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| Volltext: | INDEX A A Propos of Testoni's Play 'Il Cardinale Lainbertini, ' " quoted, 375 Abbott, Herbert, 108 Adams, Henry, 135-36, 178, 186; Berenson's correspondence with, 137-40 advice, 341 aesthetics, character and, 38; see also art Aesthetics and History in the Visual Arts, 18, 251, 279, 318; quoted, 216-22 "aesthctometer, " 84 agriculture in Italy, 363-64 airplanes, 136 Alberto Sani, 317; quoted, 300-2 Alfonso of Naples, 77 allegories, 51-52, 191 America (Americans), culture of, 33-34; morality of, 50 "Antiphonary with Miniatures by Lippo Vanni, An, " quoted, 158-59 antiquity: and archaistic art, 128- 31; and Renaissance, 63-64, 75-77 aphorisms, 295 apostles, 340 appcasers, 189 Arch of Constantine or the Decline of Form, The, 18, 250; quoted, 195-98 archaic art, archaistic imitation and, 128-31 architecture: government and, 56; manners and, 59-60; space-composition and, 100-1; traffic and, 360 Arnold, Matthew, 375 Amolfo da Firenze, 144 art: aristocracy and, 41-42, 387; classic, 130-31, 133, 287-89, 359, 375; convention in, 276-78; decoration vs. illustration in, 195-96; decline and growth in, 119-22, 132- 34, 162, 194-202, 304-7, 332-33, 368—69; defined, 289, 312; economic factor in, 41-42, 152-53, 173; as expression of its age, 65-66; function of, 52, 311; as humanistic, 216-22; impersonality of, 98-99; the inelo-quent in, 286-89, 318; life and, 378-79; loss of works of, 275; modern, 61-62, 242, 275-76, 279, 313; nature and, 12, 191, 217-19, 268, 351, 378, 380; nonrepresenta-tional, 281, 302, 307, 326, 409 INDEX 345; popular, 374; quality in, 283, 310, 326, 364-65; religion and, 36, 55, 123-25; style in, 196-97, 335; as toys, 191; unconscious element in, 84; violent change in, 349-50; writing about, 44-46, 49, 57, 269; see also beauty; form; painting; surrealism; value art galleries (museums), 48, 307 artist, the, 328-29; assistants to, 171-72; criticism of work of, 85-86, 113-15, 119; decline in technique of, 357; function of, 168; as guesser, 351- 52; inferior artists, 296-97; personality of, 164-66, 174- 76, 293, 300-2, 356; pupils and followers of, 119-22, 141-43, 304-7; self-awareness of, 382; society and, 325-26; uneven work of, 354-55; see also connois-seurship Ashburton Botticelli, 108 autobiography, 193, 224, 330 "Autobiography, " quoted, 238-40 B Balfour, Arthur, 359 ballet, 329 Barbari, Jacopo de', 39 Baroccio, Federigo, 147 Bartolommeo, Martino di, 170 beauty, 187; Middle Ages and, 60; prettiness and, 131-34; utility and, 297-300 Bellini, Giovanni, 143, 155, 172, 287; "St. Francis, " 140-41 Benvenuto di Giovanni, 171 Berenson, Bernard, correspond- 406 encewith: Adams, 137-40; Mary Berenson, 10, 17, 27, 35-60, 71-75, 83-84, 102- 3, 106-7, 126, 135-37, 149, 163, 184-87; Boethius, 332- 33; Du Bos, 151, 153, 162; the Fields, 59, 65-67, 88-89; 127-28; Fry, 113; Hapgood, 126-27; Mariano, 154, 158; Towsley, 376-77; Trevelyan, 103, 150, 170, 247 Berenson, Mary (Mary Costel-loe), 8; her work with and marriage to Berenson, 106- 9; death of, 241, 251 Berenson, Senda, 73 Bergson, Henri, 135, 137 Bismarck, 214 bodies, 261-62 Boethius, Axel, 396; Berenson's correspondence with, 332-33 book reviews, 169, 258 Boston, Mass., 104 Botticelli, Sandro, 108, 116, 172, 306; increase of interest in, M7 bourgeois world, 245 Boyce, Neith, 178 Bradley, Katherine Harris, see Fields, the Michael Buddhist art, 124-25; see also