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| Volltext: | Index Abrams, M.H., 6-9, 13-14, 31-2, 34, 44 Addison, Joseph, 12, 14-16 Adorno, Theodor, 2—3 Aesthetic: emergence of the concept of, 36—7 enjoyment, 37-9 in nineteenth century discussions, ix in recent discussions, ix-x After Walker Evans (Levine), 296-302 Ahmanson, Roberta and Howard, xiii-xiv Anderson, Jonathan, xiv Appropriation art, 297-8 Aristotle, 8 Armory show of 1913, 280 Art: and beauty, 310—12 Belting on origins of concept of, 57-8 evaluative judgments in, 312-18 andjustice, 322-5 Kristeller on origins of concept of, 9-10 and religion, 42-54 role of genres in evaluative judgments, 318-21 "The arts, " use of the term explained, xiii Art coming into its own, idea explained, 27-30 70-3 Art history: Belting on idea and origins, 57-60 Belting on end of, 60-6 Danto on end of, 57 as history of aesthetic style, 58-60 three kinds of, 119-21 Art in Action (Wolterstorff), vi-ix Art-reflexive art, 274-303 term explained, 274, 278 Art in social justice movements, 207-13 transference from projected world to actual world, 213-16 "Artwork, " use of the term explained, xiii, 56 Art world, 13-14 term explained, vii Aston, Margaret, 20 "Attention, " use of the term explained, 12 Augustine, 44 Baldessari.John, 61 Baldwin, James, 221, 225-9 Bachert, Hildegard, 245 Barthes, Roland, 119, 302 Basil the Great, 178 Beardsley, Monroe, v-vi, 3, 30, 38-9, 75-6 272, 317 Beauty: and art, 306-321 Aquinas on, 306-9 Moritz on, 35-6 Scarry on, 196-200 traditional concept of, 306-10, 196-200 of work songs, 268 Belfast mural art, 155-66 nationalist memorials, 163-5 unionist memorials, 159—63 Bell, Clive: on aesthetic emotion, 46-8 on art and religion, 45-9 on significant form, 46 Bellows, George, 279, 282 Belting, Hans, 55-66, 170, 176 Berleant, Arnold, x-xi Bigelow, 141 Borges, Jorge Luis, 302 Brillo Boxes (Warhol), v, 285-90 Brown, J. Carter, 252 Brown, Peter, 176 328 INDEX Brubaker, Leslie, 170-7 Brueghel, Peter the Elder, 149 Bunde, Gabriel, 193 Carroll, Noël , xi-xiii, 37, 96, 146-7, 213, 312, 322 Cattelan, Maurizio, 64 Census at Bethlehem (Brueghel), 149 Collingwood, R.G., 41 Concept of art: origin of, 9—11 Connoisseurship, 7 Construction model, 7—8, 11 "Contemplation": reason for avoiding the term, 12 Contemplation model, 6-9, 11 Council of Nicea, 178—9 Counting as: idea explained of one act counting as another, 68-9, 190-2 Cranmer, Archbishop, 21 Cuneo, Terence, xiv, 41, 109, 172, 266 Dana, Richard Henry, 260 Danto, Arthur, V, xii-xiii, 36, 56, 107, 286-90, 292 Dewey, John, 100-4 Dickie, George, 85-6 "Disinterested": meaning of term explained, 12-13 Disinterested attention: objective accounts of worth of, 35—37, 40 prominence in eighteenth century discussions, I—16 subjective account of worth of, 38-9, 41 variety of, 69-70 Douglas, Frederick, 219-20 Dowsing, William, 22 Duchamp, Marcel, 61, 276, 278-285 Eagleton, Terry, 28, 84 Early modern changes in the arts, I—18 Eco, Umberto, 309 Edward VI, 21—2 Eighteenth century revolution in the arts, 1-24 Eliot, T.S., 116 Elitism in eighteenth century writers, 14-16 Elkins, James, 77 Endo, Shusaku, 172-6 "Engaging" a work of the arts or artwork: use of term explained, ix Enhancement by art, 269-72 Enjoyment, aesthetic. See Aesthetic enjoyment Enlightenment: Simpson's discussion of, 20-4 Enoch, David, 109 Epiphanius, bishop of Salamis, 176 Epiphanius the deacon, 179 Finality, external, 75, 78-81 idea explained, 36 Finality, internal: idea explained, 36 Moritz concerning, 36, 78-81 Fineberg, Jonathan, 