| Volltext: | Noti Page numbets in i t i l u i tefet to i l l u s i ! A t l O I I V '9S Asia-Pacific Contemporary At{ m-nsttûna Erh dritten, 425 2000 Clona Internet, Video and Photo Art Exhibition, 427 2000 Shanghai Biennale {Shanghai Spmt\ 326-27. 330. 347-55,3-tS, 3?6. 404. 428. AS China v hist legitimate modem ait exhibition, 351-52. and tiansitions, 347-50 abstract expressionism, '68 Abuidene, r.itnciJ, )?ö "Academic Symposium on Issues, "egaut eg Tradition m Chinese Painting,' 414 aesthetics, ttì. '7-'8. 53 Against Capitalist Liberalisation campaign, 3 Ai Weiv/ei . A-.A. 2H, 40t, 404. 4:5, 446, 4.8, 430. 433, ' Dialogue with Zhuang Hui,' .'66-69, f ur, 267, Han-Dynasty Urn with Csica-Cola Logo, Pi do Ai WGIWCI and Feng Boyi, on Fuck Off exhibition, 354-55 Albnght-Knox Art Galleiy, 433 Alexander the Great, 357 Alon, la Chine? exhibition, 431 An G e (pseud,), 'fi F.;, 43t, 433 Analysis Group lì tfT, 99, 154, 405; At easunng Dots, J06; as New Measurement Group WrîWS'Mfl.-w Andrea, John de, 375 Andrews, Julia F., 358, 470 Anhui Provincial Oil Pambng Research Association, 56 animals, slaughter of, 2/0, 274-76, 278, 345-47.361 Annual Art Critics Nomination Exhibition, 470, 471, .472 Annuaf Exhibition of Contemporary Sculpture, 3M AntwSpintuat Pollution campaign, 35, 72, 411 antirationahsm, 58 April Fifth Incident (1976), 5-6, 220-21, 408, 409 April Photography Society 07315 è, 6, 220-21 Architectural Biennial Beijing, 432, 436 Armory Show, New York (1913), 127 art: abstract, 102,117; academic, 5,19, 66-67, 69-72,154; animals used in, 270, 274-76, 7/8, 345-47, 361; for art's sake, 5, 78,181; autonomy of, 118; Cartoon, 319, 343, 347; collective activities, 99; Conceptual, 37, 65, '20, 343-44; contemporary Chinese, 6, 65, '52, '84, 28S-9', 307-10, 403-6; and creativity, 99,102-3,111,129; death experienced through, 279-86; flowers as theme m, 195-96; folk, 164, 201, 203; freelance "independent artists" 288; funding of, 333; Gaudy, 199-204, 343; 'genuine' vs. "prostitution" 87; history of, 100,102, 403-6, 412; human body used m, '85, 270-86, 345-47, 361; independent curators, 288; international, 152,154, 289. 349, 356; intrinsic and extrinsic perspectives on, 152; land/Earth, 182; Maoist theory on, '64; market for, 398-401; of the mind, 37; Ministry of Culture Notice, 276-77; moral virtue of, 90; objective reality 3S source of, 36; performance, 116, 117,119-20, 121-23, r;r, 154, 178, 179-84, 224, 274-76, 342; pohticizaVon of, 5, '02, 152; as process, 105-", '8', 340; propaganda, 5, 8; purifying language of, 101-3; readymades, tóS, 372, 377; realism, 410, 436; rethinking, 10'; search for new forms, "; taboo materials m, 270-71; teaching of, 17; traditional, tot; unofficial groups and exhibitions, 6-7; "untitled" 17 Art (Arieishu) '4, 46-47, 69, 84. "7, 3'0, 312, 408-12, 414, 417, 4'9, 42t Ari Market Sisifi*?,, 289, 292, 292, 300, 306, 311-12 Art as Food, 334 Art Asia Pacific, 166 art criticism, 324-26; feminist, 185,193-98 Art Gallery ü!fö, 312, 313-14, 4'3 Art Garden fEJîL 315 Art History and Theory 49 Art m America, 293 Art Life 2#ft. 314 art maga2ines, 46-48, 310-15 Art Panorama 3'2 Art Trends 3'0 Artists 293, 314 Artists Newsletter 315 "artists villages, " 288, 400, 418, 419. 420, 422 434 APTnews, 167,293 Arts Circle ÜPRft, 314 Asia Art Archive (AAA), 404, 431 Asia Pacific Triennial of Contemporary Art, 420, 423, 427 Asia Society, 425, 432 avant-garde, 45, 48, 51, 86,174, '90; China/Avant-Garde exhibition, 113-26; and modern art, 184; Neo-Avant-Garde, tip; and New Wave, 127,128,129, 288; "system" to "circle" 307-10; underground, 320 Avant-Garde Chinese Art: Beijing/New York, exhibition, 414 Avant-Garde Today BJtÜ, 3'5, 421, 428 Bao Jianfei New Space series, 84, 85, 413; and Pond Society, 88, 414; "Responses to the Exhibition '85 New Space" 84, 85 O Basquiat, Jean-Michel, 175 ^ behaviorism, 60-61 — Beijing airport mural, 62, 66 Beijing Olympics, 402 Beijing Spring period 46 Beijing Tokyo Art Projects, 430,431, 434 Beijing Youth Daily 418,430 Beuys, Joseph, 170, 250 Biennale d'Art Contemporain de Lyon, 424,428 Biennale internationale d'art contemporain chinois, 433 Biennale of Sydney, 428 Bienal de Säo Paulo, 421 Big-Tailed Elephant group 226, 235, 345.418 Brandt, Alexander, 337-38, 426 Brouwer, Marianne, 358 Bull, Hank, 360, 425 Bunin, Ivan Alekseevitch, 57-58 Cage, John, 105, 365 Cai Guo-Qiang SSäS: 412,418,419,422, 423, 425,426, 427, 428, 430, 433; The Earth Has Its Black Hole, Too, 261-62; The Oxford Comet, 265; The Unrealized Century at the Turn of the Millennium, 260-61; Air Pyramid project, 262; Bringing to Venice What Marco Polo Forgot, 263, 353; PI. 45; Cultural Melting Bath, 266, 358, 424; Earth SETI Base Project, 261; Fetus Movement II, 263, 264; Floating, 265; Flying Dragon in the Heavens, 358, 424; gunpowder drawings, 398; Horizon Project, 265; Making a Ladder to the Earth, 265; Obelisk of Tolerance, 262, 263; as overseas artist, 248, 354, 356, 365, 401-2; Parting of the Seas, 265; Peaceful Clouds, 262-63; Placid Earth, 262, 266; Project for Extraterrestrials series, 249, 264; Project to Extend the Great Wall by 10,000 Meters, 262, 263; Rebuilding the Berlin Wall, 262; Shifting Continents, 265; Sinking and Rising, 262; Time/Space Reversion Project, 262; Trap, 266; True Collection, 263; Venice's Rent Collection Courtyard, 356, 369,369. 371-72, 374, 377- 78, 402; 426, 428; "Wild Flights of Fancy" 261-66 Cai Jin 426; Banana series, 196; PI. 26 Cai Oing MW, 343, 344, 345, 424; Plow and Sow, 340 calligraphy, 185,188, 254-57 Camus, Albert, 51,158 CangXin Sâ, 224, 428 Cao Biao, 119 Cao Fei WS/China Tracy, RMB City: A Second Life City Planning, 397; PI. 47 Cao Li 58 Cao Liwei White Ox, 40 Cao Xiaodong 95n3 Cao Xiao'ou on China/Avant-Garde, 121-26 Cao Xuelei Rejecting Perspective, 84, 85 Castelli, Leo, 293 Central Academy of Arts and Crafts, Beijing, 408, 413 Central Academy of Fine Arts, Beijing, 154, 156, 408, 409, 410, 412, 413, 414, 417, 418, 422, 424, 425, 428,429. 