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| Katkey: | 7157222 |
| Volltext: | Name Index A Private Happiness, 190 Ahmed, Sara, 17n25, 75, 87nl2, nl4, 100nl5, 101n28 Ahtila, Eija-Liisa, 10, 89-97, 99nl, n2, 100n8, 101n21 Albuquerque, Paula, 199, 206, 208-210, 213n25 Arnold, Andrea, 199, 204, 206, 209, 212nl9 Azoulay, Ariella, 46, 53n26 Babcock, Barbara, 5, 16nl7 Baker, Josephine, 164, 171n27-n30, 194nl9 Bakthin, Mikhail, 5, 17nl9, 158, 159, 161, 169nl Bai, Micke, 16nl5, 91-92, 100n3, lOOnlO, lOOnll, 101n24, 224nl5 Balnakiel, 112-113, 114 Barker, Jennifer, 16nl4, 133-134, 139nl4-nl5, 142n62-n65, 143n72 Barthes, Roland, 4, 16nl2, 46, 50, 53n24, 74, 86n2 Bauman, Zygmunt, 39n4 Baumgarten, Alexander, 15n2, 145 Bazin, André, 122, 126, 127, 138n8, n9 Belting, Hans, 74, 79, 86n6, 88n28 Berlant, Lauren, 17n25, 101n20 Blind Light, 106-108 Boltansld, Luc, 22, 39n5 Braidotti, Rosi, 219, 227, 236n4 Brennan, Teresa, 16nl5, 104, 116n5, 116n6 Cage, John, 45, 52n21 Calle, Sophie, 182-185, 194n25, 195n36 Canguilhem, Georges, 227, 236n3 Chion, Michel, 15n6, 16nl3, 51n9, 52nll, 52n20 Classen, Constance, 15n4, 122, 125, 138n5-n7, 139n20, 140n23, 140n24, 149, 157nl4, 167, 172n34 Comolli, Jean-Louis, 176, 193n4 Corbin, Alain, 147, 157n8 Creed, Barbara, 236n5 de Andrade, Oswald, 165, 17ln32 del Rio, Elena, 16, 203, 212nl8 Deleuze, Gilles, 49, 51nl, 53n30, 100n8, 100n9, 156n2, 181, 198, 211n2, 212n4, 212n7 Doane, Mary Ann, 52nl7, 52nl9, 101n22, 216, 224n5, 236n5 Douglas, Mary, 5, 17nl9, 236n4 Elder, Bruce, 16nl4, 160, 177-179, 181, 192, 193n6, 194nl4, 194nl9, 194n20, 194n21, 194n24, 194n27 Ettinger, Bracha, 8, 9, 24-27, 29, 31-39, 39nl, 39n3, 40n8-nll, nl3-nl8, 40n21, 40n22, 41n23, 41n24 Eurydice, 24-26, 32 Evidence Locker, 206, 207, 209, 210, 213n23, n24, n26, n27 Feelings are Facts, 107, 108 Foster, Hal, 3-4, 16nl0, 109, 117n20 Foucault, Michel, 31, 33, 163, 170n22, 171n24, 195n33, 198-200, 202, 211n2, 224nl5, 227, 231, 237nl4 Freud, Sigmund, 25, 31, 33-35, 37, 50, 53n32, 147 Fuses, 178-183, 185, 187, 190, 194nl9, 195n28 Gluckman, Max, 5, 16nl8 GMT Minus 5, 208-210 Gormley, Antony, 106, 108, 109, 116 Guattari, Félix, 49, 53n30, 62-63, 68nl3, nl4, 156n2, 202, 209, 237nl0 Hansen, Mark, 73, 75, 79, 88n29, n31, n42, 188, 196n46, n47 HiU, Gary, 186-189, 196n40 Howes, David, 15, 122, 125, 138n5-n7, 139n20, 140n23, n24, 148-150, 157n9, nl5, 172n34 In Free Fall, 217-219 Intended Consequences, 48-50 238 Name Index — 239 Irigaray, Luce, 14, 178, 194n27, 226-228, 230, 232, 234, 235, 235nl, 237n6-8, 