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| Katkey: | 7265152 |
| Volltext: | Index aboutness, 8g, 94, 160, 174, 175, 20g, 210, 235 adequation, 37, 38 Adorno, Theodor W., 3, 5, 6, 8, 9-10, 11, 12, ł3 б6, 57. 58 60. 6l 65. 67, 78, 97, 101, 118-19, 12i, 122, 125, 126, 127, 129, 133 *39, x77 203, 207-8, 209, 213, 216, 229, 230, 234, 236 Aesthetic Theory, 64 on autonomy, 123, 124, 242 on import (Gehalt), 123, 208 on truth content (Wahrheitsgehalt), 8, 9, 11g, 122-5, 208 aesthetic dimension, 11, 56-7, 58, 160, 177, 206, 214, 215 experience, 3g, 40-1, 58, 62, 63, 182, 215 failure, 66 merit, 65, 71 practices, 58, 5g, 60, 61 presentation (Darstellung), 60, 229; see also presentation processes, 66-7, 160 signs, 57-62, 129, 160, 210, 214, 218; see also purport of aesthetic signs validity, 9, 10, 39, 54, 56-65, 67, 71-2, 116-17, 120-2, 130-2, 206, 207; see also imaginative cogency worth of art, 213-18 aesthetics, 11 aletháa, 4g, 50, 106 allusivity, 177 analytic aesthetics, 10, 13-14, 18, 143-4, 209, 212; see also philosophy, analytic anti-aestheticism, 56, 213, 214, 217 Aristode, 2, 6, 48, 107, 180, 191, 246 Armstrong, Isobel, 221 art, 7-8, 243 acts, 158 death of, 65; see also deaesthetization events, 7, 53, 128, 129, 131-2, 218 as expert culture, 65, 101, 131 hermeneutic character of, 6-7, 43, 54, 12g, 133-4, !б5, 200—2, 212, 214, 215 and language, 2-3, 68 making, 201-2, 212 new genre public art, 218; see also art-in-public nominalist ontology of, 10, 180, 202, 210, 212 phenomena, 7-8, 125, 127, 128, 175, 207, 208, 212 postmodern arts, 1 products, 7, 128, 129, 131-2, 139, 200, 201, 208, 212, 218 realist ontology of, 10, 163, 180, 182, 196, 200, 202, 210, 211, 212, 256 role of, 3, 121, 136, 176, 179, ig8, 213, 256 social ontology of, 54, 180, 213 societal importance of, 213-18 art-in-public, 128, 243 art talk, 4, 9, 10, 43, 68-70, 73, 134-9, 15('' 206, 231 as conversation, 10, 68, 71, 134-5, 208 and cultural orientation, 71, 257 as discourse, 68, 72, 134, 135, 208 examples, 70-1 reflexivity, 72-3, 12g 271 272 Index artistic import, 8, 127, 129-30, 133, 135, 157, 159-61, 174-5, 177, 179, 181, 191-6, 202, 208, 209-11, 212, 213, 249; see also import artistic truth, 5, 11, 12, 28, 38-42, 45, 53-4, 77. 95. 96- "8-39. ИЗ. 181, 200, 203-18 three-dimensional theory of, 127, 130-4, 136, 144, 208, 212 See also truth artworks, 8, 45-6, 53, 131, 139, 160, 200, 201, 206, 212, 257 Atwood, Margaret, 217 Austin, J. L., 184, 225 authenticity, 10, 127, 128, 131, 133, 134, 157, 199-202, 208, 209, 212, 215, 218 autonomy, 9, 42, 45, 52-3, 112-13, 124, 127, 206 Beardsley, Monroe, 3, 6, 8-10, 14, 17-33, 51. 