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| Katkey: | 7381666 |
| Volltext: | Index A Abraham's bosom, 161, 162 All Souls' Day, 160 Angelic transport, 158, 165, 167 Angels, 156 Anger, 216 Anglo-Norman, 73; money-reckoning chart, 130 Animal symbols, 214, 216, 217 Apocalypse, 156 Apocryphal stories, 78 Archangels, 163 Aristotle, Ethics (Rouen ms.), 187, 189 Assize of bread, 120 Atelier, 28, 132 Avarice, 216 B B36 font, 29 B42 type, 29 Battle: between good and evil, 214; for the soul, 160, 177 Beaumys, John, 83-84 Beasts, 214, 216, 217 Beaufort, Margaret, 257-58 Bed, 194-95, 196 Benedictine manuscript production, 15 Bifolia, 26 Binder, 56 Binding, See Book binding Birth of St. John (Milan), 190, 194, 195 Blacman, John, 102-3 Blessed are the dead, who die in the Lord, 156 Bobbio, 16 Bokenham, Osbern, 99 Bonde, William, 249 Book: binding, 35-36, 51, 52; design and layout, 21, 51; of Hours; Catherine of Cleves, 189, 191, 198; Milan Hours, 190; Turin-Milan Hours, 192, 194, 198, 255, 256, 259; of Revelation, 156; of rules, 171; plate, 239, 251; production, See also Manuscript production; assembling the book, 23, 52; book binding, 35; composition, 30-32; division of labor, 22, 51, 132; early, 37; invention of printing press, 29; mass, 22; pricking and ruling, 24, 25; trade, 21 Brendt, Sebastian, Das Nerrenschiff, 201-2, 202 Breviary (Franciscan use), 173 Bridget woodcut as seal of authenticity, 250 273 274 Art Into Life Bridget, Saint: history, 237; link to Fifteen Oes, 254-56 Bridgettine, 239; education of nuns, 238; imprimatur, 251, 252; influence early English book trade, 238, 261; rule, 241; use of images, 239; value attached to woodcuts, 251; woodcuts in Fifteen Oes, 254 Bosch, Hieronymus, Table Top of the Seven Deadly Sins, 202, 203 Broderick, Herbert, 171 Brontological prognostication, 124- 26 Browne, Thomas, 95 Brother of Syon, 249 Byzantine art, 161 C Calendar: Evesham Abbey, 118; Harleyms. 132, 133, 134; Rawlinson D. 939, 118, 123-27; Royal ms. 133-34; solar/lunar events, 121; Trondheim ms. 135, 136, 137 Canopied bed, 194 Carmina Burana, 161 Carthusian Miscellany, 167, 176, 177 Cassiodorus, 15 Casting type, 30 Catherine of Cleves, 189 Catholicon, 30 Caxton, William, 99, 250, 256, 260, 261 Christian de Hondt, 195, 197-98, 199 Christian influence in adoption of codex, 12 Cloth of souls, 157, 169, 173 Codex: adoption, 12; first appearance, 11 Codicological format, 17 Colophon, 244, 257 Commendations, 160, 161, 177 Compositor, 30-32, 35 Confessors, 158 Confraternities, 230 Contextual, 184 Copying: educational texts, 18; Rawlinson D. 939, 132-34; religious books, 17; terms relating to, 51 Corbie, 17 Corrector, 26 Counting, 117, 120, 135-36, 140 Crucifixion woodcut, 258-60; Flemish provenance, 260 Cursor Mundi: author, 74, 79; composed, 74; Edinburgh manuscript, 81; French analogies, 75-76; Illumination, 81, 84-85, 88; motivation for writing, 74-75; notes to illustrator, 82; popularity, 73-74; readers, 80; revisions, 80-81; sections, 76; surviving manuscripts, 93 D de Wörde, Wynkyn, 243, 244, 250, 251, 256, 258, 259-60 Dead: Commendations, 160, 161, 177; Mass for the, 165; Office of the, 161, 165, 175; prayers for, 160 Death, violent, and heaven, 165 Decorating, 27 Decoration, 35 Decorator, 57 Descripcion of Britain, The, 99 Design and layout, 19 Development of fifteenth-century genre of painting, 187 Devotio Modema, 198 Dialectal wording, 119 Dictation, 13, 19 Die Bürde der Welt, 248 Display of plate: ceremonial banquets, 191; clerics, 197; in the home, 190; le Ménagier de Paris, 193; religious paintings, 