| Volltext: | INDEX Abnormality of genius, 254-62, 29 5 ff. See also Individuality. Abrégé de la Vie des Peintres, De Piles', 108 ff Academicism, origins of, in England, 127- 36; in France, 58, 85-102, 105-27, 309; in Italy, 39 ff, 49-52. See also Classicism Académie d'Architecture, 97 Académie française, 96, 110, 119, 122 Academy; Académie royale de Peinture et de Sculpture; Institut, 58,81,90,94,96- 102, 105-27, 131-32, 139 ff, 148, 151, 154 183 ff 185, 188, 191, 193, 197, 199* 203, 209, 220, 245-46, 247, 248, 250-51, 267, 301, 309 Academy, Royal, 131-33, 184, 249 Academy at Rome, French, 97, 117, 183- 84, 185 Academy of Lorenzo de' Medici, 50, 65, 151 Achilles, shield of, in the Iliad, 274 Acropolis at Athens, 276, 281 Adam, the brothers, 227 Aedificatoria, De Re, Alberti's, 35, 308 Aelian, 62, 280 Aemilius, Paulus, 287 Aeneas Sylvius, Pope Pius II, 23, 50 Aeschylus, 278, 289, 296 Aesop, statue of, 297 "Aesthetic" the word, 164 Aesthetic consciousness, origins of, 3 ff, 17- 19 23, 28 ff, 55, 102, 267, 273-82, 286 ff, 288 ff, 302. See also Beauty Aesthetic words and terms, used or quoted, 10, 19, 38-39, 46, 66, 72, 78, 93 99 134 142, M4 147 15°, 164 179. 192_93 207, 249, 292 Albert, Prince, 238 Albert Memorial, 238 Alberti, 23, 33, 34, 35, 36, 38, 40, 46, 5°, 57, 60, 64-65, 67, 69, 71, 73, 76, 79 87, 88, 96, 231, 245, 308 Albertinelli and Fra Bartolomeo, 248 Alcamenes, 297 Aldine Press, Venice, 46, 65. See also Man-utius, Aldus Alexander VI, Pope, 50 Alexander the Great, 282 0, 290 ff, 295, 296 Allegory, use of, in the Middle Ages, 10, 11, 38, 86 Amateurs, in England, 129 ff, 222 ff; in France, 107 ff, 113 ff, 118 ff, 122-27, 135, 139 ff, 149-50, 206, 207, 268; in Italy, 46-52. See also Dilettantism Amboise, Chateau of, 85 Analysis of Beauty, Hogarth's, 133-35 Ancona, D\ Paolo, and Wittgens, viii Angelico, Fra, 246 Anglo-Saxon poetry, 11, 20 Antiochus the Seieucid, 284 Antiquarianism. See Amateurs; Dilettantism. Antique, the. See Academicism; Classicism; Greek Archaeology; Renaissance Apelles, 295, 299 Aphrodite, Statue at Cnidos, 280 Apocalypse, 12 Apollo Belvedere, 158 Apollodorus, 296 "Apotheosis of Homer" Ingres', 197 "Applied art" 237 Aquinas, St. Thomas, 18, 19, 37 67, 180, 282, 308. See also Scholasticism Arabian Nights, 12 Arcadians, Society of the, 51-52 Archaic Greek sculpture, 240, 273-74 Archaistic schools in antiquity, 301-2 Architect. See Artist Architects, Royal Institute of British, 230 327 328 INDEX Areopagite, Dionysius the, 18 Aretino, Pietro, 47-49 5 6 3°9 Aristophanes, 290 Aristotle, 18, 28, 29, 38, 64, 65, 156, 163, 279-80, 282, 290, 292-93, 294, 296, 297, 303 Arles, Van Gogh at, 260-61 "Arrangement in Grey and Black" Whistler's, 208 Arrian, 283 "Art" words for, 10, 38, 72, 150, 292. See also Aesthetic words and terms Art for Art's Sake Movement, 208 L' Art Nouveau, 239-40, 269 U Arte, viii Arte Graphica, De, Du Fresnoy's, 93-96 Artist, the, 15-17, 50-51, 56 ff, 80, 87, 96, 120-21, 140-41, 142, 153, 174, 192, 199, 209, 234-63, 269, 311-12, See also Individuality Arts and Crafts Movement, 235-39 Arundel, Lord, 91 Asceticism and the arts. See Monasticism; Morals Asia Minor, 155 Assisi. See St. Francis Athena Parthenos, statue of, 276, 293 Athenaeus, 284, 299, 303 Athens, 274, 275, 277, 281, 285. See also Greece "Atmosphere" in landscape, 203, 206 Attalus III of Pergamon, 283 Attica, 281 Atticus, Cicero and, 287 Aubert, Marcel, 320 Augustine, St., 6-7 Augustus, Emperor, 286, 295 Autobiography, origins of, 244 Bachaumont, 139 Bacon, 164 "Balance of Painting" De Piles', 110, 142 Baptistery at Florence, 32, 33, 41 Barbizon, 196, 202-4 Baroque, 79. See also Rococo Barry, Sir Charles, 227, 228-29 Bartolomeo, Fra, and Albertinelli, 248 Basil, St., 4 Bastien-Lepage, 202 Batteux, L'Abbé, 111-12, 121, 309 Battle-Cartoons of Leonardo and Michelangelo, 51 "Battle of Styles" 227-30, 231, 235, 269, See also Styles Baudelaire, Charles, 79, 201, 205, 232, 311 3*9 Baumgarten, 164, 310, 319 Beardsley, Aubrey, 239 "Beautiful Nature" 66-73, 80, 94, 101, HI, 145, 148, 218. See also Ideal; Imitation; Nature Beauty, philosophical idea of, 11, i8 37 £ 129, 163, 168 ff, 178-80, 268, 276, 282, 292, 311. See also Ideal Beauty, Truth, and Goodness, the triad, 178-79 319 Beaux Arts réduits à un même Principe, Les, Batteux's, 111 Beckford, William, 223, 224, 225, 226 Beloved Vagabond, W. J. Locke's, 257-58 Bembo, Cardinal, 50, 59 Bentley, John Francis, 226 Berghem, 145 Berlin, 240 Bernazzone, 62 Bernini, 79, 105, 128, 129, 245 Bessarion, Cardinal, 50 Bibbiena, Cardinal, 50 Bible, quoted or cited, 6, 10, 12, 20, 36, 87 Biese, Alfred, 308 Biography, origins of, 244, 297 Blanchard, Jacques, 107 Blondel, François, 