| Volltext: | 188 INDEX TTie abbreviations "n" or "n." or "nn." fol-lowing page numbers indicate references to notes; specific note numbers foUow the abbreviations. Abakanowicz, Magdalena, 105 Abrahams, Israel, xviii-xix Abstract Expressionism, 57-62 Acconci, Vito, 38 acid hydrolysis, 68. See also degradation Acid Rain (Escobedo), 55 acquisition, 121,123; obligations witfa, 41,50, 74; and role of art dealer, 165-70 Adams, Douglas, The Hitehhiker's Guide to the Galaxy, 73 Adjoined Dislocations (Export), 98 Administered Landscape (Cragg), 123 Affentanz II (Gröting), 129 ageless oxygen absorber, 70 aging process, 37,67-68,68. See also degradation Agnew, Neville, 30,32 Albano, Albert, xx, 23 Albers, Anni, 141 Albers, Josef, t4i Albuquerque Museum, 150 Alien Huddle (Puryear), 121 Alma (Cemin), 103 American Artists in Their New York Studios (Götz), 19 American Institute for Conservation of Historie and Artistic Works (AIC), Code of Ethics, 22,131-32 America Tropical (Siqueiros), xvii Analytical Philosophy of History (Danto), 6 Andy Warhol Foundation, 100 Andy Warhol Museum (Pittsburgh), 8 Anthology Film Archives (New York), 99 Antonakos, Stephen, Golden Eikonostasio, 123-24 Antonello da Messina, 19 Apolo 3 (Neto), xi, xii Apple Orchard (Gorky), 120 Arbeit Macht Frei (Chicago), 151,132 architecture, xi; and murals, 153-58,154, 133, ij6,137, 138 Archive of Techniques and Wörking Materials Used by Contemporary Artists, 127-30,128,129 archives, 43, 87-88; of art techniques and working materials, 127-30,128,129 art, 45,46,60; and the Community, 9,12, 25-34,158; descriptions of, xviii, 75,76, 77,78,105; in ecosystem of private collec-tions, 120,121-26,122,123,123; historical identity of, xv, 9,10-11,90-93; meaning of, 116-17,118-19; themes or subjects for, 17,115-16; and time, x, xvi, xvii, 25,26, 39-40; transportation of, 36,41,54.61,87, 101-5,160,175-82; and values assigned to works, 21,57, IM, 159. See also contemporary art; Modernism Art Institute of Chicago, 162 artists: and Archive of Techniques and Working Materials Used by Contemporary Artists, 127-30,128,129; of color, 161-64,161,162,162 nn. 4,5,6, i63n. 7, 164,164 n. 9; communication between conservators and, 22-24,42,48,74, 132-33; as contemporary Society, xi, 53, 76,98; intention of, xviii, 19-24,63,73, 133,141-42; personality of, 13-17; rights of, 63-66; and role of an dealer, 165-70; and transience of works, 19-24,54-55,56, 130. See diso individual names of artists Asian Art Museum (San Francisco), 153-54 Aspern Papers, The (James), 4 Auden, W H., 15 Augustine, St., xviii aura, loss of, 39,54-55,60-61 Ausfegen (Beuys), 139 authenticity, 59,60-62,66,66n. 8,172 Awayfrom the Flock (Hirst), 54,107 Baby Bands (Hicks), 142,142 Back fron1 the Front (Hicks), 142,143 Back Seat Dodge '38 (Kienholz), xvii Baenziger, Markus, Comforter, 125 Ballerina (Emerson), 120 Balustrade Vase 933 (Woodman), 123 Barry, Iris, 99 Bartley, Tracy, 3m. 19 Bay Area Video Coalition, 100 Beaumont, Sir George, 19-20 Bed (Rauschenberg), x Beijing Art Gallery, 178-79,180 Benjamin, Walter, 39,54,62; "The Work of Art in the Age of Mechanical Repro-duetion", 60 Ben's Window (Vautier), 138,138 Berenson, Bernard, 24 Berne Convention for the Protection of Literary and Artistic Works, 65 Beston, Henry, xx Beuys, Joseph, 39,47,56; Auffegen, 139; Fat Cats, 66; Performance art by, 38,139-40 Bilz, Malcolm, 70 Birnbaum, Dara, 36 Birth Project (Chicago), 149-50,151 Black Torso (Bourgeois), 122 Black Zero (Tambellini), 97 Blade Runner (film), 39 Block, Rene, 139 Blum, Heiner, Untitled, Blower #3, 128 Boogie Nights (film), 4,5 Bookfrom Sky (Bing), 180 Bourgeois, Louise, 56,125; Black Torso, 122; Eye to Eye, 122; Femme Marion, 121; Hause, 122; Pittar, 126; White Torso, 122 Brakhage, Stan: Dog Star Man, 96; Metaphors on Vision, 96 Brancusi, Constantin: Gateof the Riss, 108, 112; Infinite Cobmn, 106,107-12,108,109, 111; Table ff Silence, 108,112 Brangwyn, Sir Frank, 156,136,157 Braque, Georges, 21 Brassai, Marcel Proust sous l'emprise de 1a Photographie, 82 Breaking through Many Screens of Paper (Murakami), 136-37 Brickwork (Kirkeby), 43 Bride Stripped Bare by Her Bachelors, Even, The (Duchamp), 43 Britto Box (Warhol), 10 Brod, Max, 15 Bronx Central Post Office murals (New York), 155,1SS, V6 Brothers Karamazov, The (Dostoyevsky), xviii Brumidi, Constantino, 154-55 Bürden, Chris, 38,54; Medusa's Flying Moon, 103,103 Burnt Piece (Winsor), 126 Bushart, Elisabeth, 127 Cadillac Hotel (Register), 101-2,102 Cafe Macedonia (Chamberlain), 101,102 Coffeine (Scott), 78 Cake Window (Seven Cakes) (Thiebaud), 120 Calder, Alexander, 66,66n. 8; The Eye in the Black, 120; The Glass Fish, 126 calendrical rituals, 28-29,31 Campus, Peter: mem, 99; Three Transitions, 99 Canadian Conservation Institute (CCI), Symposium '91,67-74 Canadian Museum of Civilization (Hull), 69 Canadian National Museum of Science and Technology (Ottawa), 69 Carles, Arthur B., 158 Caro, Anthony, 54 Cathedra (Newman), 12 Cathedral (Hofinann), 124 CCI (Canadian Conservation Institute), Symposium *91,67-74 Cemin, Saint Clair, Alma, 103 Centre Georges Pompidou (Paris), 102 Cezanne, Paul, 17 Chamberlain, John, Cafe Macedonia, im, 102 Chandler, John, 60 change, xiv-xv, 9,73; cultural change and diversity, 161-64; inevitability of, 5,19-20, 23,50; as integral to the work, 25,34,37, 65-66,66n. 5. See abo documentation Chateaubriand, vicomte de (Fran^ois-Rene), vir Chicago, Judy: Arbeit Macht Frei, 151,132; Birth Project, 149-50,151; The Creation, 150-51,131; The Dinner Party, 148-49,148, 150,130,152; The Fall, 150-51; Holocaust Project, 150-51,132; Mary Wollstonecraft runner back, 149,130; Rainbow Shabbat, 151,132 Christo, Jeanne-Claude, xix, 56 Christo, Vladimirovjavacheff, xix, 56,147; Nine Packed Botties, 123; Wrapped News-paper, 122 Cicero, xviii Cigarette (T. Smith), 122 Cigarette Chandelier (Hammons), 123 Circle (LeWitt), 124 Clark-Franklin House murals, 157-58,137 Clark, Lygia, 140 Cleveland Museum of Art, 14,121,122,126 Close, Chuck, 121 Clubwinged Angel (De Staebler), 103 collaborative art, 158; Holocaust Project, 150-51,172; of Papageorge, 176-78,177 collectors: archives for, 127-30,128,129; on art ecosystem, 120,121-26,122,123,123; communication with conservators and artists, 133-34; on installation and transportation of art, 101-5,102, io3,104,103; and role of art dealer, 165-70. See abo ownership Comforter (Baenziger), 125 Community Muralists, The Wäll of Respect, 158 Company at Table (Fritsch), 130 Conley, Kathy, 30 conservation, xii, xviii-xix; choices for, xv, 3-12,61-62, 83-84,101,172-74,172; collectors and, 101-5,102,103,104,103; documentation in, 23-24; of ephemeral works, xiv—xv, xiv, 43—44; and experimental materials, 35-40,67-74; and the law, 63-66; of linen, 141-44,14'. H2, H3 *44\ maintenance in, 112,124-26,134,166; of photographs, 81-84,132-33; purpose of, io-i2,33-34,60-61,73; role of dealer in, Index 189 167-68; strategies and practical advice for, 74,134,171-74- See also conservators; docu-mentation; preservation Conservation OnLine (CoOL), 24 conservators, 17,38, 84; archives for, 127-30, 12$, 129; communication with artists, 22-24,42,48,74,132-33; identity of, 11-12, 73; role in ecosystem of contemporary art, 131-34,131. See abo conservation contemporary art, ix-x, xi, 3di, xviii; archive for, 127-30,128,129; artist's intention and transience of, 19-24; collectors of, 101-5, 102,103,104, 103, 120,121-26,122,123,123; and conservation of modern materials, 67-74; conservator's role in ecosystem of, 131-34,131; Copyright of, 63-66; female experiences in, 147-52,148, 130, 151,132; freshness as influence in appreciation of, 35-40,129; historical perspective in, 3-12; and immorality, 75-78; in media technolo-gies, 85-94,95-100; murals as, 153-58,154, 157, 136,157,138; museum criteria for, 159-60; new methods and strategies for conservation of, 171-74; new ruins in, 25-34; performance-based art, 135-40,137, 138,139; personality of artist of, 13-17; at Philadelphia Museum of Art, 45-50; pho-tographs as, 81-84; preserving the intact-ness of, 57-62; as process or product, 53-56; responsibility for, 175-82; restora-tion of ephemeral, 106,107-12,108,109, 111; role of art dealer, 165-70; at Täte Gallery, 41-44; as Visual language, 115-19, 117,118. See also art Contemporary An Center (New York), 126 Conversation (Tansey), 122 Conversation, The (Wilson), 122 Coomaraswamy, Ananda K., 93,94 Cooper, Paula, 46-47 Copyright, 56,63-66,167 Corner Minor with Coral (Smithson), 126 