237nll, 237nl8, 237n21-24 Isaak, Jo Anna, 16nl6, 169n7, 169n8 Jones, Grace, 163, 171n26 Jules-Rosette, Bennetta, 164, 171n27-30 Kristeva, Julia, 39n2, 236n4 LAtalante, 186, 188, 197n59 Lacan, Jacques, 23, 25, 31, 33, 34, 37, 38 Like Water for Chocolate, 124, 139nl6 Love is a Treasure, 10, 89, 90, 93-99, 99nl Lovely Andrea, 215, 222, 223nl Magid, Jill, 199, 206-210, 212n22, 213n23, 213n24, 213n26, 213n27 Massumi, Brian, 40nl4, 62, 68nl2, 69nl7-nI9, n21, n22, n27, 73, 75, 78, 87n22-n24, 88n26, 91, 10066, n7, 101nl7, 154, 155, 157n20, n21, n23, n24, 167, 168, 169n5, 172n40, 212nl8 Merleau-Ponty, Maurice, 123, 139nll-nl3, 181, 188, 189, 192, 235 Mutu, Wangechi, 12, 158, 159, 161-169, 170nl7-nl9, 171n26, n31, 172n33 Nancy, Jean-Luc, 15a7 No Sex Last Night, 182-185 Orpheus, 33, 37, 38 Paasonen, Susanna, 76, 87nl5, 100n4 Perfume: The Story tf a Murderer, 11, 116n3, 121, 138nl, 138n2 Pierce, Leighton, 189-19Ô Pollock, GriseWa, 6, 8, 16nll, 21, 39nl, 39n7, 40nl6, 40nl8, 43 Possession, 14, 226, 228, 229, 232, 235 Prince, Dawn, 54-56, 58, 64, 68nl, 68n2 Pulmonary Space, 110, 111 Rancière, Jacques, 15n7, 144, 156nl, 222, 225nl6 Red Road, 203-206, 209, 210 Scent of Mystery, 127 Schneemann, Carolee, 178-180, 182, 183, 187, 189, 190, 194nl7, 194nl9, 194n27, 195n28 Seremetakis, C. Nadia, 88n30, 88n40, 125, 131, 140n25, 142n59 Serres, Michel, 102, 103, 107, 108, 116, 116nl, 117nl2, 117nl3, 117nl6 Sobchack, Vivian, 4, 6, 11-13, 15n8, 16n9, 16nl3, 18n25, 18n27, 121, 138nl0, 139nl4-nl6, 166-168, 169n5, 172n37, 172n39, 178, 181, 186, 187, 192, 194nl6, 195n30, 196n39, 196n44, 197n58, 216, 224n4 Sontag, Susan, 97, 101n23 Spence, Jo, 25, 39n6 Spinoza, Baruch, 91, 154, 212nl8, 230 Stoler, Ann Laura, 5, 170n22 S/ri&, 215, 216, 219 Sflslrind, Patrick, 10, 11, 103, 116n3, 117n8, 121, 122, 124, 125, 128, 137, 138nl, 138n3, 139n21, 142n55 Suspension of Disbelief (for Marine), 186 Teller, Juergen, 10, 73, 74, 76, 79-85, 88n33, 88n36 The House, 89-98, 99n2 Tykwer, Tom, 11, 121, 122, 128, 131, 132, 136, 137 Whitehead, Alfred North, 55, 58, 60, 63, 65, 67, 68n3-n5, 69n24, 69n25, 69n33 Williams, Linda, 175-177, 191, 193n3, 193n4, 193n8, 193n9, 193nll, 194nl2, 194nl3, 194nl5, 196n53, 236n5 Èizek, Slavoj, 51n5, 175, 177, 193n2 Zulawski, Andrzej, 14, 226, 232 Subject Index abject, 73, 80, 182, 236n4 aesthetics, 1-4, 6-9, 15n2, 34, 36, 39, 90, 91, 94, 97, 99, 102, 103, 105, 109, 111, 116, 144, 145, 147-150, 154, 160, 169, 177, 181, 182, 203, 204, 210, 214; aesthetic apprehension, 3, 15n2; aesthetic experience, 4, 7, 