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| Katkey: | 7368624 |
| Volltext: | INDEX Note: Page numbers in italics refer to illustrations. Abelard, Peter, 13 action, 86—7 Adorno, Theodor, 161 aesthetic activity, 5, 73, 82, 85, 91, 93, 155, 173 aesthetic consummation, 53 aesthetic event, 18, 50, 51, 52, 68, 85, 96, 135, 154 aesthetic form, 102, 119—20, 182 aesthetic love, 10, 96—7 aesthetic object, 106, 108—12, 117, 122 in aesthetic theories, 4, 5, 90 and architectonics, 113 in Bakhtin's writing, 10, 42, 51, 105 aesthetic perception, 90 aesthetics, 32, 40, 61, 102, 107, 121 content, 90 definition of, 4, 6 expressive, 40-4, 53, 69, 87-98, 100, 123; see also empathy general philosophical, 10 impressive, 87-9, 90 material, 42, 112—14 task of, 8, 11, 133 of verbal creation, 9 aesthetic value, 5, 51 aesthetic vision, 48, 49, 51-4, 57 Akhmatova, Anna, 27 Alberti, Leonbattista, 99 Althusser, Louis, 177—8 Andre, Carl, 102, 122 Lead-Aluminum Plain, 103 Annales School, 165 answerability, 33, 54, 66—7, 101, 172 criticism of, 175-6 and the deed, 55, 59 definition of, 18, 47-8, 173-4, 189 in relation to dialogue, 8, 47 see also architectonics; deed; intonation; obligation; rhythm; soul; spirit apocalypticism, 25 appearance, 75 appropriation art, 104, 168 Aquinas, Saint Thomas, 41 architectonic form, 113, 114, 117 architectonics, 66, 111, 112—13, 117, 149, 174 of aesthetic vision, 51-4 of the deed, 9, 18, 48, 60 definition of, 5, 48-9 of the event, 48—51, 53 of the real world, 9, 48—51, 53 Aristotle, 41 art definition of, 88, 101 history of, 7, 43, 89, 114, 136, 161-2 art for art's sake debate, 35-6 in contrast to art for life's sake, xii, 26 artist, 9, 27, 38, 55, 91, 118, 131 as bearer of unity, 121 as first artist, 105, 123 freedom for, 35 in impressive aesthetics, 87-8 in Kantian aesthetics, 41 outsideiiess of, 92, 102, 127 in relation to material, 119 in relation to object and viewer, 4, 124, 149, 156, 164-72, 178 211 artist (continued) role of, 25, 135, 150, 173, 178-80 in Romantic aesthetics, 12, 158 task of, 72, 76 artistic creativity, 19, 60, 109, 123, 175 Augustine, Saint, 13, 41 author, 120 death of the, 156, 160, 167, 172 and hero, 71, 72-3, 115, 120-3, 124, 154 authorship, 5, 71-4 crisis of, 22, 35—6, 107 avant-garde, 35, 151, 161, 187 axiological categories, 57, 107, 117, 118, 124, 125 orientation, 127 person as axiological center, 10, 49, 60, 74 Azaceta, Luis Cruz, 68, 162 Aids Count III, 164 Bakhtin, Mikhail Mikhailovich approach to his work, 15 biography, xiii early essays, 7-8, 121: "Art and Answerability, " xii, 3, 47-8; "Author and Hero, " 3, 9-10, 35, 72, 114, 173; "Content, Form and Material, " 3, 10-11, 30, 42, 101, 114, 119, 152; "Toward a Philosophy of the Act, " 3, 9, 72 future work on, 13-14 influences, 11, 13-14 problems with his ideas, 17, 175— 78 value of his ideas, 19-21, 66-9, 98-100, 123-7, 173-5, 178, 182 writing style, xiv Bakhtin Circle, xiv, 13, 37 Barbizon School, 69 Barr, Alfred, 158 Barthes, Roland, 121, 156, 160, 167 Basil, Saint, 179 