Corridor (Nauman), 98 Corzo, Miguel Angel, 31 Council of Nicea, Seventh (787), xviii Courbet, Gustave, Origin of the World, 46 cracking, 19,50; as degradation, 68,110, 124; in Goldsworthy sculpture, 26-27, 31-34,3m. 19,32m 21,33n. 24 Cragg, Tony: Administered Landscape, 123; Early Form, 117; Envelope, 118; Flotsam, 118; Forminifira, 117 Creation, The (Chicago), 150-51,131 Cultural Center of Kiryu (Japan), 143 Cultural Foundation of the State of Hessen, 128 cultural property ecosystem, 131-34 culture, 4-5; an as national cultural property, xvii, 3,9,44,63,64; photograph conservation as vital to, 81-84. See also heritage; society and social issues Dali, Salvador, 36 Dance or Exercise on the Perimeter cf a Square (Nauman), 98 Danto, Arthur C., xix; Anafytical Philosophy of History, 6 dealers, role of, 165-70 DeerDancer (Emerson), 120 Degas, Edgar, 147 degradation: identification of, 70-74,71, 133-34; in modern materials, 67-69,68, 139; as normal process, 25,53-54,55. See abo deterioration Dejeuner sur l'herbe, Le (Manet), 8 de Jonge, Piet, 174 de Kooning, Willem, 35,54; Floating Figure, 102; The Time of the Fire, 122,124-25 Delacroix, Eugene, 35,39,83 Delacroix, Michel, Meiling Plot, xiv, xiv De Maria, Walter, xviii, 56 Demeloir, Le (Hicks), 141,142 Descartes, Rene, 7 De Staebler, Stephen, Clubwinged Angel, 103 deterioration, 49,50; inevitability of, 19-20, 23,124; of Infinite Column, 108-10,109; restoration vs. reproduction for, 22-23,87. See abo degradation Dia Center for the Arts, 56 digital technologies, 66,66n. 6,76; installa-tion and conservation of, 85-94; for pho-tography conservation, 82, 83. See abo media an Dinner Party, The (Chicago), 148-49,148, 150,150,152 Documenta IX, 46,50 documentation, 38,56,59; for identification of materials, 42,68-70,69,74,133-34; importance of, 23-24,56,67,133,174; reconstructing murals from, 157-58,137, 138; role of dealer in, 166-70. See abo changes; conservation; preservation Doehne, Eric, 3m. 19 Dog Star Man (film), 96 Donaldson, Jeff, i62n. 5 Dorner, Helmut, Japan, 128 Dostoyevsky, Fyodor, The Brothers Karama- 20V, xviii Dougherty, Patrick, 176 Dress (Kusama), x Drink Canaäa Dry (Prince), 103,103,105 Dubuffet.Jean, 8 Duchamp, Marcel, 38,53,54,116,160; The Bride Stripped Bare 1ry Her Bachelors, Even, 43; ephemeral art of, 175-76; Foun-tain, 9; Friere de Toucher, 70-71,71,73,74 Dudley, Don, 36 Dune (film), 38 Dürer, Albrecht, 39 Early Form (Cragg), 117 Eat (film), 97 Eighteen Happenings in Six Parts (Kaprow), 137-38 Einstein's Place and Mark Thompson's Airplane Parts (Rubins), 104,105 Eisenman, Peter, 26 Electric Dress (Tanaka), 137 electronic/digital media. See digital technologies; media art Eüen's Bade (Kitaj), 13 Emerson, Tom: Ballerina, 120; Deer Dancer, 120 Endo, Toshikatsu, Epitaph, 105 Energy Made Visilde (Friedman), 59 English Patient, The (film), 4 Ensor, James, 17 Entrance (Murakami), 136 Envelope (Cragg), 118 environmental conditions, 42-43,74,125 ephemeral art, 12,25,38; conservation of, xiv-xv, xiv, 43-44; consumption of art by viewers of, 47-48,47; decay of fruit as, 45-47,43,46,48-50; law and Copyright of, 65-66,133; linen, 141-44,141,142,143,144; performance-based art, 135-40,137,138, 139; restoration of Infinite Column, 106, 107-12,108,109,111; as symbol of tempo-rality of life, 54-56,34,33,36 Epitaph (Endo), 105 epoxidized soybean oil (ESBO), 71-72 Escobedo, Helen: Acid Rain, 33; For the Turües, 36; Negro hasura, negro manana, 34 ethical code, 22,43,131-32 Euclid, xvii experimental materials: and artist's intention, 19-24,35-37, 58-59; installation and transportation of, 101-5,102,103,104,105. See Abo modern materials Export, Valie, Adjoined Dblocations (film), 98 Eyck, Jan van, 36 Eye in the Black, The (Calder), 120 Eye to Eye (Bouigeois), 122 Füll Fathom Five (Pollock), 18 Fall, The (Chicago), 150-51 Fashions (Ray), 169 Fat Cats (Beuys), 66 Femme Maison (Bourgeois), 121 Fenn, Julia, 71-72 films, xv, 4-5,10-11,95-100. See abo media art; specific film titles Finn, David, 176 Fläming Creatures (film), 96 Flashlight III (Johns), 122 Flauheit, Gustave, 3 Flavin, Dan, 166 Floating Figure (de Kooning), 102 Flotsam (Cragg), 118 Forminifira (Cragg), 117 Forster, Kurt W., 26,27 For the Turtles (Escobedo), 36 Foundation