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| Volltext: | I N D E X Page numbers in italics refer to figures. Abbott, Berenice, 134, 220025 About Being My Model (Woodman photograph), 17s Abu Ghraib Prison (Iraq), xiii-xix, 8, 61-76 adolescents, 19-20, 31, 55, 230052 Adorno, Theodor, 44 advertising, 20, 24, 53, 56, 70, 130; see also Benetton Afternoon Tease, Tunbridge, Vermont (Meiselas photograph), 97 AIDS, 137, 158-59, 162, 168 Akerman, Chantai, 24-25 albumen prints, no, 225018 Allen, James, 69, 215010 Alma-Tadema, Lawrence, 34 Althusser, Louis, 23, 51, 190 American Civil Liberties Union (ACLU), 8, 72, 218037 American National Exhibition, 43 Americans, The (Frank), 23-24, 89 analogue photography, 4, 140, 150, 180, 209n6; relation to digital, 123-28, 142, 154, 195, 2i5ni2; see also calotype, daguerreotype, and film (photographic) Andrews, David, xiii Andy Warhol Museum, 69 Animal Locomotion (Muybridge series), 40, 41, 212n27 Annan, Thomas, 81, 131 anthropology, xiii, 94, 131 antiwar cultural practices, 70-71, 132 Arbus, Diane, xvii, xx, 10-17, 50, 78, 139, 205 archives, 113, 131-32, 142-43; Abu Ghraib, xix, 61, 63, 66, 69-76, 215013, 2i6ni5; Maier, 145, 152, 154, 23onn6-7; Woodman, 172, 180, 234n2; see also Kinsey Institute and Magnum Photo Agency Art in America, ix art criticism, xvii, xxv, 3, 29, 178, 194, 198, 206 art history, ix-xiii, xvi, xxi, 4-6, 79, 142-43, 192, 98-199; conventions of, 134, 180, 182, 194, 232m, 235ml; relation to art criticism, 178 art market, xi, 106, 138 Atget, Eugène, xxiii, 81, 134, 142-43 authorship, 13, 46, 142, 166, 172, 194, 23404 Badiou, Alain, 200 Ballad of Sexual Dependency, The (Goldin), xvii, 14-15 Bannos, Pamela, 143-51 Barbizon; artists, 111-12, 115, 118, 121; village, 114 Barrie, Dennis, 159-60 Barthes, Roland: documentary photography, 222ml; death and photography, 129; Family of Man, 44-50, 59; impact of, xii, 4-5, 209n9; photographic rhetoric, 119, 124, 192; striptease, 103-4; von Gloeden, 31; see also Camera Lucida Bas-Bréau, Forest of Fontainebleau (Le Gray photograph), 117 Batchen, Geoffrey, 129, 20909, 219118 Battiste with Bow (Dureau photograph), 163 Baudelaire, Charles, 15, 93 Baudrillard, Jean, 4, 23, 57 Bayer, Herbert, 53 beauty, xvii, 17, 28-37, 42, "3; H9; 169, 205, 225ni8 Bellmer, Hans, 183 Bellocq, E J., 30 Before the Show, Tunbridge, Vermont (Meiselas photograph), 102 Benetton: advertising, 47, 56-60. Benjamin, Walter: impact of, xi, 4-6, 51; photography and death, 129; photographic truth, 12, 26; technical obsolescence, 124, 142; "The Author as Producer, " 51, 137, 222ml Berger, John, xii, 91, 223ns Bertrand, Jeanne, 149 Besnyö, Eva, 22on22 Beyoncé, xv Billington, Richard, 98, 22in3 Bing, Ilse, 22on22, 23109 Black Book, The (Mapplethorpe), 158, 162, 164, 16s, 166-67, 233ms Blessing, Jennifer, 174, 187 Booby (Clark photograph), 21 Botero, Fernando, 71 Bowery in Two Inadequate Descriptive Systems, The (Rosier), 22 Brady, Mathew, 55, 227021 Brecht, Bertolt, 51 Breton, André, 27 