Baumgarten, Alexander, 4 beauty, 4, 5, 59, 115, 137 Beauvoir, Simone de, 160 Bely, Andrey, 26 Benois, Alexander, 147 Berdyaev, Nicholas, 24, 151 Bergson, Henri, 13, 53, 90 Bernard of Clairvaux, 13 Bible, 14 Blok, Alexander, 26, 27, 28 body, 9, 10, 74-5 and empathy, 42 outer/external or inner/internal, 38-9, 61, 63, 86, 174 representation of, 81, 98, 111 in space, 50, 76, 178 and suffering, 93 boundaries, 96, 131, 141, 143, 148, 173 in aesthetics, 49, 98, 115, 136 of the body, 76, 82-6 and creativity, 19 of discourse and art, 14—15 and outsideness, 36, 101, 174; see also outsideness and the soul, 62 Brotherhood of Saint Seraphim, 27 Buber, Martin, 13 Bulgakov, Mikhail, 27 Bullough, Edward, 118 Bultmann, Rudolf, 16 Burliuk, David, 25 capitalism, 160, 168 carnival, xiii, 8 Cartesian anxiety, 176 Cassian, John, 179 Cassirer, Ernst, xiv, 13 Chagall, Marc, 26 Chekhov, Anton, 52 Christ, 141, 142-4, 151 Christianity, 39, 88, 140, 141, 157 Russian Orthodox, 13, 131, 134-5, 137, 139, 140, 155 see also icons chronotope, 8, 166 Coe, Sue, 68 coexperiencing, 125 cognition, 4 Cohen, Hermann, 10, 13, 18, 37-40, 43, 96-7 composition, 64, 117, 119, 132, 135, 142 Comte, Auguste, 13 consciousness, 76, 115, 120 act-performing, 55, 84, 86 borderline, 143 coexperiencing, 90, 92, 96, 123, 131 and the hero, S3, 12 and the horizon, 82 moral orientation of, 32, 57 nature of, 50, 71-2, 149 as opposition of I and other, 54, 72-3, 85, 141, 144, 177, 180, 182 single, 96-8 unity of 34 Constructivism, 186 content, 30, 72, 94, 102-6, 110, 123, 141 in relation to style, 107 creative understanding, 136 creativity, 19, 105 and the artist, 118, 173-80 and boundaries, 101 as everyday event, 12 and God, 40 lack of definition, 6 philosophy or theory of 18, 72, 134 Cubo-Futurism, 186 cultural studies, 180 David, Jacques Louis, 86 death, 19, 51, 66, 120 of the author, see author, death of the in a person's life, 124-7 De Onis, Frederico, 157 deconstruction, 165 deed, xii, 54—7, 59, 61, 62, 154, 166 crisis of the, 22, 31-5 definition, 9, 54—5 in relation to art history, 68-9 as way of orienting life, 6 defamiliarization, 11, 119 Deleuze, Gilles, 44 detachment, 5 Dewey, John, 98 Diaghilev, Sergei, 25 dialogue, xiii, 15—16, 49, 136 and the dialogic, 47 Dostoevsky, Fyodor, 8, 13, 57 Dove, Arthur, 135 dual faith, 140 ecological issues, 163 emotional-volitional, 64, 69 form, 114 moments, 9 picture of the world, 58 tone, 56, 74, 112 void, 61 empathy, 53, 131, 145, 174 as aesthetic category, 5, 10, 19 critique of, 43-4, 68, 90-7, 177 and expression, 40—3 see also aesthetics, expressive Enlightenment, 41, 157, 158—9, 167, 177, 179 environment, 63, 76, 82—6, 97, 98, 107, 154 definition of 84 see also horizon Erasmus, Desiderius, 179 ethical action, 4 moments, 104, 106, 121 ethics, 32, 61, 66-7, 74, 157 in Bakhtin's research, 9 as center of philosophy, 38 Christian, 84 formal ethics, 32 material ethics, 32 and religion, 39 Evans, Walker, 104 event, 10, 49—51 eventness, 33, 50 event of being, 57-61 Expressionism (in art), 99-100, 115 