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| Katkey: | 7557427 |
| Volltext: | Index Abbaye de Créteil, 13-14, 19, 22, 25, 28, 55, 59-60 Abstract art. See Formalism; Non-objective ait; Peinture pure Acros, René, 19 African art, 27, 74 Albert-Birot, Pierre, 63 Allard, Roger, 5, 7-8, 19, 28-29, 39, 46, 53, 61, 63, 70-72, 76, 89, 103-4; analytique et synthétique, 33-35; "L'avenir de la peinture, " 80-81 ; conceptual art, 30, 43-44, 46 ; defense of depiction by, 80- 81 ; multiple viewpoints, 31-33, 59-60; "Sur quelques peintres, " 24-25, 30, 32; "Au Salon d'Automne de Paris, " 21-22, 28, 30, 31-32 Amour de l'art, 73 "Analytique et synthétique, " 33-35, 52, 67, 106; origin of distinction, 16-18; post-war crystallization of, 95-100 Apollinaire, Guillaume, 6, 8, 11-13, 15, 20-24, 26-27, 30, 38, 42, 50, 58-59, 63, 69, 71, 77, 79, 103-4;and decoration, 14, 16; and the fourth-dimension, 33, 51 ;and non-objective art, 41-42, 77, 79 ; Les Peintres Cubistes, 5 3-58 ; Soirees de Paris, 11, 53; Vers et Prose, 5, 11, 20 Archipenko, Alexander, 40 Arnheim, Rudolf, 8 Bandeaux d 'Or, 19 Barr, Alfred, 105-6 Barzun, Henri-Martin, 59 Bateau Lavoir, 11-12, 39 Baudelaire, Charles Pierre, 4 Bergson, Henri, 4, 8, 32, 53, 101 Bissière, Roger, 83 Blaue Reiter, 26, 43 Blue and Rose Periods, 11, 19, 105 Blume, René, 37 Braque, Georges, 9; critical responses in 1907-1909: 11-16 ; 1910-1911: 19-20, 22, 26-29, 31 ; 1912: 39-40; 1913-1914: 54, 57, 59; 1915-1917: 63-64; 1918- 1925: 70, 72, 75, 77-78, 82-84, 86-87, 89, 91, 93-94, 97; post-1925: 104, 107; earliest published statement of, 65; founder of cubism, 26, 40, 54-55, 57, 87 Breton, André, 23, 53 Bulletin de lEffort Moderne, 73 Burgess, Geleite, 31 Cadaquès, 76, 87, 106 Canudo, 53 Carnet de la Semaine, 73 Cendrars, Biaise, 69-70 Cézanne, Paul, 11, 13, 27-28, 32, 43, 54, 64 Chavenon, Roland, 71, 78-79, 92 Chevreul, M.E., 50 Chronology of cubism: beginning, 74-75; turning points, 75-76; end, 76 Cocteau, Jean, 71, 76, 78-79, 89, 93, 104 Collage, 58, 65, 89-92, 106; beginning in 1912, 48-49; role in a turning point in cubism, 76 Conception, cubism as an art of, 2-3 9, 104;in 1910-1911: 30-31;in 1912: 43-48;in 1913-1914: 57-58; in 1915- 1917:65-66;in 1918-1925: 72-73, 84-89 "Convention et Vision, " 39, 46-48, 50, 60, 84, 103 Conventionalized depictions, 1-2; extreme view of, 8-9, 78. See also Conception, the view of cubism as an art of Coulanges, Fustel de, 18 "Cubisme"; origin of name, 15; uses and establishment of, 20, 23, 25, 27; variations on: "cubisme hermetique, " 27; "cubisme integral, " 27; "cubisme instinctif, " 56; "cubisme orphique, " 55-57; "cubisme péruvien, " 27; "cubisme physique, " 55; "cubisme scientifique, " 54-55 Cubisme, Du, 25, 40, 44-45, 4849, 51, 61, 66, 75 242 Index Décoration, 16, 28-30, 48, 65 Dehairs, Léon, 76 Delaunay, Robert, 20-23, 26, 29, 37-38, 40, 50, 59, 74, 104; and early non-objec-tive art, 41-42;£es1 Fenêtres, 54;or-phism, 54-55\TourEiffel, 24;La Ville de Paris, 38-39 Depiction, types of, 1-3; post-war defenses of, 80-83 Derain, André, 14, 16, 26, 31, 54-55 Duchamp, Marcel, 20, 40, 42, 55, 66 Duchamp-Villon, Raymond, 20, 40 Einstein, Albert, 6-7, 51, 71, 101 