| Volltext: | Index abstract art, 65-6, 70, 88-96, 98, 100, 127,225,245 abstract expressionism, 7, 107П, 140; see also Francis; Fried; Greenberg; Minimalism; modernism; Newman; Rosenberg abstraction, 13, 76-7, 88-97, 113,140 cognitive abstraction, 243 Accelerationism, 52, 135, 244, 258-60 active synthesis, 115-19,125,128,137, 139,143, 145, t4G 148, 155; see also passive synthesis actual, 122, 126, 128-30, 132, 154-6, 256 actualisation, 124, 126,128, 131, 152, 255 see also virtual Adorno, Theodor, 46П, 47П, 94, 99, io8n, 2I5 aesthetic autonomy, 4, 7, 23, 88,174, 190, 208-11, 215, 245 aesthetic idea, 12, 38-45, 47П, 159П, 142, 212 aesthetic judgment, 9, ir-12, 15, 17-21, 2-3-45, 4?n, 56-9, 67, Ш, 167, 169-72, 175, 178-9, 187, 199, 210-11, 214, 223, 235-6 aesthetic regime, 207-9, 213-15, 219, 224,231,232-3,234-5 affect, 51-2, 55, 61, 74, 93, 167, 180, 183-6, 253 affect phrase, 50, 87-8 problematic affect, 145 see also feeling; sensation aisthesis, 57, 63, 69, 89, 90, 205-6, 229, 230П aistheton, 90, no, 221-2, 235 allegory, 188-9, 194-7, 206, 234; see a^° Owens Alliez, Eric, 127-8, 129, 147, 163П, 257 Allison, Henry, 40-1, 44-5 Alloway, Laurence, 95, 107П analogies of experience, 3 2 analogy, 170-2-, 174-7, 232 analogical presentation, 38, 42 anarchy, 207, 213 anthropocentrism, 85, 251, 254 anthropomorphism, 186 anti-art, 6, 83, 219, 237 anticipations of perception, 3 2 apperception, 62-3, 90, 114-17, 158П apprehension, 33, 60, 92, 129, 130, 158П, 180-1, 184; see also comprehension appropriation, 191-2, 194, 20m, 217; see also postmodernism arche-fossil, 262П; see also Meillassoux Aristotle, 205, 207, 232 Politics, 205 Aroni, Maria, 105П art theory, 190-r Artaud, Antonin, 138-40,154; see also body without organs Artforum, 70, 103П auto-immunity, 204 avant-garde, 2, 7, 10, 11, 38, 46П, 65-6, 83, 84, 89, 90-2, 95, 96-7, 100, io8n, 169, 221, 222, 224, 225, 2.45-6 neo-avant-garde, 103П Bacon, Francis, 126, 136-40, 144, 157П, 232 Bakhtin, Mikhail, 145-6 Bamford, Kiff, 52, 64, 86, 103П Bataille, Georges, 74 Baudelaire, Charles, io6n, 194 beautiful, 12, 21-9, 59, 60, 67,71, 73, 78, 81, 97-9, 113, 124, 169,173, 175, 177, 179, 182, 194, 209-10, 211-12, 219, 225, 230, 231, 235, 253-4, 255; see also free play of the faculties; harmony of the faculties Beech, Amanda, 245-6, 257, 259, 263П Benjamin, Walter, 97, io8n, 194 279 280 Sublime Art Bergson, Henri, 90,146,148, 157П, 163П, 254, 256 Matter and Memory, 146 Bernstein, Jay, 181-2 biopolitics, 128-9 body without Organs, 136-9 brain, 148,152, 153, 155, 234, 235, 244 brain-screen, 152, 153 Brassier, Ray, iy8n, 241-3, 244-5, ¿47, 251, 254-8, 259, 260; see also genre; noise; speculative anti-aesthetics Brauntuch, Troy, 195 Buchloh, Benjamin, 6, 264П Buren, Daniel, 47, 70, 93, 105П Burke, Edmund, 29, 34, io6n, 225 capitalism, 43, 50-2, 54, 56, 62, 70, 71-83, 87-8, 94-5, 96-100, io8n, 132-5, 222-3, 231-2, 246, 259-60 castration, no categorical imperative, 20, 30-1, 47П, 87 categories, 17, 32, 58, io2n, 146 Cézanne, Paul, 135,138,186 chaos, 32,131, 135, 138-40,144-6, 151, 154, 16m, 228, 231, 