309 Boccaccio, 59-60 Bohème, La, Puccini's, 257 Bohemianism, 51, 201, 256, 258 Boileau, 98 Bologna, 51 Bonnat, Léon, 202 Borenius, Tancred, 315 Borromini, 245 INDEX 329 Bosanquet, Bernard, 310 Bosio, 160 Bosse, Abraham, 99, 309 Boucher, François, 117, 122, 143, 183, 186 Bougot, A., viii Brahe, Tycho, 72 Bramantino, 62 Brandons, the, 225 Breughel, 109 Briggs, Martin S., 312 Britton, John, 225, 228 Brun. See Le Brun Brunelleschi, 32-33, 67 Brussels, 186 Bullant, Jean, 309 Burges, W., 22 6 "Burial at Omans" Courbet's, 201 Burlington, Lord, 135 Butterfield, William, 238 Byron, 192, 219 Byzantine Empire, 4 ff, 307. See also Constantinople Caesar, Julius, 287 Cambridge, 224, 229 Camden Society, 224-25, 226 Campin, 64 Campo Santo, Pisa, 31 Canon of Polycleitos, 292 Canova, 160, 184 Canticle of the Sun, St. Francis*, 22 Cappadocian Fathers, 4, 20 Caracalla, 27 Caravaggio, 109 Cardan, Robert W., 320 Cardinal Bembo, 50, 59; Bessarion, 50; Bibbiena, 50; Farnese, 50; Ippolito de Medici, 50; Mazarin, 88, 97; Riarîo, 50; Richelieu, 88, 96, 97 9$, I3°ï Wolsey, 127 Carracci, the, 51, 63, 95, 109, 110 Cassagne, Albert, 310 Castiglionc, Baldassare, 44-45 5° 249 Castle of Otrantoi Walpole's, 222 Catharsis^ tragic, 56, 120, 168, 173, 179 Catherine de* Mcdici, 85, 86 Cato the Elder, 284-85 Catullus, 29, 29 r Caylus, Count, 94, 118-19, 125, 139, 154, 183, 215, 309 Cellini, Benvenuto, 85, 245, 247, 249 Cennino Cennini, 19 Cerceau. See Du Cerceau Cézanne, 205, 210, 256 Chambers, Sir William, 135-36 Chambray, Fréart de, 100, 101, 105, 130 Chambre des Députés, murais by Delacroix in the, 192 Champfleury, 318 Chantry, Sir Francis Legatt, 160 "Character." See Ideal Characterisation in portraiture, 63-64, 114, 207, 244, 297. See also Ideal Chardin, 117, 141, 145 Charles II, of England, 130 Charles VIII, of France, 85, 127 Charmoys, Martin de, 98 Chasseriau, 198 Chateaubriand, 219 Chaucer, 19, 316 Chiaroscuro; Shadows, 99, 108-9, x95 "Chinoiserie" 218, 222 Christianity, early, 3 ff, 20 ff, 307 Chronicles; Chroniclers of the Middle Ages, 12 ff Church, control of the arts by the, 15-16, 243 ff, 307. See also Guilds; Monasticism Cicero, 6, 28, 29, 30, 3^ 39 56 249 285-286, 287-88, 295, 299, 300, 302 Cicognara, Francisco Leopoldo, viii Cimabue, in Dante, 244 Cistercians, 9 Clair-obscur; Shadows, 99, 108-9, 195 Clark, Kenneth, 311 Classicism, 55-81, 267-68, 291-3. See also Academicism Claude Lorrain, 117 Clement, St., of Alexandria, 5, 307 Clement VII, Pope, 45, 50 Cleopatra, 284 Cluniacs, 9 Cochin, Noël, 110, 141 330 INDEX Cockerell, Charles Robert, 227, 230, 235 Colbert, 88, 97-98, 123-24 Cologne Cathedral, 217, 218 Color versus Drawing Controversy. See Drawing versus Color Competitions among artists, 32, 250 Complementary colors, principle of, 195 Composition, 38, 66, 68, 92, 134, 142, 207 ff, 211 Concrete in architecture, 238 Condivi, 255 Conférences, Antoine Coypel's, 116 Conferences of the Academy, 98, 107, 116, 125 Connoisseurs. See Amateurs; Dilettantism Constable, John, 191, 203 Constant Nymph, Margaret Kennedy's, 257 Constantine, Emperor, 4, 13, 28 Constantinople, 4, 12, 13, 30, 307 Construction in architecture, 236 ff. See also Functionalism Conway, W. M., 309 Copernicus, 72 Corinne, Madame de Staël's, 153 Corinthian Order. See Vitruvianism "Coronation of 1803" David's, 186 Corot, 203 Correggio, 94, 255 Correspondence Critiques, 139 ft. See also Diderot Cosimo, Piero di, 255 Coulton, G. G., 311 Counter-Reformation, 48, 5 6 Courbet, Gustave, 196, 201-2, 203, 204, 318 Cours de Peinture par Principes, De Piles', 108 ff Courtier, Castiglione's, 44-45, 50 Couture, 198, 204 Coypel, Antoine, m, 116, 124-25, 126, 246 Coypel, Charles, 126, 246 Coypel, Noel, 112, 116, 246 Coyzevox, 116 Craftsmanship, revival of, 217, 235-39 Critias, Plato's, 282 Critics. See Amateurs, Dilettantism Critique of Judgment, Kant's, 168 ff, 310 Critique of Practical Reason, Kant's, 167 ff Critique of Pure Reason, Kant's, 165-6$ Critiques, Salon, 125-27 Croce, 180, 262, 263, 310 Cronaca, II, 37 Crusades; Crusaders, 4, 12, 21 Crystal Palace, Sydenham, 23 6 Cubism, 210 Cycles of taste, 269, 273, 302-3 Daedalus, myth of, 280, 294 Daly, César, 320 Dane, Clemence, 257 Dante, 18, 19, 21, 193, 244 "Dante and Virgil in Hell" Delacroix's, 191 Dauphine, Place, Exhibitions in the, 124 David, Jacques Louis, 160, 183-90, 196, 197, 198, 205 Dawkins, Wood and, 155 Decadence, idea of artistic. See Pessimism "Decoration" modern idea of, 207 ff Degas, 207 Delacroix, 115, 190-98, 199, 201, 203, 205, 311 Delaroche, 198 Delécluse, 191 De l'Orme, Philibert, 86-88, 309 Denmark, 240 Descartes, 72, 148, 164 Desgodetz, Antoine, 309 "Design" modem idea of, 207 If, 211 "Deutsche