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| Katkey: | 7533439 |
| Volltext: | Index Page numbers in italics denote illustrations. Ablow, Joseph, 63-64, 72—75 Abstract Expressionism: origin of term, 15, 230, 251; revolutionary changes, 243-50 Abstract Impressionism, 135, 236, 251 Action Painting, 67, 111, 135, 197, 201, 233-35, 236, 251, 256, 269, 284, 285 Albers, Josef, 91 Albright Art Gallery, Paintings by Clyfford Still show (1959), 196-97, 273 American Scenists, 122-25, 138, 232, 280-81 Angelico, Fra, 90 Apollinaire, Guillaume, 110 Aquinas, Thomas, 194 Armory Show (1913), 16, 194, 294 Arp, Hans, 10 Art of This Century Gallery (New York), 203, 238 Ashton, Dore, 173, 277 Avery, Milton, 237 Balzac, Honoré de, 62 Barr, Alfred H., Jr., 131, 219, 225, 227, 230, 233 Baudelaire, Charles, 103 Baziotes, William, 10, 11, 53, 153, 171, 193, 211, 279; European critics on, 287, 288; an "Irascible, " 226, 226; at Studio 35 sessions, 213, 216— 18, 221, 225 Bell, Clive, 194 Benton, Thomas Hart, 137, 147 Berger, John, 270 Biala, Janice, 204, 225 Bierstadt, Alfred, 278 Blake, William, 196, 231 Blakelock, Ralph, 16, 17 Blanch, Arnold, 190 Blesh, Rudi, 153 Bluhm, Norman, 220 Boccioni, Umberto, 39 Bonnard, Pierre, 69, 75, 90, 119, 245, 253 Bosch, Hieronymous, 283 Bourgeois, Louise, 204, 225, 227 Braque, Georges, 64, 90, 107, 208, 237, 243 Breton, André, 16, 191, 238, 294 Brooks, James, 148, 222, 228, 269, 279; Doubt, 283; European critics on, 283, 287, 288; an "Irascible, " 226, 226; at Studio 35 sessions, 204, 213, 216, 219-20, 225 Brueghel, Pieter, 257 Bultman, Fritz, 226 Burke, Edmund, 128, 274 Cage, John, 140, 228 Calas, Nicolas, 36, 130 Calder, Alexander, 42 Callery, Mary, 227 Canaday, John, 227-28, 272—73 Carnegie Institute, 190 Carreno, Mario, 52 Cedar Tavern (New York) gatherings, 10, 219, 220 Cezanne, Paul, 35, 48, 66, 72, 74, 82- 83, 85, 90, 104, 110, 142, 151, 153, 194, 231, 243, 249, 255, 257 Chagall, Marc, 16, 237, 294 Chardin, Jean-Baptiste-Siméon, 72, 256 Chareau, Pierre, 140 Chastel, André, 287, 295 Chirico, Giorgio de, 65 Church, Frederick, 16, 278 Claude Lorraine, 16 Club, The (New York), 10, 148 302 Index Cluüon-Brock, Alan, 291 Coates, Robert, 15, 230, 251 Cogniat, Raymond, 289 Cole, Thomas, 16 Constable, John, 231 Constructivism, 39, 46, 189 Corbett, Edward, 193 Corot, Jean Baptiste, 74, 231 Courbet, Gustave, 151, 231, 259 Crampton, Rollin, 130 Croce, Benedetto, 194 Cubism, 12, 15, 16, 17, 18, 53, 64, 90, 105, 110, 117, 142, 151, 168, 186, 189, 237-38, 243, 244-45, 249, 270, 277; Analytical, 243, 245; de Kooning on, 35, 42, 46; Late, 239, 240-41, 242, 247, 249; Newman on, 129, 131, 135; Synthetic, 237 Dada, 16, 129, 270 Daumier, Honoré, 90, 91 Davis, Stuart, 17, 36, 42, 53, 171, 187, 228 de Kooning, Elaine, 180, 219 de Kooning, Willem, 10, 17, 34, 35-50, 72, 90, 91, 92, 98, 146, 