| Volltext: | Index 0-9,54 9/11, 199, 208,210 12/11,210 Abbas, Ackbar, 163 Abducted Person Act, 197 Absolute, the, 45, 50, 59, 64, 88, 114 Abstract Expressionism, 18, 88 abstraction, 19, 97, 100, 112—13, 125, 128, 131-3, 137, 140, 179, 184,210 Acconci, Vito, 54 Adorno, T. W., 10—11, 44, 46, 50, 59, 65, 82-4,93, 103, 107, 142, 150, 157-8, 165-6, 172, 183, 207 Aesthetic Theory 10, 65,82—3, 166 Dialectic of Enlightenment, 10, 165 Negative Dialectic, 59 advertising, 16, 46,123, 167 aesthetic(s), 2, 6, 8-12, 37-51, 71, 74, 76, 103, 109, 122, 177, 192 ideas, 45 philosophical, 40 regime, 9, 44 see also, art, aesthetic; anti-aesthetic; inaesthetics; post-aesthetic aestheticism/aestheticization, 43, 71, 74-8, 86, 109, 155, 182, 188 affirmation, 9, 73-4,77-8,80,82—3, 88, 94, 97, 170 afterlife, 10, 50, 56 Alliez, Éric, 217—8 n23 Alloway, Lawrence, 105, 113 Althusser, Louis, 125, 207 Altai, Navjot, 198, 200—201 Between Memory' and History, 198 Lacuna in Testimony, 198—201 Ameriks, Karl, 41 Anderson, Benedict, 194 Andre, Carl, 54 anonymity, 33^1, 56, anthropology, 136-7, 163, 198 anti-aesthetic-, 9, 46-9, 155 aestheticism 47, 144 art, 21, 142 formalism, 50, 112 system, 59 anticipation, 176, 205—8, 210 antiquation, 73 anxiety, 125—31, 186 architecture, 11, 16, 99, 102—4, 108-9, 134, 141-2 architecturalization, 140—51 archive, 33, 91, 141, 192, 197 Aristotle, 41 Arrighi, Giovanni, 26 art aesthetic, 37, 41—3, 56, 71, 78, 177 autonomous, 21, 43—5, 78, 84, 159, 165—6 conceptual, 1—2, 6, 9, 11—12, 19, 33, 38, 48-51, 67-98, 113, 127, 131, 144 generic concept of, 20, 28, 45, 47, 56-7,15-41 historical, 6, 97 modern, 18 modernist, 93 postconceptual, 3, 10—12, 19, 37—8, 45-51,88-9,97-100, 108, 110, 113, 117-8, 127, 131, 134, 143-51, 176 post-historical, 7 writing, 8 see also, anti-art, Conceptual art, non-art 273 INDEX Art & Langauge, 49-50, 54-5, 57-8 139 Index 001,139 Art-Language, 54, 57, 61 art criticism, 2-8, 11,39,46, 52 102 114 141 ' ' ' art history, 3-6, 10, 11, 17_i 9 21 53 71 141-2,168,177 ' ' ' ' avant-garde, 92 critical, 3 modernist, 3, 53 philosophical, 3 social, 4 Art Press, 58 Art Yearbook, 102 Artforum, 54, 101 artist-function, 33—5, 37 Arts Magazine, 143 Ashbery, John, 54 Aspen, 54, 63 attention, 175-9 Athenaeum, The, 53—4 Atkinson, Terry, 57 Atlas Group, The, 13,15, 28-35 195-6 199-201 Already Been in a Lake of Fire, 30 Hostage, 31 I Only Wish, 31 Miraculous Beginnings, 31 Missing Lebanese Wars, 30—31 My Neck is Thinner than a Hair, 30 The Truth Will Be Known, 195—6 We Can Make Rain, 29-30, 199, 201 Augé, Marc, 136—9 Non-Places, 136 Augustine, St, 175, 187, 210—2, 205 autonomy, 7, 21,37,47,85,93,141,151, 156, 161, 165, 167 aesthetic, 42—3, 78 of art, 42-4, 75, 135, 