Kunst und Dekorazion, 240 Dialogo della Pittura, Dolce's, 45 Dialogues sur le Coloris, De Piles', 108 ff Diane de Poitiers, 85, 86 Dictionnaire de l'Architecture française, Viollet-le-Duc's, 219, 221 Diderot, 112, 139-48, 151, 183, 201, 205, 256, 310 Didron, A. N., 219 Dilettantism; Antiquarianism, 30 ff, 33^ 38, 158, 174, 193, 216 ff, 282, 283-84, 286-88. See also Amateurs INDEX 331 Dilke, Lady, 309 Dimier, L., 311 Dinocrates, 296 Diocletian, Emperor, 291 Dionysius of Halicarnassus, 301 Dionysius of Syracuse, 283 Dionysius the Areopagite, 18 Discoursesy Sir Joshua Reynold's, 132-33, *49, 251 "Distribution of the Eagles" David's, 186 Diversis Artibus, De, Theophilus, 15, 308 Divine Names, On, Dionysius the Are-opagite's, 18 Divine Proportion, the, 68, 87 Divisionism of colors, 195, 206 Doctor's Dilemma, Shaw's, 257 Dolce, Ludovico, 45 Donaldson, T. L., 227, 316 Donatello, 31, 32, 64 Donation of Constantine, 28 Doric Order. See Vitruvianism Drawing; Drawing in line; "Disegno" 38, 41, 44 Drawing versus Color Controversy, 38, 41, 44, 71-73, 80, 93, 95, 99, 106-ij, I I 5 J 133, 134, 144, 149#, 156, 183, 190, I94-95, 196, 197-98, 202-10, 232, 168-69, 3OI Dresdner, Albert, viii, 309 Drouais, Germain, 184 Dryden, 94 Dubos, L'Abbé, 119-22, 123, 126, 147, 183, 309 Du Cerceau, Jacques Androuet, 309 Du Fresnoy, Charles Alphonse, 93-96, 105, 106, 108, 134, 151, 247, 309 Dumas fils, 202 Durandus of Mende, 224, 225, 315 Dürer, 37, 70, 109, 113, 133, 210, 248, 309 Duris of Samos, 283 Dutch Schools; Holland, 90, 109 £f, 113 ff, 118, 177, 240. See also Rembrandt Dyck, Van, 128, 245, 248 Eastlake, Charles L., 311 EccJesiological Society, 224-25 Ecclesiologisf, The, 224-25 Ecclesiology, 217, 224 ff Eckermann, Goethe and, 175, 310 École des Beaux Arts, 188, 191, 199, 220. See also Academy Egyptology, 118 "Eigenthümlichkeit" 253-54 Elgin, Earl of, 229 Emperor Augustus, 286, 295; Constantine, 4, 13, 28; Diocletian, 291; Hadrian, 291; Nero, 291, 302; Tiberius, 291 Encyclopédie, Diderot's, 140 English gardens, 218, 221 English nature-poetry, 22 "Ensemble" 142, 203 "Enterrement à Omans" Courbet's, 201 Essay concerning Human Understanding, Locke's, 165 Essling, Prince d', 308 Este, 50 Estetica, Croce's, 262 Euclid, 16. See also Mathematics Euripides, 278, 290, 296 Eusebius, 4, 307 Evelyn, John, 130-31 Exhibition, the Great, of 1851, 234, 238 Exhibitions, origins of art, 123 ff "Expression" 99, 118, 142 Expression, philosophy of, 254, 262-63. See also Individuality Expression des Passions, Le Brun's, 99 Eycks, the Van, 64, 109 Fair and Fit, On the, St. Augustine's, 6 Falconet, 141 Famulus, 296 "Fancy" 57 Farnese, Cardinal, 50 Faiist, Goethe's, 175 Fauvism, 210 Félibien, André, 309 Fergusson, James, 235, 236 Fermel'huis, n6 "Fine Art" origin of the idea of, 10, 29 ff, 37, 38, 46, 72, 150, 164, 267, 278, 280 ff, 292. See also "Art;" Beauty 332 INDEX Flanders. See Flemish Schools Flaubert, Gustave, 202 Flaxman, John, 160 Flemish schools; Flanders, 64, 89, 90, 109 ff, 113 ff, 128, 205. See also Rubens; Van Dyck; Van Eyck, etc. Florentine Schools; Florence, 31, 32-37, 41, 49, 50, 64#, 71, 108 ff "Follies" architectural, 222. See also Picturesque Fontaine, André, viii, 309 Fontainbleau, Chateau of, 85 Fontainbleau, Forest of, 202 Fontana, 245 Font. See La Font Fonthill, Abbey, 223 Fore-Runner, Merejkowski's, 257 Form, Pure, origin of the idea of, 150, 178-80, 207, 211 Four Dialogues on Painting, Francisco de Hollanda's, 57-58, 71 Fragonard, 117, i86 218 Francesca, Piero della, 67 Francia Bigio and Andrea del Sarto, 248 Francis, St., of Assisi, 9, 14-15, 22, 36 Francis I, 85, 127 Franciscans, 14-15. See also Francis, St. Franco, in Dante, 244 Frederick the Great, 217 Fresco, revival of, 238 Fresnoy. See Du Fresnoy Friars, mediaeval missionary, in the East, 13-15 Fromentin, Eugene, 311 Frontinus, 35 Functionalism, 41, 23 6 ff Futurism, 210 Gainsborough, 132 Galileo, 72 Gauguin, Paul, 211, 260-62 Gauthiez, Pierre, 309 Gautier, Théophile, 208 Génie du Christianisme, Chateaubriand's, 219 Genius, artistic. See Abnormality of genius; Individuality Genoa, 187-88, 190 Geoffrin, Madame, 122 Geometry. See Mathematics Géricault, 189-90, 205 Ghiberti, Lorenzo, 32, 33, 41 Gibbons, Grinling, 130 Gilbert, Alfred, 238, 239 Giocondo, Fra, 74, 85, 88 Giorgione, 42 Giotto, 30, 59-60, 244, 249 Girolamo, 63 Glasgow, 239 Gobelins, 98 Goethe, 51, 155, 159, 174-78* 2I7 2l8 219, 252, 258, 310 Gogh, Vincent Van, 258-61 "Gold-and-Glitter" 8 fî, 11-15 19, 267, 274-75 277, 278, 281, 302 Golden Section, the, 67-68 Goodhart-Rendel, H. S., 311 Goodness and Beauty, 178-79, 319. See also Morals Gospels. See Bible "Gothic" the word, 223-24 Gothic art and architecture, 