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| Volltext: | INDEX Abbott, Jere, 17, 81, 86-88, 103, 143, 165, 167, 185, 188 and Barr, 9, 10, 64, 104-105, 147, 150-151, 159, 161-163, 166, 175, 177, 184, 186, 197, 210, 211, 230 Necco factory, photographs of, 102, 143 Abbott, John, 361 Abstract expressionism, 352, 372, 373 Adams, Henry, 19, 127 Albers, Joseph, 152 Apollinaire, Guillaume, 137 Aquinas, Thomas, 307 Arbeitsrat für Kunst, 151, 152, 153 Archipenko, Alexander, 82, 99, 100, 157 Architecture, 242-275, 276-302 as art, 249, 253, 283, 287, 292, 294 Barr on, 257-259, 261-264, 266, 271, 272-275, 332-334 and cubism, 332-334 "Modern Architecture: International Exhibition" (Museum of Modern Art, 1932), 105, 210, 222, 276-277, 283, 284-285, 291, 293, 297-302, 303, 317 Arensberg, Walter C., 106, 131 Armory Show, 106, 131, 191, 201, 338 Arp, Hans, 157, 318-319, 326 Art News, 376 Arts, 149 Askew, Kirk, 227 Austin, A. Everett, 190, 225-231 Avery, Myrtilla, 58 INDEX 463 Babbitt, Irving, 140 Bandler, Bernard, 140 Barnes, Albert, 106, 109-111, 121. See also Barnes Foundation Barnes Foundation, 109, 149, 162, 164 Barr, Alfred H., Jr. aesthetic philosophy, 108, 110, 126, 273-274 (see also Formalism: Barr and) and American art, 187, 213-214, 237, 238, 319, 373 on architecture, 257-259, 261-264, 266, 271, 272-275, 332-334 and the Bauhaus, 152, 155-161, 187, 210, 254 catalogues, 7, 60, 73, 151, 197, 214, 222, 223, 230, 231, 298, 306, 317, 330, 334, 349, 357, 360 character, 7-11, 211, 365 charts, 22-26, 59, 295, 325-328, 334, 341 and cinema, 162, 169-172, 175— 177, 224 as connoisseur, 2, 9, 13, 35, 38, 121, 371 on cubism, 82, 239, 321-323, 332-334 (see also Museum of Modern Art: "Cubism and Abstract Art") and d'Harnoncourt, 363-365 on difficulty in art, 97, 249 as director of the Museum of Modern Art, 85, 189, 211-213, 222, 354, 359-361, 364 dissertation, 104, 147, 148, 151, 189 early articles and reviews, 2, 95, 98-101, 109-111, 149, 200, 204, 257-259, 261-263, 291, 294, 327 European travels (1927-1928), 145-148, 151-152, 161-164, 184-186 "eye, " 38, 324, 376 family, 3, 4, 8, 11, 20 favorite artists, 121 first exhibition (Harvard, 1925), 78-83 formalism, 187, 216, 217, 254, 266, 317, 328, 330, 332, 337 frail health, 354, 355 on functionalism, 258, 294-296 and Gropius, 152, 159, 169, 263, 271, 273, 334 at Harvard, 33-34, 36-38, 59-61, 77-85, 95-97 Henri-Matisse catalogue, 220-221 and Hitchcock, 105, 143, 168, 230, 242-244, 272-275, 281, 282 installation techniques, 73, 212 358 interest in music, 13, 26, 37, 87, 100, 111, 217, 376 interest in photography, 204, 223 interest in science, 3, 16-17, 218, 321 International Style: Architecture since 1922, preface, 292, 296, 297 and Johnson, 7, 10, 14, 16, 277-281, 283, 291, 292, 303, 354 Matisse: His Art and His Public, 220, 347-349 and modernism, 7, 32, 