 informal music, 213 installation, 117,119,143, 218, 263 instrumental reason, 23, 77,123, 149,157, 186,197, 256-57 integral nominalism. See nominalism intensional contexts, 229 intentional objects, 67, 94 interpretation, 15, 85,119, 141, 236 intersubjectivity, 23, 58, 83, 86,150,191, 224 intransitive understanding, 132 intuition: Caro and, 93; concept and, 12, 14-15,17, 206; Kantian, 4-8, 53, 166, 258, 327225, 331226 Italian model, 14, 25-29, 35, 44 Jacobinism, 171 Jena romanticism, 3302214, 336224 Jesus, 40 jointure, 91, 98, 100,107, 116 Jones, Amelia, 376224 Jörn, Asger, 161, 3542219 Index 393 Joyce, James, 260 Judd, Donald, 127-28, 133,136, 201,350/227 judgment of taste. Лее reflective judgment Kabakov, llya, 329/л о kabbala, 127 Kafka, Franz, 268, 321 Kandinsky, Wassily, 2, 227 Kant, Immanuel, 11-12, 46-47, 118, 224, 305; aesthetics and, 82; categorical imperative of, 301; Cavell and, 96, no, 114; conception of experience in, 4-6, 327//5; disenchantment of nature and, 49-52; disinterestedness and, 267; on. disgust, 296-97; enlightenment and, 24; on imagination, 269; judgment of life and, 53, 55; nature and, 251; reflective judgment and, 37, 48, 54, 56-61, 67, 83, 87 Kelly, Michael, 122 Kettler, Friedrich, 16-17 Kierkegaard, S sla oren, 226 King, Martin Luther, Jr., 110 kitsch, 67, 146, 161, 163, 303 Klee, Paul, 161 Kleeblatt, Norman, 3392219 Kline, Franz, 153 Koedijck, Isaack, 332/215 Kosuth, Joseph, 202 Kristeva, Julia, 40, 303, 35i35 37I7Z4° Ktauss, Rosalind, 13,190, 223, 279, 307-8, 341/236, 346/225, 350/227, 353" Krenek, Ernst, 96-97 Kuhn, Thomas, 125 Kuspit, Donald, 341/231 Kuźniar, Alice, 336/24 Lacan, Jacques, 367/219 Lacoue-Labarthe, Philippe, 337"5 La Fresnaye, 340/227 landscapes, 61,146, 295; of Céret, 49 67 70, 72, 298 language, 56,120, 156, 205, 259-60, 2 2, 304; of nature, 50, 59,I57_5^' language games, 147 late modernism, 8,10,195, 222, 254. See Í J also high modernism lateness, 1, 8-10,16,169, 222, 288, 329/210 lawfulness, 59 Lear, Jonathan, 291-92 legal-rational authority. Лее authority Lessing, Doris, 347/240 Lessing, Gotthold, 16, 364/23 liberalism, J23 linguistic practice, 142, 241 literalism, 72, 97,123,132-34,139-40 literature, 79-80, 82,108,116, 203-5 lived space, 102 living beings, 53-55, 62, 68, 72, 257-58, 261, 306 Locke, John, 24 logic: Adorno and, 197,199, 206; aesthetics and, 82-83, 85-86; of art, 207, 209, 211-12, 214-15; Cavell and, 78-79, 87; of commodity production, 237; of the fragment, 218, 221; of genres, 287; of instrumental reason, 256; Kant and, 48, 51; of modernism, 222, 294; of photography, 286 longing, 43, 45,139 161, 209, 234, 236 Louis, Morris, 96,101 Lueken, Verena, 275-76 Lukács, Georg, 46,345П21 Lyotard, Jean-François, 147 lyric, 153-54-1^3 :79 Maes, Nicolaes, 332/2x5 Magnus, Kathleen Dow, 365/25 Makkreel, Rudolf, 338/Я4 male gaze, 32-33,40, 3°9-10- 3D-r4 Malevich, Kasimir, 167,180; Black Square, Z04, 237 mana, 260 Manet, Édouard, 2,16, 65, I39 '71- 221, 277,333/224,362/226 manifold, 57, 59-60, 62 mannerism, 42, 72 Mandl, Andrew, 354i7 Marx, Karl, 193, 23З Marxism, 172 394 Index masks, 240. See also Sherman, Cindy mass culture, 80, 269, 289 material a priori, 56, 67, 75 material conditions of possibility, 73-75, 83, 