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7574391
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Volltext:Index Page numbers in italic refer to illus­trations. Abbott, Berenice, 235 Abbott, Yarnall, 186 Abney, Sir William de Wiveleslie, 161 Abraham Lincoln ( Brady ), 48 "An Account of a Method of Copying Paintings upon Glass, and of Mak­ing Profiles by the Agency of Light upon Nitrate of Silver" (Wedgwood), 15 ff. Achromatic lenses, 89 Acolman 5, Mexico (Siskind), 304 Adams, Ansel, 251, 255-61, 277, 278 work of, 253, 256, 257, 258, 261, 276 Adams, John Quincy, 48, 49 Allston, Washington, 39 Adamson, Robert, 87, 91 n., 220 n. work of, 82 Aerial photography, 73—74 Aftermath of Flood, Mount Vernon, Indiana (Lee), 269 Agee, James, 318, 319, 320 Albert Sands South-worth (South-worth, Hawes), 36 Albright Art Gallery, Buffalo, photo-secessionist show (1910), 189 Albumen prints, 50, 63, 66-67, 87, 128, 130, 131, 132, 145 Alland, Alexander, Sr., 155 Amateur Photo Exhibition, London (1866), 161 "The Amateur Photographer" (Black), 149 ff. Amateur Photographic Association of Great Britain, 152 n. Amateur photography, 149-53, 163 America, 214, 215, 220 West, 121 ff. American Academy of Arts and Sci­ences, 74 American Amateur Photographer, The, 161, 185 n. American Archives, 49 n. "American School" of photography, 1 7 3 , 174 Anderson Galleries, New York, 209, 215 Andrea Doria (ship), 295 Animals, in motion, 141—42 Annals of My Glass House (Cameron), 1 3 5 ff- Annan, J. Craig, work of, 191 Annie, My First Success (Cameron), 134 Annual of Scientific Discovery, 74 Ansel Adams (Brassai), 277,278 Anthony, E. and H. T., 63, 64, 74 Anthony's Photographic Bulletin, 105 n. Approaching Storm, The (Stieglitz), 168 Arago, François, 17, 19, 20, 86, 94 Archer, Frederick Scott, 33, 51, 87 work of, 50 Architectural photography, 28, 80, 84,115, 177-79, 181, 182 Argent corné, 19 Armco Steel, Ohio (Weston), 226 Art, (in relation to photography), 79-80, 91-94, 112-13, 159-62, 163-65, 181, 201-03, 205, 223- 2 7 , 2 5 3 , 2 5 4 , 3 1 4 Art Center School, Los Angeles, 255 Art in America, 312, 313 n. "The Art of Photography" (Frith), 115 ff- Arthur and Guinevere (Eugene), 192 "Artistic Photography in France" (Demachy), 173 "The Assignment I'll Never Forget" (Lange), 263#. Astronomy, 74 Atget, Eugène, 2 3 5 - 3 7 ,260, 280, 3 1 3 work of, 234, 236, 237 Atlas execute d'après nature au micro-daguerreotype (Donné), 74. Attic (Weston), 222 Autochrome process, 203 n. Autotype, 137 Avenue de l'observatoire (Brassai) ,279 Avenue des Gobelins (Atget), 237 Balcon, 17 rue de Petit Pont (Atget), 234 Ballet méchanique, 231 Balzac, Honoré de, 278 Barn ( Holmes ), 62 Barthélémy, Victor, 278 Baudelaire, Charles, ni, 112, 280 Bauhaus, 239 Baumann, Hans. See Man, Felix Bausch & Lomb Lens Souvenir, The, 167 Bausch & Lomb Optical Company, 167 Baxter Street Alley in Mulberry Bend, New York ( Riis ), 153, 156 Bayer, Herbert, work of, 247 Beard, Mr., 83 Bedford, Francis, work of, 102 Bedroom Dresser, Shrimp Fisherman's House, Biloxi, Mississippi (W. Evans), 316 Benito Mussolini in His Office in the Palazzo Venezia, Rome (Man), 273 Bennett, James Gordon, 46 Bergheim, John S., 184 and n. Berliner Illustrierte, 274 Binocular camera, 147 Binocular lenses, 89 Binocular vision, 53, 162 Biot, Jean Baptiste, 17, 22 Birmingham Photographic Society, 105 Black, Alexander, 149 Black, James Wallace, 64 and n., 76 work of, 73 Black Vase, The (Steichen), 174, 176 "Block Notes" camera, 146 Boards and Thistles (Adams), 253 Böckiin, Arnold, 212 Böckmann, Mr. 15. Booth, Edwin Thomas, 48 Booth, John Wilkes, 48 Booth, Junius Brums, Sr., 45, 48 Born Free and Equal (Adams), 255 Boston, from the Balloon "Queen of Air" i860 (Black), 73 Boston Globe, The, 311,312 Bowdoin College, 38 Bradley, Henry W., 128 work of, 128 Brady, Mathew B., 44, 45-49, 71, 72, 260 work, of, 48 "Brady, the Grand Old Man of Ameri­can Photography" 45 ff. Brancusi, Constantin, 210 Braque, Georges, 279, 283 Brassai, 276, 277-81 work of, 278, 279, 281 "Brassai: I Invent Nothing. I Imag­ine Everything.'" (B. Newhall), 277 ff- 