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| Volltext: | I N D E X Abstract Expressionism, 108, 115, 122, 137, 146 Abstraction: and documentation, 23, 24; LeWitt on, 1x5: Oppenheim on, 23, 24, 27-30; and painting, 29, 115; and phys-icality, 28, 29-30; and sculpture, 29, 30; Siegelaub on, 37; and system, 28 Ace Gallery (Los Angeles), 123m Advertisements, 7, 69^, 80, 83, 84 Andre, Carl, 2, 4, 13, 19; exhibitions of work by, 13^, i4mo, 32-33, 39, 54-55nni-2; LeWitt on, 120; Oppenheim on, 22; Siegelaub on, 32-33, 36, 39.42 , works by, Lever, 42, 55^ Art and Language group, 7 Artforum (periodical), 7, 80, 83 Art Workers' Coalition, 43, 46, 48, 55114, 110 Asher, Michael, 13^ Autonomy, 12, 36 Bach, Johann Sebastian, 118 Barry, Robert: on Calder's work, 99; on commodity, 94; on communication, 2, 96; on documentation, 7, 8, 9, 90-91, 94, 96; exhibitions of work by, i4nxo, 32-33, 39, 54-55001-2, 89, 91, 94-95, 99-ioonni-4; on galleries, 11, 151118, 93-94; on Huebler's work, 89; on idea, 94, 95, 97; on Kaltenbach's work, 93; on Kosuth's work, 89; on language, 87, 90-91; on Lippard's work, 91; on magazines, I5nx8; on museums, 94-95; on object, 88, 89, 94, 97; on painting, 87-88, 90; on photography, 7, i5ni8, 91 93-941 on practice of art, 86-92, 95-96, 99; on presentation, 1, 87, 88, 90-91, 92, 97; on reception of art, 2, 86, 87, 96; Siegelaub on, 7, 32-35, 39, 40, 41; on Siegelaub's work, 89; on telepathy, 2, 86, 90, 95-96; on 1 5 5 Barry, Robert (continued) temporality, 91, 98; texts written by, 7; on theory of art, 87, 92, 97-99; on unconscious, 86-87, 95! on Weiner's work, 89 , works by: Inert Gas Series, 33, 89, 99m; When Attitudes Become Form, 95, ioon4 Baxter, Iain, 53, 55n6, 84, 85 Bellamy, Dick, 32 Benjamin, Walter, 4 Broodthaers, Marcel, 7 Buddhism, 145 Buren, Daniel, 7, 53, 55n2 Burnham, Jack, 21, 28, 52, 65, 97, 119-20, 133 Cage, John, 145, 146 Calder, Alexander, 99 Castelli, Leo, 51, 66 Catalogues, 6, 11, 18; LeWitt on, 122-23; Siegelaub on, i4nio, i5ni7 Chance, 62, 132 Commodity: and catalogues, 11; and galleries, 11, 12, 18, 61, 94; and idea, 1; LeWitt on, 1, 123; Morris on, 61, 64; and object, 94; and photography, 12 Communication: Barry on, 2, 96; Morris on, 61; Siegelaub on, i5ni7, 53; Weiner on, 106 Concept. See Idea Conceptual art: and documentation, 3, 5, 6-7, 9, 13; and galleries, 11, 12; Norvell's interviews as, 3, 4, 13; and photography, 9, 12; and physicality, 10; Smithson on, 131 Contingency, 62 Costa, Eduardo, i4nio Cubism, 115 Darboven, Hanne, 121 Debord, Guy, i5ni7 Derrida, Jacques, 6 Descartes, René, 129 Dibbets, Jan, 55n2 Documentation: and abstraction, 23, 24; Barry on, 7, 8, 9, 15ni8, 90-91, 96; and catalogues, 6, 11, i4nio, 15M7, 122-23; and commodification, 12; and Conceptual art, 3, 5, 6-7, 9, 13; and history of art, 5, 6; Huebler on, 7-8, 9, 10, 139-40, 141, 142, 143, 148, 149; and idea, 