for the Conservation of Modern Art, 172-73 Fcntntain (Duchamp), 9 Fourier-transform infrared spectroscopy (FT-IR), 69,69 Ffance-Lanord, Albert, 73 Francis Ferdinand (archduke of Austria), 6 Frank, Mary, Woman, 123,123 Freud, Sigmund, 15 Friedman, Bernard, Energy Made VäsiWe, 59 Fritsch, Katharina, Company at Table, 130 From Fresco to Plastics (Gutierrez), 20 future, xix, 119; conservation as Obligation to, xv, 10-12; ptesent as past in, 3-12,61 Gabo, Naum, 37 Gallery One (London), 138 Garrison, Edward B., xv Gate of the Kiss (Brancusi), 108,112 Gauguin, Paul, 8 Geffen Contemporary, The (Los Angeles), 38 Geist, Sidney 108 Geliert, Hugo, 154 Georgescu-Gorjan, Stefan, 108 Getbert of Aurillac, xvü Getty Center, The, spiral sculpture (Goldsworthy), xvii, 25,26,28-34,30-33 Ghosts Pounding on the Wall (Bing), 180 Gillette, Frank, Wipe Cycle, 98 Gilson, Etienne, 20-21 Gimlett, Max, 28 Gismo (Tinguely), 172 Glass Fish, The (Calder), 126 Glenbow Museum (Calgary), 69 Global Groove (Paik), 99 Gogh, Vincent van, 17,116 Golden Eikonostasio (Antonakos), 123-24 Goldsworthy, Andy: on cracking of sculpture, 26-27,31-34,31 n. 19,32n. 21,33m 24; Getty Center spiral sculpture by, xvii, 25, 26,28-34,30-33; Sheepfolds, 25, 27 190 Mortality Immortality? Gonzalez-Torres, Felix, 39; Untitled (Portrait of Dad), 47-48,47 Gorky, Arshile, 126,142-43; Apple Orchard, uo; WPA Federal Art Project murall, i Ul Götz, Stephan, American Artists In Their New York Studios, 19 Graham, Robert, Olympic Gateway, xvii Graves, Nancy, Over-Under, 122 Greenberg, Clement, 58 Gröting, Asta; Affentanz II, 129; Lädier mit Löchern stopfen, 129 Grunewald, Mattias, Isenheim Altarpiece, 93,94 Guernica (Picasso), 54 Guston, Philip, 102 Guti6rrez, Jose, From Fresco to Plastics, 20 Hague, The, 13-14 Haines, Cheryl, 28 Haines Gallery (San Francisco), 28,30 Hamilton, Richard, 43 Hamlet's Mind (Salle), 126 Hammons, David, 102; Cigarette Chande-lier, 123 Haring, Keith, 54 Hegel, Georg, 6 Heizer, Michael, xviii Hemenway, Nancy, Tipi Waterfall, 179 Henry Art Gallery (Seattle), 169 Henry, Walter, 24 heritage, xv, xvi, xvii, xx, 27; legal rights of public to, 63-65,66; photograph conserva-tion as vital to, 81-84. See also cultuie; Society and social issues Herodotus, The Histories, 7-8 Hesse, Eva, 12; Schema, 49; Tori (nine units), 49 Hicks, Sheila: Baby Bands, 142,142; Back from the Front, 142,143; Flow River Flow, 144,144; Le Demeloir, 141,142 Hill, Gary, 169; Withershins, 167 Hirshhorn Museum and Sculpture Garden (Washington, D.C.), 122 Hirst, Damien, 39; Awayfrom the Flock, 54, 107 Histories, The (Herodotus), 7-8 Hitchhiker's Guide to the Galaxy, The (Adams), 73 Hofmann, Hans, Cathedral, 124 Holocaust Project (Chicago), 150-51, 153 Holzer, Jenny, 46 Hopper, Edward, 13 Hopper, Jo, 11 Hoshour, Harvey, 175-76 House (Bourgeois), 122 House Divided (Nauman), 166 Howard Wise Gallery (New York), 97-98 Hughes, Robert, "Art and Money", 22-23 Human Nature/Life Death (Nauman), 166 Ihn Khaldun, 144 Ice Storm, The (film), 4,4n. 4,5 Ice Storm, The (Moody), 5-6 If Not, Not (Kitaj), 17 Indonesia National Museum (Jakarta), 179, i8on In Exaltation of Flowers (Steichen), 158, 238 Infinite Column (Brancusi), 106; creation of, 107-9, 08; deterioration of, 109-10,109; restoration of, 110-12,111 Inset Wall Piece with Stepped Interior (Win-sor), 123 installation, 123-24,166; correcting errors of, 168-69; of Performance art, 135-40,137, 138,139; and transportation of art, 101-5, 102,103,104,10} International Brancusi Foundation, 110 international Copyright law, 65,65m 2. See also Copyright International Federation of Film Archives, 99,100 Internet, 76,88. See also technology Ionesco, Eugene, Leroise meiert, 40 Iris (Levine), 98 Iron Shoulder (Shelton), 103 Irwin, Robert, 124 Isenheim Altarpiece (Grünewald), 93,94 Ise Shrine (Japan), 91-92,9m Israel Museum (Jerusalem), 142 Iturria, Ignatio, 180-81 James, Henry, 5,6; The Aspern Papers, 4; The Wings of the Dave, 4 Japan (Dorner), 128 Jar Woman #VII (Scott), 78 Jensen, Alfred, Magic Square, 103, leg Jewish Rider, The (Kitaj), 16 Johns, Jasper: Flashlight III, 122; Map, 121,122 Jonas, Joan, Organic Honey's Vertical Roll, 98 Jones-Henderson, Napoleon, 162 Journal of Contemporary Art, 147 Joyce, James, 15 