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| Katkey: | 7375808 |
| Volltext: | Index Abstract expressionism, 25, 66 Action painting, 123 Actuality, 16-19, 77 Aegina, 98 Aesthetic fatigue, 80 Aevum, 84 African tribal sculpture, 35 Age, 55 ; absolute, 57; systematic, 55, 36, 98, in, 120 Ahuitzol, HI Ajanta, 40 Alberti, Leon Battista, 88 Altamira, 104, 104 n. Amsterdam, 113 Andokides painter, 119 Anthropocentrism, 19 Antigua, 113 Antiquarian, 12 Antiquity, 29, 108 Archaic, 32 Archaic art, 11 Architecture, viii, 11, 36-37, 41, 48, 56-58, 80-81, 90, 102, 108, 114, 116, 117, 129-130; steel-frame, 103 Arequipa, 113 Array, dense and sparse, 97 Art, 1; and astronomy, 19-20; as a system of formal relations, vii; as symbolic language, vii; history of, 1, 61; identification of, 80; meaning of, vii Art nouveau, 11 Articulations of historical substance, 4 Artifacts, 9, 20, 83 Artisans, 10 Artistic invention, 15, 66, 69, 70 Artists, as entertainers, 53; representations of, 49-50; solitary and gregarious, 52; twentieth-century position, 85; typology of fives, 86, 91 Arts, rustic, 112 Ashanti, 94 Astronomers, 19 Athena Parthenos, 42, 43 Atonal music, 66 Australia, 35 Avantgardisme, 62 Baalbek, 56 Bark-painting, 35 Baroco, 128 Baroque, 11, 32, 128-129 Baroque art, 128 Being, 126 Bergson, Henri, 67 Bernini, Giovanni Lorenzo, 52 Binomial nomenclature, 3 Biography, 5, 32, 36, 86, 88-90, 125, 130. 131 Biological time, 13. See also Time Biology, 8 Bohemianism, 91 Bologna, 115 Bonampak, 40 "Bordeaux pilgrim, " 42 Borromini, Francesco, 52, 90 Boscoreale, 87 Bruges, 115 Brunelleschi, Fifippo, 90 Buroham, D. H., 117 Bushman rock paintings, 47 INDEX Caravaggio, M. A., 90 Careers, 91 Carolingian illuminations, $o Carracci, the 87 Cassirer, Emst, vii Catalogues, 6 Cathedrals, 37 Causality, 20 Cellini, Benvenuto, 86 Cennini, Cennino, 106 Centers of innovation, 113 Central Italian painting, 105 Century, 99 Cézanne, Paul, ji, 87, 91 Change, 60, 75, 77, 83; historical, 39; linguistic, 60 Chiaroscuro, 49 Chicago, 94, 117 Chronology, 79 Cistercian, 124 Classes, 31-33, S6, 67, 73, 82, 87, 93, 117, 119; and fashion, 39; arrested, 109-112; by sequence, 36; continuous, 106, 108; diagnostic difficulties, 41-45; extended, no, 114; inactive, 4S; intermittent, 106; simultaneous, 121. See also Sequences, Series Classic, 32 Claude Lorrain, 87 Cobo, Bernabé, no Cohesion, 72 Colonial society, 112 Colony, 112 Commercialism, 76 Connoisseurship, 44 Contemporary art, ir, 118 Continuities, 27, 108 Convention, 67-68 Convergence, 47 Copying, 62, 71, 73-74, 7 Craft education, 15 Craft techniques, 47 Creoles, 112 Critic, 26 Croce, Benedetto, 31, 67 Crystal Palace (London), 109 Curviplanar, 129 Cuzco, 113 Darwin, Charles, 63 Decade, 100 Dedalus, 53 Demography, 93 Dimorphic, 119 Dipylon vases, 27 Directed graphs, 34 n. Discard, 62, 77-82 Discontinuities, 27. See also Classes, Sequences, Series Dittochaeum, 97 Divisions of the arts, 14-16 Domenichino, 87 Donatello, 90 Drift, 60, 71, 95; historical, 75 Durations, 54, 75, 79, 83, 96, 99-106, 125; fibers of, 121 Earth-clocks, 14 Economic, 83 Eight-part vaults, 49 ' "Eliot effect, " 35 n. Eliot, T. S., 35, 52 Enlightenment, 10 Entrance, 6, 41, 86, 88-90, 104 Envelopes, 99 Eschatology, 107 n. Escorial, 58 Etruscan tombs, 40 Euhemerist, 24 Fabergé, Peter Carl, 106 Factuality, 46 Faraday, Michael, 9 Fashion, 38-39, 39, 74, iox, 101 n. See also Styles Ferro-concrete, 107 Fifty-two-year period, 100 "Fine art, " 14, 16 Flanagan, John, 108 Florence, 115 Focillon, Henri, 3, 16, 32, 48, 62 Folk arts, 14, 15 INDEX 133 Formalism, viii, 128 Formalist, 32 Form-class, 33, 88-89, 93, 112 Formermüdung, 81, 81 n. Frankl, Paul, 125 Functionalism, 109 Functionalists, 16 Gabriel, J.