82, 87, 95, 97, 126, 137, 159, 162, 204, 205, 206, 210, 213, 215, 229, 244 on aesthetic experience, 18, 32 Aesthetics, 17-33, 144 on artistic truth, 18-19, 24-8, 29, 32-3, 42, 44, 49, 204-5, 215 on connotation, 19, 21, 22, 23, 33 on declarative sentences, 21 on designation, 21 on discourse, 20 and empiricism, 27, 28, 31, 32, 204-5 on fiction, 30, 226 and Hofstadter, 35-6, 38, 42-6, 205-6 on imperative sentences, 21 on import, ig, 20 on language, 19-20, 24, 42-3, 52 on literary predication, 29-33 on logic of explication, 22, 24, 223 on logical absurdity, 24 on meaning, 18, 19-20, 21, 22, 24, 33, 222 on metaphor, 22, 23, 24, 222 on purport, ig, 20 on reference, 20, 22, 24 on sentences, 20, 21, 22, 33 on societal importance of art, 213-15 on theory of literary work, ig, 21, 22-3 on truth-meaning distinction, 24-5 on universal-particular distinction, 26 Bennett, John G., 188 Bernstein, J. M., 116, 238, 240 Bohman, James, 6, 119-20 Brahms, Johannes, 13 Cage, John, 201 Cassirer, Ernst, 35, 176, 177 Collingwood, R. G., 14, 200 communicative action, 6g, 70, 118, 124, 139, 231, 244 Cooke, Maeve, 242, 243 creative interpretation, 5g, 61-2, 67, 68, 132, 206 critical dialogue, 12-14, 34-5, 203, 213 critical hermeneutics, 11-14, 35. 52 54. 59. 123, 202, 203, 212, 213, 222 Critical Theory, 12, 118-ig, 207-8, 240 Croce, Benedetto, 35 cultivation, 58-9, 65 cultural orientation, 9, 10, 65-8, 72, 132-4, 160, 206, 208, 210, 215, 218 culture, 66 Dahlstrom, Daniel, 232, 235, 236 Dallmayr, Fred, 238 Davidson, Donald, 248 deaesthetization, 65; see also art, death of declarative statements, 33 Derrida, Jacques, 46, 47, 48, 51, 205, 227 Truth in Painting, 46 Dewey, John, 14, 97-8, 216, 244 Dickie, George, 248 disclosure, 47, 77, 101, 105, 108, 117, 120, 126, 133, 160, 199, 207, 209, 211, 238, 241; see also imaginative disclosure; truth disclosure and validity, 102, 105, 107-17, 118, 119-22, 131 Dooyeweerd, Herman, 13, 235, 236 Duchamp, Marcel, 135-6, 137-8 dyadic links, 136-9 emotivism, 10, 13g, 144, 151, 156, 158, 160, 204, 20g, 210, 212 entertainment, 228 exploration, 57-8, 61-2, 68, 132, 206 expression, 2, 127, 220 Ferrara, Alessandro, 230 fidelity, g7, 98-g, 108, 125, 132, 207, 216, 218 formation, see cultivation form-content dialectic, 103, 123, 127, 129 Frege, Gottlob, 152 Index 273 Gadamer, Hans-Georg, 43, 56, 57, 58, 60, 61, 66, 101, 177, 229, 230 genius, 182 Goehr, Lydia, 221 Goldman, Alvin, A Theory of Human Action, 194 Goodman, Nelson, 6, 10, 13, 144, 162-81, 184, 202, 212, 215, 252 on aesthetic cognition, 169-71, 176, 178 on appropriateness, 165, 171, 174, 175-80, 210, 211 on artistic truth, 162, 170-5, 210-11 on cognitive purpose, 170-1 on correspondence, 176, 177, 210 on denotation, 164-6, 167, 172-4 on exemplification, 166-9, *77 on expression, 166-g, 172, 175, 210 on inscription, 164 on labels, 167, 168-g, 172, 173-4 Languages of Art, 163, 174, 210 on notational systems, 165-6, 250 on propositions, 171-2, 210 on reference, 164-6, 167, 172-4 on representation, 164-6, 172, 175, 210, 251 on symbols, 163-71, 172, 175, 176, 249 on symptoms of the aesthetic, i6g-7o, 175. 