12, 32, 33, 87, 113, 216, 218, 220, 221-40. See also Guilds; Middle Ages Gothic Revival in England, 220-40, 256 "Grace" 38, 93, 95, 119, 158 ff Graeco-Roman Age; Hellenistic Age, 3 ff, 20, 282 ff, 286 ff, 291 ff, 297 ff, 312 Grand Tour, the, 118, 130, 155 Gray, Thomas, 222 "Great Style, The"; "The Grand Manner"; "La Gran Maniera" 38, 58, 100, 133 158, 193 267 Greece, 155, 273 ff, 288 ff, 292 ff, 312. See also Graeco-Roman Age; Greek archaeology Greek archaeology; Neo-Classic Revival, 105, HI, 115-19, 135, 153 154-6° 183-98, 215, 220, 227 ff, 234, 235, 240, 268 INDEX 333 Greek culture in the Roman Empire, 285, 287 ff Gregory, St., of Nyssa, 4 Gregory, St., the Great, 7 Greuze, 141, 143, 145, 185, 186, 218, 318 Grey, Earl de, 230 Grimm, Friedrich Melchior, 139 Gros, Jean Antoine, 187-89, 190, 191, 192, 196, 199, 205 "Grouillement" of colors, 206 Guérard, Albert L., 309 Guérin, Pierre Narcisse, 189, 190, 191 Guiffrey, J. J., 309 Guilds, mediaeval, 15-16, 18, 73, 87, 98, 217, 243, 248-49 Guizot, 219 Hadrian, Emperor, 291 Hakluyt Society, 307 Hamilton, W. R., 229 Hampton Court, 128, 130 Harmonic Medium, the, 67-68 Harmony, 38, 93 Hawksmoor, Nicholas, 221 Hegel, 146, 167, 169-71, 177, 180, 252- 54, 262, 263, 310 Heine, Heinrich, 257 Hell, mediaeval idea of, 21 Hellenistic Age. See Graeco-Roman Age Henry II of France, 85 Henry IV of Navarre, 88 Hephaestos, myth of, 294 . Herculaneum, 155 Herodotus, 275, 294, 302 Hesiod, 274, 289 Hippodamos, 296 Hirt, Ludwig, 176 Historia, Croce's, 262 History, Herodotus', 275 History, Thucydides', 275-77 History and the arts; Historical painting, 58, 64, 100, 112, 142, 143, 187, 199, 211, 214, 244, 267 History of Ancient Art, Winckelmann's 158-60 Ho g a r t h , 1 3 3 - 3 5 Hollanda, Francisco de, 44, 57-58, 71 Holy City of the Apocalypse, 12 Holy Roman Empire, 21, 28, 217 Homer, 63, 274, 289, 302 Homeric Hymns, 289 Honnecourt, Villars de, 15, 16, 17, 308 Hope, Beresford, 230 Horace, 56, 291 Holland. See Dutch Schools Hôtel de Ville, Paris, murals by Delacroix in the, 192 Hugo, Victor, 8, 150, 200, 202, 220 Human figure, theories of proportion of the, 40, 55, 66, 69-70, 77-78, 80, 93, 100, 134, !56 i57-58, 292 Humanism, humanist, 23, 33, 244 ff. See also Renaissance; Academicism; Classicism Humbolt's Cosmos, 308 Hume, David, 165 Hussey, Christopher, 311 Huysmans, J. K., 8, 310 Hypnerotomachia by Poliphilus, 46-47 Ibsen, Henrik, 257 Iconoclastic Controversy, 5 ff, 7 "Idea" the philosophic, 152, 169, 170, 172, 178 ff, 267 Ideal; Idealism; Realism; Idealism versus Realism Controversy; Character in art, 10, 55, 6.3-73 77 78 ff, 80, 90, 92, 93, 94, 95, 101, 105, 111-19, 153 134-35 145-46, 148 ff, 152, 156, 158 ff, 169, 170, 172, 176-78, 183, 187 ff, 193-94 196, 198, 200-10, 216, 218, 232 ff, 267- 69, 274, 296-97, 301 Iliad, 12, 274 Images; Image worship, 5 ff, 7 Images, On, St. John Damascene's, 5 Imagination; Reason; Imagination versus Reason, 15-17, 38, 9° 9I_92 94 99 ff, 115-22, 123, 129-30, 147, 148 ff, 156-57, 158 ff, 163 ff, 174-80, 190 ff, 209 ff, 267-69, 298 ff. See also Academicism; Classicism; Romanticism. Imitation of nature; Theories of imitation; 334 INDEX Naturalism, 31, 39, 42 ff, 55, 58-73, 77 ff, 80, 90, 92-93 94-95 98, 101, 108, 111-17, 118, 120, 130-31, 143, 144, 148 ff, 156-57, 158, 193-94 201- 2, 203, 209, 218, 231 ff, 267-69, 278- 80. See also Ideal "Impression" Monet's, 205 Impressionism; Impressionists, 115, 144, 195, 204-11, 228, 235-36, 269, 299 Individuality; Genius; Originality; Personal taste, 15-17, 27, 38, 73-76, 78 ff, 81, 91-92, 94-95, 98-99, 101-2, 115-22, 126-27, 129-30, 132, 140, 143-46, 147 ff, 170, 172, 185, 196, 209, 210, 215 ff, 225, 228, 243-63, 293-303 Ingres, 187, 196-98 Inspiration, 171, 246 ff. See also Imagination; Mysticism Institut, 185, 188, 193, 197, 199. See also Academy Intuition; Perception, 172, 263. See also Imagination "Invention" 57, 67, 95, 120, 142. See also Individuality Ionic Order. See Vitruvianism Ippolito, Cardinal, de' Medici, 50 Irony, doctrine of aesthetic, 171-72 Italian artists, in England, 127-28; in France, 85, 88 "Jaffa, Napoleon's Visit to the Pest House at" Gros', 188, 192 James I, 128 Japanese wood-cuts and modernism, 240 "Je ne sais quoi" the, 119 John, St., 20 John, St., Chrysostom, 5, 307 John, St., Damascene, 5 Jon, François du. See Junius Jones, H. Stuart, 312 Jones, Inigo, 128, 221 Joubert, Joseph, 151-52, 153, 154, 310 Jouin, Henry, 309 Journal, Delacroix's, 192-97 Jouvenet, Jean, in Julius II, Pope, 50 Junius, Franciscus, 90-93, 96, 100, 105, 119 250-51, 309 Kant, 165-69, 170, 171, 310 Kellett, E. E., 315 Kent, William, 221 "Kinds" of art, 40-41, 140, 150, 244 King's College Chapel, Cambridge, 229 