Chinese painting Burckhardt, Jakob, 102, 195, 287, 360 business world, 52 Butremanz, Lithuania, 104 C Cambon, Jules, 186 Caravaggio, His Incongruity and HisFame, 317;quoted, 304-7 INDEX caricature, 387 Carracci, 147 Catholicism, see Christianity Cavalcaselle, Giovanni Battista, 1G5 Cellini, Benvenuto, 119-22, 145, 197 Central Italian painters, 155, 167 Central Italian Painters, The, 9- 10, 108, 163; quoted, 97-101 Certain Copies After Lost Originals by Giorgione, " 109; quoted, 95-97 Cezanne, Paul, 177, 287 Chinese painting, 73-74, 372; the spiritual in, 114-15 Christianity (Catholicism), 45, 47~48- 55. 57-59, l89 205" 6, 238, 261, 325; appeal of, 260; Berenson's conversion to, 107; Bible of, 280; as culture, 314-15; Early Christian art, 286; Jesus and the Jews, 233-38; Jewish conversions to, 391; painting and, 77—78, 80, 12 3-2 5; purpose in, 388- 89; ritual in, 294 Christmas, 385 civilizations, decline of, 225 classic art, see art connoisseurship, 272; artistic enjoyment and, 280; cataloguing and, 165—66; conversions in, 263; defined, 157-58; how to know if work is by given artist, 113-15, 119, 145"~49i photography and, 69-70; see also artist, the; criticism; dating of art consent, 191 Conte, Jacopino del, 305 Cooper, Edith Emma, see Fields, the Michael correspondence, 243 Costa, Enrico, 105, 106 Costelloe, Frank, 106-7, 109 Costelloe, Mary, see Berenson, Mary court jesters, 266 "Critic and the Public, The, " quoted, 375-76 criticism, 344; decline of, 386-87; function of, 64, 67, 68, 144, 284; and the public, 375-76; see also artist, the; connoisseurship Cross: Legend of the True, 167- 68; reed, 154 culture, 220; class distinctions and, 38; "socialism" and, 43 curtain, in dating Italian art, 155 D Dan te Alighieri, 51, 57, 115-16 dating of art, 154-57, 161-62, 173-74; hy fashions in dress, 315-16 "Decline and Recovery in Fourth-and Fifth-Century Portraiture, " 250; quoted, 198-202 Decline and Recovery in the Figure Arts, 18, 179, 250; quoted, 194-95 Delacroix, Ferdinand, 382 Desiderioda Settignano, 145 devil, 60 Diaries, 250-51, 317 Düke, Sir Charles, 50 discontent, 380 dishonesty, 192, 223-24 distance, 331 407 INDEX Domenichino, 305 domes, 266-67 Donatello, 145 Drawings of the Florentine Painters, The, 109, 177, 250; quoted, 113-22, 187-89 Du Bos, Charles, 178; Berenson's correspondence with, 151, 153, 162 Duveen Brothers, 8, 178 E "Early Paintings from Constantinople, " quoted 152-33 Easter, 291-92 ecstasy, in Sienese art, 170-73 Egyptian art, 199, 200, 229 Elizabethan verse, 6 5 Emilian painters, 155 England, morals in, 49-50 "Enigma of Carpaccio's 'Glory of Saint Ursula, ' The, " quoted, 144 envy, 339 epigrams, 295, 374 Essays in Appreciation, 396; quoted, 296-97, 315-16, 354-55 374 Essays in the Study of Sienese Painting, 178; quoted, 145- 49 etymology, 382 evil, 272-73, 324, 369-71, 394 Existentialism, 261 expression, 132-33, 303 Expressionism, 287-89, 318 F faith, 193 fashions in dress, 315-16 408 Federico of Urbino, 77 Fenollosa, 73-75 Fenway Court, 105 Ferrarese painters, 39, 155 Festschrift for Belle Greene, 18 fiction (novels), 257, 262, 273- 74, 303, 309; see also literature Fields, the Michael, 107; Berenson's correspondence with, 59, 65-67, 88-89, 127-28 Fiesole, 109 Florentine painters, 39, 53, 54, 116, 154; emphasis on form by, 89-94; learning and classical ideals of, 79-81 Florentine Painters of the Renaissance, The, 108; quoted 89- 94 form, 97-99; in