176 Ways ofWorldmaking, 171, 252 and Wolterstorff, 162-3, 187~9 igo-i, 196, 198-g, 210, 211, 249, 251, 252 Greene, Theodore Meyer, 6, 10, 14, 144, 147-51, 157-61, 162, 175, 177, 182, 209, 210, 246, 252 on artistic content, 148 on artistic perfection, 150 on artistic truth, 149-51, 157-61, 20g as Aristotelian, 147, 246 The Arts and the Art of Criticism, 147 on consistency, 149, 150, 246 on correspondence, 14g, 150 on criteria of artistic value, 147 on criteria for truth, 149-50 on import, 159-60, 209 on integrity, 150 on propositions, 149-50, i57-9 209, 246 and Richards, 148, 151, 161 on science and art, 148-9, 246 Grice, Paul, 243 Habermas, Jürgen, 7, 11, 65, 69-70, 72, 101-2, 118-19, l2° 124-5, 133, 134, 135, 139, 208, 209, 214, 221, 230 on art, 101-2 on prepositional truth, 6g on truth, 119, 231 on validity claims, 69-70, 124-5, 137, 138 Hart, Hendrik, 235 Hegel, G. W. F., 2, 25, 38, 41, 56, 60, 61, 65, 97, 122, 177 critique of Kant, 56, 206 Heidegger, Martin, 7, g, 11, 12, 13, 36, 48-51, 77, 118, 121, 122, 131, 132, 177, 205, год, 216, 220 accused of subjectivism, 83-4 on the aesthetic, 112 on aesthetic validity, 112-13, 116-17 on agreement ( Uberereinstimmung), 82, 83, 94-6, 99, 106 and anti-aestheticism, 102, 117, 132 on art as essential origin ( Ursprung), 110 on articulation (Artikulation), 81-2 on artistic truth, 102, 105, 112 on the asserted (das Ausgesagte), 88-go, 91 on assertion (Aussage), 36, 81, 82, 83, 84-90, 91-6 99 10° 206, 233, 234 on attunement (Befindlichkeit), 7g, 113, 23З on authenticity, g5, 233, 240 on autonomy, 112-13 on beginning (Anfangen), 110 Being and Time, g, 50, 78-100, 105, 106, 206, 207, 239, 240, 257 Beiträge zur Philosophie, 50, 226 on bestowing (Schenken), 109-10 on care (Sorge), 80 on clearing (Lichtung), 106, 107, 10g, 114 on communication (Mitteilung), 85 on concealment (Verbergung), 106-7, 109 111-12, 114-15, 126 on configuration (Gestalt), 103-5, 130 on correctness (Richtigheit), 91—4 100 106, 108 on correspondence theories of truth, 79, 80, 82, 83, 84-5, 95-6 on creating (Schaffen), 103 and Critical Theory, 101-2, 107-9 on Dasein, 79-80, 82, 84, 87, 99, 106 on disclosedness (Erschbssenheit), 7, 79-84, go, 94-6, 97, 99, 206, 207, 238, 240 274 Index Heidegger, Martin (cont.) on discoveredness (Entdeckheil), 80, 82, 84, 91' 92, 94-5. 96 233- 238, 240 on discovering (Entdecken), 91-4, 96 on earth, 103-4 on Ereignis (event), 53 on fact (Sache), 106 on forgetfulness of Being (Seinsvergessenheit), 49 on freedom, 50 on givenness, 91 on grounding ( Gründen) , 110 Holzwege, 227 on human responsibility, 107, 114-15, 207 and hypermetaphysical tendency, 107, 239 on idle talk (Gerede), 82, 233 on intelligibility (Verständlichkeit), 233 on interpretation (Auslegung), 80-1, 86, 87 on meaning (Sinn), 81, 233 on obstructing (Verstellen), 106-7 "The Origin of the Work of Art, " 9, 50, 102-17, 126, 207, 257 Parmenides, 49 on poetry (Dichtung), 110 on pointing out (Aufzeigung), 85, 86, 87 and politics, 110, 227, 239, 240 on predication (Prädikation), 85, 86, 87, 89, 100 on preserving (Bewahren), 