95,105,191, 210 materialism: of abstract expressionism, 297; of de Hooch, 23, 36-39; minimalism and, 133; of modernism, 12,121,172, 262; of science, 82; in Sherman, 308, 315, 318; Soutine and, 46-47, 73, 298 materialist realism. See materialism material logic. See logic material meaning: abstract expressionism and, 276; aesthetics and, 47-48, 83; modernism and, 179-80,188, 234; Ryman and, 246; Soutine and, 75 material motive, 199-200, 205, 208, 210-12, 214, 218 material substratum, 75, 77,190,198-99, 254, 294, 297, 304 material world, 166; abstract expressionism and, 120-21,155,163; anthropomorphism and, 123,125-26,142; de Hooch and, 42, 45; Descartes and, 22-23, 29" mechanization of, 48; Sherman and, 254, 321; Soutine and, 73 mathematical physics, 21, 49, 82, 152, 336773. See also natural science Matisse, Henri, 68, 208, 226; The Red Studio, 250 matter, 14,191; in art, 248-49, 261, 263; Cavell and, 95; Christensen and, 119; in de Hooch, 36, 44; in Descartes, 21; Hegel and, 224; in Kant, 5-6; meaning and, 258-59; Ryman and, 246; Sherman and, 307; in Soutine, 66, 73, 75, 77. See also paint-stuff Mauss, Marcel, 260 McDowell, John, 3547213 McGinn, Marie, 3382212 meaning-complexes, 146 mechanism: as hegemony of discursive thinking, 61, 63; in Kant, 47; photography and, 280; Ryman and, 244-46 mechanization, 48, 139, 235, 267-68 medium, 210; abstract expressionism and, 156-57,162; Adorno and, 222; Cavell and, 95-96, 99,101,106; digitalization and, 17; Greenberg and, 124, 232; Hegel and, 225; modernism and, 215, 233-34, 236, 250, 294; photography and, 253, 273, 280-81, 288-89; Ryman and, 245-46; Soutine and, 65, 74-75, 77; as stand-in for nature, 11,15-16 melancholic form, 189 melancholy: Adorno and, 247; Benjamin and, 114; Bois and, 3 51 3 5; Clark and, 166-67, !9i; Holbein and, 42; of modern painting, 9, II, 14,193; sexual, 309 Melville, Stephen, 3331124, 351И36, 3787114 memory, 39, 112,119-20, 221 Merleau-Ponty, Maurice, 3457721, 37677114 metaphor, 229, 246, 369П31 Michelangelo, 24 Millet, Jean-François, 173 mimesis: Adorno and, 157, 258, 3717737; art and, 265; death and, 269; masks as, 320; photography and, 268; representational art as, 151; Ryman and, 244, 252, 3737745; Sherman and, 272-73, 277, 290,304 mindedness, 224-26, 231-32, 246, 3667717, 3727342 minimalism, 263, 3507720, 3507727, 3517728; anthropomorphism and, 128; Danto and, 226-28, 230; Fried and, 97-98, 122, 130-36,140-41; of Holbein, 42; painting and, 162, 201, 205; Ryman and, 3737745; skepticism and, 100,105 modernist novel, 146 modernist painting: abstract expressionism and, 200; Alpers and, 14, 44; Bourgeois and, 221; Cavell and, 101; Clark and, 190; Danto and, 228; Duchamp and, 195, 201-3, 214; emptiness of, 9; ending of, 7, 223; Fried and, 126,134,136,140; Greenberg and, 64, 66, 204; impossibility of, 211; Kant and, 47; modernism and, II, 13; postmodernism and, 10; Sherman and, 255, 318; Soutine and, 72, Index 395 77; standard story of, 1; visual experience and, 212 modernist philosophy, 1, 8,11, 13, 81, 99, 108—il. See tibo philosophy modernity: Adorno and Horkheimer on, 256; art and, 3, 12,15, 92,102,105,134, 166, 225, 233-34, 254! Clark and, 167-72, 179; Dutch realism and, 29, 40, 45: experience in, 4, 