| Volltext: | INDEX in following page nttmhei indi,alci nutrì in maigtii: page numheis in itali,s indi,ale illinlialion.i) Ahunlhe (ile 14.1S, ili7 ( 1 ) / Hit Ahunlhe Dunkel (M.uirl, llìyu) 77 Absli .11 I .ili 330 2, i')li. ( V I Absli.u I Espi t xxiunisitl j ,(|, ; —.} Allusiti militi! Dirimig linonii (Degas. 11{1 — H ) ih] Ailiniiiihon 11 )eg.is, 1 .1 8 8 0 ) ih.' Alexis, l'.itil, 222 A loti nin I.inni H iif't: I ht lim in dt hi !• tinnir Smini or ( Renoir. 1 UH 1 ) 284 Audi e, Allii i t: un Reutin 2 1 4 1 -, Augi .ind. ( dim les 22 1 l ht Afiothroin of Drhit ion ( s l n t l \ I n i ) ( C r / . i n n r , 1801-4) 14IÌ Apple l'i, king al Fuigny-un • Fple (l'issano. 1888t Sii .ut hilct [tue: modem 324 A i g r n l r u i l ( M a u e l , 1H74) I I n n a r i : p . i l i u n . i g r 2 1 2; 1ep1esenlalion. i l s a l i l e 32 1 -4; l e a c h i n g m e t h o d s s i 4t i /ht Alitil i Floating Studio ( M o n e l . 1874 I / . • , • ì he Altai's Situilo, littr dr hi ( .'ondmninr (Ba/ille. 1870) Ir] Aipaiagui ( M a u e l . 1 f i l i t i ) 77 Al the (.lift, lindi of legi ( M a u e l , t. 18H0) i ff/ .1/ lilt Milhnei 1 ( Renoir. 1.1tt—}t) 777 Al t nut of (.'hfilnul l'ita (Sisles. 18(171 44 A: tnur de l'Opriti. Suit on 11 nitri Mommo ( P i s s a r r o . l K i | f i ) Si.' Hat liei a 1 cl, ( .astuti 374; on plis sit al storiti ami porlir 1111.min.mon iiâ ' - "1 Hie lliii hu ondi of ihr IImmillile. I'nnlonr ( P i s s a r r o . 1 f i 7)) .nu Hit Hiihony (Mauel. t!i( fi-i|) 6311. 7) limihi of ihr Shunt in I I miti ( l ' i s s a n t i , i f i l i l i ) 5 0 Hm öl ihr LolieiBctgcic ( M a u e l , 1881-2) ."fj Barr. Allieti: on Cr/anne 332 B.ixlien-I.epugc, Panile 135 Hiilhri Daino liti Leg (Renoir. 1805) -1'" The Hill/ini (variant) (Renoir. itjni-3) g-,7 Baudelaire. ( diaries 1 oft: correspondence ss idi Mane! 30-.pi; l'olitati of Hiiiidtlant (Cl.irjat. r. ifÌ7t|) 40; l'iofdt l'oiliail of Haudtlaiir (Mauel. 1 f i l o ' i 77 Hiiiidflniit'i Mulini finimmo ( M a u r i . I fili.') lii Ba/ille. lrrdéric: cori cs| ondrncc st illi Mone! 54-5. 58. 'u — ;ì: correspondent''e st illi parents 7)—lìti; The Alial i Studio. Rue dr la Condaminr ( 1H70) lì',: Manti al Ha làuti ( 1869) ;{*/: Self-Pniliail with l'alrllr (e. 1865) 7.V; Itew of ihr Iillagr ( 1 fi(ift) 44 lie,uns . in ari 327-8 Bell, (dise: 011 Impressionists 326-9 Ber l a l l : t a r i t a l i n e a i O l y m p i a ( 1 8 6 5 ) f f ) licitile Mmimt willi a Hoiu/utl of Violets (Mauel. Ifi7/) 24 Hrrlhr Minimi with a Tan ( Mauel. I f!7.} ) ltd1 Rie/. Jacques de: on Mauel 148-51 Ruth 11/ Venus (( (aliant i, 1863) 47 Bléninnt. Panile: on Imprrssionisls 07 Roatmi; (Mauel. 1H74) V-*- 111111 Bonnard, Pierre 396 Hntilr, (il,ai and Tiuit (ht Daini) ((avallile. IH 7 4 — 7 ) Uff Bout lier. Francois .'Ufi Boudin. Pulzèlle 5,/. 84. 264, 372 Houltraid da (iaputina ( M o n e l . 1H 74 ) f i 3, 66. i f t f i Bi aoqueniond, Felix 85. 172 Brat((iiemoud. Marie 172 B r a n i l i 111. ) a t q i i e s - P a n i l e f i 4 — 5 Rtrak up of flit Ite (Monel. ifìfio) 777 Hit Budge al Rougirai ( M o n e l , I869) 74 The Bridge al l'illrnrinr-la-Gatenne (Sislcy, 1 li7v) Od Brus as, Allieti 55 l'hr Ruffel (Cézanne, 1 fì72 — 7) UH l'hr HullJight ( M a u e l , 1 f i l i . ) - 5) 21 BiUor. Mieliel: 011 Monel 364-3 ('.abant'I. Alexantlre fi',; Hirlh of Venus ( 18(13) 49 (iahassud Houses al ì'illr d'Array (Corot, c. 1852) .55 'Ihr Cabbage Halli in Marth (Pissarro) 21b The (.'//'(Renoir, 187(1/77) '7M Cale tie la N'ousellc-Athènes 77 Café-Concert a! Les Ambassadeurs (Degas, 1876-7) 7/7 Caillrbotte, (ìuslave 130, 171-4, 185; 77if Floor-Scrapers (1875) 118; Game of Hegique (1880) 185, 767; Marine (c. 1880) 185; Paris: A Rainy D a y ( 1 8 7 7 ) u f f Cals. Adolphe 85 Camille on her Deathbed (Monet, 1879) if/.f T h e C a n o e i s t s ' L u n c h e o n ( R e n o i r , 1 8 7 9 - 8 0 ) l H f j Cap d'Antihes. Mistral (Mone!, 1888) yo ? Cardon, Pillile: 011 Exhibition of Révoltés 81-3 Carjat. Etienne: Portrait of Baudelaire (/. 