436; High School, 422, 424 Centre Georges Pompidou, 417, 431 Cézanne, Paul, 16 Chagall, Marc, White Crucifixion, 374 Chai Xiaogang, 95n3 Chan, David, 360, 425 Chang Tsong-zung, 346, 347, 359, 360, 426, 436; and China's New Art, Post-1989 exhibition, 359, 420; Fast Shots: China, Hong Kong and Taiwan Video Art, 237 Chardin, Jean-Baptiste, 27 Chen Danqing 412; and Beijing airport mural, 62, 66; Entering the City, 26; Men of Gangba, 26; Mother and Son, 25, 27-28; PI. 6; "My Seven Paintings" 25-29; Pilgrimage, 27-29; Shepherd, 25; Tibetan series, 19, 40, 66, 410; PI. 6 Chen Haiyan 425; Herd of Sheep, 40; On the Horizon, 40 Chen Jiagang 333 Chen Lingyang 272, 273, 345 Chen Lüshou 175 Chen Lüsheng RSfiI£, "Reflections on Performance Art" 274-276 Chen Qiqi, 115 Chen Shaoping |S£i!2sF-, 237, 423; "Regarding 'Analysis'" 106 Chen Shaoxiong UfcHtlît, 179,198, 226, 235, 414, 415, 418, 423; The Bride Changes Her Mind When the Television Channel Is Changed, 235; Street—Haizhu Square, 218; "Why Do I Photograph the Streets of Guangzhou?" 217-19 Chen Shuxia PS®®, 155,156,195 Chen Wenbo 175, 273, 346 Chen Xi ß&Bfs,196 Chen Xiaoxin 430; "Selection Process" 299-302 Chen Xiaoyi, 299, 412 Chen Yanyin 423, 425 Chen Yiming SlEBf], Liu Yulian, Li Bin: Maple, 19-21, 47, 409; PI. 3; Scar, 20, 408 Chen Zhen 248, 249-50, 251, 358, 365, 412, 418, 424, 425, 427, 429, 432; Jue Chang, Fifty Strokes to Each, 353; PI. 38; solo exhibition, Grenoble, 419 Chen Zui, 42-43 Cheng Conglin A Summer Night in 1979, 32; Snow onX Day X Month, 1968, 22-23, 41°; PI- 4 Cheng Yanan 59 Cheng Yanqiu, 16 Chengdu Biennial, 429, 433 Chengdu Contemporary Ait Museum, 33.?, 427 Chia, Sandro. 128 China Art and Archives Warehouse, 426 China 5.000 Yean, exhibition, 263 China Internet, Video, and Photo Art, 331 China Avant-Garde exhibition, 113-26, 363, 417, background material on, 114-15; brief account of, 171-26; curator confessions, 116-20; and end of New Wave, 157-58; gunfire, 119-20, 121, 127, 126; idea for, 49, 113, 127; "No U-Turn" sign, 119, 121; objective of, 115, 117; opening day, 114,119, 417. PI to, and Pop art, 172-73; and role of critics, 301, 312; prepatory committee for, 416; social impact of, 113, 180, 316, 396; suspension of, 120, 121-72, 126, 173, 417; symposium on, 46, 48, 124-25 China National Academy of Fine Aits (formerly Zhejiang Academy), 232, 423, 424. 238, 431 China's New Art Post-1989, 167, 318, 320, 347, 356. 359.360,360 Chinese Artists' Association, 46, 69, 75, 85-86. 348-49, 409, 410, 412. 413, 415, 416, 417, 418, .421, 431 Chinese Contemporary Art Award (CCAA), 425, 435 Chinese Dream, A (exhibition), 331 Chinese Experience exhibition, 190 Chinese identity, search for, 11 Chinese Modern Art Archives, 433 Christie's Hong Kong, 398-99, 419 Christo, 183 Classic of Mountain and Seas, 353 demente, Francesco, 128 "Close Up' artists i&SI®, 154, 155-57 Cocart International Art Invitational, 167 Cohen, Joan Lebold, 357 Colville, Alex, 33, 412 Communist Party (CCP), 5-6, 35, 99,113, 408, 409, 410, 411, 415, 417, 419. 421, 423, 429. 430, 436 Compilation of Translations in Art âlsfUïM, 48, 312, 408 Comte, Auguste, 59 "conceptual innovation" 49 "conceptual-realism" 156 contemplative painting ,3,^®, 29-33 Contemporary Art 310, 311, 319 Contemporary Chinese Art, 1085-1986, 114 Contemporary Oil Paintings from the People's Republic of China, exhibition 415-416 Counter-Perspective exhibition, 345, 426 Countryside Project 1995 (performance), 179, 180,181, 420 Courbet, Gustave, 27,100, 375 Critics' Nomination Exhibition, 193 Cucchi, Enzo, 128, 250 Cui Jian, 15S, 160 Cultural Revolution: art politicized in, 5,157, 170, 256; beginning of, 5,118; "bourgeois intellectuals" in, 18; coming of age in, 11,12, 32-33; end of, 5,159,198, 219; modern trends afterward, 77-78; most famous oil painting of, 422; post- revolutionary art, 158-61,162; recycled images from, 154, 176-77,185, 396; and Scar Art, 19, 22, 23, 408; as Ten-Year Calamity, 29; Western art forbidden in, 35 Current of Life movement 45Î3S, 53, 55, 62, 118 Cynical Realism 154,157,158, 161-62,164,167,198, 311, 321, 343, 363, 364. 366-68 Dada j£ì&, 49, 51, 89,132,168 Dal Lago, Francesca, 361, 420 Dali, Salvador, 39, 59,127; Premonition of Civil War, 374 Damaged by Affluence exhibition, 200 Dao Zi S"?, 424; and New History Group, 180; "Reproduction of Rent Collection Courtyard and Postmodernism" 371-76 Dashanzi Art District, Bejing, 430, 431, 432, 435 David and Alfred Smart Museum of Art, University of Chicago, 426, 429, 432 deconstructionism, 168,169,170,173,185, 340 Delacroix, Eugène, Massacre at Chios, 16 Delusion, 271-73 democracy movement, 6, 7,10 democratic centrism, 409 Deng Fuxing, 210 Deng Hong ß;iS, 332 Deng Pingxiang 124, 408, 409, 410, 411, 412, 417, 422, 423; "Man's Rational Meditation" 22-23 Deng Xiaoping, 5, 221, 289, 319, 408, 409, 410, 411, 419.423 Derrida, Jacques, 171 Di Naizhuang , Walk Red, 183-84 Ding Fang T75,118, 413, 418; City, PI. 12\ "Red Brigade Precept" 94-95 Ding Pin Ton, 58 Ding Yi TZ,, 415, 420, 425 Documenta, 419, 424, 436 Dong Qichang, 203 Dong Xiuyu, 124 Dreissen, Chris, 360 Duchamp, Marcel, 99,105,110-11; Fountain, M7,372,3 77',L H.O.O.Q., 377 Dun Zhen fStfcS, Yearning, 41 Edwards, Folke, 359 '85 Art Movement '85H^Ì5ÀÌ, 51-63, 413, 415, 418; age of participants, 55; and art magazines, 47, 48; behaviorism, 60-61; N causes of, 54; '85 New Space exhibition, 5 54-55. 83-87, 413; evaluations of, 63-66; — intuitionism, 57-59; origins, 52-54; participants of, 78-79; phenomena, 54, 114; promotion of a rational spirit, 54-57; rethinking, 100-101; see a/so New Wave Einstein, Albert, 102 Eleventh Party Congress, 5, 6 Eliot, T. S., 51 Elliott, David, 265, 358 Erickson, Britta, 419; "The Reception in the West of Experimental Mainland Chinese Art of the 1990s" 357-62 experimental art exhibitions, 326-36, 415, 421, 424, 426, 429; biennials and triennials, 396-98,400, 404; in commercial galleries, 399-400; creating versatile spaces for, 334-36; funding for, 344-45; in public galleries, 328-31; in semipublic and private galleries, 331-34, 398; virtual (Internet), 335-36, 353; in the West, 357-62 Experimental Painting Exhibition: The Stage 1983, 35. 411 Factory No. 2 exhibition, 332 Fan Di'an IgiâS, 115,126, 397, 425. 429, 430, 431. 432, 433, 436 Fan Jingzhong 46 Fan Weimin, 119 Fang Lijun 158,159,161,185, 317, 418, 419, 420,421, 422; Series 2, No. 2,156,160, 192; PI. 20 Fang Shaohua TîLPflk, 175; Wind from Eight Sides, 178 Fauvism, 89 Fei Dawei ^ flc.fr, 44,46,115, 358, 377, 406, 412, 417, 418, 419, 426, 428, 432, 433; "ChallengingModernism" 106-11; "Does a Culture in Exile Necessarily Wither?" 