140, 142 logical, 43 avant-garde, 8,16-19, 21,33, 37, 47, 54, 74, 78, 86,93, 135,175, 178, 185 historical, 21, 79, 88, 158 neo-, 18, 20-21,156, 158 Russian, 81 axiomatics, 66 Bachelard, Gaston, 188 Bacon, Francis, 1 Badiou, Alain, 7—9 Baldessari, John, 61, 69, 96 Baldessan Sings Le Witt, 69 Commissoned Paintings, 96 Baldwin, Michael, 57 Barney, Matthew, 185 Cremaster Cycle, 185 Baroque, 18 Barr, Alfred H., 19 Barthes, Roland, 119, 130 Camera Lucida, 130 Baudelaire, Charles, 24, 46, 74—6, 182 Baumgarten, Alexander, 39^40 Bazin, André, 119, 124 Beirut, 28—9, 31, Bell, Clive, 46 Benjamin, Walter, 10—11, 38, 44, 55—6, 67, 76, 79,119, 127, 178-9, 182, 184-5, 189, 196, 206, 208 Arcades Project, 55, 178—9, 184 Concept of Art Criticism, 44 ‘Concept of History', 208 Bergson, Henri, 187—8 Creative Evolution, 187—8 Immediate Data, 187 Matter and Memory, 187 Bernstein, Jay, 43, 46,76 Bharatiya Janata Party (BJP), 198 biennale, 21, 27, 109, 151, 162-5, 168 Biennale of Sydney, 31, 163—4, 198 Bitar, Joseph, 28—9, 32, Blissett, Luther, 35 Bloch, Ernst, 183 Bochner, Mel, 57, 139, 142 boredom, 176—84 Bourdieu, Pierre, 119 Bourriaud, Nicolas, 106 Bowie, Andrew, 43 Braque, George, 153 Brecht, George, 139 Bruni, Lev, 154 Buchloh, Benjamin, 91 Bürger, Peter, 21 Theory of the Avant-Garde, 21 Burgin, Victor, 16 This is the Tomorrow, 16 Burn, Ian, 57 Butler, Cornelia, 105 Cage, John, 139 Callois, Roger, 179 274 INDEX Calinescu, Matei, 16 Faces of Modernity, 16 Five Faces of Modernity, 16 capital, 26, 29, 34—5, 128,134,164—5, 194 capitalism, 16, 18, 20, 27, 34, 75, 85, 87, 118, 134,176-7, 182,192, 194, 206, 208-11 Castells, Manuel, 135—8 Cavagnaro, Lori, 106 Certeau, Michel de, 136 Chamfort, Nicolas, 58—9 Pensées, Maxims and Anecdotes, 59 China, 20, 163, 167 Chto Delat, 21 cinema, 16, 114, 117,149-50, 185, 188 City Gallery, Zagreb, 18 Claire Fontaine, 34 classicism, 60, 86 Clark, T. J., 6, 46, 79 Cold War, 16, 19-20,155, 163 collectivity/collectivization, 15, 27—8, 33-5, 56, 86, 192-5 commodity/commodification, 10, 21, 85,90, 165-6, 184,210 communism, 20, 157, 176, 192, 206, 208-10 Conceptual art, 6, 48, 81, 107—9, 139, 159 see also art, conceptual conceptualism, 2, 50 Romantic, 229 n46 conjuncture, 24 construction, 107, 145-9, 152—8 Constructivism, 11,46, 153—8, 160—62, 165, 172, 193, 199-200 laboratory, 11, 172 philosophical 153 Russian, 153 Soviet, 11, 142,168 contemporaneity/the contemporary, 2, 8, 12, 15-17, 22-8,47, 53, 91, 134, 163, 175-6, 190,195 Cooke, Lynne, 101 Corbusier, C-E. J., le, 152 crisis, 4,6-7, 125, 177, 206 Crary, Jonathan, 177 criticism/critique, 11,21,40, 58,77, 159, 177, 190 of taste, 38, 41—2 see also, art criticism; institutional critique Cultural Studies, 