234, 244, 253, 256 chaos-germ, 138 chaosmosis, 144-7 Chapman, Jake and Dinos, 162П cinema, 126, 148-56, 218-19, ¿33~5; see also brain-screen; Costa; duration; Eisenstein; Epstein; French impressionist cinema; German expressionism; Godard; Griffith; modernism: modern cinema; montage; Murnau; Ozu; realism: neo-realism Clarke, T. J., 107П class war, 207, 23Sn cliché, 137, 146, 154, 156, 227, 144, 145 Cogito, 114, 117, 118, 123; see also Descartes colour, 92, io6n, 136,147, 230, 242 common sense, 26, 98, 111-12, 118,124, 179, 224 communicability of the sublime, 64, 68-9,93 comprehension, 33, 35, 129, 130-1, 137, 140, 158П, 180-1, 184; see also apprehension concept, 15, 17, 18, 20-4, 26, 32, 38-45, 45n 54 57, 59, 60, 100, 102П, 103П, 141-2,179, 189, 225, 243-5, 251, 260, 261 Conceptual art, 4-5, 8, 140-7, 169, 188, 196, 245, 257, 260-1; see also Duchamp; Kosuth; readymade; Wiener; le Witt post-conceptual art, 7-9, 70, 140-7, 169,197, 236, 247, 261 conditions of possible experience, 15, 24, 25, 28, 32, 36-7,45, 48, 59, 65, 73, 87, 94, 105П, 116, 118, 126, 134, 137, T43 153,167,170, 182, 244, 247,253, 254 contemporary art, 3, 4, 6-9, 12, 15, 23-4, 30, 62, 70, 85, 91,100, 105П, 145-7, 190,194, i96-7, ¿11, ¿i3-!9, 231, 232, 236-7, 241, 249, 251, 257, 261; see also appropriation; Conceptual art: post-conceptual art; research-based practice contingency, 242, 244, 253 correlationism, 241, 243, 244, 249, 251, ¿54, ¿55, ¿56-7, 262П subjectalism, 246, 253, 254, 262П see also anthropocentrism; arche-fossil; contingency; eliminativism; factiality; Meillassoux; Speculative Realism Costa, Pedro, 218-19 Crimp, Douglas, 192, 194, 2oin; see also October critical philosophy, 57,113, 136 as politics, 63 see also Kant Crowther, Paul, 41, 43-5 culture industry, 7, 84, 94, io8n, 264П cybernetics, 87-9, 98,132-5, 259 dark precursor, 127, i6on de Duve, Thierry, 10-13, 47n, 84 de Man, Paul, 4, 170, 183-7, 194, ¿3¿, 239П The Rhetoric of Romanticism, 187 see also Derrida; ideology; metaphor; metaphysics death, 31, 76, 132,134, 149, 151, 183, 256 death drive, 72, 74, 82-3, 104П, 132 Deleuze, Gilles, 30, 109-63, 164, 165, 167,180, 197, 202, 204, 211, 218, 219, 223, 224, 226, 227-36, 238, ¿44, ¿48, ¿49, 252, 253, 254-8, 260-1 Anti-Oedipus, 109-10, 128, 132, 139, 145, i6in Bergsonism, 2.56 Cinema 1,148-56, 233 Cinema 2,148-56, 233 Difference and Repetition, 109, 119, 127,128, 129, 159П, 131-2,137, 140,142,148,153, 154, i6in, 163П, 233, 254, 256, 257 Foucault, 128,159m, see also Foucault Index 2.81 Francis Bacon, the logic of sensation, 136-40, 2.4011; see also Bacon Kant's Critical Philosophy, 113 Proust and Signs, 109 see also active synthesis; actual; body without organs; cinema; dark precursor; desire; doctrine of the faculties; dramatisation; duration; eternal return; event; Guattari; modernism; passive synthesis; readymade; refrain; rhythm; superior empiricism; time; virtual democracy, 82, 203-4, 206-7, 209, 221, 225, 236, 238П Déotte, Jean-Louis, 219, 239П Derrida, Jacques, 2, 3, 6, 13П, 14,17, 22, 23, 164-200, 202-8, 216, 221, 222, 2.32., 242 ‘Economimesis', 174-8, 2oon Margins of Philosophy, 199П Memories of the Blind, 168 Of Grammatology, 178,182 Positions, 178 The Truth in Painting, 178, 182 Writing and Difference, 189 see also allegory; analogy; autoimmunity; de Man; différence; economimesis; painting; trace; ultra-transcendental; vomit Descartes, René, 114, 242; see also Cogito design, 22-3, 258, 264П speculative design, 264П desire, 109-10 determinative judgment, 17, 23, 69, 98, 112, 167, 171; see also reflective judgment diagram, 136-7, i6on dialectic, 54—5, 66, 84, ioin, 235, 236; see also Hegel diffétance, 164-9, I7I, 174-8, 181-4, 189-90, 19s, 199П, 204, 222 différend, 49-50, 53, 54-6, 58, 61, 66, 68,87,98,227 differential, 120-3, 136,150 disagreement, 202-7, 209, 219-20, 226, 2.31, 232, 236 dissensus, 64, 67, 98, 125, 204, 210, 212, 214, 218, 222, 223, 224, 225, 230, 232, 237, 238П doctrine of the faculties, 110-13 dramatisation, 142 drift, 54, 144 Duchamp, Marcel, 5, 7, 10-12, 37, 47П, 70, 81-4, 86, 90, 93, 104П, 140-7, 163П, 201П, 226, 227 The Bottle Rack (1913), 145 delay, 83 Given (1966), 82 The Green Box (1935), 141 The Large Glass (1923), 82, 105П Porte, и Rue Larrey (1927), 104П see also readymade duration, 90-1, 146, 148; see also Bergson; Deleuze economimesis, 174-8, 193 Ehrenzweig, Anton, 103П Eisenstein, Sergei, 148, 149, 155 eliminativism, 262П empiricism, 158П, 164,165, 170-1, i75' 183, 230, 256, 262П empirical experience, 32 superior empiricism, 152, 164, 256; $ee also transcendental empiricism Epstein, Jean, 149, 155, 163П, 233 Escher, M. C., 261 eternal return, 118-19, 127, 128,132, 150, 155, 158П, 255; see also Nietzsche; will to power ethics, 12,19, 50, 53, 57, 61, 67, 69, 183, 293 297, 204, 208, 221-3, 224-8, 231 event, 9, 30,48, 56, 61, 62-4, 66, 77, 87, 9°, 93"4, 99, loln, IT7, I22 I24 i37, 145, 153-4. 202, 218, 225, 229 factiality, 242; see also Meillassoux fear, 34 feeling, 10-13, 21, 56, 77, 179-86; see also affect; intellectual feeling: feeling-thought; sensation figural, 51-2, 156-7П, 232 Figure, 136-40 Fisher, Mark, 246-7, 259 Flaxman, Gregory, 152 form, 21-2, 62, 168; see also formalism formalism, 23 formless, 28, 30, 32-4, 46П, 60, 66, 92-3, 95, 100, 126, 170 Foucault, Michel, 158П, 159-боп, 136, 209, 239П Francis, Sam, 92-3 free play of the faculties, 11, 12, 20-3, 27, 32, 47П, 60, 78, 178, 209, 211, 212 freedom, 16, 18-19, 27, 28, 31-2, 35-40, 46n, 49, 59, 61-3, 69, 95, 99, 167, 171, 175-7, 179, 183, 209, 212, 229-30, 235 moral freedom, 31 French Impressionist cinema, 149-50 Freud, Sigmund, 161-2П Fried, Michael, 251-2, 261; see also abstract art; Harman; modernism 2.81 Sublime Art future, 9,48,93,119,126,132,135,139, 144,148,154-5,165,183,19811, 203-5, 219, 226, 229 as emancipation, 93 Gance, Abel, 148, 149 Garnett, Robert, 30 genius, 38, 112, 159П, 174, 175-7 genre, 243-5 German expressionism, 150 gift, 74,132,174 Gilbert-Rolfe, Jeremy, 30 God, 39, 151,176-7, 205 Godard, Jean-Luc, 155 Grant, Iain Hamilton, 51-2, 241-2, 248, 259, 262П; see also pansychism; Speculative Realism Greenberg, Clement, 2, 11, 23, 94, 103П, 188, 