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| Volltext: | Index 4'33"(1952), 30 7000 Oaks (1982-1987), 10, 116, 150, 154, 207 Abu Ghraib, 22 Activism, 8, 124, 137 Actuality, 203, 205, 220 Adorno, T., 27-8, 31, 39, 41, 43, 45, 48 Africa, 12, 82, 98, 174-5, 179 Alchemy, 87, 171, 178 All that Glitters, 133 Anglesea, M., 4, 7, 18 Anthropologist, 14, 61, 146, 189, 199-218 Anthropology, 6, 14, 49, 59, 65, 127, 199-200, 202-3, 205- 6, 209, 211-3, 218, 221, 223 Anthropométries, 33 Anthropos, 209, 212, 216, 219 Appeal for an Alternative (1981), 77 Archaeology, 61 Archibugi, D., 46 Arena (1972), 66 Aristotle, 59, 65 Arman, F., 34-8, 48 Art and Research Exchange (A.R.E.), 4, 118, 127-9, 148 Art for Change, 144 Art school, University of Ulster, Belfast, 131 Arts Council Gallery, 126 Arts Council of Northern Ireland, 129 Augé, M., 61, 65 Auschwitz, 2, 15, 24-8, 30-2, 34, 36, 38-43, 47-8, 64 Bakhtin, M., 135 Baldessari, J., 153 Barney, M., 5, 162 Basalt, 35, 150, 207, 218 Bathtub (1960), 52-4, 62, 63 Baudelaire, C., 192 Bbeyond, 131 Beckett, S., 27 Beehives, 187 Bees, 13, 187-8 Being towards death, 58 Belfast, 4, 11, 13, 15-6, 102, 119, 121-2, 124-9, 131-6, 138, 145-7, 149 Benhabib, S„ 122, 141-3, 147 Benjamin, W., 1, 30, 39, 49, 65, 192 Berlin, 1, 6, 8, 16, 79, 100, 162, 174, 182 Bing, R., 116 Birth, 53, 59, 62 Birth Control, 37 Bishop, C., 130, 135, 137, 147 Blitzschlag mit Lichtschein auf Hirsch (1958-85), 191 Block Beuys (1970-86), 5 Boll, H„ 82, 94, 98, 127 Boltanski, C., 40 Bosch, S„ 133, 144 Bourriaud, N., 1, 126, 128, 135, 147 Boxtank, 133-4, 147 Boyle, 102, 107, 129 Braidotti, R., 123, 148 Index 225 Brain of Europe (1975), 105, 170, 182, 226 Browne, S., 123, 146 Buber, M., 208, 219-20 Budapest, 7, 68, 72-3, 77-80 Bürger, P., 135 Bukta, I., 75, 78, 79 Bunus, J., 72 Bus for Direct Democracy, 129, 139 C'est la fin de la fin des Latins, (1982), 154 Cage, 30, 94 Car Crash, (1960) 31 Caucus, 13, 17, 181-98 Celan, P., 36, 39 Celtic, 1, 4, 8, 16, 103-4, 108, 115-6, 127, 132, 155, 160, 185, 212, 215, 221, 223 Celtic Tiger, 1, 4, 132, 185 Chalice, 59- 60, 169 Challenging Mud (1955), 31 Chan, S., 13 Chance 2000, 164 CIRCA Art Magazine, 127 City Mine(d), 144 Class, 109 Cold War, 26 Colonialism, 46, 107, 200 Communication, 14, 50, 71, 105-6, 124, 128, 130, 145 Community work, 112, 125, 131 Composition for Two Musicians, 160 Concept Fettstühle (1961), 88 Conversation, 17, 55, 124, 146-7, 171, 175, 182 Conviviality, 128 Copper, 171 Cork Caucus, 17, 181-98 Corner, P., 30 Cosmopolitanism, 46 Cosmopolitics, 8, 24, 45-7 Coyote, 14, 102, 185, 215 Coyote, 5, 156, 199, 213, 215, 218, 223 Creativity, 63, 67, 105, 107, 111, 122-3, 140, 144-5, 149, 211 Critique of Judgement, 32 Crosses, 52, 187 Czechoslovak Radio (1969), 69, 71 Czechoslovakia, 69 