7 culture industry, 21, 107, 164—5,167, 179, 182 see also, mass culture curation, 129-30, 161-2, 168, 173, 190 Cutforth, Roger, 57 Dada, 81 Danto, Arthur, 6—7 Dean, Tacita, 105 death, 180, 183,193 Debord, Guy, 68 Debray, Régis, 118—9 Deleuze, Gilles, 1, 7—9, 63, 122, 149-50, 153,158, 188 Difference and Repetition, 122 Francis Bacon, 1 What is Philosophy?, 122 demolition, 149 Derrida, Jacques, 7 Dia Art Foundation, 89, 101, 106 dialectics, 82-3, 108, 113,138, 176, 179, 208 difference, 122, 165 digitalization, 117, 120, 123, 125—31 see also, image, digital Dion, Mark, 151 disciplines, 2—8, 11, 39 see also, transdisciplinarity distraction, 176—89 Documenta, 8,196 document/documentation, 33-4, 110, 123, 127-8, 144-5, 192, 196 200 Dosse, François, 1 Duchamp, Marcel, 5, 19, 46, 77, 81—2, 141, 179 duration, 184—8 Duve, Thierry de, 5, 45, 77, 81-3, 107, 141, 167 Kant After Duchamp, 77, 107 Earthworks, 101, 105, 108, 110 empiricism, 1, 114 Enlightenment, 176,205 entropy, 114—16 Enwezor, Okwui, 163 epistemology, 60, 88, 128, 184 essentialism, 5 Evans, Walker, 143 275 INDEX event, 127,130-31, 136, 150, 208-10 everyday, 10, 79,140, 151,155—6, 197, 200 exchange, 87, 128, 133-5, 164, 210 infinite, 28,117 existentialism, 42, 89, 171-2 expectation, 201—11 experience, 11—12, 15, 22—3, 65, 75, 89, 100,113-6,121-2, 124, 134,175, 178-9,184,192, 200 absolute, 117 historical, 206 metaphysical, 168 philosophical, 1, 52 speculative, 52, 114 experimentation, 155—6, 172, 176, 186, 208,211 expression, 151,155,1157 expressionism, 103, 157 fascism, 199 fashion, 75,167, 179 feminism, 4 Fichte, J. G., 41,44, 56, 59, 64 Science of Knowledge, 59 fiction/fictionalization, 23, 28, 33—35, 199-200 film, 100,103, 105-6, 108, 110, 114-7, 123, 125, 172, 185, 188-9 First Working Group of Constructivists, 154-5 form, 34, 60-2,65, 67, 141 cultural, 3, 8,10, 34,46,48,75, 118, 120,133, 156, 176 dominant, 120, 125 exhibition-, 167 film, 62 historical, 123 law of, 51, 85, 166 legal, 197 literary, 62 social, 10,128, 158 spatial, 91 temporal, 72-4 urban, 12, 134 see also, value-form formalism, 3, 62, 71, 101-3, 109, 153, 155,160 literary, 61 numerical, 61 temporal, 175 formalization, 93 see also, anti-formalism and postformalism Foster, Hal, 4 Foucault, Michel, 33, 35 fragment, 12,38,53,55-6,58-68,86,169— 70, 178,197 Frankfurt School, 155 Fluxus, 81, 139, 176, 179 Fraser, Andrea, 151 freedom, 84, 99, 105, 107, 140, 155, 166, 171,210 Fried, Michael, 5, 24, 37, 46, 101, 107, 127 Fry, Roger, 46 functionalism, 94, 159-61, 163,172 Futurism Russian, 168 futurity, 8—9, 16, 23—4, 201 Gabo, Naum, 154—5 Realistic Manifesto, 154 Gadamer, Hans-Georg, 206 Truth and Method, 206 Gaillard, Cyprien, 106 The Smithsons, 106 