33, 83, 91, 130, 147, 242, 314 A New Art Museum, 212, 366 1929 plan, 26, 212, 302 on originality, 121, 320, 324 Painting and Sculpture in the Museum of Modern Art, 1929-1967, 363, 375 464 INDEX Barr, Alfred H., Jr. (cont.) and Picasso, 75, 78, 81, 82, 118, 337, 343, 351 Picasso: Fifty Years of His Art, 4, 360 Picasso: Forty Years of His Art, 4, 343 politics, 331 on primitivism, 104, 124, 147, 148, 189 at Princeton, 2, 4, 9, 18, 27, 33, 86-87, 148 and religion, 4-7, 8 and Abby Rockefeller, 193, 211, 213, 240-241, 302, 303, 354, 357, 361, 363, 369 and Sachs, 36, 38, 59-61, 69, 70- 72, 75, 77-78, 83-85, 86, 88, 89-90, 94, 95-97, 146-148, 362, 366 stubbornness, 356 on surrealism, 119, 187, 325-326, 334, 335-341 tact, 19, 71, 106 "torpedo moving through time, " 366, 367 and trustees, 6, 71, 107, 213-214, 219, 240-241, 355, 356-363, 371-372 and Vanity Fair, 32, 98-101, 107, 1 1 1 at Vassar, 4, 31 wall labels, 73, 78, 120, 188, 194, 212, 359 at Wellesley, 4, 91-92, 98, 101-104, 117, 146, 186-188 What Is Modern Painting?, 360 Barr, Margaret Scolari, 14-16, 26, 71, 109, 161, 231, 281, 343, 389n22, 453n94 Barry, Iris, 133, 224-225 Bauhaus, 114, 115, 152-161, 187, 208, 210, 254, 265-267, 279- 280, 310-312, 371 Bauhaus books, 158, 210, 256-257 Gesamtkultur, 155, 265 and Soviet artists, 179 and VKhUTEMAS, 179 Bayer, Herbert, 152, 310 Beckmann, Max, 93 Bell, Clive, 33 Berenson, Bernard, 43-45, 47, 48, 57, 70, 74, 75, 198, 200, 248, 324 Bergson, Henri, 89, 350 Biomorphic art, 341 Blackburn, Alan, 355 Blake, William, 339 Blaue Vier, 159 Bliss, Lillie, 30, 106, 191-193, 194 collection, 191, 193, 240, 241, 368, 369 Bowman brothers, 299 Brancusi, Constantin, 204 Breuer, Marcel, 152 Brooklyn Museum, 111, 112-113 Brooks, Van Wyck, 41, 49 Broom, 122, 135, 137-139 Brown, Alice Van Vechten, 91-92, 113 Brown, Milton, 106 Brummer, Joseph, 65, 68, 93 Burroughs, Alan, 56, 57 Cahill, Holger, 194, 196, 222 Calder, Alexander, 207, 235, 241, 319, 341 Canaday, John, 6 Cézanne, Paul, 17, 28, 80-82, 1 17- 118, 150, 164, 206, 213-214, 217-218, 239, 322, 326, 368. See also Museum of Modern Art: "First Loan Exhibition: INDEX 465 Cézanne, Gauguin, Seurat, van Gogh" Chagall, Marc, 79, 119, 165 Cheney, Sheldon, 88 Children's drawings, 148, 341 Clark, Stephen C., 240, 354, 355, 359-363, 371-372 Collage, 322, 323, 335 Connoisseurship, 8, 34, 35, 38, 44- 45, 47-48, 52, 53, 57, 72, 74, 84-85, 200, 243, 248, 328. See also Barr, Alfred H., Jr.: as connoisseur Conservation, 57 Conservatism (1920s), 118-119, 187, 240, 319-320, 334 Courtauld, Samuel, 150 Cowley, Malcolm, 135-140 Craven, Thomas, 90-91 Crowninshield, Frank, 98, 204, 208, 211 modern art questionnaire, 99-101 Dada, 138, 339. See also Museum of Modern Art: "Fantastic Art, Dada, Surrealism" Dana, Henry Wadsworth Longfellow, 166 Dana, John Cotton, 195, 235, 238 Davies, Arthur B., 