14, 49, 77, 145, 159, 165, 168; aesthetic materialism, 109; The Anti-Aesthetic, 3, 16nl0 affect, 1, 2, 4, 5, 7, 9, 10, 14, 32, 59, 61, 63, 64, 73, 75-79, 83, 85, 89, 90-94, 97-99, 100nl4, 103-105, 109, 114, 115, 146, 154-156, 178, 198, 203, 205, 215, 219, 220, 222, 227, 230; affective dynamics, 1, 79; affective force, 3, 63, 90; affective powers, 10, 11, 211; affective tonality, 12, 55, 56, 60, 166, 223; atmospheric affects, 102-116; powers of, 198-211 aistbesis, 3, 15n8 animal, 7, 9, 55, 58, 59, 62, 64, 66, 67, 122, 140n22, 146, 161, 164, 228, 229, 232 anthropophagia, 164, 171n31 archive, 24-26, 31, 215, 219-222 art, 1-10, 13, 14, 29, 32, 35, 36, 38, 39nl, 53n29, 60, 62, 80, 90, 95, 96, 99, 103, 106, 107, 109, 111, 115, 144, 149, 158-160, 164-166, 169, 169n2, 181, 182, 186, 192, 195n38, 198, 199, 206, 210, 214, 235; art history, 144; artistic practice, 6, 7, 14, 38, 91, 180, 209 assemblage, 61, 164, 166, 237nl0 body, 2, 4-7, 10-14, 17n21, 22, 24, 25, 28, 32, 40n20, 46, 54, 56, 62, 64, 73-85, 91, 102, 104, 105, 108, 109, 112, 115, 124, 128, 133, 146, 148, 149, 158-164, 168, 176-181, 186, 187, 189, 191, 195n37, 197n59, 205, 206, 228, 230, 232-234; black female body, 5, 12, 158, 163; female body, 5-7, 14, 44, 80, 177, 186; gendered body, 12, 24, 158; grotesque body, 159, 160, 161; monstrous body, 13 Camera Lucida, 46, 53n24 cannibalism, 165, 168: Cannibalist Manifesto, 165, 171n32; metaphorical cannibalism, 165; sensory cannibalism, 165-168 capitalism, 23, 151; capitalist culture, 91; capitalist system, 150; consumer capitalism, 151 carnal, 4, 5, 218, 226-229, 234; carnal aesthetics, 1-3; carnal thoughts, 4, 16nl3, 18n27, 139nl4, 169n5, 194nl6, 195n30, 196n39, 196n44, 224n4 carnival, 159, 160, 164, 168, 171n31; carnivalesque, the, 158-160, 164, 165, 168; camivalisation, 12, 159, 168 castration, 32, 34, 228 cinema, 4, 11, 14, 44, 45, 52nll, 89, 93, 95, 96, 98, 99, 111, 112, 121-124, 126-130, 138, 138n8, 144, 175, 176, 178, 181, 182, 184, 189-191, 194nl3, 195n38, 199, 200, 205, 214, 227, 235, 237nl6 co-enaesthesia, 3, 167, 168 co-enaesthetic, 11 deconstruction, 122, 160, 222 desire, 5, 23, 24, 31, 33, 38, 39, 63, 85, 92, 103, 138n8, 158, 166, 175, 180, 186, 187, 198, 200, 214, 218, 223nl, 228-234; female desire, 14, 226, 233 difference, 7, 9, 12, 14, 21-23, 30, 31, 35, 37, 38, 39n2, 55, 61, 75, 84, 91, 178, 194nl5, 214, 226, 228, 230, 231, 235; categories of difference, 1; difference as oppositional, 14, 226; embodied difference, 3; sexual difference, 14, 21-24, 38, 39n2, 194 documentary, 