| Volltext: | INDEX abstraction, io Abu Mä'sär, 51 action, 29, 124,135, 139 Aeneid (Virgil), 26 aesthetics, 27, 55, 115,140,153, 154, 157; idealist aesthetics, 144, 171, 172 Aesthetics (Hegel), 114,193 "age of transition" xviii, 70-77, 80, 81, 82,100 Alberti, Leon Battista, 11,163,164- 65, 188, 203 "Albrecht Dürer and Classical Antiquity" (Panofsky), 185,190 Alciati, Andrea, 212 Alexander, Samuel, 233—34 allegory, 114 Analytic of Principles (Kant), 129 antinomy, principle of, 174-76,189, 203, 210, 217 Apollo, 95 Apollo Belvedere, 24, 191,192 Apollonian/Dionysian polarity, 2, 194; in Dürer, 52—53; Nietzsche on, 54—55, 58, 60—62, 194; in Renaissance, 66—68 Apologia (Pico della Mirándola), 201 appearance, 54, 139; appearance/illu-sion, 55, 56 Aquinas, Thomas, 96 Arab science, 163 Argiropulo, Giovanni, 47 Aristotelian philosophy, 89, 96, 166, 167 Aristotle, 47, 67,159,160, 162; on melancholy, 199; on space, 203— 04; on infinity, 205 art: aim and nature of, 21, 22,125, 210; as means of knowledge, 153— 54; nature and, 159; as manifestation of idea, 160-61,168; as science, 167, 208—11. See also symbol formation art history: Warburg's devotion to, 2- 3; as new science, 208—11. See also individual authors and concepts art theory, 31, 220; Plato on, 143— 44,151,153; history of, 156-57 —Panofsky's views: Plato and, 157- 59; art theory as science, 163-64; premises for, 160—61; Mannerism and, 168-69; solutions to problem of, 174-76; Riegl on, 179, 208-11. See also genius, theory of artist: nature of, 97,160,161; artist as mediator, 98; Plato on, 147, 148,149,150,153 artistic form, in artistic image, 112,114—15. See also symbol formation artistic intention (Kunstwollen), 189- 90, 207—ii ; Panofsky on, 179-80, 181-82,185-88,194-95 W; historical time and, 214-15 artistic phenomenon, 9,14-15,17, 30, 39, 42,144,183,184,185; Panofsky on, zio—II, 222—23, 229; time and, 213-18. See also genius, theory of 272 INDEX artistic problem, 207, 208—11 Asclepius, 72 astral deities. See pagan demonism astral demonology, 50 astrology, 65, 64, 77, 82,118, 200; Warburg on, 50, 51; Luther on, 65-66; Cassirer on, 92—94, 95, 98-99, 119 Astronómica (Manilius), 51 atmosphere, 20 attraction, 140 Augustine, St., 90,161,162,171 Averroism, 96, 97 Baron, Hans, 97, 253Я58 beauty, 12, 40, 58,168,172,195, 220; tragedy and, 53, 54; F. Vischer on, 115; Justi on, 148, 149; Plato on, 152, 158; St. Augustine on, 161; Panofsky on, 163—64, 165, 188, 235; as measure of idea, 172—73; Dürer on, 201—02. See also classical antiquity becoming, process of, 5—6, 42, 68, 70, 76, 80, 84; ideal and temporal, 100—01; in symbol formation, 131—37; knowledge and, 144—45; natural becoming, 146,147, 148; antinomy and, 176; historical becoming, 203, 205. See also consciousness being, 145, 155; being and thought, 103; language and, 126; nonbeing, 145, 146 Being and Time (Heidegger), 231 being-there, 73—75, 80; being-there objectivity, in Bellori, Giovanni Pietro, 168—69, 171, I72--73,193 Bergson, Henri, 34,121,135,185, 2-17 234 Bing, Gertrud, 34 Birth of Tragedy (Nietzsche), 38, 53, 59 Boll, Franz, 99 Botticelli, Sandro, 15, 23, 25, 26, 43, 61—62, 93 Bovillus, C., 91, 92, 94 Brueghel, Pieter (elder), 43 Brunelleschi, Filippo, 206 Bruno, Giordano, 3, 234 Buoninsegna, Duccio di, 206 Burckhardt, Jacob, xii, xiii, xviii; Warburg and, 12, 22, 23, 27, 36, 57, 68; on genius, 29; on Renaissance, 31, 32, 33, 35, 81-82; on demonism, 63—64, 65; Cassirer on, 87, 88—89, 90, 91; Panofsky on, 228, 229; on Fortune, 245Я115 Byzantine art, 187, 205 Cantimori, Delio, 250И2 causal schema, 200 causality, 35, 36, 