321 Brassai, Yosemìte National Park, Cal­ifornia (Adams), 276, 277 Braun (publishing house), 286 Breakfast Table, The (Talbot), 26 Breton, André, 279 Brewster, Sir David, 39, 40 British Journal of Photography, 37 and n., 144 Bromoil, 251 Brownie camera, 207 Buckle, Mr., 119 Bull Run, Battle of, 49,121 Bullock, John G., 187 Burned Mirror (White), 308 Burnham Beeches (Newton), 78 Burty, Philippe, 109 Cadett, Mr., 182 Cadiz (Coburn), J90 Calhoun, John Caldwell, 46 California Spirit of the Times, 142 Calotype process, 33-35, 51, 80, 87, 119 prints, 32, 35, 82,102 Camera Club, The, London, 105, 106, 159 Camera Club of New York, 163 Camera Notes, 171 Camera obscura, 16, 17, 20, 28, 55 invention of, 19 Camera Work, 181, 209, 2x9, 254 Cameras, 38, 146-47, 148-51, 251, 283, 287 Cameron, Julia Margaret, 135-38, 193,214,260 work of, 1 3 4 ,138,1 3 9 Candid shots, 287 Carbon prints, 170, 174,191 Card portraits, 69 Carlyle, Thomas, 135 Carson Sink, New Mexico, 124, 127 Cartier-Bresson, Henri, 275,279,282, 283—87, 299 and n. work of, 284-87 Cavaignac, Louis Eugène, 47 Cazotte, Jacques, 112 Celestial photography, 74 and n. Central Pacific Railroad, 121, 123 Century Magazine, The, 148, 150, 151 Cézanne, Paul, 210, 283 Champney, J. Wells, work of, 148 Chandler, Professor, 153 Charcoal Effect, A ( Devens ), 186 Charles Baudelaire ( Nadar ), r 11 Charles Sumner ( Southworth & Hawes), 38 Chemistry of Light and Photography, The (Vogel),68 Cheney, John, 39 Chesterton, Gilbert K., 200 Chiaroscuro, 37, 90 Chicago ( Siskind ), 304 Chiffonier,The (White), 199 Children in Madrid (Cartier-Bres­son), 286 Chilton, James R., 47 n. Church (Strand),303 Cinema. See Film Citrate paper, 230 and n. Civil War, 45, 48, 49, 121 Clark, Rose, 187 Claude glasses, 162 and n. Claudet, Antoine François Jean, 81, 83 and n., 86, 90, 92, 95 Clay, Henry, 46, 47 Clearing Winter Storm, Yosemite Valley, California (Adams), 258 Club of Amateur Photographers of Vienna, 173 Coburn, Alvin Langdon, 187, 200— 205 work of, 190, 200, 204, 205 Cocotte, The (Hoch), 248 Cocteau, Jean, 280 Collodion process (wet-plate), 33, 45. 46, 50-52, 53, 55, 56, 63- 68, 79-80, 87, 144, 149, 260 prints, 96—103 Collotype, 168 Color-etching, 219 Color filters, 182 and n., 252 Color photography, 152, 203 and 240 Coloring of photographs, 133 Colour Photography and other recent Developments of the Art of the Camera, 203 n. Colour-screens, 182 and n. Columbia College Amateur Photo­graphic Society, 153 Combination printing, 105, 106 Composites, 152 Composition, 166 Composition no. 76 (Henri), 249 Concealed Vest Camera, 147, 150 Coney Island, New York (Cartier- Bresson), 287 Confederate Dead by a Fence on the Hagerston Road, Antietam, Sep­tember 17, 1862 (Gardner), 72 Constable, John, 160 Contax camera, 283 Convent of Mar-Saba, near Jerusalem (Frith), 114 Cook, Alistair, 291 Cooper, James Fenimore, 47,47 Corot, Camille, 109 and n., 160 Coronation Procession, London, The (Cartier-Bresson), 285 Corrugated Tin Facade (Evans), 310 Country Doctor (Smith), 294 Cropping, 284 Cubism, 205, 227 Cubists and Post-impressionism (Eddy), 227 andn. Cundell, George S., 81, 87 Cunningham, Imogen, 251, 254 work of, 254 Custer, General George Armstrong, 132 Cwerey, F. W., work of, 99 Cypress, Point Lobos (Weston), 252 Dadaists, 241 Daguerre, Louis Jacques Mandé, 15, 17—21, 37 and n., 46 and n., 54—56, 81,85,86,89, 1 1 9 work of, 19,20 Daguerreotype, 17-20, 33,37-39, 51, 53, 56,74, 86, 1 1 9 works, 18, 19, 20, 36, 38,39, 42, 75 Dallmeyer, T. R., 184 and n. Dallmeyer-Bergheim lens, 184 and n. Dance Hall ( Brassaï ), 281 "The Dark Blue Sea." Breakers on the Coast, North Devon (Pollock), 1 0 1 Darkroom, 65, 151 Darktent, portable, 68 Darwin, Charles, 107 Daumier, Honoré, 108, 109 and n., 278 Da Vinci, Leonardo, 160 Davis, Jefferson, 48 Davy, Sir Humphry, 23-24, 27 n., 30, 81, 86 and n. Day, F. Holland, 187 Day in the Life of Mussolini, The (Man), 274 Daybook (Weston), 223 Daybooks of Edward Weston, The ( N. Newhall, ed. ), 2 2 3 n. Dead Poplar in the Owens Valley, California (Adams), 257 Dean, John, 74 Deardorff camera, 300 and n. Debrie