Brownmiller, Susan, 216ms Buchloh, Benjamin, x, 181 Bürgin, Victor, 34, 36, 101, 221m Burton, Johanna, 195, 203-4 Bush, George W. (President), xix, 63, 70; administration, 63, 71, 2i6n20 Cahun, Claude, 180, 185-86 Callahan, Eleanor, 78, 92 Callahan, Harry, 76-93, 152, 213010 calotypes, 80, 109, 22sni8 Camera Lucida (Barthes) 4, 129, 20909 Cameron, Julia Margaret, 184-85 Camon, Alessandro, 68 Carnival Strippers (Meiselas photographic series) xx, 94-106 Carrabine, Eamonn, xiii Carroll, Lewis, 55 Cartier-Bresson, Henri, 86, 88, 147, 151 Center for Constitutional Rights, 72 Center for Creative Photography, 77, 218m CEPA Gallery (Buffalo), 94 Chagnon-Burke, Véronique, 115, 22snn20-2i Chateau de Clervaux (Luxembourg), 43, 45; see Family of Man Cheney, Dick, 76 Chun, Wendy Hui Kyong, 207014 Clark, Larry xvii, 13, 18-21, 22in3, 222n7 Coburn, Alvin Langdon, 81, 82 Coca-Cola, 43 Cold War, xviii, 43, 46-47, 89 colonialism, ix, xiii, 35-36, 58, 112, 131, 167 commodity, 35-39, 58, 71, 2o8m6; aesthetics, 28; fetish, 2, 57, 71, 160 consumerism, 7, 93, 113 Contemporary Arts Center (Cincinnati), 159 Corot, Jean-Baptiste-Camille, 108, 114, 116, 119, 225021 Courbet, xii, 108, 118 Crimp, Douglas, x, 2o8ni6 Crump, James, 2i2ni8 daguerreotype, 37, 80, no Danner, Mark, 2i6ni8, 217020 D'Est (Akerman film), 25 de Beauvoir, Simone, 198 Deal, David C., 154 Dean, Tacita, 226m Debord, Guy, 47-48, 102, 217029 deconstruction, ix-x, 12, 36, 60, 125, Delahaye, Luc, 125, 140, 2o8n3, 230052 Derrida, Jacques, 79, 123, 140 desire, 28-39, 91; photographic, 73, 80, 86, 109, 114, 160, 192, 224ms; sexual, xv, xviii, 64, 102, 162, 166, 169 Deutsche, Rosalyn, 198, 200 diCorcia, Philip-Lorca, 85, 106, 152, 219m, 231119 digital photography: Abu Ghraib, xix, 64, 69, 71, 75, 2i5ni2, 2i7n27; contemporary 250 INDEX art, 2-4, 195; referentiality of, xiii, xxii, 123-40, 154, 2271112; relation to analogue, 4, 142, 226m Doane, Mary Ann, 129, 22ön4, 226ni2 Documenta (exhibition), 159, 199 documentary photography, xiii-xiv, xix, xxii, 8, 11, S3; 58, 63, 79, 81, 85-86, 98-100, 105, 123-40, 222ml, 233ml Donahue, Phil, 153 drag queens, 15-17, 158 Dureau, George, 161, 163, 170 Dyer, Richard, xii Eastlake, Lady Elizabeth, 22408 Edwards, Elizabeth, 131 Edwards, Steve, 136-37 Ehrenburg, Uya, 86-88, 151 Emerson, Peter Henry, 110 empathy, xvii, 10-11, 133, 149, 179, 203-4 Encounters with the Dani (Meiselas), 98 England, Lynndie R., 65 English, Deirdre, 95, 99-100 erotic: photography, xiv, 22, 35-37, 191, '95, ' race and the, 50, 167, 170; signification of, xvii, 29, 39, 41-42., 61, 68, 103-4, 182-83 ethics, 2, 11, 135, 151 ethnographic photography, 11, 58, 131 Evans, Walker, 78, 87-90, 134, 139, 147 exhibition value, 2, 143 Face (Woodman photograph), 184 Family of Man (exhibition), xviii-xix, 43-60 Famin, Alexandre, 109, 112, 114, 118-19 Fanon, Franz, 160, 167 Farm Security Administration (FSA), 49, 56, 86, 91, 131, 133-34, 22on22, 229n43, 23109 fashion photography, xv, 16-17, 57, 182, 189 Fein, Clifford, 71 Fenton, Roger, 