56, 71, 132, 183; mythical causality, 69, 72, 118—19; demoniac causality, 98—99 cause and effect, 118 Cassirer, Bruno, 202 Cassirer, Ernst, xiv, xv, 72, 219, 229, 233; memorial address for Warburg, 1—6; interest in antiquity, 6— 7,12—14; unity in, 84—85; admiration for Warburg, 85—86; polarity in, 90-91, 92—93, 94, 96-97; development of symbol theory, 137— 40; differences with Warburg, 143; criticizes Justi, 147—49, 150—55; on art and idea, 153—54; conceptual structures in, 198. See also idea and ideal; symbol formation and other individual authors and concepts centaur, 46 chance, 150, 151 change, 102, 176, 221 chora (space), 204 chorismös (separation), theme of, 90— 91 Christian tradition, 11, 38, 39, 53, 96, 97, 192; paganism and, 46, 64—65; renewal of culture in, 162 Cicero, 90, 157, 159 Cimabue, Giovanni, 219 classical antiquity: role in Warburg's thought, 7—8, ii—14; ideal of INDEX 273 beauty in, 13, 38, 39, 41; Winckel-mann on, 24, 25, 26; Panofsky on, 193—95. $ее a^° Apollonian/Dio-nysian polarity; Renaissance Classicism, 157, 168, 171, 190 cognitive process, 112, 118, 127 coincidentia oppositorum, 89, 91. See also polarities concept, 151, 152, 202 "Conceptual Form in Mythical Thought" (Cassirer), 117 conceptual structure, 198 "conceptual transparency" 27 Confessions (St. Augustine), 161 conflict, 90 conformity, 28 Confutation of Idealism (Kant), 217 connection, 51, 70, 87 "connection of perceptions" 182 consciousness, 101—02, 118; creativity and, 104—05; function of, 107— 08; Kant on, 108; artistic consciousness, ii5; discontinuity in, 120; totality of, 121; reality and, 123—24; evolution of, 124—25; becoming and, 130-31; in symbol formation, 132, 134, 135,136 consciousness-experience relationship, 132-33 construction, theory of, 186 contemplation, 31, 97, 199, 200 content, 112, 222—23 "Copernican revolution" 109—10, 128, 176, 184, 207 correlation, principle of, 99 cosmological dynamism, 200 Cratylus (Plato), 145 creativity: creative faculty of consciousness, 104—05, 106, 108, 109, hi; creative objectivity, hi; becoming and, 133—34. See also symbol formation Creuzer, Frederick, 68, 248П178 Critique of Judgement (Kant), 28 Critique of Pure Reason (Kant), 184 Croce, Benedetto, 16 Cronus, myth of, 199 culture, iii, 112, 128, 134; history of, 5, 135; process of, 131; Justi on, 150—51; concept of, 173 Cusanus, 89, 90, 91, 92-, 94 97 Dante Alighieri, 199 Darwin, Charles, 8, 9, 11 Dasein, 231 De Martino, Ernesto, 70—71, 72—75 De Ruggiero, Guido, 251Я14 De Sapiente (Bovillus), 91 De vita triplici (Ficino), 200 Demiurge, 103 Democritus, 204 demonism. See pagan demonism Descartes, René, 73, 83, 233 design, theory of, 166, 167 destiny, 27 development, concept of, 226—27 diaeresis, 146 dialectics, 154 Dialogues (Petrarch), 90 Dilthey, Wilhelm, 180—81, 182, 185, 2-31-33 Diodorus of Sicily, 186—87 Dionysian. See Apollonian/Dionysian polarity divination, 62 divine prescience, 95 Dodgson, Campbell, 212 dogmatism, 220—21 Donatello, 55 Doren, Alfred, 244Я111 Dürer, Albrecht, 25, 42, 89, 99, 231; genius of, 31; movement in, 52, 53; polarities in, 59, 66, 68; spirituality of, 77; idea in, 174; from Middle Ages to Renaissance, 188—92, 195, 196, 197; melancholy in, 197—202, 226 "Dürer and Italian Antiquity" (Warburg), 52 Egyptian art, 60, 186-87, 2.01, 212 eidos and eidolon, 144, 145, 146, 152. See also form; image *74 INDEX "Eidos und Eidolon" (Cassirer), 143, 154, 156 élan vital, 135 empathy, concept of, 14—16, 114, 115, 126; R. Vischer on, 17—20, 21 empirical datum, 122 "empirical thought" and mythical thought, 106-07 "empirical