189-90; royal weddings, 192 Index 275 Dissolving boundaries between heaven and earth, 171 Division of labor, 22, 132 Domestic furnishings, 188 Double column format, 103 Dürer, Albrecht, 245 Dyetaiy of Ghostly Helthe, 244, 250-51 E ) Early Christians, 156 , Elizabeth ofYork, 257 English: historiography, 96; language, 238 Envy, 216 Erra Pater, 128 Esdras, 128 Etymachia, 231-32, 231\ Evesham Abbey, 119, 132 Exemplar, 18, 52-53, 57 F Factual, 184 Farmer's almanac, 117, 122 Fast days, 127 Feast days, 118 Fifteen Oes, 252-57, 261 Fireplace, 198 Folio, 26, 31 Folklore, 79 French manuscripts, 75, 200, 217-18, 232 Frye, Roland, 175 Furnishing, domestic, 188 Furniture, 193-95 Fust, Johann, 30 G Gesso, 28 Gilding, 27-28 Girdlebook, 115, 130; calendar, 135; date of composition of Worcestershire, 120; Scandinavia, 135-36 Glair, 28, 57 Gloss, 57 Glue, 28 Gluttony, 216 Gold leaf, 28 Gothic cursive script, 19 Grimbald Gospels, 168-71, 170, 173 Gutenberg, Johann, 29-30, 36 H Hamlet, 155, 175 Hardbound book, 36 Harley 2332, 133-35 Harrowing of Hell, 121 Harry the Hayward, 116, 132, 136-39 Harvest prophesy, 127, 128 Hayward, 116, 136, 140, 142 Heaven: certainty for martyrs, 156; confessors, 158; hope for average Christian, 163; saints, 158 Heavenly Liturgy, 156, 173 Higden, Ranulf, 95 History: from Adam forward, 121; in Cursor Mundi, 73; New Testament, 130; Old Testament, 128 Horatio, 175 Household objects, medieval, 188-95, 190, 197-98, 200-4 I Iconography: allegorical, 214; Bridgettine, 240-41, 245; demons, 223; development of procession of sins, 224-26; fifteenth-century painting of Bridget, 249; hell mouth, 223; individual demons, 227-28; musician-devil, 223; of the Orcharde frontispiece, 245; seven deadly sins, 217-18; unusual, 84-88 276 Art Into Life Illumination: Abraham's bosom, 161; after purchase of book, 35; Birth of St. John, 190; Byzantine, 161; Catherine of Cleves, 189; cloth of souls, 158; Cursor Mundi, 81; unusual, 84-88; ease in reading, 76; furniture, 194-95; Harley 2332, 133-35; Last Judgement, 173; lus-treware, 193; materials, 54; mistakes, 119; painting, 28; pre-fifteenth century England, 73; process of, 27; Rawlinson D. 939, 131-32; realistic depiction, 186; realistic flora/fauna, 214; Royal 17.A. xvi, 133-35; seven deadly sins, 217-18; St. Eligius, 187; Virgin in a Church (Berlin), 198 Illuminator, 54, 57 Illustrations, See also Woodcuts; marginal, 103-6; Noah's Ark in Polychronicon, 102; Polychronicon maps, 100-102; Takamiya MS, 105 Imposition, 32 Imprimatur, 251, 252 Indulgences, 239 Initials, decorated, 84 Ink: iron-gall, 15; printer's, 29; recipe in Nominale, 55 Inking the press, 34 Institutiones, 15 J John of Lindbergh, 82 Judgement day, 173 L Labors, 123, 136 Lambarde, William, 99 Last Judgment, 173, 174. See also Woodcuts. Later books show move toward literacy, 142 Latin: book production terms, 67-71; grammar taught to Syon nuns, 238; teaching in school, 50 Lay interest in salvation leads to new iconography in seven deadly sins, 215 Layout, 57-58 Lazarus, 160-61 Lead plummet, 25, 27 Leche, John. 54, 55 Librarian, 17 Lindisfarne, 16 Literacy, 115, 140; effect on book production, 21 Littera antiqua, 21 Lunar events, 121 Lunellarium, 14 Lust, 216 Lustreware, 193 Luxeuil, 16 Lyf of S. Birgette, 251 M Majolica, 202 Mandorla, 101 Manière criblée, 32 Manuscript production, See also Book:production; ancient Western world, 9; Benedictine, 15; Carolingian Europe, 17; guidelines, 15; literate middle class, 21; Middle English, 73; rise of monas-ticism, 15 Map, 100-2; mandorla-shaped, 101; T-O, 100 Mappae mundi, 