1879) 40 Caroliis-Duraii, (diarles-Pmile 63 Carriage in the Hois de Boulogne (Morisot, 1889) 184 Carriera. Rosalba 278, 287 Cassati. Mary I 74; Feeding the Ducks (1895) 257; Mother and Child against a Crren Background ( 1880) i2o\ Portrait of Alexander Cassati and his Son (.884)276 Caslagnary, Jules: 011 exhibition 83-6 Cathedrals series (Monet) 245, 264, 349, 354, 361 Cézanne, Paul iffti, 271, 322, 332, 355, 360, 369; characteristics 191-2; criticism of 190; friendship svith Chocquet 145-6; realism 325, 326; s iesvs on art 211, 34911 Cézanne, Paul: storking methods 357 Cézanne, Paul: 77te Apotheosis of Delacroix (study for) (1891-4) 146 Cézanne, Paul: Bottle. Glass and Fruit (Le Dessert) (1873-7) ^9 Cézanne, Paul: The Buffet ( 1872 — 7) 6 9; House of the Hanged Man (1873-4) 83; Landscape (1879-82) 70; Modern Olympia (1872-3) 83; Portrait of Gustale Geffroy (1895) 266; Portrait of Paul C è gamie (Pissarro, 1874 ) iffO'. Portrait of Victor Chocquet (r. 1877) 747; Study: Landscape at Auiers (c. 1873) 77/; Victor Chocquet (study) (1878-80) 146 Cham: caricatures 74, toy, 188 Chanteuse in a Café-Concert (Degas, 1880) 141 Charigot, Aline 200 Charing Cross Bridge (Monet, 1903) 777 Charpentier, Marguerite 196-7 Charteris, Evan: 011 Sargent 319-20 The Chemin de By through Woods at Roches-Courlaul. Si Martin's Summer (Sisley, 1880) 280 Chesneau, Ernest: 011 exhibition 86-8 Children's Afternoon at IVargemont (Renoir, 1884) ig8 Chintrcuil, Antoine 122 Chocquet, Victor 145-6; Portrait of Victor Chocquet (Cézanne, c. 1877) iqy\ Portrait of Victor Chocquet (Renoir, 1875) 777; Victor Chocquet (study) (Cézanne, 1878-80) /46 (dark, Kenneth: 011 landscape in art 360-2 Classical (reek art 51 Clemenceau, Georges 346; 011 Monel 195-6, 318-19 Climbing Path in the Hermitage, Ponloise (Pissarro, 1875) 67 The Clouds (Monel, 1922-6) 747 Colin, Gustasc 85 colour: cons eyed by dots 221, 222-3; division 0(221, 239, 269, 294; liberation of 361-2; optical mixture 294; unity 329-30 Constable, John 369 Corot, Jean-Baptiste-Camille 56, 130, 198, 212, 295; Cabassud Houses at Ville d'Array (c. 1852) 77 Côte du/allais (Pissarro, 1867) 61 Courbet, Gustave 133, 325, 326, 364 Cross, Edmond 327 Cross . Thomas: 011 Modernism 367-8 Cubism 325-6, 359, 365-6 The Cup of Chocolate (Degas, 1900-5) 142 375 The Curtain (Degas, c. 1880) 140 The Customer (Degas, 1876—85?) 160 The Customs Officers' Cabin at Pourville (Monet, 1882) 507 Dance at Bougival (Renoir, 1883) 284, 371 Dance Examination in the Theatre (Degas) 83 Dancing at the Moulin de la Galette (Renoir, 1876) 126-7 Dancing Couple (Renoir, 1883) 200 Daumier, Honoré: caricature of Monet painting 250; caricature of Olympia (1865) 4g; In the Studios (1862) 126; Landscapists3g; Landscapists at Work ( 1862) 57; Nadar Elevating Photography to the Height of Art ( 1862) 82 David, Jacques-Louis 325 David and Goliath (Degas, 1864) 113 'decorative' 269—71 Degas, Edgar 64, 103, 123, 124, 133, 168,170, 355; character 172; as collector 79; criticism of other artists 172; depicting dancers 162-5; depicting ground 166; depicting horses 153-4; depicting women 159-64, 167-9; extracts from notebooks 74-6; form and formlessness 166-7; innovations 162-5; intellectuality 78; landscapes 166; mimicry 167-9; rivalry with Manet 77; as sculptor 155-6; talent 127-8; working methods 152, 169-70; Absinthe (1876) 150; Actresses in their Dressing-Rooms (1879-80) i6y\ Admiration (c. 1880) 162; Café-Concert at Les Ambassadeurs (1876-7) 117; Chanteuse in a Café-Concert (1880) 141; The Cup of Chocolate (1900-5) 142-, The Curtain (c. 1880) /40; The Customer ( 1876-85?) 160; Dance Examination in the Theatre 83; David and Goliath (1864) 7/3; Edmond Duranty (1879) g8; Édouard Manet and Madame Manet (e. 1865) 78; Horse with Jockey 134; Interior (The Rape) (1868-9) "4\ Landscape (1890-3) 144-, The Little Dancer of Fourteen (c. 1881 ) 155-6, 133, 158; Mary Cassatt at the Louvre (1879-80) 64; Mile Be'cat at the Ambassadeurs (c. 1877) 157,137; Nude Stepping out of the Bath ( 1895-1900) 143; Petites Modistes ( 1882) 159; Photograph of a Nude: After the Bath (1890-96) 168; Portrait of Manet (1864-6) 77; Portrait of Michel-Lévy (1873) 113; Rehearsal of the Ballet on Stage 83; Renoir and Mallarmé (photograph) 28g; Seated Nude drying her Neck and Back ( 1890-95) 159; Self-Portrait 74; Self-Portrait (1857) 131; The Song of the Dog (f.1875-8) 116; Visit to a Museum (1877—80) 