286—7, 297 Fittingness. See Honoring Fountain (Duchamp), 61, 276, 278-285 Franz, Erich, 298 Freedberg, David, 189 Freedom of the artist, 27-30 Fugitive Slave Act, 219, 230 Garrison, William Lloyd, 220, 231 Gass, William, 36 Gates, Henry Louis, 220-3, 238—9 Gauguin, Paul: on the artist creating like unto God, 52 Gioia, Ted, 257-69 Gombrich, Ernst, 107-8 Goodman, Nelson, 185 Goya, Francisco, 245 Graham, Gordon, 43 Grand narrative concerning art in the modern world, viii, 3-4, 25-33 Grand narrative theses: art-historical component of, 26—30 compared to Turner Thesis, 26, 57 idea explained, viii, 3-4 inapplicability to recent art, 55-66 sociological component of, 30-3 untenability in general, 68-82 Greenberg, Clement, 36, 299 Guyer, Paul, 11 Haldon.John, 170-7 Harrison, Barbara Grizzuti, 168 INDEX З29 Hawkinson, Tim, 276 Hegel, G.W.F., 40, 71-2, 124 Heine, Heinrich, 32 Henry VIII, 21 Hinz, Renata, 244, 254 Hirst, Damien, 76 Hochschild, Adam, 201 Holy Trinity (Rublev), 193 Honoring: and fittingness, 138—40 nature of, 132-8 selectivity of, 134-7 Horn, Stacy, 266-7 Hughes, Langston, 226 Hutcheson, Francis, 11 Hymns, 270-2 Iconoclasm: in the early modern world, 19-24 in Orthodoxy, 170-2 Icons, Orthodox, 76—7, 169-89 Imagination, pleasures of, 15-16 Independents Show of 1917, 278-80 Institute for Advanced Studies in Culture, xiv Internal finality. See Finality, internal Intrinsic worth of art: Moritz concerning, 35—37 Invention of Art (Shiner), 17-18 James, Henry, 229 Janssen, Horst, 246 Jenkins, Virginia Scott, 105-6 Joachimides, Christos, 299 John Chrysostom, 178-9 John of Damascus, 177-8 Jourdain, Robert, 266 Justice: in social practices of art, 322-325 Scarry on, 196-200 Kandinsky, Wasily, 280-1 Kant, Immanuel, 12, 33, 307 Kearns, Martha, 245 Keats, John, 31 Key to "UticleTont's Cabin", 242 Kim, Anna, xiv Kitzinger, Ernst, 176 Klinger, Max, 247 Knighton, Henry, 20-1 Kollwitz, Käthe, 245-54 how empathy was evoked, 248—51 how transference was evoked, 251—2 Kozinn Allan, i Kraus, Rosalind, 300 Kristeller, Paul Oskar, 5-6, 9-10 Lascaux caves, ill—13 Lawson, Thomas, 299 Lehr, Max, 253 Leontius of Neapolis, 177, 178 Levine, Sherri, 294-303 Lincoln, Abraham, 220 Lippard, Lucy R., 245 Livingstone, David, 165 Lollards, 20-1 Lomax, Alan, 259-65 MacIntyre, Alasdair, 87-96, 314 Malraux, André, 45, 64, 167-8 Marcuse, Herbert, 33 on art as salvific, 49-52 Marxist tradition of art theory, 49—5° Maya Lin, 3, 77, 126 Meaning: act-meaning, 108-11 maker-meaning, 111-13 social-practice meaning, 112-13 Meaning of a work of the arts or artwork, vii, 1x3—121 historical meaning, 116 illocutionary meaning, 117 maker-meaning, 118-19 projected world meaning, 117 social practice-meaning, 113-16 symbolic meaning, 117 Memorials: controversies over, 134-7 and honoring, 132-46 and memory, 127-9, 140-6 mute, 142-5 nature of, 127-46 Memorial art, 1-4, 123—66 Memorial examples: concert, 1-4 Freedom Park, 135 Holocaust, 125-45, TS3 Lincoln, 147 Majdanek, 135-6 330 INDEX Memorial examples: {cont.) Treblinka, 127 Vietnam Veterans, 3, 77, 126 Voortrekker Monument, 134-5 Warsaw Ghetto, 126, 134-5 Mendelsohn, David, 113 Michelson, Annette, 275 Monument against Fascism (Gerz and Gerz), 130 Monument against War and Fascism (Alfred Hrdlicka), 130 Moravcsik, Julius, 85 Moritz, Karl Philipp, vi, 34-8, 43, 52-3, 75, 80-1, 311 Müller, Wilhelm, 271 Mumford, Lewis, 125 Museums: Beltings account of origins of, 57-9 Simpson's account of origins of, 23-4 Mussorgsky, Modeste, 29 Nagel, Otto, 245 Natural Supernaturalism (Abrams), 