101 Margin, 57 Marginal: notes, 76, 80, 81-82; sketches, 81 Mariegola, 171, 173 Marking the quire, 25-26 Martyrdom offers direct ascent to heaven, 158 Index 277 Mass for the Dead, 165 Master of Game, 139 Measuring, 117 Medieval: agricultural, 117; concept of Purgatory, 167; idea of Paradise, 76-77 le Ménagier de Paris, 193, 200, 201 Mercy, seven acts of, 163 Merode Triptych, 183, 184, 193, 198, 204; contextual, 186; factual level, 185; fireplace, 198; furnishings, 193; symbolic, 186 Middle English: romances, 74; terms, 67-71 Mirror of Our Lady, 250 Monasticism: book production, 16; rise of, 15 Movable type, 29 Multiple plots, 78 Munshull, Nicholas, 54 N Narrative techniques, 76 Naturalism; in art of the thirteenth century, 214 Nomina sacra, 12 Nominale. Harvard MS., 49-54, 71; Oxford MS., 54-58; Bodley MS., 56, 56, 70 Nominale (Munshall), 50, 51, 53, 55; book production terms, 67-71; subject categories, 65-67 Notes to illustrator, 82 Numerical system, 120, 135-36, 140 Nun's Priest's Tale, 140 O Occupations, 123 Office of the Dead, 161, 165, 175 Old French, 73 Orcharde of Syon, The, 243-46, 246, 250 P Page arrangement, 51 Pagina, 10 Paint, 28 Painting, 27, 28 Paper: making, 19-21; prepared for printing, 34 Papyrus, 9-10, 11 Paradise, 76-77 Parchment: change in thickness, 19; positioning in book, 24; preparing, 13-14; terms relating to production of, 55; use in softbound book, 35 Passion ofSS. Perpetua and Felicity, 156 Patterns of picture use, 250 Pecia, 18 Pen, 57 Pencil, 25, 27 Peter the Pinder, 116, 132 Petrus Christus, Saint Eligius, 183, 185, 186-88, 192, 204 Pets, 195, 200 Physical decline of the world, 77 Pigments, 28, 131-32 Pinder, 116, 142 Polychronicon: chronicle of work history, 96; geography and travel, 97, 100; illustrated manuscripts, 102-3, 105-6; influence, 96; maps of the world, 100-2, 102; owners, 100; physical dimensions oi the world, 97; popularity, 96; surviving copies, 96; translation, 49, 98-99 Prayers for the dead, 160, 167 Pressman, 32 Pricke of Conscience, 124 Pricking: quire, 25; tools, 24 Pride, 216; change in attitude toward sin of, 201; of ownership, 200; Printer's mark, 37 Printing press: B36 font, 29; B42 type, 29; casting type, 30; 278 Art Into Life Gutenberg, 29; inking, 34; page arrangement, 32; spread of, 36; two-color printing, 244; wooden common press, 33 Prophesy, 126, 128 Proverbes en Rimes (Baltimore MS.), 200, 201 Psychomachia, 214, 215 Publishers, 37 Pumice, 26, 57 Punctuation, 19 Purgatory, 167, 173 Pylgrimage of perfection, 249 Pynson, Richard, 251 Ô Quire, 24-26, 35, 51-54, 56-57 R Rawlinson D. 403, 239-42 Rawlinson D. 939, 118; copies of, 132-34; exemplar, 132; feast days, 117-18; harvest prophesy, 126; illumination, 131-32; New Testament history, 130; number system, 120- 22; Old Testament history, 128; origin, 136; Saint Christopher, 131; thunder prognostication, 124- 26; travel book, 141 Reading, 15, 29, 237-38; silent, 19 Realistic depiction, 186 Recto, 26 Red letter days, 118 Regional spelling, 119 Register, 37 Religious symbolism, 194 Regnault, Francis, 255, 255, 257 Reprints, 30 Reynes' manuscript, 141-42 Rich Fool, 202 Riddles, 79 Roll: construction, 9-11; design and layout, 10-11; difficulty in use, 10; shift to codex, 11-12; use of, 11, 13 Roman numerals, 140 Romances, 74-75 Royal 17.A. xvi, 133-35 Rubrication, 26, 35, 85 Ruling, 25 Rural gentry, emerging, 141 S Saint: Christopher, 131; David, 134; creusequin, 188; illumination, 187 Saints: martyrs, 156-58; sesert, 158, 160 Sanctus, sanctus, sanctus, 156 Santilogium Salvatoris, 249 Saturnus, vision of, 156 