truth" 129 empiricism, 174 energy, 34 enlightenment, search for, 51—52, 68 Epistle VII (Plato), 155 Erlebnis (inner experience), 6, 180— 82,190, 223; cultural Erlebnis, 184,195,197; Dilthey on, 231, 232 eros, 153 Eros, theory of, 97 eternal mobility, concept of, 140 eternity, image of, 103 Etruscan art, 25 Euripides, 38 evolution, 9, 51, 79, 136,184, 225 exaggeration, 18 exorcism, 73 experience, 107, 129,132,134, 209 expression, 40, 75, 128, 152,178; sensory content and, 126, 127 Expression of Emotions in Man and Animals (Darwin), 8 Expressionism, 164,196 expressive gesture, 178 factuality, 225, 226, 227 Faith in the Stars and Astrology (Boll), 99 fantasy, 18,19, 20, 21, 31,115,147, 168,176 feeling, 18,170,182 Fidno, Marsilio, 47, 48—49, 92, 95, 97, 98, 163,164, 168; on melancholy, 199—201 Florentine art: Classidsm v Northern realism, 39—43. See also Renaissance; Sassetti Chapel flux, 102,130 form, 19, 20—21, 145, 160, 222; form and content, 94 formalism, 222 Fortuna, goddess, 45—46 Fortuna Occasio, 45—46 Fortune, concept of, 2, 44—49, 76, 82, 94-95, 245И115 free will, 95 Friedländer, Paul, 156, 259 Friedländer, Walter, 187 future, 135 Galilei, Galileo, 13, 164 Gauricus, 65—66 genius, theory of, 27—33, 51, z^5 199 Gentile, Giovanni, 234 German Enlightenment, 28 Germany: medieval tradition, 64—65 gesture, 17 Ghirlandaio, Domenico, 37, 38, 42, 46 Giotto di Bondone, 37, 206 givenness, 180, 215, 227, 232 gnostic-pessimist tradition, 199 Goethe, W., hi, 140, 192—93 "Goethe und Plato" (Cassirer), 144 Gombrich, Ernst, xi, xii, xvii—xviii good: beauty and, 163—64 "good European" 51-52, 58 Gothic art, 187, 219, 220—21 Gotternamen (Usener), 15—16 Greece. See classical antiquity harmonistic cosmology, 188 harmony, 32, 40, 115, 152, 190 Hegel, G. W. E, xviii, 41-42, 91, 94; themes in, 112; on symbol, 114; Cassirer and, 124—25, 138; theory of overcoming, 139; concept of life, 139-40 Hegelian philosophy, xviii, 5, 14, 53, 171 Heidegger, Martin, 224, 225, 228, 229, 231, 234 Helios Pantokrator, 192 Hercules, Bust of, 24 INDEX 275 "Hercules at the Crossroads" (Panofsky), 212, 222, 228 hero, 83 heroism v happiness, 3—4, 6 historian, 4—5, 221 historical consciousness, 77—80 historical interpretation, 198 historical necessity, 190—91, 197 historicism, xvii, 23 5 historicity, 231; of magical world, 74— 75 historiography, xi—xii, xvii, 227 history, xvii, 117, 124, 184; cultural history, 84; nature and object of, 157, 215—16; Panofsky on, 183— 85; history and life, 216—17; idea of, 232; of mind, 233; as science, 233—34. See also "age of transition"; space; time and individual authors History of Ancient Art (Winckel-mann), 60 "History of the Theory of Human Proportions as a Reflection of the History of Styles" (Panofsky), 185 Homer, 23, 41, 54, 58 Huizinga, Johan, 81, 82, 233, 259И1 humanism, 61, 62, 80, 95, 96, 97 "humanistic disciplines" 210 Icarus, 3 iconographie tradition, 222, 223 iconology, 36, 212, 228; critical icon-ology, 50-51 Idea. A Concept in Art Theory (Panofsky), 39-40, 97, 156, 187, 189- 90, 193, 202 idea and experience, 165 idea and ideal: Plato on, 148; original meaning, 149; Cassirer on, 152— 53, 155—56, 165—66; Panofsky on, 157-58, 159, 171-72, 174-77; idea into ideal, 173 —idea, 47,169; Plato on, 145; Panofsky on, 160-61, 175—77; sensory and, 170-71; Cassirer on, 174-75 —ideal, 3, 40, 138, 175, 193; Schiller on, 40—41; Hegel on, 41—42- See also beauty idea and image, 94, 159 idea and matter, 168 idea and sensation, 174 Idea of Painters, Sculptors and Architects (Zuccari), 167 "ideal mediation" 118 idealism, 21, 193, 196, 228 