44, 48, 49, 96, 115, 214, 215, 220, 221, 222, 224nl0 embodiment, 4, 5, 15n8, 90, 108, 167, 181, 186, 188 emotion, 12, 75, 77, 79, 90-94, 98, 136, 137, 147, 154-156, 205, 219 240 Subject Index — 241 erotic, 13, 31, 34, 122, 162, 182, 185, 193n2, 194n24 ethical relation, 14, 46, 226 ethics, 1, 6, 8, 9, 33, 51, 91, 144, 145, 149, 150, 154, 155, 230-232, 235, 237nl6 excess, 12, 13, 56, 57, 61, 64, 79, 80, 110, 154, 158, 164, 175, 182, 196n38, 228, 229, 237nl6 fascinance, 34, 35, 39 fashion, 5, 10, 21, 59, 73, 74, 79, 80-85, 86n7, n8, 103, 171n28; fashion advertising, 80, 85; fashion photography, 10, 73-76, 84, 85, 86n8 feeling, 9, 15n2, 73, 77, 78, 84, 91, 93, 94, 96, 105, 113, 124, 130, 131, 135, 137, 150, 162, 178, 183, 187, 198, 205, 209, 218, 230 feminine, the, 23, 32, 34, 36-38 feminism, 2, 7, 21-23, 75, 180, 227 film studies, 3, 181, 214, 217 gaze, the, 25, 27, 31, 34, 38, 39, 164, 185, 193n2, 211; 'the male gaze', 14 gender studies, 1, 74, 214 genocide, 22, 25, 27, 44 grotesque, the, 6, 12, 73, 158—162, 164, 165, 168, 169n2; the grotesque body, 159, 160, 161; the racial grotesque, 161 haptic, 134, 175, 177, 180, 181, 182, 184, 186, 189-192, 204, 205, 208; 'haptic visuality', 84, 88n41, 189, 191, 212n20; 'the haptic', 11, 185, 189, 192, 205 holocaust, 22, 29 image, 4, 6, 10, 14, 25-27, 29, 33, 34, 42, 44-50, 53n29, 73-76, 78-85, 88n41, 89, 91, 97, 106, 109, 111, 115, 122, 130, 154, 155, 158, 161, 163, 164, 176, 184-186, 189, 19ft 192, 204, 205, 210, 215-217, 220-222, 226, 227, 230, 234, 235; materiality of images, 14, 216, 217, 221; moving image, 11, 46, 111, 176, 185, 186, 189 imagety, 9, 10, 13, 73, 74, 80, 85, 93, 96, 97, 100nl4, 130, 132, 162, 164, 165, 187; transgressive imagery, 5-6, 12, 158, 164 imaginary, 27, 29, 33, 134, 147, 148, 158, 219 immersion, 108, 109, 113, 116, 117nl8, 167, 181, 229; immersive, 3, 1Ö6, 109-111, 115, 192 installation art, 7, 13 intervention, 1, ' 2, 7, 13, 50, 160, 199; artistic intervention, 1, 202, 203; feminist intervention, 1, 2 jouissante, 230, 234 knowledge, 5, 10, 12, 13, 15n2, 42, 49, 75, 84, 107, 108, 123, 144-151, 154, 159, 181, 186, 222, 224nl5, 227 machine, 63, 64, 115, 187, 188, 198 matrixial, 29-36, 38, 39, 39nl, 40n20 media, 1, 8, 9, 13, 42, 44, 74, 76, 78, 79, 84, 90, 91, 99, 109, 110, 145, 161, 186, 188, 189, 191, 192, 198, 201, 202, 204, 215, 220; media studies, 1, 74, 91; new media, 79, 84, 189 memory, 7, 8, 12, 27, 32, 35, 38, 39, 79, 82, 84, 85, 93, 113, 123, 125, 130-132, 136, 138, 142n55, n60, 147, 152, 154, 155, 