| Volltext: | Index of Names and Titles Brackets [] around page numbers signal a footnote reference. Ackerman, Chantai, 304 Adkins, Helen, 7Z-73, [74] Adorno, Theodor W., 10, [10], 11, 16, 35, [35], 9 6 , [ 9 9 ] , [ 1 1 5 ] , 1 3 6 - 3 7 , [ 1 3 6 ] , [755], [162], [163], 177, 271, [295] Adorno, Theodor W., and Max Horkheimer: Dialectic of Enlightenment, 42 Agamben, Giorgio, 272, [272]; The Coming Community, 272 AIZ, 72 Akademie der Künste of Berlin, 71 Alexander the Great, 215 Alexander, Amir, [274] Allen, Woody, 219; Play It Again Sam, 219; The Purple Rose of Cairo, 219 Alpers, Svetlana, 95, [95] Anders, Günther, 72, [72], [73] Andersen, Hans Christian, xii; "Emperor's New Clothes" xii Arendt, Hannah, 319 Aristotle, 133 Armstrong, Louis, 306 Arnheim, Rudolf, [185] Arp, Jean, 144 Atget, Eugène, 67, 98, 100, 245 Auerbach, Erich, 255, [255] Aura, Roman Goddess, 154 Bach, Johann Sebastian, 95, 155 Bacon, Francis, 163 Baecker, Dirk, [20] Ball, Hugo, 144 Bann, Stephen, [321] Baraduc, Hippolyte, 99, [99], 116-17, [116], 118 Barthes, Roland, 322, [322] Bateson, Gregory, [19] Baudelaire, Charles, 24, 43, 67, 89, 114, 118, 249, [249], 253, 261, 285-88; Loss of a Halo, 249 Baudrillard, Jean, 14, [14], [35], 237 Baxandall, Michael, [ H I ] Beethoven, Ludwig von, 297; Ninth Symphony, 143 Bell, Clive, 2 Benhabib, Seyla, [222], [224] Benjamin, Walter: The Arcades Project, 39, 137, [137], 221, 223, 263, 269; Artwork essay, xi-xiv, 9, 10, 21, [26], [28], [30], 3 5 . 3 9 . 4 0 , 4 1 , 4 2 _ 4 3 5 ° . 5 3 . 6 4 , [ 6 4 ] . [65], 67, [67], 89, 90, 91, 92, 97, 105, 109, [109], 114, 117, [117], 129, 137, 139, 141, 142, 158, 164, 165, 167, 168, 169, 173, 175, 179, 180, 183, 188, 190, 192, 195, 198, 199, 201, 202, 203, 211, 216, 221, 222, 223, 224, 225, 226, 227- 28, 230, 242, 243, 244, 253, 256, 275, 276, 279, 282, 283, 285, 286, 288, 289, 301; "A Berlin Chronicle" 301, [301]; Briefwechsel, [136]; Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, [67], 89, [260], 261, [287], [288]; Correspondence, [168]; Drei Studien zur Kunstsoziologie, [212]; Ecrits Français, [ 1 0 9 ] ; "Erfahrung und Armut" [66]; "Der Erzähler" [115]; "Franz Kafka" [67]; Gesammelte Briefe, [24]; Gesammelte Schriften, [28], [99], [115]; "Goethe's Elective Affinities" 100, 102; "Goethes Wahlverwandtschaften" [102], [103], [104]; Grimmsche Wörterbuch, [185]; Illuminationem, 188; Illuminations, 188, 319; "Kleine Geschichte der Photographie" [117]; One-Way Street, 44; The Origin of German Tragic Drama, 164, [164], [168], 244; 3 3 8 Index of Names and Titles "Passagen-Werk" [27]; "Proust- Papière" [122]; "Reflections on the Radio" 233; "Reflexionen zum Rundfunk" 233, [233]; "Short History of Photography" 64, [64], [65], 66, [66], [67], 160; "A Small History of Photography" [256], [286], [287]; The Storyteller, 221, 222, 223, 224, 225, 226, 227-28, [259], 271; "Der Sürrealismus" [114], [232]; "The Task of the Translator" 28-29; "Theater and Radio" 234; "Theater und Rundfunk" [234], [235]; "Theses on the Philosophy of History" [222]; "Über einige Motive bei Baudelaire" [32], [114], [119], 285, [286]; "Ursprung des deutschen Trauerspiels" [100], [103]; "What Is Epic Theater?" [67] Berger, John, 319, [319]; Ways of Seeing, 319, 321 Bergson, Henri, 53, 282, 288-89; Creative Evolution, 288, [289]; Matière et mémoire, 288 Berma (character), 64-65 Beuys, Joseph, 22, 219 Bloch, Ernst, 11, [136], 253 Bloom, Allan, 296 Blum, Léon, 90 Boccaccio, [293] Bogart, Humphrey, 165, 219 Bolz, Norbert, 43, 230, 235, [235], 236, [236], 237, [237], [238] Bono, 305 Botticelli, Sandro, 284, 309 Bourdieu, Pierre, [92], [no], 268, [268] Bourneville, Desire, 119 Boyle, Robert, 135, 137 Brando, Marlon, 282 Braun, Christiana von, [218] Brecht, Bertolt, 2, 11, [37], 47, 85, 105, [105], 114, [114], 166, 173, 191, 231- 33, U31], [2.32.], [233], 