Florentine painters, 89-94; 'n Michelangelo and successors, 119-22; revolts against, 326 Fra Angelico, 174 "Fra Angelico, Fra Filippo and their Chronology, " quoted, 173-74 Franciscans, 123, 167 Franco, Battista, 305 friendship, 67 Fry, Roger, 177; Berenson's correspondence with, 113 G Gaddi, Agnolo, 167 Gardner, Isabella, 105, 108, 178 generations in art, 134, 141-43 genius, 63, 233, 301; creation in, 323 genre, 387 INDEX Gentile da Fabriano, 248 German art, 281-82 German culture, 313-14, 381 Ghiberti, Lorenzo, 358 Gioberti, Vincenzo, 52 Giorgione, 96-97 Giotteschi, 116 Giotto, 93, 113, 123 "Giovanni Bellini. Mr. Frick's 'St. Francis, ' " quoted, 140- • 4 1 "Giovanni Bellini's 'Pupils and Followers, ' " quoted, 141-43 God: ideas concerning, 339; and Job, 392; see also religion Goethe, Johann Wolfgang von, 9, 11 345 goodness, 324; destructive results of, 369-71 government, 56 Greek art, 102, 105; decline in, 199, 200; research on, 95; uniformity in, 342 Greek culture, 204, 241-42; beauty in, 299-300; Hellenism, 222 Guercino, 147, 305 Guido Reni, 305 H als, Franz, 62 ampton Court, 107 apgood, Hutchins, 177-78; Berenson's correspondence with, 126-27 arvard University, 104-5, 20g, 210 erodotus, 33 istorical Method, 96 story, 327, 361 "Homeless Pictures of the Florentine Quattrocento, " quoted 176 "Homeless Pictures of the Floren-tineTrecento, " quoted, 164- 66 Homer, 164-65, 224; Iliad, 229- 30, 387; Odyssee, 388 House of Life, 221, 261, 283, 329, 347 378 human universe, 255 humanism, 220-22, 323, 337, 346, 390; in Renaissance, 223; ritual and, 294; see also House of Life Humboldt, Wilhelm von, 221 Huxley, Aldous, 184 hybris, 208 I 1 Tatti, 9, 109, 178-79, 251, 317, 396 ideas, 183; üuxof, 167-68; history of, 260-61 immortality, 202-8, 212-15, 293~ 94' 3°9' 362 "Importance of Fashion in the Dating of Pictures, " quoted, 515-16 Impressionists, 313 India, 314, 389 Infant Baptist, 154, 155 Ingres, Jean, 187 Ionic column, 266 Irish tinted pemvork, 199 "Isochromatic Photography and Venetian Pictures, " quoted, 69-70 Italian art, 55-56, 281-Sz; dating o{ 154-57' 161-62, 173-74, INDEX 315-16; see also individual schools "Italian Illustrators of the Speculum Humanae Salvationis, " quoted, 161-62 "Italian Pictures of the Renaissance, " 179-80; quoted, 174— 76 Italy, 380; calendars in, 362-63; as Catholic, 52, 58; Mez-zogiorno in, 363-64 "Iterum Censeo, " quoted, 378 Ï Japanese painting, 73-75; the spiritual in, 114-15 jealousy, 339 Jews, 280, 335, 381, 384, 388; and Christianity, 391; and Jesus, 233-38; and the poor, 336 Job, 310-11, 392 Leo X, Pope, 247 Leonardo da Vinci, 63; drawings of, 116-19 Ligorio, Pirro, 305 Lippi, Filippino, 279 literature, 183, 375; destroyed by philologers, 322, 334-35; pronunciation and, 312-13; rereading, 245; translations in, 269, 290; see also book reviews; fiction; poetry; writing Loeser, Charles, 105, 107 Lombard painters, 155 London, England, 49-50 Lorenzetti, Ambrogio, 51, 160 Lorenzetti, Pietro, 160 Lorenzo Lotto, An Essay in Constructive Art Criticism, 108; quoted, 85-88 Lotto, Lorenzo, 342-43 Lysippus, 119 M K Kiel, Hanna, 17-19 Kind and Quality in the Visual Arts, quoted, 365 Koreen, 75 L landscapes, 55, 291; gold and silver in, 248-49 Lang, Andrew, 164 language, 183, 184; comparison of languages, 241 L'Enfant, Pierre, 386 410 McCombe, Arthur, 185 machines, 359—60, 366 Madonna, in dating Italian art, 155 "Madonna di Constantinopoli, " 172 Malatesta, Sigismondo, 