148, 153, 186, 187, 189, 211, 219, 228, 269, 279, 295; European critics on, 282, 284, 287, 288, 292; February, 282; Greenberg on, 238, 239, 241, 243, 244; interview, 43—50; an "Irascible, " 226, 226; in bis studio, 41, 49; at Studio 35 sessions, 214—15, 217, 219, 220-22, 224-25; Untitled (1951), 46; Woman /, 19; women, paintings of, 18, 45—48; writings of, 35-43 Delacroix, Eugène, 54, 72, 74, 231, 259, 274 Demuth, Charles, 17 De Stijl, 43, 84, 189 d'Harnoncourt, René, 230, 233 Dickinson, Edwin, 193 Diderot, Denis, 274 Donatello, 255 Dove, Arthur, 17 Dragon, Edward, 145 Duccio [di Buoninsegna], 270 Duchamp, Marcel, 16, 35, 36, 42, 106, 203 Eakins, Thomas, 231 Einstein, Albert, 194 Emerson, Ralph Waldo, 14, 16, 18 Ernst, Jimmy, 171, 204, 225; an "Irascible, " 226, 226 Ernst, Max, 16, 116, 237 Estienne, Charles, 251 European exiles in America, 16, 43—45, 115, 138, 186-88, 189, 237, 294 Expressionism, 73, 189; German, 117, 189, 288 Fabritius, Carel, 63 Fauves, Fauvism, 15, 17, 53, 117, 240, 245, 270, 288 Federal Art Project, see WPA Federation of Modern Painters and Sculptors, third annual exhibition (1943), 205-7 Feininger, Lyonel, 278 Ferber, Herbert, 11, 52, 193, 226; at Studio 35 sessions, 204, 213—14, 217-18, 221-22, 225 Ferren, John, 171, 228 Field Painting, 18, 135, 249 Francis, Sam, 279, 281-82, 283, 288, 290 Freud, Sigmund, 144, 146, 194 Friedman, B. H., 148, 149 Friedrich, Caspar David, 16, 119, 275 Futurism, 39 Gabo, Naum, 39, 53, 188 Gasser, Helmi, 279 Gauguin, Paul, 54, 74, 231, 245 Getlein, Frank, 269, 271 Giacometti, Alberto, 35—36 Gide, André, 294 Giotto, 73, 255 Glarner, Fritz, 10, 42, 171 Glaseo, Joseph, 193 Goethe, Johann Wolfgang von, 253, 256 Gonzales, Julio, 12, 189 Goodnough, Robert, 204, 225 Goodrich, Lloyd, 172, 233 Gorky, Arshile, 11, 35, 44, 187, 189, 211, 279, 295; European critics on, 283, 287, 288; Greenberg on, 238- 39, 241, 243, 244 Gothic, the, 128, 251 Gottlieb, Adolph, 10, 15, 51, 52-59, 153, 171, 228, 279; Blast I, 20; Burst paintings, 58-59; European critics on, 287, 288, 290; Greenberg on, 240, 241—42, 245; interview, 55— 59; "The Intrasubjectives" catalogue cover design by, 211; an "Irascible, " 226, 226; Oedipus, 209; Pictogenic Fragments, 56; pictographs, 55, 57— 59, 241, 245; The Rape of Persephone, 206; in his studio, 59; at Studio 35 sessions, 213, 215-17, 220, 224, 225; writings of, 52-55, 205—12 Goya, Francisco de, 75, 92, 116, 117, 255, 257 Graham, John, 16, 187 Graves, Morris, 211 Greco, El, 85, 92, 147 Greek art, 127-29, 132, 208 Greenberg, Clement, 148, 187, 251; "'American Type* Painting, " 235-51; letter sequel, 251—53 Grippe, Peter, 225, 227 Gris, Juan, 90 Grohmann, Will, 251 Gropius, Walter, 116 Guggenheim, Peggy, 238, 242 Guggenheim Fellowship, 176 Guggenheim (Solomon) Museum, 237 Guston, Philip, 10, 60, 61—75, 219, 223, 243, 269, 279; European