Parvo motion picture camera, 242 Degas, Edgar, 212 Delaroche, Hippolyte, 86 De la Rue, Warren, 74 and n. Demachy, Robert, 173, 174 De Meyer, Baron A., work of, 1 9 1 Demonstration of Portraiture, A (Stieglitz), 209 Depression, Great, 263 "Design" (show), 205 Desnos, Robert, 228 "Detective" cameras, 147, 150 Deutsche Werkbund, 242, 243 Devens, Mary, 186,187 Dial, The, 209, 224 Diamond, Hugh W., work of, 97 Dickinson, Mr., 95 Did She? (Rejlander), 107 Diorama paintings, 46 n. Diver, The (Stettinus), 1 5 1 Documentary photography, 255, 257, 267, 269, 270, 305, 306, 320 Dodging, 186,187, 260 "Doings of the Sunbeam" (Holmes), 83#- Donaldson, Douglas, 224 Donné, Alfred, 74 and n. Double camera, 146 Dr. Albert Schweitzer (Smith), 288 Draper, Henry, 74 and n. Draper, John W., 46 Dresden China Fan, The (Meyer), 191 Drop-shutter, 152 Dry mounting, 252 322 Dry-plate process, 144-45, 146, 149, 1 5 1 Duchamp, Marcel, 228 Duell, Charles, 301 and n. Dumas, Alexandre, 109 and n., 112 Dumont, Mr., 187 Dyer, William B., 187 "Early History of Photography in the United States" (Southworth), 37 ff. Eastlake Sir Charles, 81, 83,146 Eastlake, Lady Elizabeth, 81, 82, 82, 97,146 Eastman (George) House collection, 121, 271 Eddy, Arthur Jerome, 227 and n. "Eduard J. Steichen" (Juhl), 173 ff. Edwards, John Paul, 251 Eickemeyer, Mr., 186,187 Electro process, 89 Electroplating, 54, 56 Electrotyping, 39 Elliot, Charles, 47 Ellis, Joseph, 81 Ellsler, Fanny, 48 Eluard, Paul, 279 Emerson, Peter Henry, 159, 163-65, 260 work of, 158,161 England, early history of photography in, 15-16,23-35 Engravings, 28-30, 85 Enlarging, 76 Entrance to the Great Temple, Luxor (Frith), 114 Epstein, Philip G., 109 Ermanox camera, 271,272,274 Essays on Art (Weber), 205 Eugene, Frank, 185—87, 220 work of, 192 "Eugene Atget" (Abbott), 235 ff. Eugene Delacroix ( Nadar ), 109 Evans, Frederick H., 177—84 work of, 178,180, 181, 183 Evans, Walker, 311—20 work of, 266, 268, 310, 315, 316, 317 "An Experiment with Gelatino Bro­mide" (Maddox), 144 ff. Exposition des Beaux Art, 84 "Expression of the Emotions in Man and Animals" (Darwin), 107 Ezra Pound (Coburn), 205 f.64 (group of photographers), 251— 54 Family of Man, The, 267 Farm Security Administration. See FSA Feilding, Horatia, 35 Film (cinema), 231—33, 239, 240, 241, 280, 281, 287 "Film und Foto" (Stuttgart 1929), 242 ff. Films, types of, 251,252,293 Filters, 182 and n., 252 Fizeau, Armand Hippolyte Louis, 86 Flaherty, Robert, 320 and n. Flashlighting, 284, 289-90, 291, 292, 295 "Flashes from the Slums: Pictures Taken in Dark Places by the Light­ning Process" 155 ff. Flood Refugees. Forrest City, Arkan­sas, February 1937 (Evans), 266 Floodlighting, 284, 289, 290, 291 Flourens, Pierre J. M., 70 and n. Focus, 79-80, 251, 253, 286 Force, Peter, 49 and n. Ford, Thomas, 161 Fort Sumter, 121 Fox Talbot, William Henry. See Tal­bot, William Henry Fox France, 84,173 French, Herbert S., 187 French Academy of Sciences, 17, 22, 2 3 French Chambers, 17, 18, 85, 86 French Underground, 286 French Society of Photography, 109 Frietag, Roman, 308 Frith, Francis, 65 and n., 115 work of, 114,118 From the Transporter Bridge, Mar­seilles (Moholy-Nagy), 241 FSA (Farm Security Administration) photographers, 263—64, 267-70, 3 1 5 - 1 7 "The FSA Photographers" (Steichen), 267 ff. "The Function of the Camera" ( Scott ), 201 ff. Furman, Henry, 48 "The Future of Pictorial Photography" (Coburn), 205 ff. "The Future of the Photographic Pro­cess" (Moholy-Nagy), 239 ff. Gallatin, Albert, 48 Garden of Dreams ( Keiley ), 194 Gardner, Alexander, work of, 72 Gathered for Burial at Antietam after the Battle of September 17, 1862 (Gardner), 72 Gaucheraud, H., 17,18 Gautier, Théophile, no Gay-Lussac, Joseph Louis, 86 Gazette de France, La, 17 Gazette des Beaux-Arts, La, 109 Gelatin bromide dry plate, 144-45, 149, 1 5 1 General George Armstrong Custer (Schölten), 132 George IV, King of Great Britain, 85 George VI, King of Great Britain, 284 Georgia O'Keeffe ( Stieglitz ), 2 r 1 German-Austrian school of photogra­phy, 173.1 9 5 Ghost photography. See Spirit photog­raphy