212, 215, 246, 248-9, 251, 261 Griffith, D. W., 149,150 Guattari, Félix, 109-63,165, 167, 197, 228, 229, 231, 232, 233, 249, 257, 258; see also affect: problematic; body without organs; Deleuze; desire; event habit, 115-17 hallucination, 91, 152 Harman, Graham, 241-2, 248-52, 254, 261, 262П, 264П Guerrilla Metaphysics, 250 see also Escher; Fried; Greenberg; Heidegger; Speculative Realism harmony of the faculties, 23-8, 39-40, 45, 57, 59, iii-ii, 121, 124, 169, 211; see also doctrine of the faculties; free play of the faculties; imagination; Kant; reason; understanding Heaney, Seamus, 1-2 Hegel, G. W. E, 233, 235; see also dialectic Heidegger, Martin, 166, 175, 183, 199П, 248 Being and Time, 248 holocaust, 222, 223, 226, 231 humanism, 43-4; see also anthropomorphism; inhuman Hume, David, 115, 116, i6in humour, 30, 227 Husserl, Edmund, 248, 263П hylozoism, 19-20, 2oon; see also materialism: vital materialism hyperrealism, 73, 74, 104П; see also Monory; painting: figurative painting hysteria, 75, 139 Idea, 9, 11-12, 30-45, 56-69, 76, 79-80, 95, "b 113, 119-25,126-40, 142,148-9, 151,153, 154, 176-7, 179-80, 182, 184-6, 221, 225, 229, 230,231,255,257 Idea of totality, 35, 122 problematic ideas, 119-25, 126, 127, 139, 152, 254, 255, 256, 257; see also Brassier; Deleuze; virtual idealism, 68, 158П, 254, 256-7, 262П ideology, 6,43, 186, 190 imagination, 20-45, 57, 59, 60-2, 64-5, 78, 92, 95, 97, in, 112, 115-17, 123-5, 131-5, 139, 142, 149, 150, 155,169,170, 175, 179, 184, 210, 211, 219, 221, 225, 230, 254 headings of the imagination, 57-8, 60-4 productive imagination, 57, 66, 174 incommensurability, 53, 59, 65, 68, 75-7, 80-1, 84, 85, 104П infinite, 29, 34-5, 49, 76-9, 92,99,104П, 113, 125, 131,139, 180-1, 231 information, 96,141,143, 259 information technology, 97 inhuman, 1, 31, 44-5, 51, 75-7, 81-2, torn, hi, 226, 228, 230, 256, 259 inhuman politics, 51, 66 institutional critique, 84, 105П, 147, 190 intellectual feeling, 28, 35, 36, 61,104, 109,120,125-7, 134, 139, 142, 154,155 feeling-thought, 49-50, 59, 61-2, 93, 244, 255, 256,257, 260 intellectual intuition, 242; see also Meillassoux; Speculative Realism intuition, 32, 60, 62, in, 114,115, 120, 122, 125, 130, 140, 148П, 149, 167, 235, 253; see also transcendental intuition irony, 30, 83-4, 183, 193, 217, 236-7 Jackson, Mark, 198П Jackson, Robert, 250, 262П, 263П Jameson, Frederic, 43; see also postmodern sublime Jones, Caroline, 94-5,107П jouissance, -jz, 74-5, 82, 94 judgment of taste, 20-3, 31, 60, 66-7, 78 four moments of the judgment of taste, 23-7, 32, 60-1: modality, 27, 32; quality, 24-5, 32, 60; quantity, 25-6, 32, 60; relation, 27, 32, 61 Juno Ludovisi, 224 Kant, Immanuel, 2-52, 56-69, 85, 89, 9°, 92-3,95,98, 110-27,141-2, Index 149-53,164-87,229,235-6, 241, 243,248,254, 255 Critique of Judgment, 4, 9, 15-45,48, 53, 56-66, 93, 111-27,166, 453 Critique of Practical Reason, 16-17 Critique of Pure Reason, 16-17, 23, 32, 46П, 102П, 124, 125, 139, 158П, 186 Opus Postumum, 19 see also aesthetic idea; aesthetic judgment; analogies of experience; anticipations of