-A., 90 Galipa, 129 Gaudi, Antonio, 107 Gauguin, Paul, 91 Gemmeau glass, 44 Generation, 100 Genius, 7, 8 Genotypes, 41 Gesta deorum, 29 Gestalt, 28 Ghiberti, Lorenzo, 91 Glottochronology, 24 Goethe, J. W. von, 95 Göller, Adolf, 80-81 Gothic art, II Goya, Francisco, 123 Graph theory, 33 n. Gropius, Walter, 124 Guarini, Guarino, 90 Guercino (G. F. Barbieri), 32 Guilds, 93, us Hagiography, 29 Happening, fast, 95, 96; slow, 96 Herculaneum, 87 Hercules, 29 Heron, 48, 96 Historians, 12, 19 Historical knowledge, 21, 30 Historical time, 13, 19 History, 77; segmentation, 17 Hokousai, 90 Homeric poetry, 27 Homo faber, 10 Humanist, 83 Hutchinson, G. E., viii, 2 n. Huyghe, René, 12J Iconography, 25, 26-27, 28 Iconology, 4, 26, 127, 128 Ictinos, 118 Image, 127 Imagines, 98 Immanence, 101 n. Indiction, 102, 104, 10$ n. Individuality, 36 Ingres, J. A. D., 87 Initial events, 21 Instinct, 18 Instrumental use of art, 16 Instruments, tools, 26 "Intentional fallacy, " 45 "International style, " 109 Invention, 62, 63, 67-68, 71-72, 8j; finite, 123; useful, 65-67, 69, 70 Ion, 12 Jefferson, Thomas, 88 Joyce, James, 52 Kaminaljuyu, 120 Kant, Immanuel, 16 Kaschnitz-Weinberg, Guido von, 27 Kidder, A. V., 120 Klee, Paul, 52 Kroeber, A. L., 2 n., 101, 101 n. Landa, Diego de, no Laon Cathedral, 51 Lascaux, 104, 104 n. Latin America, 112 Ledoux, Claude, 109 Leonardo da Vinci, 7, 88 Lexicostatistics, 24, 60 n. "Life-cycle, " 8, J5 Life expectancy, 101 Ligutia, 129 Lima, 113 Linguistics, vii, 60-61 Linked solutions, 33, 82, 131 Linnaeus, 9 Lodoli, 16 Low Countries, 129 Luini, Bernardino, 7 Lustrum, 100 134 INDEX Madrid, 114 Mahon, Denis, 52 Malraux, André, 62 Manet, Edouard, 88 Mannerism, 11, 32 Mantes Cathedral, 37 Masacrio, 90 Material culture, 1, 9 Matz, Friedrich, 27 Maya sculpture, 56 Meaning, 126, 130; adherent, 28; conventional, 20; intrinsic, 26; natural, 26 Meissen porcelain, 28 Mendel, Gregor, 109 Mendicant fiiars, 57 "Mental culture, " 9 Metals, 64 Metamorphoses, 108 Metaphors, biological and physical, J Mexico, 37 Michelangelo, 88, 89 Millennium, ioo Miller, John Paul, 106 Minas Gérais, 113 Minoan, 117 "Minor arts, " 1J Mnesicles, 89 Modern art, 70 Moore, Henry, 108 Morphemes, vii Morphology, 8, 127 Mosul, 94 Motion, 75 Museums, 80 Mutants, 40 Myths, 22 Naples, 129 Narration, 2 Nativity, 25 Need, JJ, 62, 77 Neo-classic, 32 Neomorphs, 56 Networks, 34 n. "Noise, " 61 Non-artistic, 16 Nürnberg, 115 Obsolescence, 77 Oil painting, 64 Orbit, 19 Ore, Oystein, 33 n. Orozco, José demente, 108 Ouro Preto, 113 Ovid, 108 Palenque, 51 Panofsky, Erwin, 118 Parthenon, 41, 43, 98 Paxton, Sir Joseph, 109 Perception, 124 Periodology, 106 Periods, 99 Petrus Hispanus, 128 Phenotypes, 41 Phidias, 42, 89 Philostratus, 98 Phonemes, vii Picasso, Pablo, J2, 56, 90, 91 Picturesque, 98 Piero di Cosimo, 90 