Gibson, John, 69 and n. Giphantie (Tiphaigne de la Roche), 13 Glass negatives, 55, 63, 67, 68, 149 Glycerine process, 187,188,194 Gold Medal Prize Picture, The (Brad­ley, Rulofson), 128 Goldsmith, Arthur, 289 Gould and Curry Mill, Virginia City, Nevada, The (O'Sullivan ), 120 Gouraud, François, 37 and n. Grafitti (Brassai), 279 Grafi ex camera, 251, 264, 300 and n. Grandmother's Present ( Pollock ), r 03 Grant, Ulysses S., 48, 49 Graveyard Houses and Steel Mill, Bethlehem, Pennsylvania, Novem­ber 1935 (Evans),268 Great Exhibition of the Works of All Nations, 46 and n., 47 "A Great Photographer at Work" (Smith), 289 ff. Greeley, Horace, 47 Grief ( Rejlander ), 107 "Group f.64" ( Edwards ), 2 51 ff. Guizot, François, 109 and n. Gum bichromate process, 163-65, 172, 173, 175, 177, 179-82, 187, 188,1 9 0 , 1 9 5 , 1 9 7 Gurney, Benjamin, 130 work of, 13 o Gurney, Jeremiah, 130 work of, 130 Hagemeyer, Johan, 223 Halâsz, Gyula. See Brassai Hall, H. B., work of, 47 Hamilton, Mrs. Alexander, 45,48 Hand and Ear (Weston), 232 Hand of Man, The ( Stieglitz ), 186 Hands and Thimble-Georgia O'Keeffe (Stieglitz ), 216 Harper's Bazaar, 283, 287 Harrison's globe lens, 76 Hartmann, Sadakichi ,185, 189 and n. Hausner, Edward, 272 Hawes, Josiah Johnson, 37, 39 work ot, 36,38,39, 42 Height and Light in Bourges Cathedral (F.Evans), 181 Heliar4.5 lens, 278 Heliography, 23, 85, 87 Helmholtz, Hermann von, 159, 160, 162 Hennenberg, Hugo, 176,195 Henri, Florence, work of, 249 Henry Clay ( Jackman ), 47 Herschel, Sir John F. W., 15 n., 23,40, 86,87,88, 135,137,138 Herring, John Frederick, 142 and n. Hill, David Octavius, 87, 91 n., 214, 220 and n., 260 work of, 82 Hinton, A. Horsley, 173 History and Handbook of Photogra­phy, A (Tissandier),65 Hoch, Hannah, work of, 248 Hogg, Jabez, 50 323 Holmes, Oliver Wendell, 53, 63 work of, 62 Honoré Daumier (Nadar), 108 Horse in Motion, The (Muybridge), 140—43 and illus. Houston, Samuel, 46 How the Other Half Lives (Riis), 155 Hughes, C. Jabez, 115 and n. Hull, S. Wager, 76, 77 Humboldt, Alexander von, 17 Humboldt Valley and Sink, Nevada, 124 Humphrey's Journal of Photography, 47 n., 48 n. Hunt, Robert, 87, 88, 90 Igor Stravinsky Conducting a Rehears­al (Man), 274 Impressionism, 210 "In 1943 and 1944 A Great Change Took Place" ( Siskind ), 305 jf. International Magazine, 47 International Photographic Exhibition, New York, 268 Interiors, 151 Inverted in the Tide Stand the Grey Rocks (Watkins), 69 Iris Facing the Winter, Orgeval (Strand), 220 Irving, Washington, 47-48 Isabey, Jean Baptiste, 64 and n. Ives, Frederic Eugene, 152 Jackman, W. G., work of, 47 Jackson, Andrew, 45, 46 James, Henry, 181 James Fenimore Cooper ( Hall ), 47 "Jane Tudor" The (Johnson), 100 Japanese-American war relocation, 255 Jeffries, John, 73 John Marin ( Stieglitz), 206 Johnson, David, work of, 100 Johnson, Mr., 38 Jones, Chapman, 177 Journal of the Photographic Society, The, 79 n., 81, 87, 136 Journals of the Royal Institution, 23 Journal of the Royal Society, The, 84 Journet, Jean, 109 and n. Juhl, Ernst, 173,189 and n. Käsebier, Gertrude, 167, 176, 187, 220 work of, 193 Katz, Leslie, 312,313 n. Kaufmann, Mikhail, 242 Keiley, Joseph T., 185,187 work of, 194 Kelmscott Manor: Attics (F. Evans), 180 Kennedy, John P., 48 Kennerly, Mitchell, 215 Kertész, André, 278 Key, Philip Barton, 48 Kilburn, Mr., 95 Kinegraphe camera, 146 324 King, Clarence, 121 King, Samuel Archer, 73 and n. Kodak camera, 147 Kölner, 274 Kuehn, Heinrich, 176 work of, 193 Lady at the Harp (Talbot), 33 Lamartine, Alphonse de, 47 Lamon, Marshal, 48 Landscapes, 15, 27-28, 84, 92-93, 121, 174,223,227 Lane, Harriet, 48 Lange, Dorothea, 251, 255, 259, 263- 64 work of, 262,264,263,266, 270 Lantern Slide Club, Chicago, 152 Lantern slides, 152,155,168, 169 Laurent, Marie, 109 and n. Lauvrik, J. Nilsen, 224 andn., 227 Lawrence, Richard Hoe, 156 Leaves, Glacier National Park, Mon­tana (Adams), 236 Lee, Robert E., 48, 49 Lee, Russell, work of, 269 Léger, Fernand, 231 Leica camera, 283 Leicester Buildings (Archer), 30 Lenbach (Steichen), 186 Lenses, 38 39, 76, 116-17, 151 184 and n., 251, 