236, 238, 253, 260, 262 Brockhaus, Verlag, [188] Brown, G. Spencer, 18, [18] Brown, Peter, [217] Bumke, Joachim, [213], [214] Burke, Kenneth, 11, [11] Burke, Peter, [151] Butler, Judith, [223] Carpenter, Edmund, 80, [81] Casablanca, 219 Cazeneuve, Jean, 200 Céline, Louis-Ferdinand, 322 Cézanne, Paul, 257 Chaplin, Charlie, 11, 107, 207, 208, 251, 305; Modern Times, 207, 251 Charcot, Jean-Martin, 118-20 Charlemagne, 215 Chartier, Roger, [110] Chaucer, Geoffrey, 263, [293]; "Pardoner's Tale" 263 Chopin, Henri, 145 Clair, René, 251; A Nous la liberté, 251 Clapton, Eric, 267, 297; "Layla" 267 Clark, Sterling, 266 Cleopatra (character), 282 Clericus, Johannes, 188 Cohn, Alfred, 25, [25], 39 Coleman, Omette, 306 Constable, John, 309 Cortazar, Julio, 138-41; Blow Up, 138 County Joe and the Fish, [298] Dante, [295] Dardanus, 95 Daudet, Léon, [256] Davis, Miles, 306 Deleuze, Gilles, [59], 131 Demeny, Georges, 36 Dennett, Daniel, 134, [134] Derain, André, 98 Derrida, Jacques, 16 Didi-Hubermann, Georges, [98], [99], n6, [116], [118], [120], [121], 323, [323]; Ce que nous voyons, ce qui nous regarde, 323 Doisneau, Robert, 143 Dostoyevski, Fodor, 120; Devils, 120 Douglas, Mary, 219 Duchamp, Marcel, 219 Duhamel, Georges, [93] Duhamel, Jean-Marie Constant, 143 Duhousset, Captain, 36 Duras, Madame de, 203 Dürkheim, Emile, 177-78; Sociology and Philosophy, 177 Dylan, Bob, 138, [138], 299; "All along the Watchtower" 138, 299 Eagleton, Terry, [258], 260-62, [260], [261], [262], 267 Eco, Umberto, 157, [157] Egginton, Bill, [249] Index of Names and Titles 3 3 9 Eisenstein, Sergei, 37, 50-51, 58, 143, 210, 304; "The Filmic Fourth Dimension" 51; "Word and Image" 51 Empire State Building, 136 Emrich, Wilhelm, [104] Engels, Fredrick, 236 Enzensberger, Hans Magnus, [35] Erec, 215 Evans, Bill, 306 Finlay, Ian Hamilton, 321 Fiore, Quentin, [42], [43] Flaubert, Gustave, 250; Madame Bovary, 250 Ford, Henry, 47 Ford, John, 304 Foucault, Michel, 95, [95] Frankenstein (character/thing), 136, 137 Freud, Sigmund, 116, 1x9-20, 261; Interpretation of Dreams, 116 Friedmann, Georges, 89; La Crise de progrès, 89 Fry, Roger, 2 Fuld, Werner, [114], [256] Galen, 116 Galton, Francis, [120] Gance, Abel, 143, 240 Gates, William, 266, 278 Gawain, 215 George, Stefan, 155, (155] Gervinus, Georg Gottfried, 100 Geulen, Eva, [62] Geuss, Raymond, [136] Giacometti, Alberto, 163 Giedion, Siegfried, 42, [42]; "Mechanization Takes Command" 42 Gilbreth, Frank, 37 Ginsburg, Jane C., [95] Ginzburg, Carlo, [151] Girard, René, 322; Des Choses cachées depuis le fondation du monde, 322 Godard, Jean-Luc, 304, 323 Godfather, the (character), 282 Goethe, Johann Wolfgang von, 99-108, [100], [101], [103], [104], [105]; Maxims and Reflections, 103; Wilhelm Meisters Lehrjahren, 103 Gould, Glenn, [295], 300 Grateful Dead, [298] Greenaway, Peter, 323 Greenberg, Clement, 2 Gregor, Ulrich, [37] Griffith, D. W., 252 Grosz, Georg, 75 Guattari, Felix, [59] Gumbrecht, Hans Ulrich, [212], [252] Gundolf, Friedrich, 102 Habermas, Jürgen, [224] Hafis, Mohammed Schensed-Din, 208 Hagen, Wolfgang, [34] Hamlet (character), 98 Hansen, Miriam, 135, [135] Harzfeld, Helmut, 74 Haskeil, Francis, 93, [93] Heartfield, John, 71, 74-76, [75] Heartfield, Wieland, 74 Hebrew Bible, 154 Hegel, Georg Wilhelm Friedrich, 5, 207, 241, 280 Heidegger, Martin, 20, [20], 30-31, [30], [31] 34, IZ7, 173-74, W6, 178, 281, [310]; The Origin of the Work of Art, 30, [30], 33, 34 Heiniman, Richard, [274] Hendrix, Jimi, 299-300, [300]; "Purple Haze" 300, [300] Henkel, Nikolaus, [213] Hennion, Antoine, [95] Herrmann, Hans-Christian von, [37] Herzfeld, Wieland, [75] Hesse, Carla, [95] Hessel, Franz, 63, [63], 122 Hippolyte, 95 Hitchcock, Louise A., [157] Hitler, Adolf, 253 Hobbes, Thomas, 137 Hoch, Hannah, 71 Hume, David, 5 Husserl, Edmund, 121 Hutchins, Edwin, 