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| Volltext: | Index Agricola, Georgius, De Re metallica, 60 Alberti, Leone Battista, 25, 29-31, 32-7, 64, 92, 109, 118, 120-21, 167 Alpers Svetlana, 3, 49, 98 anachronism, 25-6, 27, 39 Angelini, Don Cesare, 145 Antal, Frederick, 27 anthropology, 54, 93, 95 Antonello da Messina, 111-12 architecture, 29-32, 35, 60-61, 124-7 Ariosto, Lodovico, 51 Arnold, Matthew, 39 Arnoldo délia Torre, 31 art history, see history of art attention/inattention, 6-7, 10, 16, 17, 21, 83, 100 Auerbach, Frank, 13 Babbitt, Irving, 38 Baddeley, Alan, Human Memory: Theory and Practice, 84 Baker, Benjamin, 166-7 Balzac, Honoré, 40 Barzizza, Gasparino, 118 Baselitz, Georg, 14 Baxandall, Michael, works, Art, Society, and the Bouguer Principle', 63, 96-7 Attention to Pictures, Three Levels of Inquietude' (unpublished course syllabus), 84-5 Episodes, A Memory Book, 4, 25, 50, 52, 107, 158-9, 164-6 'Fixation and Distraction, The Nail in Braque's Violin and PitcheP, 16, 99 Giotto and the Orators, 2, 25, 28, 33-5, 54-6, 92-5, 98, 100, 108, 118 A Grasp of Kaspar, 4, 51-4, 107, 141, 144-50, 153-4, 157-8 'History of Art 162, Italian Renaissance Art and its Circumstances, 1400-1527' (unpublished course syllabus and midterm examination), 119, 121 'The Language of Art History', 79-80, 94-5, 97 'Leavis on Critical Theory' (unpublished essay fragment), 38-40 The Limewood Scidptors of Renaissance Germany, 3, 35, 55-6, 59, 63, 97, 108, 110-11, 141-6 Painting and Experience in Fifteenth- Century Italy, 3, 19, 25, 27, 31, 34-5, 56, 69, 71, 73, 91-2, 95, 97-8, 108, 118, 122 Patterns of Intention, 1, 3, 4, 13-15, 19-21, 31, 49-50, 54-5, 69-71, 74, 76-7, 82-3, 91, 93-4, 100-101, 112, 166 172 MICHAEL BAXANDALL, VISION AND THE WORK OF WORDS Shadows and Enlightenment, 1, 3, 21, 55, 95, 98, 108, 110, 120 Three Levels of Inquietude (unfinished project), 6, 100 Ticpolo and Pictorial Intelligence, 3, 50, 60-63, 98, 108 'Visual Attention' (unpublished course syllabus), 84-5 Words for Pictures, 4, 9, 21, 56, 99, 113 Bell, Clive, 39 Berkeley, University of California, 3, 117 Bing, Gertrude, 31, 35, 166-7 Blondel, Jacques, 127, 137 Botticelli, 35, 95 Bourdieu, Pierre, 95 Braque, Georges, 9, 14, 16-7, 99 Brown University, 117 Bruce, V. and P. Greene, Visitai Perception, 85 Bunyan, John, 36-7, 40 Burckhardt, Jakob, 28 Cahill, James, 77, 83 Cambridge, 2, 4, 5, 15, 25, 30-31, 38, 50, 141 Canaletto, 132 Cannuzio, Pietro, 118 Caretti, Lanfranco, 51 Cézanne, Paul, 50 Chambers, D.S., 95 Chandler, Raymond, 37 Chardin, J.-B., 3, 15, 55, 59, 73, 76-7, 98-9, 137 Lady Taking Tea, 1, 9, 15, 17, 20-21, 73, 100 Chinea 121-37 Clark, T.J., 95 Cochin, C.-N., 98 cognitive science, 101 cognitive style, 150 Coleridge, S.T., 40 Collegio Borromeo, Pavia, 29, 50 Collingwood, R.G., 5, 70, 74-8, 80 Colombo, Giovanni Emmanuele, 50 commensurazione, 20, 104n24 common sense (Gramsci), 51-5, 57 Courtauld Institute, 29, 30, 95 Crary, Jonathan, 85 criticism art, 3, 5, 9, 25, 28-9, 31, 37, 73, 94-5, 120 literature, 26-8, 30-31, 33, 37, 38-40, 159 culture, 55, 57-9, 62, 69, 72, 76, 95 (see also society; visual culture) dancing, 35-7, 61, 142 Dante, 28, 40, 56 Davis, Miles, 37 depiction (Podro), 10-12 DePiles, Roger, 85 description, 69, 72, 93, 160-66 (see also language; stationing) Diderot, Denis, 85 Dilthey, Wilhelm, 70 Dubos, J.