| Volltext: | INDEX abstract art: as academic, 87; conventions of, 185—6; historical justification for, 73-4; post-painterly, 169,180; School of Paris, 1,52,127,129,135 (roots in, 72—3, 76; source of modernism, 76) "Abstract Expressionism, Weapon of the Cold War" (Cockcroft), 175, 193 Abstract Expressionist(s), 2, 3, 8,9, 28,50,52,54, 77, 89, 91, 99,109, 113,116,117,135,150,152,157, 162,163,166,170,171,172,176, 178,183,197,198,200-6,238, 247,279,316,333,383,419; common assumptions of, 267; critical history of, 141-50; European critics' reactions to, 102— 6; Existential aesthetic, 140,153 — 4; as Existential hero, 133; in federal programs, 14-15,38, 48, 79,127,128,129,171,172,310; Freud and, 199; history of, 5—25, 96-100,127-31,169—81; as History Painters, 166; influences on, 2, 45,46,127-35,141-50, 198-205; John Graham, assistance of, 372; motives, 123; as Myth Makers, 161; mythology of, 10, 131,159,267-8; new interpretations of, 29—30; private myths, 80,130; resistance to interpretation, 195—6; and Russian Formalism, 198,202-5; as school, 127; School of Paris and, 1,130; societal attitudes of, 155; subject matter of, 4, 65-6,134; supportive critics, 51 Abstract Painting: Background and American Phase (Hess), 148 Abstraction-Création, 99 Action Painting, 1, 25, 97, 109,113, 117,133,142,143; art as action, 76—80; Freudian edge and, 142; Kline as action painter, 291, 316 "Against Interpretation" (Sontag), 383-90 Albers, Josef, 291, 404, 412 Albert Gallatin Collection of Living Art, 6 Alloway, Lawrence, 150; new definitions for art, 25 American Abstract Artists (AAA), 12, 48,99,130 "American Action Painters" (Rosenberg), 19, 204 "American Art Today, 1950" (Metropolitan Museum of Art), 52 American Artists Congress, 16, 79 American Federation of Art, 21 American scene painting, 1,12,18, 134 American violence, expression in art of, 45 Arp, Hans, 49, 72-3, 99 art: as academic, 115; as action, 76-80; avant-garde, 16-18, 66—70; as commodity, 82; communication in, 3,121,195-6, 205; crisis in, 144,169, 244; function of order, 111 — 12; moral bases of, 165; private myths, and, 80; as reflection of society, 182; as regression, 140; speculation in, 175 Art Digest, 89, 91, 92 Art News, 19, 21,22,54,55, 89, 92, 94,125,238,249 Art Nouveau, 90 Art of this Century (gallery), 51, 99, 126,130,167n, 203,401 artist: as commodity, 82; isolated, 142; marginal, 128 artists, black, 155 Artists Union, 46 automatism, 38, 40,44,45, 96-7, 145,150,197-8,376 "Avant-garde and Kitsch" (Greenberg), 16-19 Avery, Milton, 414,420 434 Barnes, Dr. Albert, 149 Barr, Alfred Jr., 108,123,175,178, 196; Cubism and Abstract Art, 26n; European reviews quoted by, 102—8; see also McCray, Porter Baur, John I. H. : "Nature in Abstraction" 279 Baziotes, William, 37,38, 39, 44,45, 49,53,98,106, 213,412; on communication, 141,196; and Gottlieb, parallels with, 264; statement quoted, 96 Beardsley, Monroe C. ("Intentional Fallacy"), 201 Bell, Clive, 197, 403 Bennington College, 332,334 Benton, Thomas Hart, 42, 129, 172, 191,192,265, 318, 364; rejected, 11 ; standards, 265 Berger, Arthur, 34 Berger, John, 172,185 Bernini, 244 