133, [133], 14°, [140] Huxley, Aldous, [93] Iconographie photographique de la Salpêtrière, 118-20 Institute for Social Research, 34 Ivory, James, 144 Iwein, 215 Jarmusch, Jim, 304 Jean, duc de Berry, 266 Jennings, Michael, [256], [263] John of Damascus, 266, [266] 34° Index of Names and Titles Johnson, Robert, 297 Jünger, Ernst, 38, 235, [235] Kafka, Franz, 135 Kandinsky, Wassily, 2, 163, [163] Kant, Immanuel, 5, 53, [55], [113], 134, 199 Kantorowicz, Ernst H., [217] Kaplan, Morris, [222] Karplus, Gretel, 24, [24] Keats, John, 141, [141] King Kong (character), 136 King, Rodney, [55], [66] Kittler, Friedrich, [56], 230, 234, [234], 2-35, [2-35], 236, [236], [237], [238], 254, [254] Klee, Paul, 154; "Angelus Nova" 154 Klossowski, Pierre, [109], 139, 159 Kracauer, Siegfried, 58, [59] Kraus, Karl, 164 Kristeva, Julia, 322; Pouvoirs de l'horreur, 322 Kroker, Arthur, [59] Kronos Quartet, [300] Kuhn, Hugo, [213] Kuleshov, Lev, 37, 50-51; "Art of the Cinema" 50 Lacan, Jacques, 32, [32], 121-22, [122] Lang, Fritz, 251; Metropolis, 251 Lanzmann, Claude, 106-7; Shoah, 106-8 Laocoön, 192 Latour, Bruno, 133, [134], 135-37, [136], 138; Science in Action, 133 Le Clerc, Jean, [188] Léger, Fernand, 207 Lenin, Vladimir, 159 Leroi-Gourhan, André, [212] Leskov, Nikolai, 224 Lessing, Gotthold Ephraim, 166, 192 Lieberman, Fredric, [298] Link, Jürgen, [105], 115, [116] Link-Herr, Ulla, [98], [119] Locke, John, 5 Luhmann, Niklas, [9], [19], [23], [212], 216, [216]; "The Work of Art and the Self-Reproduction of Art" [9] Lukâcs, Georg, 101, 225, [225]; History and Class Consciousness, 225; Theory of the Novel, 225 Lyotard, Jean-François, 17, [17] MacBeth (character), 189-90 Madonna, 305 Mallarmé, Stéphane, 11, [225], 285 Malraux, André, 12 Manet, Edouard, 287 Marchai, Guy P., [217] Marcuse, Herbert, 148, 154-56, [155] Marden, Brice, 320-21, [321] Marey, Etienne-Jules, 36 Marinetti, Filippo Tommaso, 276 Marrinan, Michael, [121] Marx, Karl, 38, 106, 180, 203, 224, [224], 229, 230, 235, 236, 241, 253, 275; Das Capital, 224 Mazön, Patricia, [274] McCole, John, 258-59, [258], [259-60] McLuhan, Marshai, 42-43, [42], [43], [212], 234, 235; Gutenberg Galaxy, The, 43; Understanding Media, 43, 234 Meier-Graefe, Julius, 2 Menke, Christophe, 16, [16], [17] Menocal, Maria, 267, [267], [295] Mercury, Freddo, [291] Meyerholt, Ulrich, 37 Michael, George, [291] Michelangelo, 309 Mignon (character), 103, [103] Milton, John, 136; Lost Paradise, 92 Mommsen, Theodor, 3 8 Morgan, J. P., 265-66 Morisot, Berthe, 287 Morris, William, 265 Moses, 93, 148 Moulin, Raymonde, [94] Mukarovsky, Jan, 191 Musil, Robert, 80 Mussolini, Benito, 253 Muybridge, Eadweard, 36 Neumann, John von, [237] Nietzsche, Friedrich, 33, [34], 38, 150, [1501,250,253 Nizami (Ganjavi), 267; Mayla and Majnun, 267 Novalis (a.k.a. Friedrich von Hardenberg), 198 Nunberg, Geoffrey, [112] Ong, Walter J., [212] Ortmann, Christa, [213] Otto, Rudolf, 199-200, 201 Index of Names and Titles 3 4 1 Packard, David, Jr., 279 Parker, Charlie, 3 06 Partridge, Eric, [185] Penny, Nicholas, 93, [93] Perot, Ross, 276 Petrarch, 292, [293], 295, [295]; Can-zoniere, 295 Philippe VI, 266 Picasso, Pablo, 208 Plato, 132 Proust, Marcel, 63, [63], 98, 106, 115, 122, [122], [123], 165, 287, 288, 318, 322; The Guermantes Way, izz; Remembrance of Things Past, 63, 123; Within a Budding Grove, 63 Ragotzky, Hedda, [213] Rameau, Jean-Philippe, 94 Rancière, Jacques, [268] Rang, Martin, 137 Raphael, 5; Sistine Madonna, 5 Régnard, Jean-François, 119 Reitz, Edgar, 107; Die Zweite Heimat, 107 Rembrandt, 95, 130, 257 Resnais, Alain, 98 Richards, Keith, 297 Rilke, Rainer Maria, 98, 105 Rimbaud, Arthur, 253 Rio Bravo, 304 Rivette, Jacques, 323 Rodin, Auguste, 204 Rohmer, Eric, 144 Roman de la Rose, 265-66 Rose, Mark, [95], [110] Sachsse, Rolf, 72, [75] Sacks, Oliver, [64] Said, Edward, 