138', Woman Getting out of the Bath (1877) 13g; Woman Getting out of her Bath ( 1879-80) 161 ; Woman Trying on a Hat at the Milliner's (1882) 159; Women on a Café Terrace, Evening (1877) 128, 137 Déjeuner sur l'Herbe see Luncheon on the Grass Delacroix, Eugène 270, 323 Delaroche, Paul 325 Departure of the Folkestone Boat (Manet, 1869) 42 Devérias, Eugène 325 Diana, the Huntress (Renoir, 1867) 57,37 Diderot, Denis: on drawing 99 Doing the Washing (Manet, 1874) 110, 111, 112 Doré, Gustave: The Last Day for Sending in 80 drawing from nature 99-100 Dubois-Pillet, Albert 220 Duez, Ernest-Ange 135 Durand-Ruel, Paul 83, i75n; correspondence with Monet 275 Durand-Ruel Gallery: exhibitions 97—104 Duranty, Edmond: on exhibition 97-103; Edmond Duranty (Degas, 1879) ,9 9 Duret, Théodore: on Impressionists 131-3 Dutilleux, Constant: photo of Corot 36 Edmond Duranty (Degas, 1879) g8 Édouard Manet and Madame Manet (Degas, c. 1865) 78 Ehrenzweig, Anton: on Cubism 365-6 The Empty Boat (Monet, 1890) 2gi English school 121 Épinal: prints from 53 The Execution of the Emperor Maximilian [Manet, 1868) 110 exhibitions: artists included 171—4; in Berlin 188-g; Fourth, on avenue de l'Opéra 133-5; ofRévoltés (boulevard des Capucines) 81-8; Salon des Indépendants 219-21; Second, at Durand-Ruel's 97—104; Seventh, at rue St-Honoré 176, 185—7; Sixth, catalogue from 173—4, 174\ Third, in rue le Peletier 126-30 Fantin-Latour, Henri 39, 64, 122; Studio in the Batignolles Quarter (c.1870) 3gn A Farmyard near Sablons (Sisley, 1885) 281 Faure, Jean-Baptiste 83, 265 Feeding the Ducks (Cassatt, 1895) 237 Fénéon, Félix: on Salon des Indépendants 219-21 The Floor-Scrapers (Caillebotte, 1875) 118 Fontainebleau School 56 Fragonard, Jean-Honoré 56 frames: function 121 Franco-Prussian War i85n Fromentin, Eugène ioon Gabrielle and Jean (Renoir, 1906) 283 Gabrielle with Jewellery (Renoir, c. 1910) 286 Game of Bezique (Caillebotte, 1880) 185,183 The Gare St-Lazare (Monet, 1877) 207 Gauguin, Paul 331, 332, 355; Nude (1880) 7 7 2 ; View of the Church of Vaugirard ( 1881 ) 185 Geffroy, Gustave: on Degas 158-62; meeting Monet 246; on Monet 247, 267-8; Portrait of Gustave Geffroy (Cézanne, 1895) 266 Gérôme, Jean-Léon 85 Gervex, Henri 135; The Jury for Painting, Salon des Artistes Français (1885) 174 Gillet, Louis: on Monet 292-302, 317 Girl in a Boat with Geese (Morisot, c. 1889) 181 Girl with a Fan (Renoir, c. 1880) 186 Gleizes, Albert: on Cubism 325-6 Gleyre, Charles 56-7 Goncourt, Edmond andjules: Manet compared to 148—51 A Good Glass of Beer (Manet, 1873) no Gowing, Sir Lawrence: on Renoir 369-71 Grainstacks (Monet, 1891)3/0 Grainstacks, Snow Effect (Monet, 1891)309 Grainstacks, Sunset (Monet, 1890—1) 311 Green Reflections (Monet, 1914-18) 343 Greenberg, Clement 374; on Monet 355-60 La Grenouillère (Monet, 1869) 62,368 La Grenouillère (Renoir, 186g) 63 Guillaumin, Armand 186 Gutenberg, Johann 324 Hanging the Laundry out to Dry (Morisot, 1875) 304 Harrison, Alexander 275 The Haystack, Pontoise (Pissarro, 1873) 72 Haystacks (Grainstacks) (Monet, 1891)3/0 Haystacks (Grainstacks), Snow Effect (Monet, 1891) 309 Haystacks (Grainstacks), Sunset (Monet, 1890-1)3// Haystacks series (Monet) 245, 267-8, 274, 296, 320-1, 361, 373 The Hermitage at Pontoise (Pissarro, 1867) 46 Hiroshige, Utagawa: Numazu. Yellow Dusk 230; Wisteria300 Hobbema, Meindert igg Hofmann, Hans 374; on aims of art 329-30 Hokusai, Katsushika: Kajikazawa in the Province of Kai 131 Horse with Jockey (Degas) 134 Hoschedé, Alice 244; letters to 244, 271-3 Hoschedé, Suzanne: Portrait of Suzanne Hoschedé with Sunflowers (Monet, c. 1890) 264 The House at Rueil (Manet, 1882) 22g House of the Hanged Man (Cézanne, 1873-4) $3 Huret, Jules: on Mallarmé and Symbolism 288-90 Huysmans, Joris-Karl: on Cézanne 191—2; correspondence with Pissarro 189-90; on Degas 157-8; on exhibition 176, 185-7; on painters 189-90; on Pissarro 216 The Icefloes (Monet, 1880) 187 imagination: physical world and 351-5 Impression (Monet, 1874) 220 Impressionism: achievements 362; aims 85-6, 97, 125; attitude to public 356; characteristics 82; criticisms of 128-9, 33°i definition 129; development 323; embracing nature 100-1 ; evolution 