191, 193 Decorative art, 29, 32, 34, 35, 58, 77- 82, 88, 92, 99, 101, 103, 146, 148, 154, 196, 202-204, 240, 246, 303, 310 Degas, Edgar, 118, 120 Delacroix, Eugène, 78, 111 Derain, André, 81, 164, 206, 207-208 Despiau, Charles, 207-208 De Stijl, 151, 265-267, 334 Deutscher Werkbund, 152, 153, 196, 254, 264, 265 Diaghilev, Sergei, 125 Dial, 91, 98, 101, 122, 130-132, 134, 135, 137, 141, 144, 193, 198, 203 Living Art (folio), 131, 198 Dix, Otto, 94, 115-116 Doesburg, Theo van, 150, 151, 266, 333 Dorner, Albert, 181-183 Dreier, Katherine, 31, 100, 106, 190, 371. See also Société Anonyme and Barr, 107, 111-118, 371 Duchamp, Marcel, 111, 190 Dudensing, Valentine, 93 Eddy, Arthur Jerome, 106, 107 Edgell, George, 90 Eisenstein, Sergei, 143, 168, 169-172, 174, 175, 224 Elderfield, John, 348, 349 Eliot, T. S., 39, 124, 130, 132-135, 140, 141, 144 Esquire, 99 Exposition Internationale des Arts Décoratifs et Industriels Modernes (Paris, 1925), 184, 244, 246 Fantl, Ernestine, 101, 305 Feininger, Lyonel, 153, 154, 281 and Barr, 159, 160, 267, 281 and the Bauhaus, 152, 157, 187, 267 Flam, Jack, 348, 349, 350 Fogg Art Museum, 34, 43, 45, 49-52, 54-57, 68, 69, 200, 204, 205. See also Sachs, Paul J.: museum course egg and plaster course, 50-51 Fogg method, 45-49, 57-59. See also Sachs, Paul J. 466 INDEX Folk art, 196, 197, 209, 222 Forbes, Edward Waldo, 49-50, 52, 90, 201 Formalism, 141, 143, 155, 203, 217- 218, 221, 308, 312, 314, 353 Barr and, 77-80, 83, 97, 110, 119- 121, 155, 169, 174, 217-218, 221, 254, 294, 318, 323-324, 330-332, 335-337, 341 and funclionalism, 251, 254-255, 308 at Harvard, 38, 42-43, 44, 75-77, 79 Fry, Roger, 80, 100, 125, 143, 148, 217 Fry, Varian, 124, 130, 140, 141 Fuller, R. Buckminster, 207, 295 Funclionalism, 166, 174, 246, 248, 249-256, 258, 266, 273, 283, 287, 291, 292, 294-296, 300, 307-309 Fuseli, Henry, 121, 185 Gabo, Naum, 157, 326 Gallatin, A. E., 106 Gallery of Living Art, 366 Gaudier-Brzeska, Henri, 133 Gauguin, Paul, 80, 81, 118, 164. See also Museum of Modern Art: "First Loan Exhibition: Cézanne, Gauguin, Seurat, van Gogh" Gauss, Katherine, 6, 11-14, 17, 26, 32, 37, 67 Genauer, Emily, 355, 357 German expressionism, 99, 121, 132, 194, 216, 217, 219, 265-267, 341 German museum techniques, 185 Giacometti, Alberto, 323 Giedion, Sigfried, 265, 295 Gill, Brendan, 294 Ginzburg, Moisei, 161, 166-168, 262-263 Gogh, Vincent van, 118, 164, 216. See also Museum of Modern Art: "First Loan Exhibition: Cézanne, Gauguin, Seurat, van Gogh" Goncharova, Natalia, 165 Gonzalez, Julio, 323 Goodyear, A. Conger, 190, 202, 210-211, 212-213, 214, 218, 338, 342, 357, 368, 371-372 Greenberg, Clement, 314, 318, 322-324, 331, 352 Gropius, Ise, 310 Gropius, Walter, 152-153, 254-255, 256-257, 310 as architect, 155, 156, 244, 246, 253, 257, 259, 261, 262, 264-265, 268-269, 273, 276 at the Bauhaus, 