ideality, concept of, 59,136 ideality/idealization: in symbol formation, 129—30 idealization, 37, 162; v actuality of Christian faith, 36—39; Warburg's use of term, 38—39; Florentine classicism and, 39—43; problem of in Renaissance, 42—44 ideell, 42 illusion, 54 image, xv, 7, 139; nature of, 4—5, 51— 52; R. Vischer on, 19; in myth, 114; externalization of, 123; spheres of stability, 127; history of, 130; Cassirer on, 142, 143; Plato on, 172; Panofsky on, 234, 235. See also idea and ideal imagination, xv, 10, 18, 20, 28, 33, 76, 134, 139, 201; primitive, 73; Bellori on, 172, 173; Panofsky on, 174 imitation, 20, 21, 22, 26, 41, 105, 167; in symbol formation, 108—09; Panofsky on, 159—60, 163; Plato on, 172; Dürer and, 191—92 immediacy, problem of, 106, 108—09, 180; in symbol formation, 123, 124, 139; defined, 255Я75 impotency, 82 Impressionism, 164 In Search of Cultural History (Gom-brich), xvii-xviii India, 64 Indian Decans, 50—51 individual, concept of, xiv Individual and Cosmos in Renaissance Philosophy (Cassirer), xvi—xviii, 82, 85, 87, 88, 89, 92, 94 276 INDEX individuality, 27, 96 individualization, 88—89 infinite, 3, 8, 60, 203, 204, 205, 221; affirmative infinity, 41, 42 ingenuousness, 55 initiative: as characteristic of genius, 25, 27 inner experience. See Erlebnis "inner Idea" concept of, 167 intellect, concept of, 29,145,172, 175, i89 intellect-sensibility, 97, 98 intellectuals, 31 intelligence, 9, 10 interpretation, 222, 223; historical interpretation, 6; violence of, 224—30 intrinsic meaning, 223, 226 intuition, 9, 18, 29, 106,119,151; mythical, 120,121; in symbol formation, 127—28; meaning and, 128; in art theory, 208—09 "involuntary thought" 120 irony, 77, 82, 196 Italian idealism, 67—68 Jerome, St., 162 Joseph and His Brothers (Mann), 77— 79 Jupiter, 95 Justi, Karl, xiii, 25, 26, 29, 30; on Platonic aesthetics, 147,148, 149, 150, 151,152,154-55 Kaegi, Werner, 42, 65 Kant, Immanuel, 5, 21; on genius, 28, 29; on being-there, 73—74; doctrine of transcendental apperception, 73, 74, 75; on time and space, 103, 107,119, 128; sensory and, 156; "thing-in-itself" 174; on subject and will, 178-79; influence on Pan-ofsky, 182, 184; on nature, 193; Heidegger on, 224, 229. See also subject-object relationship Kant and the Problem of Metaphysics (Heidegger), 224 Kantorowicz, Ernst, xi Kepler, Johannes, 13 Klibansky, Raymond, 233, 234 knowing, 231 knowledge, xvii, 82, 144—45, Cassirer on, 84—90; being and, 145; image and, 152; sensory and, 169; theory of, 182—83; universality of, 198, 199; historical knowledge, 215, 233. See also becoming, process of; self-knowledge Kunstwollen. See artistic intention Lamprecht, Karl, 240И35 language, 93, 94, 105, 108, 140, 156; Cassirer on, 106, 122; artistic form and, in; autonomy of, 125; formation of, 125, 126, 127 Language and Myth (Cassirer), 118- 19 Laocoön (Lessing), 23, 24 Laocoön group, 24, 26, 72 Last Supper (Leonardo), 223 "legitimate construction" 206 Leibniz, G. W. von, 91, 94, 134 Leonardo da Vinci, 25, 42, 164, 188, 223 Lessing, G. E., 23, 24, 26, 28, 54, 172, 173, 222 Lévy-Bruhl, Lucien, 72 liberation, struggle for, 6 L'Idea del Pittore, dello Schultore e dell'Architetto (Bellori), 168—69 life as energy, motif of, 27 Lipton, David R., 253П34 logic, 65, 69-70, 117, 121, 122; dominance over sensory, 124—25; symbolic, 127; concept and, 176 logos, 144,147, 208 Lomazzo, Giovanni Paolo, 166—67 Lorenzo the Magnificent, 11, 23, 43 love, 153, 154 Lovejoy, Arthur, xi Luther, Martin, 6, 62, 63, 77, 99; astrology and, 65—66; against paganism, 66-67, 68, 69 Machiavelli, Niccolô, 95 