Betty Parsons (gallery), 51, 99,130, 164,330,332 Bewley, Marius, 196 Bischoff, Elmer, 199 Bishop, Isabel, 125n Blok (Warsaw), 203 Bloom, Hyman, 98 Bohemia, 142; as sanctuary, 65 Boime, Albert, "Franz Kline: The Early Works as Signals" 319 Bonnard, Pierre, 76 Bontecou, Lee, 406 Boston Museum of Contemporary Art, 52 Bourgeois, Louise (Mrs. Robert Goldwater), 196,202 Braden, Thomas W., 175 Braque, Georges, 1, 7, 42,264,265, 305,372 Breton, André, 99,197; Freudian and Marxian sanctions, 97; "Manifesto" 15 — 16, "Surrealism in the Service of the Revolution" 15 Brooks, Cleanth, The Well-Wrought Urn, 200,202,203 Brooks, James, 100,106,124,213; statement quoted, 95 Browne, Byron, 12 Brussels Fair, 105,110 Brustein, Robert, 140 Burchfield, Charles, 13 Burke, Edmund, 162—3, 325 Burliuk, David, 203 Burrows, Carlyle, 22 Busa, Peter, 37, 38, 39 Cage, John, 49,54 Cahiers d'art (Paris), 129 Calas, Nicholas, 49, 54 California School of Fine Arts, 199 Callery, Mary, 43 Canaday, John, 22,23,122-3, 344—5; letter opposing, 122—3 (signers, 123—5; supporters, 125n) Castelli, Leo, 57 Castelli (gallery), 178 Cedar Bar, 47, 203, 374; as Cedar Street Tavern, 56,130 Cézanne, Paul, 7,21, 76,129,132, 244, 254, 307, 333 Chagall, Marc, 7 Clark, Kenneth, 140 Clark, T.J., 197 "Club, The" 47,48-57,130,295, 373—4; charter members, 49—50; founders, 49; misunderstood, 373; 9th Street Show, 57; proceedings, 46—7; programs and speakers, 52-4 Cobra movement, 171 Cockcroft, Eva: "Abstract Expressionism, Weapon of the Cold War" 174-5,193 Cold War, 15,174 Colin, Paul, 202 Columbia University, 34 Commentary, 21 Communist Party, 15,16,189 Conceptualism, 169 Constructivism, 222 Cornell, Joseph, 42,49 Corot, Jean-Baptiste-Camille, 64,292 Courbet, Gustave, 66, 67,120, 312 Craven, Thomas, 11 Croce, Benedetto, 145 Cubism, 72,79,137,139,145,146, 147,192,224,233,243,256,301, 370,380 Cubism, "synthetic" 147 INDEX 435 Cubism and Abstract Art (Barr), 26n Cubist(s), 137,139,146,148,173, 226,229,266,327 Curry, John Steuart, 11,129 Curt Valentin (gallery), 39 Dada, 99,114,137,145,170,178, 327 Dali, Salvador, 7,34,197,419 Daumier, Honoré, 64 David McKee (gallery), 319 Davis, Stuart, 98,110,124, 372; de Kooning, influence on, 241 de Chirico, 7 de Kooning, Elaine (Mrs. Willem de Kooning), 53,112,291 de Kooning, Willem, 4,5,46, 57,109, 135,144,145,148,149,204-5, 293,295,305,316,320-1,376; as abstract painter, 229-30; black-and- white paintings of, 234; chronology, 215-27; collage, 227—8; color, 251—2; on crisis, 144; on Cubism, 224,233,243-4; early articles on, 21; on feeling American, 225; landscapes, 255; late paintings, 254-6; meaning, 240,249; MOMA symposium and, 21; on Mondrian, 246; on Newman, 244-5; on photorealism, 248; on Pollock, 372-4; retrospective of, 238—40; on Rubens, 240—2; Sartre in relation to, 231; space in, 232—3; Springs (L.I.), living in, 249-50; statement quoted, 95; unity, 239; "Women" series, 225-7,234-5,236,239, 249; works cited, 173,225-8,233, 234,235,239,244,250,252,255 De Stijl (Holland), 7 Dehner, Dorothy (Mrs. David Smith), 203 Delacroix, Eugene, 33, 64, 86,120, 307 Devree, Howard, 22 Di Suvero, Mark, 