Kunst schöne y Über das, Hirt's, 176 Laetus, Pomponius, 50 La Font de Saint Yenne, 126-27, 140, 141 Lambert, Madame de, 122 Landinus, Christopherus, 319 Landscape, 44, 99, 112, 114, 117 ff, 202- 4, 231 ff, 291 Langley, Batty, 225 Laocoön, Lessing's, 155-58 Laocoön, Statue of, 37, 155-58 "Last Judgment" Michelangelo's, 48 La Tour, Maurice Quentin de, 122, 141 Laws, Plato's, 282 Le Brun, Charles, 94, 97-99, 102, 106, 107, 108, 112, 114, 117, 122, 187, 205, 231, 246, 248, 309 Leibnitz, 72, 112-13, 164 Le Muet, Pierre, 309 Le Nain, the brothers, 99 Lenoir, Alexandre, 219 Leo X, Pope, 41, 50, 245, 255, 308 Leonardo da Vinci, 42, 51, 60, 64, 67, 68, 70, 85, 102, 108, 210, 249, 250, 254- 55 257 308 Leoni, Giacomo, 308 Le Pautre, Antoine and Jean, 309 Le Roy, Julien David, 155 Lessing, 143, 155-58, 215, 216, 310 Lethaby, W. R., 307, 316 Letters to his Brother, Van Gogh's, 258-60 Liberal arts. See "Mechanic" arts Licence, artistic. See Individuality Life-likeness of pictures and statues. See Ideal; Imitation Line-drawing. See Drawing; Drawing versus Color INDEX 335 "Line of Beauty" Hogarth's, 133 Literature and the arts; Literary analogies; Literary criticism, 6, 17-18, 29-30, 34, 35 39 40 44. 46, 49 ff 55 56-57 65 67, 91, 92, 94, 96-97, 98, 105-6, no, 115, 121, 122 ff, 140 ff, 143, 145, 151 ff, 156, 157 *68, 173-74 179 I92 200, 202, 211, 219-20, 221, 222, 233 ff, 256 ff, 278, 285, 286, 291, 296-97, 298, 300, 302, 315 Lives of the Vainters, etc. See Vasari Livy, 286 Locke, John, 165 Locke, William J., 257 Locquin, Jean, 319 Logic, Aristotle's, 163 Logica, Croce's, 262 Lomazzo, Giovanni Paolo, 76-79, 88, 90, 96, 132, 134 247, 309 London, 129, 130, 131, 228, 229, 238 Longinus, 151, 298, 300, 302 Loo. See Van Loo Lorenzo de' Medici, 46, 50, 65, 151 Lorrain, Claude, 99 Louis XIII, 88 Louis XIV, 88, 89, 96, 97, 98, 99, 116, 118, 122, 187 Louis XV, 122, 124, 218 Louis XVI, 184, 185 Louis XVIII, 186, 188, 198 ff Loutherbourg, 146 Louvre, 98, 105, 124, 129, 190, 192 Lucian, 298, 300, 303 Lucretius, 20, 56, 291 Luke, St., the Company of, 50-51 Lyons, 86 Lyric poetry, Greek, 274, 289 Lysippus, 295, 298-99 "Mad Woman" Géricault's, 190 Malateste, 50 Mâle, E., 307 Malherbe, 98 Manet, Edouard, 202, 204, 205 Mansart, J. H., 246 Manutius, Aldus, 50. See also Aldine Press Marcellus, 284 Marinetti, 211 Maritain, Jacques, 308 Marius, 285 Marots, the, 309 Marsigli, Luigi, 49 Martial, 298 Martini, Simone, 30 Masaccio, 249 "Massacre of Scio" Delacroix's, 191, 194- 95 Mathematics and the arts, 16-17, 65-73, 77 ff, 80, 87, 90, 92-93, 94 ff, 100 ff, 107, 129-30, 147, 148 ff, 158-59, 209, 268-69, 292-93, 301 Matisse, Henri, 211 Maturino, Polidoro and, 248 Mauclair, Camille, 311 Maughan, Somerset, 257 Mazarin, Cardinal, 88, 97 McCurdy, Edward, 308 "Mechanic" arts, Liberal and Servile arts, 9 38, 44 45 243 Mediaevalism. See Gothic; Middle Ages Medici, De', 45, 46, 50, 65, 85, 86, 151, 245 255 3°8 Medium, artistic. See Technique Melancholy, artistic, 146, 153, 218, 222, 289. See also Pessimism Memorabilia, Xenophon's, 279 Menander, 290 Mengs, Anthony Raphael, 159, 160, 183, 310 Mercure, Le} 125, 139 Merejkowski, Dmitri, 257 Merimée, Prosper, 219 Merrifield, M. P., 307 Merz, J. T., 311 Michel, André, 311 Michelangelo, 31, 37 39 43"44 45-46 47-49 5° 51 57 59 68, 72, 73, 94 102, 109, 134, 151, 179 245 254-55 316 Michelangelo versus Raphael Controversy, 45-46 Michelet, 219 336 INDEX Middle Ages, 3 ff, 7-23, 27, 28, 29, 31, 35, 37, 38, 40, 45, 55, 58, 66, 73, 86, 87, 98, 131, 153, 154 215-40 243-44 246, 248, 267, 268, 281-82, 307-8. See also Gothic Mignard, Pierre, 94, 99, 106, 107, 205 Migne's Patrologiae Cursus, 307 Milan, 51, 76 Milizia, Francesco, 308, 317 Millet, Jean François, 202, 203 Milton, 222 Modern Painters, Ruskin's, 231ft Modernism, 239-40, 269 Molière, 309 Monasticism and the arts, 7, 8-9 Monet, Claude, 205, 256 Monsignori, Francesco, 63 Montaiglon, A. de, 309 Montaigne, 318 Montalambert, 219 Montfaucon, 219 Monuments Antichi Inediti, Winckel-mann's, 159 Monuments de la Monarchie française, Montfaucon's, 219 Morals "and the arts; Asceticism; Puritanism, 4 ff, 7 ff, 10, 17, 19, 48-49, 55, 5 6 - 5 8 , 7 6 f t , 8 0 , 8 7 , 9 2 , 9 6 , 1 0 0 , H I , 132-33 143 150, 153 173-74 179, 180, 196, 201, 204, 206, 207, 209, 211, 224, 226-27, 228, 232, 233, 237, 256 ft, 267, 275, 277-79, 281, 282, 284- 86, 292, 302-3 Morocco, 192, 194 Morris, William, 217, 227, 236, 238 Mortet, Victor, 307 Muet. See Le Muet Müntz, Eugène, 308 Murilîo, 177 Musée des Monuments français, 219 Music and the arts; Musical analogies, 6, 40, 147, 173, 179, 192, 195, 257, 263, 279-80 Mysticism, aesthetic; Neo-Platonism; 18, 46, 91, 121, 147-54, 159 ff 169-80, 210-11, 