Planiform, 129 Plateresque, j8, 110 Plato, 12 Pliny, 123 Pol de Limbourg, 66 Portugal, 129 Positional value, 97 Poussin, Nicolas, 31, 32, 87 Prehistoric tradition, 47 Prime numbers, 39 Prime objects, 39-45, 70, 85, 131 "Primitive, " 35 Primitivism, 11 Problem, 55 Promorphs, 56 Provençal poetry, 57 Provincialism, 76 Prudentius, 97 Purist reduction, 125 Purpose, 8 INDEX 135 Quality, 76 Radical invention, 69, 70 Raphael, 7, 87 Reformation, 11 Reims Cathedral, 118 Relays, 21-24 Rembrandt van Rijn, 90, 123 Renaissance, 10, 74 Renaissance painting, 118 Renoir, Auguste, 56 Renovation, 89 Repetition, 62, 63 Replica-mass, 39, 42, 112 Replicas, 2, 39, 42-44, 71-72, 76, 131 Replication, 39, 71-76, 82 Retention, 77-82 Revival, 74 Reynolds, Sir Joshua, 90 Rhône Valley, 129 Rib vaults, 57 Richardson, H. H., 90 Riegl, A., 31 Ritual, 77 Rivera, Diego, 108 Rococo, II, 32, 117 Roger van der. Wey den, 50 Romano-Campanian painting, 51 Romano, Giulio, 7 Rome, Il J Routine, 72-75 Routine learning, m Royal portal, 116 Rubens, Peter Paul, 52 Runs, 86 Sahagun, Bernardino de, 110 St. Luke, 25 St. Thomas Aquinas, 84 Santiago de Compostela, 129 Saturation, 116 Schapiro, Meyer, 4 n. Schlosser, Julius von, 11 n. Schubert, Otto, 129 Science, 61; history of, 4 Segovia, 58 Sequences, viii, 2, 64; and fashion, 39; and technical innovation, 48; arrested, 3j; as open classes, 53; formal, 33. 37-38, 42, 44, jo, 5J, 85, 87; guided, 121; open, 45; open and closed, 35-38; open-ended, 34; retarded, 48; self-determining, 121; simultaneous, 120; stunted, 49. See also Classes, Series Serial position, 54-61, 64 Sedation, 79, 8j Series, viii, 2, 6, 33, 4s, 54, 64, 119; appreciation of, 45-47; as closed classes, 53; closed, 106; extended, 112-114; open, 45; rule of, 54-J7, 75, 78, I2j; simultaneous, 117-121; wandering, 115-117. See also Classes, Sequences Sevilla, 113 Signals, 17, 20-21, 62; adherent, 25; primary, 23; redundancy of, 23; secondary, 23; self-, 24, 25 Simultaneity, 56, 120 Siqueiros, David Alfâro, 108 Socrates, 12 Speriation, 34 Stagnation, 114 Stairs, 98 Stars, 19 Strangford shield, 43 Strukturanalyse, 27 Strukturforschung, 27 n., 121 Style, 3, 32, 129; "François Ier, " 4; "Gothic Mannerist, " 4; "Hellenistic Baroque, " 4; "Louis XVI, " 4; Middle Minoan, 3 Styles, 3-5; deficiencies, 129-131; historic, 3 Sullivan, Louis, 90, 117 Symbol, vii, 74 Talent, 7 Taste, 81 Taxco, 113 Tedium, 80, 94 Temperament, 7, 92 136 INDEX Teotihuacän, 120 Text editing, 46 Time, 19-20, 32, 84, 89, 99-101, 117- 118 Toledo, 113 Toltec-Maya, 108 Tomb furnishings, 77 Topology, 34 Trait, 36 Tree-rings, 14 Triviality, 46 Twain, Mark, 64 Typology, 8. See also Artists Uccello, Paolo, 51, 90 Uxmal, 31 Valencia, 129 Van Gogh, Vincent, 90 Variation, 63 Vasari, Giorgio, 51 Vase-painting, Greek, 35, 102, 118; black-figured, 48; red-figured, 48 Velizquez, Diego, 88 Vignola, 38 Villani, Filippo, s Villard, de Honnecourt, 51 Vis a teigo, 30 Visigothic sculpture, 36 Vitruvius, 123 Vivacity, -114 Wallace, Alfred, 63 Webb, John, 98 West, Rebecca, 45 Wickhoff, F., 31 Winckelmann, J. J., 11 Wölffiin, Heinrich, 31 Words, 59 Work of art, 80 Wright, Frank Lloyd, 90, 108, 117 Writing, 24 Zevi, Bruno, 5, 5 n. Zurbarân, Francisco, 97 |
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