Darboven, H., 151 Das Kapital, 160 De Troyes, C, 166 Death, 1, 24, 26, 58-9, 62, 66, 115, 172, 179, 189 Debord, C., 39 Declaration of Human Rights and Obligations, 66 Demarco, R., 5, 100-1, 106, 115 Der Ring des Nibelungen, 174 Der Spiegel, 164, 180 Dernier Espace avec Introspecteur (1981), 157 Derrida, J., 42, 46-7, 71, 141, 148 Deru Simic, L., 126, 136, 139, 140, 144-5, 148 226 Beuysian Legacies: Art, Culture and Politics Destructivism, 31 Dewey, F., 193 Dialogue, 1, 4, 95, 115, 122, 126, 142, 185 Différance, 141 Difference, 6, 74, 104, 123-4, 141-5 Dillinger, J., 102, 107 Dine, J., 31, 160 Diversity, 1, 10, 15, 122-3, 125-30, 135-9, 146-7 Documenta V, 151 Documenta VII, 10, 154 Documenta IX, 4 Dolmen, 2 Drake's Country Still Alive, 169 Dublin Beuys Symposium, 4, 8, 100 Duchamp, M., 51-2, 56, 103, 158, 193 Dufrêne, F., 39 Durand-Dessert, L., 154, 157 Eagleton, T., 135, 139-40, 147- 48 East Germany, 4 Ecology, 82, 90, 95, 108, 217, 222 Eintritt in ein Lebewesen, (1977) 81, 98 Elekes, K., 72 Energy, 63, 71, 84, 103, 105-6, 109, 116-8, 127, 179, 189, 191, 201 Enlightenment, 8, 43, 45-7, 142, 206, 210, 217 Environment, 5, 32, 41, 90, 108, 121, 182, 184 Environmentalism, 2 Epistemology, 81-2, 89, 211 Equality, 66, 68, 124, 142-3 Ernst Museum, 7, 73, 79, 80 Esche, C., 8, 181 Escher, M.C, 209, 211 Essentialism, 213 Ethnic identifications, 123 Ethnographer, 202, 204, 216 Ethnography, 51 Ethnos, 209, 212, 216, 219 Eurasia, 115, 172 Eurasian Staff, 168, 171-2 Europe, 7, 2, 11, 31, 36, 53, 67- 8, 73, 76, 79, 82, 102, 105, 115-6, 118, 144, 170, 174, 182, 222 European Ethnology, 7, 202, 208 Fat, 23, 37, 53-4, 63-4, 151, 156, 159 Felt, 23, 40, 54, 64, 113-4, 150, 157, 159, 171, 187 Feuerbach, L., 58 Fieldwork, 5, 199, 202, 206, 218 Filliou, R., 81, 94 Fingerprint I, II, 74 Fluxus, 29, 38, 40, 50, 70-1, 81, 94-5, 97, 151, 153-4, 159-160, 162 Fontana, L., 29-31 Foster, N., 4, 8-9, 11 Foucault, M., 141 Fraternity, 66-8, 72-7 Index 227 Fraternity, 74 Fraternity-Park, 75 Free International University (FIU), 1, 5, 13, 45, 92-5, 98, 105, 107, 113, 127, 129-131, 137, 147, 181-2, 186, 200 French Revolution, 4, 66-7 Freud, S., 42 Fuchs, R., 9 Gaeltacht, 103 Galerie Klein, 159 Gallery Friedrich & Dahlem, 113 Gaynor, F., 8, 13, 17, 182-3, 226 Gender, 6, 123 Genocide, 23, 25, 35-7, 41, 44 Germany, 1, 4, 15, 25-6, 40, 49-50, 56-7, 63, 95, 98, 101, 103, 109, 116, 127, 159, 219- 20 Gesture, 33, 55, 85-6, 171, 176, 192 Giant's Causeway, 103, 127, 147 Globalisation, 46-7, 179, 182, 209, 212 Goethe, J.W. Van 57, 85, 89- 90, 92, 94, 201 Goethe Institute, 95, 183 Greens, 2 Groys, B., 179 Guantanamo, 22 Guggenheim exhibition, 164 Gutai Art Association, 29 Gutai Manifesto, 31 Guthrie, T., 116 Hagiography, 12, 159 Hall, S., 141-2, 144 Hamburger Bahnhof, 6, 16 Hardt, M., 