INDEX 277 macrocosm and microcosm, 91 magic, 65, 69—70; religious magic, 71; De Martino on, 73—74; Cassirer on, 92—94, 99 magnanimity, 48 manifold, 154, 155, 170 Manilius, 51 Mann, Thomas, xv, 40, 77—79 Mannerism, 157, 165, 166, 168, 190 mathematical symbols, 4, 60, 76, 103, 127, 152, 190, 201 meaning, xv, 126, 127, 128, 232 measure, concept of, 152, 163, 194. See also proportion, theories of mediation, 77, 80, 144, 154, 203; mediated result, 73, 74; of eidolon, 152—53; creative energy as, 153. See also immediacy, problem of; symbol formation Medieval tradition, 43, 64—65. See also Middle Ages Meier, Hans, xi melancholy, motif of, 59—60, 66; in Dürer, 197-202 Melanchthon, 63, 65, 159 Melencholia (Dürer), 31, 59, 226, 230 memory, xvii, 34, 79, 80, 86,134, 135—36, 235; collective memory, 232 Metamorphosis (Ovid), 191 metaphysics, 174 Metaphysics (Aristotle), 159 methodical circle, 225 methodological unity, 85—86 Michelangelo Buonarroti, 42, 174 Middle Ages, 50, 86, 165, 205; movement in, 52—53; relationship with Renaissance, 87—91, 94, 99; art and theology in, 160, 161-65; Pro" portion in art of, 187, 188—89. See also Dürer, Albrecht modality, problem of, 132, 226, 227 moderation, 194 "momentary gods" 8 "monistic pathos" xi monotheism, 8, 68 Montale, Eugenio, 230 movement, motif of, 9, 10—11, 25, 26, 55, 119; defined, 20, 21—22; will to movement, 27; accessories of, 45; Warburg on, 52—53; magic and, 74; proportion and, 186 movement/serenity, 52 multiplicity, 152 music, 54 mystery cult, 63 mystical theology, 161 mysticism, 49, 121, 192; number mysticism, 187 myth, 2, 4, 9,10, 105, 108, 142, 202; classical, 38—39; Cassirer on, 94, 95—96; artistic form and, hi; symbol in, 113, 114; historicization of, 116—17; as mediation, 118; myth to science, 124; autonomy of, 125; in Plato, 147—48,153. See also symbol formation Myth and Science (Vignoli), 9 mythical theory of knowledge, 117— 18 mythical thought, 122 naive/good, 51—52 naïveté, 55, 56 nationalism, 197 Natorp, Paul, 145—46 natural man, 41 natural science and cultural science, 2-I3-I4 naturalism, 168-69, i93 nature, 18—19, 47s 92, i5°, i93 man and nature, 40-41, 55, 72, 165— 66; in Plato, 146—47; art and, 164; genius and, 165; idea and, 169; artist and, 171 nature and spirit, 139 necessity and freedom, 94 negativity, 160 Neoplatonic-optimistic tradition, 199 Neoplatonic philosophy, 21, 42, 47, 89, 96, 98, 144 154, 166, 167; demonism and, 63—64; Panofsky on, 159—60; Ficino on, 163, 164 278 INDEX Nichomachean Ethics (Aristotle), 47, 67 Nietzsche, Friedrich, 12, 24-25, 56, 234; on genius, 30; on myth, 38— 39; on tragedy, 53-54, 58; polarities in, 60—62, 67—68; on hero, 83. See also Apollonian/Dionysian polarity nonbeing, 145, 146 Northern art, 37-38, 39-43, 52-, 195, 196; realism in, 39—43, 50, 67—68. See also Florentine art Notes on the History of Art in Italy (Burckhardt), 36 nous, 96,160 numbers, 152. See also mathematical symbols nymph, 32, 191 object. See subject-object relationship objectivity, 30, 227, 232; kinds of, in; construction of, 114; attainment of, 125; of will, 151; determination of, 166 objectivization, 104, 107—08; of science, 119 oblivion, epoch of, 205 old and new, 91, 92—93 "On the Aesthetic Education of Man" (Schiller), 139 On the Naive and Sentimental in Literature (Schiller), 40—41 On the Optical Perception of Form (Vischer, R.), 15 On the Relationship between Art History and Art Theory (Panofsky), 207 One, ontology of, 170 "one-many" relation, 133-34 opinion, 146 opposites. See polarities "optical attitude" 177 "optical perception" 178 Orator (Cicero), 159 