critics on, 287, 288, 290; The Room, 21; in his studio, 69, 72; "Ten Drawings, " 75; Untitled (1962), 65; writings of, 61-63 Hale, Robert Beverly, 226 Hals, Frans, 75 Hammett, Dashiell, 294 Hare, David, 10, 11, 204, 225, 227, 228 Hartigan, Grace, 279, 280, 281, 282, 287, 288 Hartley, Marsden, 17 Hawthorne, Nathaniel, 16 Hegel, G. W. F., 128, 194 Heidegger, Martin, 113 Hélion, Jean, 171 Heron, Patrick, 251 Hess, Thomas B., 50, 125, 127, 228, 271 Hofmann, Hans, 10, 15, 18, 76, 77-88, 211, 228; Cathedral, 22; Ecstasy, 79; Greenberg on, 237, 240, 242, 243, 250; an "Irascible, " 226; painting table of, 83; "push and pull, " 81, 82; review by Coates, 230; at Studio 35 sessions, 212, 215, 221—23, 225; writings of, 77—88 Holty, Carl, 53 Holtzman, Harry, 36 Hopper, Edward, 281 Hudson River School, 16 Hunter, Sam, 269 Impressionism, 15, 36, 53, 64, 119, 124, 129, 135, 245, 246-47, 280 Ingres, J. A. D., 90, 239, 259 Institute of Contemporary Art, Boston, 230, 233 "The Intrasubjectives" show, catalogue cover, 211 Irascibles, The, 226, 226—27 Isolationism, 121—25, 138, 232 James, Henry, 294 Janis (Sidney) Gallery, 146, 223 Jarrell, Randall, 253, 257 Jewell, Edward Alden, 205—7 Joyce, James, Ulysses, 191 Kadish, Reuben, 148 303 Index Kamrowski, Jerome, 134 Kandinsky, Wassily, 16, 39, 84, 115, 117, 194, 230, 237, 238, 245, 250, 271, 279, 282 Kane, John, 90 Kant, Immanuel, 128, 274, 275 Katzman, Herbert, 193 Kees, Weldon, 225, 226 Kierkegaard, Sören, 109, 194 Kiesler, Frederick, 148, 193 Klee, Paul, 11, 16, 84, 117, 222, 237, 238, 240, 253, 278, 284, 288, 290 Klein, Yves, 133 Kline, Franz, 10, 65, 89, 90-101, 148, 220, 243, 244, 269, 279; Accent Grave, 283; "Bethlehem" paintings, 95; Dahlia, 95; European critics on, 283, 284, 287, 288, 290; interviews, 90—101; Mahoning, 23; Palladio, 95; studio of, 100; in his studio, 97; Untitled (1950), 94 Kokoschka, Oskar, 253 Knot/ Gallery (IVew York), 57, 211 Kramer, Hilton, 290 Krasner, Lee, 148-49, 251 Kriesberg, Irving, 193 Kuh, Katherine, 92-95 Lassaw, Ibram, 11, 226; at Studio 35 sessions, 214, 217, 225 La Tour, Georges de, 254 Laws, Frederick, 291 Lebeer, Irmeline, 119 Léger, Fernand, 16, 90, 237, 262, 294 Lepore, Mario, 280 Levine, Jack, 270, 281 Lewis, Norman, 204, 225 Lipchitz, Jacques, 16, 188, 237, 294 Lippold, Richard, 193; at Studio 35 sessions, 212-14, 218, 221, 225 Lipton, Seymour, 11, 204, 225, 227 Lissitzky, Eliezer, 39 Longinus, 128, 274 Louis, Morris, 72 Malevich, Kazimir, 18, 53, 131, 245, 248; White on White, 245 Mallarmé, Stéphane, 191 Malraux, André, 257 Manet, Edouard, 66, 151, 231 Mantegna, Andrea, 63 Mare, Franz, 278 Marca-Relli, Conrad, 148 Margo, Boris, 52 Martin, John, 276 Marx, Karl, 194 Masson, André, 16, 116, 237, 288, 294 Mathieu, Georges, 271 Matisse, Henri, 16, 64, 65, 69, 115, 119, 216, 237, 240, 241, 248, 253, 280, 288; murais, 107; Woman