46 Hare, 177-8 Hearth 1, 169 Hearth II, 169 Hedge schools, 13 Heidegger, M., 4, 8-9, 16, 49, 54- 65 Heritage, 7, 1, 215-6 Higgins, D., 30, 160 Hill, T., 100, 106, 109, 131 Hiroshima, 24-8, 31-4, 38-9, 41- 3, 48 Hirst, D., 153 Hitler, A., 10, 49 Hoet, J., 4 Holocaust, 2-3, 15, 45, 54, 56, 64, 137 Holy Grail, 166, 169, 172, 174, 176 Honey, 187 Hooks, B„ 138-9, 148 Horst Hoheisel, J.G., 40 How to Explain Pictures to a Dead Hare (1965), 178 Hugh Lane Gallery, 107, 126 Humanity, 25-7, 41, 138-9, 210, 216 Hungary, 4, 67, 72, 75, 77- 80 Hurlements en faveur de Sade (1952), 39 Hybridity, 140 Hyper-commodification, 47 228 Beuysian Legacies: Art, Culture and Politics I like America and America Likes Me (1974), 156, 214 Identification, 141 Identity, 74-5, 78-9, 127-8, 135, 140-1, 143, 147, 155 Imperialism, 200 Inclusion Matters, 131 Inconnu, 72, 78 Inequality, 124 Infiltration Homogen for Grand Piano, the Greatest Contemporary Composer is the Thalidomide Child (1966), 173 Ireland, 1-3, 5, 7, 9-10, 13, 16, 100-8, 112, 115-6, 118, 127-8, 130-1, 138, 147, 149, 182, 187, 216, 220-1, 223 Irigaray, L., 143, 148 Iser, W„ 135, 148 Japan, 24, 26 Jewesbury, D., 5 Jews, 24 Joyce J., 2-3, 14, 102 Joyce, T., 192 Jung, C.G., 201, 221 Kant, I., 32, 46 Kaplan, E.A, 123, 148 Kaprow, A, 29, 48, 94 Kawara, O., 151 Kelly, A., 55, 132 Kennedy, G., 123, 146 Keserii, K„ 4, 9, 11, 66, 69, 78, 80 Keserii, I., 69 Kester, G.H., 130-1, 149 Készman, J., 67, 74, 76-7, 80 Kiefer, A., 40, 153 Kiesler, F., 172 Kilmainham Hospital, 104 Klein, Y„ 33-4, 48, 162 Kleve, 104, 151, 156 Kümo, K., 74 Kockel, U„ 11, 13, 127, 146, 213, 218-222 Koegel, A., 165 Koepplin, D., 14, 16, 161 Koons, J., 153 Kosuth, J., 199-200, 202, 212, 217, 222 La Vie à pleines dents, (1960) 37 Lacey, S., 129 Lauf, C„ 4, 8, 11, 17, 150, 225 Lawler, L., 153 Leggewie, C., 174-5, 180 Lerm Hayes, C.M., 1-2, 7-8, 10, 13, 15-7, 119- 120, 146-7, 149, 162, 207, 219, 222 Les Lunettes noires, (1961) 39 Levine, S., 153 Lifecourse/Workcourse, (1969), 151-2 Lightning with Stag in its Glare (1958-85), 191 Local knowledge, 124, 146, 175 Lodz, 72 Loftus, B„ 127 Logos, 60 London In Six Easy Steps, 133 Luckow, D„ 10-1, 14, 17, 108, 113, 118 Index 229 Maciunas, G., 30, 160 MacLennan, A., 10, 106, 117, 127, 131, 138, 147 Maddox, }., 200 Magee Institute of Higher Education, Derry, 127 Malinowski, B., 202 Mandic, M., 72, 73 Manifesto bianco, 31 Marginalisation, 124 Marginality, 138 Material, 8, 29, 35, 42, 53, 60, 63-4, 69, 74, 78, 85-6, 94, 124, 129, 147, 150, 160-1, 192, 219 Materialism, 52, 58 Materiality, 54, 110, 210 Materials, 3, 9, 23, 45, 64, 71, 82, 91, 110, 123, 150, 155, 157, 159-61 Mcintosh, A., 212, 220, 222 Meek, D., 212, 220, 222 Memorial art, 40, 45 Menil collection, 1 Message (1968), 69 Meta-productiontheatre, 