perception; apperception; apprehension; beautiful; categories; comprehension; concept; conditions of possible experience; critical philosophy; determinative judgment; doctrine of the faculties; free play of the faculties; genius; harmony of the faculties; imagination; intuition; judgment of taste; noumenon; phenomenon; reason; reflective judgment; schema; schematism; sensus communis-, subreption; supersensible; understanding kebab, 24 Kerslake, Christian, 157П, 158П Kirwen, James, 36, 42, 102П Kosuth, Joseph, 5-6, 141,143, 245-6, 257, 263П Art After Philosophy, 5 see also Conceptual art Kreil, David, 171, 190 Kruger, Barbara, 192, 193 Land,Nick, 132-5,159П, 259, 260 language, 6, 39, 40-50, 54-5, 87, 164, 172, 176-8, 183-7, 194, 206-7, 236-7; see also sign; signification; signified; signifier Les Immatériax, 70, 84-8, 259-60 Lyotard, Jean-François, 44-100, 109-10, 133, i6in, 168,197, 202, 204, 211, 218, 219-27, 230, 244, 249, 258, 259, 260, 261 ‘The Aesthetics of the Serial Killer', 75-Si communism, 53-6 The Différend, 51, 53, 86, ioin, юуп, 219 Discourse/Figure, 53, loin, 109, no, 156П Duchamp's TRANS/formers, 81-4 Enthusiasm, 102П Lessons on the Sublime, 48, 56-69 Libidinal Economy, 51-2, 59, 82, ioin, Ю2П 283 ‘The Libidinal Economy of the Dandy', 71-5 The Postmodern Condition, 96 Soundproof Room, 96 see also Adorno; communicability of the sublime; death: death drive; différend; drift; Duchamp; Francis; hyperrealism; incommensurability; inhuman; judgment of taste: four moments of the judgment of taste; Les Immatériax-, Lyotard: communism; Monory; Newman; Pouvoir Ouvier machine, 81-5, 149, i6in desiring machine, 139, i6in; see also desire Mackay, Robin, 85, 87-8, 252, 259-60 Maimon, Solomon, 120 Malik, Suhail, 246-7, 253 Malraux, André, 89, 96 Marxism, 53-5, 66, 96, roin, i6i-2n, 238П mass-media, 6, 43, 84, 97, 110-13, 2.16 materialism, 184, 227 vital materialism, 19, 2oon; see also hylozoism; vitalism mathematics, 242-3 244 Meillassoux, Quintin, 241, 242-3, 262П; see also arche-fossil; contingency; correlationism: subjectalism; eliminativism; factialiry; speculative anti-aesthetics memory', 90, 116-17, 149 metaphor, 185-6, 250 metaphorical image, 216 metaphysics, 164, 165,170-1, 177, 182, 183, 190, 207 Minimalism, 251, 264П; see also Fried modernism, 2, 7, 23, 30, 38, 65, 70, 83, 88, 85, 92, 93, 99, io6n, io8n, 109, 126-7, 133, x46, 156, 174, l88, 190-1, 195, 196-7, 212, 213-15, 219,222,228,231,235,237, 245-6, 248-9, 251, 255, 261 modern cinema, 152-6 sublime modernism, 3 see also abstract art; abstract expressionism; Francis; Fried; Greenberg; Minimalism; Newman; Rosenberg money, 72, 77, 175 Monory, Jacques, 70-81, 103-4П; see also hyperrealism montage, 15 5-6 moral law, 31, 46П, 61, 67-8 mourning, 80-1, 85, 90, 165, 200П, 224, 225 284 Sublime Art movement-image, 148-50, 153, 155; see also cinema; time-image Murnau, F. W., 151,155 music, 100,126, 151, 177 mysticism, 93, io6n, 133-4, z39 T49 Nancy, Jean-Luc, 46П nature, 16, 17,18-19, 22, 29-31, 45П, 57, 96,144, 150, 169, 175-7, 182, 185, 256; see also Grant negation, 83, 92, 