in a Red Blouse, 46 Matta, Robert, 16, 238 Matter, Mercedes, 219 McCoy, Garnett, 182, 185, 190 Melville, Herman, 16 Metropolitan Museum of Art, 190; American Painting Today—1950, Irascibles' protest, 226-27 Michelangelo Buonarroti, 82, 128, 178, 233, 239 Michelson, Annette, 290, 294 Miller, Dorothy, 193 Millet, Jean-François, 231 Miro, Joan, 16, 115, 117, 131, 138, 237, 238, 242, 288 Mitchell, Joan, 220 Modern Artists in America (magazine), 10, 225 Modigliani, Amedeo, 208 Molleda, Mercedes, 281 Mondrian, Piet, 16, 18, 35, 39, 46, 84, 103, 106, 115, 129, 131, 151, 188, 224, 237, 244-45, 248, 249, 272, 278, 294 Monet, Claude, 151, 189, 194, 231, 245, 246, 252 Montaigne, Michel Eyquem de, 263 Moore, Thomas, 273—74 More, Hermon, 233 Morris, George L. K., 42, 53 Motherwell, Robert, 10, 18, 42, 61, 102, 103-19, 130, 140, 147, 152, 171, 211, 228, 279, 295; Beside the Sea #24, 108; collages of, 104, 112, 241; Elegy to the Spanish Republic No. 34, 24, 283; European critics on, 283, 287, 288, 290; Greenherg on, 239, 240-41; interviews, 111-12, 119; an "Irascible, " 226, 226; "Open" paintings series, 119; at Studio 35 sessions, 212, 215, 217, 219-25; studio wall, 111; writings of, 103-10, 112-18, 191 Museum of Modern Art, 123, 127, 172, 227, 230, 233, 271; Abstract Painting and Sculpture in America show (1951), 42; 15 Americans show (1952), 193; Forum: The Artist Speaks, 54; The New American Painting show (1958), 12, 131, 279, 293, 295 Nay, E. W„ 281-82, 283 Nemerov, Howard, 278 Neo-Plastieism, 39, 46 New American Painting, The (show), 12, 279; catalogue (Barr), 131; reviews, 279-95 Newman, Iiarnett, 10, 15, 18, 52, 90, 120, 121-35, 146, 147-48, 207, 216, 228, 253, 279; Adam, 277; The Beginning, 277; Day One, 277; Death of Euclid, 277; European critics on, 2/9, 287; Gea, 133; Greenherg on, 245, 247-49, 251-53; interview, 131—35; an "Irascible, " 226, 226; Ommenl VI, 25, 277; Pagan Void, 133, 277; studio of, 132; at Studio 35 sessions, 204, 214, 218, 221, 224- 25; and the Sublime, 127-30, 276- 78; Untitled (1946), 126; Vir Heroicus Sublimis, 133, 277; writings of, 121 — 31, 135 New York School, 63, 64-66, 135, 269, 272-73 New York Times, The, protests against art criticism in, 53, 205-7, 227-28 Noland, Kenneth, 72 O'Conner, Francis V., 145, 147 O'Hara, Frank, 90, 219 O'Keeffe, Georgia, 17 Oriental art, 35, 36, 87, 244 Orlando, Felipe, 52 Orozco, José Clemente, 16, 147, 242 Ossorio, Alfonso, 146, 251 "A Painting Prophecy —1950" (exhibition), 171 Parsons (Betty) Gallery, 172, 216, 245; announcement for Pollock show (1948), 149 Pavia, Philip, 10, 61, 228 Pereira, I. Rice, 171 Picasso, Pablo, 12, 16, 35, 64, 103, 108, 115, 119, 129, 131, 138, 147, 188-89, 194, 208, 209, 237, 238, 239, 241, 242, 243, 253, 255, 256- 57, 270, 288; Guernica, 107; Guernica drawings, 117-18; quoted, 109, 110, 152 Piero della Francesca, 