252-54; ed. Archives of the '85 New Wave, 405 feminist and women's art, 185,193-98, 316, 341, 359,422, 424-25, 429, 431 Feng Bin 430, 433 Feng Boyi , 320, 354-55,404, 424, 428, 430, 431, 432, 433; on Trace of Existence, 338-42, 343 Feng Jicai, 115,121 Feng Mengbo 175,178, 237, 420, 422, 424 Feng Qianyu 273 Feng Xiaoying 272, 345 Feng Yidai, 121 Feng Zhengjie f$ZE?S, 175, 201-2; Happiness, 201; Romantic Trip, 201, 202 Filliou, Robert, 365 Fine Arts in China $ 35, 42, 45,47, 49, 79, 84, 88,100,114,118,127, 310, 412, 415, 416, 417, 420 Fine Arts Literature, 314, 421, 432 Fine Arts Research 314-15, 409, 417 425 fireworks, 402 First 1990s Biennial Art Fair, 193, 298-307, 318; and Art • Market, 289, 300, 311-12; catalogue preface, 298-99; documents produced for, 300-301; economic system of, 289-90, 298, 331; and performance art, 178,180; and Pop art, 167,174,175, 300; reflections and questions raised, 303-7; selection process, 299-302 Flash Art, 167, 356 Fluxus, 188 formal beauty, debate, 14-18 Founding of the Nation, The, 21,164 Four Olds, 5 Freud, Sigmund, 51, 54, 59,108,158, 366, 411 Fu Zhongwang 180, 434 Fuck Off exhibition, 354-55,355, 428 Fujian Art Museum, 96 Gan Yang #P0,115 Gang of Four, 6ni, 11,12,13,17,18, 20, 21, 22, 89, 219, 408 Gao Brothers (®, Inflatable Installation or Midnight Mass, 121, 722; Prophecy, 330 Gao Ling RI$, 115; 428; "Contemporary Art Salon" 421; "Survey of Contemporary Chinese Performance Art" 179-84 Gao Minglu ÄfiiS, 45,46, 47, 49, 412, 415, 417, 420,431, 432, 433; and China/Avant Carde exhibition and symposium, 115,116, 117,124, 416; ed. An Anthology of Historical Sources, 404-5; ed. A History of Contemporary Chinese Art, 403-5, 406; and Fragmented Memory exhibition, 358; and Global Conceptualism exhibition, 426; and Inside Out exhibition, 360-61, 425; "The '85 Art Movement" 52-63, 64, 404, 414, 415 Gao Shiming 272, 273, 343, 423, 432, 436 Gao Shiqiang Ät&ä, 272, 423 Gao Tianmin, 322 Garage Art Exhibition, 165, 233 Gate of the New Century exhibition, 332, 427 Gaudy Life exhibition, 200 Ge Weimo, 115 Ge Yan, 43 Geng Jianyi ®(5i35, 86, 88, 99,123,165,329, 405, 412, 413, 414, 418, 420, 425; Group Portrait, 164; Haircut No. 3: Another Shaved Head of Summer 1985, 84, 84; Haircut No. 4, 55; Haircut series, 85; Integrated World, 237; Marriage Law, 183 German Embassy, Beijing, 425, 427 Gluckman, Richard, 399 Gombrich, Ernst, 171 Cong Jiawei 175, 178; Happy Atomen!, 176; Invitation Song, 176 Gou Hongbing, "A Dialogue on Dialogue,' .'17-13 Great Leap Forward, 778 Cieat Wall Performance Art, 181-87 Gu, Wenda tîAii. 5-1-55. 751, 417, 413. 416, 418. 419. 70, 475, .176, 477. 478 434; and Archives. 405; Dangerous Chessboard Leaves the Ground, 358; Forest of Stone Steles—A Retranslation and Rewriting of Tang Poetry, 99, 407-3; PI 49; interview with, 106-11; Wenda Cu's New Ink Painting, 414; United Nations series, 748, 757-60, 755. 403; and Western art, 356, 365; Wisdom Comes from Tranquility, 106; PI. 15 Gu Chengfeng Kàstìt, 799; "Tendencies in Chinese Pop" 171-79 Gu Dexin PS?g$i, 340, 357, 405, 417. 470, 477, 475; October 31, 774; PI. 35 Gu Kaizhi, 17 Gu Mengchao, 177, 415 Gu Shangfei. 43 Gu Zheng, 773, 433 Guan Ce 9503 Guan Shanyue Art Museum, Shenzhen, 476, 437,436 Guan Wei 3£f1 , 418, 477 Guang Jun f"5£, 59 Guangdong Museum of Art, 746, 430, 431, 437, 434. 435. 436 Guangzhou Triennial, First (7007), Remterpretatron: A Decade of Experimental Chinese Art, 397, 404, 405, 430 Guo Shirui .fßüiift, 378 Guo Xiaoyan ÎPWES, 434, 436 Hagens, Gunther von, Body Worlds, 774, 776 Hai Bo 427; They No. 6, 731-37, 731 Half Generation Painting Exhibition, 54, 59, 413 Hälfte des Himmels, Die, exhibition, 475 Hamilton, Richard, 177 Han Dynasty, 107,173,179 Han Lei ft 8, 223 Hanart TZ Gallery, 356, 360, 417. 470 Hang Jian tnl'ä], 477, on China/Avant-Garde, 171-76 Hanson, Duane, 375 Haring, Keith, 175 Haus der Kulturen der Welt, 470, 433 He Changlin, 300 He Duoling 19; Ancient Wall, 30, 31, 37; Spring Breeze is Awake, 31,3t, 32 He Gong fSJI, The Story of Flower-Planters, 39-40 He Rong f5J;8, 46 He Xiangning Art Museum, 474, 476, 479, 433; OCT Contemporary Art Terminal of, see OC AT He Yong, 160 Hegel, Georg Wilhelm Friedrich, 93 Heidegger, Martin, 55, 83 Heller, Joseph, 187 Henri, Adrian, Total Art, 376 Higashiyama, Kai, 16 Hirst, Damìen, 346, 347, 399 Home? exhibition, 334, 427 Hong Hao 436; Selected Scriptures, Page 331, The Strategic Defense Order, 356; Pl. 46 Hong Kong Arts Centre, 416, 470, 423 Hong Kong City Hall, 414, 420, 431 Hong Lei j&ll, After Liang Kai's (Song- Dynasty) Masterpiece "Shakyamuni Coming out of the Mountains", 224; PI. 34 Hong Lumei, 236 Hong Zaixin, 84 Horse Trampling a Hun Warrior (stone sculpture), 16 Hou Dengke 223 Hou Hanru 46,115, 358, 361, 412, 476, 428, 431, 434; "Entropy, Chinese Artists, Western Art Institutions" 249-52, 363-65 Hou Wenyi 90 Hsieh, Tehching, 275 Hu Jintao, 430 Hu Wei Äflft, Li Daozhao, Qu Qiubai, Xiao Hong, 39 Hu Xiangdong, Dream Plants, 201 Hu Yaobang, 410, 417 Hua Guofeng, 408 Hua Tianxue, 428, 430 Huang Binhong, 17-18, 53 Huang Du 436, 422; "My View of Art and Criticism" 325-26 Huang Rui ÄtSi, 7-8,11,432, 435; Last Will and Testament, 13; New Life, 13; Space, 13 Huang Xiaorong ûts&SÈ, 43°. 433 Huang Yan US, 182,198, 427, 428, 43°; 0431—China's Video Art, 237; Changchun, China, 58, 205-6, 205; Collection Series—Demolished Buildings, 183 Huang Yong Ping Ägcifr, 51, 99,123, 250-52, 353, 411, 412. 417, 418, 419- 420, 422, 425, 426, 432, 433; and Archives, 405; Bat Project, 249; The History of Chinese Painting and A Concise History of Modern Western Painting Washed in the Washing Machine for Two Minutes, 99; House of Oracles retrospective, 402; An Indigestible Object, 251; Magiciens de la terre, 417; "Introduction to The Events Exhibition" 96; "Non-Expressive Paintings" 103-5; as overseas artist, 248, 356, 357, 358, 365,401; Roulette Wheel, 103; "Statement on Burning" 95-96; Theater of the World Bridge, 250; PI. 39 Huang Zhou Ä®, 331, 4 Huang Zhuan ^, 46,154, 299, 320, 322, 406, 412, 423, 426, 477, 479, 431, 433. 434; sj "On Cultural Idealism" 318; "The Misread ^ Great Criticism" 167-71; "Who Is Going to — Sponsor the History?" 