131; eye of 188-9; fragmentation of picture 366; importance of 326—9; Japanese influence on 131-2; light and colour in 98-9, 131-3,294; 376 meaning 319-20; moral aspect 331-2, 367^ name 128; power of first experiencing 320-1 ; reactions against 330-2; realism in 321 -4; scientific representation in 326-7, 328-9; sociability in 331-2; spirit of 220; technique 221; use of term 220; viewing 130 The Impressionist Painter (Cham, 1877) 103 Impressionist Picnic - Souvenir of Summer ( 1881 ) 132 In the Conservatory (Manet, 1879) 22^ In the Studios (Daumier, 1862) 126 Ingres, Jean-Auguste-Dominique 79, 325; Jupiter and Thetis (1811) 79 Interior (The Rape) (Degas, 1868-9) n4 Intransigents 56, 88, 97n, 109, 125 IsleofWight: painting in 105-7 Jacquemart, Jules 63 Jameson, Frederick: ideas on Impressionism 319-20 Japanese art: influence on Impressionists 131 —2 The Japanese Footbridge (Monet, 1912-15) 779 Jeanniot, Georges: on Degas 169-70 Jongkind, Johann-Barthold 15t Julie Manet with her Greyhound Laertes (Morisot, 1893) 277 Jupiter and Thetis (Ingres, 1811) 7g The Jury for Painting, Salon des Artistes Français (Gervex, 1885) 777 Kajikazawa in the Province of Kai (Hokusai) 131 Kandinsky, Wassily: on first experience of Impressionism 320-1; on Monet 373, 374 Kitchen Garden and Trees in Blossom, Spring, Pantoise (Pissarro, 1877) 203 Krauss, Rosalind E.: on Manet 362-4 Laforgue, Jules: on Impressionism 188-9 Lamothe, Louis: Origin of Drawing 81 Landscape (Cézanne, 1879-82) 70 Landscape (Degas, 1890-3) 777 landscapes: Impressionists' depiction of 360-2; light on 188-9; mobility of 188-9; subjects for 295-6 Landscapists at Work (Daumier, 1862)57 Landscapists (Daumier, 1866) 59 Laurent, Méry 108 Lecomte, Georges: on "decorative" 269-71 Léger, Fernand: on realism in art 321-4 Legros, Alphonse 172 Lepic, Ludovic-Napoléon 172 Lépine, Stanislas 84 light: effect on colours 269, 270; problems of depicting 197-9; as seen by Impressionists 98-9, 132-3; unity 329—30; uses of 293-4 The Little Dancer of Fourteen (Degas, c. 1881 ) 155-6, 755, 158 London, The Houses of Parliament: Sun Breaking through the Fog (Monet, •904)13.5 Luce, Maximilien 221 Luncheon of the Boating Party (Renoir, 1881) 186, 233, 362, 371 Luncheon on the Grass (Manet, 1863) 110 Luncheon on the Grass (Monet, 1865) 249 Luncheon in the Studio (Manet, 1868) 74 Madame Chocquet (Renoir, 1875) 136 Mallarmé, Stéphane 108, 153, 28g, 3 7 3-4; correspondence with Morisot 276—8; on Impressionists and Manet 108—12, 121—5; on Symbolism 288—90; on White Water-Lily 290—2; Portrait of Mallarmé (Whistler, 1894) 29° Portrait of Stéphane Mallarmé (Manet, 1876) 223 Manet, Édouard 31, 108; appearance 76; burial 216; compared to Morisot 287; compared to Zola and Goncourts 148-51; correspondence with Baudelaire 39-40; courage in art 76-7; early works 108; elegance 52; influence 121—3; instinctiveness 78; as leader of group 88; models used 364; originality 50-3, no, 121; realism 325; rivalry with Degas 77; sea-pieces 121; tonal values 52—3; views on painting 109—10; vision ofNature 51— 3; weaknesses 134-5; The Absinthe Drinker (1859) 17; Argenteuil (1874) 1 ton; Asparagus (1880) 95; At the Café, study of legs (c. 1880) 779; The Balcony (1868-9) 22, ^3n' 741 Bar at the Folies-Bergère (1881-2) 23p, Baudelaire's Mistress Reclining ( 1862) 18; Berthe Morisot with a Bouquet of Violets (1872) 23- Berthe Morisot with a Fan ( 1874) 106; Boating (1874) 92, 11 on; The Bullfight (1864-5) 2I \ Departure of the Folkestone Boat (1869) 72; Doing the Washing ( 1874) 110,777,112; Édouard Manet and Madame Manet (Degas, c. 1865) 78; The Execution of the Emperor Maximilian ( 1868) 110; Exhibition of Paintings ( 1876?) 