Einstein, Carl, 88, 106 Elan, 63 Esprit Nouveau, 7, 71 Faure, Elie, 98 Fauvism, 12, 53 Formalism: cubist aspects of, 15-16, 27-28, 41-43; vocabulary of, 92-95 Fort, Paul, 40 Four-dimensional space, 2, 6-7, 33, 51-52, 101 Freud, Sigmund, 101 Futurism, 50, 59-60, 63, 67, 69 Gauguin, Paul, 5, 11, 17 George, Waldemar, 71, 73, 82, 85-86, 90-95 Gil Blas, 38 Giotto, 1, 14, 27, 35, 47 Gleizes, Albert, 6, 13-14, 19-20, 22-23, 25, 30, 37, 40, 50, 53-54, 71-72, 74, 94-95, 99, 104; and conceptualized depictions, 46 ; and formalism, 94-95 ; and multiple viewpoints, 32-33, 50; and non-objec-tive art, 76, 79-80. See also Metzinger, Jean; Cubisme, Du Golding, John, 107 Gogh, Vincent van, 5 Greenberg, Clemente, 105 Gris, Juan, 26, 37-40, 54, 66, 86, 91-92, 95-100, 103-4, 106;on depiction, 82; Le Lavabo, 37, 47, 49; "Des possibilités de la peinture, " 12, 73, 88-89, 98 Grouping of the cubists, 40-41, 53-56 Hegel, G.W.F., 3, 34 Henry, Charles, 71 Herbin, Auguste, 13 Idealism, tradition of, 3-4 Impressionism, 27-28, 46, 80 Intransigeant, L ', 20 Italian primitives, as a source for cubism, 2, 27, 46, 57 Jacob, Max, 11 Jarry, Alfred, 11-12, 16 Jeanneret, Charles-Edouard. See Ozenfant, Amédée and Charles-Edouard Jeanneret Jeune Peinture Française, La, 37-38, 42 Johnson, Ron, 105 Jouve, Pierre-Jean, 19 Judkins, Winthrop, 105 Kahn, Gustave, 39, 45, 57-58 Kahnweiler, Daniel-Henry, 8, 12-13, 35, 39, 82, 95, 104, 106-7; analytic/synthe-tic distinction, 96-100; chronology of cubism, 74-76; collage, 89-91 ; Der Weg zum Kubismus, 4, 72, 75-76, 86-88, 90, 96-97, 103 Kandinsky, Wassily, 26 Kant, Immanuel, 2-4, 6, 8, 46^18, 106; analytic/synthetic distinction, 17-18, 34, 52, 95-97, 99 LaCoste, Charles, 59 La Fresnaye, Roger de, 20-21, 32, 40, 53 La Palette (pseud. Salmon, André], 38 Laurencin, Marie, 12-13, 20-21, 23, 38, 40, 54, 70 Le Becq, Paul, 6, 71, 101 Le Fauconnier, Henri, 13, 19, 20, 22-23, 25, 29, 55 Leadership of cubist movement, 14, 26-27 Léger, Fernand, 13, 20-24, 31, 40, 53, 57, 59, 71, 73, 93, 104; and non-objective art, 55, 76, 79-80; Aus dans un paysage, 23 Legrain, Pierre, 101 Lhote, André, 13-14, 20, 40, 50, 83, 99; and decoration, 28-29 Mallarmé, Stephane, 4, 16, 53, 64 Marches du Sud-Quest, Les, 39 Marcoussis, Louis, 40 Marinetti, F.T., 13 Matisse, Henri, 13, 15, 18, 37, 64 Mauclair, Camille, 35, 44 Mercereau, Alexander, 13, 19, 53, 60-61 Metzinger, Jean, 4, 7, 13, 19-20, 23, 25, 27-29, 33, 37, 39, 41, 54, 66, 71-72, 74, 76, 95, 103-4; and Albert Gleizes, Du Cubisme, 6, 25, 40, 44-45, 48-49, 51, 61, 66, 75; and conceptual art, 30, 43, 46, 85; "Cubisme et Tradition, " 24- 25, 32; and multiple viewpoints, 31; "Notes sur la peinture, " 21-22, 27-31, 33-34;Nu, 20-21, 31-33 Montjoie!, 53 Morice, Charles, 14-16, 28-29, 39 Index 243 Multiple viewpoints, 31-33, 45, 48, 59-60, 74. For post-1911 references see "Simultanéité" Music: analogy with painting, 8, 16, 27, 41, 45, 55, 104;analogy with poetry, 4 Non-Euclidean geometry, 6-7, 51-52 Non-objective art: cubist offshoots of, 41- 43, 56-57; view of cubism as, 73-74, 77-80, 105. See also Formalism; Orphism ; Peinture pure Nord~Sud, 63 Nouveau Spectateur, 72 Olivier-Hourcade, 4, 39, 45-46, 50, 63 Orphism, 37, 