283, 293 Let Us Now Praise Famous Men, 318 Levitt, Helen, 261 Lewis, Wyndham, 205 Library,The (Talbot),32 Library of Congress, 49 n., 264 Liebermann, Max, 274 Life and Landscape on the Norfolk Broads (Emerson), 138 Life magazine, 274 "Light Pictures" 176 Light rays. See Solar rays Lighting, 284, 289-90, 291 Lincoln, Abraham, 48,48 Lincoln, Mary Todd, 48 Lincoln Cathedral: A Turret Stairway (F. Evans), 178 Lind, Jenny, 48 n. Linked Ring, The, 205 Linton, Sir James, 161 Lismore Castle, Ireland (Cwerey), 99 Lissitzky, El, work of, 243 Literary Gazette, The, 18, 26, 30 n. Liverpool Amateur Photographic As­sociation, 201 Liverpool Courier, 201 Lombardy Ploughing Tearn ( Annan ), 191 London, England, 317,318 London Bridge (Coburn), 200 London Globe, 19 London Institution, 87 London Stereoscopic Company, 68, 69 Lorant, Stefan, 271—75 and illus. Lorrain, Claude, 162 n. Love Thy Neighbor (Moholy-Nagy), 238 Luc-Olivier-Merson, 236 Lucretius, 53 McAlpin, David H., 255 Machines, 212—15 Maddox, Richard Leach, 144 Madison, Dolley, 45 Maeterlinck, Maurice, 224 Major, Rev. J. R., 81 Malbone, Edward Greene, 64 and n. Malignano, Battle of, 71 Man, Felix H., 271-7 5 and illus. work of, 272—74 Man with a Movie Camera, 242 Manchester Art Treasures Exhibition, 105 Manger,The (Käsebier), 193 Marin, John, 206, 297 Marina, Bellagio (Stieglitz), 168 Martin, Paul, 198 Matisse, Henri, 279, 283 Mayall, Mr., 95 Melchior, Laurenz, 274 Memorable Fancies (White), 307 Mental Distress (Rejlander), 107 Mexican War, 46 Michelangelo, 160 Microphotography, 74 Microscope, solar, 26, 27, 28 Mighty Lite, 295 and n. Migrant Mother (Lange), 262, 263— 64, 264, 263 Miller, Henry, 277 and n., 278, 279 Millet, Jean François, 159 Miniature cameras, 283, 287 Miraculous Mirror, The, 12 "The Modern Public and Photogra­p h y " ( B a u d e l a i r e ) , 1 1 2 f f . Moholy-Nagy, Laszló, 239-41 work of, 238, 240, 241, 245 Monet, Claude, 283 Moon, The (Whipple), 73 Moonlight Impression from the Oran­gerie, Versailles Series (Steichen), 1 9 7 Moonrise (Steichen), 185 Morphotype, 57 Morris, William, 180 Morse, Samuel F. B., 37 and n., 38, 40, 46 and n., 49 Motion photography, 17, 140—43 and illus., 205, 239 Motion Picture Camera (Strand), 220 Motion picture (movies), 149, 242 Mountain Nymph, Sweet Liberty, The (Cameron), 138,138 Mounting, 252, 260 Mrs. Anne Rigby and her daughter Elizabeth ( Hill, Adamson ), 82 Mulberry Bend, New York, 155 Müller, Johannes, 56 Mumford, Lewis, 254 Munich Illustrated Press, 271 Museum of Modern Art, The, New York, 235, 267, 305 Evans retrospective (1971), 311 Strand show ( 1945 ), 283 Museum of the City of New York, 155 Muybridge, Eadweard J., 141,150 work of, 140—43 Nadar, 109, 112, 235 work of, 108—11 "Nadar s Portraits" (Burty), 109 ff. Nagle, John T., 156 Nanook of the North, 320 and n. Napoleon, Louis, 47 and n. National Photographic Association, 37,43,129 Natural Magic ( della Porta ), 19 n. Natural Photography for Students of the Art (Emerson), 159 "Naturalistic Photography" (Emer­son), 163 Near Los Angeles, California (Lange), 270 Negatives, 33, 34, 51, 52, 55, 66,1x9, 180,181,201 etching of, 192 Net Mender, The (Stieglitz), 186 New England, 297-303 New Realism, 231 "A New Realism—The Object; Its Plastic and Cinematic Value" (Lé­ger), 231 fi. New York Academy of Fine Arts, 37 New York City, 155-57, 215,216 New York from Its Pinnacles (Co-burn), 205 New York Observer, 46 n. New York Sun, 155, 156 New York Times, 303 Newhall, Beaumont, 271, 272, 283, 284, 317,320 work of, 282 Newhall, Nancy, 277, 297-303 Newton, Sir William J., 79-80, 91 and n. work of, 7 8 Niépce, Joseph Nicéphore de, 15, 17, 18 and n., 19, 21, 46, 84-85, 86, 88 Niépce de St. Victor, Mr., 87, 88 Night in London (Rejlander), 107 Night photography, 198 Niles' National Register, 19 Noskowiak, Sonya, 251 Notman, William, 131 work of, 131 Oakland Salon of Photography, 227 Oats (Talbot), 22 Office of War Information (U.S.), 255,287 O'Keeffe, Georgia, 209, 211, 216, 216 Old Oak, An (Percy), 98 "On Art Photography" (Hughes), 115 . On the Way from School (Schmid), 150 Open Door (Strand),296 