75; A Good Glass of Beer (1873) no; The House at Rueil ( 1882) 22g; In the Conservatory ( 187g) 228; Luncheon on the Grass (1863) 110; Luncheon in the Studio (1868) 74; Manet at His Easel (Bazille, 186g) 59; Masked Ball at the Opéra ( 1873-4) no; Mlle Victorine in the Costume of an Espada ( 1862) 20; Monet Working on his Boat, Argenteuil (1874) 7 22;Nana (1877 ) 226; The Nymph Surprised (1859-61) 362—4,363; Olympia (1863) 40, 49, 1 to; Olympia caricature (Bertall, 1865) 79; Olympia caricature (Daumier, 1865) 79; On the Beach at Boulogne ( 1869) 73; The Plum ( 1878) 131 ; Portrait of George Moore (1879) 97; Portrait of Manet (Degas, 1864-6) 77; Portrait of Stéphane Mallarmé (1876) 223; Portrait of Victorine Meurent (1862) ig; Profile Portrait of Baudelaire (1862)59; The Railway (The Gare St-Lazare) (1872-3) 27, 110; Reading "L'Illustré" (1879) 227; Roses in a Champagne Glass (1882) g6; Rue Mosnier with Flags (1878) 95; Still Life with Pear ( 1880) 79; Woman Writing ( 1862-4) j8 Manet, Julie 278 ; Julie Manet with her Greyhound Laertes (Morisot, 1893) 278 Manet, Suzanne: Édouard Manet and Madame Manet (Degas, c. 1865) 78 Mantz, Paul: on Degas 155-6; on Salon 73-4 Manuel, Henri: photograph of Monet 336 Manzana-Pissarro, Georges: Impressionist Picnic - Souvenir of Summer ( 1881 ) 132 Marine (Caillebotte, c. 1880) 185 Martinet, Louis 8in Mary Cassati at the Louvre (Degas, 1879-80) 67 Masked Ball at the Opéra {Manet, 1873-4) 110 Masson, André 374; on Monet 349-51 Maternity (Aline and Pierre) (Renoir, 1887) 209 Metzinger, Jean: on Cubism 325-6 Mirbeau, Octave: on Monet 247-54 Mlle Bécat at the Ambassadeurs (Degas, c. 1877) 157,757 Mile Victorine in the Costume of an Espada (Manet, 1862) 20 Modern Olympia (Cézanne, 1872-3) 83 Modernism 367-8 Monet, Camille-Léonie (née Doncieux) 58 Monet, Claude 133, 272, 271, 295,301,330,336; abstractness of art 358; appearance 56, 57; appreciative of contemporaries 265; capturing time and season in painting 251-2; choice of subjects 360-1; colour and light in work of 349-51 ; concern with unity and harmony 358-9; correspondence with Alice Hoschedé 244, 271-3; correspondence with Bazille 54-5, 58, 62-3; correspondence with de Bellio 239; correspondence with Durand-Ruel 243, 275; correspondence with Duret 240-1; correspondence with Geflroy 266-7, 2751 correspondence with Renoir 274; criticisms of work 263-4; early days 56-7, 264-5, 369; exhibiting at Salon 240-1; exhibition of series paintings 372; exhibitions 253, 267-71; eyesight problems 301 -2, 317; finishing paintings 263; flower paintings 249; genius 293-4; harmony of colours 195-6; importance of 349-51 ; on Impressionists 241-2; influences on 249, 350; landscapes 187, 295-6; later work 355-60; love of garden 265; need for money 239; originality 248; painting from life and photographs 275; painting Gare St-Lazare 104-5, I271 painting sea 245-6, 247, 249; painting storms 245-6; paintings caricatured 230; people in landscapes 273; personality 357; philosophy of painting 263; portrait (Nadar, 1899) 297; portraying the transient 364-5; problems with work 243, 266-7, 271-3, 276-7, 357; realism 325-6; self-criticism 357; series paintings 273-4, 296-9; special gift 122; studio 272, 302; success 252-3, 265, 356; technique 251-2, 372-3; tenderness 265; on term Impressionism 320; transition period 249; travels 372-3; use of light 253-4, 268; weaknesses 258-9; women in paintings 249; on working methods 241-2; working methods 357; The Artist's Floating Studio (1874) 123; Boulevard des Capucines (1873) 83, 86, 88; Break-up of the Ice [Icefloes) (1880) 187, /95, 265; The Bridge at Bougival (1869)57; Camille on her Deathbed (1879) 797; Cap d'Anlibes, Mistral (1888) 308; Cathedrals series 245, 264, 349, 354, 361; Charing Cross Bridge (1903) 337; The Clouds (1922-6)57/; The Customs Officers'Cabin at Pourville (1882) 507; The Empty Boat (1890) 2gi; The Galettes 349; The Gare St-Lazare (1877) 207; Grainstacks ( 1891 ) 310; Grainstacks, Snow Effect ( 1891 ) 309; Grainstacks, Sunset ( 1890-1)3//; Green Reflections (1914-18) 373; La 377 Grenouillère (1869) 62,368-, Haystacks series 245, 267-8, 274, 296, 320—1, 361, 373; Impression: Sunrise (1874) 220; The Japanese Footbridge ( 1912-15) 559; London, The Houses of Parliament: Sun Breaking through the Fog ( 1904) 335; Luncheon 88; Luncheon on the Grass 249; Monet Working on his Boat, Argenteuil (Manet, 1874) 122; Morning (1916—26) 34/; A Morning on the Seine (c. 1897) 3/; Mornings series 297, 299; The Pianist ( 1858) 36', Poplars ( 1891 ) 230,334; Portrait of Suzanne Hoschedé with Sunflowers (c. 1890) 264; Regatta at Argenteuil (1872) 365; Rocks at Belle-Isle (1886) 246, 246-, Rouen Cathedral in Full Sunlight (1894) 361; Rue St-Denis, Festivities of June 30, 1878 (Rue Montorgueil Decked with Flags) (1878) 206; Saint-Germain-l'Auxerrois 349; The Seine at Bennecourt ( 1868) 47; The Seine at Lavacourt ( 1880) 240; The Signal, Gare St-Lazare (1876) 103; Storm at Étretat 349; The Studio-Boat (1876) 303; Sunset on the Seine, Winter Effect (1880) 240; Thames: Parliament (1871)35; Torrent, Creuse (1888-9)333; The Tuileries (1875) 2o8\ Under the Lemon-Trees, Bordighera (1884) 306; Vétheuil in the Fog (1879) 204; Ve'theuil in Summertime (1879) 203; Views of London series 272-3, 274, 297, 373; Water-Lilies: Water Landscape (1903)3/5; Water-Lilies (1908) 338; Water-Lilies at Twilight ( 1916-22) 347; Water-Lilies series 292, 297-8, 299, 3°°—2,3'2, 317—19' 35°, 359-6°'^5) 374; The Water-Lily Pond- Harmony in Green (1899) 3/6; Waterloo Bridge: Sun through the Mist (19°3) 33^\ The Weeping Willow ( 1919) 340; Woman in Green 296; Women in the Garden ( 1867) 34, 41', Yacht Races at Argenteuil ( 1872) 48 Monet, Jean (son) 58 Monet Working on his Boat, Argenteuil (Manet, 1874) 122 Montifaud, Marc de (Marie-Émilie Chartroule de): on exhibition 129-30 Moore, George: on Degas 162—5; on Manet and Degas 76—9; Portrait of George Moore (Manet, 1879) 34 Morisot, Berthe 64, 103, 123, 124, 130, 186, 265; compared to Manet 287; correspondence with Mallarmé 276-8; correspondence with sister 63-4, 105-7, '76; perfection of art 287-8; studio 287-, Berthe Morisot with a Bouquet of Violets (Manet, 1872) 23; Berthe Morisot with a Fan (Manet, 1874) io6\ Carriage in the Bois de Boulogne (1889) 184; Girl in a Boat with Geese (c. 1889) 18/; Hanging the Laundry out to Dry (1875) 304; Julie Manet with her Greyhound Laertes ( 1893) 277; Peasant Hanging out the Washing ( 1881 ) 255; A Summer's Day (1879)305 Morning (Monet, 1916-26)3^/ A Morning on the Seine (Monet, c. 1897)3/ Mornings series (Monet) 297, 299 Mother and Child against a Green Background (Cassatt, 1880) 120 Muybridge, Eadweard 153-4 Nadar: portrait of Monet (1899) 294 Nadar Elevating Photography to the Height of Art (Daumier, 1862) 82 Nadar's studio, Boulevard des Capucines 83 Nana (Manet, 1877) 226 Nattier, Jean Marc 212 Naturalism 59-61, 83n, 135 Neo-Impressionism 239, 321, 327, 331-2 Nude (Gauguin, 1880) 172 Nude Stepping out of the Bath (Degas, 1895-1900) 143 Numazu, Yellow Dusk (Hiroshige) 230 The Nymph Surprised (Manet, 1859-61) 362-4,363 Les Nymphéas see Water-Lilies Oarsmen at Chatou (Renoir, 1879) 182 Olympia (Manet, 1863) 40, 49, 110; caricature (Bertall, 1865) 43; caricature (Daumier, 1865) 4g On the Beach at Boulogne (Manet, 1869) 43 On the Terrace (Renoir, 1881 ) 234 "open air", theory of, see plein air school Orchard in Bloom (Pissarro, 1872) 7/ Pach, Walter: on Renoir 211 -13 Paris: A Rainy Day (Caillebotte, 1877) ng Parnassians 289—90 The Pathway at Le Chou (Pissarro, 1878) 216 Peasant Girl Drinking her Coffee (Pissarro, 1881 ) 259 Peasant Hanging out the Washing (Morisot, 1881) 255 Perry, Lilla Cabot: on Monet 254, 263-5 perspective 121 Petites Modistes [Degas, 1882) 159 Photograph of a Nude: After the Bath (Degas, 1890—96) 168 photography: effect on painting 324; use by artists 153-4 The Pianist (Monet, 1858) 36 The Pig Market, the Fair of St Martin, Pantoise (Pissarro, 1886) 218 Pissarro, Camille 103, 133, 190, 223, 271, 356, 359, 360; advice to a young painter 224, 239; artistic theory 219; biography 219; completing pictures 217; correspondence with Caillebotte 171 -4; correspondence with Durand-Ruel 218-19; correspondence with Huysmans 189-90; correspondence with son 216-17, 222-3; correspondence with Van de Velde 239; naturalism 59-61; on Neo-Impressionism 239; obsession with unity 358; qualities 123, 186; working methods 357; Apple Picking at Éragny-sur-Epte (1888) 261; Avenue de l'Opéra, Sun on Winter Morning ( 1898) 262; The Backwoods of the Hermitage, Pontoise (1879) 201; Banks of the Marne in Winter (1866) 59; The Cabbage Path in March 216; Climbing Path in the Hermitage, Pontoise (1875) 67; Côte du Jallais (1867) 61; The Haystack, Pontoise (1873) 72; Hermitage 61 ; The Hermitage at Pontoise ( 1867) 46; Kitchen Garden and Trees in Blossom, Spring, Pontoise (1877) 203; Orchard in