295, [295] Sartre, Jean-Paul, 314 Satan, 150 Schaffer, Simon, 135, [135] Schefer, Jean-Louis, 322; L'Invention de corps chrétien, 322 Schiller, Friedrich, xoo, [101], 102, [104], 166 Schlegel, Friedrich, 198-99 Schleiermacher, Friedrich, 199; Über die Religion, 199 Schmitt, Carl, 244-47; "The Age of Neutralization and Re-Politicization" 244; The Concept of the Political, 244; Political Theology, 244; "Über den Begriff der Geschichte" 244 Schmitz-Cliever-Lepie, Herta, [215] Schoenberg, Arnold, [155], 163, [163] Scholem, Gerhard, 198 Schön, Ernst, 39 Schubert, Franz, 95 Das Schwarze Korps, 244 Serrano, Andres, 323 Shakespeare, William, 95; Othello, 95 Shapin, Steven, 135, [135] She Wore a Yellow Ribbon, 304 Shiff, Richard, [64], [67] Simmel, Georg, 177 Simon, Erika, [154] Snyder, Joel, [111] Soeffner, Georg, [218], 219, [220] Sörenson, Bengt Algot, [100], [103] Spielberg, Steven, 106-8; Schindlers List, 106-8 Spinoza, Benedict (Baruch), 5, 151 Stackmann, Karl, [2x3] Stanford, Leland, 36 Starkman, Ruth, [228] Sternberger, Dolf, 167; Panorama of the Nineteenth Century, 167 Stoessel, Marleen, [114] Straub, Jean-Marie, 323 Strauss, Leo, 151, [151] Stroheim, Eric von, 252 Strohschneider, Peter, [213] Tasso, Torquato, 136 Tatlin, Vladimir, [75] Taylor, Cecil, 306 Taylor, Charles, 268, [268] Taylor, Elizabeth, 282 Taylor, Frederick, 37, 88 Tervooren, Helmut, [213] Tieck, Ludwig, 198 Tristan, 213 Tristan (character), 215 Troeltsch, Ernst, 177 Tucholsky, Kurt, [56] Tzara, Tristan, 144 Über die Religion, 199 Valéry, Paul, 143, 1 7 9 , 150-51. [251], 254, 287-88 Venus, 98 3 4 2 . Index of Names and Titles Vertov, Dziga, 37 Virgil, 34 Virgin Mary, 12, 218 Virilio, Paul, Z30, [Z30] Visconti, Luchino, 98 Vittinghoff, Friedrich, [2.17] Vogel, Paul, [121] Wandhoff, Haiko, [zié] Warburg, Aby, 154, [154] Warner, Michael, [113] Wayne, John, 304 Weber, Max, 25, 177 Weber, Samuel, 33, [33] Weinstein, Michael A., [59] Wenders, Wim, 98, 107; Wings of Desire, 107 Wenzel, Horst, [213], [216] Werfel, Franz, [180] Wigman, Mary, 162; "Witch Dance" 162 Wilhelm, August, 198 Willett, John, [56] Woodmansee, Martha, [95], [no] Woodstock, [298] Yonnet, Paul, [96] Young, Edward, 150, [150] Young, Neil, 300; "My My, Hey Hey" 300 Zglinicki, Friedrich von, [36] Zilsel, Edgar, [no] Zirclaria, Thomasin von, 214-15, [214], [215], [216] Zohn, Harry, [55], 58 Zumthor, Paul, [213]; Introduction à la poésie orale, 142; La Lettre et la voix, 144; Les Riches heures de l'alphabet, 145 Index of Concepts Brackets [] around page numbers signal a footnote reference, parentheses () a subdivision of the principal concept. 1935. 3° 1936, 25, 51, 7t, in, 145-46, 176, 222, 2.23, 243, 253, 256, 272, 318, 320 1920s and 1930s, 2, 4, 71, 78, 244 1930s, xii, [35], 89, 218, 245, 258 1940s, 144 I95os 42, 145 1960s, 145, 322, 323 I97o s , t 3 5 ] . 3t9, 3 2 0 , 3 2 3 1980s, 322 absence, 285-90 Abstract Expressionism, 320 abstract public, 113 actor, film, 4 (cult of), 47, 65, 85, 88, 94, 135, 138, 165-67, [182], 183-84, [185], 186, 195-96, 207, 276, 282-83 actor, stage, 47, 66, 135, 183 advertising, 25, 146, 252 aesthete, 17, 18, 20, 225 aesthetic autonomy, 2 aesthetic deconstruction, 26 aesthetic idealism, 206, 210 aesthetic object, 62, 191 aesthetic operation, 18 aesthetic perception, 1 aesthetic praxis, 25, 26 aesthetic theory, 28, [259] aesthetic understanding, 16-17 aesthetics, 3 (philosophical), 24 (media), 25, 28 (post-Hegelian), 37 (fascist), 38, 39, 41, 4Z 43, 53, 54, [61], no, 207 (Hegel's), 243-45, z^9, z7° (Kantian), 283, 292, 299 aesthetics, politicization of, 112, 272 alienation, [35], 225, 229 allegory, 41, 103, 168, 302 American, 96 ancient Egypt, 148 aphorism, 271-72 apparatus, 38, 45-48, 59, 66, 119-20, 125- 28, 172-73, 184, 186, 232, 247 appearance, 15-16 applause, 66 archaeology, Italian, 