182, 186, 188, 189, 190, 205, 214, 219, 220 metramorphosis, 30-31 monster, 226-234, 235n2, 236n4, 237nl6 movement, 4—7, 9, 21, 23, 29, 46, 48, 52n21, n23, 54, 56, 57-64, 67, 76, 84, 85, 91, 106-108, 111, 115, 123, 133-134, 139nl4, 142n66, 160, 168, 176, 177, 186, 187, 190, 193n6, 220, 223, 237nl0 multisensoty culture, 144—156 multisensory experience, 153, 167 music, 42-44, 48-50, 52n21, 111, 137, 148, 155, 176, 180, 205, 219, 220, 223 non-human, 9, 56, 66, 160, 161, 229 odour, 103, 105, 107, 122, 124, 125, 127-130, 133, 134, 137, 138, 141n40, n41, 142n49, 146, 147, 149-152, 166; see also smell, scent oedipal, 21, 22, 33 'olfactory unconscious', 12, 154 perception, 1-3, 6, 7, 9-14, 15n8, 43, 44, 49, 55, 65-67, 73-79, 84, 85, 89, 90, 92, 97, 98, 102, 103, 105, 107-109, 112, 123, 128-132, 136, 145, 146, 148, 149, 155, 159, 165-169, 176, 179, 180, 188, 191, 203, 209, 228, 229, 230, 235; perceptual modalities, 1, 6, 7, 11, 17n21, 222; politics of, 3, 7, 13 performance, 3, 44, 49, 77, 79, 84, 160, 164, 180, 205; performative acts, 100nl4, 160; performative medium, 159 phenomenology, 43, 106, 107, 109, 112, 113, 129, 192 photography, 7, 38, 42, 44, 46, 48, 74, 83; digital photography, 9, 50; fashion photography, 5, 73-76, 81, 84, 85; press photography, 44 pleasure: 8, 12, 23, 24, 49, 50, 83, 145, 147-152, 162, 176, 178, 184, 189, 215, 222, 226, 228, 229, 235; female pleasure, 5, 14 242 — Carnal Aesthetics pornography, 26, 80, 170nl4, 175-178, 182, 191, 194nl5, 196n38 psychoanalysis, 21, 36, 146, 193n2 queer, 7, 22, 23 representation: 5-9, 11-14, 74, 77-79, 81, 85, 90, 91, 93, 98, 99, 103, 111, 115, 131, 138n8, 158-160, 162-165, 168, 170nl4, 176-178, 180-182, 185, 188, 194nl3, 215, 216, 220, 221, 222, 230; 'object of representation', 10, 11, 102; (self)representation, 7; (self-)representation, 168; representational strategies, 1, 8 rhythm, 7, 8, 29, 47-50, 56, 58, 59, 104, 180, 223 scent, 11, 103, 105, 121-131, 133-137, 141n40, n44, 152, 153, 155; see also smell, odour scopophiHa, 38 semiotics, 73, 74, 76, 214 sensation, 3, 6, 9, 11, 12, 45, 62, 76, 77, 79, 83, 85, 102, 103, 105, 107-109, 113, 115, 130, 136, 141n41, 145, 148, 158, 159, 166-169, 178, 193n6, 228 senses, the, 2, 3, 11, 12, 44, 84, 103, 116, 121, 123-125, 129, 130, 132, 134, 138, 145-152, 159, 167, 168, 172n34, 181, 222, 223; anthropology of the senses, 3, 167, 172; hierarchy of, 3, 12, 158, 159, 167; proximal senses, 4, 6, 144, 145, 148-150, 152-154, 166; sense memory, 12, 85, 130-132; sensory imagination, 12, 130, 132; the