103 on proposition (Satz), 106 on refusal (Versagen), 106-7 on resoluteness (Entschlossenheit), 80 on self-givenness, 92 on significations (Bedeutungen), 233 on strife, 103-5, 109 239 on talk (Rede), 79, 80, 81-2, 84, 94, 95, 23З. 235 on Temporalität, 233 on temporality (Zeitlichkeit), 79, 80, 23З on thrownness ( Geworfenheit), 80 on thrust (Anstoss), 103-5, *3° on troth (verwahren), 99, 237; see also fidelity on truth, 49-51, 82-3, 99-100, 103-5, ło7 109, 110, 206-7, 234, 239, 257 on unconcealment ( Unverborgenheit), 91, 105-9, 111-12, 114, 177 on understanding (Verstehen), 79, 80-1, 82 on untruth, 91 on vocation of art, iog-13 on world, 103-4 Hofstadter, Albert, 6, 8-9, 35, 4g, 51, 82, 102, 139. 205 on aesthetic experience, 38, 39, 40-1 on articulation, 36-7, 43 on artistic creation, 40-1, 226 on artistic import, 39, 40, 44-5 on artistic truth, 35, 38-42, 49, 205 on the artwork as aesthetic symbol, 39-40 and Beardsley, 35-6, 38, 42-6 on cogency, 38-9, 43, 226 on correspondence theory, 35, 42, 43, 44 on imperatives, 37 and internalism, 39-40 on language, 35-8, 42-3, 52 on love, зд, 41 on natural beauty, 38, 41 on performatives, 37 on personhood, 38 on practical truth, 35, 37 on predication, 36 on seizure, 38-g, 226 on spiritual truth, 35, 37-8, 39, 41 on statement, 36-7, 42 on theoretical truth, 35, 37, 44 Truth and Art, 35 on truth of being, 38, 39-40 on truth of recognition, 38 on valuations, 37 horizon, 99, 108, 126, 131, 230 Hospers, John, 191, 223, 224 Huiziñga, Johan, 228 Husserl, Edmund, 91, 92, 95 illocutionary acts, 21, 185, 194-5 illocutionary effect, 155, 209 imagination, 62, 98, 206, 218 imaginative cogency, 9, 10, 62-5, 108, 116-17, i3°-2 !б° 2o6, 207, 209, 215; see also aesthetic validity imaginative disclosure, g, 101-17, 125_7 134, 139, 144, 200, 201, 202, 207-g, 212, 213, 215, 216; see also artistic truth; disclosure imaginative insight, see imaginative disclosure import, 127, 134, 208; see also artistic import integrity, 10, 127, 129-30, 131, 134, 150, 157, 159, 161, 174, 179, 208, 210, 211, 212, 215, 218 Index ^75 Kant, Immanuel, 2, 5, 8, g, 55-73, 107, 116, 11g, 206, 246 on the aesthetic, 55, 58, 60-1, 68, 177, 178, 190, 229 on the antinomy of taste, 63, 64, 72 on beauty, 55 Critique of the Power of Judgment, 39, 57, 228 on fine art, 58 on genius, 59-60, 229 on imagination, 60, 61, 228 on nature-freedom dialectic, 57 on polarity of entertainment and instruction, 58-g on polarity of expression and communication, 59-61 on polarity of play and work, 57-8 on rational ideas, 60, 61 on reflectivejudgment, 59, 60, 230 on schemata, 60 on sensus communis, 230 on taste, 59-60, 64, 229 Kirkham, Richard, 4-5, 225 Kisiel, Theodore, 237 knowledge, 3 knowledge by acquaintance, 26, 39, 224 knowledge by description, 26 Kögler, Hans Herbert, 222 Kollwitz, Käthe, 136, 137, 138-g Kompridis, Nikolas, 120, 241 Kristeva, Julia, 155, 202, 257 Langer, Susanne К., 14, 176, 177, 184, 229, 244 Levinas, Emmanuel, 48, 51, 205, 227 linguistic turn, 2, 12, 219, 257 logical positivism, 10, 36, 122, 143-4. 