317 Dialectics of Art (Graham), 372; see also Graham, John, System and Dialectics of Art Dove, Arthur, 13, 99 Dubuffet, Jean, 91 Duchamp, Marcel, 99,114,129, 224 Dufy, Raoul, 7 Egan, Charles, 59, 99 Egan (gallery), 51, 99,130,229, 291, 299,305 Eliot, T. S., 197,199 émigré artists in New York, 7—8, 128-9 Empson, William, 201 Encounter (London), 20,382 Ernst, Max, 7,39,41,42, 93,97, 99, 129,419 European critics quoted, 102-8 Evergood, Philip, 11, 87 Existentialism, 4, 96,153—4,198, 203-5,294,383 Expressionism, 139,145,256; German, 97,106 Expressionist, 139 Fauves, 137 Fauvism, 106,146 Federal Art Project, 48,127,128,129, 171,172; Abstract Expressionists on, 14; Public Works of Art Project (PWAP), 13-14; Treasury Art Project (TRAP), 14; Works Progress Administration (WPA), 38,79,127,129,310 Federation of Modern Painters and Sculptors, 8,16 Ferber, Herbert, 49,100,157,200 Ferren, John, 29n, 51,53,54,57, 89 field painting, 192,276-7,281-6, 287n Fiene, Ernest, 12 Fine, Perle, 53,247 Fitzsimmons, James, 54, 89,91,93 Formalism, Russian, 198,203,205 Fortune, 175 Fragonârd, Jean-Honoré,239 Francis, Sam, 100,103,106,109 Frankenthaler, Helen, 153,180,406 French Salon, 120 Freud, Sigmund, 199,268,377 Fried, Michael, 386 Fry, Roger, 197,403 Fuller, Peter, 182-7,188,193 Futurists, Russian, 203 436 INDEX Gabo, Naum, 93 galleries: Art of this Century, 51, 99, 126,130,167n, 203,401; Betty Parsons, 51, 99,130,159,164, 330,332; Castelli, 178; Curt Valentin, 39; David McKee, 319; Egan, 51,99,130,229,291,299, 305; Howard Putzel, 51; Julien Levy, 37, 99,130; McMillen, 372, 373; Marlborough-Gerson, 316; Marlborough New London (England), 406; Nierendorf, 271; Peridot, 130; Pierre Matisse, 39, 204; Samuel Kootz, 51,54,59, Stable, 130; subsidies, 44; Tenth Street, 130; Whitechapel (London), 406 Gaugh, Harry F., "Franz Kline: The Color Abstractions" 319—20 Gauguin, Paul, 121,132,191 Geldzahler, Henry, 152—5; New York Painting and Sculpture: 1940— 1970,152 Genauer, Emily, 22, 344-5 Géricault, 64 Getlein, Frank, 64,140 Giocometti, Alberto, 91—2,94,203, 232 Glarner, Fritz, 49 Glasco, Joseph, 92 Godamer, Hans-George, 382, 389—91 Goldwater, Robert, 20,31,51,52,53, 55-6,92 Gombrich, Ernst, 140 Goodnough, Robert, 49, 301 Goossen, E. C., 160 Gorky, Arshile, 21,40,43, 99,106, 126,131,141-2,171,173,177, 178,190,213,229-30,241,250, 293,372,379,380,413,414; influence on de Kooning, 40; suicide, 173; underground reputation, 44 Gottlieb, Adolph, 4,5, 8,10,139,141, 148,160,195,229,291; and Baziotes, 264; chronology, 257—9; color, 278 — 80,283—6; color field, 276-7,281-6; desperation of, 266—7; "Imaginary Landscapes" 272,274,284; MOMA symposium, 21; on myth and symbol, 159,199,267-8,278; and Picasso, 274; pictographs, 199, 261-2,271,273,276,277-9; and Rothko, 267,277,413,417; scale, 279,282; standards, 9, 25,265—7; subject matter, 3,99,267,276; Surrealism, 272; and Tomlin, 274; works cited, 271,272, 274, 276, 278-86 Graham, John, 40; aid to Abstract Expressionists, 372; influence on de Kooning, 241; Russian Formalism, link to, 203; System and Dialectics of Art, 8,372 Graves, Morris, 98 Gray, Cleve, 125n