order, 127—28 order and function, theory of, 103 originality, 28 Orpheus, iconography of, 52 Ortega y Gasset, José, 234 overcoming, theory of, 139 Ovid, 191 pagan demonism, 49—50, 51—52, 58— 62, 98—99; nature of demoniac beings, 63—64, 69—70. See also Apollonian/Dionysian polarity paganism, 6, 7—8 "pain and greatness" theme, 3—4 painting, 23 Palazzo Schifanoia frescoes, 27, 49, 50, 61 Panofsky, Erwin, xv, xvii, 31, 59, 89, 93, 143, 156, 157; concept of idea, 39—40; Cassirer on, 97, 98; departure from Cassirer, 158—59; on man and nature, 165—66; on style and representation, 177—79; on Er~ lebnis, 180—82; on ideal unity, 183—84; theory and practice in, 187—88; on Dürer, 188—92, 195, 197—202; Warburg's influence on, 190—91,192, 211; definition of symbolic form, 202—03 ; art theory in, 208-11; on pragmatism and dogmatism, 220-21; on violence of interpretation, 224—30; disagrees with Warburg, 231. See also art theory; classical antiquity; idea and ideal; perspective; Renaissance; time Parmenides, 12, 103 Parmenides (Plato), 155—56 participation, concept of, 72, 146 passivity, 160 past, 134,135 pathos, 75, 82, 197 "pathos formulas" 2, 4, n, 70, 93— 94, 95 "pathos of distance" 190, 191 patience, 48 patrology, 161 perception, 102, 109, 128, 129, 232; as function of knowledge, 122—23 perfection, 220 perspective, 60, 196, 197, 202-07 INDEX 279 Perspective as "Symbolic Form" (Pan-ofsky), 197 pessimism, 72 Petrarch, 90, 97 Phaedon (Plato), 169 phantasm, 10 phenomenal planes: in Panofsky, 222— 2-3 phenomenal sense and intrinsic meaning, 223-24 Phenomenology of Knowledge, The (Cassirer), 122 Phenomenology of the Spirit (Hegel), 120, 140 phenomenon, concept of, 101,118 Philebus (Plato), 152, 155, 170 philology, 59 philosophy, 12-13, 84, 97 114, 139, 148—49. See also individual authors Philosophy and History (Klibansky, ed.), 233 Philosophy of Symbolic Forms (Cassirer), 72, 84, 113, 124-25,193, 202, 211 physical world, 41 physis, 12—13 Pico della Mirándola, 91, 92, 95, 201 Piero della Francesca, 25 Plato, xii, 12, 13, 90, 103; on ideal, 40; myth in, 95—96; Cassirer on, 141, 143—44, 145; Platonism and, 156; art theory in, 157—59,161; on sensory world, 169—70; admiration of for Egyptian art, 186—87; on space, 204. See also art theory; beauty and individual authors and concepts Platonic philosophy, 60, 89, 150-51 play, 139 plenum of sensory data, 209 Plotinus, 160, 163 poet, 41 poetry, 23, 54 polarities, 61—62, 66, 70; in Renaissance, 42, 66; movement/serenity, 52—53; between Middle Ages and Renaissance, 67—68; magic and logic, 69, 71, 72, 77; theory and practice, 91—92; of beings, 170—71; Panofsky on, 206-07. See also Apollonian/Dionysian polarity and other individual concepts Poliziano, Angelo, 11, 23, 37, 191 Pollaiuolo, Antonio del, 39, 55 Polyclitus, 186 popularization of culture, 33 "Portraiture and the Florentine Bourgeoisie" (Warburg), 36 positivism, 125 potential, concept of, 160 Poussin, Nicolas, 234, 235 pragmatism, 220—21 precision, 163 "preconscious" 120 prescience, 126, 136 presentation, act of, 134 prestructural world, 126 Primal Unity, 56, 61 primary substance, 25 primitive expression and cognitive act, 106 principium individuationis, 97 "Problem of Historical Time" (Simmel), 215 Problem of Knowledge, The (Cassirer), 83, 85, 87, 88, 89, 90 "Problem of Style in the Figurative Arts" (Panofsky), 177 Problemata (Aristotle), 67 progress, 21, 31—32, 41, 79; historical progress, 3, 76; Cassirer's faith in, 5; symbols and, 33—34; ideal and, 42; as emancipation, 51—52; expression of, 93; basis for, 135. See also symbol formation