17, 148; Kosuth on, 10; and language, 6-7, 90-91, 139, 140, 141; LeWitt on, 8, 10-11, 94, 117-18, 122-23; and magazines, 6-7, 12, i5ni7; Morris on, 9, 15ni5, 59, 61; and Norvell's interviews, 3, 13, i4n7, 18, 54; Oppenheim on, 7, 23, 24; and photography, 6-12, 15nni7-i8, 17, 33, 91, 94, 103, 127, 139-40, 141, 142, 143, 148; and physicality, 18; Siegelaub on, 10, I5ni7, 33-34; Smithson on, 8, 127; and text, 6-7, i5ni7, 17, 18, 34-35; and video art, 9-10; Weiner on, 6, 8, i4n9, 102, 103, 104, 108 Drawing, 112-14, 117, 118, 139 Dubuffet, Jean, 47 Duchamp, Marcel, 78, 83, 145, 146 Dwan, Virginia, 35 E.A.T. (Experiments in Art and Technology) group, 152 Ehrenzweig, Anton, 131 Entropy, 131 Escari, Raul, I4ni2 Exhibitions: of Andre's work, 1305, i4nio, 32-33, 39, 54~55nni-2; of Asher's work, i3n5; of Barry's work, i4nio, 32-33. 39. 54-55nni-2, 89, 91, 94-95, 99-ioonni~4; of Flavin's work, i3n5; of Huebler's work, 14010, 33- 39. 54-55nni-2, 89, 150; of Kaltenbach's work, 84, 85m; of Kawara's work, 13^; of Kosuth's work, i4nio, 33, 39, 54-55nm-2, 89; of Le- Witt's work, 1305, i4nio, 39, 54-55nni-2, 122, 123m; of Morris's work, 3, 13n4, i4nio, 33, 54-5501, 56-57, 65-66, Ö9nni-2; of Nau-man's work, 1305; of Ruscha's work, 1 5 6 I N D E X 13115; Siegelaub on, I5ni7, 31-33, 35—36, 38-39, 51-52, 53; Siegelaub's organization of, 1305, 14010, 18, 31-33, 35-36, 38-39, 51-52, 53, 54-55ML, 84, 85m, 89, 99m, 104, 112, 122, 131, 150; of Smithson's work, 5502, 125, 127; Szeeman's organization of 69113; of Weiner's work, 14010, 32-33, 39, 54-55nni-2, 89, 104-5, 111113 Flavin, Dan, 1305, 36 Formalism: LeWitt on, 114, 118, 121; Morris on, 57, 58, 61, 67, 68, 69 Fried, Michael, 66, 134 Fuller, Buckminster, 64, 65 Galleries: Barry on, 15018, 93-94; and commodity, 11, 12, 18, 61, 94; LeWitt on, 122; Morris on, 61; Oppenheim on, 11, 12, 24; Siegelaub on, 33, 38, 50-51 Gibson, John, 18 Gibson Gallery, 18 Goldin, Amy, 54 Graham, Dan, 7 Greenberg, Clement, 66 Heidegger, Martin, 92 Heizer, Michael, 35 History of art: and Conceptual art, 5; and documentation, 5, 6; Huebler on, 139; Kaltenbach on, 77; and language, 139; LeWitt on, 115; Morris on, 5, 59, 60; Siegelaub on, 5 Hohner, Arthur, 136 Huebler, Douglas: on Abstract Expressionism, 137, 146; on Cage's work, 145, 146; on documentation, 7-8, 9, 10, 139-40, 141, 142, 143, 148, 149; on drawing, 139; on Duchamp's work, 145, 146; exhibitions of work by, i4nio, 33, 39, 54-55nni-2, 89, 150; on gestalt, 136, 137, 139; on history of art, 139; on idea, 148, 149; on Judd's work, 136; on Kosuth's work, 143; on language, 139, 140, 141, 144, 145, 148, 149; on magazines, 149; on materials, 135, 136, 146; on Morris's work, 136; on object, 135, 141; on painting, 135, 146; on photography, 9, 10, 139-40, 141, 142, 143, 147, 148, 149; on physical science, 151-53; on practice of art, 1:35-43, 1:46-47, 149; on presentation, 