Optics, 40,41 "Oscar Gustav Rejlander" (Robin­son), 105 ff. Oskar Schlemmer (Moholy-Nagy), 245 O'Sullivan, Timothy H., 121,260 work of, 120,123,125,126 Ould, Robert, 48 Page, William, 46 Painter, The (Seeley), 196 Painting, 160—66,205,223, 227,239, 240 Painting, Photography, Film (Moholy- Nagy), 239 Paintings on glass, 15-16, 26 Panatomic film, 252 Panchromatic film, 251 Panthéon (Nadar), 109 andn. Paper, photographic, 145, 252, 253, 260 Parcel Detective Camera, 147 Paris, France, 280, 281, 317, 318 Paris de Nuit (Brassai), 278 Paunceforte family, 45 Payne, John Howard, 46 Peale, Charles Wilson, 49 Pennell, Joseph, 38, 39 Percy, John, work of, 98 "A Personal Credo" (Adams), 255 ff. Perspective, 205 Peterhans, Walter, work of, 244 Philadelphia Photographer, The 30 n., 128, 129,130, 131 Phillipsburg, New Jersey (Evans), 3 1 5 Philosophical Transactions, 87 Photo-Club de Paris, 174 Photo Cravatte camera, 147 Photo-etching, 187 Photo-galvanic engraving, 88-89 Photo Jumelle camera, 147 "The Photo-Secession" (Stieglitz), 167 fi. Photo-Secession, 187 Photo-Secessionists, 165,167,185—88, 201, 205, 209, 251 Albright exhibit (1910),189 Photogenic drawings, 2 3—31,33-35 examples of, 22, 26, 29 Photograms, 173,180, 205,240 Photograms of the Year 1900,180 Photograms of the Year 1916, 205 Photographic Art Journal, The, 75, 173 and n. Photographic drawing, 84 Photographic Exchange Club, album of, 82 Photographic Journal, 92, 177 n. Photographic News, 105, 106, 107 Photographic Notes, 81 Photographic Salon of London, 251 Photographic societies, 83-84 Photographic Society of Bombay, In­dia, 83 Photographic Society of London, 79, 81, 83, 91.105, 136, 146 Photographic World, The, 132 Photographische Rundschau, Die, 168, 1 7 3 , 1 7 5 "Photographs from the High Rockies" 121 ff. "Photography" (Eastlake), 81 ff. Photography (periodical), 174, 175 Photography ( Strand ), 219 ff. Photography (Weston), 252 "Photography: A Pictorial Art" (Em­erson), 159 ff. Photogravure, 159, 161, 162, 178, 198,198 Photojournalism, 289 Photojournalism in the 1920's (Ger­many), 271-75 Photomagazin, 308 Photomicrography, 144 Photomontage, 238,243 Picasso, Pablo, 278, 279,280,315 Picasso, rue de la Boétie (Brassai), 278 Pictorial photography, 79-80, 91—92, 115-19, 159-62, 163—66, 167, 183-89,205-07, 223, 225 "Pictorial Photography" (Stieglitz), 163 ff. Pictures of East Anglian Life (Emer­son), 161 "Picture Plays" 149 Piffard, Henry G., 156 Platinotype, 163, 179, 181, 182, 191 examples of, 158, 171, 180, 183, 192, 193, 194, 196, 222, 224, 226 Platinum prints, 159,164,165 and n., 177,198 examples of, 181,199 "A Plea for Straight Photography" (Hartmann), 185 ff. Poe, Edgar Allan, 45,46 Polaroid Land process, 309 Polk, James K., 45 Pollock, A. I., work of, 103 Pollock, Sir Frederick, 83 Pollock, George Frederick, 146 Pollock, Henry, work of, 96,101 Polytechnik, Berlin, 214 Popular Photography, 263, 283, 289, 290 Porta, Giovanni Battista della, 20 . Porteuse de Pain (Atget), 23 7 Portrait of a Baby (Stieglitz), 171 Portrait of a Young Man (Steichen), 185 Portrait of Beaumont Newhall (Car-tier- Bresson ), 284 Portrait of Frits Thaulow (Steichen), 1 7 5 , 176 Portrait of Gilbert K. Chesterton ( Co-burn), 200 Portrait of Flenri Cartier-Bresson (B. Newhall), 282 Portrait of Miss Jones (Eugene), 186 Portraiture, 45, 69-71, 92, 95, 116, 119, 129-33, 166, 174, 216, 223, 225 Post-impressionism, 227 Pound, Ezra, 204, 205,205 Pretsch, Mr., 88 Prévert, Jacques, 279, 280 325 Previsualization, 223 Pritchard, H. Baden, 106, 107 "Progress of Photography-Collodion the Stereoscope" (Ellis), 81 Propaganda, photography as, 269 Prosch, G. W., 46 . Pure photography, 251-60 Pyramid Lake, Nev.