291-98 Huangshan Symposium, 49 humanism, 19, 49, 51,123,164,169 Huo Qubin, 16 "I Don't Want to Play Cards with Cézanne" exhibition, 418 Idealism, 154,159 Impressionists, 27,129 Infatuated with Injury exhibition, 277-78, 427 Inside Out: New Chinese Art, exhibition, 360-61, 425; catalogue, 367, 425 International Center of Photography, 432 International Ink Painting Biennial of Shenzhen, 422, 426, 432 International Year of Youth, 54, 56 International Young Artists Exhibition, 56 Internet, virtual exhibitions on, 335-36, 353 intuitionism, 57-59, 65-66, 81,102-3 Invitational Exhibition on New Works of Chinese Painting, 108, 413 Invitational Exhibition of Sculptures by Young Artists, 322 It's Me! exhibition, 192, 346-47, 426 Jia Fangzhou 417, 422, 426, 428, 436; "Returning to Art Itself" 100-101 Jia Juanli 195 Jian Shi, 64 Jiang Feng, 409, 410 Jiang Qing, 5,410 Jiang Tao, "Report on Zhang Dali's Dialogue" 209-12 Jiang Xueying HI!®, 155 Jiang Zemin, 419 Jiang Zhi Mit, 272, 273, 343 Jiangnan: Modern and Contemporary Chinese Art Exhibitions and International Symposium, 425 Jiangsu Pictorial 35, 46, 48,114,117, 306, 310, 312-13, 314, 412, 420, 422 Jiangsu Youth Art Week, 54, 55, 95n3, 413 Jin Shangyi ifffëfê, 115 Jinyuan Road no. 370 Exhibition, 337 Jiro, Takamatsu, Blue Dream, 41 Jung, Carl, 51 Kang Mu performance art, 117 Kant, Immanuel, 55, 93 Karetzky, Patricia Eichenbaum, 360 Kiefer, Anselm, 250 Kieslowski, Krzysztof, Toward the Austere Theater, 87 Kitsch, 199-204 Kollwitz, Käthe, 11,12 Kong Chang'an TLféiS, 115, 420 KongYongqian ?L?KÌ|!, "culture T-shirt" 158,162 Koons, Jeff, 399 Köppel-Yang, Martina, 432; "Nationwide Forum and Model" 45-50 Kounellis, Jannis, 250 Kurz, Otto, and Ernst Kris, Legend, Myth, and Magic in the Image of the Artist, 293 Kwangju (Gwangju) Biennale, 422, 426, 436 Lang Shaojun êlîÉSë, 46,115,124, 417, 420, 427, 429; "Rebuilding Elite Art: Reconsidering Changes in the Structure of Twentieth-Century Chinese Art" 124 Lanzhou Art Legion, 179, 420 Lei Feng, 342 Lei Shuang UäSR, 196 Leishi Painting Society, 411, 415 Leng Lin Jf #, 331, 334 - 35.423, 424; "It's Mel" 192, 426 Leonardo da Vinci, Mona Lisa, 27 Li Bangyao 175; Product Trust, 177 Li Bin $j&, 19-21, 47, 409 Li Chen &M, 155 Li Di $iS, Doves, 39 Li Gongming, 322 Li Hong ^il, 195 Li Honggang, 20 Li Jianli, 328 Li Jiatun (pseud.), "The Significance Is not the Art" 62-63 Li Jin Impressions of Tibet, 57 LiJuchuan ?EJII, Living withJika, 233 Li Keran, 107 Li Luming Chinese Hand Gestures, 203 Li Mei and Yang Xiaoyan, "Trends and Stages in Photography's Development" 219-23 Li Shan ^LÜ, 56, 415, 419, 420,421; Rouge series, 176 Li Song, 124 Li Tianyuan $^7C, 155,156 Li Tuo, 124,127 Li Weimin House series, 121 Li Xianting MÇcfë, 46,115,167, 252, 317, 318, 347, 410, 411, 420, 422, 426, 428, 429; "About the Stars Art Exhibition" 11-13, 410; "Apathy and Deconstruction in Post- '89 Art" 154,157-66; and China/Avant- Garde exhibition, 116-20; and China's New Art, Post-1989 exhibition, 359, 420; and Fine Arts in China, 50n22, 416; "The Significance is Not in the Art" 62, 65, 417; and The Trend of Art Thought, 412; and Venice Biennale, 366 Li Xiaoliang, 300 Li Xiaoshan $/hll|, 430; "My Opinion on Contemporary Chinese Painting" 46, 47, 48, 412; History of Chinese Modern Painting, 415 LiYan $^,195 Li Yongbin 423, 424, 427; Face No. 1, 234, 237 Li Zehou i f i r f - J f , 115 Li Zhengtian, 124, 125 Liang Jiang, 44 Liang Jiuqing, The Far Away Sail, 41 Liang Juhui -CfOlt**, 414, 418; One Hour Came, 208, :oS Liang Shaoji &ÎÏ3&, 445, 448 Liang Qichao, 101 Liang Xiaochuan :£'J\J|[, ceramic artillery shell project, t8t Liao Wen I?!?, 446, 447, "Critical 'Irony' of Gaudy Art,' 199-204 Lichtenstein, Roy, 175, 493 Lin Biao, 40, 41, 410 Lin Fengmian, 16, 53 Lm Hujia, 9 Lm Shiming, 436 Lin Tianmiao ITAS, 1S5, 444, 445, 434, 341, 401, 444, 433; Bound Unbound, 197: Pi 27; "Wrapping and Severing" 197 Lm Wei M?5: Angel, 41 Lin Yilin M—M, 414, 415, 418, 445 Lin Yonghui MfKlS, 443 Lin Yutang, l6ón2 Ling Huitao 115 Liu, Hung, 449; Pendent Alien, 469-70, 470 Liu Anping , 444, 444 Liu Bochun, 115 Liu Chun Nify, 179 Liu Dahong jtlAi®: Model Opera, 176; Ssveef Day, 176 Liu Dong Jijjjs, 115 Liu Fenghua, 344 Liu Haisu, 53; Art Gallery, 441; Art Museum, 444, 443, 445, 430 Liu Jianhua 2'lï£ijr, "On Painted Sculptures" 416-17 Liu Kaiqu S'J?f LB, 115, 408 Liu Liguo S'JTjS, Classici, 403 Liu Liping JiJfiHi?, 155.196 Liu Min 115 Liu Qian Jijil, Alley, 40 Liu Qinghe, 155,156 Liu Shaohui î'I-S-e, "Emotion, Individuality, Formal Aesthetics" 17-18 Liu Shaoqi, 456, 331 Liu Ting, 331 Liu Wei Jlrt, 158, 474, 473 , 343 . 345. 419, 440, 441, 444, 444; Spring Dream in a Garden: Dad in Front of the TV, 156,161; PI. 21 Liu Wencai, 368, 369 Liu Xiaochun 43. 46, 47.144, 417. 441, 444, 444, 447, 428, 430; and Fine Arts in China, 412; "Quoting Does Not Equal Plagiarism" 377-78, 414 Liu Xiaodong 158,160,161-62, 316, 398, 401, 418, 419; Hotbed No. 1, 399; Joke, 155. 156,158; PI. ?9; Pastoral, 160 Liu Xun, 331, 409 Liu Ye JiJSF, 398,401 Liu YI SIS, Who Am I?, 235 Liu Yulian 19-41, 47 ^ Liu Zheng 21*?, Copying a Calendar, 203; — Fashion Girl, 203; Love of Lushan, 203 Z Liu Zheng 423, 433 ß Liu Zhenggang, 101 X Liu Zhenyun, 158 Lonely Old Man, 32 LongZAarch Project, 435 Lopez, Sebastian, 427, 432 Lu Danfeng, 20 Lu Hao Is ß, 426, 448; Flower; Bird: Insect; Fish, 202; PI. 30 Lu Hong 80, 414, 449. 434 Lu Lei fâS, 272 Lü Nan gfä, 223 Lu Peng 8$, 317-18, 417, 420; "Art Needs to be Produced to Sell" 306; and First 1990s Biennial Art Fair, 298-99, 300, 301, 303-7, 419; "Heading Toward the Market" 290-91; "Opening Up the 1990s" 298-99 Lü Peng and Yi Dan: A History of Modern Chinese Art: 1979-1989, 404, 440 Lü Pintian, 44, 427 Lü Shengzhong SK41,123, 405, 419, 422; Paper-Cut Installation, 130-31,131, 416, 418 Lu, Victoria (Rongzhi), 427, 434, 436 Lu Xun, 253, 374 Lu Yuanmin Pi 74®, 223 Lucie-Smith, Edward, 178-79 Lum, Ken, 425, 427 Luo Brothers Welcome World- Famous Brands, 202-3 Luo Xiaoyun Mainstay, 220 Luo Zhongli 3? $ÏZ., 32, 377,448; Father, 19, 43-45, 31-34, 66, 410; PI. 5 Ma Desheng ni 12-13 Ma Liuming ^ AB/Î, 185, 224, 420, 424,446, 427; Fen-Ma Liuming's Lunch II, 187; "Four Notes" 187-88 Ma Lu 3$, 58 Ma Xin, 344 MacRitchie, Lynn, "Precarious Paths on the Mainland" 364 Magiciens de la terre exhibition, 417 Mannerism, 53 Mao Xuhui , 57. 414, 415. 