Prolegomena (Kant), 193 proportion, theories of, 152, 185—88, 189—90 Protestant Reformation, 66, 69 prudence, 47, 48 psychological aesthetics, 15 psychology: folk psychology, 9 Pueblo Indians, 71 Raphael Sanzio, 42, 56, 57, 66 28o INDEX rationality/irrationality, 19, 29, 30, 31, 35, 230; rationality of genius, 28 realism, 38, 39-43,196 reality, xvii, 37, 41, 138, 139, 151, 217, 236; image and, 114; sensory reality, 162, 163 reason, 3, 76, 170 reconnection, 92 rediscovery, epoch of, 205 religion, 2, и3. See also Christian tradition; Middle Ages Rembrandt van Rijn, 31 Renaissance: Warburg on, 2,191; Greek archetypes in, 7—14; empathy for antiquity in, 14-16, 22—23, 35 56, 57; style of movement in, 20, 26; meaning of term, 32, 35, 49; self-consciousness in, 32—33, 38; polarities in, 37, 39; Renaissance philosophy, 85, 86—87, 88— 93; Panofsky on, 163—65; artistic intention in, 187—89,190. See also other individual authors and concepts representation, 18, 41, 42, 127, 151, 201; in symbol formation, 128, 129; Panofsky on, 177,178 Republic (Plato), 161, 169—70 repulsion, 140 reunification, process of, 151—52 Riegl, Alois, 174,179, 183, 208, 214 Ripa, C., 212 risk, 75, 76, 77, 225, 235-36 Rohde, Erwin, 58—59 romanticism, 40, 53 Rucellai, Giovanni, 44, 45, 46, 47, 48 95 Sassetti, Francesco, 36-37, 43—44, 95; Warburg on, 44—49, 93; character of, 76, 81—82 Sassetti Chapel, 37 Saturn, 66, 231; myth of, 198—200, 201, 212 satyr, 43 Saxl, Fritz, xi, XV, 31, 59, 77, 185, 234—35; on Cassirer, 142, 143; Panofsky and, 192; on Dürer, 197— 98, 201—02; on Titian, 212 Scheier, Max, 138, 139 Schelling, Friedrich, 8 Schiller, Friedrich, 3, 40—41, 55, 139, 140 Scholasticism, 89, 161,163, 168, 205 school, concept of, xiii—xiv Schopenhauer, Arthur, 3, 18, 20—21, 24, 53, 151; on genius, 28, 29, 30 science, 10, 13, 60, 76, 77, 99,156; Cassirer on, 104, 105; spiritual world and, 117, 119, 120, 121 Science of Logic (Hegel), 41—42, 140 "sciences of the spirit" 210, 218—19, 231-32 scientific symbols: as apex of symbolic process, 131, 132 sculpture, 23 secondary substance, 25, 27 Sedlmayr, Hans, 263Я79 selection theory, 165 self-consciousness, 32, 33, 38, 74 self-in-humanity, 19 self-knowledge, 80, 83 self-mediation, 140 sensation, no sensation and idea, 145 sensibility, no, 125—26, 128—29, 227, 228 sensism, 125 sensory consciousness, 120 sensory experience, 102—03 sensory intuition, 106 sensory unity, 214—15 sensory world, 3, 14, 76, 107; emancipation from, 122; in symbol formation, 125,126; contamination by, 152; importance of, 152, 169; idea and, 168; in Plato, 170—71; intellect and, 172; in art, 209—10 separation, theme of, 90—91, 146, 151-51 serpent, symbol of, 71, 72, 77, 212 Signorelli, Luca, 17 Simmel, Georg, 215—17, 218 INDEX 18l Sophistes (Plato), 155 Sophocles, 38—39, 140, 145, 169 soul, 96,145—46, 182 space, 106, 107, 119, 132, 211; language and, 127—28; Panofsky on, 203-07; historical time and historical space, 214—15 spirit: becoming and, 136—37; nature of, 139-40; history of, 157 spiritual world, 41, 101—02 spiritualization, 6, 42, 60, 66, 76 Stufe, 117 Sturm und Drang, 28 style, 49, hi, 179, 189, 256W83 subject and will, 179 subject-object relationship, 17, 18, г9, 95, 96—97, 229; in artistic act, 21; Cassirer on, 105, 106, 108; Kant on, 109—10; F. Vischer on, 115; in symbol formation, 138; Panofsky on, 163—64, 165, 195— 96; measure between, 166; ideal and, 175 subjectivism, 189 subjectivity, 30, 96, hi, 190, 222— 2.3 substance, 160 substance and being, 103 .substantiality, 131 suffering, motif of, 2 superman, theory of, 82 superstition, 2, 6, и, 50, 61, 66, 68, 71, 76; Cassirer on, 98—99 symbol, XV, xvi, xvii, 12, 47, 93; role of, 2, 33—34; Warburg's concept of, 9, 34-35. 