-B., 85 Dubuffet, Jean, 12-14 Dürer, Albrecht, 120 Elias, Norbert, 101 Eliot, T.S., 28, 40 Erhart, Michael, 109, 110 Euclid, 75 explanation, see interpretation Fazio, Bartolomeo, 31 film theory, 101 fireworks, 126-31, 134 Flaubert, Gustave, 40 Forster, Kurt, 95 France, Anatole, 38 Fried, Michael, 100 Fry, Roger, 92, 100 Gadamer, Gans-Georg, 70, 80 Galli, Angiolo, 34-5 INDEX 173 Gautier, Théophile, 39 Geertz, Clifford, 95 Ghiberti, Lorenzo, 36 Gibson, James }., The Senses Considered as Perceptual Systems, 85 Giorgione, 112-13 Giovanni di Stefano, 76 Godwin, 4-5, 164-5 Gombrich, E.H., 2, 5, 11, 35, 72, 85, 95, 101 Gordon, Ian E., Theories of Visual Perception, 85 Gramsci, Antonio, 49-64, 120-21, 145 Greenberg, Clement, 100 Guarino da Verona, 118 Hartt, Frederick, 118-22 Haskell, Francis, 95 Hauser Arnold, 27 Haydon, Benjamin, 167 hegemony (Gramsci), 63 Hélion, Jean, 14 Heron, Patrick, 28 Heydenreich, Ludwig, 29, 31 history of art, 1, 6-7, 9, 29, 33, 37, 69-71, 74, 77, 78-9, 81, 82-4, 91, 93, 117, 122, 150-52 (see also criticism, art; history/historical explanation; social history; visual culture) history/historical explanation, 29, 69, 70, 75-8, 79-82, 94, 95-7, 124, 150-52 Hogarth, William, 85 Hopkins, Gerard M., 159 humanism, 3, 28, 33-4, 56, 64, 73-4, 92, 118, 121 Humphrey, Glyn, and Vicki Bruce, Visual Cognition, 84 idiographic stance, 69-70, 76, 80, 82 indirection/indirectness, 10, 20-21, 92, 94, 100 inferential criticism, 19, 82, 91-101 intention, 13, 72, 80 interpretation, see criticism; history/ historical explanation; meaning; method Iversen, Margaret, and Stephen Melville, Writing Art History, Disciplinary Departures, 71, 73, 78 James, Henry, 40 Johnson, Samuel, 35 Jonson, Ben, 28 Keats, John, 33, 40, 157, 167 Kipling, Rudyard, 164 Knights, L.C., Drama and Society in the Age of Jonson, 28 Kurz, Otto, 35 Lancilotti, Francesco, 121 Landino, Cristoforo, 36, 118, 121 Langdale, Allan, 49, 63, 93 language, 3, 5, 9, 27, 34, 54, 73, 92-5, 118, 121, 162, 166 (see also description) Latin, see humanism; language Laugier, M.-A., 84 Laurana, Luciano, 30 Lawrence, D.H., 40 Leavis, F.R., 2, 4-5, 25-37, 92-3, 96-7, 166-7 Lemaitre, Jules, 38 Leonardo da Vinci, 111, 113 linguistics, linguistic theory, 54, 93, 101 Locke, John, and Lockeanism, 55, 73-4 Lorenzetti, Ambrogio, 96 Mandelbaum, Maurice, The Anatomy of Historical Knowledge, 69 Mann, Thomas, 40 Mantegna, Andrea, 34 Marvell, Andrew, 159 Marxism, 19, 49, 62-3 Mason, H.A., Humanism and Poetry in the Early Tudor Period, 28 174 MICHAEL BAXANDALL, VISION AND THE WORK OF WORDS Maupassant, Guy de, 40 Maynard, Patrick, 112 meaning, 9, 10-11, 20, 21, 38, 71, 73, 77 method, 2, 3, 4, 6, 16, 26, 81, 91-2, 94, 99, 101, 122, 150 (see also criticism; history/historical explanation) Milan, 107, 118, 149 Milton, John, 157 Mitchell, William J., The Reconfigured Eye, 85 Montefeltro, Federigo da, 29, 31 Moore, John E., 126 Moore, Sturgis, 40 moral judgment, 39-40, 152-3 moral urgency, 4, 