419, 444,' "New Figurative" 89-93; Shepherdess and White Goat, PI. 11 Mao Zedong, 5, 20,127,164,172,173,176-77, 219, 254, 363, 366, 367, 373, 408 Maomao, 212 Martin, Jean-Hubert, 357, 361, 417, 428 Martinez, Rosa, 264-65 Marx, Karl, 55,165 May Fourth New Culture Movement, 52, 53, 118,157, 417 May Seventh Art University, 6n2 Mayakovsky, Vladimir, A Slap in the Face of Public Taste, 58 Meng Luding ÎÈîlT, 35, 36-38, 44,123 Mepham, Lydie, 358 Michelangelo Buonarotti, 17,292, 372; David, 27 Middle Ages, 80 Mierlo, Heidi van, 360 Millennium Art Museum, 431, 433, 434, 435, 436 Millet, Jean-François, 27, 39 Minford, John, i66n2 Ming Dynasty, 12 Ministry of Culture, 408, 419, 421, 424, 429, 431; Notice, 276-77 Miyang Painting Society Exhibition, 61 modern art, 97,101-3,129-30,152,184, 316 Modern Chinese Art Exhibition, 49 Modern Chinese Art Research Documents Exhibitions, 174,178, 418, 419, 421 Modern Photography Salon, 221-22 Modern Sculptures exhibition, 322 modernism, 51, 52, 99,108-9, m, 168 Montaigne, Michel de, 100 Moore, Henry, 91 Mori mura, Yasumasa, 225 Municipal Committee, 8-10 Museum of Chinese Hi story, 418, 419 Museum of Modern Art, Chengdu, 429, 430 Museum of Modern Art, New York, 424, 427 /Vly Interpretation of the Judgment of Paris, 124 Naisbitt, John, 196, 295 Nanjo, Fumio, 425; Seascape, 263-64 Narrative of Skin exhibition, 200 National Art Gallery, 328-30, 359, 408-17, 420-24, 427, 429; and see National Art Museum National Art Museum, 397, 402, 411, 429-31, 433-36 National Fine Arts Exhibition, 409, 410, 412 Native Soil Art, 19, 66, 83-84,158 Nature, Society, and Man exhibition, 6, 7, 7, 220-21, 227, 409, 410 Neo-Expressionism, 128 New Academic School 118,173, 416 New Art movement, 322 New Classical Movement, 173,174 New Culture Movement STPtffcisÂÎl, 132 New Design, Hunan, 300 New Figurative SfrÂfâ, 89-93 New Figurative Exhibition, 57, 58, 89, 93, 412, 415 New Generation Spï.'R, 154,155-57,194, 198, 317, 318-19, 347, 419; New Generation Art exhibition, 155,158, 317, 418 New Ftistory 7993 Big Consumer Products (performance), 178,179,181 New History Group 180-81,419, 420 New Literati painting SrJtÀiB, 118-19,163, 173,174, 417, 418, 427 New Photo magazine, 225, 423 New Realism, 55, 89,173,174, 300 New Wave ('85 Art New Wave '85#fì^), 47, 48,49, 252, 308; anti-New Wave trend, 118,163; China/Avant-Garde exhibition, 113-26; in '85 Art Movement, 51-52, 63, 85, 86, 99,116,128,129,132,159,162-64, 175,288,317,360,404-6; "end" of, 127-28, 129-30,154,155,157-58; reexamination of, 155,157-58 New York Times Magazine, The, 356 Ni Haifeng fë;§ii#, 414, 419,420 Ni Wei hua 182; Continuously Diffusing the State of Affairs, No. 2— '93 Placard, 183 Nietzsche, Friedrich, 51, 82,107,158 Ning Fangqian TW#, 155 No-Name Painting Society 5,6, 409, 413 Northern Art Group 51, 54, 55, 79-82,168, 411, 413, 415 Northern Way Art Alliance, 411, 412 November Painting Exhibition, 57, 58, 413 Obrist, Hans-Ulrich, 361, 434 OCAT, 433, 434, 435 Oliva, Achille Bonito, 361, 366-68, 374, 420, 422 Open Door policy, 35, 46, 89,128,152,157 overseas Chinese artists, 248-70, 401-3 Paik, Nam June, 237 Painter ÜjS, 48, 413, 419 Painter Group, 413, 415 Pan Dehai 91 Pan Tianshou, 16, 53 Pang Lei J$IS, 155 Passaggio a Oriente exhibition, 420 Peking University, 415, 419, 433, 434 Peng De afW-, 46,124, 299, 300, 417, 430; on the end of New Wave, 127-28; and Fine Arts Literature, 421; and The Trend of Art Thought, 412 Peng Zhenge sfW.%, 223; see also An Ge photography, 219-32; April Photography Society, 6, 220-21; China Special Exhibition, 222; documentary, 220, 222-23; Journey of Fiardship competition, 222; National Photography Exhibition, 223; Nature, Society, and Man, 6, 7, 7, 220-21, 227; New Social Documentation, 222-23; Rupture Group, 222; video art, 232-48 photorealism, 19, 24, 39,156, 375 Pi Daojian J&iSÜI, 124, 299, 300, 417, 423, 424, 432; and The Trend of Art Thought, 412 Pi Daojian and Pi Li, "Contemporary Chinese Art Media in the 1990s" 310-15 Pi Li Bif], "Back to Society" 321, 428, 431, 435, 436 Picasso, Pablo, 11,12,100-101,411; Guernica, 38, 101,374; Les Demoiselles d'Avignon, 100,101 Picture Stories iÊEfiHS, 19, 21, 408 Pissarro, Camille, 16 Pitzenar, Marianne, 359 Plato, 93 pluralism, 45, 49 Political Pop ïSOoîÈlf, 157,158,164-65,167, 170, 224, 233, 318, 319, 343, 347, 363, 364, 366-68 Pollack, Barbara, 399 Pollock, Jackson, 60 Pond Society ^2?±, 51, 83-89, 414; manifesto of, 87-88; Work No. 1: Yang-Style Talchi Series, 88; Work No. 2: Walker in Green Space, 83, 88-89 Pop art H, 83, 85,116,119; allegorical nature of, 178; American, 363; consumerist, 162; Cultural Pop, 154,198; development of, 172-75; emergence of, 171-72; Gu Chengfeng on, 171-79; Hubei Pop Wave, 173,174,175, 300; imagery and spirit of, 176-79; Political, see Political Pop; regional traits and age groups, 175 Popular Model exhibition, 200 Post-Impressionism, 129 Post Sense-Sensibility: Alien Bodies and Delusion exhibition (JéfJÛ'ft), 271-73, 279, 343 -47 postmodernism Js'iU'RijÈ.X, 190, 319, 321 Progressive Young Chinese Artists Exhibition, 35, 38-42,56,412 Puvis de Chavannes, Pierre, 16 Puy, Imma, 359 Qi Baishi, 17, 53 Qian Weikang 235, 423; Breath/Breath, 236 Qin Ga 271, 344, 428 Qin Ming A Procession Praying for Rain, 39 Qin Wenna, 115 Qin Yufen 433; In Between, 248; PI. 37 Qing Dynasty, 12,102, 293 Qiu Ping, 359,425 Qiu Zhijie E|5;È?&, 154,175,232,237,238, 423, 424, 427, 431, 433, 436; Assignment No. i: Copying the "Orchid Pavilion Preface" a Thousand Times, 185,188-89,1&9, 234; Evil Heart, 273; Hands of Escher, 236; Logic, 237; "Post-Sense Sensibility" 343-47, 426; Post- Sensibility Spree exhibition, 429; Present Progress, 237; Things, 343; Washroom, 236; Yaojiayuan Archaeology Pit No. 1, 341 Qiu Zhijie and Wu Meichun, "Distorted Bodies and Delusion, " 270, 271-73, 346 Qu Leilei ffiHl!, 11; Train of Thought, 13; We Don't Want Laws Like This, 13; 410 Queens Museum of Art, 424, 426 Queensland Art Gallery, 420, 423, 427 rationalism, 54-57, 58,132,164 Rauschenberg, Robert, 35, 42-45, 61, 63, 65, 168, 293, 413 realism 27,317,318; in Chinese artistic tradition, 62; conceptual, 156; critical, 19,53; Cynical, see Cynical Realism; debate on realism, 410; expressionist, 156; ink paintings, 118-19; in literature, 158; model of, 161-62; and New Generation, 156; New Realist School, 55; photorealism, 19, 24, 39,156, 375I revolutionary, 157,162; scientific, 53; Socialist, 19,154, 363; Super- Realism, 375 Reality: Present and Future, 331, 332 Red Brigade iEfeÈR, 51, 94-95, 413, 416 Red Gate Gallery, 419 Red Guard movement, 19-20,155,176 Red Humor ÌLÌÈ.