6, 8; Hegel and, 148-49: mathematical knowing and, 22, 43-44; philosophy and, 99, 265; pornography in, 310: rationality and, 74, 98, 121-23,136, 249, 259-61, 264; Sherman and, 255, 306, 319; tragedy and, 295 Mondrian, Piet, 204, 236-39, 241, 247, 250, 252, 369 И28 Monet, Claude, 109,174 monochrome, 140, 204-6, 213, 226, 237, 250, 3611/21, 368И26 monumentality, 117-19,174,181,190 Moore, G. E., 257-58 Morris, Robert, 128, 201, 350/220 mortification, 3,14, 67, 72, 261, 284, 286, 297, 306, 314 Motherwell, Robert, 157 mourning, 42, 118, 166-67,188, 235, 239-40, 247, 351//35, 368/222 Mulhall, Stephen, 87, 343/27 Mulvey, Laura, 275 music, 96,144, 203-6, 213-14 Nancy, Jean-Luc, 337225 natural beauty, 48, 60-61, 67,105, 224, 2.49—51, 3392217. See also att beauty; beauty naturalism, 23, 63-64, 67, 82, 98 natural science, 6, 21, 61, 81—82, 98,146, 149,197, 328226. See also mathematical physics natural world. See nature nature: abstract expressionism and, 155, 157—58,164, 200; Adorno and Horkheimer on, 260-61; animism and, 290, 321; art and, 7, Ю, 121,146-47' 22C 250-5r, 264; automatism and, 108, beauty and, 281; Caro and, 94,104; Clark and, 166,177-78,187,190; convention and, 142, 3572213; in de Hooch, 33 33-3S' 42-43; Descartes and, 17, 21; disenchantment of 49-51,149-50, 241; Hegel and, 224-25, 238; horror and, 297 303; as indifferent, 98,100,106; Italian model and, 25; Kant and, 12, 47-48' 52-63; masks and, 320-21; medium and, xi, 15, 74-75, 77, 236; photography and, 267; postmodernism and, 249; Ryman and, 246; sex and, 311-12, 314; Sherman and, 253, 282, 317; Soutine and, 65-67, 73; sublimity and, 292-95. See also dead nature negation; abstract expressionism and, 160-62,179; abstraction and, 150; Caro and, 104; disinterestedness and, 57, 62; Duchamp and, 245; modernism as, 63, 181,199, 204-6, 212, 248, г88; modernity and, 166; Sherman and, 254; Sou-tine and, 68, 72 neutralization, 119, Г39,160,162 new, the: 139,161, 207, 209-10, 233, 236 Newman, Barnett, 152,156, 200-201, 204-5, 241-42, 252, 277, 308,353И12, 360 пц\ Orientent 1,127; Stations of the Cross, 154; Vir Heroicas Sublimis, 155 Newman, Michael, 16-17 Newtonian physics, 88—90. See also mathematical physics Nietzsche, Friedrich, 82,336/И nihilism, 118,125-26,180, 263 Noland, Kenneth, 101,122,136,141 nominalism, 12,96,98, 202, 213-14, 218, 221, 241 non-art, 207-9, in nondiscursivity, 47' 54-56- 58-60,151- See also cognition; discursivity normative commitment, 51 novelty, 139, 209, 228, 233, 236-37 nuclear family, 26 objecthood, 130, 133-35. Ч. T4°"46 26'' also thinghood 396 Index objectivity: abstract expressionism and, 153, 164, 190, 213; of modernism, 154, 250; reflective judgment and, 83, 85, 87; Ryman and, 235-36; of works of art, 124, 126-27,138.196 obsolescence, 16,136, 368 25 Olitski, Jules, 101,122,136,141 opacity: of abstract expressionism, 120-21; of art, 226, 248, 251; convention and, 246; Danto and, 229, 232, 366Ш4; of medium, 233-36; of realist painting, 37-38, 42; Ryman and, 240, 244-46 opticality, 125 ordinary language philosophy, 78, 88-91, 98 organic unity, 72 orientational significance, 3, 6,11, 56, 60-61. See also transcendental significance overallness, 164 pain: abstract expressionism and, 