215, 251-54, 300 ff Myth and fable in art, 57-58 Nakedness in art, 31 Nain. See Le Nain Naples, 50 Napoleon I, 183, 185 ff, 197, 217. See also Revolution Napoleon III, 220 Nash, 228 Nationality in art, 120, 146, 156, 215, 216 ff, 234 Natural History. See Pliny the Elder Naturalism. See Ideal; Imitation Nature, the idea of, 19-23, 55 ff, 146, 288- 92, 308 Navarre, Henry IV of, 88 Negro sculpture and modernism, 240 Neo-Classicism. See Greek archaeology Néo-Grec in France, 220 Neo-Platonism, 18, 46, 148-54. See also Mysticism Nero, Emperor, 291, 302 Nesfield, W. E., 226 Newton, Sir Isaac, 72, 14® Newman, Henry, 224 Nibelungenlied, 12 Nicaea, Second Council of, 5, 7 10 Nicias, 296 Nicholas V, Pope, 34, 50 Nietzsche, 254 "Noblest Subjects" 58, 143, 15° 232* ^ee also "Great Style"; Morals "Nocturne" Whistler's, 208 Nouvelles Litéraires, Raynal's, 139 Novalis, 171 Novels in antiquity, 297 Nude, the, 31 "Oath of the Horatii" David's, 184 Oderisi, in Dante, 244 Odoric of Pordenone, 14 Odyssey, 12, 274 Oeconomica, Xenophon's, 292 OEuvre, Zola's, 257 Officialdom in French art, 198-99 "Officier de Chasseurs à Cheval, Géri-cault's, 189 INDEX 337 Orders of architecture. See Vitruvianism "Ordonnance,99 Orientalism in French art, 392 Origen, 5 Originality, 246-51, 298 ff. See also Individuality Orme. See De l'Orme Ornament, origin of the idea of, 11, 38 Ortolani, Sergio, 309 Oudry, 117 Overbeck, I. A., 312 Ovid, 36, 63, 280, 291, 296 Oxford, 129, 130, 224, 231, 234 Oxford Movement, 224 Oxford Museum, 234 Paciolo, Fra Luca, 68 Pader, Hilaire, 88 Paestum, 155 Painting versus Sculpture Controversy, 39- 45 77 107 Palladio; Palladianism, 74-76, 128-29, 135- 36, 155, 221, 223, 308. See also Vitruvianism Palmerston, Lord, 230 Papacy, the, and the Roman Empire, 28 Paradise, Dante's, 21-22 Parallel, Fréart de Chambray's, 101, 130 Parallels, Vitruvian, 100-101 "Paralytic" Géricault's, 190 Parentalia, Wren's, 129 Paris, 86, 89, 90, 94, 97, 99, 105, 124, 129, 146, 184, 190, 197-98, 201, 239- 40, 256, 258, 261. See also Academy; Louvre Paris, Matthew, 12 Parliament, Houses of, 228-29, 238 Parrhasios, 295, 296 Parthenon, 273, 275 Pascal, 119 Pasiteles, 296 Passavant, J. D., 309 Passion in art; Passions; Emotions, 78, 80, 94 99 101, 114-15, 118, 120, 148, 153 i58 i64 179 i87 193 198 209, 210, 269, 300 ff. See also Abnormality of genius; Catharsis; Individuality Pastoral poetry, Greek, 291 Paul IV, Pope, 48 Paul, St., 20, 36 Paul's, St., Cathedral, 130 Pausanias, 281, 284 Pautre. See Le Pautre Peasant arts and crafts, 240 Peiraecus, 297 Peloponnesian War, 282 Perception, 172. See also Intuition Perfection of Painting, Fréart de Chambray's, 130 Pericles; Periclean Age, 187, 2748., 293, 295 Peripatetics, the, 290, 297. See also Aristotle; Theophrastus Perrault, Charles, 105-6, 121 Perrault, Claude, 246, 309 Persians, Aeschylus', 278 Perspective, 41, 66, 67, 70, 100 Pessimism, artistic; Idea of Decadence, 127, 141 ff 153 *93 203, 234, 235 ff, 301-2. See also Melancholy Peterborough Cathedral, 226 Petrarch, 23, 30, 31, 33, 39, 40, 46, 49, 308 Petronius Arbiter, 302 Petroz, Pierre, viii, 311 Phaeacians, palace of the, in the Iliad, 274 Pheidias, 281, 295 Philosophy and the arts, 122 ff, 163-80, 2 1 0 - X I , 2 2 4 , 268 Philostratus, 91, 298, 303 Photography, invention of, 63, 204, 210 Picasso, in Pictura Veterum, De, Junius', 9r Picturesque, the, 146-47, 149, 193 218, 222, 268 Piero della Franceses, 67 Piero di Cosimo, 255 Piers Plowman, 19 Piles, Roger de, 94, 108-10, 113-15, 116, 119, 125, 135, 142, 144, 183, 196, 205, 251 309 338 INDEX Pilgrims, mediaeval, 12 ff, 307 Pindar, 274 Piranesi, 155 Pisa, 31, 234 Pisanello, 64 Pisano, Niccola, 31 Pissarro, Camille, 256 Pius II, Pope, 23, 50 Plagiarism, artistic, 246-51, 298 ff. See also Individuality Plato; Platonism, 6, 8, 29, 65, 112, 151- 52, 158, 160, 163, 167, 279, 282, 290, 292, 293, 294, 300, 303 Platonic Academy of Lorenzo de* Medici, 50, 65, 151 "Play" aesthetic, 168, 175 Pleasure, theories of aesthetic, 29 ff, 37- 38, 46, 55 ff, 94, 116, 120, 156 ff, 168, 195, 267, 282 Pliny the Elder, 35, 38, 62, 105, 280, 288, 294, 295, 297, 299, 302 Pliny the Younger, 36, 288 Plotinus, 291-92, 297, 300, 303 Plutarch, 56 Poetics, Aristotle's, 38, 65, 156, 279 Poetry and the arts. See Literature Poetry of Architecture, Ruskin's, 233 Poggio, 34, 35 Pointillism, 210 Poitiers, Diane de, 85, 86 Polidoro and Maturino, 248 Poliphilus' Hypnerotomachia, 46-47 Pollaiuoli, the, 36, 248 Polo, Marco, 13 Polybius, 284 Polycleitos, 69, 292 Polycrates of Samos, 283 Pompadour, Madame de, 122, 185, 186 Pompeii, 155, 159 Pompey, 286 Pontanus, 50 Pope, Alexander VI, 50; Clement VII, 45, 50; Julius II, 50; Leo