gallery, 109, 112, 139-40, 172, 186 generations, 24 genius, 43^4, 66, 84 genre, 45, 58-9, 67, 86-7, 91, 96-7 geopolitical, 17, 25, globality/globalization 15, 20-21, 26—7, 34-5, 134-5, 164 Goethe, J. W., 56 Wilhelm Meister, 56 Goff, Jacques Le, 191 History and Memory, 191 Graham, Dan, 54, 139, 142—5, 151 Alteration, 145 Homes for America, 143 Poem-Schema, 54 Scheme, 54 Grant, Cary, 105 Graves, Michael, 145 Green, Renée, 105 Greenberg, Clement, 3, 5, 37, 46—8, 77-81, 101, 118, 123 Greimas, Algirdas, 103 Groys, Boris, 129—30 276 INDEX Guattari, Felix, 1, 9, 63, 122 Gunder-Frank, Andre, 26 Halperin, Ilana, 106 Nomadic Landscapes, 106 Happenings, 179 Haywood Gallery, 104 ‘Gravity and Grace', 104 Heidegger, Martin, 7-9, 23, 42, 45, 89, 168, 170-1, 175, 178, 180-4,202,' 204-8 Being and Time, 180, 204 Fundamental Concepts, 178, 180 Hegel, G. W. F, 7, 9, 25, 38, 41, 43-6, 49, 51-3, 65, 83, 107-8, 150, 183-4 Lectures on Fine Art, 9 Phenomenology, 51, 113 Science of Logic, 108 Higgins, Dick, 99, 176, 179 ‘Intermedia', 99 Hiller, Susan, 94 Dedicated to the Unknown Artist, 94 Hiroshima, 199 historical a priori, 76 history, 3, 15, 25-6, 33, 62, 96, 119, 175— 6,178, 190-201,206,208 literary, 11 natural, 90 philosophical, 35, 52, 168 see also, art history Hitchcock, Alfred, 105 North By Northwest, 105 Hobbs, Robert, 100—104, 107—8 Hobsbawm, Eric, 26 Hölderlin, Friedrich, 56, 65 Holocaust, 199 Holt, Nancy, 106 Holzer, Jenny, 61 horizon — see expectation Horkheimer, Max, 165—6 Huebier, Douglas, 112 humanities, 4 Husserl, Edmund, 176, 202—9 Ideas, 202 Consciousness of Internal Time, 205 idealism, 45, 59 aesthetic, 5 German, 7, 88 identity, 137 ideology, 6, 49, 78, 186, 188, 193, 198, 207, 210 image, 24, 28, 55, 60, 67, 90, 93-4,96, 117-19, 123-4, 127-31, 149-50,169, 199, 201 dialectical, 38, 53, 67 digital, 117,119, 127 see also, digitalization imagination, 23 inaesthetics, 9 Independent Group, 16 This is Tomorrow, 16 indexicality, 123—4, 127—9, 193, 200 indifference, 42, 49, aesthetic, 81 individuality (of artworks), 83—7, 102—3, 105, 107, 150 infinity, 64-5, 67, 69, 118, 130 information, 62—3 Information, 63 Information Technology, 63 installation, 126, 136 institutional critique, 109, 158—9,172 institutional theory of art, 107 Institute of Contemporary Arts (ICA), 16 intermedia, 99 internationalism, 26, 35, 141 isms, 83—4, 107, íven,Jorge, 150 Jameson, Fredric, 17 Jewish Museum, 63 Judd, Donald, 57, 82, 107 judgement, 8-10, 40, 51, 78, 189 aesthetic, 39—43, 177 art-critical, 47 historical, 1 -power, 40-42 Kael, Pauline, 181 Kant, Immanuel, 5, 7, 10, 22-4, 26, 37-44, 46, 49, 64-5, 71,76, 84' 89, 107, 120-3, 175, 177, 183, 193, 203-4 Critique of Pure Reason, 38, 40, 76, 121, 203 Critique of Judgement-Power, 39^41, 121 Kanwar, Amar, 196, 200-201 277 INDEX The Lightning Testimonies, 196—7, 200-201 Kaprów, Allan, 102,151 Kawara, On, 87, 144 Date Paintings, 87 kitsch, 17, 97 Kierkegaard, Soren, 184 Klyun, Ivan, 154 Koselleck, Reinhard, 202,205—7 ‘Space of Experience', 205—6 Kosuth, Joseph, 37, 49, 57, 61, 139 ‘Art and Philosophy', 57 Titled (Artas Idea .. 