ÈSWt, 413, 414 Regionalism ifttlS jÈX, 156 relativism, 88 Remaking 798, 400-401,401; PI. 48 Rembrandt van Rijn, 100; Night Watch, 27 Ren Jian fïl£, 55,180; Archives, 165; New History 1933 Big Consumer Products [with others], 178; Primordial Transformation, 173; Siphon Off series, 164,165; Stamp Collecting series, 165,173,177,181 Renaissance, 78 Rent Collection Courtyard: Cai Guo-Qiang's Venice version of, 356, 369,369, 371-72, 374, 377- 78, 402, 426, 428; original version of, 368-71, 423; quoting vs. plagiarism, 377-78, 428; reproduction of, 371-76; Sichuan Fine Arts Institute press release on, 370-71 Republican era, 62,102 Research Institute of Fine Arts, 412, 416, 417, 418 Research Institute of Traditional Chinese Painting, 411,416, 417, 418 Roberts, Claire, 359 Rodin, Auguste, 372; The Burghers of Calais, 16 Rolling Stones, 177 Rong Rong SS, 224,423, 433; Fragments series, 230-31, 230; 1997 No. 1(1) Beijing, 224; PL 32 Rong Rong and inri, Tui — Transfiguration exhibition, 400; PL 48 Ronte, Dieter, 359 Root-seeking artists 158 Rosenquist, James, 175 Ru Xin, 115 Ruan Xudong "Contemplative Paintings" 30-33 San Francisco Museum of Modern Art, 425 Sartre, Jean-Paul, 51, 55, 83,158 Scar Art 19-23, 47, 53, 62,118,158, 409 Schneider, Eckhard, 360, 425, 427 0 Schopenhauer, Arthur, 51,108 ^ Scientific Revolution, 62 — Second Young Artists Exhibition, 56 self-identity, 185-92,195-97 sexual content, restrictions on, 116 ShanghART Gallery, 427, 428 Shanghai Art Museum, 330, 414, 416, 423, 425, 427, 428, 430, 431 Shanghai Biennale: Fifth, 432; First (1996), 423; Fourth, 430; Second, 425; Third, see 2000 Shanghai Biennale; Sixth, 435-36 Shanxi Modern Art Exhibition, 57, 58, 60, 61 Shao Dazhen 46,115,124, 409, 412, 417 Shao Hong, 299 Shao Zhenpeng BPÎS!®?, Made in China, 203 Shen Changwen, 115 Shen Jianzhong, 223 Shen, Kuiyi, 360 Shen Ling $i$, 155,156,195 Shen Qin St fil, 95n3 Shen Xiaotong, 158 Sheng Tianhong 343 ShengTianye 343 Sherman, Cindy, 225 Shi BenmingSfiztsfg, 58 Shi Chong 313,433 Shi Hui jffiïl, 416, 420, 425 Shi Jiu Z3&, "On New Space and the Pond Society" 83-89 Shi Lei t5H, 175; Prenatal Education— Pavarotti Who Forgot the Song Lyrics, 178 Shi QingSS, 272, 345-46 Shi Yasong, 299-300 Shi YongSSS, 235, 425, 427 Shu Qun tîlï, 405; + - x -: = 0 series, 164; Absolute Principle No. 1, 80; Complete Collection of World Art series, 173; Cui Jian, 173; "Explanation of the Northern Art Group" 79-82 Shui Tianzhong 42,46,414, 421, 429; Sichuan Fine Arts Institute, 411, 423, 428, 436 Sigg, Uli, 425, 435. 436 Silent Energy exhibition, 365 Sisyphus, myth of, 95n2,132 Six Announcements, 8 Sixth National Fine Arts Exhibition, 35, 47, 48, 53- 54, 85, 412 Smerling, Walter, 359 Smith, Karen, 360, 433; "Zero to Infinity" 224-26 Social Documentation, 222-23 Society of Young Artists, 55, 86 Solomon, Andrew, 421 Song Dong 35^, 182, 237, 340, 422, 425, 428, 431, 434,436; Look, 237; One More Lesson, Do You Want to Play With Me?, 183; Shut Up and Listen to Me, 235; SONCDONC Art Travel Agency, 337; Stamping Water, 224; PI. 33; Uncovering, 235 Song Ling 35®, 85-86, 88, 414; Human Tube, 84; White Tube, 84 Song Yonghong 35^ tl, 155,158,160, 161; Tranquil Environment, 160 Song Yongping 57,179,180, 415 Sotheby's, New York, 399 Southern Artists Salon ïîiTïZ?51, 414; First Experimental Exhibition, 97; PI. 13 Southwest Art Research Group 51.415 Spring Tide exhibition, 47 Stars Art Exhibitions, 6, 7-10, 9,11-13, 47,120, 409, 410, 414 Stars Art Society MM, 6-7,19,116,129, 410, 414, 417 Stella, Frank, 293 Street Video Group, 232 Su Liqun, 127 Su Shi, 293 Sui Jianguo PI®®, 422, 426, 428; Earthly Force, 154; PI. 18 Sun Jin, 127 Sun Liang 419, 420 Sun Ping 7'h^F-, 179; Issuing Shares, 178; Miss Avant-Garde Art, 203; Miss Fashion, 203; Miss Service, 203 Sun Xinmian, 320-21 Sun Yuan 344-45, 346, 428; Honey, 271, 272 Sun Zhenhua 322, 429, 432 Suo Fei, 124 Supermarket exhibition, 279, 334, 337-38, 345, 426 Surikov, Vasily, Boyarynya Morozova, 22 Surrealism, 39, 57, 63, 65, 85 "Symposium on Implementing the Central Committee of the CCP's 'Outline for Civic Morality'" 429 Szeemann, Harald, 356, 361, 369, 370, 371, 374- 75, 377, 424, 425, 426, 428 Tang Cheng, 342 Tang Dacheng, 121 Tang Dyansty, 102 Tang Kemei, 115 T a n g Q i n g n i a n J 1 1 5 Tang Song JS^5, and performance art, 119, 727,126 Tao Yongbai PSl^cÖ, 417, 422, 429; "Toward a Female Initiative" 194-97 Theater of the Absurd, 12 Third Plenary Session, 21, 72-73, 409 Three Men Studio, 198 Tiananmen Square, 113, 220, 363, 417 Tilson, Joe, Is This Che Guevara?, 177 Today Art Museum, 398, 431, 434 Tom.com, 428 Tomonobu, Imamichi, 100 Tong Biao 423; The Afternoon of August 30th, 237; Watched Sleep, 233 Tong Diari, "The Landscape of China's //.odem Ait Movement" 66-78 Trace of Existence exhibition, 338-42, 3-'. 3-J/4 Trend of Art Thought Tìtoli;®?. The, 35, 48, 114, 310, 411. 417 Turner, Caroline, 358 Twenty-First Century exhibition, i66n2 Two Hundreds, 45 University of Buffalo Art Galleries, 431, 433 Upriver Art Gallery, 333-34, 4/6 urban destruction and construction, 205-13 van Dijk, Hans, 422, 426 van Gogh, Vincent, 291, 2Q7, 306 Velazquez, Diego Rodriguez, Aesop, 27 Venice Biennale, 167, 234. 263, 347. 349. 361, 366-68, 371, 374, 397, 402, 412, 420, 422, 426. 428, 431. 433 Venice's Rent Collection Courtyard, 356, 369, 369. 371-72, 374, 377 - 78. 426 Verostko, Roman, 412 video art, 232-48, 340, 34t, 343. 345: aesthetic value of, 233; Art and Historical Consciousness, 237; Demonstration of Video Art '07 China, 237; Documents of Video Art, 237; funding, 236; Image and Phenomena exhibition, 235, 236-37; international festivals, 237-38; postproduction, 237; standards for, 237 video game images, 178 Viola, Bill, Buried Secrets, 234 Wang Blrong, 115 Wang Chuan iE/ll, 19, 413; "Expecting Her to Walk on the Main Road" 29-30; Farewell, Narrow Trad, 29, 31; Hanging Coffins, 58 Wang Dalun, 209-12 Wang Deren 3EÎSC, 117,121,123 Wang Du ZEIS, 51, 248, 414. 415, 432; "Toward a Physical State of Contemporary Art Itself" 97 Wang Gongxin iTfrUr, 224, 341. 401, 423, 428, 433; Baby Talk, 237; Myth Powder No. 1, 237; Shepherd, 339; Sky of Brooklyn, 234, PI. 36 WangGuangyi z£f""X, 51,125,154. 