148; on reality, 9; on reception of art, 148; on scale, 137; on sculpture, 135, 137, 144; Siegelaub on, 9, 33, 36, 37, 39, 42, 53; on space, 137-39, r44: on system, 140, 141, 142, 144, 147-48, 149, 150; texts written by, 7, 149; on theory of art, 136, 141-44, 146; on vi-suality, 1, 142, 143-45, 147; on Weiner's work, 143; on Zen Buddhism, 145 , works by, Duration Piece #13, 149-50, 153-54113 Idea: Barry on, 94, 95, 97; and catalogues, i4nio; and commodification, 1; and documentation, 17, 148; Huebler on, 148, 149; Kaltenbach on, 81-82; Kosuth on, 10; LeWitt on, 1, 118, 121; Morris on, I5ni5; and physi-cality, 10; Siegelaub on, 1, 32, 37, 38, 41; Weiner on, 102, 109 Illusionism, 115, 116 Imagination, 30 Information: Kaltenbach on, 79, 83; Morris on, 65; Oppenheim on, 26, 27; Siegelaub on, 9, 12, 15ni7, 33-34, 39, 40, 42, 53; Weiner on, 103, 109 Ives, Charles, 118 Jacoby, Roberto, I4-I5ni2 Jameson, Fredric, 8 Janis, Sydney, 51 Judd, Donald, 22, 44, 136 Kahnweiler, Daniel, 32 Kaltenbach, Stephen: on advertisements, 80, 83, 84; Barry on, 93; on I N D E X 1 5 7 Kaltenbach, Stephen (continued) Duchamp's work, 78, 83; exhibitions of work by, 53, 84, 85m; Goldin on, 54; on history of art, 77; on idea, 81-82; on influence, 75, 80-82; on information, 79, 83; on Klein's work, 78, 83; on Lippard's work, 82; on magazines, 77; on marijuana, 72, 74, 77; on market, 75; on materials, 71, 72, 76; on Nauman's work, 75-77; on object, 79, 83; on Oppenheim's work, 83; on practice of art, 70-77, 79-81; on presentation, 72, 73; on reception of art, 2, 77-78; on Rodia's work, 78; on sculpture, 71, 72, 76; on Serra's work, 78; Siegelaub on, 53; on Siegelaub's work, 5, 82-83; on teaching, 80, 83; texts written by, 6-7, 79, 83; on theory of art, 76-78, 83 , works by, "Time Capsules, " 4, 5-6, i4n8, 74-76 Kawara, On, 7, 13^ Klein, Yves, 78, 83 Kosuth, Joseph, 2, 4, 5, 6, 7, 10, 11, 13, 19, 53, 143; exhibitions of work by, i4nio, 33- 39 54-55nnl-2. 62, 69^, 89; Siegelaub on, 7, 32, 33, 36-37, 39, 40, 42, 44, 45, 54 Language; and abstraction, 28; and ambiguity, 107; as art material, 42, t39; Barry on, 87, 90-91; and documentation, 6-7, 90-91, 139, 140, 141; and experience, 139, 145; and history of art, 139; Huebler on, 139, 140, 141, 144, 145, t48, 149; and presentation, 87; and reality, 132; Siegelaub on, 42; Smithson on, 132, 133; Weiner on, 107, 108 Leo Castelli Warehouse, 57, 58, 65, Ö9nni-2 LeWitt, Sol: on Abstract Expressionism, 115, t22; on abstraction, 115; on Andre's work, 120; on catalogues, 122-23; on commodity, 1, 123; on Cubism, 115; on Darboven's work, 121; on documentation, 8, 10-11, 117-18, 122-23; on drawing, 112-14, 117, 118; exhibitions of work by, 1305, i4nio, 39 54-55nni-2, 118-19, 122 123m; on formalism, 114, 118, 121; on galleries, 11, 122; on history of art, 115; on idea, 1, 118, 121; on illusionism, 115, 116; on materials, 120; on