X, 41, 50, 245, *55 308; Nicholas V, 34, 50; Paul IV, 48; Pius II, 23, 50 Porphyry, 302 Portraiture, 63-64, 114, 207, 244, 297 Post-Impressionism, 208-11, 236 Poussin, Nicholas, 89-90, 93, 94, 96, 97, 99, 107, 108, no, 112, 114, 117, 187, 196, 205, 248, 309 Poussinists and Rubenists, 109-10 Pratica, Croce's, 262 Pre-Raphaelites, 202, 239 Precepts, Tables of, 99, 148, 149, 165 Premier Tome, De l'Orme's, 86-88 Prévost, 219 Primaticcio, 85 "Primitives" 187 Prior, E. S., 307 Procopius, 4, 307 Proportion, 66, 78, 93, 99. See also Human figure; Mathematics; Vitruvianism Protection of ancient buildings, 226 Protestantism and the Gothic Revival, 223 ff, 231 Protogenes, 296, 299 Prud'hon, 185, 186 Ptolemies, the, 284 Public, the, and the arts, 121, 122 ff, 256 ff. See also Amateurs; Dilettantism Puccini, 257 Pugin, A. W., 225, 227, 228, 231, 232, 236 Purgatory, Dante's, 21 Puritanism and the arts. See Morals Pygmalion and Galatea, myth of, 280 Pythagoras, 158, 292 Quatremère de Quincy, 184 Quintilian, 91, 151, 288, 298, 300 Quintus, brother of Cicero, 287 "Raft of the Medusa" Géricault's, 189-90 Raphael, 37, 39, 41, 45-46, 47, 59. 61-62, 63, 64, 90, 94, 102, 108, 109, no, 113, 115, 139, 160, 193, 245, 248, 250, 308 Raphael versus Michelangelo Controversy, 45-46 Rationale Divinorum Officiorumt Durandus of Mende's, 224, 225, 315 Raynal, 139 INDEX 339 Realism. See Idealism Reason in art. See Academicism; Classicism; Imagination "Recipe-books/* mediaeval, 15, 307 Refinements, Greek architectural, 293 Réflexions critiques sur la Poésie et sur la Peinture, Dubos', 119 Réflexions sur la Peinture, Caylus', 125 Réflexions sur quelques Causes de l'État présent de la Peinture en France^ La Font's, 126 Reformation, 217 Reinach, Adolphe, 312 Regnault, 185 Religion and the arts. See Monasticism; Mysticism; Morals Rembrandt, 109, 110, 113, 118, 133, 193, 204 Renaissance, origins of, in England, 127- 36; in France, 85-102, 267, 309; in Italy, 19, 27-52, 244 ff, 267, 308-9; in antiquity, 283 ff, 303. See also Academicism Renoir, 205, 208 Restoration of ancient buildings, 217, 219, 226 Revett; Stuart and Revett, 155 Revivalism, 30 ff, 36-37, 193, 215-40, 269, 301-2. See also Greek archaeology; Middle Ages; Renaissance Revolution, French, 139, 140, 152, 160, 184-90, 199 Revolution of 1848, 203 Reynolds, Sir Joshua, 131-32, 248-49, 251 Riario, Cardinal, 50 Richelieu, Cardinal, 88, 96, 97, 98 Richelieu's Citronière, 130 Richter, Jean Paul, 308 Rickman, Thomas, 225 Rienzi, 31 Rigaud, J. F., 308 Robbia, Delia, 248 Robert, Hubert, 155 Rocheblave, S., viii, 309, 311 Rococo, 122, 146, 155 Rodin, Auguste, 202 Romano, Julio, 94 Romanticism, principles of, 22, 27, 67, 91, 163-80, 186 ff, 191, 192 ff, 208-9, 211, 215 ff, 251-54, 268-69, 289, 291-303 Romanticism, origins of, in England, 215 ff, 220 ff; in France, r.39ff, 148- 54; in Germany, 154-60 Rome; Roman Empire, 3 ff, 7, 27 ff, 273, 284 ff, 291 ff, 297 ff, 312. See also Renaissance Rome, city of, 3, 30-37, 48, 50, 51-52, 71, 72, 74-75 89-90, 93, 97, 107, 117, 118, 1 5 8 , 1 6 0 , 1 8 3 - 8 4 , 1 8 5 , 1 9 7 , 2 8 4 5 Rosa, Salvator, 255 Rosso, II, 85 Rousseau, Jean Jacques, 1x8, 146, 218 Rousseau, Théodore, 202-4 Roy. See Le Roy Royal Academy, 131-33, 184, 249 Royal Institute of British Architects, 230 Royal Society, 129, 130 Rubenism; Rubenists, 109-10, 311 Rubens, 90, 109, no, in, 115, 128, 188, 189, 190, 191, 194, 195, 196, 232, 245, 248, 311 Ruins, taste for architectural, 146, 193, 218, 222. See also Picturesque Ruskin, 8, 79, 143, 225, 227, 231-34, 235, 236 Rustici, 51 St. Augustine, 6-7 St. Clement of Alexandria, 5, 307 St. Francis of Assisi, 9, 14-15, 22, 36 St. Gall, Monastery of, 35 St. Gregory of Nyssa, 4 St. Gregory the Great, 7 St. John, 20 St. John Chrysostom, 5, 307 St. John Damascene, 5 St. Luke, the Company of, 50-51 St. Paul, 20, 36 St. Paul's Cathedral, 130 St. Peter's, Rome, 34 St. Thomas Aquinas. See Aquinas St. Yenne. See La Font de St. Yenne 340 INDEX Saintsbury, George, 315 Salon (exhibition), 123-27, 14t ff, 184, 188, 189, 191, 203, 205 Salon (social), 122 Salon des Refusés, 205 Salon pamphlets and critiques, 125-27, 205 Salons, Diderot's, 140-48, 310 Salvator Rosa, 255 San Gallo, the, 248 Sarto, Andrea del, 85, 248 Savonarola, 56, 57 Scamozzi, 308 Scandinavia, 240 Schelling, 177-78, 311 Schiller, 175-77, 310 Schlegel, Frederick von; the Schlegels, 8, 171, 179, 217, 218, 219, 254 Schleiermacher, 254 Schlosser, Julius von, 307 Scholasticism; Schoolmen, 18, 19, 29, 65, 163-64, 166, 180, 308 School at Rome, French, 97, 117, 183-84, 185 Schopenhauer, 168, 171-74, 178, 180, 310 Science and the arts, 18, 67, 115, 129, 180, *99 **° 236, 237 Scott, Sir George Gilbert, 