31-2, 44 "New arts, " use of the term explained, xiii Nietzsche, Friedrich, 125 Nussbaum, Martha, 210-11, 215-16 Oestreich, James R., 1-2 Orwell, George, 221 Parameters in artistic creation, 82 Parchman Farm Prison, 259-65 Parry, Kenneth, 172 Perry, Grayson, 42 Plato, 8-9 Plotinus, 309-10 Porter, James I., 10-11, 18 Prelinger, Elizabeth, 245-253 Principle of transference (in theory of icons), 180-3 Progress in art: assessment of claims of, 70-3 Props, 193 Protestant iconoclasm, 20-4 Proxy, 193 Purposiveness without purpose, 33, 75 Rapoport, Nathan, 126 Rauschenberg, Robert, 63 Readymades, 282, 285 Reid, Thomas. 249—50 Representation as rendering, 184-6 Revolution in the arts, early modern, 5-18 Reynolds, David, 220, 231, 242 Robbins, Hollis, 220, 239 Roberts, Robert C., 211-12 Rolston, Bill, 158—65 Romantics: analysis of modern society as fragmentation, 31-3 on the social transcendence of art, ЗО-ЗЗ on the role of imagination in art, 32 on the role of unity in social transcendence of art, 33 Rothkop, Scott, 300 Rublev, Andrei, 193 Sallman, Warner, 185 Sand, George, 220 Scarry, Elaine, 196-200 Schapiro, Meyer, 62 Schopenhauer, Arnold, 74-5 Schweitzer, Vivien, 271 Schubert, Franz, 271 Shaftesbury, 63 Shelly, James, 37 Shelly, Percy Bysshe, 32 Shiner, Larry, 6, 9, 13, 17-18, 29, 33 Shusterman, Richard, 104 Silence (Endo), 172-6 Simpson, James, 20-4, 114-15 Singerman, Howard, 116, 119-21, 295—303 Social justice movements, structure of: activation, 204—5 awakening, 202-3 blocking of empathy, 203-4 conflict, 206-7 emotional engagement, 203—4 empathy, 203-4 pressure, 205-6 social justice analysis and critique, 204 Social practices: idea explained, 86—92 internal and external goods of, 92-6 Social practices of art, vii, 27, 96-8 practices of making and engaging art, 96-7 practices of presenting art, 97-8 Social protest art, 195-254 INDEX 331 Social transcendence of art, claims concerning, 30-3 assessment of claims, 73-80 The Spectator, 12, 14-16 Standard story concerning eighteenth century revolution in the arts, 6—16 Stieglitz, Alfred, 279 Stout, Jeffrey, 201 Stowe, Harriet Beecher, 220-43 St. Patrick's Cathedral, 1 Taliban, destruction of sculptures by, 19-20 Tatarkiewicz, Wladyslaw, 306 Telos of art, 27-8, 71-3 Theodore of Studios, 177, 179-86 appearance theory of image, 183, 186—8 likeness theory of image, 182-3 Theories of the Symbol (Todorov), vi, 31, 35-6 Thornton, Sarah, 42 Todorov, Tzetan, vi, 31, 35 Tolstoy, Leo, 41 Tomkins, Calvin, 278, 279 Transference (from projected world to actual world), 213-16 Uncle Tom's Cabin, 217—8, 220-243 how empathy was evoked, 229-33 how moral engagement was evoked, 234-40 how transference was effected, 240-3 Tom as Christ figure, 233—4 Uncle Tom not an "Uncle Tom, ", 222-4 Uselessness of art, Moritz concerning, 35 Van Gogh, Vincent, 110-11 Veneration, art for, 167—93 Venerative engagement, 142-5, 170-2, 176-192 Vienna Philharmonic, 1-3 Vietnam Veterans Memorial. See Memorial examples Wackenroder, Wilhelm, 35-7, 43—4 Walton, Kendall, 187, 193 Warhol, Andy, v, 285-90 Washington, BookerT., 220 Weber, Max, vii, 29, 32, 42-3 White, Edmund, 288 Winckelmann, Johann Joachim, 59 Wolfflin, Heinrich, 59 "Work of the arts, " use of the term explained, xiii Work songs, v, 256-72 creative gratuitous excess in, 259 Gioia on beauty of, 268 intrinsically good, 265 sung work, 258—9 World projection, 208-9 in social protest literature, 209-13 Wright, Richard, 211 Wyclif, John, 20 Young, James E., 125-45, 153 |
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