Minimal art, 122; on music, I5ni3, 118; on Muy-bridge's work, 119; on object, 114, 115, 118, 120; on painting, 113, 115-16, 122; on perception, 115; on photography, 119; on practice of art, 2, 112-15, 116-17, n9' 120-21; on presentation, 118-19, 122; on process-oriented art, 115; on reception of art, 116, 117-18; on Renaissance art, 115, 116; on Ry-man's work, 115; Siegelaub on, 39; on Stella's work, 115; on system, 2, 113, 114-15, 119, 120; texts written by, 6; on theory of art, 115, 121-22 Lichtenstein, Roy, 43 Lippard, Lucy, 82, 91, 99-ioonn2-3, 109, 123m Loft art, 27, 28 Long, Richard, 55n2 Lozano, Lee, 7 Magazines, 6-7, 12; Barry on, i5ni8; Huebler on, 149; Kaltenbach on, 77; Siegelaub on, i5ni7 Malevich, Kazimir, 130 Mallory, Robert, 70 Manet, Edouard, 128 Marcuse, Herbert, 64 Market, 5, 11, 12, 18, 75, 104. See also Commodity Mass culture, 9 Materiality: Siegelaub on, 1, 32; Smithson on, 127, 131. See also Physicality Materials: Huebler on, 135, 136, 146; Kaltenbach on, 71, 72, 76; LeWitt on, 120; Morris on, 60, 62; Oppenheim on, 26-27; Siegelaub on, 32, 36-37, 40, 41-42; Smithson on, 124-25, 126, 127, 128, 130, 131; Weiner on, 107 1 5 8 I N D E X Mentality, Smithson on, 124, 129, 131 Minimal art: LeWitt on, 122; Morris on, 59-60; Oppenheim on, 22 Morris, Robert: on commodity, 61, 64; on communication, 61; on contingency, 62; on documentation, 9, I5nl5 59 61; exhibitions of work by, 3, i3n4, i4nio, 33, 54-55M, 56-57, 65-66, 69nni-2; on formalism, 57, 58, 61, 67, 68, 69; on galleries, 61; on history of art, 5, 59, 60; Huebler on, 136; on idea, I5ni5; on information, 65; on materials, 60, 62; on Minimal art, 59-60; on morality, 63-64; on museums, 65; on object, 57-58, 60, 61, 65, 66-67, 69: on ownership of art, 65; on painting, 59; on patronage, 65; on photography, 59; on physicality, 60, 61; on practice of art, 1-2, 3, 57-58, 59-60, 62, 68; on presentation, I5ni5; on process-oriented art, 66; on reception of art, 59, 61, 64; Siegelaub on, 33, 42, 43, 44; on structure, 68, 69; on system, 65; on teaching, 58-59; on temporality, 60; texts written by, 6; on theory of art, 66-69 , works by: Box with the Sound of Its Making, 60; Continuous Project Altered Daily, 57, 6902; Earth Project, Gcfnz; Money, 3, 13m, 56-57, 63; Ottawa Project, 69112 Museum of Modern Art (New York), 6, 46-48, 75, 76, no Museums: Barry on, 94-95; Morris on, 65; Siegelaub on, 38, 43-44, 46-50; Weiner on, no Music: LeWitt on, I5ni3, 118; Siegelaub on, 43, 44 Muybridge, Eadweard, 119 Nauman, Bruce, 1305, 75-77 N.E. Thing Company, 53, 55n6 Newman, Barrett, 103, in Norvell, Patricia, interviews by, 1—13, ¥7, 17-19.54 Object, 17, 18; Barry on, 88, 89, 94, 97; Burnham on, 21, 52, 65, 97, 119-20, 133, 150; and commodity, 94; Huebler on, 135, 141; Kaltenbach on, 79, 83; LeWitt on, 114, 115, 118, 120; Morris on, 57-58, 60, 61, 65, 66-67, 69; Oppenheim on, 21-22, 