Judd, Donald, 47,166 Kabakov, Aya, 172 Kafka, Franz, 13,15 Kahlo, Frida, 163m 7 Kaprow, Allan, 59-60; Eighteen Happenings in Six Parts, 137-38; Yard, 138,138 Karp, Jesse (critic), 5 Kelly, Ellsworth, 22; White and Grey Panels, 126 Kienholz, Edward: Back Seat Dodge '38, xvii; The Shine on Shine (and N. R. Kienholz), 103,103 Kirkeby, Per, Brickwork, 43 Kitaj, R. B.: Ellen's Back, y; If Not, Not, 1j; The Jewish Rider, 16; The Man of the Woods and the Cot of the Mountain, 14 Klee, Paul, 8 Kline, Franz, 21; Painting Number 2,22; Painting Number One, 122 Klowe, Peter, 30 Klüver, Billy: Nine Evenings, 98; Open Score, 98 Kobayashi, Masakazu, and N. Kobayashi, Sound from the Cosmos, 181 Koons, Jeff, 39 Kounellis,Jannis, 168 Kronenberger, Louis, 35 Kubler, George, 141 Kunsthalle Basel, 46 Kusama, Yayoi: Dress, x; No. TW.3,124; "Silver Shoes", 102 language, art as, 115-19,117,118 Lapis (Whitney), 98 Last Supper (Leonardo da Vinci), 54 Latham, John, Skoob Towers, 139 law and art, 63-66,133 "Leda and the Swan" (Yeats), 7 Lee, Ang (film director), The Ice Storm, 4, 4n. 4,5 Lenoir, Alexandre, xix Leonardo da Vinci, 19; Last Supper, 54 Leonard, Zoe, in Documenta IX, 46,50; Strange Fruit (Jbr David), 45-47,43,46, 48-50 Lerner, Gerda, 147,148 Leslie, Alfred, 102 Levine, Les, Iris, 98 LeWitt, Sol, 39,44; Circle, 124; 21A, 126; WaR Drawing #696, viii, xi-xii Lichtenstein, Roy, Masterpiece, 121,126 Lippard, Lucy, 60 Lives of the Artists, The (Vasari), 19 Loadman, John, 72 Löcher mit Löchern stopfen (Gröting), 129 Long, Richard, River Avon Mud Circle, 124 Los Angeles Coliseum, xvii Los Angeles County Museum of Art, xvii Lowenthal, David, xvi Lynch, David (film director), Dune, 38 Magic Square (Jensen), 203,203 Magnet TV (Paik), 97 Malevic, Kazimir, 54 Maliarme, Stephane, xv Man #3 (Puett), r22 Man, Controller of the Universe (Rivera), 157 Man at the Crossroads (Rivera), 157 Mancusi-Ungaro, Carol, 23-24 Manet, ßdouard, Le drfeuner sur l 'herbe, 8 Man with a Hat (Picasso), 23 Man of the Woods and the Cot qf the Mountain, The (Kitaj), 14 Map (Johns), t2t, 122 Marcel Proust sous l'emprise de la Photographie (Brassar), 82 Marinetti, Filippo, 14 marketplace, 56,76; newness as value in, 21-23,35; role of art dealer in, r65-70 Maroger, Jacques, 36 Martha Jackson Gallery (New York), t38 Masterpiece (Lichtenstein), m, 126 materials: archive on, 7-30, t28,129; diversity of, rr2, rr6,272-72,274; meaning in, xviii, 127-29. See also experimental materials; modern materials Matta-Clark, Gordon, 38,54 McLaughin, John, 203 media art, 36-37,44; conservation of, 93-94; environment for, 85,86,87; history of, 88-89,95-100; reproduetions of, 44,87, 88,89,90-92; and ritual as preservation, 92-93.9221.93- See also technology Medusa's FfyingMoon (Bürden), 203,203 Meier, Richard, as Getty Center architect, 26,27-28,29 Mellon Foundation, 82 Meiling Pkt (M. Delacroix), xiv, xiv mem (Campus), 99 Menard, Louis, 4 Me2iil Collection, The (Houston), 23-24 Mercury's Lamp (Pistoletto), 272-72 Merewether, Charles, 264m 20 Messenger, The (Viola), 92,93,94 Metaphors on Vision (Brakhage), 96 Metzger, Gustav, South Bank Demo, 238-39, 139 Michelangelo, 25,27 Miller, Walter, "A Canticle for Leibowitz", 88 Modernism, 35,37-38; easel painting, 23,14, i}, 16; and types of arts, xvi, 8-9,38. See also art; contemporary art modern materials: conservation methods for, 70-72; conservation progress since 2992,72-74; degradation of, 67-68,68; identification of, 68-70,69,233-34. See also experimental materials Mondrian, Piet, 23-24,37,54 Moody, Rick, The Ice Storm (novel), 5-6 Moore, Henry, 207-8 Index 191 moral rights, 65-66 Morgan, John, 71 Morrison, Reith: A Night in Tunisia, 164; Posse, 161; Walk like an Egyptian, 162; ZombieJamboree, 162 Movie Drome (VanDerBeek), 97 multimedia art, 87, 95. See also media art Münch, Edvard, 17 Murakami, Saburo: Breaking through Many Screens qf Paper, 136-37; Entrance, 136; Peeling Off Painting, 137,137 murals, American, 153-58,154,1%, 156, V7. VS Museu de la Ci6nria de la Fundaciön "la Caixa" (Barcelona), 121 Museum Boymans van Beunigen (Rotterdam), 174 Museum of Contemporary Art (Miami), 46 Museum of Contemporary Art, The (Los Angeles), 38,135 Museum of French Monuments, xix Museum für Moderne Kunst (Frankfurt), Archive of Techniques and Working Materials Used by Contemporary Artists at, 127-30,128,129 Museum of Modern Art (Monterrey, Mexico), 164 Museum of Modern Art, Hie (New York), 38,69, 84,101; conservation at, 20, 81-84, 124; media art support by, 99-100; photo-graphs at, 81-84; private collections lent to, 13-14,121-22,126 Museum of Nonobjective Art (New York), 14 museums, 49-50; and CCI Symposium '91, 67-74; criteria for responsibility, 159-60; media art in, 95-100 Museum Wiesbaden, 139 Namuth, Hans, 59,60 Nanny Now, Nigger Later (Scott), 77 Native American art, 156-57,158,162 nature: destruction of art by, 53-54,155-56, 181-82,182; as vital to character of work, 26,28-30,31-34,33n. 24 Nauman, Bruce, 36,38,166,169,172; Corri-dor (film), 98; Dance or Exercise on the Perimeter of a Square (film), 98; House Divided, 166; Human Nature/Life Death, 166 Negro basura, negro manana (Escobedo), 54 Nesbit, Elaine, 30 Netherlands Institute for Cultural Heritage, 174 Neto, Ernesto, Apolo3, xi, xii Newark Museum, 155,158 Newman, Barnett, 22; Cathedra, 12 newness value, 21-23,35,37,129 New York Times, The, xv Nietzsche, Friedrich Wilhelm, 17; Thus Spake Zarathustra, 11 Night in Tunisia, A (Morrison), 164 Nine Evenings (Klüver), 98 Nine Packed Botties (Christo), 123 Nitsch, Hermann, 38 Norris, Debra Hess, 81 North Dakota Museum of Art (Grand Forks), 175,178,180,181-82 No. T.W.3 (Kusama), 124 Oiticica, Helio, Parangole P22 (Cape 18), 140 Oldenburg, Claes, 56; Standing Mitt with Ball, 125,125 Old Talbott Tavern murals (Bardstown), 155-56 Olympic Gateway (Graham), xvii Open Score (Klüver), 98 Oppenheim, David, xviii Oppenheim, Meret, Untitled, x Organic Honey's Vertical Roll (Jonas), 98 Origin of the World (Courbet), 46 Otozco, Jose demente, i63n. 7 Ortiz, Raphael Montanez, Piano Destruction Concert, 139 Oursler, Tony, 36 Out of Actiotts (Schimmel), 38 Over-Under (Graves), 122 ownership, 63-66,84,121. See also collectors oxidation, 68,72. See also degradation Paik, Nam June, 97,98,105; Global Groove, 99; Magnet TV, 97; Real Fish/Live Fish, 99; TV Eyepiece, 99; Videotape Study #3,97; Zenfor Head, 139 Painting Number One (Kline), 122 Painting Number 2 (Kline), 22 Palace of Fine Arts (Mexico City), 157 Panama Pacific International Exposition (San Francisco), 156, 156,137 Papageorge, Georgie: Site Installation, 176, 177; Suspension, 177-78,177 Parangole P22 (Cape 18) (Oiticica), 140 Park (Sottsass), 102,102 parylene deposition method, 70-71,71 Peeling Off Painting (Murakami), 137,137 Pei, I. M., xi Performance art, 44,135-40,137,138,139 Perugino, Pietro, 19 Philadelphia Museum of Art, Strange Fruit (for David), 45-47,43,46,48-50 photographs, 81-82,95; as documentation, 25,38,59; and prevention of future dam-age, 82-84. See also documentation Piano Destruction Concert (Ortiz), 139 Piazzoni, Gottaido, murals of, 153-54,134 Picasso, Pablo, xix, 8,21; Guernica, 54; Man with a Hat, 23 Pillar (Bourgeois), 126 Pistoletto, Michelangelo: Mercuty's Lamp, 171-72; Venere degli Stracd, 171 Playback 1996 Video Preservation Round-table, 100 politics and art, 163 n. 7; of Papageorge, Georgie, 176-78,177; and people of color in art world, 161-64,1621m. 4,5,6,16411.9; and removal or destruction of works, 109-10,129-30,153-54,178; tourto China, 178-79,180; tour to Indonesia, 179,180 n Polke, Sigmar, Untitled, 103 Pollock, Jackson, 121-22; Füll Fathom Five, 18; intactness of workby, 57-58,61-62; style of painting by, 20,59-60 Porter, Fairfield, 36 Porzner, Helmut, 60 Posse (Morrison), 161 preservation, 12,36-37,61; compromises in, xv, 20-21,83-84,101; and intention of artist, 19,20-24; of murals, 153-54,134; Problems for owners, 101-5,102,103,104, 103; rituals in, 91-93,9in, 93,119. See also conservation; documentation Friere de Toucher (Duchamp), 70-71,7t, 73, 74 Prince, Richard, 9; Drink Canada Dry, 103, 103,105 property, right of, 64,64m See also Copyright Proust, Marcel, 9,15,82 Provincial Museum of Alberta (Edmonton), 69 Prune Fiats (Whitman), 97 Puett, Garnett, Man #3,122 Purple Box (Rossbach), xii Puryear, Martin, 126,166; Alien Huddle, 121 Pythagoras, xvii Rabin, Bernie, 155 Rainbow Shabbat (Chicago), 151,152 Rainer, Leslie, 31 n. 19 Rauschenberg, Robert, 36,54,98; Bed, x; Rhyme, 122,124 Rauschenbeig