176. 209 Mahler, Gustav, 3-4 Makkreel, Rudolf A., 60, 228, 230 Margolis, Joseph, 7, 18, 205, 221, 244 Maritain, Jacques, 35 Marx, Karl, 177 meaning, 120, 157-8, 209, 229, 234, 247 metaphysical objects, 225 mimesis, 190-1, 211, 220 Mörchen, Hermann, 238 Morris, Martin, 240 music, 3, 254 New Criticism, 18 Nietzsche, Friedrich, 48, 122, 205, 226 nominalism, 10, 144; see also art, nominalist ontology of Nussbaum, Martha, 237 Ogden, С. K., 145-7, 246; see ak° Richards, I. A. orientation, 3; see also cultural orientation perlocutionary effect, 155, 20g philosophy, 13 analytic, 12, 13-14, 17, 36, 56, 176 of communication, 52; see also linguistic turn of consciousness, 52 continental, 12, 13, 17, 34, 46, 56 cross-disciplinary, 11-12, 203, 213, 216 postanalytic, 144 postmetaphysical, 52, 53, 206, 219, 257 reformational, 13 Plato, 2, 6, 180, 191, 192-202 play, 57, 229 Plotinus, 45, 48 pragmatics, 33 predication, 153-4, 246, 247 predicative availability, 89-90, 92, 100, 235 predicative self-disclosure, 92-4 presentation, 60-2, 127, 132, 160, 206, 229 propositional acts, 152-3, 160 propositional truth, 9, 120, 137, 207, 208; see also theories of truth; truth propositionism, 10, 144, 147, 151, 158, 160, 182, 209, 210, 212 propositions, 5, 25, 26, 28, 33, 120, 135, 146, 149-50, 152-3, 154-5, 157~9. l62, I7I-2, 2О3, 205, 2О9, 210, 2I3, 220, 245, 247, 248 purport of aesthetic signs, 60, 61; see also aesthetic signs Rapaport, Herman, 8-9, 46-54, 102, 180, 205 on artistic truth, 46-7, 51, 53-4, 205-6 on artworks, 53-4 and Beardsley and Hofstadter, 51-3 on Derrida, 48, 51, 205, 226, 227 on Heidegger, 48-9, 50-1, 84, 205, 226, 227 Is There Truth in Art?, 46 276 Index Rapaport, Herman (cont.) on Levinas, 48, 205, 226, 227 on Nietzsche, 48, 226 on the existential difference, 47, 49-50, 52 on the ontological difference, 47, 49, 52 realism, 10, 144; see also art, realist ontology of Recker, Joyce, 217-18 reference, 152, 174, 234 Rembrandt, 188-g, 253 representation, 2, 55-73 Richards, I. A., 6, 10, 14, 139, 144, 145-7, 151-7, 160, 162, 16g, 202, 204, 209, 210, 246, 252 on artistic truth, 145, 146, 151-7, 209 on contextual theory of interpretation, 146 on emotive use of language, 145, 156, 244 and Greene, 148, 151, 161 Principles of Literary Criticism, 244 on propositions, 146, 154-5 on reference, 145-6, 151-7, 209, 245, 252 on referents, 145 on symbolic use of language, 145, 244 on symbols, 145, 146 Rockwell, Norman, 135, 137 Rorty, Richard, 144, 257 Russell, Bertrand, 26, 225 Schiller, Friedrich, 57 scientism, 34, 35, 225 Searle.John, 7, 11, 152-3, 154, 155, 157, 158, 184, 185, 193, 194, 246, 247, 248 Speech Acts, ig4 Seel, Martin, 70, 72, 108, ng-22, 124, 125, 130, 208, 241 Seerveld, Calvin, 177 Shusterman, Richard, 237 Analytic Aesthetics, 144 significance, 10, 127, 128-9, 131, 134, 136, 157, 175-81, 208, 209, 210, 211, 212, 215, 218, 256 speech-act theory, 5, 7, 21, 152-3, 184, 193, 194-5 speech acts, 24, 69, 136, 137, 139, 152, 153, 155-6, 157, 158. 