39; R- Vischer on, 17; De Martino on, 72—73. See also mathematical symbols Symbol, Das (Vischer, E), 15, 112 symbol formation, 3, 5, 72, 90, 94; as median phase, 14, 101—02, 103, 106, 116, 118, 122; Warburg on, 71—75; universal character of, 104— 05; immediacy and, 106, 108—09; levels of Cassirer's theory, no, 126—27; progress in, no—ii; evolution and function of, 112—14, 123—24; origin of symbolic activity, 115, 126; problem of, 116; mythical world and, 117—21, 156; apex of process, 130—31; origin of, 134— 35; development of theory of, 137— 40; images in, 139; emancipation of symbol, 157; structure and, 198, 203, 205 Symposium (Plato), 168 syncretism, 97, 98 synthesis/antithesis, 8 talent, 27 Tani, Angelo, 38 taste, 21, 28—29, 63 telos, 208 Tertullian, 162 Theaetetus (Plato), 95, 96, 145, 146, i55 т7° theodicy, 97 theology, 89, 160—61 theory and practice, 88, 91—92, 94, 197-98 "thing-in-itself" 21, 28, 174, 176 thought, 106—07; image and, 152 Timaeus (Plato), 96, 146, 152 time, 35, 69, 70, 92, 211; historical time, XV, xvi, 93, 230, 231—32; Cassirer on, 84,101—02, 103, 106, 118, 119; Kant on, 107, 129; order and, 128; symbol formation and, 132, 136, 137; intuition of, 134; consciousness and, 135—36; Plato on, 146; artistic problem and, 213— 18; art history and, 219—21, 230 Titian, 212 totality of spirit, 131 tradition, 34, 35, 46-47 transcendental apperception, 73, 74, 75 "transcendental truth" 129 truth, 129, 161, 163; "courage of truth" 3; truth and error, 145; beauty and, 152 types, theory of, 223—24, 225 unitary development, 128—29 unitary essence, 226 282 INDEX unity, sense of, xii, 17, 19, 40, 84, 85, 86, 152.; concept of universal unity, 8, 9, 10, 14, 132; of inner and outer world, 166 unity of intellect, 96 unity of knowledge, 5 universal foundation, 82 Usener, Hermann, xiii, 7, 8, 15, 27, 120, 192 Valla, Lorenzo, 95 value, notion of, 185 vanishing point, 203, 206 Vasari, Giorgio, 166, 219, 220, 221 Verene, D. P., 258Ш42 vicious cirde/methodical circle, 225, 228 Vico, G. B., 10, 234 Vignoli, Tito, 9,10 Virgil, 23, 235 virtue, 47 Vischer, Friedrich Theodor, 14, 15, 17, 72,112-15, 173 Vischer, Robert, 15, 17, 30-31 vision, 223 Von Gent, Henrich, 201 Von Melle (Hamburg burgomaster), XV Warburg, Aby, xii, 222, 228; concept of history, xii-xiv; Burckhardt and, xviii, 33, 36, 38, 43, 65, 81, 82; "pain and greatness" in, 2—4; historiographic instinct of, 15-16; Winckelmann and, 24, 25, 57, 61— 62; on life as energy, 27; on Lao-coön group, 34—35; on Sassetti Chapel, 37—38; on Renaissance idealization, 42—44, 130; on fortune, 48—49; influence of Nietzsche, 53- 56, 58; on Olympian gods and demonism, 62—63, 67—69; age of transition concept, 70—77, 80; meeting with Cassirer, 142—43; on iconology, 228, 229. See also Apol-lonian/ Dionysian polarity; classical antiquity; Renaissance; symbol formation and other individual authors and concepts Warburg Library, 2; publications of, 142, 153, 156, 197, 202 Weicker, F. G., 8 Weltanschauung, 228, 231 will, 18, 20, 27-28, 30, 151, 179; objectivization of, 29; of fantasy, 31; of consciousness, 135 Winckelmann (Justi), 25 Winckelmann, Johann, 22, 24, 39, 149, 173, 193; on beauty, 38, 40, 41, 172; Warburg's opposition to, 52—53. See also classical antiquity Wind, Edgar, 208, 225, 265 Wölfflin, Heinrich, 177—78, 189, 202 word, 17, 155 word origin, 7 World as Will and Representation, The (Schopenhauer), 3 World War I, 62 Zeus, 8 Zuccari, Federico, 167—68 |