-Calif., 122-23 and illus. Pyramid Lake ( O'Sullivan ), 123 Quai de la Tournelle, Paris (Cartier- Bresson), 285 Quitman, John Anthony, 46 "Random Notes on Photography" (Weston), 223 ff. Ray, Man, 228-30,235 work of, 272-74 Rayographs, 228 Reade, Rev. J. B., 87 Rear of Church, Cordova, New Mexico (Adams), 261 Redeveloping, 66 Reflected Sunlight on Torso (Wes­ton), 224 Rejlander, Oscar Gustave, 105—07 work of, 104,106 Rejlander the Artist Introducing Rej­lander the Volunteer (Rejlander), 106 Rendez-Vous, he (Prevert), 280 Renoir, Jean, 287 Retouching, 165,166,186, 187 Rigby, Anne, 82 Right Eye of My Daughter Sigrid, The (Sander), 232 Riis, Jacob A., 1 5 5 - 5 7 work of, 155,157 Ritter, Mr., 15 n., 84 Rivaulx Abbey, Yorkshire (Bedford), 102 Robinson, Henry Peach, 105 Roche, Charles François Tiphaigne de la, 13 Rodin, Auguste, 176 Roerich, Nikolay, 227 and n. Rolleiflex, camera, 280 Rood, Ogden Nicholas, 74 and n. Roosevelt, Theodore, 1 5 5 Rose, The (Steichen), 176 Rosenfeld, Paul, 209, 224 Rosling, Mr., 119 Rouault, Georges, 279, 283 Rousseau, Pierre E. T., 160 Royal Photographic Society of Great Britain, 46, 81, 177, 205 Royal Society of Great Britain, 23, 30, 33,34,56,85,86 Ruby Range, Rocky Mts., 125,127 Rulofson, William Herman, 128 work of, 128 Rushy Shore, A (Emerson), 158 Rüssel, Mary M., 187 Russian official photography, 269 Rutherford, Lewis Morris, 74 and n. Sabattier effect, 228 Saint-Victor, Paul de, 109 und . St. Cloud ( Atget ), 23 6 Salomon, Erich, 271 San Francisco Call, 141 San Francisco Museum of Art, 224 n., 227 Sander, August, work of, 232 Santa Anna, Antonio Lopez de, 46 Santorini Giovanni Domenica, 70 and . Sardou, Victorien, 236 and . Scheele, Mr., 15 n, 84 Schiller, Johann Christoph, 89 and . Schmid, William, 150 Schölten, John A., 132 work of, 132 Schutze, H., 187 Schweitzer, Albert, 288 Scott, John Dixon, 201, 203 ., 219 Scott, Winfield, 46, 48—49 Scovili (silver plate manufacturers), 37 Scribner's Magazine, 163 Scurrying Homewards (Stieglitz), 186 Seeley, George H., work of, J96 Self-Portrait (Lissitzky), 243 Self-portrait ( Southworth ), 3 6 Self-Portrait with Brush and Palette (Steichen), 172 Sellers, Coleman, 76 and n. Senebier sur la Lumière, 1 5 . "Sensitive paper" 27, 28 Serner, Albert, 224 Seven Arts, 219 Seymour, David ("Chim"), 283 Shadowgraphs, 15,228 Sharecroppers, Eutaw, Alabama (Lange), 266 Sharpshooter—Manuel Hernandez Gal-van^ he (Weston), 246 Shaw, George Bernard, 200, 201, 202, 224 She is looking at me, the dear creature (Rejlander), 107 Shells and Fossils (Daguerre ), 19 Shifting Sand Dunes (O'Sullivan), 125 Short Tail Gang, under Pier at Foot of Jackson Street, Later Corlears Hook Park (Riis), 157, 757 Shoshone Falls ( O'Sullivan ), 126 Simpson, William, 251 Sir John F. W. Herschel (Cameron), 138 Siskind, Aaron, work of, 304 Sketch,The (Steichen), 176 Skies, photographing of, 74 and . Smith, W. Eugene, 275, 289—95 work of, 288, 2 9 2 , 2 9 4 Society of Amateur Photographers of New York, 153, 155 Soft focus, 251 Solar microscope, 26, 27, 28 Solar rays, 15 and ., 16,89, 90 Solitude (Steichen), 186 "Some Account of the Art of Photo­genic Drawing" (Talbot), 23 ff. Song of the Lily ( Eugene ), 18 5 South London Photographic Society, 1 1 5 Southern California Camera Club, 223 Southworth, Albert Sands, 36, 3 7 — 4 3 . works of, 36, 38, 39, 42 Spanish Village (Smith), 292 Spectrum. See Solar rays Speedlight, 295 Spiral Staircase, Marseille (Bayer), 247 Spirit photography, 76 , 207 Spotting, 260 Stackpole, Peter, 251 Stanford, Leland, 141 Stannotypes, 64 Steichen, Edward, 167, 173—76, 185— 88, 220, 267 work of, 172, 1 7 4 . 175 l97 Steiner, Ralph, work of, 233 Stereographs, 57, 58, 59, 60, 61, 68, 69 Stereoscope, 39, 53-6I , 63, 68, 88, 89, 112, 119 "The Stereoscope and the Stereo­graph" (Holmes), 5 ff. Stereoscopic photography, 63, 68, 74. See also Stereoscope Stereoscopic vision, 56, 57, 58 Stettinus, John L., work of, 1 5 1 Stewart, Mr., 79 Stieglitz, Alfred, 163, 167, 185—89 and ., 209-24, 254, 259, 260, 277, 287, 297 work of, 167—71, 198, 206, 211, 213, 216 "Stieglitz" (Rosenfeld), 209 ff., 224 Stiff Pull, A (Emerson), 161 Still Life (Diamond ), 97 Still Life (Kuehn), 1 9 3 Stirling, Edmund, 187 Storefront and Signs, Beaufort, South Carolina (W. Evans), 3 1 7 Story, William Wetmore, 69 and . Story of Marie, The (Brassaï), 280 Strand, Paul, 219 and Time in New England, 297— 303 work of, 220, 221, 296, 300, 301, 3 0 3 Stravinsky, Igor, 274, 274 Street, Fifth Avenue, The (Stieglitz), 198 Street