Greenberg, Clement, 26,51, 99, 111, 159-60,178,190,197,205,276; "Avant-garde and Kitsch" 16—19; and Cold War, 15; "Cubist trauma" 146-7; emotion in art, 147; flatness, 179-81; "How Art Writing Earns Its Bad Name" 382—3; metaphysical content, 148; MOMA symposium, 21; on New York School, 146; on subject matter, 65—6,178, 200—1; as tastemaker, 177; theory, 141—50 Greene, Balcomb, 12 Cropper, William, 11 Guggenheim, Peggy, 39,41,42,44, 45,49,51,99,364; see also Art of This Century (gallery) Guggenheim, Solomon R., Museum, see Solomon R. Guggenheim Museum Guilbaut, Serge, 197 Guston, Philip, 5,53,100,106,213, 316,404; statement quoted, 96 Hare, David, 100 Hartigan, Grace, 53,100,101,103, 106 Hartley, Marsden, 7 Harvard University, 33 Hess, Thomas, 51, 94,144,244,382, 418; Abstract Painting: Background and American Phase, 148; Newman derided by, 22, 329; Newman retrospective, 347—50; theory, 141,148-9; Willemde INDEX 437 Hess, Thomas (cont.) Kooning, 149,238-40 Höfer, Karl, 40 Höfmann, Hans, 7,99,100,110,111, 133,136,143,145-6,173,203, 213,413,416; Hans Hofmann School, 48 Holty, Carl, 12 Holtzman, Harry, 49, 53 Hopper, Edward, 13, 98,125n Howard Putzel (gallery), 51 humanists, 88 Hunter, Sam, 150, 368—9,371 Hurd, Peter, 12 Impressionism, 67,102,119,243, 326,370 Ingres, Jean-Auguste-Dominique, 64 "Intentional Fallacy, The" (Beardsley and Wimsatt), 200 "Intrasubjectives, The" (catalogue essay, Rosenberg), 54 It Is, 51 Jakobson, Roman, 202 Janson, H. W., 21 Jaspers, Karl, 96 Jewell, Edward Alden, 22; letter from Gottlieb and Rothko, 10 Jewish Museum, 238 Johns, Jasper, 178,238 Joyce, James, 116,378 Julien Levy (gallery), 37, 99,130 Jung, Carl, 97; Modern Man in Search of a Soul, 198-9; see also Pollock, Jackson, Jungian analysis Kamrowski, Gerome, 37, 38,40 Kandinsky, Wassily, 43,44, 76, 97, 101,119,146,190,222,223,346, 366, 368, 413; color, 202; early New York showings, 6; as influence, 2,43,190, 202, 222, 369 Kaprow, Allan, 25 Kelly, Ellsworth, 162,169, 406 Kierkegaard, Soren, 80, 96, 375 Klee, Paul, 6,41, 73, 92,103,106, 300,379,380 Kline, Franz, 109,136,148,165, 374; black-and-white paintings, 296, 299,300-3,304-5,309-10, 313-15, 317-18, 320—Ì; calligraphy, 297,299, 300—2, 313—14; chronology, 288—9; The Club and, 295; color, 97,309,314, 319-21; copying, 295; drawing, 294, 297, 309, 310, 312; drinking, 173; influences, 307, 311; patrons, 293—4, 307—8, 309; portraits, 308, 310; scale, 300—1; tavern decorations, 293—4, 310; works cited, 292-4,296,297,298, 302-3,308-10,313,317,320 Knaths, Karl, 7, 87,125n Kozloff, Max, 24, 176 Kramer, Hilton, 20,140 Krasner, Lee (Mrs. Jackson Pollock), 39,372,406 Kuspit, Donald, 197,199 Lassaw, Ibram, 100 League for Cultural Freedom and Socialism, 8,16 Lee, Doris, 12 Léger, Fernand, 7,12, 99, 249,251 Levine, Jack, 98 Life, 20, 21 Lipton, Seymour, 100,196 Louis, Morris, 180, 240,317 Lovejoy, Arthur, 33 Lynes, Russell, 175 McCarthy, Senator Joseph, 23 McCray, Porter, 101 McMillen (gallery), 372,373 Magazine of Art, 21,116,134 Malevich, Kasimir, 160 Man Ray, 7 Manet, Edward, 67,121,129,141, 229,241,248,292 Mangold, Robert, 169 "Manifesto: Toward a Free