77 "Man and His World as a Work of Art, " quoted, 297-300 mannerists, 119-22, 304-7 manners, architecture and, 59-60 Mariano, Nicky, 179, 251, 394; Berenson's correspondence with, 154, 158; Preface by, 17-19 marriage, 68, 227 Masaceio, 93, 279 Masolino da Panicale, 279 Matisse, Henri, 136 Matteo di Giovanni, 171 Medici, Lorenzo de', 81 Melozzo da Forli, 306 Mesopotamian art, 229 Michelangelo, 103, 143, 144, 197, 352, 356-57; sonnets of, 267; and successors, 119-22 Middle Ages, 170; beauty and, 60, 78; impersonality of art in, 161 "Missing Pictures of Fifteenth- Century Siena, " 179; quoted, 170-73 Monte Cassino miniatures, 201 Monte Oliveto Maggiore, 107 Moore, Henry, 348 morality: Anglo-Saxon, 49-5°; sexual, 71-72 Morelli, Giovanni, 105, 315 Morgan, John Pierpont, 177 mortality (death), 10-11, 293, 335—36; see also immortality; old age music, 271, 290; non-Western, 338-39; symphonic, 347—4^ N Narcissus, 262 National Gallery (London), 107 nationalism, 323 nature, 42, 323-24, 379; art and, 12, 191, 217-19, 268, 351, 378, 380 "Neglected Altarpiece by Botticelli, A, " quoted, 157-58 "Newly Discovered Cimabue, A, " quoted, 150-51 INDEX "Nine Pictures in Search of an Attribution, " quoted, 156-57 North Italian Painters of the Renaissance, The, 178; quoted, 128-34 novels, see fiction nude, the, 93-94, 125, 225-26, 309, 372 O Observantists, 223 Oeconomia, 227 old age, 86, 127, 238-40, 258, 264, 275, 381, 389-90; memory in, 328; see also mortality; youth One Year's Reading for Fun, 251; quoted, 223-27, 385-86 Oriental art, spirituality of, 124- 25; see also Chinese painting Ortega y Gasset, José, 184 Ortolano, 146 P pageants in Renaissance, 78 painting, 312, 365; defined, 358; drawing and, 187-88; as in-translatable, 54-55; miniature, 158-59; poetry and, 116-17, 123; poor, ij6; propaganda and, 371; reality and, 61-62; space-composition is, 99-103; visual image of object and, 68; see also form Parmigianino, 119-20 Passionate Sightseer, The, 317; quoted, 331-32, 34^-44. 354- 363-65, 373-74 4J1 INDEX Pater, Walter, 46; Marius the Epicurean, 170 Pearsall Smith, Logan, see Smith, Logan Pearsall people, 44; types of, 40; as works of art, 333-34 Perugian painters, 154 Perugino, 171 Pesellino, 174 pessimism, 192 Petrarch, 129 Philistine, defined, 303 photography, connoisseurship and, 69-70 Piero della Francesca, 197, 286- 89, 306, 371 Piero della Francesca or the In-eloquent in Art, 317-18; quoted, 286-89 Pintoricchio, 171 Piombo, Sebastiano del, see Sebastiano del Piombo Pisano, Giovanni, 129 Pisano, Niccolö, 129 Plato, 223-26; and Washington, D.C., 385-86 Plutarch, 170 poetry, 229-30, 257; Elizabethan verse, 65; painting and, 116- 17, 123; sonnets of Michelangelo, 267 Poliziano, Angelo, 81 Pollajuolo, Antonio, 145 Pompeii, 159 Pontormo, Jacopo da, 119-22 poor, the: Jews and, 336; Soviet and, 357-58 "Popular Art, " quoted, 374 portraiture, 198-202 "Possible and an Impossible An-tonello da Messina, A, " quoted, 154-55 Poussin, Nicolas, 305 prettiness, 131-34 "Primavera, " 54-55 prostitute, defined, 193 Proust, Marcel, 153 Pulci, Luigi, 81 Puritanism, 53, 223, 336, 350-51 purpose, 388-89 R Raphael, 155 "Reconstruction of Gualtiero di Giovanni, A, " quoted, 167- 68 Reinach, Samuel, 137 religion: art and, 36, 55, 123-25; humanism and, 221-22; ulti-matesin, 311-12, 383-84; see also Christianity; ecstasy; immortality; Puritanism Rembrandt, 62 Renaissance, 37-38, 61, 332; antiquity and, 