Scale of Perfection, 258 Schoeffer, Peter, 29-30 Scholasticism, rise of, 13 Schoyen manuscript, 132-34 Scribe: after printing press, 36; from monk to professional, 17; preparing page for writing, 25, 74; status in monastic community, 15; terms relating to activities of, 51 Script, 21 Scriptorium, 15, 17, 28-29, 132 Scuola, 171, 173 Second Shepherds'Play, 163 Secular book trade, 18 Seneschal, 136 Seven deadly sins: 1392 example, 217; basic iconography, 217-18; chained figures, 220; Champniers, 228; development of procession motif, 224-26; drama, 231; earliest example, 215-16; fifteenth-century, 221; greed, 202; individual demons, 227-28; Lesjunies, 227; personification, 214; Scotland, Index 219 229; southeast France, 218, 220; southwest France, 226, 228; teaching of confession, 230 Signa Planetarum, 117 Signature, 31 Silent reading, 19 Sin, See Seven deadly sins Singing, 171 Single-leaf print, 241 Sloth, 216 Social class, 217 Solar events, 121 Soul: angelic transport, 156-57, 161; battle for, 177 Spelling, regional, 119 Sphere of Pythagoras, 130 Standing type, 30 Star-wheel, 25 Stationer, 18, 51 Stilus, 25 Struggle for the soul, 155 Subvenite, 160, 161 Sun dial, 130 Suscipiat, 160, 161 Sutton, Sir Richard, 243, 244 Symbolic, 184 Symbols of: man's bestial nature, 214, 216, 217; status, 201-2; canopy bed, 194; family plate, 190-93; linen chest, 195; majolica, 193 Syon Abbey, 238, 250, 252, 257, 260, 261 ; Bridget writing at her desk woodcut, 258; Crucifixion woodcut, 258; single-leaf prints, 260-61 T T-O map, 100, 121 Takamiya: MS, 103-6, 103, 104, 103; Prof. Toshiyuki, 103 Talbat, 116, 139-40 Terms relating to book production, 67-71 Testered bed, 194-95 Text, 57-58 Theories of Cursor Mundi illustration, 88 Thunder prognostication, 124-26 Time-reckoning, 117 Tithing diagram, 130 Title page, 38 Tours, 17 Trademark, 38 Travel book, 97, 141 Trevisa, John, 49, 97, 98, 99 Trinity, 171 Two-column format, 19 Two-line slugs, 30 Type, 30-31 Typecaster, 30 U Universities and production of books, 18 V Vadstena, 237 Vellum, 13, See also Parchment Venice, Guild of St. John, 171 Vernacular preaching, 231 Verso, 26 Violent death and heaven, 165 Virgin and Child (Turin), 194, 195, 197 Virgin in a Church (Berlin), 198 W Wall paintings, 215; Bourisp, 229; Champniers, 228; Digne, 220, 225; Les Junies, 227; Les Vigneaux, 220; Martignac, 226, 228; Notre-Dame-des- Graces, 220; Notre-Dame-du- Bourg, 218, 219, pass of Mont Cenis, 222; Perrillac, 226, 227, 228; Pommeraie-sur-Sèvre, 228, 229, 280 Art Into Life Roslin Chapel, Scotland, 229; Roubion, 222, 223, 224; Roussines, 215, 216, 217; seven deadly sins, 219; St-Appollinaire, 220; St-Pierre-ès- Liens, 225, 226 Wax tablets, 12-13 West Midlands, 119 Western Roman Empire, fall of, 15 Whitforde, Richard, 249 Wood of Christ's cross, 78 Woodcuts, 32; Bridget uniting at her desk, 249, 250, 258; Crucifixion, 258, 259, 260, 261; Fifteen Oes, 254; Last Judgment, 239, 240, 242, LyfofS. Birgette, 251, 253; Man of Sorrows, 239, 241, 242; Mirror of Our Lady, 250; pairing of Bridget and Catherine, 251; patterns of picture use, 250; Rawlinson D. 403, 239-42; similarity between St. Catherine and St. Bridget, 245; St. Bridget Giving the Rule to Her Order, 241, 243, 247; St. Bridget writing at her desk, 252, 258; St. Catherine of Siena, 245, 246, 250 Worcester: diocese of, 120 Word division: and development of silent reading, 19 Wretch of Syon, 249 X Xylographie "S", 240 Z Zodiac: man, 130; signs, 123-24 |
| Typ: | PDF |
| Dateiformat: | application/pdf |
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