99, io8n, 139, 236 negative presentation, 37, 50, 52, 59, 62, 63-9, 71, 77, 89, 9° 92~3, io8n, 125-7, 147, 149, 156, 180, 182, 225 new, 9,48, 52, 57, 89, 97, io8n, 126, 148,154,169; see also future Newman, Barnett, 88-92, 94, io6n Who's Afraid of Red, Yellow, Blue (1969), 91 see also abstract art; modernism; painting Nietzsche, Frederick, 118-19, 125, 132, 154-5, 183, 22.6, 229, 261; see also eternal return; overman; will to power nihilism, 51, 52, 69, 75, 76-7, 81, 89, ioin, 109, 133-5, 26o postmodern nihilism, 217 noise, 243-5, 257, 258 nonsense, 81-2,126 noumenon, 16, 35, 61,100, 112, 113, 116, 117, 120, 122-3, 130, 168, 171, T73, 175. l8°, 236, 256, 258; see also phenomenon now, 90, 96, io6n October, 103П, 188, 196; see also Crimp; Owens; postmodern art Osbourne, Peter, 6-9, 13П, 141, 163П, 263П outside, 30, 50, 55, 89,137, 144, 155, 159П, 164, 221, 235, 236 over-identification, 218 overman, 118 Owens, Craig, 188-9, 191, I94~7. 2O2n; see also allegory; postmodern art Ozu, Yasujirö, 153, 154 pain, 2, 29-37, 46n, 50, 57, 59, 61, 79, 82, 86, 92, 125, 134, 152, 179, 184 painting, 71-81, 88-97, 226, 136-40, 247, 165-7, 173, 177, 188, 199П, 215, 233,235, 242, 248-9,253 figurative painting, 72 see Bacon; Buren; Francis; Newman panpsychism, 248, 249, 252, 253, 254, 255, 262П; see also Grant; Harman; Shaviro; Whitehead parergon, 169-74, 178, T79 182,189 partition of the sensible, 206-7, 209-11, 236; see also aesthetic regime; disagreement; police; Rancière passive synthesis, 115-17, 126,128, 131-2, 138-9,142,143, 145, 146-7, 151, 153-5, 22-8, 255; see also active synthesis; sensation people to come, 228-9, 230 performance, 87, 92; see also performativity performativity, 92, 96-7,185-7; see also performance perspective, 81-3 phenomenon, 16, 69, 112, 116,122, 171, 175, 236, 258; see also noumenon photography, 71-81, 97, 173-4, 191, 195 pleasure, 2, 21-2, 24, 26-7, 29-37, 50, 57, 61, 79, 86, 92, 98, 125, 134, 169-74, 179, 182,184, 218 disinterested pleasure, 21, 24, 60, 78, 98,2-53 negative pleasure, 29, 33, 134,170 poetics, 183-7, 2°6, 228 poetry, 126-7, 176,177-8, 185, 187 police, 172, 206, 211, 217, 219-20, 232, 237; see also partition of the sensible; Rancière political art, 52-3, 55, 188-97, 2n 2X3, 217, 219, 237 politics of deconstruction, 177,175; see also Derrida; postmodern art Pop art, 72,103П, 142 positivism, 79, 188-97, 212, 221, 222 postmodern sublime, 42-3 postmodernism, 8, 30, 42, 79, 86, 95-8, 100, 169, 174, 187-9, 2.00П, 213-14, 216, 219, 221, 225, 231, 245 Pouvoir Olivier, 53 primary process, 54, 72, 81, 259-60 Prince, Richard, 191-2, 193, 194, 2oin; see also postmodern art problem, 117, 119-24, 126, 132,138 proletariat, 55, 82, 132, 207, 222, 228, 23 9П; see also Marxism; revolution purposiveness, 21-2, 27, 28, 30, 36, 45П, 47П, 57, 60, 213 Rajchman, John, 51, 81, 86, io8n, 227 Rancière, Jacques, 2, 3, 4, 8, 9, 14, 26, 40, 163П, 197, 202-38, 246, 259, 261 Aisthesis, 23 8n Disagreement, 203 see also aesthetic regime; beautiful; cinema; democracy; disagreement; free play of the faculties; Juno Index Ludovisi; modernism; partition