263; Bourgeois and, 220-21; Bryson and, 259, 304; judgment of life and, 56; in Soutine, 68, 73; sublimity and, 290-92; Sherman and, 305, 315 painterliness, 63-65 paint matter. See paint-stuff paint-stuff: dissonance and, 208; Pollock and, 182,188, 211; Ryman and, 245-46; Soutine and, 12, 64-68, 70, 72-74 Panofsky, Erwin, 26 papiers collés, 240 paradox of modernism, 195, 206, 210, 213, 221 particulars. See sensuous particulars Pascal, Blaise, 106 pastoral painting, 173-74 pathos: Adorno and, 222; in Aristotle, 292; of art, 123; disgust and, 296, 315; in Sherman, 277, 309; in Soutine, 64, 67; tragedy and, 295 Peirce, Charles Sanders, 3672/19 perfectionism, 87 perspective, 37, 64-65, 72, 153, 155, 227, 237 petty bourgeoisie, 159,164 philosophy: Adorno and, 144; art and, 8-9, 12,107,118,121-22, 228, 230-32; Cavell and, 78-81, 87, 92, 99-100,108,112,116; criticism and, 265-66; everyday practices and, 146-47; Hegel and, 149; ideal type of, 82-83, 98; perception and, 257; personal performance and, HI; tragedy and, 294. See also modernist philosophy photography: art and, 139, 233, 235-36; aura and, 266, 272; beauty and, 281-82; Benjamin and, 203; horror and, 299; male gaze and, 313; masks and, 321; modernist painting and, 287-88, 298; mortification and, 284; rationalization and, 268; Ryman and, 242; Sherman and, 253-55, 273, 276, 280, 286; the sublime and, 289 physics. See mathematical physics Picasso, Pablo, 167,171, 175-76,180-81, 241; Girl with a Mandolin, 2; Guitar, 240; Ma Jolie, 354/217; Man with Mandolin, 2; Portrait ofAmbroise Vollard, 2 pictographs, 161 pictorial effects, 141 pictorial illusionism, 237 pictorialism, 2 picture plane, 2, 65, 72, 204 Pippin, Robert, 327/25, 338/213, 364/22 Pissarro, Camille, 171-74, 180; Two Young Peasant Women, 167,172-73 pity, 291-92, 296 plastic equivalence, 239 Plato, 78, 228, 375/249 Platonism, 133,135 poetry, 218 pointillism, 173 political history, 169-70 politics, 99,171-72, 238 Pollock, Jackson, 15, 44, 73,121,167; aura and, 263; Autumn Rhythm, 359/227; Beaton photographs and, 282; Bois and, 236, 375/253; Cavell and, 101-2; chance and, 97; Clark and, 171-72,175-76, 179-83,187-90; Full Fathom Five, 188, 210, 214, 221, 362П25; individualism and, 277; Lavender Mist, 120,155,160; Index 397 materiality and, 65, 200, 208, iSo, 3417/36; Number i, 1948, 181,189; Number 32, 1950. 189; От of the Web: Num-ber 7, 1949, 182; The Wooden Horse, 182, 186-88 Poons, Larry, 122 pop art, 122, 226-28, 230-31, 234, 266 pornography, 287, 309-11, 313-15, 317-19 positivism, 133, 176-77 postmodernism: aesthetics and, 12,16; arbitrariness of the sign and, 248, 262-63; chance and, 97; culture industry and, 268; modernist painting and, 10, 29,121, 34*5, 360118; rationalism and, 259-60; Sherman and, 253, 256, 275 potentiality for meaning, 242-43, 245-46 Potts, Alex, 220, 3632233, 3637/36 present/less, roi-102,123, 348x7 problem-solving, 82 psychoanalysis, 288 psychology, 82 public mode, 131 pure painting, 64-65, 67, 73, 206 purposiveness, 48, 52-54, 57-60, 77,128, 199- See abo amenability problem; fitness pursuit of happiness, 311—12, 317 rational authority. See authority rational freedom. See freedom rationalism: anthropomorphism and, 123, 126-28,130,133,136; as