Overseas Cultural Inteichange project (ROCI), 36 Ray, Charles: Fashions, 169; Table, 105 Real Fish/Live Fish (Paik), 99 reconstruction, 43; of murals, 157-58,137, 138. See also reproduetion Register, John, Cadillac Hotel, tot-2,102 Rehbeiger, Tobias, Smoking, listening,jbr himself—I care aboutyou becauseyou do, 129 Reilly, James, 81 Reinhardt, Ad, 22 Reiss, Winold, 156 relocation of murals, 156 reproduetion, xi, xii, 124,167; and copying as conservation, 66,83,91; of media art, 87, 88,89,90-91; of murals, 156-57; restora-tion vs., 22-23; technical superiority of, 60-61. See also reconstruction Resources of America (Shahn), 155,133,136 restoration, 37,74; compromises in, 20-21; of Infinite Column, 110-12,111; of murals, 154-56; overzealous, 20,22,110-11,155; reproduetion vs., 22-23,87; and value of the work, 21-23 Reynolds, Sir Joshua, 19-20 Rhyme (Rauschenberg), 122,124 Riegl, Alois, "The Modern Cult of Monuments", 21 rights. See law rituals, 139; of preservation, 91-93,9m, 93, 119 Rivera, Diego, 163 n. 7; Man, Controller qf the Universe, 157; Man at the Crossroads, IV River Avon Mud Circle (Long), 124 Rocltburne, Dorothea, 123 Rodia, Simon, Witts Towers, xvii Rai se meurt, Le (Ionesco), 40 Rose, Baibara, 59 Rosenberg, Harold, 35,59 Rossbach, Ed, Purple Box, xii Rot, Dieter, 47 Rothe, Andrea, 142-43 Rothko, Mark, 22-23; Two Greens with Red Stripe, 125 Royal Ontario Museum (Toronto), 69 Rubins, Nancy, Einsteins Place and Mark Thompson's Airplane Parts, 104,105 Rubin, William, 58 ruins, 25-27; Goldsworthy's new, 25,26, 28-34,30-33 Rumi, Maulana Jalal al-Din, 94 Ruskin, John, 20,74 Ruthenbeck, Reiner, Verspannung II, 130 Ryder, Albert Pinkham, 13,17 Ryman, Robert, 36,125,168 Sale, Don, 72 Salle, David, Hamlet's Mind, 126 Sandbetg, Will, 142 Sandoval, Arturo, 178,179 San Francisco Museum of Modern Art, 9, 149 San Francisco War Memorial murals, 156, V. 157 San Jose Museum of Art, 28,32 Sayre, Elizabeth, 39 192 Mortality Immortality? Scarecrow Knows Who Won, The (Scott), 7 Scheidemann, Christian, 47 Schema (Hesse), 49 Schimmel, Paul, Out of Actione, 38 Schneider, Ira, Wipe Cycle, 98 Schwanz, Gary, "Ars Moriendi: The Mortality of Art", 53 Scott, Joyce J.: Coffeine, 78; Jar Womon #VÜ, 78; Nanny Now, Nigger Later, 77; The Scarecrow Knows Who Won, 78 Serra, Richard, 47,166; Titled Are, 12 Settis, Salvatore, 28 Seurat, Georges, Sunday Aftemoon on the Island of La Grande Jatte, 147 Seward Park Housing project (New York), 154 Shahn, Ben, Resources of America, 155, 'SS, '56 Shahn, Bernarda Bryson, 155 Shapiro, Joel, Untitled, 122 Sharits, Paul, T, 0, U, C, H, I, N, G (film), 98 Sheepfolds (Goldsworthy), 25,27 Shelton, Peter, Iran Shoulder, 103 Shine on Shine, The (Kienholz and Kienholz), 103,103 Siegel, Eric, 98 "Silver Shoes" (Kusama), 102 Siqueiros, David Alfaro, 20,58,163n. 7; Amirica Tropical, xvii Site Installation (Papageorge), 176,177 site-speeifie art, 34,55-56,35,36,124 Skoob Towers (Latham), 139 Sleep of Reason, The (Viola), 90,91 Smith, Jack, Fläming Creatures (film), 96 Smith, Kiki, Train, 102,103 Smithson, Robert, xviii, 26; Corner Mirror with Coral, 126 Smith, Tony, 121-22; Cigarette, 122 Smoking, listening, for himself—I care aboutyou becauseyou do (Rehberger), 129 Society of Motion Picture and Television Engineers (SMPTE), 89-90 society and social issues, xix, 49,76,130. See also culture; heritage Soho, Takuan, 87,94 Solomon R. Guggenheim Museum (New York), 103,160,169 solvents, hazards of, 67,72 Sottsass, Ettore, Park, 102,102 Sound from the Cosmos (Kobayashi and Kobayashi), 181 South Bank Demo (Metzger), 138-39,139 Spector, Nancy, 169 Spiral sculpture, by Goldsworthy (Getty Center), xvi, 25,26,28-34,30-33 Spoerri, Daniel, 138 Städtische Galerie (Frankfurt), 169 Standing Mitt with Ball (Oldenburg), 125,123 Stanford University, Conservation OnLine (CoOL), 24 Stedelijk Museum (Amsterdam), 172 Steichen, Edward J., In Exaltation of Flowers, 158,138 Stein, Gertrude, zur Stevens, David, i62n. 5 Stevens, Nelson, i6an. 5 Stieglitz, Alired, 9,10,12 Stopping Mind, The (Viola), 86, 87 storage, 126; anoxic, 68,70,74; dangers and risks of, 181-82,182 Storm King Art Center (Mountainville), 27, 125 Strange Fruit (for David) (Leonard), 45-47, 45,46,48-50 Sunday Afternoon on