139 Kracauer, Siegfried, 185, 189 Krauss, Rosalind, 101^1, 108, 167 Passages in Modem Sculpture, 101 ‘Sculpture in the Expanded Field', 103—4 Land art, 108 landscape, 91, 96, 103-4 Laocöon and his Sons, 101 Lebanon, 29-31,35, 191, 199 Lefebvre, Henri, 133 legitimation, 6-7, 71, 73, 88, 142, 190, 192, 203 Lessing, Gotthold, 46, 80, 101 Laocöon, 101 LeWitt, Sol, 12, 37-8,49, 53-8, 61, 63, 65-9, 93, 107, 142 ‘Paragraphs on Conceptual Art', 54, 93 Sentences on Conceptual Art, 38, 53—8, 61-9 ‘Serial Project No. Г, 63 liberalism, 85 liberation national 20, 163 literature, 33, 54, 56 libertariansm, 87 Lippard, Lucy, 107, 114 Eccentric Abstraction, 107 Lukács, Georg, 18, 137 Lyotard, Jean-François, 7, 44 major/minor, 63 Manet, Eduard, 79 Manifesta, 162 mass culture, 165,167 Matta-Clark, Gordon, 142, 145-9, 151 Bingo, 145 NYU Checkerboard, 145 Splitting, 145 Window Blow-Out, 145 Marx, Karl, 90, 128, 183—4 1844Manuscripts, 183 Capital, 90, 128 Matisse, Henri, 151 mechanization, 66 media, 26, 94, 96 mass, 20, 46 new, 105 see also, intermedia and transmedia medium(s), 3, 5, 11-12, 18-20, 28, 45-6, 48, 50, 56-7, 63, 65, 78-82, 87,99-108, 117, 123, 127, 130-31, 141, 143, 145, 149, 168, 190, 192, 201 see also, post-medium and transmedia memory, 91, 144, 175, 190—201 Merleau-Ponty, Maurice, 7—8 metaphysics, 7, 37, 39,41, 43 —5, 60, 89, 120, 168, 170, 180, 188 metropolis, 133—5, 140 Meyer, James, 160-61, 163 migration, 26, 28, 151, 162—3 Minimal art, 107 minimalism, 19, 81, 108, 159 modernism, 10—12, 16—19, 33, 47, 57, 71-83,109 aesthetic, 72,77—8, 86 American, 88 art-critical, 72 artistic, 77 formalist, 5, 18, 48-9, 86, 160 generic, 72, 82—3, 86,139 medium-specific, 72, 78—80, 149 modernity, 17—18, 24—7, 73—6, 135, 137, 141,175-6,178-9,182,206-8 super-, 136—7 montage, 55, 62, 197 Montaigne, Michel de, 58 Morris, Robert, 57, 101, 107 Labyrinth, 101 multiculturalism, 26 multiplicity, 12, 24, 27,71—2, 76—7,87, 109, 113, 129-31, 143-5, 176, 189, 191,200 multitude, 35, 195 museums, 99, 103, 109,114, 169, 172-3 278 INDEX Museum of Contemporary Art, Zagreb, 18 Los Angeles, 100, 105 Museum of Modern Art, NY, 19, 63, 88 mysticism, 62, 66 nationalism/nationalization, 26, 28, 35, 118, 162 de-, 135, 167 re-, 135 see also, transnationalization naturalism, 9 narrative, 62 nature, 8, 24 Nauman, Bruce, 101 