Revolutionary Art" (Breton), 15; see also Rivera, Diego; Trotsky, Leon Marca-Relli, Corrado, 57 Marden, Brice, 169 Margo, Boris, 203 Margolis, David, 203 Marin, John, 13, 98, 99 Marinetti, Fillipo, 84 Marisol, Escobar, 155 438 INDEX Marlborough-Gerson (gallery), 316 Marlborough New London (gallery) (England), 406 Marsh, Reginald, 307 Marxist Quarterly, 15 "Marxists" 79 Masson, André, 99,106, 129, 147; collage, 43; influence, 7,43 Mathieu, Georges, 90, 91 Matisse, Henri, 7,46,102,106,127, 226, 230, 249, 254, 264-5, 304, 307,.335, 341; influence, 1, 2, 145 Matta (Roberto Echaurren Matta), 99, 106; collage, 42; Exquisite Corpse, 41; influence, 7, 33, 35-7,40-2, 147 Matter, Mercedes, 3 73 Mayakovsky, Vladimir, 203 Metropolitan Museum of Art, 21, 52; Centennial exhibition, 152,155 Michelangelo, 77,116 Minimalism, 155-6, 169,244,248 Mirò, Joan, 73, 76,93,99,230; influence, 2,41,45,142,147, 266, 363,368,369 Modern Man in Search of a Soul (Jung), 198-9 modernism, 5, 82—4,142 Modigliani, Amadée, 7, 307 Mondrian, Piet, 7, 83, 99, 129,223, 226,230,242,246,251,266,276, 301,303,312,327,330,333,342, 343, 345-6, 366, 410, 413; early New York showing, 6 "Monster Painting" 171 Morris, George L. K., 7 Mortimer, Raymond, 21 Motherwell, Robert, 4, 31,49, 51,53, 57,99,103,104,106,109,124, 141,173,175,185,197,198,213, 282,283,337,382,418; automatism, 197—8; on becoming artist, 33—5; collage, 42; early articles on, 21; Matta, influence of, 36—44; Schapiro, influence of, 34; Seligmann, influence of, 35; statement quoted, 95; works cited, 104,197,337 Museum of Modern Art (MOMA), 5, 52,123,158,178,179,196,238, 344,345,368,379,408,412; accused of bias, 87—8; admission to, 7; American abstraction, attitude toward, 12; Aquisitions Committee, 21; cultural imperialism, 175-6; The New American Painting, tour of, 95, 101,332; symposium, Abstract Expressionism, 21 Museum of Non-objective Art, 6; see also Solomon R. Guggenheim Museum Namuth, Hans, 377 Nation, The, 21 "Nature of Abstract Art" (Schapiro), 10,15 Neo-Plasticists, 222, 242 Nevelson, Louise, 155 New Criticism, 198-9,200-4 New York Herald Tribune, 22 New York Painting and Sculpture, 1940-1970 (Geldzahler), 152 New York School, 1, 33,126,130, 132,133,135,138,144,264,269, 281 New York Times, 10,22-3,122, 125n, 152 New York Times Magazine, 175 New York University, 7,49 Newman, Bamett, 3,27n, 97, 148, 158,160-1,166,201,205, 244-5,299, 380,412,413, 417; artist's intention, 338; on beauty and sublime, 325-8,345—56; chronology, 322—3; color, 334—5; color field, 333,345; on Constructivism, 203; "The First Man Was an Artist" 165; on Gottlieb, 195; on hero, 157, 335; heroic gesture, 341; The Ideographic Picture, 158-9; imagery, 338,346; Kabbalah, 244, 347—50; Mondrian, relation to, 330-1,333,342; "stripe" "band" or "zip", 97,333,334, 344, 348; subject matter, 10,140, 336-42; sublime, 340,345-6, 350; symbolism, 99,159; theory, 157—8; work in series, 164—5, 336—7,341; works cited, 161,163, 164,165,333,334-5,336-7, INDEX 439 Newman, Barnett (cont.) 340,342,334-50 Nierendorf (gallery), 271 Noland, Kenneth, 180 O'Doherty, Brian, 418 O'Hara, Frank, 305 O'Keeffe, Georgia, 