297, 418, 420, 421, 423, 424, 433; and Archives, 405; Black Rationality, 169; Death 0}Marat, 126; Creat Criticism—Kodak, 164,167-71,173, 177; PI. 22; Mao Zedong, 158,164,167,169, 170, 172, 176; Mass-Produced Holy Child series, 173; Masterpieces Covered by Industrial Quick-Drying Paint series, 173; Post-Classical—Return of the Creat Sorrow, 78; PI. 9; Post-Classical series, 168; on purging humanist enthusiasm ( ftHÀÂ7& tS), 123,164,169; Red Rationality, 169; and Rent Collection Courtyard, 368; Solidified Arctic Region series, 168; as Utopian, 168-71; and Visual Polity 406; "We — Participants of the '85 Art Movement" ^ 7S-79; and Zhuhai Symposium, 49 — Wang Hao i;§, 155,156 z Wang Hu J£f£, 155 0 Wang Huangsheng J£Tt:£, 404, 430, 431 X Wang Huaxiang 155,156 Wang Jianwei ;£&($, 182-83, 237, 422,423, 424. 428, 433; Circulation—Sowing and Harvesting, 182-83, 244-45, 244, 341; Import - Export, 243; Incident—Process, State, 243; Membrane, 340-41; Model, 245; Production, 245-46; Reproduction, 242-43; "Six Video Works" 242-46 Wang Jin ig, 198, 421, 424, 426, 431; Ice • '96 Central Plains, 215-16, 275; Red Dust, 224-25; Red Train Tracks, 224; To Marry a Mule, 225, 335 Wang Jinsong iâôfâ, 155,156,158,161, 162, 198, 421, 424; Big Chorus, 161; Big Qigong, 161; Standard Family 217, 277, 224 Wang Hong, 119 WangJipingzE*2¥, 57 Wang Keping ijnlF1,11,12, 416; The Backbone of Society, 12; Long, Long Life, 12; Silence, 12; PI. 1 Wang Lan 3E.Ë.: Cenerai Store, 40 Wang Lin ift, 46,124, 343, 412, 417, 43T 433! "Oliva Is Not the Savior of Chinese Art" 366-68 Wang Luyan äE#i&, 365, 418, 419, 423 Wang Meng, Living in Seclusion in the Qtngbian Mountains, 107 WangMingxian 2EB855,115, 415, 426 Wang Nanming 321; on art markets, 353 - 54 Wang Qi, 299, 300, 301 Wang Qiang z£3&, 85, 88, 414; Adagio of Symphony No. 5, Second Movement, 84, 85; Amateur Painter, 84 Wang Qingsong zEEfcfô, 425, 427; The Thinker, 202; Thousand Hand Buddha, 202 Wang Rulting, 127 Wang Shuo, 160,161 Wang Wei Ü, 272; t/30th of a Second Underwater, 343; PI. 41 Wang Xiangming and Jing Lili, Longing for Peace, 38, 56 Wang Xiaohong, 211 Wang Xiaojian i'Mì, 46, 412, 415 WangYazhongiSEcf5,179 Wang Youshen iSÂ, 155, 418, 419, 420 Wang Ylgang j£US, 426, 429 WangYubei 3E3s4t, 180 Wang Yun, 182-83 Wang Yuping 155,156 Wang Zhen SEM, 115 Wang Zhiping, 7 Wang Ziwei ÜJ2,177, 415,421; Mao Zedong series, 172 O Warhol, Andy, 165,168,170,175. 268-69, i§ 293,366 — Wei Guangqing 424; Red Wall series, 173,774,178; Suicide series, 173; Thumb series, 173 Wei Rong 155,156 Weiss, Evelyn, 359 Wen Pulin ;Jn1a fö, 412, 416 Weng Fen £&§, 273 Weng Fen and Yan Yinhong, A Talk Between a Man and a Woman, 235 Werner, Chris, 359, 425 Wesselman, Tom, 175 Western art: forbidden in Cultural Revolution, 35; imitation of, 163, 316, 347; modernist, 158,162; Pop in China compared to, 171-72, 175,176,180 Western art theory, 48,158, 318 Western Conceptual art, 154 Western influence, 16,19, 35, 65, 66-67, 99, 102,118,127,128-30,159,163,170, 319-20, 322, 333, 338-39 Western propaganda, 364-65 Western reception of Chinese art, 357-65 Why, 22, 31 Wild Grass Painting Society, 410, 411, 415 Wittgenstein, Ludwig, 55, 83 Working People's Cultural Palace, 409,413, 415 World Art 46, 312, 314, 315, 409 World of Female Artists exhibition, 155,194, 316, 418 Wu Ershan 272, 273, 343. 345 Wu Guangyao, 115 Wu Guanzhong 49, 410, 413,419, 421; on the ancient and modern, East and West, 16; on a beginner's path, 17; on creative composition and daily practice, 14-15; "Formalist Aesthetics in Painting" (fëïtH), 14-17, 66, 409; on personal feelings and artistic style, 15-16; on spirit consonance, 16-17; The Ancient City of Jiaohe, 14; Pi 2; on untitled works, 17 Wu Hong Hji§, 290, 404, 436; "From 'System' to 'Circle'" 307-10 Wu Hung 36?!, 360, 361, 428, 430, 431, 432, 433. 434. 436; "'Experimental Exhibitions' of the 1990s" 327-36; 361, 426, 428, 429, 432, 433; and Canceled: Exhibiting Experimental Art in China, 361, 429; and Reinterpretation: A Decade of Experimental Chinese Art, 397, 430; and Transience: Chinese Experimental Art at the End of the Twentieth Century, 360, 426 Wu Jiafeng, 124 Wu Jialin MrSfà, 223 Wu Jucai, 115 Wu Meichun 236, 237, 271, 343, 344, 345.346, 423,424,426, 427 Wu Meichun and Qiu Zhijie, "The Rise and Development of Video Art and the Maturity of New Media Art" 232-38 Wu Shanzhuan 99,121, 248, 251, 405. 414, 420; Big Business, 116; performance art, 122-23; Red Humor—Red Characters, 116-17,172; PI. 17 Wu Xiaochang 59 Wu Xiaojun M'Ml, 335 Wu Xiaolin, 115 Wu Ying 88 Wu Zuoren Mf'ÈA, 115; foundation, 417 Wyeth, Andrew, 19, 30-33, 39,156; A Faraway Place, 31, 32; Barn Swing, 31; Christina's World, 30-31, 32 Xi Jianjun, 365 Xia Wei, 360, 425 Xia Xiaowan B/hTô, 58 Xiamen Art Museum, 95, 415 Xiamen Dada JBflìSì£, 51,123, 405; Burning Works, $5; Haul Away the Museum, 117 Xiang Nan, 352 Xiao Chen, "A Strong Focus on Reality" 317 Xiao Lu Ê3®, 119,120,126 Xiao Quan, 223 Xiao Yu MS, 271, 273, 345.428 Xidan Democracy Wall, 409 Xie Guanghui, 223 Xin Haizhou 1ff;§£3-, 158 Xinjiang Art Academy Exhibition, 75 Xishan Symposium, 48 Xu Beihong, 53, 62; ink paintings, 118 Xu Bing '&Ì&, 99,118,123-24,125-26,131, 132, 248, 274, 356, 402, 405, 418, 421, 425, 426, 427, 428, 432, 433, 436; A Book from the Sky (A Mirror to Analyze the World— Fin de Siècle Book), 99,105,123,132, 172-73, 255, 256, 256, 416; PI. 14; Cultural Animal, 274, 421; "Looking for Something Different in a Quiet Place" 105; New English Calligraphy, 255, 256, 427; "On Words" 254-57; Orchid Pavilion Preface, 255; Square Word Calligraphy series, 249, 255; Three Installations by Xu Bing, 358, 419; Tobacco Project, 249, 403, 432; A Window facing Pudong, 403; PI. 50; Word Play: Contemporary Art by Xu Bing, 361 Xu Hong f&ÈI, 196; "Walking out of the Abyss: My Feminist Critique" 185,193-94 Xu Jilin, 101 Xu Jin fèìS, 85; Dialogue, 84; 12:00 a.m., 84 Xu Lei fèM, 9503 Xu Min #10,196 Xu Tan fèiS, 425, 427; New Order, 328; Prostitute series, 226 Xu Wenli and Liu Qing et al., "A Letter to the People" 8-10 Xu Xiaoyan î&iSsjRÇ, 195 Xu Yihui i?jt—H , 0503, 424, 4:5; Art History, roi Xu Zhen ?