194-5. 231, 243. 246, 248 expressive, 137-8 regulative, 138-g Stevenson, Charles, 20-1, 22 on descriptive meaning, 20, 21 on emotive meaning, 20 Sydney, Sir Philip, 191 systatic availability, 92, 236 Taylor, Charles, 128, 242 theories of truth, 4-5, 6, 33, 53, 204, 20g, 213 anticorrespondence, 203, 210, 213 antipropositional, 5-6, 84, 203, 205, 207, 213 correspondence, 6-7, 42, 51, 85, 143, 144, 162, 163, 171, 180, 182, 200, 203, 209, 210 deflationary, 5 noncorrespondence, 144, 203, 206, 209, 213 nonpropositional, 5, 6, 84, 102-9, 12° 123, 144, 203, 205, 206, 207, 208, 209, 210, 212, 213, 238 propositionally inflected, 5, 6-7, 14, 33, 34, 40, 80, 83, 95, 126, 143, 144, 157, 163, 182, 196, 203, 207-9, 210, 212 See also artistic truth; prepositional truth; truth truth, 12, 202, 204 as life-giving disclosure, 9, 77, 78, дб-100, 108, 125-6, 132, 180, 181, 207, 216, 218 criterion of, 6, 44-5, 47, 51-2, 143, 146, 149-50, 203 See also artistic truth; disclosure; prepositional truth; theories of truth truth-about, 25, 39, 182, 191-6, 202, 211, 213 truth potential, 124-5, 130, 134 truth-to, 10, 25, 39, 182, 191, 197-8, 202, 211 truth-with-respect-to, 10, 127, 131, 208, 212 Tugendhat, Ernst, 91-2, 93, 94, 96, 236 Utopian impulse, 120, 121, 139 validity and disclosure, see disclosure and validity validity claims, 7-8, 54, 65, 69, 120-1, 136, 208, 231, 241, 243 Vollenhoven, D. H. Th., 13, 235 Walton, Kendall, 187 Wellmer, Albrecht, 124, 130, 134, 208, 230 Wittgenstein, Ludwig, 5, 245 Index 277 Wolterstorff, Nicholas, 6, 10, 13, 62-4, 133, 144, 182-202, 211-2, 216 on action, 184-7, 193_4 20b 211 212 Art in Action, 256 on artist as agent, 184 on artistic truth, 163, 182, 196, ig8-2oo, 212, 256 on count-generation, 184, igo, ig4, 195, 253 on events, 183-4 on fictive and assertive projection, 185, 186-7, 191. !95 197-8 on fictive stance, 186-7 and Goodman, 162-3, 187-g, 190-1, 196, 198-g, 210, an, 249, 251, 252 on illocutionary actions, 185, 186, 194-5, 254 on import, 191-6, 211 on intentionality, 193-6, 211 on language actions, 185 on mood actions, 186, 187, 191-6 on nature of artworks, 184, 185, 254 on norm kinds, 184, 196, 211 on ontology of worlds, 183-4, 196-8 on predication, 187 on propositions, 191-6, 198, 211 on representation, 187-g, !95-6, 255 on self-expression, 199-200, 256 on self-realization, 199-200, 256 on statal actions, 185-6, 195 on states of affairs, 183, 185, 192-3, 197, 198, 253 on truth to actuality, 197-8 Works and Worlds of Art, 182, 192, 211 on world of the work, 185, 190, 211 on world projection, 182, 183-gi, 192, 195. 211 world personal, 133 postsubjective, 133-4, 211 social, 133, 211 world crossing, 179-81, 202, 211, 212 world relations, 10 Young, James, 21g |
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