27, 28; and sculpture, 21-22; Siegelaub on, 36, 45; Smithson on, 1, 124, 130; and system, 21, 52, 65, 97, 119-20, 133, 150; Weiner on, 101, 107, 109 Oppenheim, Dennis: on abstraction, 23, 24, 27-30; on Andre's work, 22; on Burnham's work, 28; on documentation, 7, 23, 24; on galleries, 11, 12, 24; on imagination, 30; on information, 26, 27; on Judd's work, 22; Kaltenbach on, 83; on location, 22; on loft art, 27, 28; on materials, 26-27; on Minimal art, 22; on Morris's work, 22; on object, 21-22, 27, 28; on painting, 26-27, 29; on photography, 7, 12, 23, 24; on physicality, 29-30; on practice of art, 25-26, 29, 30; on process-oriented art, 23, 25; on reception of art, 24, 25; on removal, 22-23; on sculpture, 21-23, 26. 27 28, 29; Siegelaub on, 12, 37, 40, 41, 45; on studio art, 28; on temporality, 25, 29-30; on theater, 27 Ownership of art: Morris on, 65; Siege-laub on, 39, 45; Weiner on, 6, 102-3, 104, 105 Painting: and Abstract Expressionism, 115, 122; and abstraction, 29, 115; Barry on, 87-88, 90; and Cubism, 115; Huebler on, 135, 144, 146; LeWitt on, 113, 115-16, 122; Morris on, 59; Oppenheim on, 26-27, 29; and Renaissance art, 115; Siegelaub on, I5ni7, 34, 37; Smithson on, 128; Weiner on, 101, 108 Patronage: Morris on, 65; Siegelaub on, 46 Paula Cooper Gallery (New York), 91, ioon3, 123 I N D E X 159 Peckham, Morse, 68 Perception: LeWitt on, 115; Smithson on, 128-29, 132 Photography: Barry on, 7, 15ni8, 91, 93-94; Huebler on, 9, 10, 139-40, 141, 142, 143, 147, 148, 149; Kosuth on, 10, 11; LeWitt on, 119; Morris on, 59; Oppenheim on, 7, 12, 23, 24; Siegelaub on, 10, 12, 15ni7, 33, 34, 35, 37, 45-46; Smithson on, 8, 127, 128, 129; Weiner on, 6, 14n9, 103, 108 Physicality: and abstraction, 28, 29-30; and catalogues, 11, i4nio; and documentation, 18; and idea, 10; Kosuth on, 10; Morris on, 60, 61; Oppenheim on, 29-30; Siegelaub on, i4nio, I5ni7; Weiner on, 109. See also Materiality Picasso, Pablo, 43 Plagiarism, 102-3, IIO 111 Pollock, Jackson, 37, 43, 53 Practice of art: Barry on, 86-92, 95-96, 99; Huebler on, 135-43, 146-47, 149; Kaltenbach on, 70-77, 79-81; LeWitt on, 2, 112-15, 116-17, n9 120-21; Morris on, 1-2, 3, 57-58, 59-60, 62, 68; Oppenheim on, 25-26, 29, 30; Smithson on, 124-28, 130-31; Weiner on, 101-2, 103, 106-7 Presentation: Barry on, 1, 87, 88, 90-91, 92, 97; Huebler on, 148; Kaltenbach on, 72, 73; LeWitt on, 118-19, I22 Morris on, i5ni5; Siegelaub on, 12, I5ni7, 34, 35, 37; Smithson on, 128; Weiner on, 101-2, 106 Process-oriented art: LeWitt on, 115; Morris on, 66; Oppenheim on, 23, 25 Pulsa group, 152 Rainer, Yvonne, 7 Reality: Huebler on, 9; and language, 132; and sign, 9; and simulacrum, 8, 9; Smithson on, 1, 124, 129, 132 Reception of art: Barry on, 2, 86, 87, 96; Huebler on, 148; Kaltenbach on, 2, 77-78; LeWitt on, 116, 117-18; Morris on, 59, 61, 64; and Norvell's interviews, 4; Oppenheim on, 24, 