the Island of La GrandeJatte (Seurat), 147 Suspension (Papageorge), 177-78,177 Swedish Corrosion Institute, 110, m Sylvester, David, 21 Sylvester n (pope), xvii synthetic materials. See modern materials Table (Ray), 105 TflWe of Silence (Brancusi), 108,112 Tambellini, Aldo, 98; Black Zero (film), 97 Tanaka, Atsuko, Electric Dress, 137 Tansey, Mark, Conversation, 122 Täte Gallery (London), 24,37,169-70 Täte Gallery of Modern Art (London), 41-44 technology, 77-78,166; Archive of Tech-niques and Working Materials Used by Contemporary Artists, 127-30,128,129; FT-IR for material identification, 69,69; and loss of aura, 54-55; Photographie, 81-84; progress in, xvii, 12,24,43,60-61, 76, See also experimental materials; media art television, 97-100,101. See also media art Ten Most Wanted (Warhol), 9 Thiebaud, Wayne, Cake Window (Seven Cakes), 120 Thomas Aquinas, St., xviii Thoreau, Henry David, 17 Three Transitions (Campus), 99 Thus Spake Zarathustra (Nietzsche), 11 time and art, x, xvi, xvii, 25,26 Time of the Fire, The (de Kooning), 122, 124-25 Tinguely, Jean, 12,60; Gismo, 172 Tipi Waxerfdä. (Hemenway), 179 Titled Are (Serra), 12 Tori (nine units) (Hesse), 49 T, O, U, C, H, I, N, G (Sharits), 98 Toulouse-Lautrec, Henri de, 147 Train (K. Smith), 102,103 transience of works, 19-24,62,73 transportation of art, 36,41; dangers and risks in, 54,6i, 87,160,175-82; for identification of materials, 69,69; and installation of experimental materials, 101-5,102,103, 104,105 Turner, William, 20 Turrell, James, 28; Second Meeting, 105,103 Tuttle, Richard, Waferboard no. 1,121 TV Eyepiece (Paik), 99 21A (LeWitt), 126 Two Greens with Red Stripe (Rothko), 125 Twombly, Cy, Untitled, 122 2001; A Space Odyssey (film), 8 U.S. Capitol, 154-55 U.S. Information Agency (USIA), 178,179 U.S. Library of Congress, 154-55 U.S. National Archives, 81 U.S. National Endowment for the Arts, 12, 76-77,175 U.S. National Museum of American History, xv U.S. National Portrait Gallery, 178 Untitled, Blower #5 (Blum), 128 Untitled (Portrait of Dad) (Gonzalez- Torres), 47-48,47 values of works of art, 21,57,159 VanDerBeek, Stan, Movie Drome (film), 97 Varia, Radu, 110 Vasari, Giorgio, TheLives of the Artists, 19 Vautier, Ben, Ben's Window, 138,138 Vettere degti Stracci (Pistoletto), 171 Vorspannung II (Ruthenbeck), 130 video art. See media art Videotape Study #3 (Paik), 97 Viewers: appreciation by, 37,60,83; relation-ship between object and, 47-48,47,50, 144 Viola, Bill: The Messenger, 92,93,94; The Sleep of Reason, 90,91; The Stopping Mind, 86, 87 Visual Artists Rights Act (VARA), 65,65 n. 3 Vostell, Wolf, 97 Waferboard no. 1 (Tuttle), 121 Walker Art Center (Minneapolis), 138 Walk like an Egyptian (Morrison), 162 Wall Drawing #696 (LeWitt), viii, xi-xii Wall of Respect, The (Community Mural-ists), 158 Warhol, Andy, 11,54,99-100; Brill0 Box, 10; Eat (film), 97; Ten Most Wanted, 9; "Time Capsules" archive, 8 Watts Towers (Rodia), xvii Weiner, Larry, 60 Wexner Center for the Arts (Columbus), 121 White and Grey Panels (Kelly), 126 White Torso (Bourgeois), 122 Whitman, Robert, Prune Fiats (film), 97 Whitney, James, Lapis (film), 98 Whitney Museum of American Art (New York), 87,99-100 Wilhelm, Henry, 81, 82 Williamstown Art Conservation Center, 70,73 Wilson, Fred, The Conversation, 122 Wings of the Dave, The (James), 4 Winsor, Jacqueline: BurntPiece, 126; Inset Wall Piece with Stepped Inferior, 123 Wipe Cycle (Schneider and Gillette), 98 Withershins (Hill), 167 Wojnarowicz, David, 46 Wolanin, Barbara, 155 Wollheim, Richard, 84 Woman (Frank), 123,123 womeris art, place in the art world for, 147-52,148,130,131,132,161-64,161,162, 164. See also names of individual artists Woodman, Betty, Balustrade Vase 933,123 Woodman, Donald, 150 World International Property Organization (WIPO): Copyright Treaty, 66; Performances and Phonograms Treaty, 66 World Wide Web, 88,95. See also technology WPA Federal Art Project murals (Gorky), 155,158 Wrapped Newspaper (Christo), 122 Xu Bing: Book from Sky, 180; Ghosts Pound-ing on the Wall, 180 Yard (Kaprow), 138,138 Yeats, William Butler, "Leda and the Swan", 7 Yokohama Museum of Art (Japan), 121 York University Art Gallery (Toronto), 121 ZenforHead (Paik), 139 ZombieJamboree (Morrison), 162 |