Corridor, 101 Nazism, 97 negation, 47, 49, 73—5, 77—8, 80, 82—3, 94, 109, 112, 117, 133-4, 136-7, 208, 211 neo-classical, 18, 60 neo-Kantian, 10 neo-liberalism, 107, 163 N. E. Thing Co., 57 new, 11,17-18, 25-6,47, 52, 56, 62, 72-4,83,136, 138, 170, 179, 185, 195, 206-9 New Economic Policy, 155 Nietzsche, Friedrich, 7, 24 nihilism, 131 no-time, 173 nominalism, 13, 77, 81-4, 103, 150 nonart, 10, 13,46, 48, 88,91-3, 201 place, 112, 133-40, 162, 175, 190 site, 108-113, 140, 144, 151, 172 space, 112 Novalis, 41, 44, 60, 64 novel, the, 62 October, 4—5, 101, O'Doherty, Brian, 139-40 Ono, Yoko, 139, 185 Instructions for Paintings, 139 Sky TP, 185 ontology, 3, 8-10, 20, 22, 28, 41-51,68, 78-86, 88, 97, 99, 105-6, 109, 117- 31, 134,140-4, 149, 159, 163,180, 184, 191, 193, 195, 224 n 3, historical, 10,12, 37, 45-6, 48, 73, 108 of materializations, 28, 48, 108—13 117 Opałka, Roman, 87 1965—/1—infinity, 87 opticality/opticalism, 5, 56 painting, 42, 71, 79-80, 87-9, 92, 94, 96-7, 99, 102-3, 108-9, 117, 126 141 machine-, 94 modernist, 5,10 parataxis, 65 Pascal, Blaise, 58, 178, 182 Peter, Walter, 46 Pennsylvannia State University, 3 percept, 10 perception, 10, 100, 108, 114, 116-7, 131 177, 188, 200 performance, 20, 103, 127, 141, 145 periodization, 15—22, 25, 28,37,46—8, 108 phenomenology, 72—3, 89, 105, 145, 175-6, 179-3, 202-7 249-50 (n 21) philosophy, 3, 6, 10 analytical, 7, 54, 57, 126 of art, 10, 38-9, 43, 45, 126 of difference, 122 Eastern, 56 European, 8, 202 of the fragment, 60 French,8 Hegelian, 52 of history, 55, 205 Kantian, 40, 64 post-Hegelian, 55, 150 post-Kantian, 5, 7, 43, 58, 64, 203 of the subject, 44 of time, 190 transcendental, 64 Western, 152 see also, history, philosophical photography, 24, 50, 89-91, 93-4, 103, 108,110, 112,117-9,121-131, 141, 143, 144 photo-painting, 93—7 Picasso, Pablo, 153 pictorialism, 50, 94 Pierce, C. S., 127 Piper, Adrian, 57 INDEX place, 133-40,162, 175 see also, non-place pluralism liberal, 5 politics, 8, 23,44, 118-9, 165,175-6, Polke, Sigmar, 87, 89, 94—4 History of Everything, 87, 94 The Hunt for the Taliban, 96 Risk Game, 96 Pollock, Jackson, 46 Pop art, 88 pornography, 91, 123 positivism, 126 analytical-Hegelian, 7 Foucauldian, 107 logical, 7 possibility, 171—3,176—84, 205, 210 post- Adornian, 10 aesthetic, 33 architectural, 134, 151 autonomous, 142, 161, 166 colonial 26, 29, 163^4 communist, 195 conceptual — see, art, postconceptual conceptuality, 48, 99 contemporary, 17 formalist, 18, 47, Hegelian, 10 medium, 11, 33,46, 50,100, 104—5, 118, 227 (n 30), 236 (nl3) minimalist, 142 modernism, 4,16-18,47-8,149 photographic, 24 Romantic, 90, 107 structuralism, 33 studio, 105 pragmatics, 120, 123 Productivism, 156, 160 project, 