Bloom, Louveciennes (1872) 7/; The Pathway at Le Chou (1878) 216; Peasant Girl Drinking her Coffee ( 1881 ) 259; The Pig Market, the Fair of St Martin, Pontoise (1886) 218; Portrait of Paul Cézanne (1874) igo; Red Roofs. A Corner of the Village in Winter (1877) 202; The Shepherdess (Young Peasant Girl with a Stick) ( 1881 ) 238; Social Turpitudes [ 1890) 222; A Square at La Roche-Guyon ( 1867) 43-, Studio Interior: Pissarro Seated at the Window with the Village beyond 224-, View from my Window, Éragny-sur-Epte (1886-8) 260 Pissarro, Lucien 220; Study of Camille Pissarro Etching, Seen from the Back (c. 1884) 2/7 plein air school 86, 88, 110-12, 133-4, 188,270-1 The Plum (Manet, 1878) 131 Pollock, Jackson 365, 366 Poplars (Monet, 1891) 230,334 Portrait of Alexander Cassatt and his Son (Cassatt, 1884) 236 Portrait of George Moore (Manet, 1879) 94 Portrait of Gustave Geffroy (Cézanne, 1895) 266 Portrait of Mallarmé (Whistler, 1894) 290 Portrait of Manet (Degas, 1864-6) 77 Portrait of Michel-Lévy (Degas, 1873) 113 Portrait of Paul Cézanne (Pissarro, 1874) igo Portrait of Stéphane Mallarmé (Manet, 1876) 225 Portrait of Suzanne Hoschedé with Sunflowers (Monet, c. 1890) 264 Portrait of Victor Chocquet (Cézanne, c. 1877) 147 Portrait of Victor Chocquet (Renoir, 1875) 177 Portrait of Victorine Meurent (Manet, 1862) ig Post-Impressionism 366 Poussin, Nicolas 212 Préraphaélites 125 Profile Portrait of Baudelaire (Manet, 1862) 3g Puvis de Chavannes, Pierre 63 Raffaëlli, Jean-François 172; Returningfrom Market (1880) 173 The Railway (The Gare St-Lazare) (Manet, 1872-3) 24, 110 Ravenal, Jean: on Manet 40, 49 Reading "L'Illustré" [Manti, 1879) 227 Realism 108, 134, 293, 321-4 Red Roofs. A Comer of the Village in Winter (Pissarro, 1877) 202 Regatta at Argenteuil (Monet, 1872) 365 Regnault, Henri 108 Rehearsal of the Ballet on Stage (Degas) 83 Rembrandt 362, 363 Renaissance art 51 Renoir, Edmond: on brother's work 135—6 Renoir, Jean: on Monet 56—7, 104—5; on Renoir 56—7, 200, 209—10 Renoir, Pierre-Auguste 84, 103, 123, 124, 130, 152,174,214, 271,274, 2 ?9' 355' 37°'i choice of subjects 360; correspondence with Mme Charpentier 196-7; correspondence with Durand-Ruel 174-5, J96 200; correspondence with Monet 274; creating world 20g; crisis in work 197-9; early days as artist 56-7; on exhibiting at Salon 174—5; exhibition 135-6; experiments 196; flower paintings 213; landscapes 213; Légion d'Honneur 274-5; marriage and family life 200, 209; in 378 old age 214-15; on Old Masters 211 -12; physical indulgence of painting 371; qualities 186; return to old style of painting 200; as seen by son 56-7; sentiment and sense 369-71; views on art 211-12; views on artists 209-10; working methods 210, 211, 215; Algerian Landscape: The Ravin de la Femme Sauvage ( 1881 ) 283; At the Milliner's (c. 1878) ijg; Bather Drying her Leg ( 1895) 230; The Bathers (Grandes Baigneuses) ( ig18— ig) 233; The Bathers (variant) (1901-3) 231-, The Café (1876/7) IJ8\ The Canoeists' Luncheon (1879-80) 183; Children's Afternoon at Wargemont (1884) 198; Dance at Bougival (1883) 2^L 37L Dancing at the Moulin de la Galette (1876) 126-7; Dancing Couple ( 1883) 200; Diana, the Huntress (1867) 57,57; Gabrielle and Jean (1906) 283; Gabrielle with Jewellery (c. 191 o) 286; Girl with a Fan (c. 1880) 186; La Grenouillère (1869) 63; Luncheon of the Boating Party (1881) 233, 362, 371; Madame Chocquet (1875) 136', Maternity (Aline and Pierre) (1887) 20g; Oarsmen at Chatou ( 1879) 182; On the Terrace ( 1881 ) 234; Portrait of Victor Chocquet (1875) lyy; The Rose (1872)9/; Seated Bather {1914) 232; Seated Bather Wiping her Arms (1884-5) 199\ The Seine at Chatou (1881) 282', Still Life with Bouquet (1871) go; The Swing ( 1876) 180; The Swing: drawing after 128; Water Nymph (1871) 8g Restaurant Fournaise, Chatou 186 Returning from Market (Raffaeli/ 1880) 133 Rewald, John: on Chocquet and Cézanne 145-6; on Renoir and brother 135—6 Ribera, José de 198 Riley, Bridget 366 Rivière, Georges: on Impressionist exhibition 126-9; on Renoir 213 Rocks at Belle-Isle (Monet, 1886) 246, 246 Romanticism 108 Rops, Félicien 40 The Rose (Renoir, 1872)9/ Roses in a Champagne Glass (Manet, 1882) g6 