152-153, 155-159, 161, 255, 266 organizes Bauhaus exhibition at Museum of Modern Art, 310-312 Guggenheim, Peggy, 371 Guggenheim, Olga, 369 Halpert, Edith, 194, 197 Hamnett, Nina, 161 Harnoncourt, René d', 363-365 Harvard-Princeton Club, 2, 33, 244 Harvard Society for Contemporary Art, 190, 197-210, 219, 277 Harvard University, 2, 33-35, 36-52, 54, 55, 126-127, 136. See also Fogg Art Museum; Fogg method; Sachs, Paul J. Hirshfield, Morris, 359 Hitchcock, Henry-Russell, 143, 242-248, 250, 253, 255, 300 INDEX 467 and Barr, 105, 143, 168, 230, 242- 244, 272-275, 281, 282 early writings, 143, 244, 256-257, 259-261, 279 The International Style: Architecture since 1922 (with Johnson), 209- 210, 270, 281-284, 292, 295- 297 (see also Museum of Modern Art: "Modern Architecture: International Exhibition") Modern Architecture: Romanticism and Reintegration, 143, 243, 260, 264-265, 267-275, 282 Hofer, Philip, 201 Hood, Raymond, 299 Hopper, Edward, 372, 373, 374 Hound & Horn, 122, 124, 129-130, 134, 137, 139, 140-145, 198, 203, 206, 208 Howald, Ferdinand, 238 Hugnet, Georges, 340 Impressionism, 81, 187, 216, 217, 221, 239, 241, 319, 326 Industrial design, 155, 160, 195, 303-309. See also Machines, and art International Style. See also Hitchcock: The International Style; Museum of Modern Art: "Modern Architecture: International Exhibition" formulation of, 243, 267-272, 292- 294, 296-297 naming of, 261, 277, 292-293 James, Henry, 39 Janis, Sidney, 371 Johnson, Philip, 209, 210, 277-281, 291 and Barr, 7, 10, 14, 16, 277-281, 283, 291, 292, 303, 354 as collector, 280, 371 and Hitchcock, 243, 276, 277, 279, 281-283, 296 The International Style: Architecture since 1922 (with Hitchcock), 209-210, 270, 281-284, 292, 295-297 (see also Museum of Modern Art: "Modern Architecture: International Exhibition") and Mies, 284-287, 291 and "Modern Architecture" exhibition, 210, 276-277, 283, 284- 285, 291, 293, 297-302, 303 at Museum of Modern Art, 277, 284, 302, 303 Josephson, Matthew, 136-139 Kahnweiler, Daniel-Henry, 321-322, 344 Kandinsky, Wassily, 31, 32, 115, 152, 187, 239, 326 Kant, Immanuel, 321 Kent, Henry Watson, 58 Kent, Rockwell, 141 Kiesler, Frederick, 157 King, Edward, 4, 7-10, 16, 17, 32 Kirstein, Lincoln, 42, 44, 122-127, 145, 200, 201, 226, 228, 229, 233, 234 and Harvard Society for Contemporary Art, 144, 197-210 and Hound & Horn, 129-130, 132— 135, 140-145 Klee, Paul, 93, 1 14, 115, 118, 152, 159, 187, 280 Kokoschka, Oskar, 335 Kuhn, Walt, 193 Kupka, Franz, 320 Larionov, Mikhail, 165 Lavin, Marilyn, 34 468 INDEX Le Corbusier, 244-246, 248-250, 251, 253, 254, 255, 259-260, 265- 266, 268 Barron, 100, 102, 114, 115, 116, 248, 249, 257, 262, 263, 273 and "Modem Architecture" exhibition, 276, 285, 291, 298, 299, 300 Léger, Fernand, 100, 306 Levy, Julien, 226-228 Lewis, Wyndham, 100, 133, 148 Ley da, Jay, 162 