Exter, Alexandra, 31 external work, 42, 112 faith, 107, 124, 131, 139-40, 141 feminism, 20, 160, 162, 167, 170, 175-6, 178 Feuerbach, Ludwig, 73 Fichte, Johann Gottlieb, 13 Fiedler, Konrad, 87 finalizability, 91, 101-2; see also unfmalizability form, 76, 92, 103, 114-20, 123 as boundary, 115 compositional and architectonic, 114, 117 and content debate, 23, 28 in expressive aesthetics, 94 as gift, 182 in impressive aesthetics, 87 inner and outer form, 114, 115 laws of, 72 spatial form, 114-15 Formalism (Russian Formalism), 23, 27-30, 123, 158 formal qualities, 29, 148 Foster, Hal, 159 Foucault, Michel, 121, 156, 160, 167-72 Freud, Sigmund, 17 Friedan, Betty, 160 future, 63, 126, 162, 165, 166 Futurism (Russian Futurism), 23, 27-9 Gablik, Suzi, 159, 168 Gabo, Naum, 27 Gadamer, Hans George, 16, 17, 124 gift, 61, 62, 119, 126, 181-2 God, 49-50, 125, 157, 179 death of, 167 in Malevich's writing, 152—4, 194-5 and mystery, 155 as an other, 72 in Russian Orthodoxy, 142, 144 in Spas nerukotvomyi icon, 143 Goethe, Johann Wolfgang von, 35 Golub, Leon, 68 Gombrich, Emst, 107 Goncharova, Nataliia, 145, 146 Greenberg, Clement, 158, 161 Groos, Karl, 90, 94-6 Guyau, Jean-Marie, 10 Habermas, Jürgen, 158 Hanslick, Eduard, 87 Harnack, Adolf, 13 Hegel, George Wilhelm Friedrich, 13, 34, 88, 90, 107, 108 Heidegger, Martin, 16 Herder, Johann Gottfried, 41 hermeneutics, 16-17 heteroglossia, 8 Hildebrand, Adolf, 87 history, 34 of Rus', 138, 139-40, 193 Russian and Soviet, 23—31, 36, 145-6 hope, 124 horizon, 63, 82-6, 97, 98, 154 in aesthetic activity, 92 definition of, 82, 84 as a goal, 127 and world view, 107, 160 see also environment Hudson River School, 69 Humboldt, Wilhelm von, xiv icons, 133, 142 history of Russian, 146, 150 semiotics and theology of, 135, 144 training of icon writer, 137-8, 151-3 see also Christianity ideology, 177-8 critique of, 17 imagination, 36 imperialism, 163 inspiration, 11 interpretation of Bakhtin's work, 12- 17 intonation, 56, 65, 68, 69, 154 isolation, 5, 76, 77, 114, 117, 118-19 Jameson, Fredric, 160 Janus, xii-xiii, 54, 181 Josephite Schism, 27 joy, 125, 181 Judd, Donald, 102-4, 106, 112 Untitled (1969), 104 Kagan, Matvei, 23, 37 Kandinsky, Wassily, 23, 26, 27, 30, 115-17, 145 Jocular Sounds, 116 Small Pleasures, 25, 26, 65 theories of art, 30-1 Kant, Immanuel, 13, 35, 39, 47, 87, 183 Bakhtin's differences with, 4, 48 Bakhtin's study of, 11 ideas about the artist, 41 see also NeoKantianism Kaufman, Gordon, 160 Khlebnikov, Victor, 25 Kierkegaard, Soren, 13 Kollontai, Alexandra, 24 Kruchenykh, Aleksei, 24, 28 Kupka, Frantichek, 135 Lange, Konrad, 90, 94 Langer, Susanne K., 98 language, 9, 108-9 Larionov, Mikhail, 24, 186 LeBrun, Charles, 99 Lenin, Vladimir, 23, 27 Leonardo da Vinci, 91-2, 99, 157 The Last Supper, 91 Lessing, Gotthold E., 151 Levine, Sherrie, 104, 168-71 After Edward Weston, 169 After Rodchencko, 105 Levitan, Isaac, 52, 122 The Birch Grove, 52 Lewis, Mary Edmonia, 109, 122 Forever Free, 110 linguistics, 30, 108 formalist, 10, 108 Lipps, Theodor, 3, 