hermeneutics of painting, 37; literalism and, 140, 3507/27; postmodernism and, 259-60, 262 rationality potential, 4, 7,12, 74, 77 rationalization: Adorno and, 197; anthropomorphism and, 127; art and, I39 H1 152,180, 3557/5; disenchantment and, 118, 150; of everyday life, 3 6; of experience, 73; of language, 262; modernity and, 23, 121, 256-57, 264; nature and, 61, 312; photography and, 267—68, 280, 318, sen suous particularity and, 155; Sherman and, 282; societal, 170, 259, 265 readymade, 210; as abnormal painting, 200, 360776; Adorno and, 222; arbitrary convention and, 214—15; Bois and, 237, M° 37°"32; Bourgeois and Cornell and, 218; color as, 245, 247; Danto and, 226; material motive and, 3637/32; medium and, 236; modernism and, 140, 19Я nominalism and, 221; painting and, 201, 205, 3627/25 realism, 12-13, 43; photographic, 278, 284, 286, 3807/27. See abo Dutch realism réanimation, 307, 309, 315. See abo animation recognition, 80,115, 239, 241, 290, 294 reduction of meaning, 73 reflective judgment: aesthetic, 36-61; anthropomorphism and, 126; Cavell and, 83-85, 87; judging life and, 55; Kant and, 48, 54, 3287/5; modernism and, 62, 98; of natural beauty, 339Ш7; ordinary language philosophy and, 90; photography and, 266-67; realism and, 37; as sensus communis, 264; Sourine and, 67. See abo determinant judgment reflective practices, 146 reñexivicy, 186, 235 reification, 3, 47, 257, 305, 307, 318, 321 Reinhardt, Ad, 122 religion, 148 Rembrandt, 298,3407/21,3407725, 3417/35 Renaissance, 114 repetition: as mimesis, 37^n37 minimalism and, 132-33,135, 3507/27; Mondrian and, 238; Ryman and, 242, 244—46,37! n3L), 372/245; Sherman and, 277, 279-80, 305, 318, 380x23 representation; abstraction and, 151—52, 160, 208, 211, 2 87; arbitrariness of the sign and, 240—41; Clark and, 167—69, 176,178-83,186-89,192; Danto and, 227, 229-30, 232; disenchantment and, 130; disgust and, 297; Hegel and, 148-49, 224; intuition as, 4, 7; in painting, 1-3,64.77, m, 126,134.146,183, 3397/17; Sherman and, 253-55, 270-71, 287-88, 304-5; in Sourine, 68; the sublime and, 295; tragic, 290 398 Index representational content. See representation Rhine, 150 Richter, Gerhard, 73, 200, 284, 3297210 Rodchenko, Aleksandr Mikhailovich, 140, 204, 236-37, 239, 247, 250 Romanticism, 80-81, 342725 Rose, Gillian, 3677218 Rosenblum, Robert, 127 Rothko, Mark, 73,120,152,154,159-60, 200, 204, 263 Rousseau, Jean-Jacques, 24 ruins, 188, 210, 218, 255, 282 Russian Revolution, 237 Ryman, Robert, 12, 15, 200, 235-36, 240-48, 252, 359П5, 3687222, 3687224; Empire, 244 Saenredam, Pieter, 3327215 Said, Edward, 3297210 Saville, Jenny, 3827238 scale, 130-31 Scarry, Elaine, 3777211 Schapiro, Meyer, 3567210 Schiller, Friedrich, 5, 16, 75,166, 327723, 328725 Schjeldahl, Peter, 3817231 Schlegel, Friedrich, 16 Schoenberg, Arnold, 144 scientism, 80,176, 260 sculpture: beauty and, 282; of Bourgeois, 218; Caro and, 93-94, 98,104-5,107—8; classical, 117-19; Duchamp and, 202, 214; as medium, 74; minimalism and, 97, 140; as reflection of its time, 121 secondary qualities, 149,157 secular world, 23, 29, 34, 37, 39-40, 43-44, 193. See also everyday life self-consciousness: acknowledgment and, 106; disenchantment and, 52; disgust and, 296, 