Arabs in Sleeping Quarters at Night (Riis), 156,1 5 7 Street Band, A (Champney), 148 Street—Winter,The (Stieglitz), 167 Stryker, Roy E., 263, 267, 315, 317 Sully, Thomas, 49 Summer Days (Cameron), r39 Sumner, Charles, 38 Sun-pictures, 55-56 Sunlight and Shadow, Mont St. Michel (F. Evans), 183 Surrealist movement, 228 Susan Thompson, Cape Split, Maine (Strand), 301 326 Swift, Henry, 251 Talbot, William Henry Fox, 15, 40, 56, 86, 87, 88, 119 on calotype photogenic drawing, 33-35 on photogenic drawing, 23-31 work of, 22, 26, 29, 32, 33 Talbotype. See Calotype Tant qu'il y aura des bêtes (Brassai), 281 Taylor, Henry, 136, 137, 138 Taylor, Paul, 263 Taylor, Zachary, 45, 46 Tennyson, Alfred Lord, 135, 138 Terminal,The (Stieglitz), 169 Thaulow, Frits, 173, 176 Theobald Chartran (Steichen), 186 Théophile Gautier (Nadar), 110 35 mm, 320 Thompson, Susan, 301 Thompson, Warren, 47 n. Time in New England (Strand, New-hall), 297-303 "Tin-types" 64 Tinting, 133. See also Toning 'Tis Light Within—Dark Without! (Rejlander), 107 Tissandier, Gaston, 65 To My Patrons, 129-33 Toadstool and Grasses, Georgetown, Maine (Strand), 300 Tonal quality, 286, 293 Toning, 67, 80 Torso ( Stieglitz ), 213 Toscanini, Arturo, 274 Toulouse-Lautrec, Henri de, 278, 280 Tournachon, Gaspard Félix. See Nadar Townsend, George Alfred, 49 Traité encyclopédique de la photo­graphie, 146 Transition, 239 Transparencies, 152 Tri-X film, 293 Tschichold, Jan, work of, 248 Tuileries and the Seine from the Quai d'Orsay, The (Daguerre), 20 Turner, Joseph Mallord William, 116, 1 1 7 Twain, Mark, 49 Twin-lens camera, 53, 146 Two Callas (Cunningham), 234 291 (periodical), 209 291 Fifth Avenue (Photo-Secession gallery), 209, 210, 216 Two Ways of Life, The (Rejlander), 104, 105-06 Typewriter (Steiner), 233 Typophotos, 240 United States, early history of photog­raphy in, 3 7 - 4 3 United States Geological Exploration of the 40th Parallel, 121 "Upon Photography in an Artistic View, and Its Relation to the Arts" ( N e w t o n ) , 7 9 f f . U. S. Camera, 269 "The Use of Collodion in Photogra­phy" (Archer), 51#. Van Dyke, Willard, 251, 253 work of, 233 Vance, Robert H., 128 Vanity Pair, 229 Vertov, Dziga, 242 Viaduct on the South Eastern Railway, A (Pollock), 96 View camera, 251 Vigier, Viscount, 119 Vision, 56, 57, 58 "Vision Plus the Camera: Henri Cartier-Bresson" (B. Newhall), 283 ff. Vogel, Hermann Wilhelm, 68 Voigtländer camera, 278 Von Schneidau, Polycarpus, 48 n. Vorticist group, 205 V orto graph (Coburn), 204 Vortographs, 204 Vortoscope, 205 Waldweben (Abbott), 186 "Walker Evans: Visiting Artist" 311 ff. Wallace, William Ross, 46 War Relocation Authority, 255 Watermelon Party, 53 Watkins, Carleton Emmons, 68 and n. work of, 69 Watson, Eva, 187 Watzek, Hans, 176, 195 Weber, Max, 205 Wedgwood, Josiah, 84 and n. Wedgwood, Thomas, 15, 23, 30, 84, and n., 85, 86 Weston, Brett, work of, 232 Weston, Edward,223-27, 251, 252— 53, 259, 260, 261, 277, 307 work of, 222, 224, 226, 246, 252 Wet Day on the Boulevard, Paris, The (Stieglitz), 170 Wet plate process. See Collodion process Whalebone and Sky (Van Dyke), 233 "What is Modern Photography" (Sis-kind), 3 0 5 Wheatstone , Charles, 3 9 , 5 3 Whipple, John Adams, 46 n., 54, 56, 74 and n. work of, 73 Whistler, James Abbott McNeill, 212, 224 White, Clarence H., 167, 176, 187, 220 work of, 199 White, Minor, 307—09 work of, 308 White Horse, Ranchos de Taos, New Mexico (Strand), 22r Whitman, Walt, 214, 215 Willard, S. L., 187 Williamson, Samuel T., 303 Wilson, Cyllene Margaret, 138 Wilson, Edward L., 129, 130, 132 Windowsill and Daydreaming, Roch­ester, New York (White), 308 Windsor from the Railway (Frith), 118 Winter on Fifth Avenue (Stieglitz), 186 Wiseman, Cardinal Nicholas, 47 Wolcott, Alexander S., 38 Wolf, Mr., 46, 49 Wollaston, William Hyde, 15 n., 84, 85 Woman [One Portrait],A( Stieglitz ), 209 "The Work of Man Ray" (Desnos), 228, ff. World War II, 243, 255, 280, 283 Wykoff, Chevalier, 48 Yosemite National Park, 255, 238, 276, 277 Zone system of exposure control, 255 Zoogyroscope, 141-42 327
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