Lissitzky, El, 181, 261, 266, 318-319 Little Review, 122, 135 international theater exhibition (1926), 305-306 "Machine-Age Exposition" (1927), 155, 305, 306 Loeb, Harold, 157 Lozowick, Louis, 100, 157 Lunacharsky, Anatoly, 174 Mabry, Tom, 358 Macdonald, Dwight, 365 Machines, and art, 25, 104, 124, 128, 146-148, 254, 268, 294, 295, 327, 328, 352. See also Industrial design; Little Review: "Machine- Age Exposition"; Museum of Modern Art: "Machine Art" Maillol, Aristide, 100 Malevich, Kazimir, 100, 161, 181, 182, 261, 320, 326, 328, 330 Manet, Edouard, 78, 120 Man Ray, III, 120 Maritain, Jacques, 353 Marquand, Allan P., 1 8, 27, 34, 38 Marquis, Alice, 5-6 Mather, Frank Jewett, 2, 27-29, 38 Matisse, Henri, 17, 78, 82, 111, 162, 164, 187, 207-208, 240, 344, 345 Barron, 99, 100, 220-221, 347- 352 Matisse, Pierre, 93 May, Sadie, 371 McAndrew, John, 279, 280 McBride, Henry, 130-132 Melnikov, Konstantin, 246 Metropolitan Museum of Art, 30, 108, 212, 235, 238, 366, 368, 372 Meyerhold, Vsevolod, 99, 100, 175 Mies van der Rohe, Ludwig, 105, 244, 250-253, 254, 257, 268, 270-271, 282, 284-292, 313. See also Weissenhofsiedlung Barr on, 262, 263, 292, 296, 333 and "Modern Architecture" exhibition, 105, 276, 284-286, 291, 292, 296, 298, 300 Miller, Dorothy, 194, 234-238, 359, 362, 363, 365 Miro, Joan, 326 Mitchell, William T., 327 Moholy, Lucia, 257 Moholy-Nagy, Lâszlô, 116, 152, 156, 157, 159 Mondrian, Piet, 151, 326, 333, 343 Monet, Claude, 120, 164 Mongan, Agnes, 16, 53, 54, 62, 75, 199-200 Moore, Charles Herbert, 43, 47 Morelli, Giovanni, 44 Morey, Charles Rufus, 20-22, 26, 27, 35, 38, 86, 148, 155, 159 Morosov, Ivan A., 164 Motherwell, Robert, 352 Mumford, Lewis, 295, 300, 302 Munch, Edvard, 93 Muratov, Pavel, 164 Museum of Modem Art "American Folk Art: The Art of the Common Man in America" (1933), 222 INDEX 469 "American Realists and Magic Realists" (1943), 373 "Art in Our Time" (1939), 313, 342 "Bauhaus 1919-1928" (1938), 310-312 Bliss collection and, 193, 240, 369 "A Brief Survey of Modern Painting" (1932), 24, 325 "Cubism and Abstract Art" (1936), 25, 81, 82, 107, 128, 168, 239, 295, 314-315, 317-323, 325- 337, 360 departments, 91, 155, 212, 223, 242, 276, 277, 308 "Diego Rivera" (1931), 222 "Fantastic Art, Dada, Surrealism" (1936), 314, 317, 319, 320, 326, 331, 334, 335, 337-340, 347 film collection, 212, 224, 225 "First Loan Exhibition: Cézanne, Gauguin, Seurat, van Gogh" (1929), 213-218 founding, 191, 210-213 "German Painting and Sculpture" (1931), 219, 220 Heckscher Building, 214 Junior Advisory Committee, 222 "Machine Art" (1934), 303-309, 317 Matisse retrospective exhibition (1931), 220-221, 349 Matisse retrospective exhibition (1951), 349, 351 Matisse retrospective exhibition (1992), 349 "Mies van der Rohe Retrospective" (1947), 286 milestones, 239, 376 "Modern Architecture: International