25; Siegelaub on, 5, 36, 39-41, 42-43, 45; Smithson on, 129; Weiner on, 105-6 Reinhardt, Ad, 37, 109 Removal: Oppenheim on, 22-23; Smith-son on, 125; Weiner on, 101, 102, 104-5, io9 Renaissance art, 115, 116 Rodia, Simon, 78 Rose, Barbara, 6, 75, 109 Rubens, Peter Paul, 62, 63 Ruscha, Edward, 13^ Ryman, Bob, 115 Saret, Alan, 54 Sartre, Jean-Paul, 87 Scale: Huebler on, 137; Smithson on, 126-27 Sculpture: and abstraction, 29, 30; and excavation, 22; Huebler on, 135, 137, 144; Kaltenbach on, 71, 72, 76; and object, 21-22; Oppenheim on, 21-23, 26, 27, 28, 29; and removal, 22-23; Siegelaub on, i5ni7, 36, 38, 40, 42, 43; and temporality, 29-30 Serra, Richard, 78 Siegelaub, Seth: on abstraction, 37; on Andre's work, 32-33, 39, 42; as art dealer, 5, 11, 31-32, 33, 50, 51; as artist, 5, 62; on Art Workers' Coalition, 43, 46, 48, 5504; on Barry's work, 7, 32-35, 39, 40, 41; on Baxter's work, 53; on Bellamy's work, 32; on Buren's work, 53; on catalogues, i4nio, I5ni7; on communication, i5ni7, 53; on documentation, 10, 15017, 33-34; on Dubuffet's work, 47; on Dwan's work, 35; on exhibitions, 1507, 31-33, 35—36, 38-39, 51-52, 53; exhibitions organized by, 13^, i4nio, 18, 31-33, 35-36, 38-39, 51-52, 53, 54-55nn, 84, 85m, 89, 99m, 104, 112, 122, 131, 150; on Flavin's work, 36; on galleries, 33, I N D E X 38, 50-51! on history of art, 5; on Hue-bler's work, 9, 33, 36, 37, 39, 42, 53; on idea, I, 32, 37, 38, 41; on information, 9, 12, i5ni7, 33-34, 39, 40, 42, 53; on Judd's work, 44; Kaltenbach on, 5, 82-83; on Kaltenbach's work, 53; Ko-suth on, 5; on Kosuth's work, 7, 32-33, 36-37, 39, 40, 42, 44, 45, 54; on language, 42; on Le Witt's work, 39; on Lichtenstein's work, 43; on magazines, I5ni7; on materiality, 1, 32; on materials, 32, 36-37, 40, 41-42; on Morris's work, 33, 42, 43, 44; on museums, 38, 43-44, 46-50; on music, 43, 44; on non-participation, 4, 36; on Norvell's interviews, 4, 54; on object, 36, 45; on Oppenheim's work, 12, 37, 40, 41, 45; on ownership of art, 39, 45; on painting, I5ni7, 34, 37; on patronage, 46; on photography, 10, 12, 15017, 33- 34- 37 45_46; on physicality, i4nio, I5ni7; on Picasso's work, 43; on Pollock's work, 37, 43, 53; on presentation, 12, 15ni7, 34, 35, 37; on reception of art, 5, 36, 39-41, 42-43, 45; on Reinhardt's work, 37; on remuneration for artists, 43-46; on sculpture, I5ni7, 38, 40, 42, 43; on space, 32, 38; on visuality, I5ni7; on Weiner's work, 32-33, 36-37, 39, 42; on xeroxing, 39 Sign versus reality, 9 Simulacrum, 8, 9 Smithson, Robert: on Conceptual art, 131; on documentation, 8, 127; on entropy, 131; exhibitions of work by, 55n2, 125, 127; on galleries, 11; on language, 132, 133; on Malevich's work, 130; on Manet's work, 128; on materiality, 127, 131; on materials, 124-25, 126, 127, 128, 130, 131; on mentality, 124, 129, 131; on object, 1, 124, 130, 133; on painting, 128; on perception, 128-29, 