12-13, 55-6, 58, 68, 168-175 proposition speculative, 51—3 psychoanalysis, 4,11, 171,184, 192 psychology, 171, 177 Public Culture, 31 Raad, Walid, 13, 28,31-2, 199 radicalism, 7 Ramsden, Michael, 57, 61 Rancière, Jacques, 7—9 Ranke, Leopold von, 193 Raqs Media Collective, 34 rationalism, 41 rationalization, 154—5, 157 readymade, 97, 141 realism, 18, 128, 150, 193 Capitalist, 89 reception, 184—90 reductionism, 8 regionalism, 28, 162 Reinhardt, Ad, 61 ‘25 Lines', 61 ‘Twelve Rules', 61 remembrance, 88 Renaissance, 17—18, 46, 107, 126, repetition, 66, 82, 105, 158, 197 reproducibility, 118, 127 revolution, 76, 206, 208-10 Reynolds, Ann, 100 Robert Smithson, 100 rhythm, 184, 188 Richter, Gerhard, 87-94, 96-7 Atlas, Ы-П, 94,97 Aunt Marianne, 97 Forty Years of Painting, 88 October 18, /977,91,97 S. mit Kind, 97 September, 97 Uncle Rudi, 97 Ricoeur, Paul, 25 Roberts, Jennifer L., 100 Mirror Travels, 100 de la Rochefoucauld, François, 58 Rodin, 101 Gates of Hell, 101 Roman Empire, 72 romanticization, 41, 60, 66, 137 Romanticism, 7, 9, 11—13, 39^47, 53, 55-6 Jena/early German, 7, 10—12,33, 37—8, 43-6, 58, 62, 65-7, 129, 168-71 Philosophical, 55-6 Rose, Barbara, 107 ABC Art, 107 Rosenberg, Harold, 3, 6, 47 Russian Revolution, 20 280 INDEX Sartre, Jean-Paul, 86—7 Critique of Dialectical Reason, 86 Sassen, Saskia, 135 Schaeffer, Jean-Marie, 6—7, 39 Schelling, 7, 45 Schiller, 7,43-4 Kalitas Letters, 43 Aesthetic Education, 43 Schlegel, August, 45, 54 Schlegel, Friedrich, 38,44—5, 53-6, 58— 60, 63-4, 67-8, 159 Athenaeum Fragments, 38, 53, 55, 58, 63, 67-8 Critical Fragments, 38 Schliermacher, Friedrich, 54, 65 Schopenhauer, Arthur, 7 scepticism, 88, 193, 200 science, 10, 38-40, 46, 61 political, 5 sculpture, 79-80, 99-106, 108, 117, 141, 145, 149 semiotics, 8, 120—1 sensibility/sensation, 9—10, 39,76 series, 62—7, 86—7, 94 Serpentine Gallery, 196 Serra, Richard, 101 Shift, 101 Shaftsbury, Lord, 58,177 signs, 137—8 singularity, 78, 120, 122, 124, 150-51 site, 108-116,144, 152, 160, 172 see also, non-site Smithson, Robert, 12, 57, 97—117, 139— 40, 142-3, 151, 170, 172 1000 Tons of Asphalt, 110 Alogott, 109 Asphalt Rundown, 110 Broken Circle, 101 Enantiomorphic Chambers, 109 Floating Island, 143 A Heap of Language, 113 Hypothetical Continent of Lemuria, 113 Hypothetical Continent in Shells, 113 Non-sites, 109—10 Partially Buried Woodshed, 103, 105 ‘Some Void Thoughts', 99 Spiral Jetty, 101, 103, 105-6, 110, 116 ‘Spiral Jetty', 114 A Tour of the Monuments, 110 A Web of White Gravel, 110 socialism, 18—20 Society for Theoretical Art and Analysis, 57—8 sociologism, 8 sociology, 11, 177 Soja, Edward, 133, 135 space absolute, 133—4 abstract, 133 any-whatsoever, 149 art, 27-8, 131,140 