93-94 architecture, 9, 54, 206, 214, 302 art, i (concept of), 10 (value of), 21 (conceptual), 22 (performance of), 40 (politics of), 92 (sacralization of), 96 (modern perversion of), 134 (pop), 153 (Roman), 182 (unity of), 203 (polemics of), 222 art, avant-garde, 37 (Soviet), 208-9 art, contemporary, 205, 206 art, mass, 137, 146, 204, 210 art, minimalist, 320, 323 art, modern, 144, 208 art, politicization of, 4, 53, 269-70, 272 art, theory/theory of, 15, 16, 203 art, traditional, 25, 144-45, zo4 z°6, zo9, 210 art critic/art criticism, 57, 85, 156, 320 artifact, 191 artist's signature, 75, 128 asceticism, 165 assembly line, 47, 88, 263 audience, 49, 65, 139, 170, [184], 208, 232, z33, [z95], z98 (live) aura, xii, 7, n, 16, 18, 21, 25, 30, 33, 34, 59,63, [64], 69, 8Z, 83-86, 98, [99] (waves), 102, [105], 106, 114, 115, [115], 116-17, [121J, 125, X28, 132, 138, 139, 142, 144, 154, 158, 162, 166, 170, 180, 181, 183, 186, 187, 188-89, 344 Index of Concepts 195,198, 201, 204, 207, 212, 216, 217, 220, 226, 231, 249-50, 251, 256, [256], 258, 259-60, [260], 261, 262, 264, 266, 267, 270, 284, 288, 297, 298, 299-300, 309, [310], 312, 319-20, 321 aura, Benjamin's definition of, 64, 83, 99 aura, destruction of, 99, 147 aura, loss of/decay of, 9, 12-13, *8, 7° io5, 153, !55 157. l6i, zo5 ziz z53 270, 275, 276, 290, 299 aura, theory of, 209, [259] aura hysterica, 118, 121 auratic event, 64 auratic fascinosum, 122 auratic presence, 168 auratic status, 77 aureole, 83-84, 154, 189-90, 193, [256] authenticity, 30, 32, 80, 125-28, 132, 142, 149, 151 ÏS2-. 156, 161, 195-96, 198, 201, 204-5, ZIZ 214, ZI7 zzo zz6, z43 Z5D 257 lz57h z75. 29° Z9D Z9Z 295, [2.95], 296 authentic location, 179 authentification, 128 author, 70, 95, no, 127, 231, 283 autonomy/l'art pour l'art, 2, 11, 109-10, 166, 189, 201, 205-6, 224, 285, 286, 288 Baroque, 25, 41, 244, 302 Baroque, German, 39, 168 Beethoven sonata, 162 Benjaminian, 28, 300, 319 Berlin Retrospective of 1991, 78 bibliophile/bibliomania, 145, 265 Bibliothèque Nationale de Paris, 264 Bibliothèque Royale, 266 biocybernetic, 237 biomechanics, 37 black community, 306 blasphemy, 86 blindness, 14-15 body/bodies, 6, 7, 36, 58, 59, 67, 83, 99, 12-7, i35i 24° Ï50. i85. 196, 2.16, 217, 254, z55 282-83 bourgeois/bourgeoisie, 10, 59, 68, 70, 92, 150, 156, [184], 221, 231 BTX, 82 California, 36, 42, 279 camera, 6, 31-32, 37, 38, 46, 51, 58, 59, 65, 66, 88, 119, 133, 135, 139, 140-41, 165, 166, [182], 184, [184], 185, 186 cameraman, [37], 46, 66, 183, 185 capital, 196 capitalist, 9, 110, 180-81, 224-25, 231 caption, 51, 56 Cartesian thought, 281 casting (of sculpture), 149 chrono-photography, 36 class conflict, 279 close-ups, 80 Club Med, 302 codex, in cognitive psychology, 6 collage, 73, 77 collective, 27, 29, 49, 82, 194, 228, 229, 232-33, z35 Z5Z, 263 collector(s), 195, 196, 265-66, 283 comic strip, 308 commercials, 304-5 commodity, 260, 262 communication, 16, 19-23, 82, 235-38, 254 communist/communism, 43, 112, 254, 255, 269, 271, 272 compact discs (CDs), 132, 276 composer, 94-95 computer(s), 34, 69-70, 82, 106, 111, 235, 237, z74. 3oz computer hardware, 278 computer software, in, 278 conditions of production, 230 constructivist, [75] consumption, 75-76, 99, 105 conveyer belt, 160 copy/copies, 77, 93-94, 126, 128, 131-32 (replicas), 152-53, 156, 161, 164, 181, I92 193, 204, 218, 256 criminology, 3 5 critique, 171 cult/cultic, 1-2, 15, 18, 19, 85, 190, 205, 2.17, 219, [260], 276 cult object, 13, 182, 200, 262, 283 cult of the original, 205 cultural imperialism, 251 cultural studies, xi cult value, 3, 5-6, 11, 12-13, 14, 92, 117, 125, 126, 196, 200, 286 currency, 24, 28 cutting, 59, 65, 70, 183 cyber-sex, 82 cyberspace, 81, 82, 274, 277, 278 Index of Concepts 3 4 5 Dada/Dadaist/Dadaism, 49, 69, 72 (1920 Fair), 7 3 , [73]- 7 5 , 7 7 , 144 