73, 255, 257 Pissarro, Camille, 74 Plato, 194 Plaut, James S., 233 Pollock, Jackson, 10, 15, 18, 53, 90, 91-92, 136, 137-49, 186, 187, 189, 193, 211, 216, 251, 255, 256-57, 269, 270, 272, 279, 295; Autumn Rhythm (Number 30), 26-27; The Deep, 276; European critics on, 280, 281-82, 284, 286-87, 288, 292; Full Fathom Five, 276; Greenherg on, 238, 239, 242-43, 244, 247; Greyed Rainbow, 276; interviews, 140—46; an "Irascible, " 226, 226; Lavender Mist, 250; 1958 retrospective, 281-82, 292, 293; Number One, 1948, 250, 276; Number 22, 139; Oeean Greyness, 276; One, 250; Portrait and a Dream, 149; She Wolf, 242; in his studio, 142, 143; and the Sublime, 276-78; Totem I, 242; working methods, 148—49; 304 Index writings of, 137—40, 145-46 Possibilities, 10, 140, 170 Post-Impressionism, 124, 245, 248 Pound, Ezra, 283—84 Poussette-Dart, Richard, 12, 171; an "Irascible, " 226, 226; at Studio 35 sessions, 204, 217, 225 primitive art, 16, 17, 211-12 Princeton Art Museum, Robert Motherwell show (1973), 119 Prokofiev, Sergei, 53 "push and pull, " Hofmann, 81, 82 Redmond, Roland L., 226 Regionalism, 123, 232 Reinhardt, Ad, 10, 15, 18, 61, 130, 150, 151-65, 204, 211; Abstract Painting (1948), 163; Abstract Painting (1960—61), 28; an "Irascible, " 226, 226; Jewish Museum show (1966), 156; in his studio, 160, 161; at Studio 35 sessions, 204, 214— 24, 225; working notes, 158-59, 162—65; writings of, 151—62 Rembrandt van Rijn, 46, 63, 73, 82, 85, 90, 92, 208, 233 Renaissance, 73, 128—29, 137, 223, 251, 264 Renoir, Pierre Auguste, 74, 85, 118, 209, 231 Rexroth, Kenneth, 293 Reynolds, Joshua, 274 Rickey, George, 182 Rilke, Rainer Maria, 105, 257 Rimbaud, J. N. A., 103, 105, 191 Ritchie, Andrew C., 233 Rivera, Diego, 16 Rivers, Larry, 91 Rodchenko, Aleksandr, 39 Rodin, Auguste, 12, 74, 231 Rodman, Seiden, 91, 92, 146 Roger-Marx, Claude, 286 Romanticism, 132, 167, 273—78 Rose, Herman, 193 Rosenberg, Harold, 50, 61, 135, 140, 148, 228, 233-35, 251, 294 Rosenberg, Ralph, 225 Rosenblum, Robert, 273, 278 Roszak, Theodore, 11, 227 Rothko, Mark, 10, 15, 17, 52, 53, 65, 72, 91, 116, 130, 146, 153, 166, 167-73, 193, 209, 211, 251, 269, 279, 295; Beige and Black on Red, 288; Brown and Green, 288; European critics on, 282, 283, 287-88, 292; Four Darks in Red, 29; Greenberg oil, 243, 245, 248—49; an "Irascible, " 226, 226; Leda, 209; Light, Earth and Blue, 275; in his studio, 171; and the Sublime, 275—78; The Syrian Bull, 206; Untitled (1944-45), 169; working notes, 173; writings of, 167— 73, 203, 205-12 Rousseau, Henri, 64 Rubens, Peter Paul, 50, 209, 239 Ryder, Albert Pinkham, 16, 17, 91, 138, 147, 231, 278 Sandler, Irving, 61, 228 Sargent, John Singer, 208 Sawyer, Kenneth B., 196, 228 Schapiro, Meyer, 134, 228; "The Liberating Quality of Avant-Garde Art, " 258-69 Schnabel, Day, 227 School of Paris, 64, 121, 122, 236, 237, 