of the sensible; police; postmodernism; proletariat; Schiller; sensus communis rationalism, 19, 154, 243-4, 247, 262П readymade, 5, 11, 12, 47П, 97, 103П, 140-7, 249-51; see also appropriation; Conceptual art; contemporary art; Duchamp real experience, 50, 59,118,120,126, 129, 132, 139,153, 159П, 165, 168, 229-30, 258; see also passive synthesis; superior empiricism; transcendental empiricism realism, 78, 80,98,107П, 193 neo-realism, 156 see also transcendental realism reason, 17, 18, 20-1, 24, 27, 28-45, 59. 61, 62-9, HO, II2-I3, 122, 125, 133-4. Î42-, 151, T7°, i79"8i 184-5,227, 230, 245,255 reflective judgment, 4,11, 12,13П, 17-20, 48, 56-61, 69,102П, 147, 167, 171-3,179,180, 181-2, 209, 219, 225 refrain, 143, 145, 146,151,165П; see also nature; rhythm; spatio-temporal dynamism representation, 10, 32-3, 41, 50, 58, 59, 66-7, 73, 81, 89,100,103П, 116-18, 120, 122, 125,132, 138, 141, 143, 146, 149, 152, 166, 225, 233, 235, 243, 256, 257; see also language; sign; understanding research-based practice, 191, 262; see also contemporary art; Conceptual art: post-conceptual art resistance, 55, 69, 96, 190, 210, 223, 225 respect, 30-1, 46П, 61, 68-9 revolution, 55, 63-4, 96, 103П, 124, 135, 207, 210, 212, 213, 217, 136 Copernican revolution, 118-19, 158-9П, 248 rhythm, 130-2, 135-40, 145-7, 2-3 J; see also music; refrain Rimbaud, Arthur, 115, 121 Rodowick, David, 175, 178 Romanticism, 29-30, 65, 76, 90, io6n, 187, 196, 2oon, 223, 230, 253; see also hylozoism; nature; Schelling; Schiller Rosenberg, Harold, 94, 107П Schelling, Friedrich, 253, 262П schema, 57, 59, 62, 131-2,137, 142, 149; see also schematism schematism, 15, 20, 31, 59, hi, 124, 285 125, 132, 133, 162П, 173, 210; see also imagination; schema; understanding Schiller, Friedrich, 40, 208, 212-13, 216, 219, 222, 224, 239П On the Aesthetic Education of Man, 208 see also Rancière; Romanticism schizophrenia, 118, 132, 135, 139-40, 145,162П, 231 Schreel, Louis, 129, 159П science, 78-9, 96-8, 107П, 175-6, 242-3, 244, 252, 258, 260 sensation, 3,15, 2г, 24, 27, 35, 45, 50-3, 57-8, 62, 65-6, 69, 97, 109,115, 119-23,125-6, 129-40, 143, 151, 153-4, l67, T79. i85, 188, 247, 256- 7, 261 sensory-motor-schema, 151-5; see also modernism: modern cinema sensus communis, 11,12, 27, 31, 52, 67, 68, 76, 179, 208, 219, 228, 231, 136; see also beautiful; free play of the faculties; harmony of the faculties Shaviro, Steven, 155, 159П, 2oon, 223, 248, 253-4, 26o Sherman, Cindy, 193,194; see also postmodern art sign, 50, 62-5, 67-9, 87, 95, 141,150, i6on, 165-70,173, 177-9, I88 195, i99n, 234, 256 op-sign, 153 see also language; signification; signified; signifier signification, 30, 50, 165-7, 198П, 216, 218, 231 signified, 5, 100, 156П, 183; see also language; representation; sign; signification; signifier signifier, 5, 30,91, no, 156П, 183, 237; see also language; representation; sign; signification; signified singularity, 82-3, 93 Smith, Daniel, 157П Socialisme ou Barbarie, 53, loi; see also Pouvoir Olivier soul, 37, 113,149, 150; see also spirit sound, 92, 100; see also