Exhibition" (1932), 105, 210, 222, 276-277, 283, 284-285, 291, 293, 297-302, 303, 317 "Modern Art 1900 and Today" (1933), 303 "Modern Works of Art: Fifth Anniversary Exhibition" (1935), 239-241 "Murals by American Painters and Photographers" (1932), 223 "Painting in Paris from American Collections" (1930), 219 "Paintings by Nineteen Living Americans" (1930), 213, 219 permanent collection, 193, 212, 240, 241, 362, 366, 368, 369, 371, 376 "Photographs of 19th century American Houses by Walker Evans" (1938), 223 "Picasso: Forty Years of His Art" (1939), 343 "Romantic Painting in America" (1944), 373 "Trois siècles d'art aux Etats-Unis" (1938), 342 trustees, 6, 71, 107, 210-213, 214, 219, 240-241, 303, 354-363, 364, 369, 371-372 Neoromanticism, 226, 227 Neue Sachlichkeit, 116, 287 Neumann, J. B., 93-94, 101, 150— 151, 153, 159, 161, 174, 184, 185, 371 Neutra, Richard, 299 Newark Museum, 190, 195, 196, 219, 234, 235 Newhall, Beaumont, 223 Nierendorf, Karl, 93 Norton, Charles Eliot, 34, 35, 39-41, 42-45, 47, 57, 58 Novembergruppe, 151, 152 470 INDEX Oppenheim, Meret, 337-338, 356 Ornament, in architecture, 254, 258, 259, 267, 274, 276, 292, 307, 310 Osthaus, Karl Ernst, 196 OudJ.J. P., 105, 151, 157, 244, 253, 257, 259-260, 268, 279, 280, 283 Barron, 262, 263, 271 and "Modern Architecture" exhibition, 105, 276, 291, 298, 299, 300 Pach, Walter, 193 Packard, Artemas, 357 Panofsky, Erwin, 21, 38, 105 Pevsner, Antoine, 323, 326 Phillips, Duncan, 93, 149, 238 Picasso, Pablo, 164, 345, 352, 368, 369 Barr on, 99, 321-323, 332, 335- 337, 340, 342-347, 369 Les Demoiselles d'Avignon, 322, 343, 344-345, 347, 376 Minotauromachy, 70, 369 shown at Harvard Society for Contemporary Art, 207, 208, 210 Three Musicians, 346, 347, 369 Piero délia Francesco, 149 Piranesi, Giovanni Battista, 339 Pissarro, Camille, 78, 80, 81 Plato, 307 Platz, Gustav, 285 Pope, Arthur W., 37, 47-48, 49, 52, 56, 90 Porter, Alan, 10 Porter, A. Kingsley, 37, 38, 46, 48-49, 74, 90, 246-248 Post, Chandler R., 46, 74 Postimpressionism, 81, 147, 319 Pound, Ezra, 124, 129, 132-135, 139 Poussin, Nicolas, 149 Prendergast, Maurice, 206 Princeton University, 2-4, 9, 18-22, 27, 33-35, 38, 86-88, 148 Purrmann, Hans, 348 Quinn, John, 30, 66, 106, 107-109, 191 collection, 109, 193, 201 Raphael, 149 Redon, Odilon, 80 Reich, Lilly, 292 Renoir, Auguste, 79-80, 118 Richardson, H. H., 103 Riegl, Alois, 20, 74, 320 Riley, Terence, 293, 300, 302 Ringling, John and Mable, Museum of Art, 64, 225 Rivera, Diego, 166, 208, 222 Robbins, Daniel, 315 Rockefeller, Abby, 191-195, 197, 213, 238, 357, 359, 361, 369, 371 and Barr, 193, 211, 213, 240-241, 302, 303, 354, 357, 361, 363, 369 Rockefeller, David, 371 Rockefeller, Nelson, 240, 359, 363, 371 Rodchenko, Aleksandr, 100, 157, 168, 172-174, 246 Rosenblum, Robert, 325 Ross, Denman W., 47, 52, 73, 200, 201 