10, 13, 18, 40—4, 90, 177 Lissitsky, El, 27 literary genres, 113, 121 living-into, 42, 53, 68, 154 as live-entering, 8 logocentrism, 9 Longo, Robert, 170 loophole, 85 Lotman, Iurii, 14, 16 Lotze, Hermann Rudolf, 41, 127 love, 10, 39, 61, 74-5, 96-7, 151, 181-2 Luther, Martin, 179 Maimonides, Moses, 39 Malevich, Kasimir, 24, 26, 27, 122, 134, 144-54 Black Square, 20, 131, 133, 134, 144-54 Girl with a Red Staff, 29 Mandelshtam, Osip, 27 Marx, Karl, 17 Marxist ideas, 22, 120 material, 88, 89, 108-12, 117, 141, 148 as aesthetic category, 30, 135 and isolation, 119 in relation to content and form, 10, 31, 87, 123 in relation to style, 107 material aesthetics, 112-14 nature of, 11 Matisse, Henri, 99—100 Matiushin, Mikhail, 25, 115-17 Harmonious Chart, 116 Mayakovsky, Vladimir, 25, 27 Medvedev, Pavel, 13, 89, 108 Meister Eckhart, 179 memory, 126 Minimalism, 102-4, 106, 134 modernism, 157—9; see also postmodernism Mondrian, Piet, 135 monologism, 12, 44, 177 moral values, see ethics Muensterberg, Hugo, 118-19 Murray, Elizabeth, 170 museums, 168 NeoKantianism, 3, 37-44, 58, 91, 174; see also Kant, Immanuel NeoPlatonism, 88 Neo-Primitivism (in art), 24, 186 new historicism, 164-5 Nietzsche, Friedrich, 17, 167 non-alibi in being, 58-9, 154 Novgorod, 137, 138 Chronicle of, 139—40 as site of early icon painting, 139— 40 obligation, 4, 34, 61, 67, 137, 154, 172 and oughtness, 32, 57—9 O'KeefFe, Georgia, 81—3, 122 see also Stieglitz, Alfred originality, 168 Ortega y Gasset, José, 118 Ouspensky, P. D., 17 outsideness, 71, 97, 123, 124, 166 of the artist/author, 36, 122, 174 and boundaries, 84-5, 98, 101, 137 criticism of category, 176-8 definition of, 19, 71 see also action; aesthetics; authorship; body; boundaries; empathy, surplus; representation; transgredience paganism, 140 Panofsky, Erwin, 136 Pevsner, Anton, 27 philosophy crisis of, 22, 31-5 moral, 3, 48 photography, 77, 104 see also representation Plato, 41 play, 94-6 Plotinus, 41 polyphony, 8 215 DEX Popova, Liubov, 3 1 portraiture, 77, 81-2; see also photography; representation positivism, 58, 89, 109, 127 postmodern art, 108 postmodernism, 20, 100, 178 and art theory, 161-4 differing definitions, 157-61 of reaction and resistance, 159 see also modernism Poussin, Nicolas, 99 power, 92, 104, 111, 170 Powers, Hiram, 109 The Greek Slave, 110 pragmatism, 58 prayer, 51 pretender, 59, 68, 154 Prince, Richard, 169-70 Productivism (in art), 186 Prometheus, 24 prosaics, 35, 66 purity, 4, 104 Rabelais, François, 8, 13, 120 Raphael, Sanzio, 94 Sistitic Madonna, 95 Rayonism, 186 reaccentuation, 15 realism, 94 religion, 9, 61 Rembrandt van Rijn Self-Portrait, 78 Self-Portrait as an Old Man, 78 Renaissance, 179 representation, 82, 94, 111, 148, 165, 171 in a mirror, 77 in a photograph, 77, 80 in a portrait, 77, 81 of the self, 76-82, 98 visual, 114 sec also photography; portraiture; self-portrait rhythm, 29, 61, 63, 64-5, 68, 69, 154 Ricoeur, Paul, 16, 17, 124 Riegl, Alois, 64, 69, 87-9, 99, 136 ritual, 51, 59 Rodchenko, Alexander. 