123, 2271121 fetishism: 2, 30, 34, 101, 103-4, 106, 160-61, 178, 182-83, 192, 194, 223n20; commodity, 57, 71, 160; structure of, 36, 39, 68, 204; racial, 166-69 film (moving pictures), 24-25, 28, 68, 72, 99, 123, 130-31; about artists, xxii, 141, 144-45, 153, 172; field of study, xiii, xv, 5, 29, 48, loi, 128, 199 film (photographic), 7, 34, 81, 112, 124-25, 127, 142, 146, 150, 154 Film Stills (Sherman), 189-90, 193-95, 2°i First Amendment, 85, 219014 flaneur, 13, 93 Flusser, Vilém, 4-5 Fontainebleau, xxi, 111-22; see also Barbizon Fontainebleau: Oak Trees atBas-Bréau (Corot painting), 116 Forkscrew, 70-71 formalism, 1-2, 77, 89, 125, 133, 159-60, 178, 180, 203 Fornarina, La (Raffaello painting), 194, 196 Foster, Hal, 27 Foucault, Michel, 28, 36-39, 129, 131, 172 Frank, Robert, 23, 25, 51, 89, 213010 Freedom of Information Act, 72, 217026 Freud, Sigmund, 17, 29, 34, 39, 102-5, 160, 185, 191-92, 223020 Freund, Gisèle, 87, 209012 Fried, Michael, xii, 208m, 2o8n4 Friedlander, Lee, 152 From the Radio Tower, Berlin (Moholy-Nagy photograph), 81, 83 Gabhart, Ann, 171, 182 Gagosian Gallery (LA), 203 Garner, Charles, 65 Gaugin, Paul, ix-x gaze, the, 26, 30, 39, 41, 66, 93, 104, 122, 191; See also voyeurism, scopophilia Genet, Jean, 162 genius, xii, 141-42, 154, 161, 195 genres-see documentary, erotic, landscape, portraiture, street photography Gensburg family, 144 Giroux, Henry, xiii, 75 Gloeden, William von, xvii, 30-39 Glueck, Grace, 225018 Goldin, Nan, xvii, 13-20, 22in3 Goldstein, Jeffrey, 143-46, 150 Goulding, Ellie, 189-90 Goya, Francisco, 63-64 Graham, Dan, 13 Grand Palais museum (Paris), ix, xxiii, 156-66 Green, Nicholas, 113-14 Grierson, John, 130-31 INDEX 251 Guerrin, Michel, 166 Guggenheim Museum (New York), 45 Gunderson, Roger, 145 Gursky, Andreas, xi, 4, 139, 205 Haacke, Hans, 71 Hall, Stuart, 167, Harman, Sabrina, 65, 73 -74, 74, 2151113 Haussmann, Georges-Eugène, 81, 131 Hawarden, Lady Clementina, 184-85 Heifferman, Marvin, 57 Heilbrun, Françoise, 223n6 Herbert, Robert, 225024 Heresford, Wendy, xiii Hine, Lewis, 86, 100, 132, 229043 Hirsch, Seymour, 72 Holly Solomon Gallery, 159 Holocaust, 48-49, 55-56 Holzer, Jenny, 71 How the Other Half Lives (Riis), 100 Howard Greenberg Gallery (NY), 145, 230n6 Hunter College Art Gallery, 171 I could no longer play/1 could not play by instinct (Woodman photograph), 173 imperialism, 11, 22, 25 Impressionism, 112 indexicality of photographs, xiii, xvii, xxii, 31, 34- 35, 42, 64, 70, 123-29, 136, 140, 174 Ingres, Jean-Auguste-Domenique, 236m International Center for Photography (New York), 69 intimacy, xvii, 16, 92, 98, 158 Iraq War, 61, 64-65, 68-69, 73; see also Abu Ghraib iRaq, 70-71 Jürgenssen, Birgit, 180, 185-86 Kahlo, Frida, 205 Kelly, Mary, xxv, 198-200 Kelsey, Robin, xii Kinsey Institute, 38, 2imi8 Klein, William, 78, 89, 22in25 Klinger, Max, 183, 235ni9 Kodak: camera, 84, 112, 129; paper, 147 Krauss, Rosalind, xxiii, 108, 125, 142-43, 145, 170, 180, 182, 195, 203 Kruger, Barbara, 186, 190-91 