132; on photography, 8, 127, 128, 129; on practice of art, 124-28, 130-31; on presentation, 128; on reality, 1, 124, 129, 132; on reception of art, 129; on removal, 125; on scale, 126-27; on site, 125-28, 129, 130-31; on space, 126; on system, 133; on temporality, 130; texts written by, 6, 125; on theory of art, 124, 127, 129, 130, 131-34 Social relations, 29, 30, 68, 69, 132; and shift from object to system, 21, 52, 65, 133, 150; and spectacle, 9, 15ni7 Space: Huebler on, 137-39, 144; Siege-laub on, 32, 38; Smithson on, 126 Spectacle, society of the, 9, 15ni7 Stella, Frank, 115 Structure, Morris on, 68, 69 Studio art, Oppenheim on, 28 System: and abstraction, 28; Burnham on, 21, 52, 65, 97, 119-20, 133, 150; and drawing, 113-14; Huebler on, 140, 141, 142, 144, 147-48, 149, 150; LeWitt on, 2, 113, 114-15, 119, 120; Morris on, 65; and object, 21, 52, 65, 97, 119-20, 133, 150; Smithson on, 133 Szeeman, Harald, 69^, ioom). Temporality: Barry on, 91, 98; Morris on, 60; Oppenheim on, 25, 29-30; S m i t h s o n o n , 1 3 0 ; W e i n e r o n , H I Textual documentation, 6-7, 15ni7, 17, i8, 34-35 Theater, Oppenheim on, 27 Theory of art; Barry on, 87, 92, 97-99; Huebler on, 136, 141-44, 146; Kaltenbach on, 76-78, 83; LeWitt on, 115, 121-22; Morris on, 66-69; Smithson on, 124, 127, 129, 130, 131-34; Weiner on, 108-9, 110-11 Time. See Temporality Typography, 107-8 Unconscious, Barry on, 86-87, 95 Veselovsky, Alexander, 64 Video art, 9-10 Visuality: Huebler on, 1, 142, 143-45, l47 Siegelaub on, I5ni7 I N D E X Weiner, Lawrence: on Abstract Expressionism, 108; on Art Workers' Coalition, no; on communication, 106; on documentation, 6, 8, 14119, 102, 103, 104, 108; on event, 9, 102; exhibitions of work by, 14010, 32-33, 39, 54-55nni-2, 89, 104-5, nm3; on galleries, 11; Huebler on, 143; on idea, 102, 109; on information, 103, 109; on language, 107, 108; on market, 104; on materials, 107; on museums, no; on Newman's work, 103, in; on object, 101, 107, 109; on ownership of art, 6, 102-3, io4 I05! on painting, 101, 108; on photography, 6, 1409, 103, 108; on physicality, 109; on plagiarism, 102-3, no, in; on practice of art, 101-2, 103, 106-7; on presentation, 101-2, 106; on reception of art, 105-6; on Reinhardt's work, 109; on removal, 101, 102, 104-5, 10Sb Siege-laub on, 32-33, 36-37, 39, 42; on temporality, in; texts written by, 7; on theory of art, 108-9, no-ii; on typography, 107-8 , works by: A 1 ' x 3 ' Removal with a Gallon of White Paint Poured into It, 109; A Shallow Trench from High Water Mark to Low Water Mark upon a North Atlantic Beach, 103, inn2; Statements, 33, 107; A j6" x j6" Removal to the Lathing or Support Wall of Plaster or Wallboardfrom a Wall, 102, inni Whitney Museum, 3, 13^, 56, 62, 63 "Xerox Book, " 33, 35-36, 39, 104, 112, 131 Zen Buddhism, 145 1 6 2 I N D E X |
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