cultural, 27,96, 163 differential, 133—4 digital, 135 electronic, 135 exhibition, 168 of flows, 134-5,138,162, 175 physical, 164 project, 168—75 social 25, 28, 112, 131 transnational, 28 see also, place; non-place; nonspace speculation, 7, 23, 38, 51, 193—5 see also, proposition, speculative Spivak, G. C., 26, 192 Stella, Frank, 82, 179 Studio International, 57 subject/subjects, 25, 27, 41—4, 63, 85, 170, 175, 197 absolute, 25 social, 163, 191,193, 195 subjectivity, 8, 41-2, 66,177, 191-3 subject-position, 23 subject-structure, 194 surrealism, 16, 19, 46, 55, 81 system, 13, 60 see also, anti-system Tatlin, Vladimir, 153-4, 157 Selection of Materials, 154 TDK, 31 techné, 78-81,120, 165, technology, 12, 20, 24, 27, 46, 117-20, 123-6, 129, 134, 154, 156, 162, 166, 172,184-6, television, 119,123,125,185 temporality/temporalization, 9—12, 17, 72-7,90, 124, 136, 138, 169-70, 175-211 281 INDEX historical, 22—4,28,47, 53,91,119 see also, time testimony, 190—91, 196—201 textualization, 134, 136—40, 151 theology, 24,124,130 theory, 11 cultural, 8 photographic, 5 political, 11 Tillmans, Wolfgang, 90 If One Thing Matters, 91 time, 130, 204 cosmological, 73 historical, 18, 21—2,72—3, 207—8 philosophy of, 2-3, physical, 73 see also, temporality timelessness, 140, 175 totality/totalization, 9, 22,47, 50, 53, 60, 64-5,80,91,94, 118, 123, 187 tradition, 24,73 transcategoriality, 11-12, 99—100, 105, 108, 110,114,145 transcultural, 163, 167 transdisciplinarity, 11—12 translation, 163-4 transmedia, 11, 46, 50, 118 transnationality/transnationalization, 15,21,26-8,33-5, 118, 134-5,151, 162-8,191, 194-5 truth, 9, 44, 47 urban studies, 11 urbanism/urbanization, 75, 134, 151 unity, 63, 77,112,116, 118, 131,191 collective, 121-3 conceptual, 52 disjunctive, 22, 25 distributive, 11-12, 25, 48, 50, 86, 120-25, 143 historical, 122 utopia, 23, 113, 165, 178-9, 194 value/value-form, 35, 85,128,131-4, 184, 194, 234 n 38 cult-, 92-3 educational-, 92—3 exhibition-, 93,162 use-, 162 Vatamanu, Mona and Florin Tudor, 209 Long Live and Thrive Capitalism, 209 Venice Biennale, 30, 100,162 video, 8, 28-9, 103, 108, 123, 125, 172, 185, 188-9, 196, 198 virtuality, 113 visual culture, 4—5, 46 visualizations, 129—31 Vital, Joachim, 1 Wagner, Richard, 80 Wall, Jeff, 5, 46, 127, 142, 144, 160-61, 166 Warhol, Andy, 179, 181 Weber, Max, 155 Weiner, Lawrence, 54, 61 Statements, 54, 61 Wheeler, Dennis, 112, 114 When Attitudes Become Form, 763 Whiteread, Rachel, 149 House, 149 Wilde, Oscar, 46 Williams, Raymond, 16,180,183 Keywords, 16 Wollheim, Richard, 46 world-mediation, 88-91, 94 World Trade Organization, 210 writing, 110 Wu Ming, 35 Yates, Francis, 193 The Art of Memory, 193 Young, La Monte, 139 282 |