Krull, Germaine, 151, 22in25, 231119 Kuhn, Annette, 36, 39 Lacan, Jacques, 28, 185 Ladies Home Journal, 53 landscape, xxi, 78-70, 89-93, 107-22, 150-51 Lange, Dorothea, 56 Le Gray, Gustave, 109-10, 114, 116, 117, 118-19, 121, 139 Le Secq, Henri, 109-10, 114-15, 118-19 Lebovici, Elisabeth, 166 Leica camera, 86-88, 96, 101 Legrady, George, 128 Lena on the Bally Box, Essex Junction, Vermont (Meiselas photograph), 97 Levitt, Helen, 87, 148, 2i3nio, 22on22 Lewis, Mark, 58 Libreria Maldoror, 173, 184 Life (magazine), 23, 45, 49-5°; 1°° Life is Good and Good for You (Klein), 89 Lifson, Ben, xi Ligon, Glenn, 162, 164-65, 166-68 Limbaugh, Rush, 2i5n7 Lissitzky, El, 53 literary studies, xv, 80 Lonely Crowd, The, (Riesman) 54, 91 Long, Jonathan, xiii Los Angeles County Museum of Art, 158 Luce, Henry, 47 Lugon, Olivier, 133-36, 2o8n4 Luxembourg, 43, 47, 56-57 lynching, 63, 66, 69 Magnum Photo Agency, 47, 49-50, 98-100 Maier, Vivien, 141-55, see archive Maloof, John, 141-55 Mannoni, Octave, 161 Mapplethorpe, Robert, xi, xxiii, 156-70 Marées, Hans von, 34 Margolis, Eric, xiii Marville, Charles, 81, 131 Marx, Karl, 34, 137 Marxism, 45, 132 252 INDEX masquerade: dressing up, 205; gender, 16-17, 193-94; see also drag queens masculinity, x, 19, 54, 56, 162, 178, 193 McAlpin, Loring, 59, McKendry, John, 159, 161 Meisel, Steven, 71 Meiselas, Susan, xx, 94-106, 134, Melon, Marc-Emmanuel, 53-54 Mendiata, Ana, 186 Mansel, Robert, 84 Mercer, Kobena, 166-69 Metro Pictures (NY), 194 Metropolitan Museum of Art (NY), 159, 226n6 Metzger, Ray, 78 Meyerowitz, Joel, 125, 146 Mili, Gjon, 51 Miller, Wayne, 49-53 Misty and Jimmy Paulette in a Taxi, NYC (Goldin photograph), 14 Mitchell, WJ.T., xix, 3, 70, 209n7, 2i7n23 Mitchell, William J., 20908, 226n8 Model, Lisette, 148, 22on22, 23on6 models: anatomical 191, 204; artistic, 13, 111, ii9 194) 212; discursive, 5, 27, 30, 47, 138, 142, 160-61; human, 16, 34-37; 4b 58, 95; 161-87, 195; 205; wax, 42 modernism, ix, 78, 80, 125 Moholy-Nagy, Laszlo, 81, 83 Monde, Le, 166 Moore, Benjamin, 175, 178 Morris, Errol, 123, 2151113 Morris, John, 53 Müller, Christian Philipp, 59 Mulvey, Laura, 28, 191, 198-99 Murri, Sabina, 187 Musée Rodin, Paris, xxiii, 157, 160, 166 Museum of Modern Art, New York (MoMA), 42, 44, 46, 52, 78, 203 Muybridge, Eadweard, xii, xv, 39-40, 40, 41, 42, 112; see Animal Locomotion My Paris (Ehrenburg), 86, 88 Nadar, 139 Nan and Brian in Bed, NYC (Goldin photograph), 15 National Geographic, 20, 126 New York Times, The, 73, 76, 134, 141, 154, 214m, 234n3 New Yorker, The, 72, 203, 215013 Newhall, Beaumont, 52-53 Nicaragua (Meiselas), 98, 101, 134, 22209 Nickel, Douglas, xii Niépce, Joseph Nicéphore, 22306 Nochlin, Linda, x, 192 Norfolk, Simon, 125, 140, 20803 nostalgia, xxv, 4, 60, 126, 154, 168, 200 Notes on the Margin of the Black Book (Ligon installation), 162, 164, 165 nude, the, 29, 31, 157-58, 160-61, 167, 169; conventions of, xvii-xxiii, 35, 40, 78-79, 93; 95; 191-91; fetishistic, 106; for artists, 109, 118 Oak Tree and Rocks, Forest