Rouault, Georges, 93 Rousseau, Henri, 164 The Dream, 369 The Sleeping Gypsy, 66, 67, 108 Rowley, George, 86 Ruskin, John, 34, 39, 41, 42-43, 44 Russian art and architecture, 99-100, 157, 161-184, 298, 320 icons, 148, 164-166 INDEX 471 LEF, 166-169, 188 VKhUTEMAS, 177-179, 188, 263 Sachs, Paul J., 36-38, 45, 46, 52-77, 200, 201, 202, 211 and Barr, 36, 38, 59-61, 69, 70- 72, 75, 77-78, 83-85, 86, 88, 89-90, 94, 95-97, 146-148, 362, 366 character, 36-37, 55, 201 as collector, 38, 52-54, 60, 69, 84 and connoisseurship, 38, 53, 57, 72, 74, 85 and Harvard Society for Contemporary Art, 200, 201-202 installation techniques, 73, 212, 358 museum course, 57-77, 243 Saks Fifth Avenue, 101 Sandler, Irving, 335 Santayana, George, 41, 89 Sargent, John Singer, 95 Schapiro, Meyer, 221, 328, 330, 331 Schlemmer, Oskar, 371, 372 Scientific objectivity, 28, 35, 45, 73, 74, 85, 91, 134, 317-318 Barr and, 59, 102 Secession, 135, 137 Seldes, George, 91, 100 Sembat, Marcel, 348 Seurat, Georges, 149, 164, 218, 239. See also Museum of Modern Art: "First Loan Exhibition: Cézanne, Gauguin, Seurat, van Gogh" Shchukin, Sergei I., 162, 348 Sheeler, Charles, 98 Simon, Stella, 175-177 Smith, Peter van der Meulen, 168, 260-261 Soby, James T., 231, 270, 360, 361, 365, 371 on Barr, 362, 363 Société Anonyme, 31, 100, 111-112, 117, 190, 366 Spengler, Oswald, 74, 101, 140, 274, 353, 360 Sprengel Museum, 181 Steichen, Edward, 98, 348 Stein, Gertrude, 100, 347 Four Saints in Three Acts, 229-230 Stepanova, Varvara, 168, 172-174, 175 Stern, Robert A. M., 294 Stieglitz, Alfred, 98, 106, 107, 151, 203, 279, 317 Stout, George L., 57 Sullivan, Mary Quinn, 191 Suprematism, 99, 328 Surrealism. See also Museum of Modern Art: "Fantastic Art, Dada, Surrealism" Barron, 100, 119, 187, 325-326, 334, 335-341 exhibitions at Wadsworth Atheneum, 226, 227, 228 Susman, Warren, 128 Tate Gallery, 149, 150, 366 Tatlin, Vladimir, 183, 261 Taut, Bruno, 152, 153 Tchelitchew, Pavel, 126, 227 Thompson, Randall, 103 Thomson, Virgil, 90, 193, 227, 230, 281, 283 Four Saints in Three Acts, 229-230 Tretyakov, Sergei, 166-168 Tzara, Tristan, 157 Umansky, Konstantin, 183, 184 Valentin, Curt, 68 Valentiner, William, 194, 209 Vanity Fair, 32, 98-101, 107, 111 Vassar College, 4, 14, 31, 281 Vermeer, Jan, 12, 13, 82 Vorticism, 110 Walkerjohn, III, 198, 199, 201, 277 Warburg, Edward M. M., 68-69, 198, 199, 277 Warburg, Felix, 54, 65, 68, 69, 202 Watson, Forbes, 100, 148, 149, 218 Weissenhofsiedlung, 250-254, 257, 260, 279, 286 Wellesley College, 55, 58, 91-92, 98, 101-105, 146, 147, 151, 159, 186, 188, 189 Wheeler, Monroe, 360 Wheelwright, John Brooks, 137 Wölfflin, Heinrich, 20, 74, 324 Wright, Frank Lloyd, 246, 256 Barron, 100, 169, 257-258, 272 at "Modern Architecture" exhibition, 298-300 Wright, Willard Huntington, 88 |
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