40, 53-54, 59, 77; "cubisme orphique, " 56-57 Ozanfant, Amédée, 66, 85, 89, 104; and Charles-Edouard Jeanneret, 7, 69, 71, 101 ; and the chronology of cubism, 74- 76;and cubism as non-objective, 77-80; and Purism, 63-65 Papier collé. See Collage Paris Journal, 20, 38 Passy, artistes de, 40 Peintres Cubistes, Les, 53-58 "Peinture pure, " 8, 28-30, 55. See also Formalism; Orphism; Non-objective art Picabia, Francis, 42, 55 Picasso, Pablo, 9 ; critical response in 1907-1909: 11-14, 15, 18; 1910-1911: 19-29, 33, 35 ; 1912: 37-40, 42;1913- 1914: 57-59 ; 1915-1917: 63-64; 1918- 1925: 70-79. 85-87.91, 93, 95, 97; post-1925: 104-5, 107; earliest published statements of, 81-82; founder of cubism, 14, 26, 40, 54-55, 57, 87 Plato, 79 Poème et Drame, 59 Poincaré, J.H., 6, 8, 51, 66, 101 Primitive art, 11, 13 Primitives, Italian, as a source for cubism, 2, 27, 46, 57 Princet, Maurice, 33, 51, 66 Purism, 63-65, 69, 71, 75, 77 Puteaux (gathering place for Villon's circle), 22, 61 Quatrième dimension, 2, 6-7, 33, 51-52, 101 Quelques Intentions du Cubisme, 72, 84- 85, 95-96, 103 Raynal, Maurice, 2, 4, 7, 11, 13-14, 35, 39, 40, 50, 60-61, 63, 66, 71, 73, 91-93, 104, 106;analytic/synthetic distinction, 52, 95-100; "Conception et vision, " 2, 39, 46-48, 50, 60, 84, 103, -and conceptual art, 4648, 57, 84-85 ; Quelques Intentions du Cubisme, 4, 72, 84-85, 95- 96, 103 Redon, Odilon, 15 Reverdy, Pierre, 63, 65-66, 82-83, 86 Rivière, Jacques, 14 Romanticism, German, 3 Rose Rouge, La, 69 Rosenberg, Léonce, 73, 85, 93, 97-99, 104 Rosenblum, Robert, 7, 105 Salmon, André, 8, 12, 21-22, 24-29, 30, 32, 37, 39, 42, 69, 71, 73-74, 83, 103;and collage, 91, 94 ; his friendship with Vaux-celles, 14, 26, 33', La Jeune Peinture Française, 37-38, 42;and subject matter, 85 ; Vers et Prose, 5, 11, 20 Salon ¿'Automne, 13;of 1907, 11 ; of 1908, 15;of 1909, 27;of 1910, 20-22, 27, 41; of 1911, 25-26, 37-38; of 1912, 40, 45;of 1919, 70, 72 Salon des Indépendants, 13; of 1908, 16, 18; of 1910, 20, 28, 41 ;of 1911, 22, 24- 25, 29; of 1912, 38-39, 45; of 1913, 53; of 1920, 70 Schopenhauer, Arthur, 3, 46 Science, 6-8, 33, 60-61, 66-67, 101-2. See also Four-dimensional space; Non- Euclidean geometry; Einstein; Poincaré Section d'Or: of 1912, 37, 40, 42, 45-46, 49, 54, 76; of 1920 and 1925, 70 Seurat, Georges, 64 Severini, Gino, 5, 63, 65-67, 73-74, 104 SIC, 63 "Simultanéité, " 49-50, 59-60, 67, 100-1 Soirées de Paris, 11, 53 Sources of cubism, 14, 27. See also African art ; Cézanne; Primitive art Stein, Gertrude, 12 Steinberg, Leo, 105 Subject matter of cubism, 83-84, 90 Symbolism, tradition in French literature and art, 4-6, 16, 28-30, 105 Synthesis of the arts (symbolist goal), 16, 29, 53, 104 Synthétique, linked with "simultanéité, " 59-60. See also "Analytique et Synthétique" Synthétisme, 17 Toulouse-Lautrec, Henri de, 11 "Tubisme, " 21, 26 244 Index Van Dongen, Kees, 15 Vauxcelles, Louis, 14, 18, 26, 33, 35, 38, 45, 73; origin of "cubisme, " 15 Vers et Prose, 5, 11, 20 Villon, Jacques, 22, 40, 76 Vlaminck, Maurice, 15 Wagner, Richard, 16 Weg zum Kubismus, Der, 72, 75-76, 86-88, 90, 96-97, 103 Zayas, Marius de, 35, 81 |
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