13 Oldenburg, Claes, 25 Olitski, Jules, 180 Onslow-Ford, Gordon, 36 Oriental art, 63,117,118,247,297, 301-2,313-14,360,410; Eastern calligraphy, 116; Hsieh Ho, 117; "wild men" 116, Wu Tao-tzu, 113 Orozco, Jose Clemente, 42 Orton, Fred, 197 Osborn, Peggy, 40 Ozenfant, Amédée, Foundations of Modern Art, 7-8 Paalen, Wolfgang, 36 Parker, Raymond, 406 Parks, David, 199 Partisan Review, 16,20,21,177 Pavia, Phillip, 50-2, 54,57 Peridot (gallery), 130 Phillips (gallery), 319,320 photo-realism, 179,248 Picasso, Pablo, 1,2,5,7,42,46,92, 93,99,106,149,230,236,264-5, 274,292,305,307,327,335,363, 368,369,372; Guernica, 172 Pierce, Waldo, 12 Pierre Matisse (gallery), 39,204 Pollock, Griselda, 197 Pollock, Jackson, 37,39,46,109,136, 205,229,291,295,351-91; accidents, 173,360,367,375-6; alcoholism, 43,172; apocalyptic, 190-3; and Cedar Bar, 374; character, 43,144,186-9,374; chronology, 351—5; and The Club, 373-4; collage, 42; color, 364; decorative art, 114—15, 369—70; Formalism, 386; Happenings, 376; imagery, 365-7,368,370-1; influences, 5,42,43,172,318,364, 368,377,379; Jungian analysis, 199; McMillen Gallery, 372—3; and meaning of his art, 358, 365-6,382—91; MOMA symposium, 21; scale, 45,361; technique, 42-4,99—100,132, 140,150,153,172; 178, 185-6, 356-7,358,360,362,365; ugly art, 143; works cited, 190,196, 363,364,369,370,371,377,378, 379,380,381,386 Pop art, 25,169,179,191 Porter, David, 196 Possibilities, 418 post-Cubist, 148 Post-Impressionism, 79 Pound, Ezra, 104 Prall, David, 33 Preston, Stuart, 406 "Problem for Critics, A" (Putzel), 147 Proust, Marcel, 116 purists, 61 purity and music, 69 Putzel, Howard, 51; "A Problem for Critics" 147 Quadrum (Belgium), 52,56 Rauschenberg, Robert, 144,238 Ray, Man, 7 Read, Herbert, 110,140 Reality, 86-8; letter to MOMA, 87—8; signers, 87; statement, 86—7 Rebay, Baroness Hilla, 6 Regionalism, 18,98 Regionalists, 172 Reinhardt, Ad, 49,53,54,94,154, 158,177,199,203,213,412,413, 417; against interpretation, 202 Reis, Bernard, 36 Rembrandt, 73, 77,325 Renaissance, 93,120,325 Renoir, Auguste, 116,122,127, 305 Riopelle, 90 Rivera, Diego, 16,191, 192; see also "Manifesto: Toward a Free Revolutionary Art" Robertson, Bryan, 406 Rodchenko, Alexander, 284 Rodman, Seiden, 200 Romanticism, 64—5, 111 Rose, Barbara, 178 Rose, Berenice, 173,178 Rosenberg, Harold, 21,24,49,51,53, 440 INDEX 54,57,58,97,113,115-16,124, 152,154,159,189,205; "American Action Painters" 19, 204; theory, 141—50,383 Roszak, Theodore, 100 Rothko, Mark, 8, 9,10,50,136,148, 149,160,166,180,191,195-6, 205,291,334; automatism, 44; Chapel, 164; chronology, 392—6; color, 403,405,406-7,408, 409-11,414-15,416,419; credo, 139,200,397-400; and Gottlieb, 267; imponderable, 409; letter to, Jewell, 10; lighting, 418-20; murals, 163-5,410-12; mythology, 159,161; reductive qualities, 158,413-15; scale, 45, 411; statement quoted, 95; subject matter, 3,403—4; suicide, 173, 413; Surrealism, influence of, 44, 401,408,419; transcendentalism of, 402-3; works cited, 163-4,196, 398-400,405,409,410,411,419 Rousseau, Theodore, 64 Rubens, 240,241,242 Rubin, William, 24,150,178,190 Russell, Alfred, 91 