166-7 Munich, 29, 30, 107 Neumann, Balthasar, 60-61 New Historicism, 19, 97 Nicholson, Ben, 14 Obrist, Hans Ulrich, 49, 64 optics, optical theory, 1-2, 3, 98-9, 120 organic intellectual (Gramsci), 49, 58-62 Pacioli, Luca, 120 painting 10-15, 62, 133-4, 147-8 (see also depiction; pictoriality/ pictorialization; process; style) Palmer, Stephen, Vision Science, Protons to Phenomenology, 85 and Irvin Rock, 'Rethinking Perceptual Organization', 84 Panofsky, Erwin, 31, 35, 70, 71-2, 78, 80, 92 Paracelsus, 55 Pastore, Nicholas, A Selective History of the Theories of Visual Perception, 85 Pater, Walter, 39 patronage, 29-30, 113, 118, 120, 126, 142 Pavia, 29, 50-51, 108, 163 perception, 10, 15, 16, 21, 55-6, 83, 101, 119, 148, 150 period eye, 9, 19, 95, 121, 136 peripheral vision, 10, 16-17, 99-100 Picasso, Pablo, 3, 14-15, 16, 50, 59, 101 pictoriality/pictorialization, 10-21, 36, 77, 96, 98, 101 (see also depiction; painting; process; style) Piero della Francesca, 3, 31, 59, 76-7 Baptism of Christ, 19-20, 31, 73 Resurrection, 4, 9, 17-21, 73, 99, 100 Piranesi, G.B., 131-2, 137 Pisanello, 34-5, 92 Podro, Michael, 5, 11, 13, 26, 93 Pollock, Jackson, 12, 15 polychromy, 109-11, 142 Pope-Hennessy, John, 92-5, 166 Popper, Karl, 72, 101 Potts, Alex, 110 prints, 117, 123-37 process, 12-14, 19, 61, 147-8 psychoanalysis, 101 Rayner, K., ed., Eye Movements and Cognition, 84 reconstruction, 78-81 re-enactment, 69-74, 98 restraint, 3, 6, 31, 35, 54 rhetoric, 2, 32, 120, 153, 165 Richards, I.A., 40 Riemenschneider, Tilman, 110, 142, 149 Ringbom, Sixten, 112 Rock, Irvin, The Perceptual World, 85 Ruskin, John, 28, 30, 39 Said, Edward, 58 St. Gallen, 160, 163-4 Santi, Giovanni, 121 Schmidt-Glassner, Helga, 109-10 Scott, Gilbert, Albert Memorial, 74-6 sculpture, 9, 14, 108-10, 125, 132-3, 141-3, 144-5 INDEX 175 Sedlmayr, Hans, 29, 101 shadow (light/shadow), 1, 98-9, 100, 107-14, 131-2, 146-7, 151, 161 Shakespeare, William, 39, 167 Shearman, John, 112 Shelley, Percy, 40 social history, 19, 27, 72, 91, 95-7, 100-101, 141 of art, 1, 19, 26, 91, 95-7 society, 54, 62, 95-7, 100, 143 Solso, Robert, Cognition and the Visual Arts, 84 stationing, 157-8, 160-67 Sterne, Laurence, 165-6 Stoss, Veit, 109, 158-9, 161 style, 77-8, 80-83, 143 Subleyras, Pierre, 21 tact, 2, 4, 73, 122 Tasso, Torquato, 51 Tennyson, Alfred, 159 Tiepolo, G.B., 59-63, 98, 131 Titian, 113-14 Tolstoy, Leo, 40 Treisman, Anne, 'Features and Objects in Visual Processing', 84-5 triangle of re-enactment (see re-enactment) Urbino, 29-31 Vasari, Giorgio, 31, 120 Vasi, Giuseppe, 131-3, 136-7 Victoria and Albert Museum, 2, 92, 108-9, 158 visual culture, 81 Vittorino da Feltre, 29 Wade, N. and M. Swanston, Introduction to Visual Perception, 85 Walton, Kendall, 112 Warburg, Aby, 35, 92, 124 Warburg Institute, 2, 3, 5, 25, 29, 31, 35, 153, 157 Whistler, J.A.M., 39 Whorf, Benjamin, 54 Wilde, Oscar, 39 Wittgenstein, Ludwig, 5, 93-4, 101 Wölfflin, Heinrich, 28, 31, 33 Wollheim, Richard, 5, 11 Wordsworth, William, 40, 164-5 Yarbus, Alfred, Eye Movements and Vision, 84 Zeitgeist, see history /historical explanation Zola, Emile, 100 |
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