of Fontainebleau (Le Gray photograph), 116 objectification, xvii, xx, 2, 10-11, 22, 92, 98, 101, 167, 169 October (journal), x Octopus, The (Coburn photograph) 81, 82 oeuvre, xxii, 10, 78, 142, 145-46, 160-61, 166, 172, 181, 23404 O'Sullivan, Timothy, 55, 131 Other Side, The (Goldin series), 14-16 Pace/McGill Gallery, 85, 106 Pacteau, Francette, 29-30 Panofsky, Erwin, 182 paparazzi, 84 Paraphrase on the Finding of a Glove (Klinger), 183 Perfect Childhood, The (Clark), 20 Phelan, Peggy xv, 235010 Phillips, Christopher, 52 philosophy, 5-6, 28 Photo League (NY), 89, 91, 132, 152 photojournalism, 2, 50, 98, 124-25, 130, 134-35; 138-4°) 148 platinum printing, 110, 157 Pictorialism, 81, 110 picturesque, 73, 108, 110-11, 115 Playing Strong, Tunbridge, Vermont (Meiselas photograph) 96 Pluschow, Wilhelm, 30-31, 35, 37 INDEX 253 Pollock, Griselda, 195, 199 pornography, xv, 30, 34"39, 61, 66-68, 73-75, 105, 167, 170, 189, 216ms; conventions of, 64, 169, 214m, 217021; anti-pornography, 159, 166 portraiture, 16, 18-20, 106, 108, no, 118, 129-30, 139, 150, 158, 173-74, 180, 189, 199, 233ml; collective, 61, 21404, 22207; consent and, 85; gender and, 9s, 193, 201-4, 236m; see also self-portraiture postmodernism, 136, 194 privacy, 84-85, 144, 146, 189, 200 propaganda, 43, 53, 56, 87, 131-32 psychoanalytic theory, 5, 29-30, 47, 185, 185, 192, 199 queer theory, 64 Quinet, Achille, 109, 112, 114, 118-19 race, xix, xxiii, 23-24, 42, 50, 132, 157, 160, 162, 166-70, 22in25 Rankin, Sloan, 187 Ragazzo disteso / Reclining Nude Boy (von Gloeden photograph), 32 realism, 3, 22, 121, 124, 126-27, 132 Regarding the Pain of Others (Sontag), 73 Reines, Ariana, 179 Rhode Island School of Design, 91, 171 Riches, Harriet, 23406, 235019 Riesman, David, 54, 91 Riis, Jacob, 86, 100, 229043 Ritchin, Fred, 126, 226n8 Road to Victory, The (Steichen), 53 Robert Miller Gallery, 158-61 Roberts, John, 136-37, 140, 2o8n3, 229046 Rockefellers, 43, 46, 59 Rodin, Auguste, 156-57 Rogoff, Irit, 58-59 Rolleiflex, 147-48, 150 Romanticism, 23, 28, 111, 118 Rose, Jacqueline, 30 Rosen, Philip, 128, 227020 Rosenthal, Joe, 135 Rosier, Martha, 78, 99-100, 105, 136, 151, 20905, 22in3 Rousseau, Théodore, 108, 111, 114-15 Rumsfeld, Donald, 21505 Ruscha, Ed, 13 sadomasochism (S/M), xix, 37, 63, 68, 158, 167, 192 Salon, 72, 217M7 salons, 109 Salzmann, Auguste, 131, 142, 227022 Sammlung Verbund, 173 Sandeen, Eric, 45, 213m Sander, August, 134, 139 Sarkeesian, Anita, xv-xvi Scharf, Aaron, 119 Schjeldahl, Peter, 195 Schmidt-Linsenhoff, Viktoria, 45-48, 56 Schor, Gabriele, 173, 198 scopophilia, 39, 41, 102 Scott, Joan, xiv Sekula, Allan, xviii, 45, 53-54, 58, 129, 209ns, 21302, 23in7 self-portraiture, 4, 141, 151-54, 158, 174, 179-80 Selgado, Sebastiäo, 138 semiotics, 5, 135, 183, 221m Serra, Richard, 182 Serrano, Andres, 71, 232n6 sexual difference, xiv-xv, 7, 30, 39-40, 42, 101, 103-4, 148, 178, 180-81, 186, 192, 194 sexual violence, 65 sexuality, 17, 19-22, 40, 55, 102, 104, 162, 178, 2i2ni8, 2i6ni5; bisexuality, 