music; noise Souyri, Pierre, 53-5 space and time, 114-15, 120, 130, 136, 140, 163П, 184, 199П, 254 spatio-temporal dynamism, 131-6, 139, 142, 153, 256; see also refrain speculative aesthetics, 242, 248-54, 258, 261, 263П speculative anti-aesthetics, 242-7, 254, 257- 9,261 2.86 Sublime Art Speculative Realism, 3-4, 9, 10, 142, 194, 241-64; see also Beech; Brassier; Harman; Land; Meillassoux spirit, 38, 41, 61, 138, 150-4, 156, 162П, 178, 190, 209 spiritual automaton, 154-5 see also soul Stiegler, Bernhard, 51, loin structuralism, 127-30, 156П, i6in stupidity, 83, 90, 138 sublime dynamical sublime, 32-7,148,150-1, 180, 185-6 mathematical sublime, 32-4, 78, 148-50,180, 184-6 see also Idea; imagination; intuition; Kant; postmodern sublime; reason; Romanticism; supersensible; technology: technological sublime subreption, 42, 225 superior empiricism, 152, 164, 256; see also empiricism; transcendental empiricism supersensible, 3,14,16-19, 25, 28-45, 62, 64, 66, 69-70,109,113, 118, 151-6, 164, 176, 179-81, 2oon, 213, 220-1, 228, 230 symbol, 39, 42, 113,142, 196, 232 technology, 43, 52, 71-81, 84-9, 96, 98, 100, 244, 259 immaterial technology, 85 new technology, 85-8, 99, 259 technological sublime, 78, 81 techno-science, 78-81, 85-8, 97-9; see also science time, 62, 77, 81, 89, 90-1, 93, 114-20, 129-32. 139, 148-56, 254, 257 three syntheses of time, 115-19, 158П, 244—6 time-image, 148, 152-6; see also modernism: modern cinema; spirit: spiritual automaton Toscano, Alberto, 19-20, hi, 128-9, 239n 257 trace, 166-8, 170, 199П transavantgarde, 97-8 transcendental aesthetics, 209, 246, 252, 256, 258, 260, 261 transcendental blindness, 168, 171 transcendental ejaculation, 182 transcendental empiricism, 116-17, 121, 140, 164, 244, 248, 252; see also superior empiricism transcendental idealism, 182; see also idealism; Schelling transcendental illusion (antinomy), 122 transcendental infidelity, 171,173 transcendental intuition, 262П; see also intuition transcendental materialism, 19-20, 23-4, 30-1,44-5,66, 70,257 transcendental realism, 156, 215, 243, 248, 253, 256, 258, 264П; see also realism transcendental signified, 167 transcendental subjectivity, 26, iii, 115, 123, 153, 165 ultra-transcendental, 168,174,181-2, 189; see also Derrida understanding, 17, 20-45, 59, 62, 78,94, 97, Ю2п, 107П, 110-13, 115-17, 120, 123, 136, 142, 149, 162.П, 175,179, 211, 219, 225, 235, 254, 257; see also categories; concept; harmony of the faculties; imagination; reason; representation Vanhanen, Janne, 159П virtual, 122,124, 126, 128-30,132, 145-6, 152, 154-6, 229, 230, 256-7; see also actual vitalism, 133, 254, 256, 262П; see also hylozoism; materialism: vital materialism vomit, 176-8,182, 196 Whitehead, Alfred North, 248, 253-4 Wiener, Laurence, 141, 162П, 263; see also Conceptual art will to power, 118; see also eternal return; Nietzsche; overman Williams, James, 51-2, ioin, 128 Witt, Sol le, 141, 263П; see also Conceptual art Wolfendale, Peter, 249, 250, 262П Woodward, Ashley, 67, ioin, io8n work, 175-6 Wortham, Simon, 227, 23 8n, 239П Zammito, John, 41-2 |