306; modernism and, 3, 73, 77,146,189, 231, 240; of modernity, 11; pornography and, 314; tragedy and, 294 semantics, 38,155-56 semblance: Adorno and, 199, 207-9; art as 9, 77,154,161, 237, 247-48; of life, 261-62; in Soutine, 67, 72-73 sensationalism, 177 sense-making, 74-75, 77 sensible meaning, 47, 63,141-42 sensible world, 12, 23, 43, 45, 142 sensory experience. See experience sensuous immediacy, 148,153,155,162, 225 sensuous meaning, 47, 63,141-42 sensuousness, 237, 250; abstraction and, 163; Dutch realism and, 39; Hegel and, 224-25; horror and, 298; life and, 47; meaning and, 155; Mondrian and, 238; philosophy and, HI, 116; in reflective culture, 142 sensuous particulars: abstract expressionism and, 120,152-54,158, 162, 186, 211; Adorno and, 206-10; anthropomorphism and, 142; art and, 9-10, 47, 121, 212-14, 233-35, 3677218; artworks as, 8, 241, 266; Christensen and, 118; Clark and, 180,190; end of art and, 225-26; enlightenment and, 257; experience of, 5, 7,151,179; Greenberg and, 66; horror and, 296; meaning and, 249; Mondrian and, 238; nature and, 295; philosophy and, 116,122; readymade as, 215, 3637232 seriality, 242, 3737245 series, 108-10, 112, 197, 274, 280 Serra, Richard, 346П25 Seurat, Georges, 126, 236 severance, 40, 42 sexual desire, 40, 42, 61, 284, 302, 309, 314 sexual practices, 310-11 Shakespeare, William, 81 Sherman, Cindy, 13,15, 73, 257-58; aura and, 262-63, 265, 272-73, 277; centerfolds, 280; cliché and, 271, 279; fashion photographs, 281-82, 284, 286-87; gender and, 312; history pictures, 307; horror and, 290, 299, 301-2, 304-6; individuality and, 270, 275-76, 278, 308; mask pictures, 319, 321, 323; modernism and, 10,12, 288, 318; photography and, 274, 317; sex pictures, 309-10, 314-15; the sublime and, 289; Untitled Film Stills, 253-54, 256, 270-71, 273-75, Index 39? 277-78- 280, 281-83, 287-88,' 303, 308,' 3'4- 3'8 sign: abstract expressionism and, 263; arbitrariness of, 12, 98, 191, 240-42, 244, 248-49, 260, 37OH36, 3721/42; Clark and, 166-67, 169-70, 180, 188, 191-92; concept as, 262, 265-66; Danto and, 229-30, 232; de Hooch and, 44; image and, 156, 205-6, 271; materiality of, 9 Signac, Paul, 374/248 Silver, Kenneth, 3392219 singularity, 276-79 skepticism: Cavell and, 78, 95, 99,102, 105-6, 109, 114, 342223, 34322228-9, 3442/17; Clark and, 180,191; Fried and, J23,125-26; minimalism and, 135; of readymade, 218 Smith, David, 122 Smith, Tony, 98, 132,135-36 Smithson, Robert, 3522236 Snow, Edward, 39-40, 3352233 socialism, 166-67, 169-70,178,192 social reproduction, 7, 23,138,143 society of the simulacrum, 239 Solomon, Deborah, 3622229 Sontag, Susan, 276, 3782213 Soutine, Chaim, 12-13, 15, 47, 49 63-67, 70, 73-74, r6o, 188, 261-62, 298, 3402227, 3412235; The Beef, 72; Carcass of Beef, 75; Self-Portrait, 68 spatialization, 93-94,102,104 spirit, 9, 224-25, 231, 238, 248, 252, 261, 307 Steadman, Philip, 3352229 Steinberg, Leo, 3532211 Stella, Frank, 15, 101,122,136,138-41, 201, 204-5, 263 Stieglitz, Alfred, 194 Still, Clyfford, 73,158-60 Still life, 67, 72-73,175 Stone, Jennifer, з8гз8 Strawson, P. F., 90 subjectivity: abstraction and, 151- art an ' 3, 7, 75; of art conventions, i25 Cave and, 86, 90, too, ш-12; crisis of, 50, 74- J50; handedness and, 