Ryder, Albert Pinkham, 42,99,292, 307,309,363,414 Sample, Paul, 12 Samuel Kootz (gallery), 51,54; subsidies, 44 Sandler, Irving, 29n, 31,197, 277; "The Triumph of American Painting" 173 Sapir, Edward, 195 Sartre, Jean-Paul, 4,145,198,203, 234,383; de Kooning in relation to, 231; La Nausée, 204; The Words, 231 scale as factor in art, 45,97-8,104, 166,282,301 Schapiro, Meyer, 21,34,150; American Artists Congress, 16; as influence, 8,34; "The Nature of Abstract Art" 10,15 Schreiber, George, 125n Schwitters, Kurt, 42 Seitz, William, 117,150 Seligmann, Kurt, 8,35,36,53 Selz, Peter, 419 Serra, Richard, 169 Sert, Jose Maria, 241,242 Seurat, Georges, 7 Sewanee Review, 201 Shahn, Ben, 11, 98 Siqueiros, David Alfaro, 172,191,192 Smith, David, 100,173,195,199, 202,203 Social Realism, 1,18,38,197 Social Realists, 11,15,186 Socialist Realism, 98,174 Solomon R. Guggenheim Museum, 5, 59,89,254 Sontag, Susan, "Against Interpretation" 383-90 Soulages, Pierre, 90 Soutine, Haim, 76,147, 307 Stable (gallery), 130 Stalinism, 15,19 Stamos, Theodore, 100,159,412 Stein, Gertrude, 227,291 Steinberg, Leo, 24,150,320 Stella, Frank, 162,180 Sternberg, Harry, 125n Sterne, Hedda, 202 Stevens, Wallace, 78 Still, Clyfford, 4, 44,45, 78, 99,100, 109,133,136,143,148,159,160, 162,163,164,175,199,205,213, 279,291,334,380,382,412,413, 417; Abstract Expressionists, influence on, 45 ; reductive renunciation of, 158; statement quoted, 95 Studio 35,49,51,52 "Subjects of the Artist" School, 57; faculty, 49; founders, 49; Modern Artists in America, 49 sublime: as aesthetic category, 162-3; social responsibility and the, 165 Surrealism, 2, l'5,36,97,100,116, 130,131,133,' 139,150,233,266, 268,333,369,401; Exquisite Corpse, 41,132; literary, 197; motifs, 101 Surrealism in the Service of the Revolution, 15 Surrealists, 99,132,139,325,378; as bohemians, 129; influence of, 34, 41,127,131,170-1,368 INDEX 441 Sweeney, James Johnson, 20, 54 Sylvester, David, 135 Tachisme, 101 Tanguy, Yves, 197—8 Tate Gallery, 107, 163 Taylor, Francis Henry, 21 Tchelitchew, Pavel, 7,197 Tenth Street, 47, 176—7 Tenth Street (gallery), 130 Thomas, Dylan, 52 Tiger's Eye, 20,161,196,201-2 Time, 20 Times Literary Supplement (London), 179 Tobey, Mark, 97, 98,404 Tomlin, Bradley Walker, 100,104, 106,274 Trilling, Lionel, 199 "Triumph of American Painting, The" (Sandler), 173 Trotsky, Leon: art theory, 15; as influence, 8,18; "Manifesto" 15-20 Tworkov, Jack, 53, 56,100,106 Unit One, 99 Utrillo, Maurice, 7 Van Doesburg, Theo, 7 Van Gogh, Vincent, 121,127 Venice Biennale, 196 Venturi, Lionello, 73 Vermeer, Jan, 83 Waldman, Diane, 254,255 Warhol, Andy, 345 Warren, Robert Penn, 202 Weber, Max, 98 Well-Wrought Urn, The (Brooks), 200 Wescher, Herta, 92 Whitechapel (gallery) (London), 406 Whitman, Walt, 81,143 Whitney Museum of American Art, 274,279, 319; Whitney Biennial, 169 Willem de Kooning (Hess), 238-40 Wimsatt, W. K. ("The Intentional Fallacy"), 200, 201 Wollheim, Richard, 199 Wood, Grant, 11,121,129 World War 11,20,170,172 Xcéron, John, 7 Zadkine, Ossip, 8 Zarnower, Theresa, 203 Zen, 96 Zirmunskij, Victor, 202 Zorach, William, 7,125n 442 INDEX |