2°9, 2I° daguerreotypes, 66-67, 119, 286 databases, 278 deconstruction, 10, 34-35, [35] defetishizing criticism, 197, 222, [222], 229 démystification, 222, 272 depersonalization, 167 destruction, 112, 180, 187, 189 differentiation, 13 digital age, xiv, 38, 76, 87, 113, 117, 291 digital data, 6 digital media, 32, 33 digital photography, 66, 69, 76 digital recording, xii, 132 digital technology, 274, 278, 279 digitization, 69-70, 105 Dionysian, 296, 299 discontinuity, 239 discourse, 3, 64 (medical), 112-13, 157, 171-74, 279 Disney, 209 displacement, 179 dissimulation, 150-51, 153 distance, 2, 12, 15-16, 17, 18, 83, 96, 99, 125, 146, 128, 182, 216, 228, 256, [310] distinction, 112 distraction, 55, 176, 196 division of labor, 48, 224, 231 double exposure, 50 economy/economic, 2, 87, 96, no, 128, 230 eighteenth century, 3, [95], 151, 191, 192, 195, 203, 231 empathy, 60 empiricist, 6 engraving, 12, 109, 144, 145, 211 enlargement, 58 Enlightenment, 84, 171, 322 enlightenment, 275 environmentalist(s), 276 Erfahrung and Erlebnis, 258-61 erotic, 54, 99 etching(s), t2, 126, 211 exhibition value, 3, 5-6, 71, 72, 126, 180, 198, 201, 270 fairy tale, 208, 223 fake(s), 109, 126, 128, 149-5D i52 !53 156, 170, 195 fascism/fascist, 9, 10, 40, 43, 53, 68, 78, 112, 156, 166, 168, 209, 236, 243-45, 247, 2.52.-53, 92, 195-97, 222, 224-25, 226, 227-28 fetish value, 92-93 film, black and white, 106-8 film, color, 106-8 film/cinema/movies, xii, 9, 10, 12, 28, 31, 33, 5C 42, 45-48, 49-51, 53"~62., [58], [59], [61], 65, 67-68, 70, [71], 77, 79- 81, 82, [93], 94, 100, 105, 109, 116, 117, 133, 134, 235-36, 138, 160, 164, 165, 166, 172-73, 178, [180], [182], 183, 184, [184], 186, [186], 193, 196, 203, 205, 206, 207, 208, 209, 212, 219, 227- 28, 231, 232, 235, 239, 245, 246, 251, 252, 254, 258, [260], 270, 274, 276, 279, 282, 283, 303-5 film editing, 69, 79, 206, 305 film theory, 25, 50 flaneur, 165 Foucauldian, 59, 105 fourteenth century, 266 fragmentation, 47, 66, 67 frame-by-frame, 55, [55], [61], 69, 88 Frankfurt Market, 100-101, 104 Frankfurt School, [35], 42, 91, 96, 197, 229 frescoe(s), 216 Führer cult, 112, 244 future, xi, 4, 62, 145-46, 202, 278 gaze, 67, 79-80, 114-16, 119-22, [121], 217, 218-19, 220 German Expressionism, 40-41 German Idealism, xi German intellectualisai, 166 German Reunification, 71, 78 gramophone, 31, 60 graphic effects, 22 guided tour, 309 habitus, 268, [268] handcraftmanship, 214 Heartfield exhibits, 72-73 Hegelian, 222, 239, 241 here-and-now, 12, 21, 143, 144, 204-5 hero/heroine, 215 historicity, 56, 142 historicization, 283 history, 2, 38, 41, 60-62, 80, 84, 88 (industrial), 128, 196, 229, 239-42, 255, 257, [260], 262, 267-68 ( literary), 275, 3 4 6 Index of Concepts 278, 290, 320 Hollywood, 252, 274 Holocaust, 106-7 humanist, 139-41, 151, 152, 177 hybrid(s), 82, 133, 136, 137, 139, 165 hypertext, 236, 264, 278 hysteria, 118-22 icon, 218 idealism, 96, 225 image(s), dialectical, 60, 61 image(s), prohibition of, 33-34 image(s), proliferation of, 148 industrial age/society, 156, 210, 251, 277 industrial engineering, 37, [37] industrial revolution, 257, 274 information age, 225, 227, 274 information media, 221 infotainment, 82, 238 intellectuals, 2 (avant-garde and Bohemian), no, 127, 137, 172 (Marxist and socialist), 242, 253 Internet, 227-28, 276-78 irony, [219], 284, 292-95, [295] jazz, 11, 306-7 Jewish/Jews, 33, 108, 150 Kantian, 17 knowledge production, 173 Lacanian, 261 landscaping, 302-3 law, 271, 273 Leibnizian, 12 Leninism, 159-60 likeness, 117, [117], 118, 119, 167, 191, 192, 204 literature/literary works, 105, 162, 213, [213] (courtly), 215-16 (courtly) lithography, 12, 32, 68, 144, 145, 159, 211 Louvre, 266 Lukâcsian, 226 lyric, medieval/troubador, 267, 268, 294 machine, 26-27, 76, 88-89, 134, 138, 139- 40, 251, 257 magic, 46, 153, 154-55, 2.00, 