63-64, 75-77; little touched Italian people, 223; painting in, 75-83; sculpture in, 144-45 rich men, 327 ritual, 294 Romano, Antoniazzo, 167 Ross, Denman, 74 Rosselli, Cosimo, 306 Rossetti, Dante Gabriel, 267 Rosso, 119-21 "Rudiments of Connoisseurship, " 105 Rumor and Reflection, 251; quoted, 208-15, 228-38 Russell, Bertrand, 107, 135 Russians: East and West, 259-60; and modern culture, 34; see also Soviet-minded 412 INDEX S St. Basil the Great, 221 St. Bernard, 350 Sani, Alberto, 317 Santayana, George, 71, 104, 186 Sassetta, r7i, 177; "Calvary, " 248; see also Franciscans "Scale of Values in the Visual Arts, The, " quoted, 386-87 science, 263-64, 291; and modern art, 333; as twin of art, 300 Scott, Geoffrey, 220 sculpture, 129, 348, 363; in decline, 198-202; defined, 358; poetry and, 123; in Renaissance, 144-45 Sebastiano del Piombo, 143, 155 Seeing and Knowing, 317; quoted, 276-78 Seljuks, 281 Senda, see Berenson, Senda sentimentality, 308 Ser Cenno, Francesco di, 167 Shakespeare, William, 294 Shaw, Bernard, 266 Siena, 258-59 Sienese Painter of the Franciscan Legend, A, 177; quoted, 123- 25; Epilogue, quoted, 248-49 Sienese painters, 114-15* 173 ecstasy-loving art of, 170-73* recent interest in, 147-48 Signorelli, Luca, 171, 187, 306 Sketch for a Self-Portrait, 250, quoted, 246-47 Smith, Alys, 107 Smith, Hannah Whittall, 106 Smith, Logan Pearsall, 8, 106 snobbishness, 264 society: ideal, 203-4* 231 32* cial freedom, 244 Socrates, 223 Sodoma, 171 Sonnino, Sidney, 359 South Italian painters, 155 Soviet-minded, 357-58 Stein, Sally, 136 sterility, 151 Studies in Art and Literature for Belle Da Costa Greene, 250 Studies in Medieval Painting, 179; quoted, 150-53, 158-62 Study and Criticism of Italian Art, The, 105, 108, 109, 178; quoted, 95-97, M4 stupidity, 192, 224 Surrealism, 191, 280-81, 288, 302, 326 "sympsychy, " 260 T tactile values, 98, 279; see also form television, 3 79-80 theatre, 242; see also tragedy Theophrastus, 242 Three Essays in Method, 179; quoted, 154-58 Thucydides, 274 time, 331-32, 353 Tintoretto, 62 Titian, 62, 96-97 Towsley, Prentice M., Bcrenson's correspondence with, 576-77 traffic, 560 tragedy, 169, 227, 294-95 translations, 269, 290 "Transitional Period, " 372 TreveJyan, Robert Calverlcy, 109. 177; Bcrenson's corrcsponci-encewith, 103, 150, 17c, 25- INDEX Tuscan painters, 159, 160, 197, 281 'Tuscan Painters of the Trecento in the Staedel Institute at Frankfurt, " quoted, 160 U Umbria, 172 Utrecht Psalter, 159 V Vallombrosa, 11 value, 376-77 Van der Goes, Hugo, 282 Van Eycks, the, 155 Vecchietta, 171 Velasquez, Diego, 62 Venetian painters, 39, 44, 155; clearest utterance of Renaissance, 79-83 Venetian Painters of the Renaissance, The, 108; quoted, 75- 83 "Venetian Painting, Chiefly before Titian, " 108 Venetian Painting in America, 178; quoted, 140-43 Veneto, Bartolommeo, 39 Veronese painters, 108 victory, 152, 154 Vinci, Leonardo da, see Leonardo da Vinci W Waetzold's Deutsche Kunsthistoriker, 256 Waley, Arthur, 269 wants, 68 Washington, D.C., and Platonic ideal, 385-86 Wilder, Thornton, 324 "Wishful Attributions, " quoted, 354-55 "Will To, " 377 writing, 255-56, 270-71; about art, 44-46, 49, 57, 269; by painters, 267; see also literature "Writings of Count Leon Tolstoi, The, " 104; quoted, 33-35 Y youth, 190-91, 208-12, 233, 321- 22 Z "Zanobi Macchiavelli, " quoted, 296-97 Zeitgeist, 368 41A |
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