235; horrorán 297; Kant and, jr; masks and, 321; mrnj-malism and, 98; reflective judgment and, 84; Ryman and, 242, 245-46; Sher man and, 275, 278, 282, 287, 304, 308; of Soutine, 298 sublime. See sublimity sublimity, 14,114, 264, 311, 313; in abstract expressionism, 120; Clark and, 159,161; in de Hooch, 24; fascination of, 293; horror and, 255,297-98,305; nature and, 294-95, 312; Newman and, 127, 252; pornographic, 317; semblance and, 248; Sherman and, 279; in Soutine, 66, 70; Still and, 158; tragedy and, 289-90, 292, 306 subsumption: abstract expressionism and, 152; of cultural cliché, 282; enlightenment and, 257; in Kant, 4-5, 52-53, 57-58, 83; modernism and, 62-63; of use value, 23 surplus of form, 55, 62 surrealism, 134, 218, 362/230 Sutton, Peter, 26 symbolism, 25, 28, 218 symbol: abstract expressionism and, 263; abstraction from, 152; Adorno and, 206; in Chardin, 44-45; in Chrisrensen, 121; Danto and, 228-32, 234-35: medium-bound sensuousness and, 225; in painting, 132,134-35." Ryman and, 246; in Vermeer, 39 syntax, 38,155-56, 242 taboo, 227-28,320-21 technici sm, 138 technology, 52, /22,127,149-5°. 233, 236, 241, 366/Я7 teleological explanation, 54~55 temporality, 119, 271-72 theater, 218-19 theatricality. 9. 23°-34. ¡36,158 theology, 152 . thinghood, 94-95, 98,37245- •&*** objecthood Thoreau, Henry David, 81 400 Index Tintoretto, 340 пг\ total composition, 97-98,100 tragedy, 114, 255, 289-95, 29^ 306; Greek, 177.3" transcendence, 37, 40, 42,155,163-64, 230 transcendental claim, 79, 83, 94,100, 367/220 transcendental induction, 38, 49, 67 transcendental significance, 61-62, 80. See also orientational significance transgression, 159, 202-3, 297 31:4—15 transmission, 211 transparency, 190, 226, 229, 232-33, 246 Twombly, Cy, 263 ugliness, 283-84, 286, 296-97, 303, 318-19 uncanniness, 132, 262, 321 unhappy consciousness, 172,189, 375/248 unique object, 7, 75 unity, 70, 72-73, 247, 297 universals, 83, 92, 96,112,122,151—52, 162-63, 205, 213, 269 universal voice, 85, 87, 90, 98 uprightness, 104,127, 309 utopia, 19, 23, 43-44, 210, 247 van Eyck, Jan, 26 Van Gogh, Vincent, 43, 65, 208, 277-78, 298, 340/225 van Hoogstraten, Samuel, 332./215 Vermeer, Jan, 15, 24, 40, 42, 335/229, 335/231, 336/238; Head of a Girl, 335/233; The Little Street, 38; The Milkmaid, 39; A Woman in Blue Reading a Letter, 335/233 Vico, Giambattista, 260 violence: Bourgeois and, 218, 220—21; Cavell and, 114-15; horror and, 297; in Sherman, 255, 282-83, 286, 304, 310; in Soutine, 73; tragedy and, 295 visionemic syntax, 242 visual field, 128,130, 313, 317 visual meaning, 66, 68, 73,121, 141-42, 246 vitality, 224-25, 295, 307, 311 Vogue, 180-81 Vorobej, Mark, 381/236 Vosmaer, Daniel, 332Ш5 voyeurism, 221 vulgarity, 158-61,163-64 Wagner, Anne, 363/233 Waldman, Diane, 362/229 Warhol, Andy, 10, 226; Brillo Boxes, 10, 226 Weber, Max, 108, 264 Webern, Anton von, 213 Weiss, Jeffrey, 375/248 wholeness, 208, 221 Williams, Bernard, 330/22 Williams, Linda, 383/254 Wittgenstein, Ludwig, 14, 55-56, 78, 81, 109,147, 337/212, 338/215 Wollheim, Richard, 353Ш1 working through, 239 writhing, 70 writing, 242 Young, Julian, 366/211 Zanetti, Véronique, 337П7 zip, 155-56, 204, 242, 361/214 Zuidervaart, Lambert, 352/22 |