223 magical value, 286 manuscript, 263-65 mapping, xii-xiv Marxist(s)/Marxism, 2, 47, 89-90, 91, [92], 97, 177, 197, 222, 226, 238, 239, 241, 245, 258, 260, 270, 275 mass audience, 53, 177, 222 mass culture, 145, 147, 154, 169, 170, 205, 210 mass market, 96 masses, xii, 2, 3-4, 8-9, 19, 35, [35], 36, 38, 67, 70, 96-97, 106, 108, 112, 144, 164, 165, 168, 173, [186], 207-8, 209, 226, 227, 232, 233, 234, 239, 241-42, 245, 246, 247, 270, 275, 276, 283, 284 materialism/materialist/materiality, 39, 62, 84, 91, 96, 116, 177, 197, 206, 210, 241, 250, 259-60, 285 Matignon accords, 90 media, 8 (of perception), 80-83, ZIZ (concept of), 236, 255, 323-24 (modern) media, digital, 32, 33 media, electronic, [59], no, 113, 142 media, mass, 35, 36, 37, 38, 75-76, 78, 96 media, new, 3, 9, 106, 240, 247, 274, 280 media technology, 27, 32, 236, 238, 270 media theory, 24, 27, 32, 34, 35, [35], 43- 44, 79, ZI1, 2-3°, z35, 236, 238 melodramatic, 4 memory, 13, 61, 288 Middle Ages/medieval, 212-13, [2.13], 258, 263, 264-65 Minitel, 82 modern, 91-92, 137, 242, 257 modernism, 25, 162, 251 modernist, 84, 258, 292, 322 modernity, 25 (archaeology of), 27, 76, 92, 93, 96 (theorists of), 97, 226, 249, 263 montage, 45-47, 49-51, [61], 79, M4, i84, [184], 206, 239, 271, 309 Morelli's method, 151 museum(s), IJI, 152, 157 (wax), 209-10, 250-51, 253, 254, 278-79, 283-84, 308, 316 museum shops, 131, 284, 307-9 music ( see also "rock music"), 94-95, 3°6 mystique/mystification, 205, 256, 319 nativist, 5, 6 Nazi(s)/Nazism, 96, 144, 244, 270 negative idealism, 208 Neoplatonic, 130, 296 network(s), 82, 113, 133-34, 135, *38, 236-37 newspaper, 70, 232 newspaper, illustrated, 68, 117 Index of Concepts 3 4 7 Nibelungen themes, 213 Nietzschean, 33 nineteenth century, 2, 3, 24, 25, 40, 46, 74, 145, x72 19I) 224 150, 257 Nintendo and Super-Nintendo, 276 nostalgia, 107, 258, 302-3 novel, 224-25, 259 Nuremberg, 96 object, 17, 22 (objet montré and objet trouvé), 85, 173, 183, [184], 197, 207, [237], 256, 262, 283 object, cult, 13, 182, zoo, 262, 283 oral traditions, 142, 212 original(s), 32, 70, 72, 73, 77, 93-94, 109, 126, 131-32, 147, 149-50, 153, 155-57, 164, 182, 192, 193, 194, 205, 212, 231, 256, 262, 264, [291], 292, 295, 296, 299, 307-8, [310], 315-16, 317 painter, 46 painting(s), 72, 75, 76, 183, 190, 206, 228, 264, 287, 317, 320-21 paradox, 15, 18, 20, 21, 46, 81, 137, 152, 234 Paris, 67, 139, 318 Parisian salons, 203 perception, 3, 5-7, 20-23, 25, 26, 28 (theory of), 32, 37, 49, [55], 58, 66, 67, [259] (crisis of) performance, 88, 143, 144, [182], 183, 184, [185], 206, 254, 293, [295] Petrarchan, 300 phenomenology (of looking), 14 phonograph, 193 photograph(s), 35, 56, 73, in, [118], [184], 286, 319 photographic plate, 116, 193 photography, 2, 3, 12, 53, 68, 77, 94, 109, 116, 117, 121, 133, 140, 148, 162, 192- 93, 204, 205, in, 228, 256, 270, 286, 287, 318 photography, digital, 66, 69, 76 photomontage, 71-78 photomonteur, 71, 73-75, [75], 78 piano, 162 pixels, 69 Platonism/Platonic, 130-31, 250, 296, 316 play, concept of, 19, 26 poem/poetry, 142, 214-15, 228, 249 politics, xi, xii, 2, 4 (aestheticization of), 43-44, 53, 7°, 78, 86, 96, 112, 138, 172-73, 198, 210, 217, 226, 242, 243- 47, 2.53, 269, 271, 272, 284, 322 portrait/portraiture, 66, 82, 117, 286 postindustrial, 66, 278 post-Marxist, [92] postmodern, 26-27, 215, 269 premodern, 148-49, 215, 221, 257 presence, 85, 125, 281-84 pretechnical/pretechnological, 115, 212-13 print(s), 126, 131 printing/print culture, 81, 95, no, 144, 2ix, 292, 293-94, 295 progressive, 48 proverb, 271 psychoanalysis, 59, 119, 209, 254, 261-62 radio, 32, 34, 81, 232-33, 235, 274, 277- 78 rationalist, 5, 89 reality TV, 82 Reason, 113 recycling, 78 relic, 92, 262 religion/religious, 13, 19, 83-84, 86, 92, 102, 196, 216-17, 242 324 remote control, 305, 309 Renaissance, 