27, 31, 104, 186 Romanticism, 11, 158 Rorty, Richard, 158 Rosier, Martha, 162 2IÓ In the Place of the Public, excerpts from, J 63 Rothko, Mark, 66, 115 Black, Orange on Maroon (#18), 67 Rousseau, Jean Jacques, 40, 98 Rozanona, Olga, 26, 28, 153, 186 Rozanov, Vasily, 13 sacrifice, 126 Saint-Simon, Claude, 13 Salle, David, 170 salvation, 143 Schelling, Friedrich, 13, 35, 90 Schiller, Johann Christoph Friedrich, 35 Schlegel, Friedrich, 35 Schleiermacher, Friedrich, 16, 17 Schopenhauer, Arthur, 13, 90 Scotus, Johannes Duns, 13 Scriabin, Alexander, 25 self-portrait, 76—82; see also photography; portraiture; representation semiotics, visual, 165 Semper, Gottfried, 88, 89 Seurat, Georges, 99 sexuality, 75, 76, 109 Sherman, Cindy, 104, 168, 170—2 Untitled #93, 106 Untitled #118, 171 Shklovsky, Victor, 11, 29-30 Snyder, Joan, 170 social sympathy, 10 solidarity, 175-6 Soloviev, Vladimir, 24, 25, 184, 187 sorrow, 125 soul, 10, 59-63, 69, 85, 154 and answerability, 68, 174 as a gift, 62, 182 as "I-for-another, " 18, 19 and rhythm, 65 soul-slave, 190 sec also spirit Spas nerukotvornyi, 20, 136-40, 131, 132, 134 specific object, 102-4, 112 spectator, sec viewer Spinoza, Benedict, 41 spirit, 10, 59-63, 69, 154 and answerability, 68, 174 as "I-for-myself, " 18 and rhythm, 65 see also soul Stepanova, Varvara, 27, 21 Stieglitz, Alfred, 81—3, 122 A Portrait of Georgia O'Keeffe (1918), 83 A Portrait of Georgia O'Keeffe (1922), 83 see also O'Keeffe, Georgia Stravinsky, Igor, 24 style, 88, 102, 106-8, 153, 154 aesthetic or artistic, 107 unity of, 106, 108 verbal, 107 see also tradition suffering, 74, 93-4 Suprematism, 145-8 surplus, 8, 75-6, 87, 98, 154 Symbolism (in art), 23, 27—8, 30, 123 sympathetic coexperiencing, 96, 97 Tatlin, Vladimir, 26, 186 technique, 11, 88, 89, 110, 111 Tertullian, Quintus Septimus, 179 theoretism, 3—7, 31—2, 37, 44, 53, 180 theory, 3-7, 180 problems of, 34 usefulness of, 44, 180 Titchener, Edward, 41 Tolstoy, Leo, 13, 33, 93, 99 Toynbee, Arnold, 157 tradition, 36, 102, 106—8, 138, 154, 158; see also style transgredience, 50, 51, 121; sec also outsideness trust, 131, 141 truth, 59 unfinalizability, 19, 107, 120, 123, 124, 127 and creativity, 40 and fmalizability, 101—2, 120, 174-5 see also aesthetic object; artist; author; content; fmalizability; form; material; style; tradition Uspensky, Boris, 16 Vico, Giambattista, 43 viewer, 4, 96, 118, 120, 138, 145, 155 artist as, 93 of an icon, 142, 143 in postmodern theories, 21, 156, 166-7 role of, 179 as second consciousness, 61, 86, 141 subjectivity of, 123, 152 Vischer, Robert, 41, 90 vocation, 156-7, 178-9 Volkelt, Johannes, 40, 90, 192 Voloshinov, Valentin, 13, 22 Voskresenie, 22 Vrubel, Mikhail, 28, 78-82 Self Portrait (1885), 19 Self Portrait (1905), 19 Vygotsky, Lev, 111, 118 Weston, Edward, 104, 168 Wieman, Henry Nelson, 160 Windelband, Wilhlem, 34, 37, 49-50, 51 Wölfflin, Heinrich, 136 Wundt, Wilhelm, 90 Zamyatin, Evgeny, 25, 27 Zen Buddhism, 123 Zielinski, Tadeusz, 13 INDEX 217 |
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