172 Michaud, E., 16, 50, 65 Migration, 6, 128 Militarisation, 22 Mobility, 122-3, 134, 139 Modernism, 110 Montanez Ortiz, 30 Morphogenesis, 200, 218 Mourning, 8-9, 23, 27, 32, 35, 39, 41-5, 47, 63-4 Multiplicity, 90, 97, 140 Murakami, S., 30 Mutschler, P., 121-2, 133, 145, 149 Muzeum Sztuki, 2 Mysticism, 51-2, 59 Myth, 12, 28, 124, 151, 169, 178, 213-5 Mythology, 115-6, 155 Nacht und Nebel, 36 National Socialism, 9, 57 Negri, A., 46 New cross, 2 New York, 7, 14, 16, 32, 39, 48, 49, 65, 94, 98-9, 116, 128, 148-9, 154, 159, 162, 170, 189, 219 Newgrange, 2, 103 Nietzsche, F., 94, 96 Non-art, 70-1, 91, 123, 129, 135 Northern Ireland, 1, 3-5, 111- 2, 115, 119, 126, 128, 130, 132, 135-9, 149 Nouveau Réalisme, 40 Nuit et brouillard, 31, 36 O'Beirn, A., 121-2, 124-5, 130, 132, 145-6, 225 O'Brien, D„ 13, 17, 182-3 O'Connell, M., 131, 147, 149 Obrist, H.U., 165 Oravecz, T., 74 Oxford Brookes University, 9, 83-4, 95, 96 Pagel, R., 10, 100, 106, 111, 118, 127, 131, 135 Paik, N.J., 30, 38, 160 Park Fiction, 144 230 Beuysian Legacies: Art, Culture and Politics Parsifal, 4, 12, 164-7, 169, 171- 3, 175-6, 178-80 Participation, 77, 78, 122, 125, 130, 131, 132, 133, 137, 165 Party for Direct Democracy, 160 Patterson, B., 30 Peace-building, 14 Penal Laws, 13 Phenomenology, 8, 54, 56, 59, 82 Philadelphia Museum of Art, 159 Plastik (1969), 87, 216 Plight (1985), 40 Poesis, 211 Poland, 2, 68, 72, 78, 115 Polentransport (1981), 16, 72, 80 Popular culture, 123, 129 Porter, B., 4, 7, 18 Postmodernity, 204 Poubelles, 35 Power, 23, 25, 41-2, 46, 66, 68- 9, 71, 76, 106, 119, 124, 133, 169, 208, 213, 215 Praetorius, 173 Prince, R., 153 Process, 5, 12, 26, 28-9, 31, 40- 1, 42, 44, 68, 82, 86-7, 90-1, 93, 96-7, 116-7, 124, 131, 141- 2, 144, 166, 172, 178, 185, 202, 204, 208, 212 Protest, 41, 111, 124 PS2, 121-3 Psychoanalysis, 42 Public ethnology, 200 Rancière, J., 5, 137, 143 Rannoch Moor, 5, 199, 215-6, 218 Rauschenberg, R., 33 Ray, G., 1-3, 5, 8, 14, 48-52, 54, 64-5, 108, 112, 114, 119 Readymade, 51-3, 153 Real Estate: Art in a Changing City, 133 Reception, 10, 14, 28, 49, 50, 58, 122, 124, 126, 135, 157, 160-1 Relational art, 135 Religion, 52-3, 166 Renunciation, 79, 175 Representation, 17, 33, 51, 82, 122, 124, 143-5, 160, 211 Resnais, A., 31, 36, 37 Riehl, H., 202-3, 211, 218, 223 Rifkin, J., 145 Rodriguez, N., 133 Rogoff, I., 136, 149 Rolfe, N., 10, 22, 100, 107, 114 Roma, 24 Rosicrucians, 178 Roussel, R., 179 Ruscha, E., 152 Russell, A„ 124, 146, 148 Sacks, S., 4, 7, 9, 81, 83, 99 Sahmat, 144 Salvation, 167, 169, 171, 179 Sarai, 144 Sartre, J.P., 58 Sauer, C., 161 Schiller, F., 87, 92, 94-7, 99 Index 231 Schlingensief, C, 3-4, 12, 17, 164-5, 167, 172-4, 176, 178- 180 Schwarzes Zimmer (1958-59), 41 Scotland, 16, 102-3, 115-6, 215-6, 223 Scottish Symphony, 