58, 151, 152, 224 replica/replication, 129-32, 204 representation, 175-78, 180 (destruction of), 182, 184, [186], 187, 314, 324 reproducibility, 30, 31, 33, 53, 105, 204, [260], 272 reproducibility, manual, 31 reproducibility, technical, 12, 31, 105-6 reproduction, 30, 91 (means of), 94, 99, 105, 109, 115, [117], 120-21, 143, 147, 158, 181, 191, [257], 299-300, 309, 319 (modern methods) reproduction, digital, 274 reproduction, manual, 77 reproduction, mechanical, 45, 65, 77, 84, 85, 93 94 95 II2 Ii8 14I x44~45 158, 175-76, 178, 205, 221, 226, 227, [2.37], 256-57, 262, 264, 289, 293, 295, 297 3*9 32° 321 323 reproduction, technical, 6, 11, 77, 84, 87, 94, 126, 127, 130, 148, 149, 152, 154, 159 [159], 161, 162, 167, 169-70, 175, 181, 182, 184, 192, 211, 247, 291, 307 Resurrection, 224 revolution, 40, in, 235, 246, 247, 253, 3 4 8 Index of Concepts 254, 273 (media), 307 Revolution, Conservative, 127 ritual, i, 131, 198-202, 205, 217-18, 220, 322 rock concert, 296-98 rock music, 267, 291, [291], 295, 297, [2.98], 299, 300, [300] Romantic(s)/Romanticism, 25, 57 (German), 94, 198-99, 201 Rome, 153 sacred, 26, 85, 148, 216, 262 Salpêtrière hospital, 119-22 scanning/scanner, 69, 81, 264 scroll, in sculpture! s), 204 Second Commandment, 148, 154 secular/secularization, 19, 25,155,196, 217, 226 shock, 33, 34, 35, 42, 54, 55, [61], 68, 178, 210, 260-61 shopping malls, 301-3 sign(s), 81, 148, 151 signified, 58 signifier, 58, 283 simulation, 58, 81 sitter, 66 skyhook(s), 134 slippage, 191 slow motion, 37, 58, [61], 80, 88 sound recording, 143, 193, 293, 295, 299 Soviet Union, 33-34 spectator, 50 spirituality, 178 star system, 252 statue(s), 93-94, 216, 311 story/storytelling, 221, 223, 224, 225, 259, 293,[293] story of Job, [293] subject/subjectivity, 121-22, 135, 173, 229, [237] surgeon, 46, 59, 66, 183, 185, 316 surrealist/Surrealism, 85, 114, 232 symbiotic mechanisms, 23 symbol(s), 99, 100, [100], 168, 217 symbolic cloak, 99-100, 101-2, 104, 107 symbolism, 102, 103-4, 105, 122, 257 taboos, 170, 200 tactile/tactility/touch, 42, 43, 49, 50, 51, 54 59. [61], 85, 127, 174, 197, 254, 282, 284,308 Taylorism, 88-89, z59. 2^3 technique, 93-96, 112 technocrats, 278 technology, 7, 26, 60, 65 (cinematic), 66, 68 (development), 81 (military), 87-90, [93], 138, 175, 207 (cinematic and industrial), 231, 234, 235, 241, 244, 269, 272, 274, 3°°. 3°2 3°5 technology, digital, 274, 278, 279 technology, media, 27, 32, 236, 238, 270 technology of reproduction, 25, 30, 204, 212, 218, 258 telegraph, 32 teleology, 84 telephone, 60 television, 34, 43, 81, 82, 97, 117, 276, 2.78, 305 test/testing, 46, 51, 59, 88, 206-7 text, HI, 130 textuality, logic of, 149-50, 152 theater, 283 Thirty Years' War, 40 time and space, 30, 60, 127, 130, 131, [2.57], 282, 284, 306 tool(s), 139-40, 211 Torah, 188 totalitarian, 96 trace, 260-61 transcendence, 108, 155 transference, 120 transistors, 156 transmission, 32-33 Trauerspiel, 41, 165, 169 tree(s), 302-3 tribal societies, 148 twelfth century, 267 twentieth century, 4, 25, 95, 126, 137, 145, 2.42., 279, 284 twenty-first century, xii, 278 typewriter, 60, 140 unconscious, 58, 59, 261 uniqueness, 12-13, 2.0-22, 95, 99, 126, 144, 162-63, 181, 184, 190, 191, 192, 2.04, 231, 257, [257], 293 U.S. Department of Defense, 277 utopia/utopian, 27, 29, 45, 223, 224, 229, 231, 236, 238, 255, 279 variation, 292, 293, 299, 305 video clips, 304 Index of Concepts 3 4 9 viewer, 165 virtual worlds/virtual reality, 81, 194, 277, 278, 324 visual medium, 193-94 Wagnerian, 296 Walkmen, 156 Warhol effect, 105 Weimar Republic, [56] white/white society, 306-7 wissenschaftlich, 172 woodcut/woodcutting, 145, 159, 211 worker(s)/ proletariat(s), 3, 37-38, 88, 144, 171, 270 World-Mystification, 25 World War I, 32, 34, 35, 37, 40 writing, no-ii, 113, 152, 216 zapping, 118, 305-6 |