226, 229-30, 235 Scott, Sir Walter, 220, 222 Scripture. See Bible Sculpture versus Painting Controversy, 39- 45 77 107 Secessionists, 239 Self-expression in art, 254, 262-63. See also Individuality Seneca, 286 Serlio, 74, 75, 85, 8 6 , 88, 308 Servile arts. See "Mechanic" arts Seven Lamps of Architecture, Ruskin's, 233 Sforze, 50 Shadows; Clair-obscur, 99, 108-9, 195 Shakespeare, 191, 221 Shaw, Bernard, 257 Shaw, Norman, 226 Shield of Heracles, Hesiod's, 274 Sicily, 155, 284 Signorelli, 64 Singleton, Esther, 311 "Sleeping Cupid" Michelangelo's, 37 Societies, early artistic and literary, 39, 49-52 "Society." See Public, the Socrates, 56, 278 ff, 295 Sodoma, 255 Solger, 171 Solon, 277 Sonnets, Michelangelo's, 151 Sophists on art, 283 ff, 287 Sophocles, 278 Sparta, 276, 277 Spingarn, J. E., 308 Spinoza, 164 Staël, Madame de, 153, 195 Statius, 288, 291, 300 Stefano, 59 Stereotomy, 87 Stockholm, 240 Stoics, 286 Stones of Venice, Ruskin's, 234 Strabo, 284, 297 Strassburg Cathedral, 174, 217 Strawberry Hill, 222, 223 Street, George Edmund, 226 Strindberg, August, 261 Stuart and Revett, 155 Stuart-Jones, H., 312 Studius, 297 "Sturm und Drang" 252 Styles, origin of the idea of, 19 3® 41 193, 22i, 225 ff, 227 ff, 235 Sublime, the, 168, 172-73, 195 Sulla, 285 "Superman" Nietzsche's, 254 Sur-Realism, 210 Swainson, Harold, 307 Switzerland, 21 Symonds, J. A., 308 "Symphony in White" Whistler's, 208 Synthesism, 210 Syracuse, 284 INDEX 341 Tables of Precepts, 99, 148, 149, 165 "Tache, Procédé de la" 206 Tacitus, 286 Taine, Hippolyte, 146 Taste, cycles of, 269, 273, 302-3 Taste, right to personal, 73 ff, 120, 127, 251. See also Individuality "Taste" words for, 39 Tatian, 5, 307 Technique in art, 41, 142, 150, 156-57, 173, 206-7, 235 ff Teniers, David, 118, 133, 145 Terence, 33 TertuIIian, 307 Testelin, Henri, 309 "Texture" of building materials, 238 Theocritus, 20, 36 Theophilus, 15, 308 Theophrastus, 35, 282, 297 Thespis, 277 Thomas, St., Aquinas. See Aquinas Thorvaldsen, 160 Thucydides, 275-77, 279, 293 Tiberius, Emperor, 291 Tieck, 171 Tiepolo, 248 Tintoretto, 47, 72, 250 Tite, Sir William, 230 Titian, 37 4i 45 47, 59, 63, 71, 90, 95, 102, 106, 107, 109, no, 115, 133, 204, 245 Tollemache, Beatrix L., 310 Toscanelli, 72 Tour. See La Tour Tragic catharsis, 56, 120, 168, 173, 179 Trattato del* Arte pittura, Lomazzo's, 76- 79, 88 Travelers, mediaeval, 12 ff, 307 Treatise of Civil Architecture, Chambers', 135-36 Treatise on Painting, Cennini's, 19, 308 Trent, Council of, 8 8 Trilby, George Du Maurier's, 257 Truth in art, 178-79, 319. See also Ideal; Imitation Turkey, 155 Turner, J. M. W., 191, 231 ff Unities of drama, xoi, 148, 149 Usefulness as apology for art, 10, 18, 37, 56 ff, 276, 279. See also Morals Vanbrugh, Sir John, 221 Van Dyck, 128, 245, 248 Van Eycks, the, 64, 109 Van Gogh, Vincent, 258-61 Van Loo, Carle, 122 Varchi, Benedetto, 43-44 Vasari, 41, 42, 51, 57, 58, 60-63, 67, 71, 79, 96, 244, 246-47, 249, 250, 255, 308 "Vieille Héaulmière" Rodin's, 202 Velasquez, 204 Venetians; Venice, 13, 37, 41, 45, 46, 47, 50, 65, 70, 71, 72, 75, 106, 109 ff, ni, 133, 205, 225, 234, 248 Venturi, Lionello, 308, 316, 317 Verdi, Werfel's, 257 Verisimilitude; "Vraisemblance" 57, 63, 100, 120, 143. See also Ideal; Imitation Vernet, Claude Joseph, 146 Verrochio, 42 Versailles, 98, 218 Viatte, Auguste, 310 Vicenza, 74 Victoria and Albert Museum, 238 Vien, Joseph Marie, 183-84 Vienna, 239 Vignola, 50, 74, 75, 85, 88, 308 Villars de Honnecourt, 15, 16, 17, 308 Viliehardouin, 12 Vinci. See Leonardo da Vinci Viollet-Je-Duc, 219, 220, 221 Virgil, 28, 29, 63, 157, 291 Virtii, La, Society of, 50 Visconti, 50 Vitruvianism; Vitruvius; the Orders, 34- 36, 40, 45, 50, 56, 66, 68-70, 73-76, 77-78, 79, 80, 85, 86-88, 100-1, 105, 128-31, 135-36, 147 *48 J49i J55* 221, 225, 268, 288, 293, 295, 308 Vouet, Simon, 97 Voyages PittoresqueSy 155 342 INDEX "Vraisemblance." See Verisimilitude Walpole, Horace, 222-23, 224, 225, 226 Walpole, Sir Robert, 222 Waterhouse, Alfred, 226 Watteau, 117, 133, 146 Webb, Phillip, 239 Werfel, Franz, 257 West, Benjamin, 184 Western Roman Empire, 6 ff Westminster, Palace of, 228 Whistler, 208, 234 Whitehall, Competition for Government offices in, 229-30 Wilars. See Villars de Honnecourt Wilkins, William, 228 Winckelmann, 79, 118, 158-60, 176, 183, 215, 231, 310 "Wit" 39 Wittgens, Fernanda, viii Wleugels, 117 Wotsey, Cardinal, 127 Wood and Dawkins, 155 Words and terms, aesthetic. See Aesthetic words and terms Works and Days, Hesiod's, 289 Wouwermans, 145 Wren, Sir Christopher, 118-30, 221 Wright, T., 307 Wyatt, James, 223, 226, 218 Xenophon, 279, 292, 294-95 Zeuxis, 69, 295, 298 Zola, 202, 257 Zucchero, Federigo, 72 |