245, 248, 293, 294-95 Scott, William, 250 Seckler, Dorothy, 55—59, 131—35 Seligmann, Kurt, 130 Seuphor, Michel, 271 Seurat, Georges, 91, 105, 107 Shahn, Ben, 281 Sharpless, Ti-Grace, 200, 201 Shostakovitch, Dmitri, 53 Siqueiros, David Alfaro, 16, 242 Smith, David, 10, 12, 15, 114, 174, 175-91, 223, 225, 226, 228, 250; The Cathedral, 180; The Fish, 175, 180; History of Le Roy Burton, 181; interview, 186—90; Lectern Sentinel, 30; Portrait of a Painter, 181; The Sitting Painter, 181; Spectre series, 177; in his studio, 184; writings of, 175-85, 190 Smith, Gordon, 194 Smith, Tony, 216 Smith College Museum of Art, Robert Motherwell show, 112 Sobel, Janet, 242—43 Sonderborg, K. R. H., 281—82 Soutine, Chaim, 65 Spengler, Oswald, 194 Spinoza, 87, 104, 110 Stamos, Theodoras, 52, 225, 279, 282, 287; High Snow, 282; an "Irascible, " 226, 226 "A Statement on Modern Art" (by three museums, 1950), 230-33 Stein, Gertrude, 47 Stephan, John, 52, 130 Stephan, Ruth, 52 Sterne, Hedda, 52; an "Irascible, " 226, 226; at Studio 35 sessions, 204, 212, 216, 221, 225 Still, Clyfford, 10, 15, 91, 146, 153, 192, 193-203, 209, 253, 279; European critics on, 283, 287, 288, 292; Greenberg on, 245-50, 251—53; interviews, 196-97, 200-1; an "Irascible, " 226, 226; 1957-D No.}, 31, 274; 1957-K, 203; and the Sublime, 273—75, 277—78; Untitled (1945), 202; writings of, 146—47, 193-96; 197-200, 203 Studio 35, 10, 36; artists* sessions (1950), 204, 212-25 Subjects of the Artist school, 10, 40 Sublime, the, 127—30, 274—78 Surrealism, 10, 12, 16, 17, 77, 105, 115, 117, 125-26, 128, 189, 211, 217, 243, 245, 270, 288 Sylvester, A. D. B., 130 Sylvester, David, 43, 50, 95-101, 111- 12, 186-90 Symbolism, 93, 191; abstract, 245 Tachisme, 135, 251, 269, 279, 282 Tanguy, Yves, 16 Tapié, Michel, 251 Tatlin, Vladimir, 39 Taylor, Francis Henry, 190, 226 Thoreau, Henry David, 16, 91 Tigers Eye magazine, 10, 52, 130, 170 Tintoretto, 92 Titian, 90, 209 Tobey, Mark, 11, 211, 242-43, 244, 272 Tomlin, Bradley Wilker, 12, 90, 91, 193, 211, 243, 279; European critics on, 284, 288; an "Irascible, " 226, 226; at Studio 35 sessions, 204, 220- 22, 225 Townsend, Benjamin J., 196 Turner, J. M. W., 116, 231, 246, 275- 76 Tworkov, Jack, 61, 279, 282, 288, 290; Prophets, 282 Tyler, Park, 270 Valsecelo, Marco, 279 value contrast, 244—48, 250 van Gogh, Vincent, 73—74, 85, 105, 110, 231, 278 Velasquez, Diego, 90, 92, 209 Veronese, Paolo, 209 Vuillard, Jean Edouard, 245 Ward, James, 274-75 Wescher, Paul, 203 Whistler, James McNeill, 231 Whitman, Walt, 16, 246, 282 Whitney, Gertrude, 123 Whitney Museum of American Art, 123, 172-73, 230, 233 Wight, Frederick S., 233 Wilfred, Thomas, 193 Wols [Wolfgang Schulze], 282 WPA (Works Progress Administration), 44, 186, 237 Wright, William, 140—45 Zur barati, Francisco de, 75 |
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