five senses, 3, 159, 167 sensorial experience, 1, 10, 12, 102: alternative sensorial modalities, 2; in different cultures, 147, 148, 159, 167, 172n35; sensorial experiencing, 1; sensorial perception, 11; sensoriality, 1, 222; sensorium, 3, 7, 13, 84, 102, 126, 133, 138, 158-159, 167-169; sensory domains, 12, 125; sensory experience, 12, 126, 131, 149, 155, 159, 172n35, 186 sexuality, 1, 7, 13, 25, 34, 35, 136, 147, 163, 177, 181, 182, 187, 218, 228, 229, 232, 233, 234 silence, 8, 9, 44-48, 50, 125, 215, 223 smell, 1, 6, 10-12, 29, 54, 102-105, 121-138, 139n22, 140n22, n33, 141n41, 142n49, n60, n69, 144-156, 166, 167, 172n35, 178; and cinema, 11; commodification of, 12; see also scent, odour sound, 1, 4, 7-9, 29, 42-51, 58, 64, 94, 97, 98, 104, 107, 111-114, 116, 126, 134, 136, 137, 138n8, 148, 167, 176, 178, 190, 208, 209, 214, 219, 220, 222, 223; and listening, 44, 47 48, 49 spectatorship, 4, 14, 181, 226; mucosal spectatorship, 226, 227, 235; spectator, 4, 8, 10-12, 14, 35, 46, 49, 106, 109, 123, 167, 175, 177, 181, 190, 195n28, 200, 212n6, 226, 227, 229, 232 stereotype, 61, 62, 122, 160, 162, 164, 168, 170nl7 subjectivity, 9, 21, 23, 25, 30, 31, 32, 35, 36, 63, 90, 178, 180, 187, 227, 232, 233 surveillance, 6, 13-14, 25, 42, 198-211, 212n21 synaesthesia, 3, 123, 127, 129, 139nll, nl3, 141n47, n49, 142n50, n5i, 167, 172n38 tactile, 82, 111, 124, 126, 130, 166, 175, 176, 180, 181, 184, 185, 187, 188, 191, 196n55, 204, 208, 209, 234 tactüity, 83-85, 178, 188, 191 temporality, 21, 46, 47, 49, 187 touch, 6, 11, 13, 23, 35, 64, 83, 104, 124, 129, 138n8, 144, 145, 149, 159, 166, 167, 172n35, 178, 188, 191, 192, 195n28, 224nl5, 234, 235 trace, 11, 14, 25, 26, 28, 32, 33, 78, 103, 106, 111, 116, 190, 214, 220-222, 226 transgression, 5, 6, 17n20, 94, 158 trauma, 2, 6, 7-9, 11, 21-22, 29, 32, 35, 36, 38, 43, 47, 49-51, 96, 98, 214 unconscious, 12, 21, 23, 26, 28, 33, 34, 77, 103, 104, 124, 147, 154 violence, 8, 23, 25, 26, 38, 44, 48, 50, 95, 164, 166, 223, 223nl vision, 3, 11, 13, 25, 28, 35, 42, 43, 49-51, 55, 84, 88n41, 107, 108, 115, 122, 123, 128-131, 133, 134, 136, 137, 139n22, 140n22, 142n69, 144, 145, 148, 149, 159, 167, 180-182, 184, 188, 190, 222, 224nl5, 235 visual, the, 3, 6, 11, 12, 25, 31, 36, 42-46, 50, 81, 82, 84, 104, 159, 166, 167, 188, 221, 223, 224nl5, 233, 234 visual culture, 1, 91, 144, 149, 157n25, 170nl4, 210 visuality, 12, 84, 88n41, 166, 177, 181, 189, 191, 212n20, 222, 224nl5 voyeurism, 26, 190, 213n28 |
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