42; hetero-sexuality, 68; homosexuality, 37, 64, 168-69, 181, 223n20; race and, 162, 167 Shange, Ntozake, 233ms Sherman, Cindy xxiv-xxv, 42, 180, 190-206 Siskind, Aaron, 89, 135, 221025 Slattery, Ron, 145-46 Sollers, Philippe, 179 Solnit, Rebecca, x, xii, xv Sontag, Susan, xii, 124; ethics, 10-12, 22; violence, 66-67, 72-76 Soviet Union, 47, 53, 90 spectacle, 4, 14, 47-48, 102-5, 139; femininity as, 194; nature as, 114; photography and, xix, 17, 57, 63, 203; torture as, 65, 68 Smith, Eugene, 100 Smith, Patti, 158 snapshots, 64, 73, 80, 121; see also Abu Ghraib and touristic photography Stange, Maren, 132, 134 Steichen, Edward, xviii, 43, 46, 48-57, 161 254 INDEX stereograph, 37, 81, 108, 110-12, 224117 Stimson, Blake, xii Stott, William, 132-33 Strand, Paul, 87, 90, 22on2S street photography, xix-xx, xxii-xxiii, 2, 77-93, 98, Hi, 146-54 Streuli, Beat, 152, 219m, 23109 striptease, 95-96, 99, 101, 103-4 sublime, 31, 46, 108, 110-11, 172 subjectivity, xxi, 7, 13, 22, 29, 42, 98, 166, 194, 200; artists' 13, 80, 121, 125, 174, 179-80 Surrealism, 173-74, 181-83, 235018 Szsaz, Suzanne, 49 Tagg, John, 129, 132 Talbot, Henry Fox, 110-11 Terra del Fuoco / Land of Fire (von Gloeden photograph), 32 Teenage Lust (Clark), 18-20 Time (magazine), 50, 126, 122119 Thomson, John, 86, 228023 Thoré, Théophile, 22304 Three Essays on a Theory of Sexuality (Freud), 102 Thurston, Meaghan, 187 topographic photography, xxi, 108-9, nL 131 Tomkins, Calvin, 203 touristic photography, xxi, 10 -11, 64, 73-74, 112, 114, 119, 121-22, 215013 torture, xix, 61-76 Townsend, Chris, 181-82 trauma, xviii-xix, 46-48, 54, 56, 104 Tregrazie/The Three Graces, Le (von Gloeden photograph), 33 Tulsa (Clark) 18-20, 22in3, 22207 Turbeville, Deborah, 182 United Nations, 49-50 Untitled, 1971. From Tulsa (Clark photograph), 19 Untitled, 1976 (Woodman photograph), 21 Untitled #20$ (Sherman photograph), 197 Untitled #2$o (Sherman photograph), 191-92, 193 Untitled #353 (Sherman photograph), 201, 202 US Information Agency, 43, 46 vernacular photography, 7-8, 13, 76, 93, 181, 21908, 22in2S; see also snapshots and touristic photography video games, xv-xvi visuality, 27 Vogue, 71, 21309 voyeurism, 22, 41, 68, 93, 101-6, 149; mechanisms of, xx, 2, 17, 169; photographic 11, 86 Wagstaff, Sam, 158, 161, 168 Wall, Jeff, xii, 6, 22, 20905 Wellesley College Art Museum (now Davis Museum at Wellesley College), 172 Weston, Edward, 157, 161 wet collodion, 80, 110, 225018 White, Harrison and Cynthia, 107 Whitney Museum of American Art, 162 Whyte, William, 54 Williams, Linda, 39-41 Williams, Raymond, 106, 188 Williams, William Carlos, 78 Williamson, Judith, 191, 198 Willemen, Paul, 39, 2261212 Winogrand, Garry, xx, 142, 152, 23004 Wiseman, Frederick, 99, 222ml Wright, Tom, 214m Wollen, Peter, 48, 54-55 Woo, John, 76 Woodman, Francesca, xiv, xxii, xxiv, 171-88 yet another day alone i wake up in these white chairs (Woodman photograph), 174-75. 177 I N D E X 2 5 5 |
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