Rothenstein, William 275 Rouart, Denis: on Morisot 176, 276-8 Rouart, Henri 152 Rouen Cathedral 233 Rouen Cathedral in Full Sunlight (Monet, 1894) 361 Rubens, Sir Peter Paul 211-12, 362, 363, 369 Rue Mosnier with Flags (Manet, 1878) 99 Rue St-Denis, Festivities of June30, i8y8 (Rue Montorgueil Decked with Flags) (Monet, 1878) 206 Ruysdael, Saloman van 199 Salon des Refusés 80, 82-3 Sargent, John Singer: views on Impressionism 319-20 Schapiro, Meyer 367; on abstract art 330-Q Schutzenberger, Louis-Frédéric: Europa carried off by Jupiter 81 Seated Bather (Renoir, 1 9 1 4 ) 232 Seated Bather Wiping her Arms (Renoir, 1884-5) igg Seated Nude Drying her Neck and Back (Degas, 1890—95) 13g The Seine at Bennecourt (Monet, 1868) 47 The Seine at Bougival (Sisley, 1873) 279 The Seine at Chatou (Renoir, 1881) 282 The Seine at Lavacourt (Monet, 1880) 240 Self-Portrait {Degas, 1857) 131 Seurat, Georges 219, 220, 221, 299, 327, 355 The Shepherdess (Young Peasant Girl with a Stick) (Pissarro, 1881) 238 Signac, Paul 220, 299, 327 The Signal, Gare St-Lagare (Monet, 1876) 103 Sisley, Alfred 186-7, 355, 358, 360-1; aesthetic 171; permanence of models 364-5; special gift 122-3; Avenue of Chestnut Trees ( 1867) 44; The Bridge at Villeneuve-la-Garenne (1872) 66; The Chemin de By through Woods at Roches-Courtaut, St Martin's Summer (1880) 280; A Farmyard near Sablons (1885) 281; The Flood at Port-Marly 365; The Seine at Bougival (1873) 279; Verger 83 Sketch of Seated Woman (Van Gogh, 1886—88) 193 Social Turpitudes (Pissarro, 1890) 222 The Song of the Dog (Degas, c. 1875—8) 116 A Square at La Roche-Guyon (Pissarro, 1867) 43 Still Life with Bouquet (Renoir, 1871) 90 Still Life with Pear (Meniti, 1880) 79 Studio in the Batignolles Quarter (Fantin-Latour, c. 1870) 3gn Studio Interior: Pissarro Seated at the Window with the Village beyond 224 The Studio-Boat (Monet, 1876)909 Study: Landscape at Auvers (Cézanne, c. 1873) igi Study of Camille Pissarro Etching, Seen from the Back (Lucien Pissarro, c. 1884) 2/7 A Summer's Day (Morisot, 1879) 303 Sunset on the Seine, Winter Effect (Monet, 1880) 240 The Swing (Renoir, 1876) 180 Symbolism 288-go Taboureux, Émile: on Monet 241-2 Thames: Parliament (Monet, 1871)95 Thiébault-Sisson, François: on Monet 245-6, 300-2, 317 Titian 212 Torrent, Creuse (Monet, 1888-9)999 Trévise, Duc de: on Monet 273-4 The Tuileries (Monet, 1875) 2°8 Under the Lemon-Trees, Bordighera (Monet, 1884)906 Valéry, Paul: on Degas 153-4, 166-9 Van Gogh, Vincent 331, 332, 355, 360; on Impressionists 192-3; letters to family 192-3; portraits 193; Sketch of Seated Woman (1886-8) 199 Venturi, Lionello 359 Verger (Sisley) 83 Verwée, Alfred Jacques 39 Vétheuil in the Fog (Monet, 1879) 204 Vétheuil in Summertime (Monet, 1879) 205 View of the Church of Vaugirard (Gauguin, 1881) 185 View from my Window, Éragny-sur-Epte (Pissarro, 1886-8) 260 View of the Village (Bazille, 1868) 94 Views of London series (Monet) 272-3, 274, 297, 373 Vigée-Lebrun, Élisabeth-Louise 278, 287 Visit to a Museum (Degas, 1877-80) 138 Vollard, Ambroise: on Degas 152; on Renoir 197-9 Vuillard, Edouard 356 Water Nymph (Renoir, 1871) 8g Water-Lilies: Water Landscape (Monet, 1903)9/5 Water-Lilies at Twilight (Monet, 1916-22)947 Water-Lilies (Monet)9/2,965 Water-Lilies (Monet, 1908)998 Water-Lilies series (Monet) 292, 300-2, 317-19. 35°. 374 The Water-Lily Pond- Harmony in Green (Monet, 1899)5/6 Waterloo Bridge: Sun through the Mist (Monet, 1903)936 Watteau, Antoine 369 The Weeping Willow (Monet, 1919)340 Whistler, James Abbott McNeill 123, 327-8; Portrait of Mallarmé ( 1894) 290 White Water-Lily (Mallarmé) 290-2 Wolff, Albert: on exhibition 103-4 Woman Getting out of the Bath (Degas, 1877) 139 Woman Getting out of her Bath (Degas, 1879-80) 161 Woman Trying on a Hat at the Milliner's (Degas, 1882) 1 5 9 Woman Writing (Manet, 1862-4) 78 Women on a Café Terrace, Evening (Degas, 1877) 128, 137 Women in the Garden (Monet, 1867) 34, 4/ women painters 278, 287-8 Wyzewa, Téodor de: on Morisot 278, 287-8 Yacht Races at Argenteuil (Monet, 1872) 48 Yetton, Christopher: on Monet 372-4 Zandomeneghi, Federico 172 Zola, Émile 108, 134, 148; on exhibition 133-5; on Manet 50-3; on Pissarro 59-61 379 |