$R, 337-38, 401, 426; The Difficulty with Colors, Pl. A4 Xu Zhiwei tfc.Tsff,, Yuanmmgyuan Village, 288, :SS Xue Yongnian, 124 Yan Lei PS SS, 423; Absolutely Safe, 237; Beijing Haw. 233; Clear Away, 233, 234; Dissolve, -33. '500 cm, 233; Invasion, 225-26, 234; No 031007, 234; 323 cm', 234 Yan Peimmg piSBJi, 40', 4'S, 422, 427, 428, 432 Yan Ping 195 Yan Shanchun Pfiif, 46, 170, 299, 412, 432, 433 Yan Ymhong PR|.i®, 235 Yari'an Conference on Literature and Art, 164, 408, 4'0 Yang Fudong Inlfljfc, 273, 343, 40', 43'; The First Intellectual, 198; PL 29 Yang Guozhang TptTlS, '75; Mrs, Lida Prepares Powdered Milk for Her Grandson, 178; Reference News, 176 Yang Jiechang fznStt, 248, 251, 357, 358, 365, 417, 418, 419, 432 Yang Jun, 422, 430 Yang Keqin tjj&lS, '95 Yang Li, 299 Yang Lihua, "5 Yang Sen fâïï, 343 Yang Wei, 434, 436 Yang Xiaoyan tn'Js0, 219, 299; "The Cartoon Generation" 319 Yang Xu fà/fl and Zhou Tiehai, Scribbles on Newspaper, 176 Yang Yingsheng fàì5±, 95n3 Yang Yong tâÂ, 226, 272, 273 Yang Yongshan, 210 Yang Zhenzhong fäSftÄ. 337-38, 423, 424, 425, 426; Fish Tank, 237 Yang Zhilin fäzSÜf, 95"3 Yanhuang Art Gallery, 331, 419, 424 Yasumichi, Morishita, 293, 295 Ye Shuanggui 180; Grand Ceramics series, 18' Ye Tingfang, 124,127 Ye Yongqing Bfflcft, 4'5. 4'8, 424, 436; Awaken in Spring from Hibernation, 57; PL 8; Big Poster, 176 Ye Yushan, 49 "Year of China in France" 432 Yearbook of Chinese Art 194g - 198g, 48 Yeats, William Butler, 92 Yellow River Cantata, 164 Yi Chmg, 250 Yi Dan 299, 404, 4'7, 420 Yi Ying 299, 301, 343, 412, 422, 425, 429, 430,433; "The Meaning of Work Should Be Clear" 318; "Criticism on Chinese Experimental Art in the 1990s" 316-23; "The Modernist Dilemma" 128-32 Ym Jinan 315, 317; "New Generation and Close Up Artists" 154,155-57 Yin Qi pfr, 204 Yin Shuangxi IS5K§, 211, 299, 301, 323, 412, 429. 432, 433; "My Outlook on Criticism" 324-25 Ym Xiuzhen 185, 341, 426, 427; Clothes Chest, 198; PL 28; Ruined Capital, 329 Yin Yanjun, 44 Yong He, 223 Yu ßogong Shit with a Dream, 203; Shit with Long Hair, 203 Yu Chen 155 Yu Hong IMS;, 155, 158,160,180,195, 418, 4'9, 420 Yu JI £t£, 175 Yu Xiaofu Gently, the Children Perform for Picasso's Doves, 38 Yu Youhan 415, 420, 421; Mao Zedong series, 164,173,176 Yuan Baolin ïtïfà, 124 Yuan Guang, 327-28 Yuan Kejia, 121 Yuan Yaomin SJi&, 195 Yue Minjun 185, 398, 424, 426; Sky, PL 25 Yung Ho Chang 341-42 Zeng Chaoying, 115 Zeng Fanzhi HJtâÇ, 158,185, 401; Mask Series No. 6, 398; Mask Series No. 8,192; PI. 23 Zeng Hao tî /R, 198 Zeng Xiaojun, 421 Zeng Zhennan, 124,127 Zero art group, 56, 60, 413, 415 Zero Exhibition, 57, 58, 413 Zha Li Si, 85-86 Zhai Mo US, 124 Zhan Jianjun jSîâfS, 115 Zhan Wang (Hü, 155, '56,198, 345, 346, 422, 426; "Debris Salvage Schemes" 206-7; New Crash Course Art Studio, 340; "New Map of Beijing — Rockery Remolding Plan" 207-8; Ruin Cleaning, 207 Zhang Bin 175; Model Opera series, 176 Zhang Bo V5 Zhang Dai, Exploring the Delicacy of Painting, 2 93 Zhang Dali 198, 335, 401,436; Dialogue, 209-13, 209; PL 31 Zhang Defeng 3K384IF, 156; Distance, 341 Zhang Fan §K(Wl, 343 Zhang Fuping 9' Zhang Haier 3KÎSJL, Self-Portrait, 223, 223 Zhang Hanzi SK;®-?, 272,428 Zhang Huan §K I, 198, 224, 401, 402, 420, 428, 436; 72 Square Meters, 214, 214; 65 KG, 185-87,786 Zhang Jianjun 412; Humanity and Their Clocks, 56 Zhang Jun 3^, April 5, 7976, 39, 41 Zhang Kangkang, 121 Zhang Nian performance art, 117,431 Zhang Peili fóipf], 51, 85-86, 87, 88, 99,123, 125,126,154, 235-36, 238, 413, 414, 418, 420, 423, 424, 425, 427, 433; and Archives, 405; Art Project No. 2,112-13; Assignment No. 1, 233; Best Before 8/28/1994, 240; Brown Book No. 1,112; Children's Playground, 233; Chinese Bodybuilding, 164, 165,173.177; Diary, 242; Document on Hygiene, No. 3, 233, 239; Focal Distance, 236; Midsummer Swimmers, 84; PI. 10 ; 1989 Standard Pronunciation, 164,165,173; Opposite Space, 240-41; Pause, 84; Please Help Yourself to Some Jazz, 84; Uncertain Pleasure, 236, 241; Water, 233, 238-39, 238; X? series, 118 Zhang Peili and CengJianyi, Exhibition of Recent Works, 329 Zhang Qiang 115,124, 412 Zhang Qing 3KBB, 351. 428, 430,432 436; "The Shanghai Biennale Amid Transitions" 347-50 Zhang Qun and Meng Luding, In the New Era: Enlightenment of Adam and Eve, 35.36-38,56; PI J Zhang Rongfu Childhood Memories, 39 Zhang Sanxi, 180 Zhang Xiaogang 51, 90,118, 401, 412, 415, 418, 421, 422, 423, 424, 427; Big Family series, 185,190-91,192, 398; PI. 24 Zhang Xiaoling, 44-45, 427 Zhang Xiaping StëJÏP 91 Zhang Yajie Models, 202 Zhang Yaojun, 115 Zhang Yu, 300 Zhang Zhilin, and China/Avant-Garde exhibition, 119 Zhang Zhiyang, 46, 412 Zhang Zuying, 115, 211 Zhao Bandi 155,156, 334, 427 Zhao Jinghuan, "Pioneers of Contemporary Chinese Art" 38-42 Zhao Qin iUSi and Liu Jian, 203-4; / love McDonald's, 203; Live Broadcast, 203 Zhao Tingyang, 170 Zhao Wenliang 5 Zhejiang Academy of Fine Arts (later China National Academy of Fine Arts), 55, 56, 83, 86,107, 232, 408, 412, 414,416, 419 Zhejiang People's Publishing House, 429 Zheng Cuogu 344, 345, 425; The Life of Youth in Yangjiang series, 226 Zheng Lianjie performance art series, 182 Zheng Shengtian 360, 425, 427, 432 Zhou Changjiang H-feExE, 420; Window, 39 Zhou Chunya 424; Black Lines, Red Torso, PI. 43 Zhou Enlai, 5, 408 Zhou Jingxin, i66n2 Zhou Jirong ji] 155 Zhou Shaoli ffl'jTÎL, Death Breeds New Life, 40 Zhou Tiehai Ji|î£yÉ|, 176, 425; Press Conference, 357 Zhou Xiaohu The Gooey Gentleman, 248; Beautiful Cloud, 247; Children's Rhymes, 247; Face-Lifting Arch Veranda, 247; Form and Shadow Aren't Separated series, 248; Listening In on Plastic Surgery, 247; Plastic Surgery Hallway, 247; Really Not Evil Intentions, 247; The Age of Lies, 246-47; Travel in Desire, 248; Wax Museum, 248 Zhou Xinfang, 16 Zhou XipingjSjlHp1,165,180; Grand Portrait series, 181 Zhou Yan fâM, 115; on China/Avant-Garde exhibition, 114-15 Zhou Yubing 299 Zhou Zuoren, Water Margin, i65-66n2 Zhu Bin 299 Zhu Fadong 198, 224, 335, 426; "State of Existence" 213-14; This Person is for Sale, 214; Zhu Fadong, Missing Person Announcement, 213, 214 Zhu Jia 155,423; Forever, 234, 236-37 Zhu Ming 224 Zhu Mo 115 Zhu Qi 423,429 Zhu Qingsheng 46, 88,405, 412, 414, 415, 428, 433, 434, 435I on the 2000 Shanghai Biennale, 351-52 Zhu Xikun 180 Zhu Xinjian ffcfr®, 163, i66n2 Zhu Ye, "Beijing Theorists' Reactions to the Art of Robert Rauschenberg" 42-45, 43 Zhu Yu 271, 344, 345-46, 428; Pocket Theology, 279; Skin Graft, 277-86; PL 42 Zhu Zude 101-3 Zhuang Hui J±H¥, 266-69,424, 428, 433; One and Thirty, 228; Shooting a Group Portrait, 227-30, 227 Zhuhai Painting Institute, 114 Zhuhai Symposium, 48, 49, 414 Zou Yuejin, 319, 320 Zu Zhou ÎË5L, 224 ZuoJing, 433, 435 |