215-6 Sculpture, 2, 8-9, 22, 28, 32-5, 37, 40-1, 75, 81-3, 86-7, 89- 96, 113-4, 116, 165-6, 178 Secret Block for a Secret Person in Ireland (1974), 7, 13, 101, 126 Shaman, 55, 108, 157, 176, 184 Shaman, 9 Sheldrake, R., 200-1, 223 Shimamoto, S., 29-30 Shiraga, K., 31 Show Your Wound (1974-75), 173 Siberian Symphony, 178 Sinti, 24 Social relations, 41, 43, 47, 140 Social Sculpture, 7, 9, 81, 83- 5, 93, 95-6, 112, 118, 165 Social Sculpture Research Unit (SSRU), 83, 93 Solidarity, 67-72, 74-5, 78, 111 Some Things About Belfast (or so I'm told) (2006), 122, 124, 145 Sorry (Europe 20th-21st century), 76 Soviet Union, 25, 30, 68 Space Shuttle (2007), 4, 11, 121-5, 127, 129-30, 133-40, 144-6, 149 Speech, 56, 59 Spirituality, 53, 98 Spoerri, D., 38-9, 159-60 Staatliche Kunstakademie, 109 Stalker, 144 Stallabrass, J., 136, 137, 149, 162-3 Statement "Warmth Character of Thought" (1981), 89 Steiner, R., 17, 57-8, 81-2, 92, 94, 97-9 Stüttgen, J., 161, 164 Substance, 53, 62-4, 109, 150, 159 Suffering, 173 Surrealism, 36 Symbolism, 59, 187 Szentjoby, T., 69-2, 77-8, 80 T.E.K./Thermoelektronischer Kaugummi (1970), 41 Tate Modern, 1, 6, 97 Terrorism, 24, 109 The Ecologist, 210 The End of the Twentieth Century (1983), 35 The Individual, 43, 139, 209, 215 The Other Part of the Irish Running To You, 13 The Rose of Wandering, 73 Theatre of Images, 172 Tisdall, C., 4, 6, 8-11, 14, 53, 56, 58, 62-3, 65, 88, 94, 98- 232 Beuysian Legacies: Art, Culture and Politics 100, 106, 127, 131, 156-7, 186, 198, 220, 223 Titus/Iphigenia, 172 Topos, 209-10, 212, 216, 219 Tradition, 24, 28, 30, 46, 118, 131, 167, 172, 178, 206, 208, 216 Transcendentalism, 59 Transformation, 7, 41, 43-5, 53, 63, 84, 124, 185 Trauma, 15, 26, 28, 31, 35, 41, 44, 62 'Troubles' (the), 3, 10, 112, 115, 122, 126, 128, 135 Truth, 42, 58, 61, 137, 156 Tudor, D., 30 Ulster Museum, Belfast, 4, 7, 18 Ulysses Extension, 2, 17 UNESCO Summit on Culture and Development, 83, 99 United States, 23-5, 30, 33 Unity in Diversity, 4, 90, 100, 103, 149, 222 University of Ulster, 6, 7, 15, 127, 131, 146-7, 218, 223 Utopia, 174-5 Utopianism, 51, 59 Verspohl, J., 160-1 Vienna Actionists, 29 Village of the Damned (1962) 37 Von Eschenbach, W., 166 Von Graevenitz, A., 12, 55, 171, 180 Vostell, W., 30, 32, 40, 78, 160 Wagner, R., 4, 12, 164-7, 169, 171-6, 178-80 Walters, V., 1, 6-8, 206, 218- 20, 223 War, 8, 15, 24, 26, 38, 47, 68, 77, 127, 202 Warmth, 7, 12-3, 59, 88-9, 94, 106, 225 Watts, R., 160 Weil, S„ 33 Weiner, L., 151, 153, 161 White, K„ 211, 213 Whiteread, R., 40 Williams, E., 30, 160 Wilson, R., 172 Wood, P., 52-3 Wound, 53, 62, 156, 166-7, 172 Yoshihara, J., 31 YOM and Never Again (1964), 32, 41 Yugoslavia, 73 Zinggl, W„ 130, 136, 139, 146- 7, 149 |
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